Datasets:

gaussalgo

/

Canard_Wiki-augmented

like 1

C_2ba58216460d43aa986fc0e897537239_0

what team did unitas play for

what team did Johnny Unitas play for?

Johnny Unitas

The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

The Colts

John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players

C_2ba58216460d43aa986fc0e897537239_0

how many games did the colts win

how many games did the colts win

Johnny Unitas

The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

the Colts ran off 10 straight victories to finish with a 12-2 record.

John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players

C_2ba58216460d43aa986fc0e897537239_0

who did they play in the playoffs

who did the Colts play in the playoffs?

Johnny Unitas

The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

Cleveland Browns

John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players

C_2ba58216460d43aa986fc0e897537239_0

did they win the super bowl

did the Colts win the super bowl?

Johnny Unitas

The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

losing 27-0.

John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players

C_2ba58216460d43aa986fc0e897537239_0

who did they play in the super bowl

who did the Colts play in the super bowl?

Johnny Unitas

The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

the Packers.

John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players

C_2ba58216460d43aa986fc0e897537239_0

what were unitas stats

what were Johnny Unitas stats?

Johnny Unitas

The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

Gary Cuozzo also suffered a season-ending injury the following

John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players

C_ae269bdc0d524b599736eb69a322d5b1_1

Where was he born?

Where was Mark Taylor born?

Mark Taylor (cricketer)

The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER

Taylor's early years were spent at Wagga Wagga,

Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans

C_ae269bdc0d524b599736eb69a322d5b1_1

What did he do growing up?

What did Mark Taylor do growing up?

Mark Taylor (cricketer)

The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER

Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him.

Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans

C_ae269bdc0d524b599736eb69a322d5b1_1

Are there any other interesting aspects about this article?

Are there any other interesting aspects in addition to this article?

Mark Taylor (cricketer)

The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER

Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga.

Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans

C_ae269bdc0d524b599736eb69a322d5b1_1

did he win any awards?

Did Mark Taylor win any awards?

Mark Taylor (cricketer)

The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER

CANNOTANSWER

Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans

C_ae269bdc0d524b599736eb69a322d5b1_1

did he win any championships for his school?

did Mark Taylor win any championships for his school?

Mark Taylor (cricketer)

The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER

Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83.

Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans

C_ae269bdc0d524b599736eb69a322d5b1_1

What jobs did he work?

What jobs did Mark Taylor work?

Mark Taylor (cricketer)

The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER

He originally trained as a surveyor, and received a degree in surveying

Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans

C_ae269bdc0d524b599736eb69a322d5b1_1

Did he go to college?

Did Mark Taylor go to college?

Mark Taylor (cricketer)

The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER

University of New South Wales in 1987.

Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans

C_ae269bdc0d524b599736eb69a322d5b1_1

Did he graduate?

Did Mark Taylor graduate?

Mark Taylor (cricketer)

The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER

received a degree in surveying

Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans

C_c517b95f33a74cf5ac5b8cc32a6889b8_1

Whe was the Indian premier league?

Who was Gautam Gambhir in Indian premier league?

Gautam Gambhir

Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER

He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010.

Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports

C_c517b95f33a74cf5ac5b8cc32a6889b8_1

what did he do as captain?

what did Gautam Gambhir do as captain?

Gautam Gambhir

Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER

At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL.

Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports

C_c517b95f33a74cf5ac5b8cc32a6889b8_1

did he set any other records?

Did Gautam Gambhir set any other records besides scoring more than 1000 runs in the IPL?

Gautam Gambhir

Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER

Gambhir is the leading run-scorer of the Kolkata Knight Riders.

Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports

C_c517b95f33a74cf5ac5b8cc32a6889b8_1

did he win any awards?

Did Gautam Gambhir win any awards?

Gautam Gambhir

Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER

CANNOTANSWER

Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports

C_c517b95f33a74cf5ac5b8cc32a6889b8_1

Are there any other interesting aspects about this article?

Are there any other interesting aspects about this article aside from Gautam Gambhir record?

Gautam Gambhir

Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER

On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore,

Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports

C_c517b95f33a74cf5ac5b8cc32a6889b8_1

did he play for any other teams?

Did Gautam Gambhir play for any other teams other than Delhi Daredevils?

Gautam Gambhir

Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER

later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started.

Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports

C_52dfda507a2f476c98e838aa6c80d9e5_1

Did Steve Young play any notable games while a backup?

Did Steve Young play any notable games while Montana's backup?

Steve Young

Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER

Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0

Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans

C_52dfda507a2f476c98e838aa6c80d9e5_1

Did they win that game?

Did Montana win the game against the Chicago Bears in 1987?

Steve Young

Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER

41-0 victory.

Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans

C_52dfda507a2f476c98e838aa6c80d9e5_1

Did he play any other notable games?

Did Steve Young play any other notable games other than the one against the Chicago Bears in 1987?

Steve Young

Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER

he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance

Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans

C_52dfda507a2f476c98e838aa6c80d9e5_1

Who were the 49ers playing in this game?

Who were the 49ers playing in the game with a score of 27-10?

Steve Young

Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER

Minnesota Vikings,

Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans

C_52dfda507a2f476c98e838aa6c80d9e5_1

When was this game being played?

When was the Minnesota Vikings game against Montana being played?

Steve Young

Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER

1987

Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans

C_52dfda507a2f476c98e838aa6c80d9e5_1

Was this game played at the 49ers' stadium or the Vikings' stadium?

Was the 1987 game against the Minnesota Vikings played at the 49ers' stadium or the Vikings' stadium?

Steve Young

Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER

CANNOTANSWER

Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans

C_52dfda507a2f476c98e838aa6c80d9e5_1

Did the 49ers play well during the 1987 to 1990 period?

Did the 49ers play well during the 1987 to 1990 period?

Steve Young

Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER

The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss.

Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans

C_52dfda507a2f476c98e838aa6c80d9e5_1

Did they ever get to the Super Bowl while Steve Young was there?

Did Minnesota Vikings ever get to the Super Bowl while Steve Young was there?

Steve Young

Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER

While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season,

Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans

C_44cfa9f1a9614dc1970959a59917acbd_1

What is the colour and the shape

What is "The colour and the shape"

Foo Fighters

After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes with him to Los Angeles, intending to finish up his vocal and guitar parts. While there, Grohl realized that he was not happy with how the mixes were turning out, and changed William Goldsmith's "drum tracks with his own for all but two songs." During the L.A. sessions, Grohl had played drums on the songs. Unhappy with Goldsmith's drumming, Grohl removed it from the recordings and re-recorded the drum tracks. As Goldsmith was about to come down to L.A. to find out why he wasn't being called upon to re-record his parts, he called Mendel from Seattle inquiring if he should make the trip. Grohl then called Goldsmith saying, "Dude, don't come down here, I'm recording some of the drum tracks". Shocked by this, Goldsmith met up with Mendel in Seattle and repeated Grohl's claim to be re-recording "some" of the tracks. Mendel asked, "Is that what he told you?"; Goldsmith affirmed it, and Mendel stated, "No, man, he did them all". Grohl explained that he'd wanted the drums to sound a certain way on the album. He wanted Goldsmith to play for the tour even though it would not be his drumming but Grohl's on the album. Feeling betrayed, Goldsmith left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins to see if he could recommend anybody. Grohl was surprised when Hawkins volunteered his own services as drummer. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You" Pat Smear announced to the rest of the group that he wanted to leave the band claiming exhaustion and burnout but agreed to stay with the band until a replacement could be found for him. Four months later in September 1997 at the MTV Video Music Awards, Smear simultaneously announced to the public his departure from the band and introduced his replacement, Grohl's former Scream bandmate Franz Stahl. Stahl toured with the band for the next few months, and appeared on two tracks that the band recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and "A320" for Godzilla. A B-side from the "My Hero" single, "Dear Lover", appeared in the horror film Scream 2. The tour for The Colour and the Shape album included a main stage performance at the 1998 Glastonbury Festival and culminated with a performance at the 1998 Reading Festival, both in England. CANNOTANSWER

second album.

Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was "in awe" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do." Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on "X-Static", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people. He said later: "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world." The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, "This Is a Call", was released in June 1995, and its debut album Foo Fighters was released the next month. "I'll Stick Around," "For All the Cows," and "Big Me" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and A320 for Godzilla. A B-side from the "My Hero" single, "Dear Lover," appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including "Learn to Fly", the band's first to reach the US Billboard Hot 100. Other singles included "Stacked Actors," "Generator," "Next Year," and "Breakout." Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a "key man clause" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was "extraordinarily irresponsible behavior" because "there is no doubt about the link between HIV and AIDS in the respected scientific community." Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar," which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album "just didn't sound right" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included "All My Life," "Times Like These," "Low," and "Have It All." The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using "Times Like These" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, "There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense." Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted "Welcome to the greatest fucking day of my whole entire life!". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as "pretty fucking fun". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played "Everlong", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War". In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: "Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down." Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana "liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose." Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, "I could hear the song in my head before it was finished." Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as "his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock." The band members meld melodic and heavy elements. Grohl noted in 1997, "We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural." Grohl said in 2005, "I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life." Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)

C_44cfa9f1a9614dc1970959a59917acbd_1

What singles did the album have?

What singles did the album "The colour and the shape" have?

Foo Fighters

After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes with him to Los Angeles, intending to finish up his vocal and guitar parts. While there, Grohl realized that he was not happy with how the mixes were turning out, and changed William Goldsmith's "drum tracks with his own for all but two songs." During the L.A. sessions, Grohl had played drums on the songs. Unhappy with Goldsmith's drumming, Grohl removed it from the recordings and re-recorded the drum tracks. As Goldsmith was about to come down to L.A. to find out why he wasn't being called upon to re-record his parts, he called Mendel from Seattle inquiring if he should make the trip. Grohl then called Goldsmith saying, "Dude, don't come down here, I'm recording some of the drum tracks". Shocked by this, Goldsmith met up with Mendel in Seattle and repeated Grohl's claim to be re-recording "some" of the tracks. Mendel asked, "Is that what he told you?"; Goldsmith affirmed it, and Mendel stated, "No, man, he did them all". Grohl explained that he'd wanted the drums to sound a certain way on the album. He wanted Goldsmith to play for the tour even though it would not be his drumming but Grohl's on the album. Feeling betrayed, Goldsmith left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins to see if he could recommend anybody. Grohl was surprised when Hawkins volunteered his own services as drummer. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You" Pat Smear announced to the rest of the group that he wanted to leave the band claiming exhaustion and burnout but agreed to stay with the band until a replacement could be found for him. Four months later in September 1997 at the MTV Video Music Awards, Smear simultaneously announced to the public his departure from the band and introduced his replacement, Grohl's former Scream bandmate Franz Stahl. Stahl toured with the band for the next few months, and appeared on two tracks that the band recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and "A320" for Godzilla. A B-side from the "My Hero" single, "Dear Lover", appeared in the horror film Scream 2. The tour for The Colour and the Shape album included a main stage performance at the 1998 Glastonbury Festival and culminated with a performance at the 1998 Reading Festival, both in England. CANNOTANSWER

The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You"

Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was "in awe" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do." Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on "X-Static", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people. He said later: "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world." The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, "This Is a Call", was released in June 1995, and its debut album Foo Fighters was released the next month. "I'll Stick Around," "For All the Cows," and "Big Me" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and A320 for Godzilla. A B-side from the "My Hero" single, "Dear Lover," appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including "Learn to Fly", the band's first to reach the US Billboard Hot 100. Other singles included "Stacked Actors," "Generator," "Next Year," and "Breakout." Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a "key man clause" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was "extraordinarily irresponsible behavior" because "there is no doubt about the link between HIV and AIDS in the respected scientific community." Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar," which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album "just didn't sound right" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included "All My Life," "Times Like These," "Low," and "Have It All." The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using "Times Like These" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, "There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense." Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted "Welcome to the greatest fucking day of my whole entire life!". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as "pretty fucking fun". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played "Everlong", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War". In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: "Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down." Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana "liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose." Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, "I could hear the song in my head before it was finished." Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as "his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock." The band members meld melodic and heavy elements. Grohl noted in 1997, "We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural." Grohl said in 2005, "I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life." Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)

C_44cfa9f1a9614dc1970959a59917acbd_1

Did they go on tour?

Did The Colour and the Shape album go on tour?

Foo Fighters

After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes with him to Los Angeles, intending to finish up his vocal and guitar parts. While there, Grohl realized that he was not happy with how the mixes were turning out, and changed William Goldsmith's "drum tracks with his own for all but two songs." During the L.A. sessions, Grohl had played drums on the songs. Unhappy with Goldsmith's drumming, Grohl removed it from the recordings and re-recorded the drum tracks. As Goldsmith was about to come down to L.A. to find out why he wasn't being called upon to re-record his parts, he called Mendel from Seattle inquiring if he should make the trip. Grohl then called Goldsmith saying, "Dude, don't come down here, I'm recording some of the drum tracks". Shocked by this, Goldsmith met up with Mendel in Seattle and repeated Grohl's claim to be re-recording "some" of the tracks. Mendel asked, "Is that what he told you?"; Goldsmith affirmed it, and Mendel stated, "No, man, he did them all". Grohl explained that he'd wanted the drums to sound a certain way on the album. He wanted Goldsmith to play for the tour even though it would not be his drumming but Grohl's on the album. Feeling betrayed, Goldsmith left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins to see if he could recommend anybody. Grohl was surprised when Hawkins volunteered his own services as drummer. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You" Pat Smear announced to the rest of the group that he wanted to leave the band claiming exhaustion and burnout but agreed to stay with the band until a replacement could be found for him. Four months later in September 1997 at the MTV Video Music Awards, Smear simultaneously announced to the public his departure from the band and introduced his replacement, Grohl's former Scream bandmate Franz Stahl. Stahl toured with the band for the next few months, and appeared on two tracks that the band recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and "A320" for Godzilla. A B-side from the "My Hero" single, "Dear Lover", appeared in the horror film Scream 2. The tour for The Colour and the Shape album included a main stage performance at the 1998 Glastonbury Festival and culminated with a performance at the 1998 Reading Festival, both in England. CANNOTANSWER

The Colour and the Shape album included a main stage performance at the 1998 Glastonbury Festival

Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was "in awe" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do." Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on "X-Static", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people. He said later: "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world." The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, "This Is a Call", was released in June 1995, and its debut album Foo Fighters was released the next month. "I'll Stick Around," "For All the Cows," and "Big Me" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and A320 for Godzilla. A B-side from the "My Hero" single, "Dear Lover," appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including "Learn to Fly", the band's first to reach the US Billboard Hot 100. Other singles included "Stacked Actors," "Generator," "Next Year," and "Breakout." Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a "key man clause" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was "extraordinarily irresponsible behavior" because "there is no doubt about the link between HIV and AIDS in the respected scientific community." Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar," which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album "just didn't sound right" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included "All My Life," "Times Like These," "Low," and "Have It All." The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using "Times Like These" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, "There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense." Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted "Welcome to the greatest fucking day of my whole entire life!". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as "pretty fucking fun". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played "Everlong", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War". In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: "Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down." Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana "liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose." Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, "I could hear the song in my head before it was finished." Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as "his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock." The band members meld melodic and heavy elements. Grohl noted in 1997, "We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural." Grohl said in 2005, "I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life." Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)

C_44cfa9f1a9614dc1970959a59917acbd_1

What are some interesting aspects about this article?

What are some interesting aspects about this article besides the album"The Colour and the Shape"?

Foo Fighters

After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes with him to Los Angeles, intending to finish up his vocal and guitar parts. While there, Grohl realized that he was not happy with how the mixes were turning out, and changed William Goldsmith's "drum tracks with his own for all but two songs." During the L.A. sessions, Grohl had played drums on the songs. Unhappy with Goldsmith's drumming, Grohl removed it from the recordings and re-recorded the drum tracks. As Goldsmith was about to come down to L.A. to find out why he wasn't being called upon to re-record his parts, he called Mendel from Seattle inquiring if he should make the trip. Grohl then called Goldsmith saying, "Dude, don't come down here, I'm recording some of the drum tracks". Shocked by this, Goldsmith met up with Mendel in Seattle and repeated Grohl's claim to be re-recording "some" of the tracks. Mendel asked, "Is that what he told you?"; Goldsmith affirmed it, and Mendel stated, "No, man, he did them all". Grohl explained that he'd wanted the drums to sound a certain way on the album. He wanted Goldsmith to play for the tour even though it would not be his drumming but Grohl's on the album. Feeling betrayed, Goldsmith left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins to see if he could recommend anybody. Grohl was surprised when Hawkins volunteered his own services as drummer. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You" Pat Smear announced to the rest of the group that he wanted to leave the band claiming exhaustion and burnout but agreed to stay with the band until a replacement could be found for him. Four months later in September 1997 at the MTV Video Music Awards, Smear simultaneously announced to the public his departure from the band and introduced his replacement, Grohl's former Scream bandmate Franz Stahl. Stahl toured with the band for the next few months, and appeared on two tracks that the band recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and "A320" for Godzilla. A B-side from the "My Hero" single, "Dear Lover", appeared in the horror film Scream 2. The tour for The Colour and the Shape album included a main stage performance at the 1998 Glastonbury Festival and culminated with a performance at the 1998 Reading Festival, both in England. CANNOTANSWER

Dear Lover", appeared in the horror film Scream 2.

Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was "in awe" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do." Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on "X-Static", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people. He said later: "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world." The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, "This Is a Call", was released in June 1995, and its debut album Foo Fighters was released the next month. "I'll Stick Around," "For All the Cows," and "Big Me" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and A320 for Godzilla. A B-side from the "My Hero" single, "Dear Lover," appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including "Learn to Fly", the band's first to reach the US Billboard Hot 100. Other singles included "Stacked Actors," "Generator," "Next Year," and "Breakout." Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a "key man clause" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was "extraordinarily irresponsible behavior" because "there is no doubt about the link between HIV and AIDS in the respected scientific community." Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar," which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album "just didn't sound right" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included "All My Life," "Times Like These," "Low," and "Have It All." The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using "Times Like These" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, "There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense." Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted "Welcome to the greatest fucking day of my whole entire life!". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as "pretty fucking fun". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played "Everlong", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War". In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: "Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down." Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana "liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose." Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, "I could hear the song in my head before it was finished." Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as "his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock." The band members meld melodic and heavy elements. Grohl noted in 1997, "We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural." Grohl said in 2005, "I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life." Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)

C_44cfa9f1a9614dc1970959a59917acbd_1

What other songs did they have that were featured on films?

What other songs were featured on films besides "Dear Lover"?

Foo Fighters

After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes with him to Los Angeles, intending to finish up his vocal and guitar parts. While there, Grohl realized that he was not happy with how the mixes were turning out, and changed William Goldsmith's "drum tracks with his own for all but two songs." During the L.A. sessions, Grohl had played drums on the songs. Unhappy with Goldsmith's drumming, Grohl removed it from the recordings and re-recorded the drum tracks. As Goldsmith was about to come down to L.A. to find out why he wasn't being called upon to re-record his parts, he called Mendel from Seattle inquiring if he should make the trip. Grohl then called Goldsmith saying, "Dude, don't come down here, I'm recording some of the drum tracks". Shocked by this, Goldsmith met up with Mendel in Seattle and repeated Grohl's claim to be re-recording "some" of the tracks. Mendel asked, "Is that what he told you?"; Goldsmith affirmed it, and Mendel stated, "No, man, he did them all". Grohl explained that he'd wanted the drums to sound a certain way on the album. He wanted Goldsmith to play for the tour even though it would not be his drumming but Grohl's on the album. Feeling betrayed, Goldsmith left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins to see if he could recommend anybody. Grohl was surprised when Hawkins volunteered his own services as drummer. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You" Pat Smear announced to the rest of the group that he wanted to leave the band claiming exhaustion and burnout but agreed to stay with the band until a replacement could be found for him. Four months later in September 1997 at the MTV Video Music Awards, Smear simultaneously announced to the public his departure from the band and introduced his replacement, Grohl's former Scream bandmate Franz Stahl. Stahl toured with the band for the next few months, and appeared on two tracks that the band recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and "A320" for Godzilla. A B-side from the "My Hero" single, "Dear Lover", appeared in the horror film Scream 2. The tour for The Colour and the Shape album included a main stage performance at the 1998 Glastonbury Festival and culminated with a performance at the 1998 Reading Festival, both in England. CANNOTANSWER

"Walking After You" for The X-Files and "A320" for Godzilla. A B-side from the "My Hero" single,

Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was "in awe" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do." Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on "X-Static", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people. He said later: "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world." The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, "This Is a Call", was released in June 1995, and its debut album Foo Fighters was released the next month. "I'll Stick Around," "For All the Cows," and "Big Me" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and A320 for Godzilla. A B-side from the "My Hero" single, "Dear Lover," appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including "Learn to Fly", the band's first to reach the US Billboard Hot 100. Other singles included "Stacked Actors," "Generator," "Next Year," and "Breakout." Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a "key man clause" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was "extraordinarily irresponsible behavior" because "there is no doubt about the link between HIV and AIDS in the respected scientific community." Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar," which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album "just didn't sound right" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included "All My Life," "Times Like These," "Low," and "Have It All." The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using "Times Like These" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, "There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense." Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted "Welcome to the greatest fucking day of my whole entire life!". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as "pretty fucking fun". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played "Everlong", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War". In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: "Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down." Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana "liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose." Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, "I could hear the song in my head before it was finished." Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as "his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock." The band members meld melodic and heavy elements. Grohl noted in 1997, "We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural." Grohl said in 2005, "I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life." Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)

C_44cfa9f1a9614dc1970959a59917acbd_1

Any others?

Any others songs were featured on films besides "Dear Lover", "Walking After You" for The X-Files and "A320"?

Foo Fighters

After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes with him to Los Angeles, intending to finish up his vocal and guitar parts. While there, Grohl realized that he was not happy with how the mixes were turning out, and changed William Goldsmith's "drum tracks with his own for all but two songs." During the L.A. sessions, Grohl had played drums on the songs. Unhappy with Goldsmith's drumming, Grohl removed it from the recordings and re-recorded the drum tracks. As Goldsmith was about to come down to L.A. to find out why he wasn't being called upon to re-record his parts, he called Mendel from Seattle inquiring if he should make the trip. Grohl then called Goldsmith saying, "Dude, don't come down here, I'm recording some of the drum tracks". Shocked by this, Goldsmith met up with Mendel in Seattle and repeated Grohl's claim to be re-recording "some" of the tracks. Mendel asked, "Is that what he told you?"; Goldsmith affirmed it, and Mendel stated, "No, man, he did them all". Grohl explained that he'd wanted the drums to sound a certain way on the album. He wanted Goldsmith to play for the tour even though it would not be his drumming but Grohl's on the album. Feeling betrayed, Goldsmith left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins to see if he could recommend anybody. Grohl was surprised when Hawkins volunteered his own services as drummer. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You" Pat Smear announced to the rest of the group that he wanted to leave the band claiming exhaustion and burnout but agreed to stay with the band until a replacement could be found for him. Four months later in September 1997 at the MTV Video Music Awards, Smear simultaneously announced to the public his departure from the band and introduced his replacement, Grohl's former Scream bandmate Franz Stahl. Stahl toured with the band for the next few months, and appeared on two tracks that the band recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and "A320" for Godzilla. A B-side from the "My Hero" single, "Dear Lover", appeared in the horror film Scream 2. The tour for The Colour and the Shape album included a main stage performance at the 1998 Glastonbury Festival and culminated with a performance at the 1998 Reading Festival, both in England. CANNOTANSWER

CANNOTANSWER

Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was "in awe" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do." Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on "X-Static", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people. He said later: "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world." The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, "This Is a Call", was released in June 1995, and its debut album Foo Fighters was released the next month. "I'll Stick Around," "For All the Cows," and "Big Me" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and A320 for Godzilla. A B-side from the "My Hero" single, "Dear Lover," appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including "Learn to Fly", the band's first to reach the US Billboard Hot 100. Other singles included "Stacked Actors," "Generator," "Next Year," and "Breakout." Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a "key man clause" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was "extraordinarily irresponsible behavior" because "there is no doubt about the link between HIV and AIDS in the respected scientific community." Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar," which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album "just didn't sound right" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included "All My Life," "Times Like These," "Low," and "Have It All." The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using "Times Like These" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, "There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense." Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted "Welcome to the greatest fucking day of my whole entire life!". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as "pretty fucking fun". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played "Everlong", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War". In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: "Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down." Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana "liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose." Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, "I could hear the song in my head before it was finished." Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as "his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock." The band members meld melodic and heavy elements. Grohl noted in 1997, "We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural." Grohl said in 2005, "I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life." Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)

C_f615186a82b8421aacb4ca18fca24b42_0

Where did Robson play internationally?

Where did Robson play internationally?

Bobby Robson

During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4-0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9-3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. CANNOTANSWER

Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956.

Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, "My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute." He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, "Newcastle made no appreciable effort to secure [my] signature." He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing." Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline "Robson sacked" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: "We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous "Hand of God" goal and the "Goal of the Century" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, "In the name of Allah, go." Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, "[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made." Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as "a culture shock" but felt "a sense of adventure". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, "An English pro accepts the manager's decision. After every match here, the substitutes come and visit me." Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted "in some matches he would be scintillating". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in "a terrible state". He described the club's president as a "loose cannon" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA "C" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as "Bobby Five-O" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, "as a trainer without doubt [Robson] is one of the greatest in the world". The 1997–98 season saw Robson moved "upstairs" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, "[I]t was miles below the going rate," but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: "I'm here to say goodbye—maybe not goodbye but farewell." In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as "international football consultant". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's "Best Pub Side" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a "great friend, a wonderful individual and tremendous football man". UEFA president Michel Platini said, "He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being." Gary Lineker said, "It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game." Former Prime Minister of the United Kingdom Tony Blair described Robson as a "real Geordie gentleman". According to the then-Prime Minister Gordon Brown, Robson "epitomised everything that is great about football in this country". His friend, the broadcaster Michael Parkinson, said, "Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph." Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for "services to football". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being "the proudest moment of my life". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of "his contribution as both player and manager in a career spanning more than half a century". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to "individuals who have dedicated their talents to the good of the game". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the "gentlemanly qualities he showed throughout his career as a player and coach". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as "The best President we never had". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham

C_f615186a82b8421aacb4ca18fca24b42_0

Where else did he play after 1956?

Other than playing in South Africa in 1956, where else did Robson play after 1956?

Bobby Robson

During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4-0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9-3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. CANNOTANSWER

his debut in a November 1957 victory against France,

Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, "My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute." He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, "Newcastle made no appreciable effort to secure [my] signature." He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing." Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline "Robson sacked" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: "We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous "Hand of God" goal and the "Goal of the Century" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, "In the name of Allah, go." Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, "[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made." Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as "a culture shock" but felt "a sense of adventure". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, "An English pro accepts the manager's decision. After every match here, the substitutes come and visit me." Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted "in some matches he would be scintillating". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in "a terrible state". He described the club's president as a "loose cannon" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA "C" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as "Bobby Five-O" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, "as a trainer without doubt [Robson] is one of the greatest in the world". The 1997–98 season saw Robson moved "upstairs" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, "[I]t was miles below the going rate," but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: "I'm here to say goodbye—maybe not goodbye but farewell." In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as "international football consultant". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's "Best Pub Side" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a "great friend, a wonderful individual and tremendous football man". UEFA president Michel Platini said, "He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being." Gary Lineker said, "It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game." Former Prime Minister of the United Kingdom Tony Blair described Robson as a "real Geordie gentleman". According to the then-Prime Minister Gordon Brown, Robson "epitomised everything that is great about football in this country". His friend, the broadcaster Michael Parkinson, said, "Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph." Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for "services to football". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being "the proudest moment of my life". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of "his contribution as both player and manager in a career spanning more than half a century". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to "individuals who have dedicated their talents to the good of the game". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the "gentlemanly qualities he showed throughout his career as a player and coach". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as "The best President we never had". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham

C_f615186a82b8421aacb4ca18fca24b42_0

Who was he playing for in 1957?

Who was Robson playing for in 1957?

Bobby Robson

During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4-0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9-3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. CANNOTANSWER

the England national team,

Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, "My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute." He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, "Newcastle made no appreciable effort to secure [my] signature." He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing." Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline "Robson sacked" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: "We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous "Hand of God" goal and the "Goal of the Century" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, "In the name of Allah, go." Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, "[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made." Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as "a culture shock" but felt "a sense of adventure". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, "An English pro accepts the manager's decision. After every match here, the substitutes come and visit me." Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted "in some matches he would be scintillating". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in "a terrible state". He described the club's president as a "loose cannon" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA "C" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as "Bobby Five-O" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, "as a trainer without doubt [Robson] is one of the greatest in the world". The 1997–98 season saw Robson moved "upstairs" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, "[I]t was miles below the going rate," but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: "I'm here to say goodbye—maybe not goodbye but farewell." In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as "international football consultant". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's "Best Pub Side" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a "great friend, a wonderful individual and tremendous football man". UEFA president Michel Platini said, "He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being." Gary Lineker said, "It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game." Former Prime Minister of the United Kingdom Tony Blair described Robson as a "real Geordie gentleman". According to the then-Prime Minister Gordon Brown, Robson "epitomised everything that is great about football in this country". His friend, the broadcaster Michael Parkinson, said, "Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph." Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for "services to football". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being "the proudest moment of my life". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of "his contribution as both player and manager in a career spanning more than half a century". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to "individuals who have dedicated their talents to the good of the game". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the "gentlemanly qualities he showed throughout his career as a player and coach". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as "The best President we never had". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham

C_f615186a82b8421aacb4ca18fca24b42_0

Which team did he play for longest?

Which team did Robson play for longest?

Bobby Robson

During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4-0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9-3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. CANNOTANSWER

England

Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, "My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute." He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, "Newcastle made no appreciable effort to secure [my] signature." He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing." Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline "Robson sacked" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: "We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous "Hand of God" goal and the "Goal of the Century" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, "In the name of Allah, go." Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, "[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made." Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as "a culture shock" but felt "a sense of adventure". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, "An English pro accepts the manager's decision. After every match here, the substitutes come and visit me." Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted "in some matches he would be scintillating". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in "a terrible state". He described the club's president as a "loose cannon" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA "C" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as "Bobby Five-O" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, "as a trainer without doubt [Robson] is one of the greatest in the world". The 1997–98 season saw Robson moved "upstairs" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, "[I]t was miles below the going rate," but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: "I'm here to say goodbye—maybe not goodbye but farewell." In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as "international football consultant". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's "Best Pub Side" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a "great friend, a wonderful individual and tremendous football man". UEFA president Michel Platini said, "He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being." Gary Lineker said, "It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game." Former Prime Minister of the United Kingdom Tony Blair described Robson as a "real Geordie gentleman". According to the then-Prime Minister Gordon Brown, Robson "epitomised everything that is great about football in this country". His friend, the broadcaster Michael Parkinson, said, "Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph." Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for "services to football". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being "the proudest moment of my life". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of "his contribution as both player and manager in a career spanning more than half a century". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to "individuals who have dedicated their talents to the good of the game". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the "gentlemanly qualities he showed throughout his career as a player and coach". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as "The best President we never had". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham

C_f615186a82b8421aacb4ca18fca24b42_0

What did he do after playing for England?

What did Robson do after playing for England?

Bobby Robson

During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4-0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9-3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. CANNOTANSWER

CANNOTANSWER

Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, "My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute." He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, "Newcastle made no appreciable effort to secure [my] signature." He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing." Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline "Robson sacked" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: "We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous "Hand of God" goal and the "Goal of the Century" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, "In the name of Allah, go." Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, "[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made." Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as "a culture shock" but felt "a sense of adventure". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, "An English pro accepts the manager's decision. After every match here, the substitutes come and visit me." Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted "in some matches he would be scintillating". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in "a terrible state". He described the club's president as a "loose cannon" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA "C" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as "Bobby Five-O" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, "as a trainer without doubt [Robson] is one of the greatest in the world". The 1997–98 season saw Robson moved "upstairs" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, "[I]t was miles below the going rate," but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: "I'm here to say goodbye—maybe not goodbye but farewell." In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as "international football consultant". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's "Best Pub Side" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a "great friend, a wonderful individual and tremendous football man". UEFA president Michel Platini said, "He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being." Gary Lineker said, "It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game." Former Prime Minister of the United Kingdom Tony Blair described Robson as a "real Geordie gentleman". According to the then-Prime Minister Gordon Brown, Robson "epitomised everything that is great about football in this country". His friend, the broadcaster Michael Parkinson, said, "Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph." Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for "services to football". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being "the proudest moment of my life". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of "his contribution as both player and manager in a career spanning more than half a century". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to "individuals who have dedicated their talents to the good of the game". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the "gentlemanly qualities he showed throughout his career as a player and coach". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as "The best President we never had". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham

C_c50f120990f34e0cb4e97ecfbab870af_1

Was Odissi an acceptable form of dancing during the Medieval era?

Was Odissi an acceptable form of dancing during the Medieval era?

Odissi

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER

The Buddhist icons, for example, are depicted as dancing gods and goddesses,

Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music

C_c50f120990f34e0cb4e97ecfbab870af_1

Was Odissi popular form of dancing during the Medieval era?

Was Odissi a popular form of dancing during the Medieval era?

Odissi

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER

Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue

Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music

C_c50f120990f34e0cb4e97ecfbab870af_1

Was there a popular Odissi dancer in this era?

Was there a popular Odissi dancer in the Medieval era?

Odissi

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER

CANNOTANSWER

Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music

C_c50f120990f34e0cb4e97ecfbab870af_1

Is there anything significant about Odissi dancing in the Medieval era?

Is there anything significant about Odissi dancing in the Medieval era?

Odissi

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER

Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era,

Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music

C_c50f120990f34e0cb4e97ecfbab870af_1

Was Odissi a good source of income for the performers?

Was Odissi dancing a good source of income for the Medieval era performers?

Odissi

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER

CANNOTANSWER

Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music

C_c50f120990f34e0cb4e97ecfbab870af_1

Were there anyone in the Medieval who did not like this form of dancing?

Was there anyone in the Medieval era who did not like the Odissi form of dancing?

Odissi

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER

were revered as auspicious to religious services.

Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music

C_c50f120990f34e0cb4e97ecfbab870af_1

In what arenas were you able to witness the Odissi performers in the Medieval era?

In what arenas were you able to witness the Odissi performers in the Medieval era?

Odissi

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER

Odissi was performed in the temples by the dancers called Maharis,

Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music

C_ca2198202da140e28165132567967682_1

Can you provide me with a little information on And Winter Came..and Dark Sky Island?

Can you provide me with a little information on And Winter Came..and Dark Sky Island by Enya?

Enya

Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER

seventh studio album, And Winter Came....

Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers

C_ca2198202da140e28165132567967682_1

Is this the name of a music group?

Is Enya the name of a music group?

Enya

Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER

seventh studio album,

Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers

C_ca2198202da140e28165132567967682_1

What was all involved in the making of this album?

What was all involved in the making of the album And Winter Came... and Dark Sky Island?

Enya

Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER

Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead.

Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers

C_ca2198202da140e28165132567967682_1

Is her winter-themed album popular?

Is Enya's winter-themed album popular?

Enya

Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER

reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011.

Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers

C_ca2198202da140e28165132567967682_1

What did she do after this success?

What did Enya do after her winter-themed album became a success?

Enya

Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER

After promoting And Winter Came..., Enya took an extended break from writing and recording music.

Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers

C_ca2198202da140e28165132567967682_1

What did she focus on during her break?

What did Enya focus on during her break after promoting And Winter Came...?

Enya

Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER

She spent her time resting, visiting family in Australia, and renovating her new home in the south of France.

Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers

C_8b166a2b96a4446b96aec0b2fd24bb06_1

Where did Clinton grow up?

Where did Hillary Clinton grow up?

Hillary Clinton

Hillary Diane Rodham was born on October 26, 1947, at Edgewater Hospital in Chicago, Illinois. Clinton was raised in a United Methodist family that first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish and Welsh descent. Clinton has two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools that she attended in Park Ridge. She participated swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told a story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council, the school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year, but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then new Maine South High School, where she was a National Merit Finalist and was voted, "most likely to succeed". She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career, and her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. Rodham was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the U.S. presidential election of 1964. Rodham's early political development was shaped most by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. CANNOTANSWER

first lived in Chicago.

Hillary Diane Clinton ( Rodham; born October 26, 1947) is an American politician, diplomat, lawyer, writer, and public speaker who served as the 67th United States secretary of state from 2009 to 2013, as a United States senator from New York from 2001 to 2009, and as first lady of the United States from 1993 to 2001 as the wife of President Bill Clinton. A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party. Clinton won the popular vote in the election, making her the first woman to do so. However, she lost the Electoral College vote and thereby lost the presidential election. Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973. After serving as a congressional legal counsel, she moved to Arkansas and married future president Bill Clinton in 1975; the two had met at Yale. In 1977, Clinton co-founded Arkansas Advocates for Children and Families. She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year. The National Law Journal twice listed her as one of the hundred most influential lawyers in America. Clinton was the first lady of Arkansas from 1979 to 1981 and again from 1983 to 1992. As the first lady of the United States, Clinton advocated for healthcare reform. In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress. In 1997 and 1999, Clinton played a leading role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Clinton advocated for gender equality at the 1995 UN conference on women. Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage. In 2000, Clinton was elected as the first female senator from New York and became the first First lady to simultaneously hold elected office, and then the first former First lady to serve in the Senate. She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007. During her Senate tenure, Clinton advocated for medical benefits for first responders whose health was damaged in the September 11 attacks. She supported the resolution authorizing the Iraq War in 2002 but opposed the surge of U.S. troops in 2007. In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries. Clinton was U.S. secretary of state in the first term of the Obama administration from 2009 to 2013. During her tenure, Clinton established the Quadrennial Diplomacy and Development Review. She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack. Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015. Her use of a private email server when she was Secretary of State was the subject of intense scrutiny; while no charges were filed against Clinton, the email controversy was the single most covered topic during the 2016 presidential election. Clinton made a second presidential run in 2016. After winning the Democratic nomination, she ran in the general election with Virginia senator Tim Kaine as her running mate. Clinton lost the presidential election to Republican opponent Donald Trump in the Electoral College despite winning a plurality of the popular vote. Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups. Since January 2020, she has been the chancellor of Queen's University Belfast in Belfast, Northern Ireland. Early life and education Early life Hillary Diane Rodham was born on October 26, 1947, at Edgewater Medical Center in Chicago, Illinois. She was raised in a United Methodist family who first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business, which he had founded. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish, and Welsh descent. She had two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools she attended in Park Ridge. She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told the story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then-new Maine South High School. There she was a National Merit Finalist and was voted "most likely to succeed." She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career. Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. She was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election. Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her first year, she was president of the Wellesley Young Republicans. As the leader of this "Rockefeller Republican"-oriented group, she supported the elections of moderate Republicans John Lindsay to mayor of New York City and Massachusetts attorney general Edward Brooke to the United States Senate. She later stepped down from this position. In 2003, Clinton would write that her views concerning the civil rights movement and the Vietnam War were changing in her early college years. In a letter to her youth minister at that time, she described herself as "a mind conservative and a heart liberal". In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it. By her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. In early 1968, she was elected president of the Wellesley College Government Association, a position she held until early 1969. Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In her student government role, she played a role in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first female president of the United States. To help her better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the "Wellesley in Washington" summer program. Rodham was invited by moderate New York Republican representative Charles Goodell to help Governor Nelson Rockefeller's late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami Beach. However, she was upset by the way Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's "veiled" racist messages, and she left the Republican Party for good. Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter. Years later, while she was the first lady, access to her thesis was restricted at the request of the White House and it became the subject of some speculation. The thesis was later released. In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. After some fellow seniors requested that the college administration allow a student speaker at commencement, she became the first student in Wellesley College history to speak at the event. Her address followed that of the commencement speaker, Senator Edward Brooke. After her speech, she received a standing ovation that lasted seven minutes. She was featured in an article published in Life magazine, because of the response to a part of her speech that criticized Senator Brooke. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions). Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973). She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched various migrant workers' issues including education, health and housing. Edelman later became a significant mentor. Rodham was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey. Rodham later crediting Wexler with providing her first job in politics. In the spring of 1971, she began dating fellow law student Bill Clinton. During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well known for its support of constitutional rights, civil liberties and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his. Rodham began a year of postgraduate study on children and medicine at the Yale Child Study Center. In late 1973, her first scholarly article, "Children Under the Law", was published in the Harvard Educational Review. Discussing the new children's rights movement, the article stated that "child citizens" were "powerless individuals" and argued that children should not be considered equally incompetent from birth to attaining legal age, but instead that courts should presume competence on a case-by-case basis, except when there is evidence otherwise. The article became frequently cited in the field. Marriage, family, legal career and first ladyship of Arkansas From the East Coast to Arkansas During her postgraduate studies, Rodham was staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard W. Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for it. The committee's work culminated with the resignation of President Richard Nixon in August 1974. By then, Rodham was viewed as someone with a bright political future. Democratic political organizer and consultant Betsey Wright moved from Texas to Washington the previous year to help guide Rodham's career. Wright thought Rodham had the potential to become a future senator or president. Meanwhile, boyfriend Bill Clinton had repeatedly asked Rodham to marry him, but she continued to demur. After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, "I chose to follow my heart instead of my head". She thus followed Clinton to Arkansas, rather than staying in Washington, where career prospects were brighter. He was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, Rodham moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville. Early Arkansas years At the university, Rodham taught classes in criminal law. She was considered a rigorous teacher who was tough with her grades. Rodham became the first director of a new legal aid clinic at the school, where she secured support from the local bar association and gained federal funding. As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge. She has called the trial a "terrible case". During her time in Fayetteville, Rodham and several other women founded the city's first rape crisis center. In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt. Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975 and she agreed to marry him. The wedding took place on October 11, 1975, in a Methodist ceremony in their living room. A story about the marriage in the Arkansas Gazette indicated that she decided to retain the name Hillary Rodham. Her motivation was threefold. She wanted to keep the couple's professional lives separate, avoid apparent conflicts of interest, and as she told a friend at the time, "it showed that I was still me". The decision upset both mothers, who were more traditional. In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter. In November 1976, Bill Clinton was elected Arkansas attorney general, and the couple moved to the state capital of Little Rock. In February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court. Rodham maintained her interest in children's law and family policy, publishing the scholarly articles "Children's Policies: Abandonment and Neglect" in 1977 and "Children's Rights: A Legal Perspective" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, "Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate." Historian Garry Wills would later describe her as "one of the more important scholar-activists of the last two decades". Conservatives said her theories would usurp traditional parental authority, would allow children to file frivolous lawsuits against their parents, and exemplified critical legal studies run amok. In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation. She held that position from 1978 until the end of 1981. From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job. During her time as chair, funding for the corporation was expanded from $90 million to $300 million; subsequently, she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization. Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979. She would hold that title for twelve nonconsecutive years (1979–81, 1983–92). Clinton appointed his wife to be the chair of the Rural Health Advisory Committee the same year, where she secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees. In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham engaged in the trading of cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal. Both of these became subjects of controversy in the 1990s. On February 27, 1980, Rodham gave birth to the couple's only child, a daughter whom they named Chelsea. In November 1980, Bill Clinton was defeated in his bid for re-election. Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982. During her husband's campaign, Hillary began to use the name "Hillary Clinton", or sometimes "Mrs. Bill Clinton", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name. She was named chair of the Arkansas Education Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size. It became her introduction into the politics of a highly visible public policy effort. In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984. Clinton continued to practice law with the Rose Law Firm while she was the first lady of Arkansas. She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there. The firm considered her a "rainmaker" because she brought in clients, partly thanks to the prestige she lent it and to her corporate board connections. She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial re-election campaign accused the Clintons of conflict of interest because Rose Law did state business; the Clintons countered the charge by saying that state fees were walled off by the firm before her profits were calculated. From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she was the first chair of the American Bar Association's Commission on Women in the Profession, created to address gender bias in the legal profession and induce the association to adopt measures to combat it. She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary Clinton considered running. Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time. Clinton was chairman of the board of the Children's Defense Fund and on the board of the Arkansas Children's Hospital's Legal Services (1988–92) In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–92), Wal-Mart Stores (1986–92) and Lafarge (1990–92). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to it. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices. She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices. According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump. Bill Clinton presidential campaign of 1992 Clinton received sustained national attention for the first time when her husband became a candidate for the 1992 Democratic presidential nomination. Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers. In response, the Clintons appeared together on 60 Minutes, where Bill denied the affair, but acknowledged "causing pain in my marriage". This joint appearance was credited with rescuing his campaign. During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song "Stand by Your Man". Later in the campaign, she commented she could have chosen to be like women staying home and baking cookies and having teas, but wanted to pursue her career instead. The remarks were widely criticized, particularly by those who were, or defended, stay-at-home mothers. In retrospect, she admitted they were ill-considered. Bill said that in electing him, the nation would "get two for the price of one", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 The American Spectator article "The Lady Macbeth of Little Rock", Hillary's own past ideological and ethical record came under attack from conservatives. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth. First Lady of the United States (1993–2001) When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the first lady. Her press secretary reiterated she would be using that form of her name. She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual first lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration. Her choices filled at least eleven top-level positions and dozens more lower-level ones. After Eleanor Roosevelt, Clinton was regarded as the most openly empowered presidential wife in American history. Some critics called it inappropriate for the first lady to play a central role in public policy matters. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency. Bill Clinton's campaign promise of "two for the price of one" led opponents to refer derisively to the Clintons as "co-presidents" or sometimes use the Arkansas label "Billary". The pressures of conflicting ideas about the role of a first lady were enough to send Hillary Clinton into "imaginary discussions" with the also-politically active Eleanor Roosevelt. From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's "politics of meaning" to overcome what she saw as America's "sleeping sickness of the soul"; that would lead to a willingness "to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium". Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. Unconvinced regarding the merits of the North American Free Trade Agreement (NAFTA), she privately urged that passage of health care reform be given higher priority. The recommendation of the task force became known as the Clinton health care plan. This was a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as "Hillarycare" and it even faced opposition from some Democrats in Congress. Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times. Failing to gather enough support for a floor vote in either the House or the Senate (although Democrats controlled both chambers), the proposal was abandoned in September 1994. Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors. The first lady's approval ratings, which had generally been in the high-50 percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections. They saw a net gain of 54 seats in the House election and eight in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Clinton's role in shaping policy. Opponents of universal health care would continue to use "Hillarycare" as a pejorative label for similar plans by others. Along with senators Ted Kennedy and Orrin Hatch, Clinton was a force behind the passage of the State Children's Health Insurance Program in 1997. This federal bill gave state support to children whose parents could not provide them health coverage. She conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood diseases and encouraged older women to get a mammogram for breast cancer screening, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Enactment of welfare reform was a major goal of Bill Clinton's presidency. When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did. A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again. But she decided to support the bill, which became the Welfare Reform Act of 1996, as the best political compromise available. This caused a rift with Edelman that Hillary later called "sad and painful". Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as the first lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady of the United States, Clinton was the host for various White House conferences. These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000), and the first-ever White House Conference on Philanthropy (1999). Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a role in U.S. diplomacy attaining its objectives. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited, and gained a better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued forcefully against practices that abused women around the world and in the People's Republic of China itself. She declared, "it is no longer acceptable to discuss women's rights as separate from human rights". Delegates from over 180 countries heard her say: "If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all." In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. The speech became a key moment in the empowerment of women and years later women around the world would recite Clinton's key phrases. During the late 1990s, she was one of the most prominent international figures to speak out against the treatment of Afghan women by the Taliban. She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process. In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995. Whitewater and other investigations Clinton was a subject of several investigations by the United States Office of the Independent Counsel, committees of the U.S. Congress, and the press. The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators her husband had appointed. She said she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. After a two-year search, the records were found in the first lady's White House book room and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been. Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing. Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as "Travelgate", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made "factually false" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her. In March 1994, newspaper reports revealed that Clinton had earned spectacular profits from cattle futures trading in 1978–79. The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery. Several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the "Travelgate" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called "Filegate". Accusations were made that Clinton had requested these files and she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter. In early 2001, a controversy arose over gifts that were sent to the White House; there was a question whether the furnishings were White House property or the Clintons' personal property. During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence. It Takes a Village release and tour In 1996, Clinton presented a vision for American children in the book It Takes a Village: And Other Lessons Children Teach Us. In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies. The book spent 18 weeks on the New York Times Best Seller List that year, including three weeks at number one. By 2000, it had sold 450,000 copies in hardcover and another 200,000 in paperback. Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Response to Lewinsky scandal In 1998, the Clintons' private concerns became the subject of much speculation when investigations revealed the president had engaged in an extramarital affair with 22-year-old White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate. When the allegations against her husband were first made public, Hillary Clinton stated that the allegations were part of a "vast right-wing conspiracy". She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband. She later said she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage. Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage. The White House residence staff noticed a pronounced level of tension between the couple during this period. Public reaction varied. Women variously admired her strength and poise in private matters that were made public. They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions. They also accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to "a love that has persisted for decades" and add: "No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met." Issues that surrounded the Lewinsky scandal left Bill Clinton with substantial legal bills. In 2014, Hillary said that she and Bill had left the White House "not only dead broke, but in debt". The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office. The couple would also have the ability to secure loans from banks. In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky "was an adult". Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000). In 2001, she wrote an afterword to the children's book Beatrice's Goat. She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites. This included the flag that inspired "The Star-Spangled Banner" and the First Ladies National Historic Site in Canton, Ohio. She also published a weekly syndicated newspaper column titled "Talking It Over" from 1995 to 2000. It focused on her experiences and those of women, children and families she met during her travels around the world. Traditional duties She was head of the White House Millennium Council and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums. In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II. Working with Arkansas interior decorator Kaki Hockersmith over an eight-year period, she oversaw extensive, privately funded redecoration efforts around the building, often trying to make it look brighter. These included changing of the Treaty Room and a presidential study to have a 19th-century look. Overall the redecoration brought mixed notices, with Victorian furnishings for the Lincoln Sitting Room being criticized the most. Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000. U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000. Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999. She became the first wife of the president of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani—the mayor of New York City—as her Republican opponent in the election. Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public. Clinton then faced Rick Lazio, a Republican member of the U.S. House of Representatives who represented New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, because she had never resided in New York State or participated in the state's politics before the 2000 Senate race. Bill de Blasio was Clinton's campaign manager. She began her drive to the U.S. Senate by visiting all 62 counties in the state, in a "listening tour" of small-group settings. She devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care. The contest drew national attention. During a September debate, Lazio blundered when he seemed to invade Clinton's personal space by trying to get her to sign a fundraising agreement. Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history. Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History. First term Because Bill Clinton's term as president did not end until 17 days after she was sworn in, upon entering the Senate, Clinton became the first and so far only first lady to serve as a senator and first lady concurrently. Clinton maintained a low public profile and built relationships with senators from both parties when she started her term. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast. She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging. She was also a member of the Commission on Security and Cooperation in Europe (2001–09). Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Chuck Schumer, she was instrumental in securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she expressed concerns with the USA Patriot Act Reauthorization Conference Report regarding civil liberties. In March 2006, she voted in favor of the USA PATRIOT Improvement and Reauthorization Act of 2005 that had gained large majority support. Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized President George W. Bush to use military force against Iraq. After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier and that parts of the country were functioning well. Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay "until the job is done" was also misguided, as it gave Iraqis "an open-ended invitation not to take care of themselves". Her stance caused frustration among those in the Democratic Party who favored quick withdrawal. Clinton supported retaining and improving health benefits for reservists and lobbied against the closure of several military bases, especially those in New York. She used her position on the Armed Services Committee to forge close relationships with a number of high-ranking military officers. By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she "got it wrong" and the vote in support had been a "mistake". Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Simon & Schuster released Living History: The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album. Clinton voted against the 2005 confirmation of John Roberts as chief justice of the United States and the 2006 confirmation of Samuel Alito to the U.S. Supreme Court, filibustering the latter. In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas. Along with senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage. Looking to establish a "progressive infrastructure" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging. 2006 reelection campaign In November 2004, Clinton announced she would seek a second Senate term. She easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton's eventual opponent in the general election was Republican candidate John Spencer, a former mayor of Yonkers. Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Her campaign spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign. Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful). In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush. In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, "I think that the reports that you provide to us really require a willing suspension of disbelief." In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture. As the financial crisis of 2007–08 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of the U.S. financial system, voting in favor of the $700 billion law that created the Troubled Asset Relief Program, saying it represented the interests of the American people. It passed the Senate 74–25. In 2007, Clinton and Virginia senator Jim Webb called for an investigation into whether the body armor issued to soldiers in Iraq was adequate. 2008 presidential campaign Clinton had been preparing for a potential candidacy for U.S. president since at least early 2003. On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: "I'm in and I'm in to win." No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president. When Bill Clinton became president in 1993, a blind trust was established; in April 2007, the Clintons liquidated the blind trust to avoid the possibility of ethical conflicts or political embarrassments as Hillary undertook her presidential race. Later disclosure statements revealed the couple's worth was now upwards of $50 million. They had earned over $100 million since 2000—most of it coming from Bill's books, speaking engagements and other activities. Throughout the first half of 2007, Clinton led candidates competing for the Democratic presidential nomination in opinion polls for the election. Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors. The biggest threat to her campaign was her past support of the Iraq War, which Obama had opposed from the beginning. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents. Obama's message of change began to resonate with the Democratic electorate better than Clinton's message of experience. In the first vote of 2008, she placed third in the January3 Iowa Democratic caucus behind Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. Clinton gained a surprise win there on January 8, narrowly defeating Obama. It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection. Explanations for Clinton's New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election. The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King Jr. and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president "needs to stop". The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy. On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules. The Clinton campaign had counted on winning the nomination by Super Tuesday and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising as Clinton began loaning money to her campaign. There was continuous turmoil within the campaign staff, and she made several top-level personnel changes. Obama won the next eleven February contests across the country, often by large margins and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular. Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Behind in delegates, Clinton's best hope of winning the nomination came in persuading uncommitted, party-appointed superdelegates. Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama. By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record. Clinton was the first woman to run in the primary or caucus of every state and she eclipsed, by a very wide margin, Congresswoman Shirley Chisholm's 1972 marks for most votes garnered and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself. The debt was eventually paid off by the beginning of 2013. Secretary of State (2009–2013) Nomination and confirmation In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as secretary of state in his administration. She was initially quite reluctant, but on November 20 she told Obama she would accept the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state. Clinton said she did not want to leave the Senate, but that the new position represented a "difficult and exciting adventure". As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative. The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton. By this time, her public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of secretary of state, resigning from the Senate later that day. She became the first former first lady to be a member of the United States Cabinet. First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: "We have a lot of damage to repair." She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. The first such review was issued in late 2010. It called for the U.S. leading through "civilian power" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world. A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women. In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal "Afghanistan surge", recommending 40,000 troops and no public deadline for withdrawal. She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal. In March 2009, Clinton presented Russian Foreign Minister Sergey Lavrov with a "reset button" symbolizing U.S. attempts to rebuild ties with that country under its new president, Dmitry Medvedev. The photo op was remembered for a mistranslation into Russian. The policy, which became known as the Russian reset, led to improved cooperation in several areas during Medvedev's time in office. Relations would worsen considerably, however, following Vladimir Putin's return to the position in 2012. In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015. Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president. Clinton formed an alliance with Secretary of Defense Gates as they shared similar strategic outlooks. Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise. She met with him weekly but did not have the close, daily relationship that some of her predecessors had had with their presidents; moreover, certain key areas of policymaking were kept inside the White House or Pentagon. Nevertheless, the president had trust in her actions. In a prepared speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it. The speech garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage. In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant. This was part of the "build back better" program initiated by her husband, named UN Special Envoy to Haiti in 2009 after a tropical storm season caused $1 billion in damages to the island. In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly. Second half of tenure The 2011 Egyptian protests posed the most challenging foreign policy crisis yet for the Obama administration. Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was "stable", to a stance that there needed to be an "orderly transition [to] a democratic participatory government", to a condemnation of violence against the protesters. Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments. As Arab Spring protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power. This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya. Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution. The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration). Clinton later used U.S. allies and what she called "convening power" to promote unity among the Libyan rebels as they eventually overthrew the Gaddafi regime. The aftermath of the Libyan Civil War saw the country becoming a failed state. The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate. During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan. Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader. During internal discussions regarding Iraq in 2011, Clinton argued for keeping a residual force of up to 10,000–20,000 U.S. troops there. (All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.) In a speech before the United Nations Human Rights Council in December 2011, Clinton said that, "Gay rights are human rights", and that the U.S. would advocate for gay rights and legal protections of gay people abroad. The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955. She met with Burmese leaders as well as opposition leader Aung San Suu Kyi and sought to support the 2011 Burmese democratic reforms. She also said the 21st century would be "America's Pacific century", a declaration that was part of the Obama administration's "pivot to Asia". During the Syrian Civil War, Clinton and the Obama administration initially sought to persuade Syrian president Bashar al-Assad to engage popular demonstrations with reform. As government violence allegedly rose in August 2011, they called for him to resign from the presidency. The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria. During mid-2012, Clinton formed a plan with CIA Director David Petraeus to further strengthen the opposition by arming and training vetted groups of Syrian rebels. The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets. In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus. Her doctors had discovered the clot during a follow-up examination for a concussion she had sustained when she fainted and fell nearly three weeks earlier, as a result of severe dehydration from a viral intestinal ailment acquired during a trip to Europe. The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery. Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed "smart power" as the strategy for asserting U.S. leadership and values. In a world of varied threats, weakened central governments and increasingly important nongovernmental entities, smart power combined military hard power with diplomacy and U.S. soft power capacities in global economics, development aid, technology, creativity and human rights advocacy. As such, she became the first secretary of state to methodically implement the smart power approach. In debates over use of military force, she was generally one of the more hawkish voices in the administration. In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action. Clinton greatly expanded the State Department's use of social media, including Facebook and Twitter, to get its message out and to help empower citizens of foreign countries vis-à-vis their governments. And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. Moreover, in a formulation that became known as the "Hillary Doctrine", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state. In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility. Clinton visited 112 countries during her tenure, making her the most widely traveled secretary of state (Time magazine wrote that "Clinton's endurance is legendary".) The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age. As early as March 2011, she indicated she was not interested in serving a second term as secretary of state should Obama be re-elected in 2012; in December 2012, following that re-election, Obama nominated Senator John Kerry to be Clinton's successor. Her last day as secretary of state was February 1, 2013. Upon her departure, analysts commented that Clinton's tenure did not bring any signature diplomatic breakthroughs as some other secretaries of state had accomplished, and highlighted her focus on goals she thought were less tangible but would have more lasting effect. She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State. Benghazi attack and subsequent hearings On September 11, 2012, the U.S. diplomatic mission in Benghazi, Libya, was attacked, resulting in the deaths of the U.S. Ambassador, J. Christopher Stevens and three other Americans. The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events. On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter. It was sharply critical of State Department officials in Washington for ignoring requests for more guards and safety upgrades and for failing to adapt security procedures to a deteriorating security environment. It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence. Clinton said she accepted the conclusions of the report and that changes were underway to implement its suggested recommendations. Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack. She defended her actions in response to the incident, and while still accepting formal responsibility, said she had had no direct role in specific discussions beforehand regarding consulate security. Congressional Republicans challenged her on several points, to which she responded. In particular, after persistent questioning about whether or not the administration had issued inaccurate "talking points" after the attack, Clinton responded with the much-quoted rejoinder, "With all due respect, the fact is we had four dead Americans. Was it because of a protest or was it because of guys out for a walk one night who decided that they'd they go kill some Americans? What difference at this point does it make? It is our job to figure out what happened and do everything we can to prevent it from ever happening again, Senator." In November 2014, the House Intelligence Committee issued a report that concluded there had been no wrongdoing in the administration's response to the attack. The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack. Its actions were often seen through the prism of domestic politics. This was especially the case in September 2015, when House majority leader Kevin McCarthy credited the Benghazi hearings with lowering Clinton's poll numbers, thereby contradicting the Republicans' previous talking points on the investigation. On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee. The hearing included many heated exchanges between committee members and Clinton and among the committee members themselves. Clinton was widely seen as emerging largely unscathed from the hearing, because of what the media perceived as a calm and unfazed demeanor and a lengthy, meandering, repetitive line of questioning from the committee. The committee issued competing final reports in June 2016 that broke along partisan lines. The Republican report offered some new details about the attack but no new evidence of culpability by Clinton. Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state. Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements. The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi. In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and "never should have been transmitted via an unclassified personal system". They also stated unequivocally this classified information should never have been stored outside of secure government computer systems. Clinton had said over a period of months that she kept no classified information on the private server that she set up in her house. Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such. After allegations were raised that some of the emails in question fell into the so-called "born classified" category, an FBI probe was initiated regarding how classified information was handled on the Clinton server. The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department. Additionally, the intelligence community's inspector general wrote Congress to say that some of the emails "contained classified State Department information when originated". In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked. Clinton maintained she did not send or receive any emails from her personal server that were confidential at the time they were sent. In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, "I never sent or received any classified material—they are retroactively classifying it." On July 2, 2016, Clinton stated: "Let me repeat what I have repeated for many months now, I never received nor sent any material that was marked classified." On July 5, 2016, the FBI concluded its investigation. In a statement, FBI director James Comey said: 110 e-mails in 52 e-mail chains have been determined by the owning agency to contain classified information at the time they were sent or received. Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification. Separate from those, about 2,000 additional e-mails were "up-classified" to make them Confidential; the information in those had not been classified at the time the e-mails were sent. Out of 30,000, three emails were found to be marked as classified, although they lacked classified headers and were marked only with a small "c" in parentheses, described as "portion markings" by Comey. He also said it was possible Clinton was not "technically sophisticated" enough to understand what the three classified markings meant. The probe found Clinton used her personal email extensively while outside the United States, both sending and receiving work-related emails in the territory of sophisticated adversaries. Comey acknowledged that it was "possible that hostile actors gained access to Secretary Clinton's personal email account". He added that "[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information". Nevertheless, Comey asserted that "no reasonable prosecutor" would bring criminal charges in this case, despite the existence of "potential violations of the statutes regarding the handling of classified information". The FBI recommended that the Justice Department decline to prosecute. On July 6, 2016, U.S. Attorney General Loretta Lynch—who had met privately with Bill Clinton on June 27—confirmed that the probe into Clinton's use of private email servers would be closed without criminal charges. On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails. Law enforcement officials said that while investigating allegedly illicit text messages from Anthony Weiner, husband of Clinton aide Huma Abedin, to a 15-year-old girl in North Carolina, they discovered emails related to Clinton's private server on a laptop computer belonging to Weiner. On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July. The notification was later cited by Clinton as a factor in her loss in the 2016 presidential election. The emails controversy received more media coverage than any other topic during the 2016 presidential election. In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over. The investigation that began in 2016 found 588 violations of security procedures and found that Clinton's use of a personal email server increased the risk of compromising State Department information. In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was "no persuasive evidence of systemic, deliberate mishandling of classified information". Clinton Foundation, Hard Choices, and speeches When Clinton left the State Department, she returned to private life for the first time in thirty years. She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013. There she focused on early childhood development efforts, including an initiative called Too Small to Fail and a $600 million initiative to encourage the enrollment of girls in secondary schools worldwide, led by former Australian Prime Minister Julia Gillard. In 2014, Clinton published a second memoir, Hard Choices, which focused on her time as secretary of state. , the book has sold about 280,000 copies. Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while "There has never been a better time in history to be born a woman ... this data shows just how far we still have to go." The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state. However, even though the Clinton Foundation had stopped taking donations from foreign governments, they continued to take large donations from foreign citizens who were sometimes linked to their governments. She began work on another volume of memoirs and made appearances on the paid speaking circuit. There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions. She also made some unpaid speeches on behalf of the foundation. For the fifteen months ending in March 2015, Clinton earned over $11 million from her speeches. For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity. , she was estimated to be worth over $30 million on her own, or $45–53 million with her husband. Clinton resigned from the board of the foundation in April 2015, when she began her presidential campaign. The foundation said it would accept new foreign governmental donations from six Western nations only. 2016 presidential campaign On April 12, 2015, Clinton formally announced her candidacy for the presidency in the 2016 election. She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure. Prior to her campaign, Clinton had claimed in an interview on NDTV in May 2012 that she would not seek the presidency again, but later wrote in her 2014 autobiography Hard Choices that she had not decided. The campaign's headquarters were established in the New York City borough of Brooklyn. Her campaign focused on: raising middle class incomes, establishing universal preschool, making college more affordable and improving the Affordable Care Act. Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont. His longtime stance against the influence of corporations and the wealthy in American politics resonated with a dissatisfied citizenry troubled by the effects of income inequality in the U.S. and contrasted with Clinton's Wall Street ties. In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them. In the first primary, held in New Hampshire on February 9, she lost to Sanders by a wide margin. Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers. Clinton followed that with a lopsided victory in the South Carolina primary on February 27. These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort. On March 1 Super Tuesday, Clinton won seven of eleven contests, including a string of dominating victories across the South buoyed, as in South Carolina, by African-American voters. She opened up a significant lead in pledged delegates over Sanders. She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout. Sanders did better among younger, whiter, more rural and more liberal voters and states that held caucuses or where eligibility was open to independents. Clinton did better among older, black and Hispanic voter populations, and in states that held primaries or where eligibility was restricted to registered Democrats. By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee. On June 7, after winning most of the states in the final major round of primaries, Clinton held a victory rally in Brooklyn becoming the first woman to claim the status of presumptive nominee for a major American political party. By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47. She received almost 17 million votes during the nominating process, as opposed to Sanders' 13 million. Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party. Her choice of vice presidential running mate, Senator Tim Kaine, was nominated by the convention the following day. Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party. Around the time of the convention, WikiLeaks released emails that suggested the DNC and the Clinton campaign tilted the primary in Clinton's favor. Clinton held a significant lead in national polls over Trump throughout most of 2016. In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails. FBI Director James Comey concluded Clinton had been "extremely careless" in her handling of classified government material. In late July, Trump gained his first lead over Clinton in major polls following a three to four percentage point convention bounce at the Republican National Convention. This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards. Following Clinton's seven percentage point convention bounce at the Democratic National Convention, she regained a significant lead in national polls at the start of August. In fall 2016, Clinton and Tim Kaine published Stronger Together, which outlined their vision for the United States. Clinton was defeated by Donald Trump in the November 8, 2016, presidential election. By the early morning hours of November 9, Trump had received 279 projected electoral college votes, with 270 needed to win; media sources proclaimed him the winner. Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech. The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: "We owe him an open mind and a chance to lead." Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base. She is the fifth presidential candidate in U.S. history to win the popular vote but lose the election. She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate. (Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams). On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders. Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea. The morning of the inauguration Clinton wrote on her Twitter account, "I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future." In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor. In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019. Hillary was awarded an Honorary Doctorate in law (LLD) at Queen's University Belfast on October 10, 2018, after giving a speech on Northern Ireland and the impacts of Brexit at Whitla Hall, Belfast. In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD). In September 2021 she was awarded an honorary doctorate of civil law by the University of Oxford. A package that contained a pipe bomb was sent to Clinton's home in Washington, D.C., on October 24, 2018. It was intercepted by the Secret Service. Similar packages were sent to several other Democratic leaders and to CNN. Political actions Clinton delivered a St. Patrick's Day speech in Scranton, Pennsylvania, on March 17, 2017. In it, alluding to reports that she had being seen taking walks in the woods around Chappaqua following her loss in the presidential election, Clinton indicated her readiness to emerge from "the woods" and become politically active again. However, the following month she confirmed she would not seek public office again. She reiterated her comments in March 2019 and stated she would not run for president in 2020. In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is "dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election". During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called "a disastrous bill" and a "shameful failure of policy & morality by GOP". In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby "prevent him from being able to use them to bomb innocent people and drop sarin gas on them". On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August. On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York. After Biden and Kamala Harris won New York State, thereby electing the Democratic elector slate, Clinton and her husband served as members of the 2020 United States Electoral College and cast the first of the state's electoral votes for Biden and Harris. Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter "doesn't work" when pursuing important negotiations. "Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position". Negotiations with North Korea should not take place without "a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change." While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was "a con" for underfunding domestic programs. On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a "historic mistake". On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a "threat" to the country's standing in the world; an "illegitimate president", despite having won the election; and a "corrupt human tornado". Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation. Clinton called the Senate filibuster "another Jim Crow relic". Writing career Clinton's third memoir, What Happened, an account of her loss in the 2016 election, was released on September 12, 2017. A book tour and a series of interviews and personal appearances were arranged for the launch. What Happened sold 300,000 copies in its first week, less than her 2003 memoir, Living History, but triple the first-week sales of her previous memoir, 2014's Hard Choices. Simon & Schuster announced that What Happened had sold more e-books in its first-week than any nonfiction e-book since 2010. As of December 10, 2017, the book had sold 448,947 hardcover copies. An announcement was made in February 2017 that efforts were under way to render her 1996 book It Takes a Village as a picture book. Marla Frazee, a two-time winner of the Caldecott Medal, was announced as the illustrator. Clinton had worked on it with Frazee during her 2016 presidential election campaign. The result was published on the same day of publication as What Happened. The book is aimed at preschool-aged children, although a few messages are more likely better understood by adults. In October 2019, The Book of Gutsy Women: Favorite Stories of Courage and Resilience, a book Clinton co-wrote with her daughter Chelsea, was published. In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny. The book, a political mystery thriller, is titled State of Terror and was released in October 2021. Clinton has also written occasional op-eds in the years since her 2016 election defeat. In September 2018, The Atlantic published an article written by Clinton titled "American Democracy Is In Crisis". In April 2019, The Washington Post published an op-ed by Clinton calling for congress to be, "deliberate, fair, and fearless" in responding to the Mueller Report. In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled "A National Security Reckoning". On January 11, 2021, following the January 6 storming of the United States Capitol, an op-ed by Clinton titled "Trump should be impeached. But that alone won’t remove white supremacy from America." was published in The Washington Post. In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election. Media ventures Clinton collaborated with director Nanette Burstein on the documentary film Hillary, which was released on Hulu in March 2020. On September 29, 2020, Clinton launched an interview podcast in collaboration with iHeartRadio titled You and Me Both. Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour. The series, based upon Elaine Weiss' book of the same name, will air on The CW. Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast. Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran. Commenting on taking up the position, she said that "the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence". Queen's Pro-Chancellor Stephen Prenter said that Clinton on her appointment "will be an incredible advocate for Queen's" who can act as an "inspirational role model". However, her inauguration was protested by some students. Political positions Using her Senate votes, several organizations have attempted to measure Clinton's place on the political spectrum scientifically. National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative. National Journals subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator. The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign. Averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Total average = 75 liberal, 20 conservative. According to FiveThirtyEights measure of political ideology, "Clinton was one of the most liberal members during her time in the Senate." Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015. Based on her stated positions from the 1990s to the present, On the Issues places her in the "Left Liberal" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances. Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative). In March 2016, Clinton laid out a detailed economic plan, which The New York Times called "optimistic" and "wide-ranging". Basing her economic philosophy on inclusive capitalism, Clinton proposed a "clawback" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an "exit tax" on companies that move their headquarters out of America to pay a lower tax rate overseas. Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as "the gold standard" of trade deals. She supports the U.S. Export-Import Bank and holds that "any trade deal has to produce jobs and raise wages and increase prosperity and protect our security". As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others. Given the climate of unlimited campaign contributions following the Supreme Court's Citizens United decision, Clinton called for a constitutional amendment to limit "unaccountable money" in politics. In July 2016, she "committed" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision. On December 7, 2015, Clinton presented her detailed plans for regulating Wall Street financial activities in the New York Times. Accepting the scientific consensus on climate change, Clinton supports cap-and-trade, and opposed the Keystone XL pipeline. She supported "equal pay for equal work", to address current shortfalls in how much women are paid to do the same jobs men do. Clinton has explicitly focused on family issues and supports universal preschool. These programs would be funded by proposing tax increases on the wealthy, including a "fair share surcharge". Clinton supported the Affordable Care Act and would have added a "public option" that competed with private insurers and enabled people "50 or 55 and up" to buy into Medicare. On LGBT rights, she supports the right to same-sex marriage, a position that has changed throughout her political career. In 2000, she was against such marriages altogether. In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage. While running for president in 2007, she again reiterated her opposition to same-sex marriage, although expressed her support of civil unions. 2013 marked the first time that Clinton expressed support for a national right to same-sex marriage. In 2000, she was the first spouse of a US president to march in an LGBT pride parade. In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News). Clinton held that allowing undocumented immigrants to have a path to citizenship "s at its heart a family issue", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States. However, in 2014, Clinton stated that unaccompanied children crossing the border "should be sent back." She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States. Expressing support for Common Core she said, "The really unfortunate argument that's been going on around Common Core, it's very painful because the Common Core started off as a bipartisan effort. It was actually nonpartisan. It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time. And you see the value of it, you understand why that helps you organize your whole education system. And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core." On foreign affairs, Clinton voted in favor of the Authorization for Use of Military Force Against Iraq in October 2002, a vote she later "regretted". She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad. She supported the NATO bombing of Yugoslavia in 1999 and the NATO-led military intervention in Libya to oust former Libyan leader Muammar Gaddafi in 2011. Clinton is in favor of maintaining American influence in the Middle East. She has told the American Israel Public Affairs Committee, "America can't ever be neutral when it comes to Israel's security and survival." Clinton expressed support for Israel's right to defend itself during the 2006 Lebanon War and 2014 Israel–Gaza conflict. In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: "I think we should have been more willing to confront Assad. I really believe we should have and still should take out his air fields and prevent him from being able to use them to bomb innocent people and drop sarin gas on them." In 2000, Clinton advocated for the elimination of the electoral college. She promised to co-sponsor legislation that would abolish it, resulting in the direct election of the president. She reiterated her position against the Electoral College as she cast her vote as an elector in the electoral college for Joe Biden in 2020. Religious views Clinton has been a lifelong Methodist, and has been part of United Methodist Church congregations throughout her life. She has publicly discussed her Christian faith on several occasions, although seldom while campaigning. Professor Paul Kengor, author of God and Hillary Clinton: A Spiritual Life, has suggested that Clinton's political positions are rooted in her faith. She often expresses a maxim often attributed to John Wesley: "Do all the good you can, by all the means you can, in all the ways you can." Cultural and political image Over a hundred books and scholarly works have been written about Clinton. A 2006 survey by the New York Observer found "a virtual cottage industry" of "anti-Clinton literature" put out by Regnery Publishing and other conservative imprints. Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped?: Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband). When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Don Van Natta found that Republican and conservative groups viewed her as a reliable "bogeyman" to mention in fundraising letters, on a par with Ted Kennedy, and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich. Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives. In 1995, writer Todd S. Purdum of The New York Times characterized Clinton as a Rorschach test, an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, "Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society." She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady. She has made guest appearances on the show herself, in 2008 and in 2015, to face-off with her doppelgängers. Jonathan Mann wrote songs about her including "The Hillary Shimmy Song", which went viral. She has often been described in the popular media as a polarizing figure, though some argue otherwise. In the early stages of her 2008 presidential campaign, a Time magazine cover showed a large picture of her with two checkboxes labeled "Love Her", "Hate Her". Mother Jones titled its profile of her "Harpy, Hero, Heretic: Hillary". Following Clinton's "choked up moment" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse. Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, "brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics". Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure. Her favorability ratings dropped, however, after she left office and began to be viewed in the context of partisan politics once more. By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever. In March 2016, she acknowledged that: "I'm not a natural politician, in case you haven't noticed." Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003). The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Hard Choices (2014). The book has sold about 280,000 copies. With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press. Ancestry See also 2016 United States presidential election timeline List of female United States Cabinet members Women in the United States Senate Notes References Citations Sources cited External links Official Clinton Foundation State Department Biography Media coverage Other Hillary Clinton's file at Politifact 1947 births Living people 2020 United States presidential electors 20th-century American lawyers 20th-century American non-fiction writers 20th-century American politicians 20th-century American women lawyers 20th-century American women politicians 20th-century American women writers 20th-century Methodists 21st-century American diplomats 21st-century American non-fiction writers 21st-century American politicians 21st-century American women politicians 21st-century American women writers 21st-century Methodists Activists from New York (state) American autobiographers American feminists American legal writers American memoirists American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Scottish descent American people of Welsh descent American political writers American United Methodists American women activists American women diplomats American diplomats American women non-fiction writers American women's rights activists American women academics Arkansas Democrats Arkansas lawyers Articles containing video clips Candidates in the 2008 United States presidential election Candidates in the 2016 United States presidential election Chancellors of Queen's University Belfast Children's rights activists Bill Clinton College Republicans Democratic Party (United States) presidential nominees Democratic Party United States senators from New York (state) Directors of Walmart Family of Bill and Hillary Clinton Female candidates for President of the United States Female foreign ministers Female United States senators First Ladies and Gentlemen of Arkansas First Ladies of the United States Grammy Award winners Grand Crosses of the Order of Lakandula Illinois Republicans Intellectual property lawyers New York (state) Democrats Obama administration cabinet members People from Park Ridge, Illinois Politicians from Little Rock, Arkansas Politicians from Westchester County, New York Recipients of the Four Freedoms Award Recipients of the Order of the Cross of Terra Mariana, 1st Class Rodham family United States Secretaries of State United States senators from New York (state) University of Arkansas School of Law faculty Wellesley College alumni Women autobiographers Women heads of universities and colleges Women in New York (state) politics Women members of the Cabinet of the United States Writers from New York (state) Yale Law School alumni

C_8b166a2b96a4446b96aec0b2fd24bb06_1

Where did she live after Chicago?

Where did Hillary Clinton live after Chicago?

Hillary Clinton

Hillary Diane Rodham was born on October 26, 1947, at Edgewater Hospital in Chicago, Illinois. Clinton was raised in a United Methodist family that first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish and Welsh descent. Clinton has two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools that she attended in Park Ridge. She participated swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told a story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council, the school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year, but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then new Maine South High School, where she was a National Merit Finalist and was voted, "most likely to succeed". She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career, and her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. Rodham was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the U.S. presidential election of 1964. Rodham's early political development was shaped most by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. CANNOTANSWER

Chicago suburb of Park Ridge.

Hillary Diane Clinton ( Rodham; born October 26, 1947) is an American politician, diplomat, lawyer, writer, and public speaker who served as the 67th United States secretary of state from 2009 to 2013, as a United States senator from New York from 2001 to 2009, and as first lady of the United States from 1993 to 2001 as the wife of President Bill Clinton. A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party. Clinton won the popular vote in the election, making her the first woman to do so. However, she lost the Electoral College vote and thereby lost the presidential election. Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973. After serving as a congressional legal counsel, she moved to Arkansas and married future president Bill Clinton in 1975; the two had met at Yale. In 1977, Clinton co-founded Arkansas Advocates for Children and Families. She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year. The National Law Journal twice listed her as one of the hundred most influential lawyers in America. Clinton was the first lady of Arkansas from 1979 to 1981 and again from 1983 to 1992. As the first lady of the United States, Clinton advocated for healthcare reform. In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress. In 1997 and 1999, Clinton played a leading role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Clinton advocated for gender equality at the 1995 UN conference on women. Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage. In 2000, Clinton was elected as the first female senator from New York and became the first First lady to simultaneously hold elected office, and then the first former First lady to serve in the Senate. She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007. During her Senate tenure, Clinton advocated for medical benefits for first responders whose health was damaged in the September 11 attacks. She supported the resolution authorizing the Iraq War in 2002 but opposed the surge of U.S. troops in 2007. In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries. Clinton was U.S. secretary of state in the first term of the Obama administration from 2009 to 2013. During her tenure, Clinton established the Quadrennial Diplomacy and Development Review. She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack. Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015. Her use of a private email server when she was Secretary of State was the subject of intense scrutiny; while no charges were filed against Clinton, the email controversy was the single most covered topic during the 2016 presidential election. Clinton made a second presidential run in 2016. After winning the Democratic nomination, she ran in the general election with Virginia senator Tim Kaine as her running mate. Clinton lost the presidential election to Republican opponent Donald Trump in the Electoral College despite winning a plurality of the popular vote. Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups. Since January 2020, she has been the chancellor of Queen's University Belfast in Belfast, Northern Ireland. Early life and education Early life Hillary Diane Rodham was born on October 26, 1947, at Edgewater Medical Center in Chicago, Illinois. She was raised in a United Methodist family who first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business, which he had founded. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish, and Welsh descent. She had two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools she attended in Park Ridge. She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told the story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then-new Maine South High School. There she was a National Merit Finalist and was voted "most likely to succeed." She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career. Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. She was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election. Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her first year, she was president of the Wellesley Young Republicans. As the leader of this "Rockefeller Republican"-oriented group, she supported the elections of moderate Republicans John Lindsay to mayor of New York City and Massachusetts attorney general Edward Brooke to the United States Senate. She later stepped down from this position. In 2003, Clinton would write that her views concerning the civil rights movement and the Vietnam War were changing in her early college years. In a letter to her youth minister at that time, she described herself as "a mind conservative and a heart liberal". In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it. By her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. In early 1968, she was elected president of the Wellesley College Government Association, a position she held until early 1969. Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In her student government role, she played a role in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first female president of the United States. To help her better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the "Wellesley in Washington" summer program. Rodham was invited by moderate New York Republican representative Charles Goodell to help Governor Nelson Rockefeller's late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami Beach. However, she was upset by the way Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's "veiled" racist messages, and she left the Republican Party for good. Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter. Years later, while she was the first lady, access to her thesis was restricted at the request of the White House and it became the subject of some speculation. The thesis was later released. In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. After some fellow seniors requested that the college administration allow a student speaker at commencement, she became the first student in Wellesley College history to speak at the event. Her address followed that of the commencement speaker, Senator Edward Brooke. After her speech, she received a standing ovation that lasted seven minutes. She was featured in an article published in Life magazine, because of the response to a part of her speech that criticized Senator Brooke. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions). Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973). She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched various migrant workers' issues including education, health and housing. Edelman later became a significant mentor. Rodham was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey. Rodham later crediting Wexler with providing her first job in politics. In the spring of 1971, she began dating fellow law student Bill Clinton. During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well known for its support of constitutional rights, civil liberties and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his. Rodham began a year of postgraduate study on children and medicine at the Yale Child Study Center. In late 1973, her first scholarly article, "Children Under the Law", was published in the Harvard Educational Review. Discussing the new children's rights movement, the article stated that "child citizens" were "powerless individuals" and argued that children should not be considered equally incompetent from birth to attaining legal age, but instead that courts should presume competence on a case-by-case basis, except when there is evidence otherwise. The article became frequently cited in the field. Marriage, family, legal career and first ladyship of Arkansas From the East Coast to Arkansas During her postgraduate studies, Rodham was staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard W. Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for it. The committee's work culminated with the resignation of President Richard Nixon in August 1974. By then, Rodham was viewed as someone with a bright political future. Democratic political organizer and consultant Betsey Wright moved from Texas to Washington the previous year to help guide Rodham's career. Wright thought Rodham had the potential to become a future senator or president. Meanwhile, boyfriend Bill Clinton had repeatedly asked Rodham to marry him, but she continued to demur. After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, "I chose to follow my heart instead of my head". She thus followed Clinton to Arkansas, rather than staying in Washington, where career prospects were brighter. He was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, Rodham moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville. Early Arkansas years At the university, Rodham taught classes in criminal law. She was considered a rigorous teacher who was tough with her grades. Rodham became the first director of a new legal aid clinic at the school, where she secured support from the local bar association and gained federal funding. As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge. She has called the trial a "terrible case". During her time in Fayetteville, Rodham and several other women founded the city's first rape crisis center. In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt. Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975 and she agreed to marry him. The wedding took place on October 11, 1975, in a Methodist ceremony in their living room. A story about the marriage in the Arkansas Gazette indicated that she decided to retain the name Hillary Rodham. Her motivation was threefold. She wanted to keep the couple's professional lives separate, avoid apparent conflicts of interest, and as she told a friend at the time, "it showed that I was still me". The decision upset both mothers, who were more traditional. In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter. In November 1976, Bill Clinton was elected Arkansas attorney general, and the couple moved to the state capital of Little Rock. In February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court. Rodham maintained her interest in children's law and family policy, publishing the scholarly articles "Children's Policies: Abandonment and Neglect" in 1977 and "Children's Rights: A Legal Perspective" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, "Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate." Historian Garry Wills would later describe her as "one of the more important scholar-activists of the last two decades". Conservatives said her theories would usurp traditional parental authority, would allow children to file frivolous lawsuits against their parents, and exemplified critical legal studies run amok. In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation. She held that position from 1978 until the end of 1981. From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job. During her time as chair, funding for the corporation was expanded from $90 million to $300 million; subsequently, she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization. Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979. She would hold that title for twelve nonconsecutive years (1979–81, 1983–92). Clinton appointed his wife to be the chair of the Rural Health Advisory Committee the same year, where she secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees. In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham engaged in the trading of cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal. Both of these became subjects of controversy in the 1990s. On February 27, 1980, Rodham gave birth to the couple's only child, a daughter whom they named Chelsea. In November 1980, Bill Clinton was defeated in his bid for re-election. Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982. During her husband's campaign, Hillary began to use the name "Hillary Clinton", or sometimes "Mrs. Bill Clinton", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name. She was named chair of the Arkansas Education Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size. It became her introduction into the politics of a highly visible public policy effort. In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984. Clinton continued to practice law with the Rose Law Firm while she was the first lady of Arkansas. She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there. The firm considered her a "rainmaker" because she brought in clients, partly thanks to the prestige she lent it and to her corporate board connections. She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial re-election campaign accused the Clintons of conflict of interest because Rose Law did state business; the Clintons countered the charge by saying that state fees were walled off by the firm before her profits were calculated. From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she was the first chair of the American Bar Association's Commission on Women in the Profession, created to address gender bias in the legal profession and induce the association to adopt measures to combat it. She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary Clinton considered running. Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time. Clinton was chairman of the board of the Children's Defense Fund and on the board of the Arkansas Children's Hospital's Legal Services (1988–92) In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–92), Wal-Mart Stores (1986–92) and Lafarge (1990–92). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to it. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices. She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices. According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump. Bill Clinton presidential campaign of 1992 Clinton received sustained national attention for the first time when her husband became a candidate for the 1992 Democratic presidential nomination. Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers. In response, the Clintons appeared together on 60 Minutes, where Bill denied the affair, but acknowledged "causing pain in my marriage". This joint appearance was credited with rescuing his campaign. During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song "Stand by Your Man". Later in the campaign, she commented she could have chosen to be like women staying home and baking cookies and having teas, but wanted to pursue her career instead. The remarks were widely criticized, particularly by those who were, or defended, stay-at-home mothers. In retrospect, she admitted they were ill-considered. Bill said that in electing him, the nation would "get two for the price of one", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 The American Spectator article "The Lady Macbeth of Little Rock", Hillary's own past ideological and ethical record came under attack from conservatives. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth. First Lady of the United States (1993–2001) When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the first lady. Her press secretary reiterated she would be using that form of her name. She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual first lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration. Her choices filled at least eleven top-level positions and dozens more lower-level ones. After Eleanor Roosevelt, Clinton was regarded as the most openly empowered presidential wife in American history. Some critics called it inappropriate for the first lady to play a central role in public policy matters. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency. Bill Clinton's campaign promise of "two for the price of one" led opponents to refer derisively to the Clintons as "co-presidents" or sometimes use the Arkansas label "Billary". The pressures of conflicting ideas about the role of a first lady were enough to send Hillary Clinton into "imaginary discussions" with the also-politically active Eleanor Roosevelt. From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's "politics of meaning" to overcome what she saw as America's "sleeping sickness of the soul"; that would lead to a willingness "to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium". Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. Unconvinced regarding the merits of the North American Free Trade Agreement (NAFTA), she privately urged that passage of health care reform be given higher priority. The recommendation of the task force became known as the Clinton health care plan. This was a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as "Hillarycare" and it even faced opposition from some Democrats in Congress. Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times. Failing to gather enough support for a floor vote in either the House or the Senate (although Democrats controlled both chambers), the proposal was abandoned in September 1994. Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors. The first lady's approval ratings, which had generally been in the high-50 percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections. They saw a net gain of 54 seats in the House election and eight in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Clinton's role in shaping policy. Opponents of universal health care would continue to use "Hillarycare" as a pejorative label for similar plans by others. Along with senators Ted Kennedy and Orrin Hatch, Clinton was a force behind the passage of the State Children's Health Insurance Program in 1997. This federal bill gave state support to children whose parents could not provide them health coverage. She conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood diseases and encouraged older women to get a mammogram for breast cancer screening, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Enactment of welfare reform was a major goal of Bill Clinton's presidency. When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did. A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again. But she decided to support the bill, which became the Welfare Reform Act of 1996, as the best political compromise available. This caused a rift with Edelman that Hillary later called "sad and painful". Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as the first lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady of the United States, Clinton was the host for various White House conferences. These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000), and the first-ever White House Conference on Philanthropy (1999). Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a role in U.S. diplomacy attaining its objectives. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited, and gained a better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued forcefully against practices that abused women around the world and in the People's Republic of China itself. She declared, "it is no longer acceptable to discuss women's rights as separate from human rights". Delegates from over 180 countries heard her say: "If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all." In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. The speech became a key moment in the empowerment of women and years later women around the world would recite Clinton's key phrases. During the late 1990s, she was one of the most prominent international figures to speak out against the treatment of Afghan women by the Taliban. She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process. In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995. Whitewater and other investigations Clinton was a subject of several investigations by the United States Office of the Independent Counsel, committees of the U.S. Congress, and the press. The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators her husband had appointed. She said she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. After a two-year search, the records were found in the first lady's White House book room and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been. Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing. Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as "Travelgate", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made "factually false" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her. In March 1994, newspaper reports revealed that Clinton had earned spectacular profits from cattle futures trading in 1978–79. The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery. Several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the "Travelgate" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called "Filegate". Accusations were made that Clinton had requested these files and she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter. In early 2001, a controversy arose over gifts that were sent to the White House; there was a question whether the furnishings were White House property or the Clintons' personal property. During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence. It Takes a Village release and tour In 1996, Clinton presented a vision for American children in the book It Takes a Village: And Other Lessons Children Teach Us. In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies. The book spent 18 weeks on the New York Times Best Seller List that year, including three weeks at number one. By 2000, it had sold 450,000 copies in hardcover and another 200,000 in paperback. Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Response to Lewinsky scandal In 1998, the Clintons' private concerns became the subject of much speculation when investigations revealed the president had engaged in an extramarital affair with 22-year-old White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate. When the allegations against her husband were first made public, Hillary Clinton stated that the allegations were part of a "vast right-wing conspiracy". She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband. She later said she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage. Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage. The White House residence staff noticed a pronounced level of tension between the couple during this period. Public reaction varied. Women variously admired her strength and poise in private matters that were made public. They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions. They also accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to "a love that has persisted for decades" and add: "No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met." Issues that surrounded the Lewinsky scandal left Bill Clinton with substantial legal bills. In 2014, Hillary said that she and Bill had left the White House "not only dead broke, but in debt". The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office. The couple would also have the ability to secure loans from banks. In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky "was an adult". Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000). In 2001, she wrote an afterword to the children's book Beatrice's Goat. She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites. This included the flag that inspired "The Star-Spangled Banner" and the First Ladies National Historic Site in Canton, Ohio. She also published a weekly syndicated newspaper column titled "Talking It Over" from 1995 to 2000. It focused on her experiences and those of women, children and families she met during her travels around the world. Traditional duties She was head of the White House Millennium Council and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums. In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II. Working with Arkansas interior decorator Kaki Hockersmith over an eight-year period, she oversaw extensive, privately funded redecoration efforts around the building, often trying to make it look brighter. These included changing of the Treaty Room and a presidential study to have a 19th-century look. Overall the redecoration brought mixed notices, with Victorian furnishings for the Lincoln Sitting Room being criticized the most. Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000. U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000. Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999. She became the first wife of the president of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani—the mayor of New York City—as her Republican opponent in the election. Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public. Clinton then faced Rick Lazio, a Republican member of the U.S. House of Representatives who represented New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, because she had never resided in New York State or participated in the state's politics before the 2000 Senate race. Bill de Blasio was Clinton's campaign manager. She began her drive to the U.S. Senate by visiting all 62 counties in the state, in a "listening tour" of small-group settings. She devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care. The contest drew national attention. During a September debate, Lazio blundered when he seemed to invade Clinton's personal space by trying to get her to sign a fundraising agreement. Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history. Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History. First term Because Bill Clinton's term as president did not end until 17 days after she was sworn in, upon entering the Senate, Clinton became the first and so far only first lady to serve as a senator and first lady concurrently. Clinton maintained a low public profile and built relationships with senators from both parties when she started her term. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast. She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging. She was also a member of the Commission on Security and Cooperation in Europe (2001–09). Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Chuck Schumer, she was instrumental in securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she expressed concerns with the USA Patriot Act Reauthorization Conference Report regarding civil liberties. In March 2006, she voted in favor of the USA PATRIOT Improvement and Reauthorization Act of 2005 that had gained large majority support. Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized President George W. Bush to use military force against Iraq. After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier and that parts of the country were functioning well. Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay "until the job is done" was also misguided, as it gave Iraqis "an open-ended invitation not to take care of themselves". Her stance caused frustration among those in the Democratic Party who favored quick withdrawal. Clinton supported retaining and improving health benefits for reservists and lobbied against the closure of several military bases, especially those in New York. She used her position on the Armed Services Committee to forge close relationships with a number of high-ranking military officers. By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she "got it wrong" and the vote in support had been a "mistake". Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Simon & Schuster released Living History: The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album. Clinton voted against the 2005 confirmation of John Roberts as chief justice of the United States and the 2006 confirmation of Samuel Alito to the U.S. Supreme Court, filibustering the latter. In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas. Along with senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage. Looking to establish a "progressive infrastructure" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging. 2006 reelection campaign In November 2004, Clinton announced she would seek a second Senate term. She easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton's eventual opponent in the general election was Republican candidate John Spencer, a former mayor of Yonkers. Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Her campaign spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign. Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful). In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush. In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, "I think that the reports that you provide to us really require a willing suspension of disbelief." In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture. As the financial crisis of 2007–08 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of the U.S. financial system, voting in favor of the $700 billion law that created the Troubled Asset Relief Program, saying it represented the interests of the American people. It passed the Senate 74–25. In 2007, Clinton and Virginia senator Jim Webb called for an investigation into whether the body armor issued to soldiers in Iraq was adequate. 2008 presidential campaign Clinton had been preparing for a potential candidacy for U.S. president since at least early 2003. On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: "I'm in and I'm in to win." No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president. When Bill Clinton became president in 1993, a blind trust was established; in April 2007, the Clintons liquidated the blind trust to avoid the possibility of ethical conflicts or political embarrassments as Hillary undertook her presidential race. Later disclosure statements revealed the couple's worth was now upwards of $50 million. They had earned over $100 million since 2000—most of it coming from Bill's books, speaking engagements and other activities. Throughout the first half of 2007, Clinton led candidates competing for the Democratic presidential nomination in opinion polls for the election. Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors. The biggest threat to her campaign was her past support of the Iraq War, which Obama had opposed from the beginning. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents. Obama's message of change began to resonate with the Democratic electorate better than Clinton's message of experience. In the first vote of 2008, she placed third in the January3 Iowa Democratic caucus behind Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. Clinton gained a surprise win there on January 8, narrowly defeating Obama. It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection. Explanations for Clinton's New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election. The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King Jr. and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president "needs to stop". The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy. On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules. The Clinton campaign had counted on winning the nomination by Super Tuesday and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising as Clinton began loaning money to her campaign. There was continuous turmoil within the campaign staff, and she made several top-level personnel changes. Obama won the next eleven February contests across the country, often by large margins and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular. Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Behind in delegates, Clinton's best hope of winning the nomination came in persuading uncommitted, party-appointed superdelegates. Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama. By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record. Clinton was the first woman to run in the primary or caucus of every state and she eclipsed, by a very wide margin, Congresswoman Shirley Chisholm's 1972 marks for most votes garnered and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself. The debt was eventually paid off by the beginning of 2013. Secretary of State (2009–2013) Nomination and confirmation In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as secretary of state in his administration. She was initially quite reluctant, but on November 20 she told Obama she would accept the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state. Clinton said she did not want to leave the Senate, but that the new position represented a "difficult and exciting adventure". As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative. The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton. By this time, her public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of secretary of state, resigning from the Senate later that day. She became the first former first lady to be a member of the United States Cabinet. First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: "We have a lot of damage to repair." She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. The first such review was issued in late 2010. It called for the U.S. leading through "civilian power" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world. A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women. In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal "Afghanistan surge", recommending 40,000 troops and no public deadline for withdrawal. She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal. In March 2009, Clinton presented Russian Foreign Minister Sergey Lavrov with a "reset button" symbolizing U.S. attempts to rebuild ties with that country under its new president, Dmitry Medvedev. The photo op was remembered for a mistranslation into Russian. The policy, which became known as the Russian reset, led to improved cooperation in several areas during Medvedev's time in office. Relations would worsen considerably, however, following Vladimir Putin's return to the position in 2012. In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015. Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president. Clinton formed an alliance with Secretary of Defense Gates as they shared similar strategic outlooks. Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise. She met with him weekly but did not have the close, daily relationship that some of her predecessors had had with their presidents; moreover, certain key areas of policymaking were kept inside the White House or Pentagon. Nevertheless, the president had trust in her actions. In a prepared speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it. The speech garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage. In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant. This was part of the "build back better" program initiated by her husband, named UN Special Envoy to Haiti in 2009 after a tropical storm season caused $1 billion in damages to the island. In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly. Second half of tenure The 2011 Egyptian protests posed the most challenging foreign policy crisis yet for the Obama administration. Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was "stable", to a stance that there needed to be an "orderly transition [to] a democratic participatory government", to a condemnation of violence against the protesters. Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments. As Arab Spring protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power. This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya. Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution. The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration). Clinton later used U.S. allies and what she called "convening power" to promote unity among the Libyan rebels as they eventually overthrew the Gaddafi regime. The aftermath of the Libyan Civil War saw the country becoming a failed state. The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate. During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan. Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader. During internal discussions regarding Iraq in 2011, Clinton argued for keeping a residual force of up to 10,000–20,000 U.S. troops there. (All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.) In a speech before the United Nations Human Rights Council in December 2011, Clinton said that, "Gay rights are human rights", and that the U.S. would advocate for gay rights and legal protections of gay people abroad. The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955. She met with Burmese leaders as well as opposition leader Aung San Suu Kyi and sought to support the 2011 Burmese democratic reforms. She also said the 21st century would be "America's Pacific century", a declaration that was part of the Obama administration's "pivot to Asia". During the Syrian Civil War, Clinton and the Obama administration initially sought to persuade Syrian president Bashar al-Assad to engage popular demonstrations with reform. As government violence allegedly rose in August 2011, they called for him to resign from the presidency. The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria. During mid-2012, Clinton formed a plan with CIA Director David Petraeus to further strengthen the opposition by arming and training vetted groups of Syrian rebels. The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets. In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus. Her doctors had discovered the clot during a follow-up examination for a concussion she had sustained when she fainted and fell nearly three weeks earlier, as a result of severe dehydration from a viral intestinal ailment acquired during a trip to Europe. The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery. Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed "smart power" as the strategy for asserting U.S. leadership and values. In a world of varied threats, weakened central governments and increasingly important nongovernmental entities, smart power combined military hard power with diplomacy and U.S. soft power capacities in global economics, development aid, technology, creativity and human rights advocacy. As such, she became the first secretary of state to methodically implement the smart power approach. In debates over use of military force, she was generally one of the more hawkish voices in the administration. In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action. Clinton greatly expanded the State Department's use of social media, including Facebook and Twitter, to get its message out and to help empower citizens of foreign countries vis-à-vis their governments. And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. Moreover, in a formulation that became known as the "Hillary Doctrine", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state. In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility. Clinton visited 112 countries during her tenure, making her the most widely traveled secretary of state (Time magazine wrote that "Clinton's endurance is legendary".) The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age. As early as March 2011, she indicated she was not interested in serving a second term as secretary of state should Obama be re-elected in 2012; in December 2012, following that re-election, Obama nominated Senator John Kerry to be Clinton's successor. Her last day as secretary of state was February 1, 2013. Upon her departure, analysts commented that Clinton's tenure did not bring any signature diplomatic breakthroughs as some other secretaries of state had accomplished, and highlighted her focus on goals she thought were less tangible but would have more lasting effect. She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State. Benghazi attack and subsequent hearings On September 11, 2012, the U.S. diplomatic mission in Benghazi, Libya, was attacked, resulting in the deaths of the U.S. Ambassador, J. Christopher Stevens and three other Americans. The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events. On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter. It was sharply critical of State Department officials in Washington for ignoring requests for more guards and safety upgrades and for failing to adapt security procedures to a deteriorating security environment. It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence. Clinton said she accepted the conclusions of the report and that changes were underway to implement its suggested recommendations. Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack. She defended her actions in response to the incident, and while still accepting formal responsibility, said she had had no direct role in specific discussions beforehand regarding consulate security. Congressional Republicans challenged her on several points, to which she responded. In particular, after persistent questioning about whether or not the administration had issued inaccurate "talking points" after the attack, Clinton responded with the much-quoted rejoinder, "With all due respect, the fact is we had four dead Americans. Was it because of a protest or was it because of guys out for a walk one night who decided that they'd they go kill some Americans? What difference at this point does it make? It is our job to figure out what happened and do everything we can to prevent it from ever happening again, Senator." In November 2014, the House Intelligence Committee issued a report that concluded there had been no wrongdoing in the administration's response to the attack. The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack. Its actions were often seen through the prism of domestic politics. This was especially the case in September 2015, when House majority leader Kevin McCarthy credited the Benghazi hearings with lowering Clinton's poll numbers, thereby contradicting the Republicans' previous talking points on the investigation. On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee. The hearing included many heated exchanges between committee members and Clinton and among the committee members themselves. Clinton was widely seen as emerging largely unscathed from the hearing, because of what the media perceived as a calm and unfazed demeanor and a lengthy, meandering, repetitive line of questioning from the committee. The committee issued competing final reports in June 2016 that broke along partisan lines. The Republican report offered some new details about the attack but no new evidence of culpability by Clinton. Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state. Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements. The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi. In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and "never should have been transmitted via an unclassified personal system". They also stated unequivocally this classified information should never have been stored outside of secure government computer systems. Clinton had said over a period of months that she kept no classified information on the private server that she set up in her house. Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such. After allegations were raised that some of the emails in question fell into the so-called "born classified" category, an FBI probe was initiated regarding how classified information was handled on the Clinton server. The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department. Additionally, the intelligence community's inspector general wrote Congress to say that some of the emails "contained classified State Department information when originated". In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked. Clinton maintained she did not send or receive any emails from her personal server that were confidential at the time they were sent. In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, "I never sent or received any classified material—they are retroactively classifying it." On July 2, 2016, Clinton stated: "Let me repeat what I have repeated for many months now, I never received nor sent any material that was marked classified." On July 5, 2016, the FBI concluded its investigation. In a statement, FBI director James Comey said: 110 e-mails in 52 e-mail chains have been determined by the owning agency to contain classified information at the time they were sent or received. Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification. Separate from those, about 2,000 additional e-mails were "up-classified" to make them Confidential; the information in those had not been classified at the time the e-mails were sent. Out of 30,000, three emails were found to be marked as classified, although they lacked classified headers and were marked only with a small "c" in parentheses, described as "portion markings" by Comey. He also said it was possible Clinton was not "technically sophisticated" enough to understand what the three classified markings meant. The probe found Clinton used her personal email extensively while outside the United States, both sending and receiving work-related emails in the territory of sophisticated adversaries. Comey acknowledged that it was "possible that hostile actors gained access to Secretary Clinton's personal email account". He added that "[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information". Nevertheless, Comey asserted that "no reasonable prosecutor" would bring criminal charges in this case, despite the existence of "potential violations of the statutes regarding the handling of classified information". The FBI recommended that the Justice Department decline to prosecute. On July 6, 2016, U.S. Attorney General Loretta Lynch—who had met privately with Bill Clinton on June 27—confirmed that the probe into Clinton's use of private email servers would be closed without criminal charges. On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails. Law enforcement officials said that while investigating allegedly illicit text messages from Anthony Weiner, husband of Clinton aide Huma Abedin, to a 15-year-old girl in North Carolina, they discovered emails related to Clinton's private server on a laptop computer belonging to Weiner. On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July. The notification was later cited by Clinton as a factor in her loss in the 2016 presidential election. The emails controversy received more media coverage than any other topic during the 2016 presidential election. In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over. The investigation that began in 2016 found 588 violations of security procedures and found that Clinton's use of a personal email server increased the risk of compromising State Department information. In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was "no persuasive evidence of systemic, deliberate mishandling of classified information". Clinton Foundation, Hard Choices, and speeches When Clinton left the State Department, she returned to private life for the first time in thirty years. She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013. There she focused on early childhood development efforts, including an initiative called Too Small to Fail and a $600 million initiative to encourage the enrollment of girls in secondary schools worldwide, led by former Australian Prime Minister Julia Gillard. In 2014, Clinton published a second memoir, Hard Choices, which focused on her time as secretary of state. , the book has sold about 280,000 copies. Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while "There has never been a better time in history to be born a woman ... this data shows just how far we still have to go." The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state. However, even though the Clinton Foundation had stopped taking donations from foreign governments, they continued to take large donations from foreign citizens who were sometimes linked to their governments. She began work on another volume of memoirs and made appearances on the paid speaking circuit. There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions. She also made some unpaid speeches on behalf of the foundation. For the fifteen months ending in March 2015, Clinton earned over $11 million from her speeches. For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity. , she was estimated to be worth over $30 million on her own, or $45–53 million with her husband. Clinton resigned from the board of the foundation in April 2015, when she began her presidential campaign. The foundation said it would accept new foreign governmental donations from six Western nations only. 2016 presidential campaign On April 12, 2015, Clinton formally announced her candidacy for the presidency in the 2016 election. She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure. Prior to her campaign, Clinton had claimed in an interview on NDTV in May 2012 that she would not seek the presidency again, but later wrote in her 2014 autobiography Hard Choices that she had not decided. The campaign's headquarters were established in the New York City borough of Brooklyn. Her campaign focused on: raising middle class incomes, establishing universal preschool, making college more affordable and improving the Affordable Care Act. Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont. His longtime stance against the influence of corporations and the wealthy in American politics resonated with a dissatisfied citizenry troubled by the effects of income inequality in the U.S. and contrasted with Clinton's Wall Street ties. In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them. In the first primary, held in New Hampshire on February 9, she lost to Sanders by a wide margin. Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers. Clinton followed that with a lopsided victory in the South Carolina primary on February 27. These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort. On March 1 Super Tuesday, Clinton won seven of eleven contests, including a string of dominating victories across the South buoyed, as in South Carolina, by African-American voters. She opened up a significant lead in pledged delegates over Sanders. She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout. Sanders did better among younger, whiter, more rural and more liberal voters and states that held caucuses or where eligibility was open to independents. Clinton did better among older, black and Hispanic voter populations, and in states that held primaries or where eligibility was restricted to registered Democrats. By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee. On June 7, after winning most of the states in the final major round of primaries, Clinton held a victory rally in Brooklyn becoming the first woman to claim the status of presumptive nominee for a major American political party. By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47. She received almost 17 million votes during the nominating process, as opposed to Sanders' 13 million. Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party. Her choice of vice presidential running mate, Senator Tim Kaine, was nominated by the convention the following day. Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party. Around the time of the convention, WikiLeaks released emails that suggested the DNC and the Clinton campaign tilted the primary in Clinton's favor. Clinton held a significant lead in national polls over Trump throughout most of 2016. In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails. FBI Director James Comey concluded Clinton had been "extremely careless" in her handling of classified government material. In late July, Trump gained his first lead over Clinton in major polls following a three to four percentage point convention bounce at the Republican National Convention. This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards. Following Clinton's seven percentage point convention bounce at the Democratic National Convention, she regained a significant lead in national polls at the start of August. In fall 2016, Clinton and Tim Kaine published Stronger Together, which outlined their vision for the United States. Clinton was defeated by Donald Trump in the November 8, 2016, presidential election. By the early morning hours of November 9, Trump had received 279 projected electoral college votes, with 270 needed to win; media sources proclaimed him the winner. Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech. The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: "We owe him an open mind and a chance to lead." Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base. She is the fifth presidential candidate in U.S. history to win the popular vote but lose the election. She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate. (Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams). On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders. Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea. The morning of the inauguration Clinton wrote on her Twitter account, "I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future." In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor. In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019. Hillary was awarded an Honorary Doctorate in law (LLD) at Queen's University Belfast on October 10, 2018, after giving a speech on Northern Ireland and the impacts of Brexit at Whitla Hall, Belfast. In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD). In September 2021 she was awarded an honorary doctorate of civil law by the University of Oxford. A package that contained a pipe bomb was sent to Clinton's home in Washington, D.C., on October 24, 2018. It was intercepted by the Secret Service. Similar packages were sent to several other Democratic leaders and to CNN. Political actions Clinton delivered a St. Patrick's Day speech in Scranton, Pennsylvania, on March 17, 2017. In it, alluding to reports that she had being seen taking walks in the woods around Chappaqua following her loss in the presidential election, Clinton indicated her readiness to emerge from "the woods" and become politically active again. However, the following month she confirmed she would not seek public office again. She reiterated her comments in March 2019 and stated she would not run for president in 2020. In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is "dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election". During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called "a disastrous bill" and a "shameful failure of policy & morality by GOP". In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby "prevent him from being able to use them to bomb innocent people and drop sarin gas on them". On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August. On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York. After Biden and Kamala Harris won New York State, thereby electing the Democratic elector slate, Clinton and her husband served as members of the 2020 United States Electoral College and cast the first of the state's electoral votes for Biden and Harris. Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter "doesn't work" when pursuing important negotiations. "Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position". Negotiations with North Korea should not take place without "a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change." While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was "a con" for underfunding domestic programs. On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a "historic mistake". On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a "threat" to the country's standing in the world; an "illegitimate president", despite having won the election; and a "corrupt human tornado". Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation. Clinton called the Senate filibuster "another Jim Crow relic". Writing career Clinton's third memoir, What Happened, an account of her loss in the 2016 election, was released on September 12, 2017. A book tour and a series of interviews and personal appearances were arranged for the launch. What Happened sold 300,000 copies in its first week, less than her 2003 memoir, Living History, but triple the first-week sales of her previous memoir, 2014's Hard Choices. Simon & Schuster announced that What Happened had sold more e-books in its first-week than any nonfiction e-book since 2010. As of December 10, 2017, the book had sold 448,947 hardcover copies. An announcement was made in February 2017 that efforts were under way to render her 1996 book It Takes a Village as a picture book. Marla Frazee, a two-time winner of the Caldecott Medal, was announced as the illustrator. Clinton had worked on it with Frazee during her 2016 presidential election campaign. The result was published on the same day of publication as What Happened. The book is aimed at preschool-aged children, although a few messages are more likely better understood by adults. In October 2019, The Book of Gutsy Women: Favorite Stories of Courage and Resilience, a book Clinton co-wrote with her daughter Chelsea, was published. In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny. The book, a political mystery thriller, is titled State of Terror and was released in October 2021. Clinton has also written occasional op-eds in the years since her 2016 election defeat. In September 2018, The Atlantic published an article written by Clinton titled "American Democracy Is In Crisis". In April 2019, The Washington Post published an op-ed by Clinton calling for congress to be, "deliberate, fair, and fearless" in responding to the Mueller Report. In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled "A National Security Reckoning". On January 11, 2021, following the January 6 storming of the United States Capitol, an op-ed by Clinton titled "Trump should be impeached. But that alone won’t remove white supremacy from America." was published in The Washington Post. In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election. Media ventures Clinton collaborated with director Nanette Burstein on the documentary film Hillary, which was released on Hulu in March 2020. On September 29, 2020, Clinton launched an interview podcast in collaboration with iHeartRadio titled You and Me Both. Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour. The series, based upon Elaine Weiss' book of the same name, will air on The CW. Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast. Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran. Commenting on taking up the position, she said that "the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence". Queen's Pro-Chancellor Stephen Prenter said that Clinton on her appointment "will be an incredible advocate for Queen's" who can act as an "inspirational role model". However, her inauguration was protested by some students. Political positions Using her Senate votes, several organizations have attempted to measure Clinton's place on the political spectrum scientifically. National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative. National Journals subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator. The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign. Averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Total average = 75 liberal, 20 conservative. According to FiveThirtyEights measure of political ideology, "Clinton was one of the most liberal members during her time in the Senate." Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015. Based on her stated positions from the 1990s to the present, On the Issues places her in the "Left Liberal" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances. Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative). In March 2016, Clinton laid out a detailed economic plan, which The New York Times called "optimistic" and "wide-ranging". Basing her economic philosophy on inclusive capitalism, Clinton proposed a "clawback" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an "exit tax" on companies that move their headquarters out of America to pay a lower tax rate overseas. Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as "the gold standard" of trade deals. She supports the U.S. Export-Import Bank and holds that "any trade deal has to produce jobs and raise wages and increase prosperity and protect our security". As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others. Given the climate of unlimited campaign contributions following the Supreme Court's Citizens United decision, Clinton called for a constitutional amendment to limit "unaccountable money" in politics. In July 2016, she "committed" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision. On December 7, 2015, Clinton presented her detailed plans for regulating Wall Street financial activities in the New York Times. Accepting the scientific consensus on climate change, Clinton supports cap-and-trade, and opposed the Keystone XL pipeline. She supported "equal pay for equal work", to address current shortfalls in how much women are paid to do the same jobs men do. Clinton has explicitly focused on family issues and supports universal preschool. These programs would be funded by proposing tax increases on the wealthy, including a "fair share surcharge". Clinton supported the Affordable Care Act and would have added a "public option" that competed with private insurers and enabled people "50 or 55 and up" to buy into Medicare. On LGBT rights, she supports the right to same-sex marriage, a position that has changed throughout her political career. In 2000, she was against such marriages altogether. In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage. While running for president in 2007, she again reiterated her opposition to same-sex marriage, although expressed her support of civil unions. 2013 marked the first time that Clinton expressed support for a national right to same-sex marriage. In 2000, she was the first spouse of a US president to march in an LGBT pride parade. In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News). Clinton held that allowing undocumented immigrants to have a path to citizenship "s at its heart a family issue", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States. However, in 2014, Clinton stated that unaccompanied children crossing the border "should be sent back." She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States. Expressing support for Common Core she said, "The really unfortunate argument that's been going on around Common Core, it's very painful because the Common Core started off as a bipartisan effort. It was actually nonpartisan. It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time. And you see the value of it, you understand why that helps you organize your whole education system. And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core." On foreign affairs, Clinton voted in favor of the Authorization for Use of Military Force Against Iraq in October 2002, a vote she later "regretted". She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad. She supported the NATO bombing of Yugoslavia in 1999 and the NATO-led military intervention in Libya to oust former Libyan leader Muammar Gaddafi in 2011. Clinton is in favor of maintaining American influence in the Middle East. She has told the American Israel Public Affairs Committee, "America can't ever be neutral when it comes to Israel's security and survival." Clinton expressed support for Israel's right to defend itself during the 2006 Lebanon War and 2014 Israel–Gaza conflict. In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: "I think we should have been more willing to confront Assad. I really believe we should have and still should take out his air fields and prevent him from being able to use them to bomb innocent people and drop sarin gas on them." In 2000, Clinton advocated for the elimination of the electoral college. She promised to co-sponsor legislation that would abolish it, resulting in the direct election of the president. She reiterated her position against the Electoral College as she cast her vote as an elector in the electoral college for Joe Biden in 2020. Religious views Clinton has been a lifelong Methodist, and has been part of United Methodist Church congregations throughout her life. She has publicly discussed her Christian faith on several occasions, although seldom while campaigning. Professor Paul Kengor, author of God and Hillary Clinton: A Spiritual Life, has suggested that Clinton's political positions are rooted in her faith. She often expresses a maxim often attributed to John Wesley: "Do all the good you can, by all the means you can, in all the ways you can." Cultural and political image Over a hundred books and scholarly works have been written about Clinton. A 2006 survey by the New York Observer found "a virtual cottage industry" of "anti-Clinton literature" put out by Regnery Publishing and other conservative imprints. Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped?: Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband). When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Don Van Natta found that Republican and conservative groups viewed her as a reliable "bogeyman" to mention in fundraising letters, on a par with Ted Kennedy, and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich. Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives. In 1995, writer Todd S. Purdum of The New York Times characterized Clinton as a Rorschach test, an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, "Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society." She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady. She has made guest appearances on the show herself, in 2008 and in 2015, to face-off with her doppelgängers. Jonathan Mann wrote songs about her including "The Hillary Shimmy Song", which went viral. She has often been described in the popular media as a polarizing figure, though some argue otherwise. In the early stages of her 2008 presidential campaign, a Time magazine cover showed a large picture of her with two checkboxes labeled "Love Her", "Hate Her". Mother Jones titled its profile of her "Harpy, Hero, Heretic: Hillary". Following Clinton's "choked up moment" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse. Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, "brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics". Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure. Her favorability ratings dropped, however, after she left office and began to be viewed in the context of partisan politics once more. By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever. In March 2016, she acknowledged that: "I'm not a natural politician, in case you haven't noticed." Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003). The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Hard Choices (2014). The book has sold about 280,000 copies. With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press. Ancestry See also 2016 United States presidential election timeline List of female United States Cabinet members Women in the United States Senate Notes References Citations Sources cited External links Official Clinton Foundation State Department Biography Media coverage Other Hillary Clinton's file at Politifact 1947 births Living people 2020 United States presidential electors 20th-century American lawyers 20th-century American non-fiction writers 20th-century American politicians 20th-century American women lawyers 20th-century American women politicians 20th-century American women writers 20th-century Methodists 21st-century American diplomats 21st-century American non-fiction writers 21st-century American politicians 21st-century American women politicians 21st-century American women writers 21st-century Methodists Activists from New York (state) American autobiographers American feminists American legal writers American memoirists American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Scottish descent American people of Welsh descent American political writers American United Methodists American women activists American women diplomats American diplomats American women non-fiction writers American women's rights activists American women academics Arkansas Democrats Arkansas lawyers Articles containing video clips Candidates in the 2008 United States presidential election Candidates in the 2016 United States presidential election Chancellors of Queen's University Belfast Children's rights activists Bill Clinton College Republicans Democratic Party (United States) presidential nominees Democratic Party United States senators from New York (state) Directors of Walmart Family of Bill and Hillary Clinton Female candidates for President of the United States Female foreign ministers Female United States senators First Ladies and Gentlemen of Arkansas First Ladies of the United States Grammy Award winners Grand Crosses of the Order of Lakandula Illinois Republicans Intellectual property lawyers New York (state) Democrats Obama administration cabinet members People from Park Ridge, Illinois Politicians from Little Rock, Arkansas Politicians from Westchester County, New York Recipients of the Four Freedoms Award Recipients of the Order of the Cross of Terra Mariana, 1st Class Rodham family United States Secretaries of State United States senators from New York (state) University of Arkansas School of Law faculty Wellesley College alumni Women autobiographers Women heads of universities and colleges Women in New York (state) politics Women members of the Cabinet of the United States Writers from New York (state) Yale Law School alumni

C_8b166a2b96a4446b96aec0b2fd24bb06_1

What did her parents do for a living?

What did Hillary Clinton's parents do for a living?

Hillary Clinton

Hillary Diane Rodham was born on October 26, 1947, at Edgewater Hospital in Chicago, Illinois. Clinton was raised in a United Methodist family that first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish and Welsh descent. Clinton has two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools that she attended in Park Ridge. She participated swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told a story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council, the school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year, but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then new Maine South High School, where she was a National Merit Finalist and was voted, "most likely to succeed". She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career, and her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. Rodham was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the U.S. presidential election of 1964. Rodham's early political development was shaped most by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. CANNOTANSWER

managed a small but successful textile business.

Hillary Diane Clinton ( Rodham; born October 26, 1947) is an American politician, diplomat, lawyer, writer, and public speaker who served as the 67th United States secretary of state from 2009 to 2013, as a United States senator from New York from 2001 to 2009, and as first lady of the United States from 1993 to 2001 as the wife of President Bill Clinton. A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party. Clinton won the popular vote in the election, making her the first woman to do so. However, she lost the Electoral College vote and thereby lost the presidential election. Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973. After serving as a congressional legal counsel, she moved to Arkansas and married future president Bill Clinton in 1975; the two had met at Yale. In 1977, Clinton co-founded Arkansas Advocates for Children and Families. She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year. The National Law Journal twice listed her as one of the hundred most influential lawyers in America. Clinton was the first lady of Arkansas from 1979 to 1981 and again from 1983 to 1992. As the first lady of the United States, Clinton advocated for healthcare reform. In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress. In 1997 and 1999, Clinton played a leading role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Clinton advocated for gender equality at the 1995 UN conference on women. Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage. In 2000, Clinton was elected as the first female senator from New York and became the first First lady to simultaneously hold elected office, and then the first former First lady to serve in the Senate. She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007. During her Senate tenure, Clinton advocated for medical benefits for first responders whose health was damaged in the September 11 attacks. She supported the resolution authorizing the Iraq War in 2002 but opposed the surge of U.S. troops in 2007. In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries. Clinton was U.S. secretary of state in the first term of the Obama administration from 2009 to 2013. During her tenure, Clinton established the Quadrennial Diplomacy and Development Review. She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack. Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015. Her use of a private email server when she was Secretary of State was the subject of intense scrutiny; while no charges were filed against Clinton, the email controversy was the single most covered topic during the 2016 presidential election. Clinton made a second presidential run in 2016. After winning the Democratic nomination, she ran in the general election with Virginia senator Tim Kaine as her running mate. Clinton lost the presidential election to Republican opponent Donald Trump in the Electoral College despite winning a plurality of the popular vote. Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups. Since January 2020, she has been the chancellor of Queen's University Belfast in Belfast, Northern Ireland. Early life and education Early life Hillary Diane Rodham was born on October 26, 1947, at Edgewater Medical Center in Chicago, Illinois. She was raised in a United Methodist family who first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business, which he had founded. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish, and Welsh descent. She had two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools she attended in Park Ridge. She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told the story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then-new Maine South High School. There she was a National Merit Finalist and was voted "most likely to succeed." She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career. Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. She was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election. Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her first year, she was president of the Wellesley Young Republicans. As the leader of this "Rockefeller Republican"-oriented group, she supported the elections of moderate Republicans John Lindsay to mayor of New York City and Massachusetts attorney general Edward Brooke to the United States Senate. She later stepped down from this position. In 2003, Clinton would write that her views concerning the civil rights movement and the Vietnam War were changing in her early college years. In a letter to her youth minister at that time, she described herself as "a mind conservative and a heart liberal". In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it. By her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. In early 1968, she was elected president of the Wellesley College Government Association, a position she held until early 1969. Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In her student government role, she played a role in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first female president of the United States. To help her better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the "Wellesley in Washington" summer program. Rodham was invited by moderate New York Republican representative Charles Goodell to help Governor Nelson Rockefeller's late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami Beach. However, she was upset by the way Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's "veiled" racist messages, and she left the Republican Party for good. Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter. Years later, while she was the first lady, access to her thesis was restricted at the request of the White House and it became the subject of some speculation. The thesis was later released. In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. After some fellow seniors requested that the college administration allow a student speaker at commencement, she became the first student in Wellesley College history to speak at the event. Her address followed that of the commencement speaker, Senator Edward Brooke. After her speech, she received a standing ovation that lasted seven minutes. She was featured in an article published in Life magazine, because of the response to a part of her speech that criticized Senator Brooke. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions). Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973). She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched various migrant workers' issues including education, health and housing. Edelman later became a significant mentor. Rodham was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey. Rodham later crediting Wexler with providing her first job in politics. In the spring of 1971, she began dating fellow law student Bill Clinton. During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well known for its support of constitutional rights, civil liberties and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his. Rodham began a year of postgraduate study on children and medicine at the Yale Child Study Center. In late 1973, her first scholarly article, "Children Under the Law", was published in the Harvard Educational Review. Discussing the new children's rights movement, the article stated that "child citizens" were "powerless individuals" and argued that children should not be considered equally incompetent from birth to attaining legal age, but instead that courts should presume competence on a case-by-case basis, except when there is evidence otherwise. The article became frequently cited in the field. Marriage, family, legal career and first ladyship of Arkansas From the East Coast to Arkansas During her postgraduate studies, Rodham was staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard W. Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for it. The committee's work culminated with the resignation of President Richard Nixon in August 1974. By then, Rodham was viewed as someone with a bright political future. Democratic political organizer and consultant Betsey Wright moved from Texas to Washington the previous year to help guide Rodham's career. Wright thought Rodham had the potential to become a future senator or president. Meanwhile, boyfriend Bill Clinton had repeatedly asked Rodham to marry him, but she continued to demur. After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, "I chose to follow my heart instead of my head". She thus followed Clinton to Arkansas, rather than staying in Washington, where career prospects were brighter. He was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, Rodham moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville. Early Arkansas years At the university, Rodham taught classes in criminal law. She was considered a rigorous teacher who was tough with her grades. Rodham became the first director of a new legal aid clinic at the school, where she secured support from the local bar association and gained federal funding. As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge. She has called the trial a "terrible case". During her time in Fayetteville, Rodham and several other women founded the city's first rape crisis center. In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt. Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975 and she agreed to marry him. The wedding took place on October 11, 1975, in a Methodist ceremony in their living room. A story about the marriage in the Arkansas Gazette indicated that she decided to retain the name Hillary Rodham. Her motivation was threefold. She wanted to keep the couple's professional lives separate, avoid apparent conflicts of interest, and as she told a friend at the time, "it showed that I was still me". The decision upset both mothers, who were more traditional. In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter. In November 1976, Bill Clinton was elected Arkansas attorney general, and the couple moved to the state capital of Little Rock. In February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court. Rodham maintained her interest in children's law and family policy, publishing the scholarly articles "Children's Policies: Abandonment and Neglect" in 1977 and "Children's Rights: A Legal Perspective" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, "Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate." Historian Garry Wills would later describe her as "one of the more important scholar-activists of the last two decades". Conservatives said her theories would usurp traditional parental authority, would allow children to file frivolous lawsuits against their parents, and exemplified critical legal studies run amok. In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation. She held that position from 1978 until the end of 1981. From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job. During her time as chair, funding for the corporation was expanded from $90 million to $300 million; subsequently, she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization. Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979. She would hold that title for twelve nonconsecutive years (1979–81, 1983–92). Clinton appointed his wife to be the chair of the Rural Health Advisory Committee the same year, where she secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees. In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham engaged in the trading of cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal. Both of these became subjects of controversy in the 1990s. On February 27, 1980, Rodham gave birth to the couple's only child, a daughter whom they named Chelsea. In November 1980, Bill Clinton was defeated in his bid for re-election. Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982. During her husband's campaign, Hillary began to use the name "Hillary Clinton", or sometimes "Mrs. Bill Clinton", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name. She was named chair of the Arkansas Education Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size. It became her introduction into the politics of a highly visible public policy effort. In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984. Clinton continued to practice law with the Rose Law Firm while she was the first lady of Arkansas. She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there. The firm considered her a "rainmaker" because she brought in clients, partly thanks to the prestige she lent it and to her corporate board connections. She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial re-election campaign accused the Clintons of conflict of interest because Rose Law did state business; the Clintons countered the charge by saying that state fees were walled off by the firm before her profits were calculated. From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she was the first chair of the American Bar Association's Commission on Women in the Profession, created to address gender bias in the legal profession and induce the association to adopt measures to combat it. She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary Clinton considered running. Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time. Clinton was chairman of the board of the Children's Defense Fund and on the board of the Arkansas Children's Hospital's Legal Services (1988–92) In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–92), Wal-Mart Stores (1986–92) and Lafarge (1990–92). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to it. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices. She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices. According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump. Bill Clinton presidential campaign of 1992 Clinton received sustained national attention for the first time when her husband became a candidate for the 1992 Democratic presidential nomination. Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers. In response, the Clintons appeared together on 60 Minutes, where Bill denied the affair, but acknowledged "causing pain in my marriage". This joint appearance was credited with rescuing his campaign. During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song "Stand by Your Man". Later in the campaign, she commented she could have chosen to be like women staying home and baking cookies and having teas, but wanted to pursue her career instead. The remarks were widely criticized, particularly by those who were, or defended, stay-at-home mothers. In retrospect, she admitted they were ill-considered. Bill said that in electing him, the nation would "get two for the price of one", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 The American Spectator article "The Lady Macbeth of Little Rock", Hillary's own past ideological and ethical record came under attack from conservatives. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth. First Lady of the United States (1993–2001) When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the first lady. Her press secretary reiterated she would be using that form of her name. She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual first lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration. Her choices filled at least eleven top-level positions and dozens more lower-level ones. After Eleanor Roosevelt, Clinton was regarded as the most openly empowered presidential wife in American history. Some critics called it inappropriate for the first lady to play a central role in public policy matters. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency. Bill Clinton's campaign promise of "two for the price of one" led opponents to refer derisively to the Clintons as "co-presidents" or sometimes use the Arkansas label "Billary". The pressures of conflicting ideas about the role of a first lady were enough to send Hillary Clinton into "imaginary discussions" with the also-politically active Eleanor Roosevelt. From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's "politics of meaning" to overcome what she saw as America's "sleeping sickness of the soul"; that would lead to a willingness "to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium". Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. Unconvinced regarding the merits of the North American Free Trade Agreement (NAFTA), she privately urged that passage of health care reform be given higher priority. The recommendation of the task force became known as the Clinton health care plan. This was a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as "Hillarycare" and it even faced opposition from some Democrats in Congress. Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times. Failing to gather enough support for a floor vote in either the House or the Senate (although Democrats controlled both chambers), the proposal was abandoned in September 1994. Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors. The first lady's approval ratings, which had generally been in the high-50 percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections. They saw a net gain of 54 seats in the House election and eight in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Clinton's role in shaping policy. Opponents of universal health care would continue to use "Hillarycare" as a pejorative label for similar plans by others. Along with senators Ted Kennedy and Orrin Hatch, Clinton was a force behind the passage of the State Children's Health Insurance Program in 1997. This federal bill gave state support to children whose parents could not provide them health coverage. She conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood diseases and encouraged older women to get a mammogram for breast cancer screening, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Enactment of welfare reform was a major goal of Bill Clinton's presidency. When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did. A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again. But she decided to support the bill, which became the Welfare Reform Act of 1996, as the best political compromise available. This caused a rift with Edelman that Hillary later called "sad and painful". Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as the first lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady of the United States, Clinton was the host for various White House conferences. These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000), and the first-ever White House Conference on Philanthropy (1999). Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a role in U.S. diplomacy attaining its objectives. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited, and gained a better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued forcefully against practices that abused women around the world and in the People's Republic of China itself. She declared, "it is no longer acceptable to discuss women's rights as separate from human rights". Delegates from over 180 countries heard her say: "If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all." In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. The speech became a key moment in the empowerment of women and years later women around the world would recite Clinton's key phrases. During the late 1990s, she was one of the most prominent international figures to speak out against the treatment of Afghan women by the Taliban. She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process. In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995. Whitewater and other investigations Clinton was a subject of several investigations by the United States Office of the Independent Counsel, committees of the U.S. Congress, and the press. The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators her husband had appointed. She said she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. After a two-year search, the records were found in the first lady's White House book room and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been. Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing. Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as "Travelgate", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made "factually false" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her. In March 1994, newspaper reports revealed that Clinton had earned spectacular profits from cattle futures trading in 1978–79. The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery. Several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the "Travelgate" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called "Filegate". Accusations were made that Clinton had requested these files and she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter. In early 2001, a controversy arose over gifts that were sent to the White House; there was a question whether the furnishings were White House property or the Clintons' personal property. During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence. It Takes a Village release and tour In 1996, Clinton presented a vision for American children in the book It Takes a Village: And Other Lessons Children Teach Us. In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies. The book spent 18 weeks on the New York Times Best Seller List that year, including three weeks at number one. By 2000, it had sold 450,000 copies in hardcover and another 200,000 in paperback. Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Response to Lewinsky scandal In 1998, the Clintons' private concerns became the subject of much speculation when investigations revealed the president had engaged in an extramarital affair with 22-year-old White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate. When the allegations against her husband were first made public, Hillary Clinton stated that the allegations were part of a "vast right-wing conspiracy". She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband. She later said she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage. Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage. The White House residence staff noticed a pronounced level of tension between the couple during this period. Public reaction varied. Women variously admired her strength and poise in private matters that were made public. They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions. They also accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to "a love that has persisted for decades" and add: "No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met." Issues that surrounded the Lewinsky scandal left Bill Clinton with substantial legal bills. In 2014, Hillary said that she and Bill had left the White House "not only dead broke, but in debt". The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office. The couple would also have the ability to secure loans from banks. In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky "was an adult". Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000). In 2001, she wrote an afterword to the children's book Beatrice's Goat. She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites. This included the flag that inspired "The Star-Spangled Banner" and the First Ladies National Historic Site in Canton, Ohio. She also published a weekly syndicated newspaper column titled "Talking It Over" from 1995 to 2000. It focused on her experiences and those of women, children and families she met during her travels around the world. Traditional duties She was head of the White House Millennium Council and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums. In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II. Working with Arkansas interior decorator Kaki Hockersmith over an eight-year period, she oversaw extensive, privately funded redecoration efforts around the building, often trying to make it look brighter. These included changing of the Treaty Room and a presidential study to have a 19th-century look. Overall the redecoration brought mixed notices, with Victorian furnishings for the Lincoln Sitting Room being criticized the most. Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000. U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000. Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999. She became the first wife of the president of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani—the mayor of New York City—as her Republican opponent in the election. Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public. Clinton then faced Rick Lazio, a Republican member of the U.S. House of Representatives who represented New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, because she had never resided in New York State or participated in the state's politics before the 2000 Senate race. Bill de Blasio was Clinton's campaign manager. She began her drive to the U.S. Senate by visiting all 62 counties in the state, in a "listening tour" of small-group settings. She devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care. The contest drew national attention. During a September debate, Lazio blundered when he seemed to invade Clinton's personal space by trying to get her to sign a fundraising agreement. Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history. Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History. First term Because Bill Clinton's term as president did not end until 17 days after she was sworn in, upon entering the Senate, Clinton became the first and so far only first lady to serve as a senator and first lady concurrently. Clinton maintained a low public profile and built relationships with senators from both parties when she started her term. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast. She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging. She was also a member of the Commission on Security and Cooperation in Europe (2001–09). Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Chuck Schumer, she was instrumental in securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she expressed concerns with the USA Patriot Act Reauthorization Conference Report regarding civil liberties. In March 2006, she voted in favor of the USA PATRIOT Improvement and Reauthorization Act of 2005 that had gained large majority support. Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized President George W. Bush to use military force against Iraq. After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier and that parts of the country were functioning well. Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay "until the job is done" was also misguided, as it gave Iraqis "an open-ended invitation not to take care of themselves". Her stance caused frustration among those in the Democratic Party who favored quick withdrawal. Clinton supported retaining and improving health benefits for reservists and lobbied against the closure of several military bases, especially those in New York. She used her position on the Armed Services Committee to forge close relationships with a number of high-ranking military officers. By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she "got it wrong" and the vote in support had been a "mistake". Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Simon & Schuster released Living History: The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album. Clinton voted against the 2005 confirmation of John Roberts as chief justice of the United States and the 2006 confirmation of Samuel Alito to the U.S. Supreme Court, filibustering the latter. In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas. Along with senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage. Looking to establish a "progressive infrastructure" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging. 2006 reelection campaign In November 2004, Clinton announced she would seek a second Senate term. She easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton's eventual opponent in the general election was Republican candidate John Spencer, a former mayor of Yonkers. Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Her campaign spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign. Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful). In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush. In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, "I think that the reports that you provide to us really require a willing suspension of disbelief." In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture. As the financial crisis of 2007–08 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of the U.S. financial system, voting in favor of the $700 billion law that created the Troubled Asset Relief Program, saying it represented the interests of the American people. It passed the Senate 74–25. In 2007, Clinton and Virginia senator Jim Webb called for an investigation into whether the body armor issued to soldiers in Iraq was adequate. 2008 presidential campaign Clinton had been preparing for a potential candidacy for U.S. president since at least early 2003. On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: "I'm in and I'm in to win." No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president. When Bill Clinton became president in 1993, a blind trust was established; in April 2007, the Clintons liquidated the blind trust to avoid the possibility of ethical conflicts or political embarrassments as Hillary undertook her presidential race. Later disclosure statements revealed the couple's worth was now upwards of $50 million. They had earned over $100 million since 2000—most of it coming from Bill's books, speaking engagements and other activities. Throughout the first half of 2007, Clinton led candidates competing for the Democratic presidential nomination in opinion polls for the election. Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors. The biggest threat to her campaign was her past support of the Iraq War, which Obama had opposed from the beginning. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents. Obama's message of change began to resonate with the Democratic electorate better than Clinton's message of experience. In the first vote of 2008, she placed third in the January3 Iowa Democratic caucus behind Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. Clinton gained a surprise win there on January 8, narrowly defeating Obama. It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection. Explanations for Clinton's New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election. The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King Jr. and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president "needs to stop". The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy. On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules. The Clinton campaign had counted on winning the nomination by Super Tuesday and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising as Clinton began loaning money to her campaign. There was continuous turmoil within the campaign staff, and she made several top-level personnel changes. Obama won the next eleven February contests across the country, often by large margins and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular. Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Behind in delegates, Clinton's best hope of winning the nomination came in persuading uncommitted, party-appointed superdelegates. Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama. By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record. Clinton was the first woman to run in the primary or caucus of every state and she eclipsed, by a very wide margin, Congresswoman Shirley Chisholm's 1972 marks for most votes garnered and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself. The debt was eventually paid off by the beginning of 2013. Secretary of State (2009–2013) Nomination and confirmation In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as secretary of state in his administration. She was initially quite reluctant, but on November 20 she told Obama she would accept the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state. Clinton said she did not want to leave the Senate, but that the new position represented a "difficult and exciting adventure". As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative. The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton. By this time, her public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of secretary of state, resigning from the Senate later that day. She became the first former first lady to be a member of the United States Cabinet. First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: "We have a lot of damage to repair." She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. The first such review was issued in late 2010. It called for the U.S. leading through "civilian power" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world. A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women. In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal "Afghanistan surge", recommending 40,000 troops and no public deadline for withdrawal. She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal. In March 2009, Clinton presented Russian Foreign Minister Sergey Lavrov with a "reset button" symbolizing U.S. attempts to rebuild ties with that country under its new president, Dmitry Medvedev. The photo op was remembered for a mistranslation into Russian. The policy, which became known as the Russian reset, led to improved cooperation in several areas during Medvedev's time in office. Relations would worsen considerably, however, following Vladimir Putin's return to the position in 2012. In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015. Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president. Clinton formed an alliance with Secretary of Defense Gates as they shared similar strategic outlooks. Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise. She met with him weekly but did not have the close, daily relationship that some of her predecessors had had with their presidents; moreover, certain key areas of policymaking were kept inside the White House or Pentagon. Nevertheless, the president had trust in her actions. In a prepared speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it. The speech garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage. In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant. This was part of the "build back better" program initiated by her husband, named UN Special Envoy to Haiti in 2009 after a tropical storm season caused $1 billion in damages to the island. In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly. Second half of tenure The 2011 Egyptian protests posed the most challenging foreign policy crisis yet for the Obama administration. Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was "stable", to a stance that there needed to be an "orderly transition [to] a democratic participatory government", to a condemnation of violence against the protesters. Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments. As Arab Spring protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power. This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya. Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution. The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration). Clinton later used U.S. allies and what she called "convening power" to promote unity among the Libyan rebels as they eventually overthrew the Gaddafi regime. The aftermath of the Libyan Civil War saw the country becoming a failed state. The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate. During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan. Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader. During internal discussions regarding Iraq in 2011, Clinton argued for keeping a residual force of up to 10,000–20,000 U.S. troops there. (All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.) In a speech before the United Nations Human Rights Council in December 2011, Clinton said that, "Gay rights are human rights", and that the U.S. would advocate for gay rights and legal protections of gay people abroad. The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955. She met with Burmese leaders as well as opposition leader Aung San Suu Kyi and sought to support the 2011 Burmese democratic reforms. She also said the 21st century would be "America's Pacific century", a declaration that was part of the Obama administration's "pivot to Asia". During the Syrian Civil War, Clinton and the Obama administration initially sought to persuade Syrian president Bashar al-Assad to engage popular demonstrations with reform. As government violence allegedly rose in August 2011, they called for him to resign from the presidency. The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria. During mid-2012, Clinton formed a plan with CIA Director David Petraeus to further strengthen the opposition by arming and training vetted groups of Syrian rebels. The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets. In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus. Her doctors had discovered the clot during a follow-up examination for a concussion she had sustained when she fainted and fell nearly three weeks earlier, as a result of severe dehydration from a viral intestinal ailment acquired during a trip to Europe. The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery. Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed "smart power" as the strategy for asserting U.S. leadership and values. In a world of varied threats, weakened central governments and increasingly important nongovernmental entities, smart power combined military hard power with diplomacy and U.S. soft power capacities in global economics, development aid, technology, creativity and human rights advocacy. As such, she became the first secretary of state to methodically implement the smart power approach. In debates over use of military force, she was generally one of the more hawkish voices in the administration. In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action. Clinton greatly expanded the State Department's use of social media, including Facebook and Twitter, to get its message out and to help empower citizens of foreign countries vis-à-vis their governments. And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. Moreover, in a formulation that became known as the "Hillary Doctrine", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state. In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility. Clinton visited 112 countries during her tenure, making her the most widely traveled secretary of state (Time magazine wrote that "Clinton's endurance is legendary".) The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age. As early as March 2011, she indicated she was not interested in serving a second term as secretary of state should Obama be re-elected in 2012; in December 2012, following that re-election, Obama nominated Senator John Kerry to be Clinton's successor. Her last day as secretary of state was February 1, 2013. Upon her departure, analysts commented that Clinton's tenure did not bring any signature diplomatic breakthroughs as some other secretaries of state had accomplished, and highlighted her focus on goals she thought were less tangible but would have more lasting effect. She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State. Benghazi attack and subsequent hearings On September 11, 2012, the U.S. diplomatic mission in Benghazi, Libya, was attacked, resulting in the deaths of the U.S. Ambassador, J. Christopher Stevens and three other Americans. The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events. On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter. It was sharply critical of State Department officials in Washington for ignoring requests for more guards and safety upgrades and for failing to adapt security procedures to a deteriorating security environment. It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence. Clinton said she accepted the conclusions of the report and that changes were underway to implement its suggested recommendations. Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack. She defended her actions in response to the incident, and while still accepting formal responsibility, said she had had no direct role in specific discussions beforehand regarding consulate security. Congressional Republicans challenged her on several points, to which she responded. In particular, after persistent questioning about whether or not the administration had issued inaccurate "talking points" after the attack, Clinton responded with the much-quoted rejoinder, "With all due respect, the fact is we had four dead Americans. Was it because of a protest or was it because of guys out for a walk one night who decided that they'd they go kill some Americans? What difference at this point does it make? It is our job to figure out what happened and do everything we can to prevent it from ever happening again, Senator." In November 2014, the House Intelligence Committee issued a report that concluded there had been no wrongdoing in the administration's response to the attack. The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack. Its actions were often seen through the prism of domestic politics. This was especially the case in September 2015, when House majority leader Kevin McCarthy credited the Benghazi hearings with lowering Clinton's poll numbers, thereby contradicting the Republicans' previous talking points on the investigation. On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee. The hearing included many heated exchanges between committee members and Clinton and among the committee members themselves. Clinton was widely seen as emerging largely unscathed from the hearing, because of what the media perceived as a calm and unfazed demeanor and a lengthy, meandering, repetitive line of questioning from the committee. The committee issued competing final reports in June 2016 that broke along partisan lines. The Republican report offered some new details about the attack but no new evidence of culpability by Clinton. Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state. Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements. The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi. In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and "never should have been transmitted via an unclassified personal system". They also stated unequivocally this classified information should never have been stored outside of secure government computer systems. Clinton had said over a period of months that she kept no classified information on the private server that she set up in her house. Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such. After allegations were raised that some of the emails in question fell into the so-called "born classified" category, an FBI probe was initiated regarding how classified information was handled on the Clinton server. The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department. Additionally, the intelligence community's inspector general wrote Congress to say that some of the emails "contained classified State Department information when originated". In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked. Clinton maintained she did not send or receive any emails from her personal server that were confidential at the time they were sent. In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, "I never sent or received any classified material—they are retroactively classifying it." On July 2, 2016, Clinton stated: "Let me repeat what I have repeated for many months now, I never received nor sent any material that was marked classified." On July 5, 2016, the FBI concluded its investigation. In a statement, FBI director James Comey said: 110 e-mails in 52 e-mail chains have been determined by the owning agency to contain classified information at the time they were sent or received. Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification. Separate from those, about 2,000 additional e-mails were "up-classified" to make them Confidential; the information in those had not been classified at the time the e-mails were sent. Out of 30,000, three emails were found to be marked as classified, although they lacked classified headers and were marked only with a small "c" in parentheses, described as "portion markings" by Comey. He also said it was possible Clinton was not "technically sophisticated" enough to understand what the three classified markings meant. The probe found Clinton used her personal email extensively while outside the United States, both sending and receiving work-related emails in the territory of sophisticated adversaries. Comey acknowledged that it was "possible that hostile actors gained access to Secretary Clinton's personal email account". He added that "[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information". Nevertheless, Comey asserted that "no reasonable prosecutor" would bring criminal charges in this case, despite the existence of "potential violations of the statutes regarding the handling of classified information". The FBI recommended that the Justice Department decline to prosecute. On July 6, 2016, U.S. Attorney General Loretta Lynch—who had met privately with Bill Clinton on June 27—confirmed that the probe into Clinton's use of private email servers would be closed without criminal charges. On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails. Law enforcement officials said that while investigating allegedly illicit text messages from Anthony Weiner, husband of Clinton aide Huma Abedin, to a 15-year-old girl in North Carolina, they discovered emails related to Clinton's private server on a laptop computer belonging to Weiner. On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July. The notification was later cited by Clinton as a factor in her loss in the 2016 presidential election. The emails controversy received more media coverage than any other topic during the 2016 presidential election. In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over. The investigation that began in 2016 found 588 violations of security procedures and found that Clinton's use of a personal email server increased the risk of compromising State Department information. In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was "no persuasive evidence of systemic, deliberate mishandling of classified information". Clinton Foundation, Hard Choices, and speeches When Clinton left the State Department, she returned to private life for the first time in thirty years. She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013. There she focused on early childhood development efforts, including an initiative called Too Small to Fail and a $600 million initiative to encourage the enrollment of girls in secondary schools worldwide, led by former Australian Prime Minister Julia Gillard. In 2014, Clinton published a second memoir, Hard Choices, which focused on her time as secretary of state. , the book has sold about 280,000 copies. Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while "There has never been a better time in history to be born a woman ... this data shows just how far we still have to go." The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state. However, even though the Clinton Foundation had stopped taking donations from foreign governments, they continued to take large donations from foreign citizens who were sometimes linked to their governments. She began work on another volume of memoirs and made appearances on the paid speaking circuit. There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions. She also made some unpaid speeches on behalf of the foundation. For the fifteen months ending in March 2015, Clinton earned over $11 million from her speeches. For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity. , she was estimated to be worth over $30 million on her own, or $45–53 million with her husband. Clinton resigned from the board of the foundation in April 2015, when she began her presidential campaign. The foundation said it would accept new foreign governmental donations from six Western nations only. 2016 presidential campaign On April 12, 2015, Clinton formally announced her candidacy for the presidency in the 2016 election. She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure. Prior to her campaign, Clinton had claimed in an interview on NDTV in May 2012 that she would not seek the presidency again, but later wrote in her 2014 autobiography Hard Choices that she had not decided. The campaign's headquarters were established in the New York City borough of Brooklyn. Her campaign focused on: raising middle class incomes, establishing universal preschool, making college more affordable and improving the Affordable Care Act. Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont. His longtime stance against the influence of corporations and the wealthy in American politics resonated with a dissatisfied citizenry troubled by the effects of income inequality in the U.S. and contrasted with Clinton's Wall Street ties. In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them. In the first primary, held in New Hampshire on February 9, she lost to Sanders by a wide margin. Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers. Clinton followed that with a lopsided victory in the South Carolina primary on February 27. These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort. On March 1 Super Tuesday, Clinton won seven of eleven contests, including a string of dominating victories across the South buoyed, as in South Carolina, by African-American voters. She opened up a significant lead in pledged delegates over Sanders. She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout. Sanders did better among younger, whiter, more rural and more liberal voters and states that held caucuses or where eligibility was open to independents. Clinton did better among older, black and Hispanic voter populations, and in states that held primaries or where eligibility was restricted to registered Democrats. By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee. On June 7, after winning most of the states in the final major round of primaries, Clinton held a victory rally in Brooklyn becoming the first woman to claim the status of presumptive nominee for a major American political party. By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47. She received almost 17 million votes during the nominating process, as opposed to Sanders' 13 million. Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party. Her choice of vice presidential running mate, Senator Tim Kaine, was nominated by the convention the following day. Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party. Around the time of the convention, WikiLeaks released emails that suggested the DNC and the Clinton campaign tilted the primary in Clinton's favor. Clinton held a significant lead in national polls over Trump throughout most of 2016. In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails. FBI Director James Comey concluded Clinton had been "extremely careless" in her handling of classified government material. In late July, Trump gained his first lead over Clinton in major polls following a three to four percentage point convention bounce at the Republican National Convention. This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards. Following Clinton's seven percentage point convention bounce at the Democratic National Convention, she regained a significant lead in national polls at the start of August. In fall 2016, Clinton and Tim Kaine published Stronger Together, which outlined their vision for the United States. Clinton was defeated by Donald Trump in the November 8, 2016, presidential election. By the early morning hours of November 9, Trump had received 279 projected electoral college votes, with 270 needed to win; media sources proclaimed him the winner. Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech. The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: "We owe him an open mind and a chance to lead." Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base. She is the fifth presidential candidate in U.S. history to win the popular vote but lose the election. She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate. (Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams). On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders. Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea. The morning of the inauguration Clinton wrote on her Twitter account, "I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future." In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor. In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019. Hillary was awarded an Honorary Doctorate in law (LLD) at Queen's University Belfast on October 10, 2018, after giving a speech on Northern Ireland and the impacts of Brexit at Whitla Hall, Belfast. In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD). In September 2021 she was awarded an honorary doctorate of civil law by the University of Oxford. A package that contained a pipe bomb was sent to Clinton's home in Washington, D.C., on October 24, 2018. It was intercepted by the Secret Service. Similar packages were sent to several other Democratic leaders and to CNN. Political actions Clinton delivered a St. Patrick's Day speech in Scranton, Pennsylvania, on March 17, 2017. In it, alluding to reports that she had being seen taking walks in the woods around Chappaqua following her loss in the presidential election, Clinton indicated her readiness to emerge from "the woods" and become politically active again. However, the following month she confirmed she would not seek public office again. She reiterated her comments in March 2019 and stated she would not run for president in 2020. In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is "dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election". During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called "a disastrous bill" and a "shameful failure of policy & morality by GOP". In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby "prevent him from being able to use them to bomb innocent people and drop sarin gas on them". On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August. On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York. After Biden and Kamala Harris won New York State, thereby electing the Democratic elector slate, Clinton and her husband served as members of the 2020 United States Electoral College and cast the first of the state's electoral votes for Biden and Harris. Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter "doesn't work" when pursuing important negotiations. "Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position". Negotiations with North Korea should not take place without "a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change." While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was "a con" for underfunding domestic programs. On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a "historic mistake". On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a "threat" to the country's standing in the world; an "illegitimate president", despite having won the election; and a "corrupt human tornado". Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation. Clinton called the Senate filibuster "another Jim Crow relic". Writing career Clinton's third memoir, What Happened, an account of her loss in the 2016 election, was released on September 12, 2017. A book tour and a series of interviews and personal appearances were arranged for the launch. What Happened sold 300,000 copies in its first week, less than her 2003 memoir, Living History, but triple the first-week sales of her previous memoir, 2014's Hard Choices. Simon & Schuster announced that What Happened had sold more e-books in its first-week than any nonfiction e-book since 2010. As of December 10, 2017, the book had sold 448,947 hardcover copies. An announcement was made in February 2017 that efforts were under way to render her 1996 book It Takes a Village as a picture book. Marla Frazee, a two-time winner of the Caldecott Medal, was announced as the illustrator. Clinton had worked on it with Frazee during her 2016 presidential election campaign. The result was published on the same day of publication as What Happened. The book is aimed at preschool-aged children, although a few messages are more likely better understood by adults. In October 2019, The Book of Gutsy Women: Favorite Stories of Courage and Resilience, a book Clinton co-wrote with her daughter Chelsea, was published. In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny. The book, a political mystery thriller, is titled State of Terror and was released in October 2021. Clinton has also written occasional op-eds in the years since her 2016 election defeat. In September 2018, The Atlantic published an article written by Clinton titled "American Democracy Is In Crisis". In April 2019, The Washington Post published an op-ed by Clinton calling for congress to be, "deliberate, fair, and fearless" in responding to the Mueller Report. In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled "A National Security Reckoning". On January 11, 2021, following the January 6 storming of the United States Capitol, an op-ed by Clinton titled "Trump should be impeached. But that alone won’t remove white supremacy from America." was published in The Washington Post. In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election. Media ventures Clinton collaborated with director Nanette Burstein on the documentary film Hillary, which was released on Hulu in March 2020. On September 29, 2020, Clinton launched an interview podcast in collaboration with iHeartRadio titled You and Me Both. Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour. The series, based upon Elaine Weiss' book of the same name, will air on The CW. Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast. Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran. Commenting on taking up the position, she said that "the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence". Queen's Pro-Chancellor Stephen Prenter said that Clinton on her appointment "will be an incredible advocate for Queen's" who can act as an "inspirational role model". However, her inauguration was protested by some students. Political positions Using her Senate votes, several organizations have attempted to measure Clinton's place on the political spectrum scientifically. National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative. National Journals subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator. The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign. Averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Total average = 75 liberal, 20 conservative. According to FiveThirtyEights measure of political ideology, "Clinton was one of the most liberal members during her time in the Senate." Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015. Based on her stated positions from the 1990s to the present, On the Issues places her in the "Left Liberal" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances. Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative). In March 2016, Clinton laid out a detailed economic plan, which The New York Times called "optimistic" and "wide-ranging". Basing her economic philosophy on inclusive capitalism, Clinton proposed a "clawback" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an "exit tax" on companies that move their headquarters out of America to pay a lower tax rate overseas. Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as "the gold standard" of trade deals. She supports the U.S. Export-Import Bank and holds that "any trade deal has to produce jobs and raise wages and increase prosperity and protect our security". As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others. Given the climate of unlimited campaign contributions following the Supreme Court's Citizens United decision, Clinton called for a constitutional amendment to limit "unaccountable money" in politics. In July 2016, she "committed" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision. On December 7, 2015, Clinton presented her detailed plans for regulating Wall Street financial activities in the New York Times. Accepting the scientific consensus on climate change, Clinton supports cap-and-trade, and opposed the Keystone XL pipeline. She supported "equal pay for equal work", to address current shortfalls in how much women are paid to do the same jobs men do. Clinton has explicitly focused on family issues and supports universal preschool. These programs would be funded by proposing tax increases on the wealthy, including a "fair share surcharge". Clinton supported the Affordable Care Act and would have added a "public option" that competed with private insurers and enabled people "50 or 55 and up" to buy into Medicare. On LGBT rights, she supports the right to same-sex marriage, a position that has changed throughout her political career. In 2000, she was against such marriages altogether. In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage. While running for president in 2007, she again reiterated her opposition to same-sex marriage, although expressed her support of civil unions. 2013 marked the first time that Clinton expressed support for a national right to same-sex marriage. In 2000, she was the first spouse of a US president to march in an LGBT pride parade. In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News). Clinton held that allowing undocumented immigrants to have a path to citizenship "s at its heart a family issue", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States. However, in 2014, Clinton stated that unaccompanied children crossing the border "should be sent back." She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States. Expressing support for Common Core she said, "The really unfortunate argument that's been going on around Common Core, it's very painful because the Common Core started off as a bipartisan effort. It was actually nonpartisan. It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time. And you see the value of it, you understand why that helps you organize your whole education system. And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core." On foreign affairs, Clinton voted in favor of the Authorization for Use of Military Force Against Iraq in October 2002, a vote she later "regretted". She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad. She supported the NATO bombing of Yugoslavia in 1999 and the NATO-led military intervention in Libya to oust former Libyan leader Muammar Gaddafi in 2011. Clinton is in favor of maintaining American influence in the Middle East. She has told the American Israel Public Affairs Committee, "America can't ever be neutral when it comes to Israel's security and survival." Clinton expressed support for Israel's right to defend itself during the 2006 Lebanon War and 2014 Israel–Gaza conflict. In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: "I think we should have been more willing to confront Assad. I really believe we should have and still should take out his air fields and prevent him from being able to use them to bomb innocent people and drop sarin gas on them." In 2000, Clinton advocated for the elimination of the electoral college. She promised to co-sponsor legislation that would abolish it, resulting in the direct election of the president. She reiterated her position against the Electoral College as she cast her vote as an elector in the electoral college for Joe Biden in 2020. Religious views Clinton has been a lifelong Methodist, and has been part of United Methodist Church congregations throughout her life. She has publicly discussed her Christian faith on several occasions, although seldom while campaigning. Professor Paul Kengor, author of God and Hillary Clinton: A Spiritual Life, has suggested that Clinton's political positions are rooted in her faith. She often expresses a maxim often attributed to John Wesley: "Do all the good you can, by all the means you can, in all the ways you can." Cultural and political image Over a hundred books and scholarly works have been written about Clinton. A 2006 survey by the New York Observer found "a virtual cottage industry" of "anti-Clinton literature" put out by Regnery Publishing and other conservative imprints. Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped?: Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband). When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Don Van Natta found that Republican and conservative groups viewed her as a reliable "bogeyman" to mention in fundraising letters, on a par with Ted Kennedy, and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich. Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives. In 1995, writer Todd S. Purdum of The New York Times characterized Clinton as a Rorschach test, an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, "Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society." She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady. She has made guest appearances on the show herself, in 2008 and in 2015, to face-off with her doppelgängers. Jonathan Mann wrote songs about her including "The Hillary Shimmy Song", which went viral. She has often been described in the popular media as a polarizing figure, though some argue otherwise. In the early stages of her 2008 presidential campaign, a Time magazine cover showed a large picture of her with two checkboxes labeled "Love Her", "Hate Her". Mother Jones titled its profile of her "Harpy, Hero, Heretic: Hillary". Following Clinton's "choked up moment" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse. Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, "brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics". Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure. Her favorability ratings dropped, however, after she left office and began to be viewed in the context of partisan politics once more. By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever. In March 2016, she acknowledged that: "I'm not a natural politician, in case you haven't noticed." Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003). The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Hard Choices (2014). The book has sold about 280,000 copies. With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press. Ancestry See also 2016 United States presidential election timeline List of female United States Cabinet members Women in the United States Senate Notes References Citations Sources cited External links Official Clinton Foundation State Department Biography Media coverage Other Hillary Clinton's file at Politifact 1947 births Living people 2020 United States presidential electors 20th-century American lawyers 20th-century American non-fiction writers 20th-century American politicians 20th-century American women lawyers 20th-century American women politicians 20th-century American women writers 20th-century Methodists 21st-century American diplomats 21st-century American non-fiction writers 21st-century American politicians 21st-century American women politicians 21st-century American women writers 21st-century Methodists Activists from New York (state) American autobiographers American feminists American legal writers American memoirists American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Scottish descent American people of Welsh descent American political writers American United Methodists American women activists American women diplomats American diplomats American women non-fiction writers American women's rights activists American women academics Arkansas Democrats Arkansas lawyers Articles containing video clips Candidates in the 2008 United States presidential election Candidates in the 2016 United States presidential election Chancellors of Queen's University Belfast Children's rights activists Bill Clinton College Republicans Democratic Party (United States) presidential nominees Democratic Party United States senators from New York (state) Directors of Walmart Family of Bill and Hillary Clinton Female candidates for President of the United States Female foreign ministers Female United States senators First Ladies and Gentlemen of Arkansas First Ladies of the United States Grammy Award winners Grand Crosses of the Order of Lakandula Illinois Republicans Intellectual property lawyers New York (state) Democrats Obama administration cabinet members People from Park Ridge, Illinois Politicians from Little Rock, Arkansas Politicians from Westchester County, New York Recipients of the Four Freedoms Award Recipients of the Order of the Cross of Terra Mariana, 1st Class Rodham family United States Secretaries of State United States senators from New York (state) University of Arkansas School of Law faculty Wellesley College alumni Women autobiographers Women heads of universities and colleges Women in New York (state) politics Women members of the Cabinet of the United States Writers from New York (state) Yale Law School alumni

C_8b166a2b96a4446b96aec0b2fd24bb06_1

Did she have siblings?

Did Hillary Clinton have siblings?

Hillary Clinton

Hillary Diane Rodham was born on October 26, 1947, at Edgewater Hospital in Chicago, Illinois. Clinton was raised in a United Methodist family that first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish and Welsh descent. Clinton has two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools that she attended in Park Ridge. She participated swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told a story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council, the school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year, but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then new Maine South High School, where she was a National Merit Finalist and was voted, "most likely to succeed". She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career, and her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. Rodham was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the U.S. presidential election of 1964. Rodham's early political development was shaped most by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. CANNOTANSWER

Clinton has two younger brothers,

Hillary Diane Clinton ( Rodham; born October 26, 1947) is an American politician, diplomat, lawyer, writer, and public speaker who served as the 67th United States secretary of state from 2009 to 2013, as a United States senator from New York from 2001 to 2009, and as first lady of the United States from 1993 to 2001 as the wife of President Bill Clinton. A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party. Clinton won the popular vote in the election, making her the first woman to do so. However, she lost the Electoral College vote and thereby lost the presidential election. Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973. After serving as a congressional legal counsel, she moved to Arkansas and married future president Bill Clinton in 1975; the two had met at Yale. In 1977, Clinton co-founded Arkansas Advocates for Children and Families. She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year. The National Law Journal twice listed her as one of the hundred most influential lawyers in America. Clinton was the first lady of Arkansas from 1979 to 1981 and again from 1983 to 1992. As the first lady of the United States, Clinton advocated for healthcare reform. In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress. In 1997 and 1999, Clinton played a leading role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Clinton advocated for gender equality at the 1995 UN conference on women. Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage. In 2000, Clinton was elected as the first female senator from New York and became the first First lady to simultaneously hold elected office, and then the first former First lady to serve in the Senate. She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007. During her Senate tenure, Clinton advocated for medical benefits for first responders whose health was damaged in the September 11 attacks. She supported the resolution authorizing the Iraq War in 2002 but opposed the surge of U.S. troops in 2007. In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries. Clinton was U.S. secretary of state in the first term of the Obama administration from 2009 to 2013. During her tenure, Clinton established the Quadrennial Diplomacy and Development Review. She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack. Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015. Her use of a private email server when she was Secretary of State was the subject of intense scrutiny; while no charges were filed against Clinton, the email controversy was the single most covered topic during the 2016 presidential election. Clinton made a second presidential run in 2016. After winning the Democratic nomination, she ran in the general election with Virginia senator Tim Kaine as her running mate. Clinton lost the presidential election to Republican opponent Donald Trump in the Electoral College despite winning a plurality of the popular vote. Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups. Since January 2020, she has been the chancellor of Queen's University Belfast in Belfast, Northern Ireland. Early life and education Early life Hillary Diane Rodham was born on October 26, 1947, at Edgewater Medical Center in Chicago, Illinois. She was raised in a United Methodist family who first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business, which he had founded. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish, and Welsh descent. She had two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools she attended in Park Ridge. She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told the story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then-new Maine South High School. There she was a National Merit Finalist and was voted "most likely to succeed." She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career. Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. She was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election. Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her first year, she was president of the Wellesley Young Republicans. As the leader of this "Rockefeller Republican"-oriented group, she supported the elections of moderate Republicans John Lindsay to mayor of New York City and Massachusetts attorney general Edward Brooke to the United States Senate. She later stepped down from this position. In 2003, Clinton would write that her views concerning the civil rights movement and the Vietnam War were changing in her early college years. In a letter to her youth minister at that time, she described herself as "a mind conservative and a heart liberal". In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it. By her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. In early 1968, she was elected president of the Wellesley College Government Association, a position she held until early 1969. Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In her student government role, she played a role in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first female president of the United States. To help her better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the "Wellesley in Washington" summer program. Rodham was invited by moderate New York Republican representative Charles Goodell to help Governor Nelson Rockefeller's late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami Beach. However, she was upset by the way Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's "veiled" racist messages, and she left the Republican Party for good. Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter. Years later, while she was the first lady, access to her thesis was restricted at the request of the White House and it became the subject of some speculation. The thesis was later released. In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. After some fellow seniors requested that the college administration allow a student speaker at commencement, she became the first student in Wellesley College history to speak at the event. Her address followed that of the commencement speaker, Senator Edward Brooke. After her speech, she received a standing ovation that lasted seven minutes. She was featured in an article published in Life magazine, because of the response to a part of her speech that criticized Senator Brooke. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions). Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973). She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched various migrant workers' issues including education, health and housing. Edelman later became a significant mentor. Rodham was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey. Rodham later crediting Wexler with providing her first job in politics. In the spring of 1971, she began dating fellow law student Bill Clinton. During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well known for its support of constitutional rights, civil liberties and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his. Rodham began a year of postgraduate study on children and medicine at the Yale Child Study Center. In late 1973, her first scholarly article, "Children Under the Law", was published in the Harvard Educational Review. Discussing the new children's rights movement, the article stated that "child citizens" were "powerless individuals" and argued that children should not be considered equally incompetent from birth to attaining legal age, but instead that courts should presume competence on a case-by-case basis, except when there is evidence otherwise. The article became frequently cited in the field. Marriage, family, legal career and first ladyship of Arkansas From the East Coast to Arkansas During her postgraduate studies, Rodham was staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard W. Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for it. The committee's work culminated with the resignation of President Richard Nixon in August 1974. By then, Rodham was viewed as someone with a bright political future. Democratic political organizer and consultant Betsey Wright moved from Texas to Washington the previous year to help guide Rodham's career. Wright thought Rodham had the potential to become a future senator or president. Meanwhile, boyfriend Bill Clinton had repeatedly asked Rodham to marry him, but she continued to demur. After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, "I chose to follow my heart instead of my head". She thus followed Clinton to Arkansas, rather than staying in Washington, where career prospects were brighter. He was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, Rodham moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville. Early Arkansas years At the university, Rodham taught classes in criminal law. She was considered a rigorous teacher who was tough with her grades. Rodham became the first director of a new legal aid clinic at the school, where she secured support from the local bar association and gained federal funding. As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge. She has called the trial a "terrible case". During her time in Fayetteville, Rodham and several other women founded the city's first rape crisis center. In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt. Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975 and she agreed to marry him. The wedding took place on October 11, 1975, in a Methodist ceremony in their living room. A story about the marriage in the Arkansas Gazette indicated that she decided to retain the name Hillary Rodham. Her motivation was threefold. She wanted to keep the couple's professional lives separate, avoid apparent conflicts of interest, and as she told a friend at the time, "it showed that I was still me". The decision upset both mothers, who were more traditional. In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter. In November 1976, Bill Clinton was elected Arkansas attorney general, and the couple moved to the state capital of Little Rock. In February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court. Rodham maintained her interest in children's law and family policy, publishing the scholarly articles "Children's Policies: Abandonment and Neglect" in 1977 and "Children's Rights: A Legal Perspective" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, "Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate." Historian Garry Wills would later describe her as "one of the more important scholar-activists of the last two decades". Conservatives said her theories would usurp traditional parental authority, would allow children to file frivolous lawsuits against their parents, and exemplified critical legal studies run amok. In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation. She held that position from 1978 until the end of 1981. From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job. During her time as chair, funding for the corporation was expanded from $90 million to $300 million; subsequently, she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization. Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979. She would hold that title for twelve nonconsecutive years (1979–81, 1983–92). Clinton appointed his wife to be the chair of the Rural Health Advisory Committee the same year, where she secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees. In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham engaged in the trading of cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal. Both of these became subjects of controversy in the 1990s. On February 27, 1980, Rodham gave birth to the couple's only child, a daughter whom they named Chelsea. In November 1980, Bill Clinton was defeated in his bid for re-election. Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982. During her husband's campaign, Hillary began to use the name "Hillary Clinton", or sometimes "Mrs. Bill Clinton", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name. She was named chair of the Arkansas Education Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size. It became her introduction into the politics of a highly visible public policy effort. In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984. Clinton continued to practice law with the Rose Law Firm while she was the first lady of Arkansas. She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there. The firm considered her a "rainmaker" because she brought in clients, partly thanks to the prestige she lent it and to her corporate board connections. She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial re-election campaign accused the Clintons of conflict of interest because Rose Law did state business; the Clintons countered the charge by saying that state fees were walled off by the firm before her profits were calculated. From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she was the first chair of the American Bar Association's Commission on Women in the Profession, created to address gender bias in the legal profession and induce the association to adopt measures to combat it. She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary Clinton considered running. Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time. Clinton was chairman of the board of the Children's Defense Fund and on the board of the Arkansas Children's Hospital's Legal Services (1988–92) In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–92), Wal-Mart Stores (1986–92) and Lafarge (1990–92). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to it. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices. She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices. According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump. Bill Clinton presidential campaign of 1992 Clinton received sustained national attention for the first time when her husband became a candidate for the 1992 Democratic presidential nomination. Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers. In response, the Clintons appeared together on 60 Minutes, where Bill denied the affair, but acknowledged "causing pain in my marriage". This joint appearance was credited with rescuing his campaign. During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song "Stand by Your Man". Later in the campaign, she commented she could have chosen to be like women staying home and baking cookies and having teas, but wanted to pursue her career instead. The remarks were widely criticized, particularly by those who were, or defended, stay-at-home mothers. In retrospect, she admitted they were ill-considered. Bill said that in electing him, the nation would "get two for the price of one", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 The American Spectator article "The Lady Macbeth of Little Rock", Hillary's own past ideological and ethical record came under attack from conservatives. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth. First Lady of the United States (1993–2001) When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the first lady. Her press secretary reiterated she would be using that form of her name. She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual first lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration. Her choices filled at least eleven top-level positions and dozens more lower-level ones. After Eleanor Roosevelt, Clinton was regarded as the most openly empowered presidential wife in American history. Some critics called it inappropriate for the first lady to play a central role in public policy matters. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency. Bill Clinton's campaign promise of "two for the price of one" led opponents to refer derisively to the Clintons as "co-presidents" or sometimes use the Arkansas label "Billary". The pressures of conflicting ideas about the role of a first lady were enough to send Hillary Clinton into "imaginary discussions" with the also-politically active Eleanor Roosevelt. From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's "politics of meaning" to overcome what she saw as America's "sleeping sickness of the soul"; that would lead to a willingness "to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium". Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. Unconvinced regarding the merits of the North American Free Trade Agreement (NAFTA), she privately urged that passage of health care reform be given higher priority. The recommendation of the task force became known as the Clinton health care plan. This was a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as "Hillarycare" and it even faced opposition from some Democrats in Congress. Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times. Failing to gather enough support for a floor vote in either the House or the Senate (although Democrats controlled both chambers), the proposal was abandoned in September 1994. Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors. The first lady's approval ratings, which had generally been in the high-50 percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections. They saw a net gain of 54 seats in the House election and eight in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Clinton's role in shaping policy. Opponents of universal health care would continue to use "Hillarycare" as a pejorative label for similar plans by others. Along with senators Ted Kennedy and Orrin Hatch, Clinton was a force behind the passage of the State Children's Health Insurance Program in 1997. This federal bill gave state support to children whose parents could not provide them health coverage. She conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood diseases and encouraged older women to get a mammogram for breast cancer screening, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Enactment of welfare reform was a major goal of Bill Clinton's presidency. When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did. A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again. But she decided to support the bill, which became the Welfare Reform Act of 1996, as the best political compromise available. This caused a rift with Edelman that Hillary later called "sad and painful". Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as the first lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady of the United States, Clinton was the host for various White House conferences. These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000), and the first-ever White House Conference on Philanthropy (1999). Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a role in U.S. diplomacy attaining its objectives. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited, and gained a better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued forcefully against practices that abused women around the world and in the People's Republic of China itself. She declared, "it is no longer acceptable to discuss women's rights as separate from human rights". Delegates from over 180 countries heard her say: "If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all." In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. The speech became a key moment in the empowerment of women and years later women around the world would recite Clinton's key phrases. During the late 1990s, she was one of the most prominent international figures to speak out against the treatment of Afghan women by the Taliban. She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process. In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995. Whitewater and other investigations Clinton was a subject of several investigations by the United States Office of the Independent Counsel, committees of the U.S. Congress, and the press. The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators her husband had appointed. She said she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. After a two-year search, the records were found in the first lady's White House book room and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been. Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing. Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as "Travelgate", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made "factually false" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her. In March 1994, newspaper reports revealed that Clinton had earned spectacular profits from cattle futures trading in 1978–79. The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery. Several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the "Travelgate" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called "Filegate". Accusations were made that Clinton had requested these files and she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter. In early 2001, a controversy arose over gifts that were sent to the White House; there was a question whether the furnishings were White House property or the Clintons' personal property. During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence. It Takes a Village release and tour In 1996, Clinton presented a vision for American children in the book It Takes a Village: And Other Lessons Children Teach Us. In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies. The book spent 18 weeks on the New York Times Best Seller List that year, including three weeks at number one. By 2000, it had sold 450,000 copies in hardcover and another 200,000 in paperback. Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Response to Lewinsky scandal In 1998, the Clintons' private concerns became the subject of much speculation when investigations revealed the president had engaged in an extramarital affair with 22-year-old White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate. When the allegations against her husband were first made public, Hillary Clinton stated that the allegations were part of a "vast right-wing conspiracy". She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband. She later said she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage. Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage. The White House residence staff noticed a pronounced level of tension between the couple during this period. Public reaction varied. Women variously admired her strength and poise in private matters that were made public. They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions. They also accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to "a love that has persisted for decades" and add: "No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met." Issues that surrounded the Lewinsky scandal left Bill Clinton with substantial legal bills. In 2014, Hillary said that she and Bill had left the White House "not only dead broke, but in debt". The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office. The couple would also have the ability to secure loans from banks. In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky "was an adult". Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000). In 2001, she wrote an afterword to the children's book Beatrice's Goat. She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites. This included the flag that inspired "The Star-Spangled Banner" and the First Ladies National Historic Site in Canton, Ohio. She also published a weekly syndicated newspaper column titled "Talking It Over" from 1995 to 2000. It focused on her experiences and those of women, children and families she met during her travels around the world. Traditional duties She was head of the White House Millennium Council and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums. In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II. Working with Arkansas interior decorator Kaki Hockersmith over an eight-year period, she oversaw extensive, privately funded redecoration efforts around the building, often trying to make it look brighter. These included changing of the Treaty Room and a presidential study to have a 19th-century look. Overall the redecoration brought mixed notices, with Victorian furnishings for the Lincoln Sitting Room being criticized the most. Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000. U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000. Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999. She became the first wife of the president of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani—the mayor of New York City—as her Republican opponent in the election. Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public. Clinton then faced Rick Lazio, a Republican member of the U.S. House of Representatives who represented New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, because she had never resided in New York State or participated in the state's politics before the 2000 Senate race. Bill de Blasio was Clinton's campaign manager. She began her drive to the U.S. Senate by visiting all 62 counties in the state, in a "listening tour" of small-group settings. She devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care. The contest drew national attention. During a September debate, Lazio blundered when he seemed to invade Clinton's personal space by trying to get her to sign a fundraising agreement. Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history. Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History. First term Because Bill Clinton's term as president did not end until 17 days after she was sworn in, upon entering the Senate, Clinton became the first and so far only first lady to serve as a senator and first lady concurrently. Clinton maintained a low public profile and built relationships with senators from both parties when she started her term. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast. She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging. She was also a member of the Commission on Security and Cooperation in Europe (2001–09). Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Chuck Schumer, she was instrumental in securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she expressed concerns with the USA Patriot Act Reauthorization Conference Report regarding civil liberties. In March 2006, she voted in favor of the USA PATRIOT Improvement and Reauthorization Act of 2005 that had gained large majority support. Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized President George W. Bush to use military force against Iraq. After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier and that parts of the country were functioning well. Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay "until the job is done" was also misguided, as it gave Iraqis "an open-ended invitation not to take care of themselves". Her stance caused frustration among those in the Democratic Party who favored quick withdrawal. Clinton supported retaining and improving health benefits for reservists and lobbied against the closure of several military bases, especially those in New York. She used her position on the Armed Services Committee to forge close relationships with a number of high-ranking military officers. By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she "got it wrong" and the vote in support had been a "mistake". Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Simon & Schuster released Living History: The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album. Clinton voted against the 2005 confirmation of John Roberts as chief justice of the United States and the 2006 confirmation of Samuel Alito to the U.S. Supreme Court, filibustering the latter. In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas. Along with senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage. Looking to establish a "progressive infrastructure" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging. 2006 reelection campaign In November 2004, Clinton announced she would seek a second Senate term. She easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton's eventual opponent in the general election was Republican candidate John Spencer, a former mayor of Yonkers. Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Her campaign spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign. Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful). In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush. In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, "I think that the reports that you provide to us really require a willing suspension of disbelief." In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture. As the financial crisis of 2007–08 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of the U.S. financial system, voting in favor of the $700 billion law that created the Troubled Asset Relief Program, saying it represented the interests of the American people. It passed the Senate 74–25. In 2007, Clinton and Virginia senator Jim Webb called for an investigation into whether the body armor issued to soldiers in Iraq was adequate. 2008 presidential campaign Clinton had been preparing for a potential candidacy for U.S. president since at least early 2003. On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: "I'm in and I'm in to win." No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president. When Bill Clinton became president in 1993, a blind trust was established; in April 2007, the Clintons liquidated the blind trust to avoid the possibility of ethical conflicts or political embarrassments as Hillary undertook her presidential race. Later disclosure statements revealed the couple's worth was now upwards of $50 million. They had earned over $100 million since 2000—most of it coming from Bill's books, speaking engagements and other activities. Throughout the first half of 2007, Clinton led candidates competing for the Democratic presidential nomination in opinion polls for the election. Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors. The biggest threat to her campaign was her past support of the Iraq War, which Obama had opposed from the beginning. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents. Obama's message of change began to resonate with the Democratic electorate better than Clinton's message of experience. In the first vote of 2008, she placed third in the January3 Iowa Democratic caucus behind Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. Clinton gained a surprise win there on January 8, narrowly defeating Obama. It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection. Explanations for Clinton's New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election. The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King Jr. and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president "needs to stop". The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy. On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules. The Clinton campaign had counted on winning the nomination by Super Tuesday and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising as Clinton began loaning money to her campaign. There was continuous turmoil within the campaign staff, and she made several top-level personnel changes. Obama won the next eleven February contests across the country, often by large margins and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular. Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Behind in delegates, Clinton's best hope of winning the nomination came in persuading uncommitted, party-appointed superdelegates. Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama. By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record. Clinton was the first woman to run in the primary or caucus of every state and she eclipsed, by a very wide margin, Congresswoman Shirley Chisholm's 1972 marks for most votes garnered and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself. The debt was eventually paid off by the beginning of 2013. Secretary of State (2009–2013) Nomination and confirmation In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as secretary of state in his administration. She was initially quite reluctant, but on November 20 she told Obama she would accept the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state. Clinton said she did not want to leave the Senate, but that the new position represented a "difficult and exciting adventure". As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative. The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton. By this time, her public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of secretary of state, resigning from the Senate later that day. She became the first former first lady to be a member of the United States Cabinet. First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: "We have a lot of damage to repair." She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. The first such review was issued in late 2010. It called for the U.S. leading through "civilian power" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world. A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women. In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal "Afghanistan surge", recommending 40,000 troops and no public deadline for withdrawal. She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal. In March 2009, Clinton presented Russian Foreign Minister Sergey Lavrov with a "reset button" symbolizing U.S. attempts to rebuild ties with that country under its new president, Dmitry Medvedev. The photo op was remembered for a mistranslation into Russian. The policy, which became known as the Russian reset, led to improved cooperation in several areas during Medvedev's time in office. Relations would worsen considerably, however, following Vladimir Putin's return to the position in 2012. In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015. Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president. Clinton formed an alliance with Secretary of Defense Gates as they shared similar strategic outlooks. Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise. She met with him weekly but did not have the close, daily relationship that some of her predecessors had had with their presidents; moreover, certain key areas of policymaking were kept inside the White House or Pentagon. Nevertheless, the president had trust in her actions. In a prepared speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it. The speech garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage. In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant. This was part of the "build back better" program initiated by her husband, named UN Special Envoy to Haiti in 2009 after a tropical storm season caused $1 billion in damages to the island. In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly. Second half of tenure The 2011 Egyptian protests posed the most challenging foreign policy crisis yet for the Obama administration. Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was "stable", to a stance that there needed to be an "orderly transition [to] a democratic participatory government", to a condemnation of violence against the protesters. Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments. As Arab Spring protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power. This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya. Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution. The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration). Clinton later used U.S. allies and what she called "convening power" to promote unity among the Libyan rebels as they eventually overthrew the Gaddafi regime. The aftermath of the Libyan Civil War saw the country becoming a failed state. The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate. During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan. Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader. During internal discussions regarding Iraq in 2011, Clinton argued for keeping a residual force of up to 10,000–20,000 U.S. troops there. (All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.) In a speech before the United Nations Human Rights Council in December 2011, Clinton said that, "Gay rights are human rights", and that the U.S. would advocate for gay rights and legal protections of gay people abroad. The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955. She met with Burmese leaders as well as opposition leader Aung San Suu Kyi and sought to support the 2011 Burmese democratic reforms. She also said the 21st century would be "America's Pacific century", a declaration that was part of the Obama administration's "pivot to Asia". During the Syrian Civil War, Clinton and the Obama administration initially sought to persuade Syrian president Bashar al-Assad to engage popular demonstrations with reform. As government violence allegedly rose in August 2011, they called for him to resign from the presidency. The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria. During mid-2012, Clinton formed a plan with CIA Director David Petraeus to further strengthen the opposition by arming and training vetted groups of Syrian rebels. The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets. In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus. Her doctors had discovered the clot during a follow-up examination for a concussion she had sustained when she fainted and fell nearly three weeks earlier, as a result of severe dehydration from a viral intestinal ailment acquired during a trip to Europe. The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery. Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed "smart power" as the strategy for asserting U.S. leadership and values. In a world of varied threats, weakened central governments and increasingly important nongovernmental entities, smart power combined military hard power with diplomacy and U.S. soft power capacities in global economics, development aid, technology, creativity and human rights advocacy. As such, she became the first secretary of state to methodically implement the smart power approach. In debates over use of military force, she was generally one of the more hawkish voices in the administration. In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action. Clinton greatly expanded the State Department's use of social media, including Facebook and Twitter, to get its message out and to help empower citizens of foreign countries vis-à-vis their governments. And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. Moreover, in a formulation that became known as the "Hillary Doctrine", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state. In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility. Clinton visited 112 countries during her tenure, making her the most widely traveled secretary of state (Time magazine wrote that "Clinton's endurance is legendary".) The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age. As early as March 2011, she indicated she was not interested in serving a second term as secretary of state should Obama be re-elected in 2012; in December 2012, following that re-election, Obama nominated Senator John Kerry to be Clinton's successor. Her last day as secretary of state was February 1, 2013. Upon her departure, analysts commented that Clinton's tenure did not bring any signature diplomatic breakthroughs as some other secretaries of state had accomplished, and highlighted her focus on goals she thought were less tangible but would have more lasting effect. She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State. Benghazi attack and subsequent hearings On September 11, 2012, the U.S. diplomatic mission in Benghazi, Libya, was attacked, resulting in the deaths of the U.S. Ambassador, J. Christopher Stevens and three other Americans. The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events. On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter. It was sharply critical of State Department officials in Washington for ignoring requests for more guards and safety upgrades and for failing to adapt security procedures to a deteriorating security environment. It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence. Clinton said she accepted the conclusions of the report and that changes were underway to implement its suggested recommendations. Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack. She defended her actions in response to the incident, and while still accepting formal responsibility, said she had had no direct role in specific discussions beforehand regarding consulate security. Congressional Republicans challenged her on several points, to which she responded. In particular, after persistent questioning about whether or not the administration had issued inaccurate "talking points" after the attack, Clinton responded with the much-quoted rejoinder, "With all due respect, the fact is we had four dead Americans. Was it because of a protest or was it because of guys out for a walk one night who decided that they'd they go kill some Americans? What difference at this point does it make? It is our job to figure out what happened and do everything we can to prevent it from ever happening again, Senator." In November 2014, the House Intelligence Committee issued a report that concluded there had been no wrongdoing in the administration's response to the attack. The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack. Its actions were often seen through the prism of domestic politics. This was especially the case in September 2015, when House majority leader Kevin McCarthy credited the Benghazi hearings with lowering Clinton's poll numbers, thereby contradicting the Republicans' previous talking points on the investigation. On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee. The hearing included many heated exchanges between committee members and Clinton and among the committee members themselves. Clinton was widely seen as emerging largely unscathed from the hearing, because of what the media perceived as a calm and unfazed demeanor and a lengthy, meandering, repetitive line of questioning from the committee. The committee issued competing final reports in June 2016 that broke along partisan lines. The Republican report offered some new details about the attack but no new evidence of culpability by Clinton. Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state. Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements. The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi. In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and "never should have been transmitted via an unclassified personal system". They also stated unequivocally this classified information should never have been stored outside of secure government computer systems. Clinton had said over a period of months that she kept no classified information on the private server that she set up in her house. Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such. After allegations were raised that some of the emails in question fell into the so-called "born classified" category, an FBI probe was initiated regarding how classified information was handled on the Clinton server. The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department. Additionally, the intelligence community's inspector general wrote Congress to say that some of the emails "contained classified State Department information when originated". In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked. Clinton maintained she did not send or receive any emails from her personal server that were confidential at the time they were sent. In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, "I never sent or received any classified material—they are retroactively classifying it." On July 2, 2016, Clinton stated: "Let me repeat what I have repeated for many months now, I never received nor sent any material that was marked classified." On July 5, 2016, the FBI concluded its investigation. In a statement, FBI director James Comey said: 110 e-mails in 52 e-mail chains have been determined by the owning agency to contain classified information at the time they were sent or received. Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification. Separate from those, about 2,000 additional e-mails were "up-classified" to make them Confidential; the information in those had not been classified at the time the e-mails were sent. Out of 30,000, three emails were found to be marked as classified, although they lacked classified headers and were marked only with a small "c" in parentheses, described as "portion markings" by Comey. He also said it was possible Clinton was not "technically sophisticated" enough to understand what the three classified markings meant. The probe found Clinton used her personal email extensively while outside the United States, both sending and receiving work-related emails in the territory of sophisticated adversaries. Comey acknowledged that it was "possible that hostile actors gained access to Secretary Clinton's personal email account". He added that "[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information". Nevertheless, Comey asserted that "no reasonable prosecutor" would bring criminal charges in this case, despite the existence of "potential violations of the statutes regarding the handling of classified information". The FBI recommended that the Justice Department decline to prosecute. On July 6, 2016, U.S. Attorney General Loretta Lynch—who had met privately with Bill Clinton on June 27—confirmed that the probe into Clinton's use of private email servers would be closed without criminal charges. On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails. Law enforcement officials said that while investigating allegedly illicit text messages from Anthony Weiner, husband of Clinton aide Huma Abedin, to a 15-year-old girl in North Carolina, they discovered emails related to Clinton's private server on a laptop computer belonging to Weiner. On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July. The notification was later cited by Clinton as a factor in her loss in the 2016 presidential election. The emails controversy received more media coverage than any other topic during the 2016 presidential election. In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over. The investigation that began in 2016 found 588 violations of security procedures and found that Clinton's use of a personal email server increased the risk of compromising State Department information. In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was "no persuasive evidence of systemic, deliberate mishandling of classified information". Clinton Foundation, Hard Choices, and speeches When Clinton left the State Department, she returned to private life for the first time in thirty years. She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013. There she focused on early childhood development efforts, including an initiative called Too Small to Fail and a $600 million initiative to encourage the enrollment of girls in secondary schools worldwide, led by former Australian Prime Minister Julia Gillard. In 2014, Clinton published a second memoir, Hard Choices, which focused on her time as secretary of state. , the book has sold about 280,000 copies. Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while "There has never been a better time in history to be born a woman ... this data shows just how far we still have to go." The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state. However, even though the Clinton Foundation had stopped taking donations from foreign governments, they continued to take large donations from foreign citizens who were sometimes linked to their governments. She began work on another volume of memoirs and made appearances on the paid speaking circuit. There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions. She also made some unpaid speeches on behalf of the foundation. For the fifteen months ending in March 2015, Clinton earned over $11 million from her speeches. For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity. , she was estimated to be worth over $30 million on her own, or $45–53 million with her husband. Clinton resigned from the board of the foundation in April 2015, when she began her presidential campaign. The foundation said it would accept new foreign governmental donations from six Western nations only. 2016 presidential campaign On April 12, 2015, Clinton formally announced her candidacy for the presidency in the 2016 election. She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure. Prior to her campaign, Clinton had claimed in an interview on NDTV in May 2012 that she would not seek the presidency again, but later wrote in her 2014 autobiography Hard Choices that she had not decided. The campaign's headquarters were established in the New York City borough of Brooklyn. Her campaign focused on: raising middle class incomes, establishing universal preschool, making college more affordable and improving the Affordable Care Act. Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont. His longtime stance against the influence of corporations and the wealthy in American politics resonated with a dissatisfied citizenry troubled by the effects of income inequality in the U.S. and contrasted with Clinton's Wall Street ties. In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them. In the first primary, held in New Hampshire on February 9, she lost to Sanders by a wide margin. Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers. Clinton followed that with a lopsided victory in the South Carolina primary on February 27. These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort. On March 1 Super Tuesday, Clinton won seven of eleven contests, including a string of dominating victories across the South buoyed, as in South Carolina, by African-American voters. She opened up a significant lead in pledged delegates over Sanders. She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout. Sanders did better among younger, whiter, more rural and more liberal voters and states that held caucuses or where eligibility was open to independents. Clinton did better among older, black and Hispanic voter populations, and in states that held primaries or where eligibility was restricted to registered Democrats. By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee. On June 7, after winning most of the states in the final major round of primaries, Clinton held a victory rally in Brooklyn becoming the first woman to claim the status of presumptive nominee for a major American political party. By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47. She received almost 17 million votes during the nominating process, as opposed to Sanders' 13 million. Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party. Her choice of vice presidential running mate, Senator Tim Kaine, was nominated by the convention the following day. Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party. Around the time of the convention, WikiLeaks released emails that suggested the DNC and the Clinton campaign tilted the primary in Clinton's favor. Clinton held a significant lead in national polls over Trump throughout most of 2016. In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails. FBI Director James Comey concluded Clinton had been "extremely careless" in her handling of classified government material. In late July, Trump gained his first lead over Clinton in major polls following a three to four percentage point convention bounce at the Republican National Convention. This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards. Following Clinton's seven percentage point convention bounce at the Democratic National Convention, she regained a significant lead in national polls at the start of August. In fall 2016, Clinton and Tim Kaine published Stronger Together, which outlined their vision for the United States. Clinton was defeated by Donald Trump in the November 8, 2016, presidential election. By the early morning hours of November 9, Trump had received 279 projected electoral college votes, with 270 needed to win; media sources proclaimed him the winner. Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech. The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: "We owe him an open mind and a chance to lead." Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base. She is the fifth presidential candidate in U.S. history to win the popular vote but lose the election. She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate. (Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams). On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders. Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea. The morning of the inauguration Clinton wrote on her Twitter account, "I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future." In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor. In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019. Hillary was awarded an Honorary Doctorate in law (LLD) at Queen's University Belfast on October 10, 2018, after giving a speech on Northern Ireland and the impacts of Brexit at Whitla Hall, Belfast. In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD). In September 2021 she was awarded an honorary doctorate of civil law by the University of Oxford. A package that contained a pipe bomb was sent to Clinton's home in Washington, D.C., on October 24, 2018. It was intercepted by the Secret Service. Similar packages were sent to several other Democratic leaders and to CNN. Political actions Clinton delivered a St. Patrick's Day speech in Scranton, Pennsylvania, on March 17, 2017. In it, alluding to reports that she had being seen taking walks in the woods around Chappaqua following her loss in the presidential election, Clinton indicated her readiness to emerge from "the woods" and become politically active again. However, the following month she confirmed she would not seek public office again. She reiterated her comments in March 2019 and stated she would not run for president in 2020. In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is "dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election". During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called "a disastrous bill" and a "shameful failure of policy & morality by GOP". In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby "prevent him from being able to use them to bomb innocent people and drop sarin gas on them". On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August. On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York. After Biden and Kamala Harris won New York State, thereby electing the Democratic elector slate, Clinton and her husband served as members of the 2020 United States Electoral College and cast the first of the state's electoral votes for Biden and Harris. Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter "doesn't work" when pursuing important negotiations. "Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position". Negotiations with North Korea should not take place without "a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change." While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was "a con" for underfunding domestic programs. On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a "historic mistake". On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a "threat" to the country's standing in the world; an "illegitimate president", despite having won the election; and a "corrupt human tornado". Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation. Clinton called the Senate filibuster "another Jim Crow relic". Writing career Clinton's third memoir, What Happened, an account of her loss in the 2016 election, was released on September 12, 2017. A book tour and a series of interviews and personal appearances were arranged for the launch. What Happened sold 300,000 copies in its first week, less than her 2003 memoir, Living History, but triple the first-week sales of her previous memoir, 2014's Hard Choices. Simon & Schuster announced that What Happened had sold more e-books in its first-week than any nonfiction e-book since 2010. As of December 10, 2017, the book had sold 448,947 hardcover copies. An announcement was made in February 2017 that efforts were under way to render her 1996 book It Takes a Village as a picture book. Marla Frazee, a two-time winner of the Caldecott Medal, was announced as the illustrator. Clinton had worked on it with Frazee during her 2016 presidential election campaign. The result was published on the same day of publication as What Happened. The book is aimed at preschool-aged children, although a few messages are more likely better understood by adults. In October 2019, The Book of Gutsy Women: Favorite Stories of Courage and Resilience, a book Clinton co-wrote with her daughter Chelsea, was published. In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny. The book, a political mystery thriller, is titled State of Terror and was released in October 2021. Clinton has also written occasional op-eds in the years since her 2016 election defeat. In September 2018, The Atlantic published an article written by Clinton titled "American Democracy Is In Crisis". In April 2019, The Washington Post published an op-ed by Clinton calling for congress to be, "deliberate, fair, and fearless" in responding to the Mueller Report. In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled "A National Security Reckoning". On January 11, 2021, following the January 6 storming of the United States Capitol, an op-ed by Clinton titled "Trump should be impeached. But that alone won’t remove white supremacy from America." was published in The Washington Post. In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election. Media ventures Clinton collaborated with director Nanette Burstein on the documentary film Hillary, which was released on Hulu in March 2020. On September 29, 2020, Clinton launched an interview podcast in collaboration with iHeartRadio titled You and Me Both. Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour. The series, based upon Elaine Weiss' book of the same name, will air on The CW. Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast. Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran. Commenting on taking up the position, she said that "the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence". Queen's Pro-Chancellor Stephen Prenter said that Clinton on her appointment "will be an incredible advocate for Queen's" who can act as an "inspirational role model". However, her inauguration was protested by some students. Political positions Using her Senate votes, several organizations have attempted to measure Clinton's place on the political spectrum scientifically. National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative. National Journals subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator. The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign. Averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Total average = 75 liberal, 20 conservative. According to FiveThirtyEights measure of political ideology, "Clinton was one of the most liberal members during her time in the Senate." Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015. Based on her stated positions from the 1990s to the present, On the Issues places her in the "Left Liberal" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances. Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative). In March 2016, Clinton laid out a detailed economic plan, which The New York Times called "optimistic" and "wide-ranging". Basing her economic philosophy on inclusive capitalism, Clinton proposed a "clawback" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an "exit tax" on companies that move their headquarters out of America to pay a lower tax rate overseas. Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as "the gold standard" of trade deals. She supports the U.S. Export-Import Bank and holds that "any trade deal has to produce jobs and raise wages and increase prosperity and protect our security". As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others. Given the climate of unlimited campaign contributions following the Supreme Court's Citizens United decision, Clinton called for a constitutional amendment to limit "unaccountable money" in politics. In July 2016, she "committed" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision. On December 7, 2015, Clinton presented her detailed plans for regulating Wall Street financial activities in the New York Times. Accepting the scientific consensus on climate change, Clinton supports cap-and-trade, and opposed the Keystone XL pipeline. She supported "equal pay for equal work", to address current shortfalls in how much women are paid to do the same jobs men do. Clinton has explicitly focused on family issues and supports universal preschool. These programs would be funded by proposing tax increases on the wealthy, including a "fair share surcharge". Clinton supported the Affordable Care Act and would have added a "public option" that competed with private insurers and enabled people "50 or 55 and up" to buy into Medicare. On LGBT rights, she supports the right to same-sex marriage, a position that has changed throughout her political career. In 2000, she was against such marriages altogether. In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage. While running for president in 2007, she again reiterated her opposition to same-sex marriage, although expressed her support of civil unions. 2013 marked the first time that Clinton expressed support for a national right to same-sex marriage. In 2000, she was the first spouse of a US president to march in an LGBT pride parade. In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News). Clinton held that allowing undocumented immigrants to have a path to citizenship "s at its heart a family issue", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States. However, in 2014, Clinton stated that unaccompanied children crossing the border "should be sent back." She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States. Expressing support for Common Core she said, "The really unfortunate argument that's been going on around Common Core, it's very painful because the Common Core started off as a bipartisan effort. It was actually nonpartisan. It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time. And you see the value of it, you understand why that helps you organize your whole education system. And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core." On foreign affairs, Clinton voted in favor of the Authorization for Use of Military Force Against Iraq in October 2002, a vote she later "regretted". She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad. She supported the NATO bombing of Yugoslavia in 1999 and the NATO-led military intervention in Libya to oust former Libyan leader Muammar Gaddafi in 2011. Clinton is in favor of maintaining American influence in the Middle East. She has told the American Israel Public Affairs Committee, "America can't ever be neutral when it comes to Israel's security and survival." Clinton expressed support for Israel's right to defend itself during the 2006 Lebanon War and 2014 Israel–Gaza conflict. In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: "I think we should have been more willing to confront Assad. I really believe we should have and still should take out his air fields and prevent him from being able to use them to bomb innocent people and drop sarin gas on them." In 2000, Clinton advocated for the elimination of the electoral college. She promised to co-sponsor legislation that would abolish it, resulting in the direct election of the president. She reiterated her position against the Electoral College as she cast her vote as an elector in the electoral college for Joe Biden in 2020. Religious views Clinton has been a lifelong Methodist, and has been part of United Methodist Church congregations throughout her life. She has publicly discussed her Christian faith on several occasions, although seldom while campaigning. Professor Paul Kengor, author of God and Hillary Clinton: A Spiritual Life, has suggested that Clinton's political positions are rooted in her faith. She often expresses a maxim often attributed to John Wesley: "Do all the good you can, by all the means you can, in all the ways you can." Cultural and political image Over a hundred books and scholarly works have been written about Clinton. A 2006 survey by the New York Observer found "a virtual cottage industry" of "anti-Clinton literature" put out by Regnery Publishing and other conservative imprints. Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped?: Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband). When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Don Van Natta found that Republican and conservative groups viewed her as a reliable "bogeyman" to mention in fundraising letters, on a par with Ted Kennedy, and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich. Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives. In 1995, writer Todd S. Purdum of The New York Times characterized Clinton as a Rorschach test, an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, "Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society." She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady. She has made guest appearances on the show herself, in 2008 and in 2015, to face-off with her doppelgängers. Jonathan Mann wrote songs about her including "The Hillary Shimmy Song", which went viral. She has often been described in the popular media as a polarizing figure, though some argue otherwise. In the early stages of her 2008 presidential campaign, a Time magazine cover showed a large picture of her with two checkboxes labeled "Love Her", "Hate Her". Mother Jones titled its profile of her "Harpy, Hero, Heretic: Hillary". Following Clinton's "choked up moment" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse. Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, "brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics". Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure. Her favorability ratings dropped, however, after she left office and began to be viewed in the context of partisan politics once more. By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever. In March 2016, she acknowledged that: "I'm not a natural politician, in case you haven't noticed." Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003). The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Hard Choices (2014). The book has sold about 280,000 copies. With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press. Ancestry See also 2016 United States presidential election timeline List of female United States Cabinet members Women in the United States Senate Notes References Citations Sources cited External links Official Clinton Foundation State Department Biography Media coverage Other Hillary Clinton's file at Politifact 1947 births Living people 2020 United States presidential electors 20th-century American lawyers 20th-century American non-fiction writers 20th-century American politicians 20th-century American women lawyers 20th-century American women politicians 20th-century American women writers 20th-century Methodists 21st-century American diplomats 21st-century American non-fiction writers 21st-century American politicians 21st-century American women politicians 21st-century American women writers 21st-century Methodists Activists from New York (state) American autobiographers American feminists American legal writers American memoirists American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Scottish descent American people of Welsh descent American political writers American United Methodists American women activists American women diplomats American diplomats American women non-fiction writers American women's rights activists American women academics Arkansas Democrats Arkansas lawyers Articles containing video clips Candidates in the 2008 United States presidential election Candidates in the 2016 United States presidential election Chancellors of Queen's University Belfast Children's rights activists Bill Clinton College Republicans Democratic Party (United States) presidential nominees Democratic Party United States senators from New York (state) Directors of Walmart Family of Bill and Hillary Clinton Female candidates for President of the United States Female foreign ministers Female United States senators First Ladies and Gentlemen of Arkansas First Ladies of the United States Grammy Award winners Grand Crosses of the Order of Lakandula Illinois Republicans Intellectual property lawyers New York (state) Democrats Obama administration cabinet members People from Park Ridge, Illinois Politicians from Little Rock, Arkansas Politicians from Westchester County, New York Recipients of the Four Freedoms Award Recipients of the Order of the Cross of Terra Mariana, 1st Class Rodham family United States Secretaries of State United States senators from New York (state) University of Arkansas School of Law faculty Wellesley College alumni Women autobiographers Women heads of universities and colleges Women in New York (state) politics Women members of the Cabinet of the United States Writers from New York (state) Yale Law School alumni

C_55326ebad6b0415ea8430f68d8c986f4_1

What was his view on sexual impulse in the youth?

What was Havelock Ellis view on sexual impulse in the youth?

Havelock Ellis

Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER

book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity.

Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola

C_55326ebad6b0415ea8430f68d8c986f4_1

How does he feel they experience it differently?

How does Havelock Ellis feel youth experience sexual impulse differently?

Havelock Ellis

Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER

sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,

Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola

C_55326ebad6b0415ea8430f68d8c986f4_1

Does he think that the youth are more sexually active than older people?

Does Havelock Ellis think that the youth are more sexually active than older people?

Havelock Ellis

Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER

He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered.

Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola

C_55326ebad6b0415ea8430f68d8c986f4_1

Why did he come to this conclusion?

Why did Havelock Ellis come to youth are more sexually active than older people conclusion?

Havelock Ellis

Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER

However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child.

Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola

C_55326ebad6b0415ea8430f68d8c986f4_1

Were the recalling of sensations more in females or males?

Were the recalling of sensations more in females or males?

Havelock Ellis

Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER

These authors provide cases for children of both sexes who have masturbated from the age of three or four.

Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola

C_55326ebad6b0415ea8430f68d8c986f4_1

Who were the other authors?

Besides Havelock Ellis who were the other authors?

Havelock Ellis

Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER

CANNOTANSWER

Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola

C_55326ebad6b0415ea8430f68d8c986f4_1

Did he have any thoughts on the hereditary of sexual excitement?

Did Havelock Ellis have any thoughts on the hereditary of sexual excitement?

Havelock Ellis

Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER

Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience.

Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola

C_217351d2fd5a4a9bb19386d270564876_1

What was David Frost job?

What was David Frost job?

David Frost

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was,

Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople

C_217351d2fd5a4a9bb19386d270564876_1

In what country was That was the week that was been produce?

In what country was "That was the week that was" been produce?

David Frost

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER

Britain

Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople

C_217351d2fd5a4a9bb19386d270564876_1

Was it successful?

Was "That was the week that was" successful?

David Frost

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER

The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme.

Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople

C_217351d2fd5a4a9bb19386d270564876_1

Was it published to other country?

Was "That was the week that was" published to other country aside from Britain?

David Frost

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER

An American version of TW3 ran after the original British series had ended.

Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople

C_217351d2fd5a4a9bb19386d270564876_1

How successful did it get?

How successful did American version of TW3 get?

David Frost

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER

CANNOTANSWER

Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople

C_217351d2fd5a4a9bb19386d270564876_1

Did he get other shows that was popular?

Besides "That was the week that was", did David Frost get other shows that was popular?

David Frost

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER

1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC.

Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople

C_217351d2fd5a4a9bb19386d270564876_1

Did he get a partner on his job?

Did David Frost get a partner on his job?

David Frost

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER

CANNOTANSWER

Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople

C_217351d2fd5a4a9bb19386d270564876_1

Are there any other interesting aspects about this article?

Aside from television special, are there any other interesting aspects about David Frost, That Was the Week That Was (TW3)?

David Frost

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER

Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook.

Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople

C_217351d2fd5a4a9bb19386d270564876_1

Is Frost incapable?

Is David Frost incapable to swim?

David Frost

Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER

CANNOTANSWER

Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople

C_1183ad7f6a684fc28b80ad594e48035d_0

What happened during motown major hit years?

What happened to Martha and the Vandellas during motown major hit years (1962-1968)?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team,

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_1183ad7f6a684fc28b80ad594e48035d_0

What happened after that?

What happened to Martha and the Vandellas after striking gold with the second album release?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_1183ad7f6a684fc28b80ad594e48035d_0

Can you tell me how long did it stay on the charts?

Can you tell me how long did Martha and the Vandellas second album stay on the charts?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

CANNOTANSWER

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_1183ad7f6a684fc28b80ad594e48035d_0

What were some of their major hits?

What were some of Martha and the Vandellas major hits?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

Their second hit, "Heat Wave", became a phenomenal record for the group,

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_1183ad7f6a684fc28b80ad594e48035d_0

Were they popular among a lot of people?

Were Martha and the Vandellas popular among a lot of people?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_1183ad7f6a684fc28b80ad594e48035d_0

What other things took place after that?

What other things took place after Martha and the Vandellas received a Grammy Award nomination?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_1183ad7f6a684fc28b80ad594e48035d_0

Did they go on to continue to be successful?

Did Martha and the Vandellas go on to continue to be successful after the second Top Ten single "Quicksand" was released?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

and reached number eight pop in the late fall of 1963.

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_1183ad7f6a684fc28b80ad594e48035d_0

Any other important aspects regarding their major hit years?

Any other important aspects regarding Martha and the Vandellas' major hit years other than the awards and nominations?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964.

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_1183ad7f6a684fc28b80ad594e48035d_0

Did the group grow apart after she left?

Did Martha and the Vandellas grow apart after Annette left to get married and have a child?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise.

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_1183ad7f6a684fc28b80ad594e48035d_0

Did she do well with joining the group?

Did Betty Kelly do well with joining Martha and the Vandellas?

Martha and the Vandellas

Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER

The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40.

Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit

C_0c375df1b7874f38a2530ccfccb1d6e1_1

where did the group first come together

where did the group Nomeansno come together

Nomeansno

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER

rehearsing in their parents' basement in 1979,

Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that "[t]he playing is incredibly skilled;" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that "we didn't have to have day jobs." The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's "taste for blood and gristle." After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of "Would We Be Alive?" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as "dark and unforgettable, poignant and cutting." A critic writing for The A.V. Club, however, dismissed the album as "dull, meandering punk" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as "intense and heavy collegiate punk" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel "yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago." Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles "Look, Here Come the Wormies / SS Social Service" (split with Mass Appeal) (1980) "Dad/Revenge" (1987) "Oh, Canaduh" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks "I Don't Care" and "Glad All Over" (1991) Where are they now file - live compilation, includes "I Want it All" (1991) The Infamous Scientist 45" – bootleg 7" (1993) Leave the Seaside – live bootleg 7" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, "Getting Colder", "Burn" and "Love Thang" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, "Forward to Death") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, "No Means No" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes "I Don't Want To Go Down To The Basement" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups

C_0c375df1b7874f38a2530ccfccb1d6e1_1

did school cause the breakup

did school cause Nomeansno breakup?

Nomeansno

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER

CANNOTANSWER

Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that "[t]he playing is incredibly skilled;" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that "we didn't have to have day jobs." The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's "taste for blood and gristle." After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of "Would We Be Alive?" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as "dark and unforgettable, poignant and cutting." A critic writing for The A.V. Club, however, dismissed the album as "dull, meandering punk" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as "intense and heavy collegiate punk" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel "yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago." Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles "Look, Here Come the Wormies / SS Social Service" (split with Mass Appeal) (1980) "Dad/Revenge" (1987) "Oh, Canaduh" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks "I Don't Care" and "Glad All Over" (1991) Where are they now file - live compilation, includes "I Want it All" (1991) The Infamous Scientist 45" – bootleg 7" (1993) Leave the Seaside – live bootleg 7" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, "Getting Colder", "Burn" and "Love Thang" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, "Forward to Death") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, "No Means No" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes "I Don't Want To Go Down To The Basement" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups

C_0c375df1b7874f38a2530ccfccb1d6e1_1

did any members leave on good terms

did any members of Nomeansno leave on good terms?

Nomeansno

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER

CANNOTANSWER

Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that "[t]he playing is incredibly skilled;" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that "we didn't have to have day jobs." The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's "taste for blood and gristle." After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of "Would We Be Alive?" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as "dark and unforgettable, poignant and cutting." A critic writing for The A.V. Club, however, dismissed the album as "dull, meandering punk" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as "intense and heavy collegiate punk" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel "yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago." Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles "Look, Here Come the Wormies / SS Social Service" (split with Mass Appeal) (1980) "Dad/Revenge" (1987) "Oh, Canaduh" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks "I Don't Care" and "Glad All Over" (1991) Where are they now file - live compilation, includes "I Want it All" (1991) The Infamous Scientist 45" – bootleg 7" (1993) Leave the Seaside – live bootleg 7" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, "Getting Colder", "Burn" and "Love Thang" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, "Forward to Death") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, "No Means No" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes "I Don't Want To Go Down To The Basement" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups

C_0c375df1b7874f38a2530ccfccb1d6e1_1

Did they ever try other forms of music

Besides Nomeansno's original sound, did Nomeansno ever try other forms of music

Nomeansno

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER

The brothers began performing live as a bass-and-drums duo in 1981.

Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that "[t]he playing is incredibly skilled;" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that "we didn't have to have day jobs." The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's "taste for blood and gristle." After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of "Would We Be Alive?" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as "dark and unforgettable, poignant and cutting." A critic writing for The A.V. Club, however, dismissed the album as "dull, meandering punk" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as "intense and heavy collegiate punk" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel "yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago." Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles "Look, Here Come the Wormies / SS Social Service" (split with Mass Appeal) (1980) "Dad/Revenge" (1987) "Oh, Canaduh" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks "I Don't Care" and "Glad All Over" (1991) Where are they now file - live compilation, includes "I Want it All" (1991) The Infamous Scientist 45" – bootleg 7" (1993) Leave the Seaside – live bootleg 7" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, "Getting Colder", "Burn" and "Love Thang" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, "Forward to Death") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, "No Means No" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes "I Don't Want To Go Down To The Basement" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups

C_0c375df1b7874f38a2530ccfccb1d6e1_1

Did they ever have dreams of tourning

Did Nomeansno ever have dreams of touring?

Nomeansno

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER

They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria.

Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that "[t]he playing is incredibly skilled;" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that "we didn't have to have day jobs." The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's "taste for blood and gristle." After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of "Would We Be Alive?" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as "dark and unforgettable, poignant and cutting." A critic writing for The A.V. Club, however, dismissed the album as "dull, meandering punk" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as "intense and heavy collegiate punk" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel "yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago." Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles "Look, Here Come the Wormies / SS Social Service" (split with Mass Appeal) (1980) "Dad/Revenge" (1987) "Oh, Canaduh" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks "I Don't Care" and "Glad All Over" (1991) Where are they now file - live compilation, includes "I Want it All" (1991) The Infamous Scientist 45" – bootleg 7" (1993) Leave the Seaside – live bootleg 7" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, "Getting Colder", "Burn" and "Love Thang" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, "Forward to Death") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, "No Means No" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes "I Don't Want To Go Down To The Basement" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups

C_0c375df1b7874f38a2530ccfccb1d6e1_1

Were they always into music

Was Nomeansno always into music?

Nomeansno

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER

younger brother John, eight years his junior, played drums in the school jazz band.

Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that "[t]he playing is incredibly skilled;" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that "we didn't have to have day jobs." The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's "taste for blood and gristle." After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of "Would We Be Alive?" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as "dark and unforgettable, poignant and cutting." A critic writing for The A.V. Club, however, dismissed the album as "dull, meandering punk" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as "intense and heavy collegiate punk" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel "yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago." Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles "Look, Here Come the Wormies / SS Social Service" (split with Mass Appeal) (1980) "Dad/Revenge" (1987) "Oh, Canaduh" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks "I Don't Care" and "Glad All Over" (1991) Where are they now file - live compilation, includes "I Want it All" (1991) The Infamous Scientist 45" – bootleg 7" (1993) Leave the Seaside – live bootleg 7" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, "Getting Colder", "Burn" and "Love Thang" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, "Forward to Death") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, "No Means No" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes "I Don't Want To Go Down To The Basement" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups

C_0c375df1b7874f38a2530ccfccb1d6e1_1

did they have a back up plan if music fell thru

Did Nomeansno have a back up plan if music fell through?

Nomeansno

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER

CANNOTANSWER

Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that "[t]he playing is incredibly skilled;" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that "we didn't have to have day jobs." The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's "taste for blood and gristle." After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of "Would We Be Alive?" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as "dark and unforgettable, poignant and cutting." A critic writing for The A.V. Club, however, dismissed the album as "dull, meandering punk" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as "intense and heavy collegiate punk" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel "yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago." Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles "Look, Here Come the Wormies / SS Social Service" (split with Mass Appeal) (1980) "Dad/Revenge" (1987) "Oh, Canaduh" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks "I Don't Care" and "Glad All Over" (1991) Where are they now file - live compilation, includes "I Want it All" (1991) The Infamous Scientist 45" – bootleg 7" (1993) Leave the Seaside – live bootleg 7" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, "Getting Colder", "Burn" and "Love Thang" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, "Forward to Death") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, "No Means No" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes "I Don't Want To Go Down To The Basement" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups

C_8d50647977304f559cc6b26bd64e27fc_1

when did he die?

When did Ernie Kovacs die?

Ernie Kovacs

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962. Kovacs, who had worked for much of the evening, met Adams at a baby shower given by Billy Wilder for Milton Berle and his wife, who had recently adopted a newborn baby boy. The couple left the party in separate cars. After a light southern California rainstorm, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly, and crashed into a power pole at the corner of Beverly Glen and Santa Monica Boulevards. He was thrown halfway out the passenger side, and died almost instantly from chest and head injuries. A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States. An unlit cigar lay on the pavement, inches from his outstretched arm. Years later, in a documentary about Kovacs, Edie Adams described telephoning the police impatiently when she learned of the crash. An official cupped his hand over the receiver, saying to a colleague, "It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?" With that, Adams's fears were confirmed, and she became inconsolable. Jack Lemmon, who also attended the Berle party, identified Kovacs's body at the morgue because Adams was too distraught to do so. After attending funerals for Hollywood friends, Kovacs had expressed his wishes to Adams that any funeral services for him be kept simple. In keeping with his request, Adams made arrangements for Presbyterian services at the Beverly Hills Community Presbyterian Church. The active pallbearers were Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, Mervyn LeRoy, and Joe Mikolas. Kovacs's father and brother, Andrew and Tom, respectively, served as honorary pallbearers. The attendees included George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle. There was no typical Hollywood-type eulogy, but the church's pastor paid tribute to Kovacs, adding that he once summed up his life in two sentences: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads, "Nothing in moderation--We all loved him." Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52, after a long illness and a lifetime of poor health. Kippie and her husband, Bill Lancaster (1947-1997), a screenwriter and the son of actor Burt Lancaster, are the parents of Kovacs's only grandchild, Keigh Lancaster. His only child with Edie Adams, Mia (1959-1982), was killed on May 8, 1982, also in an automobile accident. Her gravestone reads "Daddy's little girl. We all loved her, too". Mia and Kippie are buried close to their father; when Edie died in 2008, she was buried between Mia and Kippie. CANNOTANSWER

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962.

Ernest Edward Kovacs (January 23, 1919 – January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Kovacs has been credited as an influence by many individuals and shows, including Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Pee-wee's Playhouse, The Muppet Show, Dave Garroway, Andy Kaufman, You Can't Do That on Television, MST3K, Uncle Floyd, among others. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live. While Kovacs and Adams received Emmy nominations for best performances in a comedy series during 1957, his talent was not recognized formally until after his death. The 1962 Emmy for Outstanding Electronic Camera Work and the Directors' Guild award came a short time after his fatal accident. A quarter century later, he was inducted into the Academy of Television Arts & Sciences Hall of Fame. Kovacs also has a star on the Hollywood Walk of Fame for his work in television. In 1986, the Museum of Broadcasting (later to become the Museum of Television & Radio and now the Paley Center for Media) presented an exhibit of Kovacs's work, called The Vision of Ernie Kovacs. The Pulitzer Prize–winning television critic, William Henry III, wrote for the museum's booklet: "Kovacs was more than another wide-eyed, self-ingratiating clown. He was television's first significant video artist." Early life and career Kovacs's father, Andrew John Kovacs, was born in 1890 and emigrated from Tornaújfalu, Hungary, which is now known as Turnianska Nová Ves, Slovakia. Andrew sailed on the S.S. Würzburg via Bremen, arriving at Ellis Island on February 8, 1906, at age 16. He worked as a policeman, restaurateur, and bootlegger, the last so successfully that he moved his wife Mary, son Tom, and his half-brother Ernest Edward Kovacs into a 20-room mansion in the better part of Trenton. Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the onset of the Great Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth-floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later. A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont in 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong tobacco-smoking habit. Kovacs's first paid entertainment work was during 1941 as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of special events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". Start in television Arriving at NBC's Philadelphia affiliate, WPTZ, for an audition wearing a barrel and shorts got Kovacs his first television job in January 1950. His first show was Pick Your Ideal, a fashion and promotional program for the Ideal Manufacturing Company. Before long, Kovacs was also the host of Deadline For Dinner and Now You're Cooking, shows featuring advice from local chefs. When Kovacs's guest chef did not arrive in time for the show, he offered a recipe for "Eggs Scavok" (Kovacs spelled backward). Kovacs seasoned the egg dish with ashes from his cigar. The sponsor was a local propane company. Hosting these shows soon resulted in his becoming host of a program named Three to Get Ready, named for WPTZ's channel 3 spot on television dials. Premiering in November 1950, Three to Get Ready was innovative because it was the first regularly scheduled early morning (7–9am) show in a major television market, predating NBC's Today by more than a year. Prior to this, it had been assumed that few people would watch television at such an early hour. While the show was advertised as early morning news and weather, Kovacs provided this and more in an original manner. When rain was in the weather forecast, Kovacs would get on a ladder and pour water down on the staff member reading the report. Goats were auditioned for a local theater performance and tiny women appeared to walk up his arm. Kovacs also went outside of the studio for some of his skits, running through a downtown Philadelphia restaurant in a gorilla suit in one; in another, he looked into a construction pit, saying it was deep enough to see to China, when a man in Chinese clothing popped up, said a few words in the language, and ran off. Despite its popularity, the weekly prop budget for the show was just $15. Kovacs once asked his viewers to send unwanted items to Channel 3; they filled the station's lobby. The only character no one ever saw inspired more gifts; he was Howard, the World's Strongest Ant. From the time of his WPTZ debut, Howard received more than 30,000 gifts from Kovacs's viewers, including a mink-lined swimming pool. Kovacs began his Early Eyeball Fraternal & Marching Society (EEFMS) while doing Three to Get Ready. There were membership cards with by-laws and ties; the password was a favorite phrase of Kovacs's: "It's Been Real". Kovacs continued the EEFMS on his morning show when he moved to WCBS in New York in 1952. The success of Three to Get Ready proved that people did indeed watch early-morning television, and it was one of the factors that caused NBC to create The Today Show. WPTZ did not begin broadcasting Today when it premiered on January 14, 1952; network influence caused the station to end Three to Get Ready at the end of March of that year. During early 1952, Kovacs was also doing a late morning show for WPTZ named Kovacs on the Corner. Kovacs would walk through an imaginary neighborhood, talking with various characters such as Pete the Cop and Luigi the Barber. As with Three to Get Ready, there were some special segments. "Swap Time" was one of them: Viewers could bring their unwanted items to the WPTZ studios to trade them live on the air with Kovacs. The show made its debut on January 4, 1952, with Kovacs losing creative control of the program soon after it was begun. Kovacs on the Corner was short-lived; it ended on March 28, 1952, along with Three to Get Ready. Kovacs then began work for WCBS-TV in New York with a local morning show and a later network one. Both programs were canceled; Kovacs lost the local morning program for the same reason as Three to Get Ready—the broadcasting time was confiscated by the station's network in 1954. Visual humor and characters At WPTZ, Kovacs began using the ad-libbed and experimental style that would become his reputation, including video effects, superimpositions, reverse polarities and scanning, and quick blackouts. He was also noted for abstraction and carefully timed non-sequitur gags and for allowing the fourth wall to be breached. Kovacs's cameras commonly showed his viewers activity beyond the boundaries of the show set—including crew members and outside the studio itself. Kovacs also liked talking to the off-camera crew and even introduced segments from the studio control room. He frequently made use of accidents and happenstance, incorporating the unexpected into his shows. In one of Kovacs's Philadelphia broadcasts, Oscar Liebetrau, an elderly crew member who was known for often sleeping for the duration of the telecast, was introduced to the audience as "Sleeping Schwartz." Kovacs was once knocked unconscious when a pie smashed into his face still had the plate under it. Kovacs's love of spontaneity extended to his crew, who would occasionally play on-air pranks on him to see how he would react. During one of his NBC shows, Kovacs was appearing as the inept magician Matzoh Heppelwhite. The sketch called for the magician to frequently hit a gong, which was the signal for a sexy female assistant to bring out a bottle and shot glass for a quick snort of alcohol. Stagehands substituted real liquor for the iced tea normally used for the skit. Kovacs realized that he would be called upon to drink a shot of liquor for each successive gong. He pressed on with the sketch and was quite inebriated by the end of the show. Kovacs helped develop camera tricks still common decades after his death. His character Eugene sat at a table to eat his lunch, but as he removed items one at a time from a lunch box, he watched them inexplicably roll down the table into the lap of a man reading a newspaper at the other end. When Kovacs poured milk from a thermos bottle, the stream flowed in a seemingly unusual direction. Never seen on television before, the secret was using a tilted set in front of a camera tilted at the same angle. He constantly sought new techniques and used both primitive and improvised ways of creating visual effects that would later be done electronically. One innovative construction involved attaching a kaleidoscope made from a toilet paper roll to a camera lens with cardboard and tape and setting the resulting abstract images to music. Another was a soup can with both ends removed fitted with angled mirrors. Used on a camera and turning it could put Kovacs seemingly on the ceiling. An underwater stunt involved cigar smoker Kovacs sitting in an easy chair, reading his newspaper and somehow smoking a cigar. Removing it from his mouth, Kovacs was able to exhale a puff of white smoke, all while floating underwater. The trick: the "smoke" was a small amount of milk which he filled his mouth with before submerging. Kovacs repeated the effect for a Dutch Masters television commercial on his ABC game show, Take A Good Look. One of the special effects he employed made it appear as if he was able to look through his assistant, Barbara Loden's, head. The illusion was performed by placing a black patch on Loden's head and standing her against a black background while one studio camera was trained on her. A second one photographed Kovacs, who used the studio monitor to position himself exactly so that his eye would appear to be looking through a hole in her head. He also developed such routines as an all-gorilla version of Swan Lake, a poker game set to Beethoven's Fifth Symphony, the skit Silent Show, in which Eugene interacts with the world accompanied solely by music and sound effects, parodies of typical television commercials and movie genres, and various musical segments with everyday items (such as kitchen appliances or office equipment) moving in sync to music. A popular recurring skit was The Nairobi Trio, three derby-hatted apes miming mechanically and rhythmically to the tune of Robert Maxwell's "Solfeggio". Kovacs used extended sketches and mood pieces or quick blackout gags lasting only seconds. Some could be expensive, such as his famous used-car salesman routine with a jalopy and a breakaway floor: it cost $12,000 to produce the six-second gag. He was one of the first television comedians to use odd fake credits and comments between the legitimate credits and, at times, during his routines. Kovacs reportedly disliked working in front of a live audience, as was the case with the shows he did for NBC during the 1950s. He found the presence of an audience distracting, and those in the seats frequently did not understand some of the more elaborate visual gags and special effects, which could only be appreciated by watching studio monitors instead of the stage. Like many comedians of the era, Kovacs created a rotation of recurring roles. In addition to the silent "Eugene," his most familiar characters were the fey, lisping poet Percy Dovetonsils, and the heavily accented German radio announcer, Wolfgang von Sauerbraten. Mr. Question Man, who answered viewer queries, was a satire on the long-run (1937–56) radio series, The Answer Man. Others included horror show host Auntie Gruesome, bumbling magician Matzoh Heppelwhite, Frenchman Pierre Ragout and Miklos Molnar, the sardonic Hungarian host of a cooking show. The Miklos character wasn't always confined to a kitchen; Kovacs performed a parody of The Howdy Doody Show with "Buffalo Miklos" as the host. Poet Percy Dovetonsils can be found playing Beethoven's Moonlight Sonata on a disappearing piano and as a "Master Detective" on the "Private Eye-Private Eye" presentation of the US Steel Hour on CBS March 8, 1961. On the same show, the Nairobi Trio abandons its instruments for a safe-cracking job; still with a background of "Solfeggio", but speaking, two of the three appear in an "Outer Space" sketch. Kovacs became a regular on NBC Radio's program Monitor beginning during late 1958, often using his Mr. Question Man character in his radio monologues. Kovacs never hesitated to lampoon those considered institutions of radio and television. In April 1954, he started the late-night talk show, The Ernie Kovacs Show, on DuMont Television Network's New York flagship station, WABD. Stage, screen and radio notables were often guests. Archie Bleyer, head of Cadence Records, came to chat one evening. Bleyer had been the long-time orchestra director for Arthur Godfrey's radio and television shows. He had been dismissed by Godfrey the year before, together with fellow cast member, singer Julius La Rosa. In La Rosa's case, he hired a manager, defying an unwritten Godfrey policy. With Bleyer, Godfrey was angered when he found that Bleyer's record company Cadence Records had produced spoken-word material by Don McNeill, host of ABC's Don McNeill's Breakfast Club, which Godfrey considered competition to his show. Bleyer and Kovacs were shown in split screen, with Kovacs wearing a red wig, headphones, and playing a ukulele in a Godfrey imitation, while talking with his guest. Kovacs's television programs included Three to Get Ready (an early morning program seen on Philadelphia's WPTZ from 1950 through 1952), It's Time for Ernie (1951, his first network series), Ernie in Kovacsland, (a summer replacement show for Kukla, Fran and Ollie, 1951), The Ernie Kovacs Show (1952–56 on various networks), a twice-a-week job filling in for Steve Allen as host of The Tonight Show on Mondays and Tuesdays (1956–57), and game shows Gamble on Love, One Minute Please, Time Will Tell (all on DuMont), and Take a Good Look (1959–61). Kovacs was also the host of a program, Silents Please, which showed silent movies on network television, with serious discussion about the movies and their actors. Kovacs had a brief stint as a celebrity panelist for the television series What's My Line?, but took his responsibilities less than seriously, often eschewing a legitimate question for the sake of a laugh. An example: Industrialist Henry J. Kaiser, the founder of an automobile company, was the program's "mystery guest." Previous questioning had established that the mystery guest's name was synonymous with an automobile brand, Kovacs asked, "Are you – and this is just a wild guess – but are you Abraham Lincoln?"—a reference to the Ford Motor Company's Lincoln automobiles. When Kovacs gave an interview admitting that he was absent from the show when he wanted to go out for dinner on a Sunday, his stint on the panel show was ended. TV specials He also did several television specials, including the famous Silent Show (1957), featuring his character, Eugene: the first all-pantomime prime-time network program. After the end of the Dean Martin-Jerry Lewis partnership, NBC offered Lewis the opportunity to host his own 90-minute color television special. Lewis opted to use only 60 minutes, leaving the network 30 minutes to fill; no one wanted this time slot, but Kovacs was willing to have it. The program contained no spoken dialogue and contained only sound effects and music. Featuring Kovacs as the mute, Charlie Chaplin-like character "Eugene", the program contained surreal sight gags. Kovacs developed the Eugene character during the autumn of 1956, when hosting the television series The Tonight Show. Expectations were high for the Lewis program, but it was Kovacs' special that received the most attention; Kovacs received his first movie offer, had a cover story in Life magazine, and received the Sylvania Award that year. In 1961, Kovacs and his co-director, Joe Behar, were recipients of the Directors Guild of America Award for a second version of this program broadcast by the American Broadcasting Company network. A series of monthly half-hour specials for ABC during 1961–62 is often considered his best television work. Produced on videotape using new editing and special effects techniques, it won a 1962 Emmy Award. Kovacs and co-director Behar also won the Directors Guild of America award for an Ernie Kovacs Special based on the earlier, silent "Eugene" program. Kovacs' last ABC special was broadcast posthumously, on January 23, 1962. The Dutch Masters cigar company became well-known during the late 1950s and early 1960s for its sponsorship of various television projects of Ernie Kovacs. The company allowed Kovacs total creative control in the creation of their television commercials for his programs and specials. He produced a series of non-speaking television commercials for Dutch Masters during the run of his television series Take A Good Look which was praised by both television critics and viewers. While praised by critics, Kovacs rarely had a highly-rated show. The Museum of Broadcast Communications says, "It is doubtful that Ernie Kovacs would find a place on television today. He was too zany, too unrestrained, too undisciplined. Perhaps Jack Gould of The New York Times said it best for Ernie Kovacs: 'The fun was in trying'." Other shows had greater success while using elements of Kovacs's style. George Schlatter, producer of the later television series Rowan & Martin's Laugh-In, was married to actress Jolene Brand, who had appeared in Kovacs' comic troupes over the years and had been a frequent participant in his pioneering sketches. Laugh-In made frequent use of the quick blackout gags and surreal humor that marked many Kovacs projects. Another link was a young NBC staffer, Bill Wendell, Kovacs's usual announcer and sometimes a sketch participant. From 1980 to 1995, Wendell was the announcer for David Letterman, whose show and style of humor were greatly influenced by Kovacs. The Music Man Kovacs was also known for his eclectic musical taste. His main theme song was named "Oriental Blues" by Jack Newton. The rendition most often heard was a piano-driven trio version, but, for his primetime show during 1956, music director Harry Sosnik presented a full-blown big-band version. The German song "Die Moritat von Mackie Messer" from The Threepenny Opera (anglicized to "Mack the Knife"), frequently underscored his blackout routines. Songwriter Robert Maxwell's "Solfeggio" became associated with the derby-hatted apes, 'The Nairobi Trio'. In the 1982 TV special Ernie Kovacs: Television's Original Genius, Edie Adams recalled that when Kovacs first heard the melody, he immediately knew what he wanted to do with it, creating a music-box-like trio that moved in time to the tune. Kovacs was introduced to the song in 1954 by Barry Shear, his director at DuMont Television Network. Kovacs matched an unusual treatment of "Sentimental Journey", by Mexican bandleader Juan García Esquivel, to video of an empty office in which various items (pencil sharpeners, water coolers, wall clocks) come to life in rhythm with the music; it was a variation on several famous animations of a decade earlier. The original three-minute presentation was outlined by Kovacs in a four-page, single-spaced memo to his staff. The perfectionist Kovacs describes in minute detail what had to be done and how to do it. The memo ends with this: "I don't know how the hell you're going to get this done by Sunday – but 'rots of ruck." (signed) "Ernie (with love)". Kovacs also made careful use of the shrill singer Leona Anderson—who had somewhat less than a classical (or even listenable) voice, by some estimations—in comic vignettes. Kovacs used classical music as background for silent skits or abstract visual routines, including "Concerto for Orchestra", by Béla Bartók; music from the opera "The Love of Three Oranges", by Sergei Prokofiev; the finale of Igor Stravinsky's suite "The Firebird"; and Richard Strauss' "Till Eulenspiegel's Merry Pranks"; and, from George Gershwin, "Rialto Ripples"--the theme to his shows--as well as parts of Gershwin's "Concerto in F". He may have been known best for using Joseph Haydn's "String Quartet, Opus 3, Number 5" (the "Serenade," actually composed by Roman Hoffstetter) for a series of 1960–61 commercials he created and videotaped for his sponsor, Dutch Masters. For the show of May 22, 1959, Kovacs on Music, Kovacs began by saying, "I have never really understood classical music, so I would like to take this opportunity to explain it to others." He presented a gorilla version of Swan Lake which differed from the usual performance only in the persona of the dancers, along with giant paper clips moving to music and other sketches. He also served as host on a jazz album to benefit the American Cancer Society in 1957, Listening to Jazz with Ernie Kovacs. It was a 15-minute recording featuring some of the celebrities of the art, including pianist Jimmy Yancey and old original New Orleans Jazz Trumpeter Bunk Johnson, soprano saxophonist Sidney Bechet, guitarist Django Reinhardt, composer/pianist/bandleader Duke Ellington and longtime Ellington trumpeter Cootie Williams. Both the Library of Congress and the National Library of Canada have copies of this recording in their collections. In print Kovacs wrote a novel, Zoomar: A Sophisticated Novel about Love and TV (Doubleday, 1957), based on television pioneer Pat Weaver; it took Kovacs only 13 days to write. The book took its title from the Zoomar brand zoom lenses frequently used on television cameras at the time. In a 1960 interview, Edie Adams related that the novel was written after Kovacs' experiences with network television while he was preparing to broadcast the Silent Show. The 1961 British edition was retitled T.V. Medium Rare by its London-based publisher, Transworld. While he worked on several other book projects, Kovacs's only other published title was How to Talk at Gin, published posthumously in 1962. He intended part of the book's proceeds to benefit Cedars-Sinai Medical Center. During 1955–58, he wrote for Mad (his favorite humor magazine), including the feature "Strangely Believe It!" (a parody of Ripley's Believe It or Not! that was a regular feature of his television shows) and Gringo, a board game with ridiculously complicated rules that was renamed Droongo for the television show. Kovacs also wrote the introduction to the 1958 collection Mad For Keeps: A Collection of the Best from Mad Magazine. Television guest star Kovacs and Edie Adams guest starred on what turned out to be the final episode of The Lucille Ball-Desi Arnaz Show, (syndicated as The Lucy-Desi Comedy Hour or We Love Lucy) "Lucy Meets the Moustache", which was in rehearsals during the week of February 28 and filmed on March 3 for an April 1, 1960 network broadcast. "Lucy Meets the Moustache" was the last time Arnaz and Ball worked together and the last time their famous characters appeared in a first-run broadcast. According to Adams, Ball and Arnaz 'avoided contact and barely talked to each other in rehearsals and in-between scenes'. Adams also said that they were not told their episode was the last or that the famous couple was to divorce (Ball entered the uncontested divorce request March 4, 1960). Kovacs also appeared in roles on other television programs. For General Electric Theater's "I Was a Bloodhound" in 1959, Kovacs played the role of detective Barney Colby, whose extraordinary sense of smell helped him solve many seemingly-impossible cases. Colby was hired by a foreign country to recover its symbol of royalty, a baby elephant, who was being held for ransom. Films Kovacs found Hollywood success as a character actor, often typecast as a swarthy military officer (almost always a "Captain" of some sort) in such films as Operation Mad Ball, Wake Me When It's Over and Our Man in Havana. While working in his first film role for Operation Mad Ball, Kovacs was filming a wild party scene after midnight; it was decided to use real champagne for realism. After a few hours of work, someone came up to Kovacs and remarked that he had been having quite a good time chasing starlets all night. Kovacs told the stranger to go to hell, since he was following the script; he later learned the stranger was Harry Cohn, head of Columbia Pictures. Kovacs and Cohn later became friends despite the way they had met, with Cohn giving Kovacs roles in Bell, Book and Candle (1958) and It Happened to Jane (1959). He garnered critical acclaim for film roles such as the perennially-inebriated writer in Bell, Book and Candle and as the cartoonishly-evil head of a railroad company (who resembled Orson Welles' title character in Citizen Kane) in It Happened to Jane, where he had his head shaved and his remaining hair dyed grey for the role. In 1960, he played the base commander Charlie Stark in the comedy Wake Me When It's Over and the con man Frankie Cannon trying to steal John Wayne's gold mine in the western comedy, North to Alaska. His own personal favorite was said to have been the offbeat Five Golden Hours (1961), in which he portrayed a larcenous professional mourner who meets his match in a professional widow played by Cyd Charisse. Kovacs's last movie, Sail a Crooked Ship (also 1961), was released one month before his death. Personal life First marriage Kovacs and his first wife, Bette Wilcox, were married on August 13, 1945. When the marriage ended, he fought for custody of their children, Elizabeth ("Bette") and Kip Raleigh ("Kippie"). The court awarded Kovacs full custody upon determining that his former wife was mentally unstable. The decision was extremely unusual at the time, setting a legal precedent. Wilcox subsequently kidnapped the children, taking them to Florida. After a long and expensive search, Kovacs regained custody. These events were portrayed in the television movie Ernie Kovacs: Between the Laughter (1984), which garnered an Emmy Award nomination for its writer, April Smith. Kovacs was portrayed by Jeff Goldblum. Kovacs's first wife made a legal attempt to gain custody of her two daughters soon after his death. She began August 2, 1962, by claiming $500,000 was her share of Kovacs's estate and charging that her ex-husband had abducted the girls in 1955; Kovacs had been granted legal custody of his daughters in 1952. On August 30, Wilcox filed an affidavit claiming that Kovacs's widow, Edie Adams, the stepmother to the girls, was "unfit" to care for them. Both daughters, Bette and Kippie, testified that they wanted to stay with their stepmother, Edie. Kippie's testimony was very emotional; in it she referred to Edie as "Mommy" and her birth mother as "the other lady." Upon hearing the verdict that the girls would remain in their home, Adams wept, saying, "This is what Ernie would have wanted. Now I can smile." Elizabeth Kovacs's reaction was "I'm so happy I can hardly express myself", after learning she and her sister would not be forced to leave Edie. Second marriage Kovacs and Adams met in 1951 when she was hired to work for his WPTZ show, Three to Get Ready. Her appearance on Arthur Godfrey's Talent Scouts caught the eye of Kovacs's producer, and he asked her to audition for the program. A classically-trained singer, she was able to perform only three popular songs. Edie said later, "I sang them all during the audition, and if they had asked to hear another, I never would have made it." Quoting Kovacs, "I wish I could say I was the big shot that hired her, but it was my show in name only – the producer had all the say. Later on I did have something to say and I said it: 'Let's get married.'" After the couple's first date, Kovacs proceeded to buy a Jaguar car, telling Adams he wanted to take her out in style. He was seriously taken with the beautiful and talented young woman, courting her with imagination and flair. Kovacs's attempts to win Adams' affection included hiring a mariachi band to serenade her backstage at the Broadway musical she was performing in and the sudden gift of a diamond engagement ring, telling her to wear it until she made up her mind. Kovacs continued this romantic quest after the show went out of town. Adams booked a six-week European cruise, which she hoped would let her make up her mind whether or not to marry Kovacs. After only three days away and many long-distance telephone calls, she curtailed her trip and returned to say "yes". They eloped and were married on September 12, 1954, in Mexico City. The ceremony was presided over by former New York City mayor William O'Dwyer and was performed in Spanish, which neither Kovacs nor Adams understood; O'Dwyer had to prompt each of them to say "Sí" at the "I do" portion of the vows. Adams, who had a middle-class upbringing, was smitten by Kovacs's quirky ways; the couple remained together until his death. (She later said about Kovacs, "He treated me like a little girl, and I loved it—Women's Lib be damned!") Adams also aided Kovacs's struggle to reclaim his two older children after the kidnapping by their mother. She also was a regular partner on his television shows. Kovacs usually introduced or addressed her in a businesslike way, as "Edith Adams". Adams was usually willing to do anything he envisioned, whether it was singing seriously, performing impersonations (including a well-regarded impression of Marilyn Monroe) or taking a pie in the face or a pratfall if and when needed. The couple had one daughter, Mia Susan Kovacs, born June 20, 1959. Kovacs and his family shared a 16-room apartment in Manhattan on Central Park West that seemed perfect until he went to California for his first film role in Operation Mad Ball. The experience of the totally different, laid-back lifestyle of Hollywood made a big impression on him. He realized he was working too much in New York; in California he would be able to work fewer hours, do just as well or better and have more time for Edie and his daughters. At the time, he was working most of the time and sleeping about two or three hours a night. Kovacs claimed that he realized it was time for a change when he was telling his girls a bedtime story and found himself thinking of using it for a show instead. Kovacs relocated his family there in 1957, after Edie finished work for the Broadway play Li'l Abner. Death In the early morning hours of January 13, 1962, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly and crashed into a power pole in Beverly Hills. He was thrown halfway out the vehicle's passenger side and died almost instantly from chest and head injuries. A photographer arrived soon after and images of Kovacs' bodywith an unlit cigar on the pavement near his outstretched handappeared in newspapers across the United States. In keeping Kovacs's wishes, a simple service was held at the Beverly Hills Community Presbyterian Church. The pallbearers included Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, and Mervyn LeRoy, and George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle also attended. The pastor said that Kovacs had summed up his life thus: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." He is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads "Nothing in moderation—We all loved him." Tax evasion A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams. His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take a Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less-memorable film roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton; the pilot episode titled "A Pony for Chris"). Kovacs' role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s, who was selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs' estate. The pilot is part of the public collection of the Paley Center for Media. Some of the issues regarding Kovacs' tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs." Adams, who married and divorced twice after Kovacs' death, refused help from celebrity friends who planned a benefit for the purpose. "I can take care of my own children," she said, and resolved to accept offers only from those who wanted to hire her for her talents. Adams eventually paid all of Kovacs's debts. Lost and surviving work Most of Kovacs's early television work was performed live: few kinescopes have survived. Some videotapes of his ABC specials were preserved; others, such as his quirky game show, Take a Good Look, were available mostly in short segments until recently, with the release of some complete, videotaped episodes. After Kovacs's death, Adams discovered not only that her husband owed ABC a great deal of money, but that some networks were systematically erasing and reusing tapes of Kovacs's shows or disposing of the kinescopes and videotapes. She succeeded in purchasing the rights to surviving footage with the proceeds from Kovacs' insurance policy and her own earnings after Kovacs' IRS debts were paid. In March 1996, Adams detailed her experiences before the National Film Preservation Board. Adams first used some of the videotapes she had purchased for a 1968 ABC television special, The Comedy of Ernie Kovacs; to produce the show, she hired Kovacs's former producer and editor. The hour-long program was sponsored by Kovacs's former sponsor, Dutch Masters. Most of Kovacs's salvaged work is available to researchers at the University of California, Los Angeles Library's Department of Special Collections: additional material is available at the Paley Center for Media. The 1984 television film Ernie Kovacs: Between the Laughter helped return Kovacs to the public's attention, though the show emphasized his bid to retrieve his kidnapped children instead of his professional life. Jeff Goldblum portrayed Kovacs, Madolyn Smith portrayed Bette and Melody Anderson portrayed Adams in the movie. Edie Adams appeared in a cameo in this film, playing Mae West; it was one of the impressions she performed in shows with Kovacs. Telecasts of edited compilations of some of his work by PBS (station WTTW, Chicago) under the title The Best of Ernie Kovacs in 1977, inspired the film. These broadcasts were made available on VHS and DVD. The DVD set features extras that are not in the VHS set. The series was narrated by Jack Lemmon. During the early 1990s, The Comedy Channel broadcast a series of Kovacs' shows under the generic title of The Ernie Kovacs Show. The series included both the ABC specials and some of his 1950s shows from NBC. By 2008, there were no broadcast, cable, or satellite channels broadcasting any of Kovacs's television work, other than his panel appearances on What's My Line? on the Game Show Network. On April 19, 2011, Shout! Factory released The Ernie Kovacs Collection, six DVDs spanning Kovacs's television career. The company's website also offers an extra disc with material from Tonight! and The Ernie Kovacs Show, as well as a rare color kinescope of the complete 30-minute 1957 NBC color broadcast featuring "Eugene". On October 23, 2012, Shout! Factory released The Ernie Kovacs Collection: Volume 2 on DVD. In 1961, Kovacs recorded a record album of poetry in the character of Percy Dovetonsils named Percy Dovetonsils Thpeakth, but was unable to release it due to contractual obligations with other record companies. After he was given the masters, Kovacs donated them to a Los Angeles area hospital. Adams was able to re-acquire the tapes in 1967, and they remained part of her private collection until her death in 2008. The tapes were labeled as movie material and were thought to be such until further examination proved they were Kovacs as Percy reading his poems with no music background. The album was finally released in 2012. Kovacs was inducted posthumously into the Broadcast Pioneers of Philadelphia's Hall of Fame in 1992. Partial filmography Operation Mad Ball (1957) (with Jack Lemmon) as Capt. Paul Lock Bell, Book and Candle (1958) (with James Stewart, Kim Novak, and Jack Lemmon as Sidney Redlitch It Happened to Jane (1959) (with Doris Day and Jack Lemmon) as Harry Foster Malone Our Man in Havana (1959) (with Alec Guinness and Noël Coward) as Capt. Segura Wake Me When It's Over (1960) (with Dick Shawn) as Capt. Charlie Stark Strangers When We Meet (1960) (with Kirk Douglas and Kim Novak) as Roger Altar North to Alaska (1960) (with John Wayne) as Frankie Canon Pepe (1960) (with Cantinflas) as Immigration Inspector Five Golden Hours (1961) (with Cyd Charisse and George Sanders) as Aldo Bondi Sail a Crooked Ship (1961, with Robert Wagner) as Bugsy G. Foglemeyer aka The Captain Notes References Bibliography via Project MUSE Further reading Adams, Edie (1990). Sing a Pretty Song: The "Offbeat" Life of Edie Adams, Including the Ernie Kovacs Years. William Morrow; Barker, David Brian (1982). "Every Moment's a Gift": Ernie Kovacs in Hollywood, 1957–1962, a Master's Thesis. Available for viewing at the library at the University of Texas at Austin Rico, Diana (1990). Kovacsland: A Biography of Ernie Kovacs. Harcourt, Brace & Jovanovich; Walley, David (1975). Nothing in Moderation. Drake Publishers; Reprinted as The Ernie Kovacs Phile by David Walley, Bolder Books, 1978 and Fireside/Simon & Schuster, 1987; External links The Official Ernie Kovacs Website Ernie Kovacs Dot Net: A Tribute To Television's Original Genius Kovacsland Online! – the Ernie Kovacs website List of Kovacs' 16 articles for MAD magazine Watch The Jack Benny Program with Ernie Kovacs as guest at the Internet Archive Operation Mad Ball Trailer (1957) at the Internet Archive John Barbour's documentary Ernie Kovacs: Television's Original Genius at John Barbour's World Ernie Kovacs Dutch Masters Cigar Commercial 1919 births 1962 deaths 20th-century American male actors American people of Hungarian descent American comedy writers American game show hosts American male film actors American male television actors American humorists American satirists American comics writers American television talk show hosts Burials at Forest Lawn Memorial Park (Hollywood Hills) Emmy Award winners Mad (magazine) people Male actors from New Jersey Actors from Trenton, New Jersey Road incident deaths in California Trenton Central High School alumni Writers from Trenton, New Jersey American male comedy actors 20th-century American comedians

C_8d50647977304f559cc6b26bd64e27fc_1

Are there any other interesting aspects about this article?

Are there any other interesting aspects about this article in addition to Ernie being killed in a car accident?

Ernie Kovacs

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962. Kovacs, who had worked for much of the evening, met Adams at a baby shower given by Billy Wilder for Milton Berle and his wife, who had recently adopted a newborn baby boy. The couple left the party in separate cars. After a light southern California rainstorm, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly, and crashed into a power pole at the corner of Beverly Glen and Santa Monica Boulevards. He was thrown halfway out the passenger side, and died almost instantly from chest and head injuries. A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States. An unlit cigar lay on the pavement, inches from his outstretched arm. Years later, in a documentary about Kovacs, Edie Adams described telephoning the police impatiently when she learned of the crash. An official cupped his hand over the receiver, saying to a colleague, "It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?" With that, Adams's fears were confirmed, and she became inconsolable. Jack Lemmon, who also attended the Berle party, identified Kovacs's body at the morgue because Adams was too distraught to do so. After attending funerals for Hollywood friends, Kovacs had expressed his wishes to Adams that any funeral services for him be kept simple. In keeping with his request, Adams made arrangements for Presbyterian services at the Beverly Hills Community Presbyterian Church. The active pallbearers were Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, Mervyn LeRoy, and Joe Mikolas. Kovacs's father and brother, Andrew and Tom, respectively, served as honorary pallbearers. The attendees included George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle. There was no typical Hollywood-type eulogy, but the church's pastor paid tribute to Kovacs, adding that he once summed up his life in two sentences: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads, "Nothing in moderation--We all loved him." Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52, after a long illness and a lifetime of poor health. Kippie and her husband, Bill Lancaster (1947-1997), a screenwriter and the son of actor Burt Lancaster, are the parents of Kovacs's only grandchild, Keigh Lancaster. His only child with Edie Adams, Mia (1959-1982), was killed on May 8, 1982, also in an automobile accident. Her gravestone reads "Daddy's little girl. We all loved her, too". Mia and Kippie are buried close to their father; when Edie died in 2008, she was buried between Mia and Kippie. CANNOTANSWER

A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States.

Ernest Edward Kovacs (January 23, 1919 – January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Kovacs has been credited as an influence by many individuals and shows, including Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Pee-wee's Playhouse, The Muppet Show, Dave Garroway, Andy Kaufman, You Can't Do That on Television, MST3K, Uncle Floyd, among others. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live. While Kovacs and Adams received Emmy nominations for best performances in a comedy series during 1957, his talent was not recognized formally until after his death. The 1962 Emmy for Outstanding Electronic Camera Work and the Directors' Guild award came a short time after his fatal accident. A quarter century later, he was inducted into the Academy of Television Arts & Sciences Hall of Fame. Kovacs also has a star on the Hollywood Walk of Fame for his work in television. In 1986, the Museum of Broadcasting (later to become the Museum of Television & Radio and now the Paley Center for Media) presented an exhibit of Kovacs's work, called The Vision of Ernie Kovacs. The Pulitzer Prize–winning television critic, William Henry III, wrote for the museum's booklet: "Kovacs was more than another wide-eyed, self-ingratiating clown. He was television's first significant video artist." Early life and career Kovacs's father, Andrew John Kovacs, was born in 1890 and emigrated from Tornaújfalu, Hungary, which is now known as Turnianska Nová Ves, Slovakia. Andrew sailed on the S.S. Würzburg via Bremen, arriving at Ellis Island on February 8, 1906, at age 16. He worked as a policeman, restaurateur, and bootlegger, the last so successfully that he moved his wife Mary, son Tom, and his half-brother Ernest Edward Kovacs into a 20-room mansion in the better part of Trenton. Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the onset of the Great Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth-floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later. A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont in 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong tobacco-smoking habit. Kovacs's first paid entertainment work was during 1941 as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of special events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". Start in television Arriving at NBC's Philadelphia affiliate, WPTZ, for an audition wearing a barrel and shorts got Kovacs his first television job in January 1950. His first show was Pick Your Ideal, a fashion and promotional program for the Ideal Manufacturing Company. Before long, Kovacs was also the host of Deadline For Dinner and Now You're Cooking, shows featuring advice from local chefs. When Kovacs's guest chef did not arrive in time for the show, he offered a recipe for "Eggs Scavok" (Kovacs spelled backward). Kovacs seasoned the egg dish with ashes from his cigar. The sponsor was a local propane company. Hosting these shows soon resulted in his becoming host of a program named Three to Get Ready, named for WPTZ's channel 3 spot on television dials. Premiering in November 1950, Three to Get Ready was innovative because it was the first regularly scheduled early morning (7–9am) show in a major television market, predating NBC's Today by more than a year. Prior to this, it had been assumed that few people would watch television at such an early hour. While the show was advertised as early morning news and weather, Kovacs provided this and more in an original manner. When rain was in the weather forecast, Kovacs would get on a ladder and pour water down on the staff member reading the report. Goats were auditioned for a local theater performance and tiny women appeared to walk up his arm. Kovacs also went outside of the studio for some of his skits, running through a downtown Philadelphia restaurant in a gorilla suit in one; in another, he looked into a construction pit, saying it was deep enough to see to China, when a man in Chinese clothing popped up, said a few words in the language, and ran off. Despite its popularity, the weekly prop budget for the show was just $15. Kovacs once asked his viewers to send unwanted items to Channel 3; they filled the station's lobby. The only character no one ever saw inspired more gifts; he was Howard, the World's Strongest Ant. From the time of his WPTZ debut, Howard received more than 30,000 gifts from Kovacs's viewers, including a mink-lined swimming pool. Kovacs began his Early Eyeball Fraternal & Marching Society (EEFMS) while doing Three to Get Ready. There were membership cards with by-laws and ties; the password was a favorite phrase of Kovacs's: "It's Been Real". Kovacs continued the EEFMS on his morning show when he moved to WCBS in New York in 1952. The success of Three to Get Ready proved that people did indeed watch early-morning television, and it was one of the factors that caused NBC to create The Today Show. WPTZ did not begin broadcasting Today when it premiered on January 14, 1952; network influence caused the station to end Three to Get Ready at the end of March of that year. During early 1952, Kovacs was also doing a late morning show for WPTZ named Kovacs on the Corner. Kovacs would walk through an imaginary neighborhood, talking with various characters such as Pete the Cop and Luigi the Barber. As with Three to Get Ready, there were some special segments. "Swap Time" was one of them: Viewers could bring their unwanted items to the WPTZ studios to trade them live on the air with Kovacs. The show made its debut on January 4, 1952, with Kovacs losing creative control of the program soon after it was begun. Kovacs on the Corner was short-lived; it ended on March 28, 1952, along with Three to Get Ready. Kovacs then began work for WCBS-TV in New York with a local morning show and a later network one. Both programs were canceled; Kovacs lost the local morning program for the same reason as Three to Get Ready—the broadcasting time was confiscated by the station's network in 1954. Visual humor and characters At WPTZ, Kovacs began using the ad-libbed and experimental style that would become his reputation, including video effects, superimpositions, reverse polarities and scanning, and quick blackouts. He was also noted for abstraction and carefully timed non-sequitur gags and for allowing the fourth wall to be breached. Kovacs's cameras commonly showed his viewers activity beyond the boundaries of the show set—including crew members and outside the studio itself. Kovacs also liked talking to the off-camera crew and even introduced segments from the studio control room. He frequently made use of accidents and happenstance, incorporating the unexpected into his shows. In one of Kovacs's Philadelphia broadcasts, Oscar Liebetrau, an elderly crew member who was known for often sleeping for the duration of the telecast, was introduced to the audience as "Sleeping Schwartz." Kovacs was once knocked unconscious when a pie smashed into his face still had the plate under it. Kovacs's love of spontaneity extended to his crew, who would occasionally play on-air pranks on him to see how he would react. During one of his NBC shows, Kovacs was appearing as the inept magician Matzoh Heppelwhite. The sketch called for the magician to frequently hit a gong, which was the signal for a sexy female assistant to bring out a bottle and shot glass for a quick snort of alcohol. Stagehands substituted real liquor for the iced tea normally used for the skit. Kovacs realized that he would be called upon to drink a shot of liquor for each successive gong. He pressed on with the sketch and was quite inebriated by the end of the show. Kovacs helped develop camera tricks still common decades after his death. His character Eugene sat at a table to eat his lunch, but as he removed items one at a time from a lunch box, he watched them inexplicably roll down the table into the lap of a man reading a newspaper at the other end. When Kovacs poured milk from a thermos bottle, the stream flowed in a seemingly unusual direction. Never seen on television before, the secret was using a tilted set in front of a camera tilted at the same angle. He constantly sought new techniques and used both primitive and improvised ways of creating visual effects that would later be done electronically. One innovative construction involved attaching a kaleidoscope made from a toilet paper roll to a camera lens with cardboard and tape and setting the resulting abstract images to music. Another was a soup can with both ends removed fitted with angled mirrors. Used on a camera and turning it could put Kovacs seemingly on the ceiling. An underwater stunt involved cigar smoker Kovacs sitting in an easy chair, reading his newspaper and somehow smoking a cigar. Removing it from his mouth, Kovacs was able to exhale a puff of white smoke, all while floating underwater. The trick: the "smoke" was a small amount of milk which he filled his mouth with before submerging. Kovacs repeated the effect for a Dutch Masters television commercial on his ABC game show, Take A Good Look. One of the special effects he employed made it appear as if he was able to look through his assistant, Barbara Loden's, head. The illusion was performed by placing a black patch on Loden's head and standing her against a black background while one studio camera was trained on her. A second one photographed Kovacs, who used the studio monitor to position himself exactly so that his eye would appear to be looking through a hole in her head. He also developed such routines as an all-gorilla version of Swan Lake, a poker game set to Beethoven's Fifth Symphony, the skit Silent Show, in which Eugene interacts with the world accompanied solely by music and sound effects, parodies of typical television commercials and movie genres, and various musical segments with everyday items (such as kitchen appliances or office equipment) moving in sync to music. A popular recurring skit was The Nairobi Trio, three derby-hatted apes miming mechanically and rhythmically to the tune of Robert Maxwell's "Solfeggio". Kovacs used extended sketches and mood pieces or quick blackout gags lasting only seconds. Some could be expensive, such as his famous used-car salesman routine with a jalopy and a breakaway floor: it cost $12,000 to produce the six-second gag. He was one of the first television comedians to use odd fake credits and comments between the legitimate credits and, at times, during his routines. Kovacs reportedly disliked working in front of a live audience, as was the case with the shows he did for NBC during the 1950s. He found the presence of an audience distracting, and those in the seats frequently did not understand some of the more elaborate visual gags and special effects, which could only be appreciated by watching studio monitors instead of the stage. Like many comedians of the era, Kovacs created a rotation of recurring roles. In addition to the silent "Eugene," his most familiar characters were the fey, lisping poet Percy Dovetonsils, and the heavily accented German radio announcer, Wolfgang von Sauerbraten. Mr. Question Man, who answered viewer queries, was a satire on the long-run (1937–56) radio series, The Answer Man. Others included horror show host Auntie Gruesome, bumbling magician Matzoh Heppelwhite, Frenchman Pierre Ragout and Miklos Molnar, the sardonic Hungarian host of a cooking show. The Miklos character wasn't always confined to a kitchen; Kovacs performed a parody of The Howdy Doody Show with "Buffalo Miklos" as the host. Poet Percy Dovetonsils can be found playing Beethoven's Moonlight Sonata on a disappearing piano and as a "Master Detective" on the "Private Eye-Private Eye" presentation of the US Steel Hour on CBS March 8, 1961. On the same show, the Nairobi Trio abandons its instruments for a safe-cracking job; still with a background of "Solfeggio", but speaking, two of the three appear in an "Outer Space" sketch. Kovacs became a regular on NBC Radio's program Monitor beginning during late 1958, often using his Mr. Question Man character in his radio monologues. Kovacs never hesitated to lampoon those considered institutions of radio and television. In April 1954, he started the late-night talk show, The Ernie Kovacs Show, on DuMont Television Network's New York flagship station, WABD. Stage, screen and radio notables were often guests. Archie Bleyer, head of Cadence Records, came to chat one evening. Bleyer had been the long-time orchestra director for Arthur Godfrey's radio and television shows. He had been dismissed by Godfrey the year before, together with fellow cast member, singer Julius La Rosa. In La Rosa's case, he hired a manager, defying an unwritten Godfrey policy. With Bleyer, Godfrey was angered when he found that Bleyer's record company Cadence Records had produced spoken-word material by Don McNeill, host of ABC's Don McNeill's Breakfast Club, which Godfrey considered competition to his show. Bleyer and Kovacs were shown in split screen, with Kovacs wearing a red wig, headphones, and playing a ukulele in a Godfrey imitation, while talking with his guest. Kovacs's television programs included Three to Get Ready (an early morning program seen on Philadelphia's WPTZ from 1950 through 1952), It's Time for Ernie (1951, his first network series), Ernie in Kovacsland, (a summer replacement show for Kukla, Fran and Ollie, 1951), The Ernie Kovacs Show (1952–56 on various networks), a twice-a-week job filling in for Steve Allen as host of The Tonight Show on Mondays and Tuesdays (1956–57), and game shows Gamble on Love, One Minute Please, Time Will Tell (all on DuMont), and Take a Good Look (1959–61). Kovacs was also the host of a program, Silents Please, which showed silent movies on network television, with serious discussion about the movies and their actors. Kovacs had a brief stint as a celebrity panelist for the television series What's My Line?, but took his responsibilities less than seriously, often eschewing a legitimate question for the sake of a laugh. An example: Industrialist Henry J. Kaiser, the founder of an automobile company, was the program's "mystery guest." Previous questioning had established that the mystery guest's name was synonymous with an automobile brand, Kovacs asked, "Are you – and this is just a wild guess – but are you Abraham Lincoln?"—a reference to the Ford Motor Company's Lincoln automobiles. When Kovacs gave an interview admitting that he was absent from the show when he wanted to go out for dinner on a Sunday, his stint on the panel show was ended. TV specials He also did several television specials, including the famous Silent Show (1957), featuring his character, Eugene: the first all-pantomime prime-time network program. After the end of the Dean Martin-Jerry Lewis partnership, NBC offered Lewis the opportunity to host his own 90-minute color television special. Lewis opted to use only 60 minutes, leaving the network 30 minutes to fill; no one wanted this time slot, but Kovacs was willing to have it. The program contained no spoken dialogue and contained only sound effects and music. Featuring Kovacs as the mute, Charlie Chaplin-like character "Eugene", the program contained surreal sight gags. Kovacs developed the Eugene character during the autumn of 1956, when hosting the television series The Tonight Show. Expectations were high for the Lewis program, but it was Kovacs' special that received the most attention; Kovacs received his first movie offer, had a cover story in Life magazine, and received the Sylvania Award that year. In 1961, Kovacs and his co-director, Joe Behar, were recipients of the Directors Guild of America Award for a second version of this program broadcast by the American Broadcasting Company network. A series of monthly half-hour specials for ABC during 1961–62 is often considered his best television work. Produced on videotape using new editing and special effects techniques, it won a 1962 Emmy Award. Kovacs and co-director Behar also won the Directors Guild of America award for an Ernie Kovacs Special based on the earlier, silent "Eugene" program. Kovacs' last ABC special was broadcast posthumously, on January 23, 1962. The Dutch Masters cigar company became well-known during the late 1950s and early 1960s for its sponsorship of various television projects of Ernie Kovacs. The company allowed Kovacs total creative control in the creation of their television commercials for his programs and specials. He produced a series of non-speaking television commercials for Dutch Masters during the run of his television series Take A Good Look which was praised by both television critics and viewers. While praised by critics, Kovacs rarely had a highly-rated show. The Museum of Broadcast Communications says, "It is doubtful that Ernie Kovacs would find a place on television today. He was too zany, too unrestrained, too undisciplined. Perhaps Jack Gould of The New York Times said it best for Ernie Kovacs: 'The fun was in trying'." Other shows had greater success while using elements of Kovacs's style. George Schlatter, producer of the later television series Rowan & Martin's Laugh-In, was married to actress Jolene Brand, who had appeared in Kovacs' comic troupes over the years and had been a frequent participant in his pioneering sketches. Laugh-In made frequent use of the quick blackout gags and surreal humor that marked many Kovacs projects. Another link was a young NBC staffer, Bill Wendell, Kovacs's usual announcer and sometimes a sketch participant. From 1980 to 1995, Wendell was the announcer for David Letterman, whose show and style of humor were greatly influenced by Kovacs. The Music Man Kovacs was also known for his eclectic musical taste. His main theme song was named "Oriental Blues" by Jack Newton. The rendition most often heard was a piano-driven trio version, but, for his primetime show during 1956, music director Harry Sosnik presented a full-blown big-band version. The German song "Die Moritat von Mackie Messer" from The Threepenny Opera (anglicized to "Mack the Knife"), frequently underscored his blackout routines. Songwriter Robert Maxwell's "Solfeggio" became associated with the derby-hatted apes, 'The Nairobi Trio'. In the 1982 TV special Ernie Kovacs: Television's Original Genius, Edie Adams recalled that when Kovacs first heard the melody, he immediately knew what he wanted to do with it, creating a music-box-like trio that moved in time to the tune. Kovacs was introduced to the song in 1954 by Barry Shear, his director at DuMont Television Network. Kovacs matched an unusual treatment of "Sentimental Journey", by Mexican bandleader Juan García Esquivel, to video of an empty office in which various items (pencil sharpeners, water coolers, wall clocks) come to life in rhythm with the music; it was a variation on several famous animations of a decade earlier. The original three-minute presentation was outlined by Kovacs in a four-page, single-spaced memo to his staff. The perfectionist Kovacs describes in minute detail what had to be done and how to do it. The memo ends with this: "I don't know how the hell you're going to get this done by Sunday – but 'rots of ruck." (signed) "Ernie (with love)". Kovacs also made careful use of the shrill singer Leona Anderson—who had somewhat less than a classical (or even listenable) voice, by some estimations—in comic vignettes. Kovacs used classical music as background for silent skits or abstract visual routines, including "Concerto for Orchestra", by Béla Bartók; music from the opera "The Love of Three Oranges", by Sergei Prokofiev; the finale of Igor Stravinsky's suite "The Firebird"; and Richard Strauss' "Till Eulenspiegel's Merry Pranks"; and, from George Gershwin, "Rialto Ripples"--the theme to his shows--as well as parts of Gershwin's "Concerto in F". He may have been known best for using Joseph Haydn's "String Quartet, Opus 3, Number 5" (the "Serenade," actually composed by Roman Hoffstetter) for a series of 1960–61 commercials he created and videotaped for his sponsor, Dutch Masters. For the show of May 22, 1959, Kovacs on Music, Kovacs began by saying, "I have never really understood classical music, so I would like to take this opportunity to explain it to others." He presented a gorilla version of Swan Lake which differed from the usual performance only in the persona of the dancers, along with giant paper clips moving to music and other sketches. He also served as host on a jazz album to benefit the American Cancer Society in 1957, Listening to Jazz with Ernie Kovacs. It was a 15-minute recording featuring some of the celebrities of the art, including pianist Jimmy Yancey and old original New Orleans Jazz Trumpeter Bunk Johnson, soprano saxophonist Sidney Bechet, guitarist Django Reinhardt, composer/pianist/bandleader Duke Ellington and longtime Ellington trumpeter Cootie Williams. Both the Library of Congress and the National Library of Canada have copies of this recording in their collections. In print Kovacs wrote a novel, Zoomar: A Sophisticated Novel about Love and TV (Doubleday, 1957), based on television pioneer Pat Weaver; it took Kovacs only 13 days to write. The book took its title from the Zoomar brand zoom lenses frequently used on television cameras at the time. In a 1960 interview, Edie Adams related that the novel was written after Kovacs' experiences with network television while he was preparing to broadcast the Silent Show. The 1961 British edition was retitled T.V. Medium Rare by its London-based publisher, Transworld. While he worked on several other book projects, Kovacs's only other published title was How to Talk at Gin, published posthumously in 1962. He intended part of the book's proceeds to benefit Cedars-Sinai Medical Center. During 1955–58, he wrote for Mad (his favorite humor magazine), including the feature "Strangely Believe It!" (a parody of Ripley's Believe It or Not! that was a regular feature of his television shows) and Gringo, a board game with ridiculously complicated rules that was renamed Droongo for the television show. Kovacs also wrote the introduction to the 1958 collection Mad For Keeps: A Collection of the Best from Mad Magazine. Television guest star Kovacs and Edie Adams guest starred on what turned out to be the final episode of The Lucille Ball-Desi Arnaz Show, (syndicated as The Lucy-Desi Comedy Hour or We Love Lucy) "Lucy Meets the Moustache", which was in rehearsals during the week of February 28 and filmed on March 3 for an April 1, 1960 network broadcast. "Lucy Meets the Moustache" was the last time Arnaz and Ball worked together and the last time their famous characters appeared in a first-run broadcast. According to Adams, Ball and Arnaz 'avoided contact and barely talked to each other in rehearsals and in-between scenes'. Adams also said that they were not told their episode was the last or that the famous couple was to divorce (Ball entered the uncontested divorce request March 4, 1960). Kovacs also appeared in roles on other television programs. For General Electric Theater's "I Was a Bloodhound" in 1959, Kovacs played the role of detective Barney Colby, whose extraordinary sense of smell helped him solve many seemingly-impossible cases. Colby was hired by a foreign country to recover its symbol of royalty, a baby elephant, who was being held for ransom. Films Kovacs found Hollywood success as a character actor, often typecast as a swarthy military officer (almost always a "Captain" of some sort) in such films as Operation Mad Ball, Wake Me When It's Over and Our Man in Havana. While working in his first film role for Operation Mad Ball, Kovacs was filming a wild party scene after midnight; it was decided to use real champagne for realism. After a few hours of work, someone came up to Kovacs and remarked that he had been having quite a good time chasing starlets all night. Kovacs told the stranger to go to hell, since he was following the script; he later learned the stranger was Harry Cohn, head of Columbia Pictures. Kovacs and Cohn later became friends despite the way they had met, with Cohn giving Kovacs roles in Bell, Book and Candle (1958) and It Happened to Jane (1959). He garnered critical acclaim for film roles such as the perennially-inebriated writer in Bell, Book and Candle and as the cartoonishly-evil head of a railroad company (who resembled Orson Welles' title character in Citizen Kane) in It Happened to Jane, where he had his head shaved and his remaining hair dyed grey for the role. In 1960, he played the base commander Charlie Stark in the comedy Wake Me When It's Over and the con man Frankie Cannon trying to steal John Wayne's gold mine in the western comedy, North to Alaska. His own personal favorite was said to have been the offbeat Five Golden Hours (1961), in which he portrayed a larcenous professional mourner who meets his match in a professional widow played by Cyd Charisse. Kovacs's last movie, Sail a Crooked Ship (also 1961), was released one month before his death. Personal life First marriage Kovacs and his first wife, Bette Wilcox, were married on August 13, 1945. When the marriage ended, he fought for custody of their children, Elizabeth ("Bette") and Kip Raleigh ("Kippie"). The court awarded Kovacs full custody upon determining that his former wife was mentally unstable. The decision was extremely unusual at the time, setting a legal precedent. Wilcox subsequently kidnapped the children, taking them to Florida. After a long and expensive search, Kovacs regained custody. These events were portrayed in the television movie Ernie Kovacs: Between the Laughter (1984), which garnered an Emmy Award nomination for its writer, April Smith. Kovacs was portrayed by Jeff Goldblum. Kovacs's first wife made a legal attempt to gain custody of her two daughters soon after his death. She began August 2, 1962, by claiming $500,000 was her share of Kovacs's estate and charging that her ex-husband had abducted the girls in 1955; Kovacs had been granted legal custody of his daughters in 1952. On August 30, Wilcox filed an affidavit claiming that Kovacs's widow, Edie Adams, the stepmother to the girls, was "unfit" to care for them. Both daughters, Bette and Kippie, testified that they wanted to stay with their stepmother, Edie. Kippie's testimony was very emotional; in it she referred to Edie as "Mommy" and her birth mother as "the other lady." Upon hearing the verdict that the girls would remain in their home, Adams wept, saying, "This is what Ernie would have wanted. Now I can smile." Elizabeth Kovacs's reaction was "I'm so happy I can hardly express myself", after learning she and her sister would not be forced to leave Edie. Second marriage Kovacs and Adams met in 1951 when she was hired to work for his WPTZ show, Three to Get Ready. Her appearance on Arthur Godfrey's Talent Scouts caught the eye of Kovacs's producer, and he asked her to audition for the program. A classically-trained singer, she was able to perform only three popular songs. Edie said later, "I sang them all during the audition, and if they had asked to hear another, I never would have made it." Quoting Kovacs, "I wish I could say I was the big shot that hired her, but it was my show in name only – the producer had all the say. Later on I did have something to say and I said it: 'Let's get married.'" After the couple's first date, Kovacs proceeded to buy a Jaguar car, telling Adams he wanted to take her out in style. He was seriously taken with the beautiful and talented young woman, courting her with imagination and flair. Kovacs's attempts to win Adams' affection included hiring a mariachi band to serenade her backstage at the Broadway musical she was performing in and the sudden gift of a diamond engagement ring, telling her to wear it until she made up her mind. Kovacs continued this romantic quest after the show went out of town. Adams booked a six-week European cruise, which she hoped would let her make up her mind whether or not to marry Kovacs. After only three days away and many long-distance telephone calls, she curtailed her trip and returned to say "yes". They eloped and were married on September 12, 1954, in Mexico City. The ceremony was presided over by former New York City mayor William O'Dwyer and was performed in Spanish, which neither Kovacs nor Adams understood; O'Dwyer had to prompt each of them to say "Sí" at the "I do" portion of the vows. Adams, who had a middle-class upbringing, was smitten by Kovacs's quirky ways; the couple remained together until his death. (She later said about Kovacs, "He treated me like a little girl, and I loved it—Women's Lib be damned!") Adams also aided Kovacs's struggle to reclaim his two older children after the kidnapping by their mother. She also was a regular partner on his television shows. Kovacs usually introduced or addressed her in a businesslike way, as "Edith Adams". Adams was usually willing to do anything he envisioned, whether it was singing seriously, performing impersonations (including a well-regarded impression of Marilyn Monroe) or taking a pie in the face or a pratfall if and when needed. The couple had one daughter, Mia Susan Kovacs, born June 20, 1959. Kovacs and his family shared a 16-room apartment in Manhattan on Central Park West that seemed perfect until he went to California for his first film role in Operation Mad Ball. The experience of the totally different, laid-back lifestyle of Hollywood made a big impression on him. He realized he was working too much in New York; in California he would be able to work fewer hours, do just as well or better and have more time for Edie and his daughters. At the time, he was working most of the time and sleeping about two or three hours a night. Kovacs claimed that he realized it was time for a change when he was telling his girls a bedtime story and found himself thinking of using it for a show instead. Kovacs relocated his family there in 1957, after Edie finished work for the Broadway play Li'l Abner. Death In the early morning hours of January 13, 1962, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly and crashed into a power pole in Beverly Hills. He was thrown halfway out the vehicle's passenger side and died almost instantly from chest and head injuries. A photographer arrived soon after and images of Kovacs' bodywith an unlit cigar on the pavement near his outstretched handappeared in newspapers across the United States. In keeping Kovacs's wishes, a simple service was held at the Beverly Hills Community Presbyterian Church. The pallbearers included Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, and Mervyn LeRoy, and George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle also attended. The pastor said that Kovacs had summed up his life thus: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." He is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads "Nothing in moderation—We all loved him." Tax evasion A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams. His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take a Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less-memorable film roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton; the pilot episode titled "A Pony for Chris"). Kovacs' role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s, who was selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs' estate. The pilot is part of the public collection of the Paley Center for Media. Some of the issues regarding Kovacs' tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs." Adams, who married and divorced twice after Kovacs' death, refused help from celebrity friends who planned a benefit for the purpose. "I can take care of my own children," she said, and resolved to accept offers only from those who wanted to hire her for her talents. Adams eventually paid all of Kovacs's debts. Lost and surviving work Most of Kovacs's early television work was performed live: few kinescopes have survived. Some videotapes of his ABC specials were preserved; others, such as his quirky game show, Take a Good Look, were available mostly in short segments until recently, with the release of some complete, videotaped episodes. After Kovacs's death, Adams discovered not only that her husband owed ABC a great deal of money, but that some networks were systematically erasing and reusing tapes of Kovacs's shows or disposing of the kinescopes and videotapes. She succeeded in purchasing the rights to surviving footage with the proceeds from Kovacs' insurance policy and her own earnings after Kovacs' IRS debts were paid. In March 1996, Adams detailed her experiences before the National Film Preservation Board. Adams first used some of the videotapes she had purchased for a 1968 ABC television special, The Comedy of Ernie Kovacs; to produce the show, she hired Kovacs's former producer and editor. The hour-long program was sponsored by Kovacs's former sponsor, Dutch Masters. Most of Kovacs's salvaged work is available to researchers at the University of California, Los Angeles Library's Department of Special Collections: additional material is available at the Paley Center for Media. The 1984 television film Ernie Kovacs: Between the Laughter helped return Kovacs to the public's attention, though the show emphasized his bid to retrieve his kidnapped children instead of his professional life. Jeff Goldblum portrayed Kovacs, Madolyn Smith portrayed Bette and Melody Anderson portrayed Adams in the movie. Edie Adams appeared in a cameo in this film, playing Mae West; it was one of the impressions she performed in shows with Kovacs. Telecasts of edited compilations of some of his work by PBS (station WTTW, Chicago) under the title The Best of Ernie Kovacs in 1977, inspired the film. These broadcasts were made available on VHS and DVD. The DVD set features extras that are not in the VHS set. The series was narrated by Jack Lemmon. During the early 1990s, The Comedy Channel broadcast a series of Kovacs' shows under the generic title of The Ernie Kovacs Show. The series included both the ABC specials and some of his 1950s shows from NBC. By 2008, there were no broadcast, cable, or satellite channels broadcasting any of Kovacs's television work, other than his panel appearances on What's My Line? on the Game Show Network. On April 19, 2011, Shout! Factory released The Ernie Kovacs Collection, six DVDs spanning Kovacs's television career. The company's website also offers an extra disc with material from Tonight! and The Ernie Kovacs Show, as well as a rare color kinescope of the complete 30-minute 1957 NBC color broadcast featuring "Eugene". On October 23, 2012, Shout! Factory released The Ernie Kovacs Collection: Volume 2 on DVD. In 1961, Kovacs recorded a record album of poetry in the character of Percy Dovetonsils named Percy Dovetonsils Thpeakth, but was unable to release it due to contractual obligations with other record companies. After he was given the masters, Kovacs donated them to a Los Angeles area hospital. Adams was able to re-acquire the tapes in 1967, and they remained part of her private collection until her death in 2008. The tapes were labeled as movie material and were thought to be such until further examination proved they were Kovacs as Percy reading his poems with no music background. The album was finally released in 2012. Kovacs was inducted posthumously into the Broadcast Pioneers of Philadelphia's Hall of Fame in 1992. Partial filmography Operation Mad Ball (1957) (with Jack Lemmon) as Capt. Paul Lock Bell, Book and Candle (1958) (with James Stewart, Kim Novak, and Jack Lemmon as Sidney Redlitch It Happened to Jane (1959) (with Doris Day and Jack Lemmon) as Harry Foster Malone Our Man in Havana (1959) (with Alec Guinness and Noël Coward) as Capt. Segura Wake Me When It's Over (1960) (with Dick Shawn) as Capt. Charlie Stark Strangers When We Meet (1960) (with Kirk Douglas and Kim Novak) as Roger Altar North to Alaska (1960) (with John Wayne) as Frankie Canon Pepe (1960) (with Cantinflas) as Immigration Inspector Five Golden Hours (1961) (with Cyd Charisse and George Sanders) as Aldo Bondi Sail a Crooked Ship (1961, with Robert Wagner) as Bugsy G. Foglemeyer aka The Captain Notes References Bibliography via Project MUSE Further reading Adams, Edie (1990). Sing a Pretty Song: The "Offbeat" Life of Edie Adams, Including the Ernie Kovacs Years. William Morrow; Barker, David Brian (1982). "Every Moment's a Gift": Ernie Kovacs in Hollywood, 1957–1962, a Master's Thesis. Available for viewing at the library at the University of Texas at Austin Rico, Diana (1990). Kovacsland: A Biography of Ernie Kovacs. Harcourt, Brace & Jovanovich; Walley, David (1975). Nothing in Moderation. Drake Publishers; Reprinted as The Ernie Kovacs Phile by David Walley, Bolder Books, 1978 and Fireside/Simon & Schuster, 1987; External links The Official Ernie Kovacs Website Ernie Kovacs Dot Net: A Tribute To Television's Original Genius Kovacsland Online! – the Ernie Kovacs website List of Kovacs' 16 articles for MAD magazine Watch The Jack Benny Program with Ernie Kovacs as guest at the Internet Archive Operation Mad Ball Trailer (1957) at the Internet Archive John Barbour's documentary Ernie Kovacs: Television's Original Genius at John Barbour's World Ernie Kovacs Dutch Masters Cigar Commercial 1919 births 1962 deaths 20th-century American male actors American people of Hungarian descent American comedy writers American game show hosts American male film actors American male television actors American humorists American satirists American comics writers American television talk show hosts Burials at Forest Lawn Memorial Park (Hollywood Hills) Emmy Award winners Mad (magazine) people Male actors from New Jersey Actors from Trenton, New Jersey Road incident deaths in California Trenton Central High School alumni Writers from Trenton, New Jersey American male comedy actors 20th-century American comedians

C_8d50647977304f559cc6b26bd64e27fc_1

did he have children?

Did Ernie Kovacs have children?

Ernie Kovacs

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962. Kovacs, who had worked for much of the evening, met Adams at a baby shower given by Billy Wilder for Milton Berle and his wife, who had recently adopted a newborn baby boy. The couple left the party in separate cars. After a light southern California rainstorm, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly, and crashed into a power pole at the corner of Beverly Glen and Santa Monica Boulevards. He was thrown halfway out the passenger side, and died almost instantly from chest and head injuries. A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States. An unlit cigar lay on the pavement, inches from his outstretched arm. Years later, in a documentary about Kovacs, Edie Adams described telephoning the police impatiently when she learned of the crash. An official cupped his hand over the receiver, saying to a colleague, "It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?" With that, Adams's fears were confirmed, and she became inconsolable. Jack Lemmon, who also attended the Berle party, identified Kovacs's body at the morgue because Adams was too distraught to do so. After attending funerals for Hollywood friends, Kovacs had expressed his wishes to Adams that any funeral services for him be kept simple. In keeping with his request, Adams made arrangements for Presbyterian services at the Beverly Hills Community Presbyterian Church. The active pallbearers were Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, Mervyn LeRoy, and Joe Mikolas. Kovacs's father and brother, Andrew and Tom, respectively, served as honorary pallbearers. The attendees included George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle. There was no typical Hollywood-type eulogy, but the church's pastor paid tribute to Kovacs, adding that he once summed up his life in two sentences: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads, "Nothing in moderation--We all loved him." Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52, after a long illness and a lifetime of poor health. Kippie and her husband, Bill Lancaster (1947-1997), a screenwriter and the son of actor Burt Lancaster, are the parents of Kovacs's only grandchild, Keigh Lancaster. His only child with Edie Adams, Mia (1959-1982), was killed on May 8, 1982, also in an automobile accident. Her gravestone reads "Daddy's little girl. We all loved her, too". Mia and Kippie are buried close to their father; when Edie died in 2008, she was buried between Mia and Kippie. CANNOTANSWER

Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52,

Ernest Edward Kovacs (January 23, 1919 – January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Kovacs has been credited as an influence by many individuals and shows, including Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Pee-wee's Playhouse, The Muppet Show, Dave Garroway, Andy Kaufman, You Can't Do That on Television, MST3K, Uncle Floyd, among others. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live. While Kovacs and Adams received Emmy nominations for best performances in a comedy series during 1957, his talent was not recognized formally until after his death. The 1962 Emmy for Outstanding Electronic Camera Work and the Directors' Guild award came a short time after his fatal accident. A quarter century later, he was inducted into the Academy of Television Arts & Sciences Hall of Fame. Kovacs also has a star on the Hollywood Walk of Fame for his work in television. In 1986, the Museum of Broadcasting (later to become the Museum of Television & Radio and now the Paley Center for Media) presented an exhibit of Kovacs's work, called The Vision of Ernie Kovacs. The Pulitzer Prize–winning television critic, William Henry III, wrote for the museum's booklet: "Kovacs was more than another wide-eyed, self-ingratiating clown. He was television's first significant video artist." Early life and career Kovacs's father, Andrew John Kovacs, was born in 1890 and emigrated from Tornaújfalu, Hungary, which is now known as Turnianska Nová Ves, Slovakia. Andrew sailed on the S.S. Würzburg via Bremen, arriving at Ellis Island on February 8, 1906, at age 16. He worked as a policeman, restaurateur, and bootlegger, the last so successfully that he moved his wife Mary, son Tom, and his half-brother Ernest Edward Kovacs into a 20-room mansion in the better part of Trenton. Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the onset of the Great Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth-floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later. A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont in 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong tobacco-smoking habit. Kovacs's first paid entertainment work was during 1941 as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of special events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". Start in television Arriving at NBC's Philadelphia affiliate, WPTZ, for an audition wearing a barrel and shorts got Kovacs his first television job in January 1950. His first show was Pick Your Ideal, a fashion and promotional program for the Ideal Manufacturing Company. Before long, Kovacs was also the host of Deadline For Dinner and Now You're Cooking, shows featuring advice from local chefs. When Kovacs's guest chef did not arrive in time for the show, he offered a recipe for "Eggs Scavok" (Kovacs spelled backward). Kovacs seasoned the egg dish with ashes from his cigar. The sponsor was a local propane company. Hosting these shows soon resulted in his becoming host of a program named Three to Get Ready, named for WPTZ's channel 3 spot on television dials. Premiering in November 1950, Three to Get Ready was innovative because it was the first regularly scheduled early morning (7–9am) show in a major television market, predating NBC's Today by more than a year. Prior to this, it had been assumed that few people would watch television at such an early hour. While the show was advertised as early morning news and weather, Kovacs provided this and more in an original manner. When rain was in the weather forecast, Kovacs would get on a ladder and pour water down on the staff member reading the report. Goats were auditioned for a local theater performance and tiny women appeared to walk up his arm. Kovacs also went outside of the studio for some of his skits, running through a downtown Philadelphia restaurant in a gorilla suit in one; in another, he looked into a construction pit, saying it was deep enough to see to China, when a man in Chinese clothing popped up, said a few words in the language, and ran off. Despite its popularity, the weekly prop budget for the show was just $15. Kovacs once asked his viewers to send unwanted items to Channel 3; they filled the station's lobby. The only character no one ever saw inspired more gifts; he was Howard, the World's Strongest Ant. From the time of his WPTZ debut, Howard received more than 30,000 gifts from Kovacs's viewers, including a mink-lined swimming pool. Kovacs began his Early Eyeball Fraternal & Marching Society (EEFMS) while doing Three to Get Ready. There were membership cards with by-laws and ties; the password was a favorite phrase of Kovacs's: "It's Been Real". Kovacs continued the EEFMS on his morning show when he moved to WCBS in New York in 1952. The success of Three to Get Ready proved that people did indeed watch early-morning television, and it was one of the factors that caused NBC to create The Today Show. WPTZ did not begin broadcasting Today when it premiered on January 14, 1952; network influence caused the station to end Three to Get Ready at the end of March of that year. During early 1952, Kovacs was also doing a late morning show for WPTZ named Kovacs on the Corner. Kovacs would walk through an imaginary neighborhood, talking with various characters such as Pete the Cop and Luigi the Barber. As with Three to Get Ready, there were some special segments. "Swap Time" was one of them: Viewers could bring their unwanted items to the WPTZ studios to trade them live on the air with Kovacs. The show made its debut on January 4, 1952, with Kovacs losing creative control of the program soon after it was begun. Kovacs on the Corner was short-lived; it ended on March 28, 1952, along with Three to Get Ready. Kovacs then began work for WCBS-TV in New York with a local morning show and a later network one. Both programs were canceled; Kovacs lost the local morning program for the same reason as Three to Get Ready—the broadcasting time was confiscated by the station's network in 1954. Visual humor and characters At WPTZ, Kovacs began using the ad-libbed and experimental style that would become his reputation, including video effects, superimpositions, reverse polarities and scanning, and quick blackouts. He was also noted for abstraction and carefully timed non-sequitur gags and for allowing the fourth wall to be breached. Kovacs's cameras commonly showed his viewers activity beyond the boundaries of the show set—including crew members and outside the studio itself. Kovacs also liked talking to the off-camera crew and even introduced segments from the studio control room. He frequently made use of accidents and happenstance, incorporating the unexpected into his shows. In one of Kovacs's Philadelphia broadcasts, Oscar Liebetrau, an elderly crew member who was known for often sleeping for the duration of the telecast, was introduced to the audience as "Sleeping Schwartz." Kovacs was once knocked unconscious when a pie smashed into his face still had the plate under it. Kovacs's love of spontaneity extended to his crew, who would occasionally play on-air pranks on him to see how he would react. During one of his NBC shows, Kovacs was appearing as the inept magician Matzoh Heppelwhite. The sketch called for the magician to frequently hit a gong, which was the signal for a sexy female assistant to bring out a bottle and shot glass for a quick snort of alcohol. Stagehands substituted real liquor for the iced tea normally used for the skit. Kovacs realized that he would be called upon to drink a shot of liquor for each successive gong. He pressed on with the sketch and was quite inebriated by the end of the show. Kovacs helped develop camera tricks still common decades after his death. His character Eugene sat at a table to eat his lunch, but as he removed items one at a time from a lunch box, he watched them inexplicably roll down the table into the lap of a man reading a newspaper at the other end. When Kovacs poured milk from a thermos bottle, the stream flowed in a seemingly unusual direction. Never seen on television before, the secret was using a tilted set in front of a camera tilted at the same angle. He constantly sought new techniques and used both primitive and improvised ways of creating visual effects that would later be done electronically. One innovative construction involved attaching a kaleidoscope made from a toilet paper roll to a camera lens with cardboard and tape and setting the resulting abstract images to music. Another was a soup can with both ends removed fitted with angled mirrors. Used on a camera and turning it could put Kovacs seemingly on the ceiling. An underwater stunt involved cigar smoker Kovacs sitting in an easy chair, reading his newspaper and somehow smoking a cigar. Removing it from his mouth, Kovacs was able to exhale a puff of white smoke, all while floating underwater. The trick: the "smoke" was a small amount of milk which he filled his mouth with before submerging. Kovacs repeated the effect for a Dutch Masters television commercial on his ABC game show, Take A Good Look. One of the special effects he employed made it appear as if he was able to look through his assistant, Barbara Loden's, head. The illusion was performed by placing a black patch on Loden's head and standing her against a black background while one studio camera was trained on her. A second one photographed Kovacs, who used the studio monitor to position himself exactly so that his eye would appear to be looking through a hole in her head. He also developed such routines as an all-gorilla version of Swan Lake, a poker game set to Beethoven's Fifth Symphony, the skit Silent Show, in which Eugene interacts with the world accompanied solely by music and sound effects, parodies of typical television commercials and movie genres, and various musical segments with everyday items (such as kitchen appliances or office equipment) moving in sync to music. A popular recurring skit was The Nairobi Trio, three derby-hatted apes miming mechanically and rhythmically to the tune of Robert Maxwell's "Solfeggio". Kovacs used extended sketches and mood pieces or quick blackout gags lasting only seconds. Some could be expensive, such as his famous used-car salesman routine with a jalopy and a breakaway floor: it cost $12,000 to produce the six-second gag. He was one of the first television comedians to use odd fake credits and comments between the legitimate credits and, at times, during his routines. Kovacs reportedly disliked working in front of a live audience, as was the case with the shows he did for NBC during the 1950s. He found the presence of an audience distracting, and those in the seats frequently did not understand some of the more elaborate visual gags and special effects, which could only be appreciated by watching studio monitors instead of the stage. Like many comedians of the era, Kovacs created a rotation of recurring roles. In addition to the silent "Eugene," his most familiar characters were the fey, lisping poet Percy Dovetonsils, and the heavily accented German radio announcer, Wolfgang von Sauerbraten. Mr. Question Man, who answered viewer queries, was a satire on the long-run (1937–56) radio series, The Answer Man. Others included horror show host Auntie Gruesome, bumbling magician Matzoh Heppelwhite, Frenchman Pierre Ragout and Miklos Molnar, the sardonic Hungarian host of a cooking show. The Miklos character wasn't always confined to a kitchen; Kovacs performed a parody of The Howdy Doody Show with "Buffalo Miklos" as the host. Poet Percy Dovetonsils can be found playing Beethoven's Moonlight Sonata on a disappearing piano and as a "Master Detective" on the "Private Eye-Private Eye" presentation of the US Steel Hour on CBS March 8, 1961. On the same show, the Nairobi Trio abandons its instruments for a safe-cracking job; still with a background of "Solfeggio", but speaking, two of the three appear in an "Outer Space" sketch. Kovacs became a regular on NBC Radio's program Monitor beginning during late 1958, often using his Mr. Question Man character in his radio monologues. Kovacs never hesitated to lampoon those considered institutions of radio and television. In April 1954, he started the late-night talk show, The Ernie Kovacs Show, on DuMont Television Network's New York flagship station, WABD. Stage, screen and radio notables were often guests. Archie Bleyer, head of Cadence Records, came to chat one evening. Bleyer had been the long-time orchestra director for Arthur Godfrey's radio and television shows. He had been dismissed by Godfrey the year before, together with fellow cast member, singer Julius La Rosa. In La Rosa's case, he hired a manager, defying an unwritten Godfrey policy. With Bleyer, Godfrey was angered when he found that Bleyer's record company Cadence Records had produced spoken-word material by Don McNeill, host of ABC's Don McNeill's Breakfast Club, which Godfrey considered competition to his show. Bleyer and Kovacs were shown in split screen, with Kovacs wearing a red wig, headphones, and playing a ukulele in a Godfrey imitation, while talking with his guest. Kovacs's television programs included Three to Get Ready (an early morning program seen on Philadelphia's WPTZ from 1950 through 1952), It's Time for Ernie (1951, his first network series), Ernie in Kovacsland, (a summer replacement show for Kukla, Fran and Ollie, 1951), The Ernie Kovacs Show (1952–56 on various networks), a twice-a-week job filling in for Steve Allen as host of The Tonight Show on Mondays and Tuesdays (1956–57), and game shows Gamble on Love, One Minute Please, Time Will Tell (all on DuMont), and Take a Good Look (1959–61). Kovacs was also the host of a program, Silents Please, which showed silent movies on network television, with serious discussion about the movies and their actors. Kovacs had a brief stint as a celebrity panelist for the television series What's My Line?, but took his responsibilities less than seriously, often eschewing a legitimate question for the sake of a laugh. An example: Industrialist Henry J. Kaiser, the founder of an automobile company, was the program's "mystery guest." Previous questioning had established that the mystery guest's name was synonymous with an automobile brand, Kovacs asked, "Are you – and this is just a wild guess – but are you Abraham Lincoln?"—a reference to the Ford Motor Company's Lincoln automobiles. When Kovacs gave an interview admitting that he was absent from the show when he wanted to go out for dinner on a Sunday, his stint on the panel show was ended. TV specials He also did several television specials, including the famous Silent Show (1957), featuring his character, Eugene: the first all-pantomime prime-time network program. After the end of the Dean Martin-Jerry Lewis partnership, NBC offered Lewis the opportunity to host his own 90-minute color television special. Lewis opted to use only 60 minutes, leaving the network 30 minutes to fill; no one wanted this time slot, but Kovacs was willing to have it. The program contained no spoken dialogue and contained only sound effects and music. Featuring Kovacs as the mute, Charlie Chaplin-like character "Eugene", the program contained surreal sight gags. Kovacs developed the Eugene character during the autumn of 1956, when hosting the television series The Tonight Show. Expectations were high for the Lewis program, but it was Kovacs' special that received the most attention; Kovacs received his first movie offer, had a cover story in Life magazine, and received the Sylvania Award that year. In 1961, Kovacs and his co-director, Joe Behar, were recipients of the Directors Guild of America Award for a second version of this program broadcast by the American Broadcasting Company network. A series of monthly half-hour specials for ABC during 1961–62 is often considered his best television work. Produced on videotape using new editing and special effects techniques, it won a 1962 Emmy Award. Kovacs and co-director Behar also won the Directors Guild of America award for an Ernie Kovacs Special based on the earlier, silent "Eugene" program. Kovacs' last ABC special was broadcast posthumously, on January 23, 1962. The Dutch Masters cigar company became well-known during the late 1950s and early 1960s for its sponsorship of various television projects of Ernie Kovacs. The company allowed Kovacs total creative control in the creation of their television commercials for his programs and specials. He produced a series of non-speaking television commercials for Dutch Masters during the run of his television series Take A Good Look which was praised by both television critics and viewers. While praised by critics, Kovacs rarely had a highly-rated show. The Museum of Broadcast Communications says, "It is doubtful that Ernie Kovacs would find a place on television today. He was too zany, too unrestrained, too undisciplined. Perhaps Jack Gould of The New York Times said it best for Ernie Kovacs: 'The fun was in trying'." Other shows had greater success while using elements of Kovacs's style. George Schlatter, producer of the later television series Rowan & Martin's Laugh-In, was married to actress Jolene Brand, who had appeared in Kovacs' comic troupes over the years and had been a frequent participant in his pioneering sketches. Laugh-In made frequent use of the quick blackout gags and surreal humor that marked many Kovacs projects. Another link was a young NBC staffer, Bill Wendell, Kovacs's usual announcer and sometimes a sketch participant. From 1980 to 1995, Wendell was the announcer for David Letterman, whose show and style of humor were greatly influenced by Kovacs. The Music Man Kovacs was also known for his eclectic musical taste. His main theme song was named "Oriental Blues" by Jack Newton. The rendition most often heard was a piano-driven trio version, but, for his primetime show during 1956, music director Harry Sosnik presented a full-blown big-band version. The German song "Die Moritat von Mackie Messer" from The Threepenny Opera (anglicized to "Mack the Knife"), frequently underscored his blackout routines. Songwriter Robert Maxwell's "Solfeggio" became associated with the derby-hatted apes, 'The Nairobi Trio'. In the 1982 TV special Ernie Kovacs: Television's Original Genius, Edie Adams recalled that when Kovacs first heard the melody, he immediately knew what he wanted to do with it, creating a music-box-like trio that moved in time to the tune. Kovacs was introduced to the song in 1954 by Barry Shear, his director at DuMont Television Network. Kovacs matched an unusual treatment of "Sentimental Journey", by Mexican bandleader Juan García Esquivel, to video of an empty office in which various items (pencil sharpeners, water coolers, wall clocks) come to life in rhythm with the music; it was a variation on several famous animations of a decade earlier. The original three-minute presentation was outlined by Kovacs in a four-page, single-spaced memo to his staff. The perfectionist Kovacs describes in minute detail what had to be done and how to do it. The memo ends with this: "I don't know how the hell you're going to get this done by Sunday – but 'rots of ruck." (signed) "Ernie (with love)". Kovacs also made careful use of the shrill singer Leona Anderson—who had somewhat less than a classical (or even listenable) voice, by some estimations—in comic vignettes. Kovacs used classical music as background for silent skits or abstract visual routines, including "Concerto for Orchestra", by Béla Bartók; music from the opera "The Love of Three Oranges", by Sergei Prokofiev; the finale of Igor Stravinsky's suite "The Firebird"; and Richard Strauss' "Till Eulenspiegel's Merry Pranks"; and, from George Gershwin, "Rialto Ripples"--the theme to his shows--as well as parts of Gershwin's "Concerto in F". He may have been known best for using Joseph Haydn's "String Quartet, Opus 3, Number 5" (the "Serenade," actually composed by Roman Hoffstetter) for a series of 1960–61 commercials he created and videotaped for his sponsor, Dutch Masters. For the show of May 22, 1959, Kovacs on Music, Kovacs began by saying, "I have never really understood classical music, so I would like to take this opportunity to explain it to others." He presented a gorilla version of Swan Lake which differed from the usual performance only in the persona of the dancers, along with giant paper clips moving to music and other sketches. He also served as host on a jazz album to benefit the American Cancer Society in 1957, Listening to Jazz with Ernie Kovacs. It was a 15-minute recording featuring some of the celebrities of the art, including pianist Jimmy Yancey and old original New Orleans Jazz Trumpeter Bunk Johnson, soprano saxophonist Sidney Bechet, guitarist Django Reinhardt, composer/pianist/bandleader Duke Ellington and longtime Ellington trumpeter Cootie Williams. Both the Library of Congress and the National Library of Canada have copies of this recording in their collections. In print Kovacs wrote a novel, Zoomar: A Sophisticated Novel about Love and TV (Doubleday, 1957), based on television pioneer Pat Weaver; it took Kovacs only 13 days to write. The book took its title from the Zoomar brand zoom lenses frequently used on television cameras at the time. In a 1960 interview, Edie Adams related that the novel was written after Kovacs' experiences with network television while he was preparing to broadcast the Silent Show. The 1961 British edition was retitled T.V. Medium Rare by its London-based publisher, Transworld. While he worked on several other book projects, Kovacs's only other published title was How to Talk at Gin, published posthumously in 1962. He intended part of the book's proceeds to benefit Cedars-Sinai Medical Center. During 1955–58, he wrote for Mad (his favorite humor magazine), including the feature "Strangely Believe It!" (a parody of Ripley's Believe It or Not! that was a regular feature of his television shows) and Gringo, a board game with ridiculously complicated rules that was renamed Droongo for the television show. Kovacs also wrote the introduction to the 1958 collection Mad For Keeps: A Collection of the Best from Mad Magazine. Television guest star Kovacs and Edie Adams guest starred on what turned out to be the final episode of The Lucille Ball-Desi Arnaz Show, (syndicated as The Lucy-Desi Comedy Hour or We Love Lucy) "Lucy Meets the Moustache", which was in rehearsals during the week of February 28 and filmed on March 3 for an April 1, 1960 network broadcast. "Lucy Meets the Moustache" was the last time Arnaz and Ball worked together and the last time their famous characters appeared in a first-run broadcast. According to Adams, Ball and Arnaz 'avoided contact and barely talked to each other in rehearsals and in-between scenes'. Adams also said that they were not told their episode was the last or that the famous couple was to divorce (Ball entered the uncontested divorce request March 4, 1960). Kovacs also appeared in roles on other television programs. For General Electric Theater's "I Was a Bloodhound" in 1959, Kovacs played the role of detective Barney Colby, whose extraordinary sense of smell helped him solve many seemingly-impossible cases. Colby was hired by a foreign country to recover its symbol of royalty, a baby elephant, who was being held for ransom. Films Kovacs found Hollywood success as a character actor, often typecast as a swarthy military officer (almost always a "Captain" of some sort) in such films as Operation Mad Ball, Wake Me When It's Over and Our Man in Havana. While working in his first film role for Operation Mad Ball, Kovacs was filming a wild party scene after midnight; it was decided to use real champagne for realism. After a few hours of work, someone came up to Kovacs and remarked that he had been having quite a good time chasing starlets all night. Kovacs told the stranger to go to hell, since he was following the script; he later learned the stranger was Harry Cohn, head of Columbia Pictures. Kovacs and Cohn later became friends despite the way they had met, with Cohn giving Kovacs roles in Bell, Book and Candle (1958) and It Happened to Jane (1959). He garnered critical acclaim for film roles such as the perennially-inebriated writer in Bell, Book and Candle and as the cartoonishly-evil head of a railroad company (who resembled Orson Welles' title character in Citizen Kane) in It Happened to Jane, where he had his head shaved and his remaining hair dyed grey for the role. In 1960, he played the base commander Charlie Stark in the comedy Wake Me When It's Over and the con man Frankie Cannon trying to steal John Wayne's gold mine in the western comedy, North to Alaska. His own personal favorite was said to have been the offbeat Five Golden Hours (1961), in which he portrayed a larcenous professional mourner who meets his match in a professional widow played by Cyd Charisse. Kovacs's last movie, Sail a Crooked Ship (also 1961), was released one month before his death. Personal life First marriage Kovacs and his first wife, Bette Wilcox, were married on August 13, 1945. When the marriage ended, he fought for custody of their children, Elizabeth ("Bette") and Kip Raleigh ("Kippie"). The court awarded Kovacs full custody upon determining that his former wife was mentally unstable. The decision was extremely unusual at the time, setting a legal precedent. Wilcox subsequently kidnapped the children, taking them to Florida. After a long and expensive search, Kovacs regained custody. These events were portrayed in the television movie Ernie Kovacs: Between the Laughter (1984), which garnered an Emmy Award nomination for its writer, April Smith. Kovacs was portrayed by Jeff Goldblum. Kovacs's first wife made a legal attempt to gain custody of her two daughters soon after his death. She began August 2, 1962, by claiming $500,000 was her share of Kovacs's estate and charging that her ex-husband had abducted the girls in 1955; Kovacs had been granted legal custody of his daughters in 1952. On August 30, Wilcox filed an affidavit claiming that Kovacs's widow, Edie Adams, the stepmother to the girls, was "unfit" to care for them. Both daughters, Bette and Kippie, testified that they wanted to stay with their stepmother, Edie. Kippie's testimony was very emotional; in it she referred to Edie as "Mommy" and her birth mother as "the other lady." Upon hearing the verdict that the girls would remain in their home, Adams wept, saying, "This is what Ernie would have wanted. Now I can smile." Elizabeth Kovacs's reaction was "I'm so happy I can hardly express myself", after learning she and her sister would not be forced to leave Edie. Second marriage Kovacs and Adams met in 1951 when she was hired to work for his WPTZ show, Three to Get Ready. Her appearance on Arthur Godfrey's Talent Scouts caught the eye of Kovacs's producer, and he asked her to audition for the program. A classically-trained singer, she was able to perform only three popular songs. Edie said later, "I sang them all during the audition, and if they had asked to hear another, I never would have made it." Quoting Kovacs, "I wish I could say I was the big shot that hired her, but it was my show in name only – the producer had all the say. Later on I did have something to say and I said it: 'Let's get married.'" After the couple's first date, Kovacs proceeded to buy a Jaguar car, telling Adams he wanted to take her out in style. He was seriously taken with the beautiful and talented young woman, courting her with imagination and flair. Kovacs's attempts to win Adams' affection included hiring a mariachi band to serenade her backstage at the Broadway musical she was performing in and the sudden gift of a diamond engagement ring, telling her to wear it until she made up her mind. Kovacs continued this romantic quest after the show went out of town. Adams booked a six-week European cruise, which she hoped would let her make up her mind whether or not to marry Kovacs. After only three days away and many long-distance telephone calls, she curtailed her trip and returned to say "yes". They eloped and were married on September 12, 1954, in Mexico City. The ceremony was presided over by former New York City mayor William O'Dwyer and was performed in Spanish, which neither Kovacs nor Adams understood; O'Dwyer had to prompt each of them to say "Sí" at the "I do" portion of the vows. Adams, who had a middle-class upbringing, was smitten by Kovacs's quirky ways; the couple remained together until his death. (She later said about Kovacs, "He treated me like a little girl, and I loved it—Women's Lib be damned!") Adams also aided Kovacs's struggle to reclaim his two older children after the kidnapping by their mother. She also was a regular partner on his television shows. Kovacs usually introduced or addressed her in a businesslike way, as "Edith Adams". Adams was usually willing to do anything he envisioned, whether it was singing seriously, performing impersonations (including a well-regarded impression of Marilyn Monroe) or taking a pie in the face or a pratfall if and when needed. The couple had one daughter, Mia Susan Kovacs, born June 20, 1959. Kovacs and his family shared a 16-room apartment in Manhattan on Central Park West that seemed perfect until he went to California for his first film role in Operation Mad Ball. The experience of the totally different, laid-back lifestyle of Hollywood made a big impression on him. He realized he was working too much in New York; in California he would be able to work fewer hours, do just as well or better and have more time for Edie and his daughters. At the time, he was working most of the time and sleeping about two or three hours a night. Kovacs claimed that he realized it was time for a change when he was telling his girls a bedtime story and found himself thinking of using it for a show instead. Kovacs relocated his family there in 1957, after Edie finished work for the Broadway play Li'l Abner. Death In the early morning hours of January 13, 1962, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly and crashed into a power pole in Beverly Hills. He was thrown halfway out the vehicle's passenger side and died almost instantly from chest and head injuries. A photographer arrived soon after and images of Kovacs' bodywith an unlit cigar on the pavement near his outstretched handappeared in newspapers across the United States. In keeping Kovacs's wishes, a simple service was held at the Beverly Hills Community Presbyterian Church. The pallbearers included Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, and Mervyn LeRoy, and George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle also attended. The pastor said that Kovacs had summed up his life thus: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." He is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads "Nothing in moderation—We all loved him." Tax evasion A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams. His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take a Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less-memorable film roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton; the pilot episode titled "A Pony for Chris"). Kovacs' role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s, who was selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs' estate. The pilot is part of the public collection of the Paley Center for Media. Some of the issues regarding Kovacs' tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs." Adams, who married and divorced twice after Kovacs' death, refused help from celebrity friends who planned a benefit for the purpose. "I can take care of my own children," she said, and resolved to accept offers only from those who wanted to hire her for her talents. Adams eventually paid all of Kovacs's debts. Lost and surviving work Most of Kovacs's early television work was performed live: few kinescopes have survived. Some videotapes of his ABC specials were preserved; others, such as his quirky game show, Take a Good Look, were available mostly in short segments until recently, with the release of some complete, videotaped episodes. After Kovacs's death, Adams discovered not only that her husband owed ABC a great deal of money, but that some networks were systematically erasing and reusing tapes of Kovacs's shows or disposing of the kinescopes and videotapes. She succeeded in purchasing the rights to surviving footage with the proceeds from Kovacs' insurance policy and her own earnings after Kovacs' IRS debts were paid. In March 1996, Adams detailed her experiences before the National Film Preservation Board. Adams first used some of the videotapes she had purchased for a 1968 ABC television special, The Comedy of Ernie Kovacs; to produce the show, she hired Kovacs's former producer and editor. The hour-long program was sponsored by Kovacs's former sponsor, Dutch Masters. Most of Kovacs's salvaged work is available to researchers at the University of California, Los Angeles Library's Department of Special Collections: additional material is available at the Paley Center for Media. The 1984 television film Ernie Kovacs: Between the Laughter helped return Kovacs to the public's attention, though the show emphasized his bid to retrieve his kidnapped children instead of his professional life. Jeff Goldblum portrayed Kovacs, Madolyn Smith portrayed Bette and Melody Anderson portrayed Adams in the movie. Edie Adams appeared in a cameo in this film, playing Mae West; it was one of the impressions she performed in shows with Kovacs. Telecasts of edited compilations of some of his work by PBS (station WTTW, Chicago) under the title The Best of Ernie Kovacs in 1977, inspired the film. These broadcasts were made available on VHS and DVD. The DVD set features extras that are not in the VHS set. The series was narrated by Jack Lemmon. During the early 1990s, The Comedy Channel broadcast a series of Kovacs' shows under the generic title of The Ernie Kovacs Show. The series included both the ABC specials and some of his 1950s shows from NBC. By 2008, there were no broadcast, cable, or satellite channels broadcasting any of Kovacs's television work, other than his panel appearances on What's My Line? on the Game Show Network. On April 19, 2011, Shout! Factory released The Ernie Kovacs Collection, six DVDs spanning Kovacs's television career. The company's website also offers an extra disc with material from Tonight! and The Ernie Kovacs Show, as well as a rare color kinescope of the complete 30-minute 1957 NBC color broadcast featuring "Eugene". On October 23, 2012, Shout! Factory released The Ernie Kovacs Collection: Volume 2 on DVD. In 1961, Kovacs recorded a record album of poetry in the character of Percy Dovetonsils named Percy Dovetonsils Thpeakth, but was unable to release it due to contractual obligations with other record companies. After he was given the masters, Kovacs donated them to a Los Angeles area hospital. Adams was able to re-acquire the tapes in 1967, and they remained part of her private collection until her death in 2008. The tapes were labeled as movie material and were thought to be such until further examination proved they were Kovacs as Percy reading his poems with no music background. The album was finally released in 2012. Kovacs was inducted posthumously into the Broadcast Pioneers of Philadelphia's Hall of Fame in 1992. Partial filmography Operation Mad Ball (1957) (with Jack Lemmon) as Capt. Paul Lock Bell, Book and Candle (1958) (with James Stewart, Kim Novak, and Jack Lemmon as Sidney Redlitch It Happened to Jane (1959) (with Doris Day and Jack Lemmon) as Harry Foster Malone Our Man in Havana (1959) (with Alec Guinness and Noël Coward) as Capt. Segura Wake Me When It's Over (1960) (with Dick Shawn) as Capt. Charlie Stark Strangers When We Meet (1960) (with Kirk Douglas and Kim Novak) as Roger Altar North to Alaska (1960) (with John Wayne) as Frankie Canon Pepe (1960) (with Cantinflas) as Immigration Inspector Five Golden Hours (1961) (with Cyd Charisse and George Sanders) as Aldo Bondi Sail a Crooked Ship (1961, with Robert Wagner) as Bugsy G. Foglemeyer aka The Captain Notes References Bibliography via Project MUSE Further reading Adams, Edie (1990). Sing a Pretty Song: The "Offbeat" Life of Edie Adams, Including the Ernie Kovacs Years. William Morrow; Barker, David Brian (1982). "Every Moment's a Gift": Ernie Kovacs in Hollywood, 1957–1962, a Master's Thesis. Available for viewing at the library at the University of Texas at Austin Rico, Diana (1990). Kovacsland: A Biography of Ernie Kovacs. Harcourt, Brace & Jovanovich; Walley, David (1975). Nothing in Moderation. Drake Publishers; Reprinted as The Ernie Kovacs Phile by David Walley, Bolder Books, 1978 and Fireside/Simon & Schuster, 1987; External links The Official Ernie Kovacs Website Ernie Kovacs Dot Net: A Tribute To Television's Original Genius Kovacsland Online! – the Ernie Kovacs website List of Kovacs' 16 articles for MAD magazine Watch The Jack Benny Program with Ernie Kovacs as guest at the Internet Archive Operation Mad Ball Trailer (1957) at the Internet Archive John Barbour's documentary Ernie Kovacs: Television's Original Genius at John Barbour's World Ernie Kovacs Dutch Masters Cigar Commercial 1919 births 1962 deaths 20th-century American male actors American people of Hungarian descent American comedy writers American game show hosts American male film actors American male television actors American humorists American satirists American comics writers American television talk show hosts Burials at Forest Lawn Memorial Park (Hollywood Hills) Emmy Award winners Mad (magazine) people Male actors from New Jersey Actors from Trenton, New Jersey Road incident deaths in California Trenton Central High School alumni Writers from Trenton, New Jersey American male comedy actors 20th-century American comedians

C_8d50647977304f559cc6b26bd64e27fc_1

what did his daughter die from?

What did Ernie's daughter die from?

Ernie Kovacs

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962. Kovacs, who had worked for much of the evening, met Adams at a baby shower given by Billy Wilder for Milton Berle and his wife, who had recently adopted a newborn baby boy. The couple left the party in separate cars. After a light southern California rainstorm, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly, and crashed into a power pole at the corner of Beverly Glen and Santa Monica Boulevards. He was thrown halfway out the passenger side, and died almost instantly from chest and head injuries. A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States. An unlit cigar lay on the pavement, inches from his outstretched arm. Years later, in a documentary about Kovacs, Edie Adams described telephoning the police impatiently when she learned of the crash. An official cupped his hand over the receiver, saying to a colleague, "It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?" With that, Adams's fears were confirmed, and she became inconsolable. Jack Lemmon, who also attended the Berle party, identified Kovacs's body at the morgue because Adams was too distraught to do so. After attending funerals for Hollywood friends, Kovacs had expressed his wishes to Adams that any funeral services for him be kept simple. In keeping with his request, Adams made arrangements for Presbyterian services at the Beverly Hills Community Presbyterian Church. The active pallbearers were Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, Mervyn LeRoy, and Joe Mikolas. Kovacs's father and brother, Andrew and Tom, respectively, served as honorary pallbearers. The attendees included George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle. There was no typical Hollywood-type eulogy, but the church's pastor paid tribute to Kovacs, adding that he once summed up his life in two sentences: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads, "Nothing in moderation--We all loved him." Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52, after a long illness and a lifetime of poor health. Kippie and her husband, Bill Lancaster (1947-1997), a screenwriter and the son of actor Burt Lancaster, are the parents of Kovacs's only grandchild, Keigh Lancaster. His only child with Edie Adams, Mia (1959-1982), was killed on May 8, 1982, also in an automobile accident. Her gravestone reads "Daddy's little girl. We all loved her, too". Mia and Kippie are buried close to their father; when Edie died in 2008, she was buried between Mia and Kippie. CANNOTANSWER

52, after a long illness and a lifetime of poor health.

Ernest Edward Kovacs (January 23, 1919 – January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Kovacs has been credited as an influence by many individuals and shows, including Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Pee-wee's Playhouse, The Muppet Show, Dave Garroway, Andy Kaufman, You Can't Do That on Television, MST3K, Uncle Floyd, among others. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live. While Kovacs and Adams received Emmy nominations for best performances in a comedy series during 1957, his talent was not recognized formally until after his death. The 1962 Emmy for Outstanding Electronic Camera Work and the Directors' Guild award came a short time after his fatal accident. A quarter century later, he was inducted into the Academy of Television Arts & Sciences Hall of Fame. Kovacs also has a star on the Hollywood Walk of Fame for his work in television. In 1986, the Museum of Broadcasting (later to become the Museum of Television & Radio and now the Paley Center for Media) presented an exhibit of Kovacs's work, called The Vision of Ernie Kovacs. The Pulitzer Prize–winning television critic, William Henry III, wrote for the museum's booklet: "Kovacs was more than another wide-eyed, self-ingratiating clown. He was television's first significant video artist." Early life and career Kovacs's father, Andrew John Kovacs, was born in 1890 and emigrated from Tornaújfalu, Hungary, which is now known as Turnianska Nová Ves, Slovakia. Andrew sailed on the S.S. Würzburg via Bremen, arriving at Ellis Island on February 8, 1906, at age 16. He worked as a policeman, restaurateur, and bootlegger, the last so successfully that he moved his wife Mary, son Tom, and his half-brother Ernest Edward Kovacs into a 20-room mansion in the better part of Trenton. Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the onset of the Great Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth-floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later. A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont in 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong tobacco-smoking habit. Kovacs's first paid entertainment work was during 1941 as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of special events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". Start in television Arriving at NBC's Philadelphia affiliate, WPTZ, for an audition wearing a barrel and shorts got Kovacs his first television job in January 1950. His first show was Pick Your Ideal, a fashion and promotional program for the Ideal Manufacturing Company. Before long, Kovacs was also the host of Deadline For Dinner and Now You're Cooking, shows featuring advice from local chefs. When Kovacs's guest chef did not arrive in time for the show, he offered a recipe for "Eggs Scavok" (Kovacs spelled backward). Kovacs seasoned the egg dish with ashes from his cigar. The sponsor was a local propane company. Hosting these shows soon resulted in his becoming host of a program named Three to Get Ready, named for WPTZ's channel 3 spot on television dials. Premiering in November 1950, Three to Get Ready was innovative because it was the first regularly scheduled early morning (7–9am) show in a major television market, predating NBC's Today by more than a year. Prior to this, it had been assumed that few people would watch television at such an early hour. While the show was advertised as early morning news and weather, Kovacs provided this and more in an original manner. When rain was in the weather forecast, Kovacs would get on a ladder and pour water down on the staff member reading the report. Goats were auditioned for a local theater performance and tiny women appeared to walk up his arm. Kovacs also went outside of the studio for some of his skits, running through a downtown Philadelphia restaurant in a gorilla suit in one; in another, he looked into a construction pit, saying it was deep enough to see to China, when a man in Chinese clothing popped up, said a few words in the language, and ran off. Despite its popularity, the weekly prop budget for the show was just $15. Kovacs once asked his viewers to send unwanted items to Channel 3; they filled the station's lobby. The only character no one ever saw inspired more gifts; he was Howard, the World's Strongest Ant. From the time of his WPTZ debut, Howard received more than 30,000 gifts from Kovacs's viewers, including a mink-lined swimming pool. Kovacs began his Early Eyeball Fraternal & Marching Society (EEFMS) while doing Three to Get Ready. There were membership cards with by-laws and ties; the password was a favorite phrase of Kovacs's: "It's Been Real". Kovacs continued the EEFMS on his morning show when he moved to WCBS in New York in 1952. The success of Three to Get Ready proved that people did indeed watch early-morning television, and it was one of the factors that caused NBC to create The Today Show. WPTZ did not begin broadcasting Today when it premiered on January 14, 1952; network influence caused the station to end Three to Get Ready at the end of March of that year. During early 1952, Kovacs was also doing a late morning show for WPTZ named Kovacs on the Corner. Kovacs would walk through an imaginary neighborhood, talking with various characters such as Pete the Cop and Luigi the Barber. As with Three to Get Ready, there were some special segments. "Swap Time" was one of them: Viewers could bring their unwanted items to the WPTZ studios to trade them live on the air with Kovacs. The show made its debut on January 4, 1952, with Kovacs losing creative control of the program soon after it was begun. Kovacs on the Corner was short-lived; it ended on March 28, 1952, along with Three to Get Ready. Kovacs then began work for WCBS-TV in New York with a local morning show and a later network one. Both programs were canceled; Kovacs lost the local morning program for the same reason as Three to Get Ready—the broadcasting time was confiscated by the station's network in 1954. Visual humor and characters At WPTZ, Kovacs began using the ad-libbed and experimental style that would become his reputation, including video effects, superimpositions, reverse polarities and scanning, and quick blackouts. He was also noted for abstraction and carefully timed non-sequitur gags and for allowing the fourth wall to be breached. Kovacs's cameras commonly showed his viewers activity beyond the boundaries of the show set—including crew members and outside the studio itself. Kovacs also liked talking to the off-camera crew and even introduced segments from the studio control room. He frequently made use of accidents and happenstance, incorporating the unexpected into his shows. In one of Kovacs's Philadelphia broadcasts, Oscar Liebetrau, an elderly crew member who was known for often sleeping for the duration of the telecast, was introduced to the audience as "Sleeping Schwartz." Kovacs was once knocked unconscious when a pie smashed into his face still had the plate under it. Kovacs's love of spontaneity extended to his crew, who would occasionally play on-air pranks on him to see how he would react. During one of his NBC shows, Kovacs was appearing as the inept magician Matzoh Heppelwhite. The sketch called for the magician to frequently hit a gong, which was the signal for a sexy female assistant to bring out a bottle and shot glass for a quick snort of alcohol. Stagehands substituted real liquor for the iced tea normally used for the skit. Kovacs realized that he would be called upon to drink a shot of liquor for each successive gong. He pressed on with the sketch and was quite inebriated by the end of the show. Kovacs helped develop camera tricks still common decades after his death. His character Eugene sat at a table to eat his lunch, but as he removed items one at a time from a lunch box, he watched them inexplicably roll down the table into the lap of a man reading a newspaper at the other end. When Kovacs poured milk from a thermos bottle, the stream flowed in a seemingly unusual direction. Never seen on television before, the secret was using a tilted set in front of a camera tilted at the same angle. He constantly sought new techniques and used both primitive and improvised ways of creating visual effects that would later be done electronically. One innovative construction involved attaching a kaleidoscope made from a toilet paper roll to a camera lens with cardboard and tape and setting the resulting abstract images to music. Another was a soup can with both ends removed fitted with angled mirrors. Used on a camera and turning it could put Kovacs seemingly on the ceiling. An underwater stunt involved cigar smoker Kovacs sitting in an easy chair, reading his newspaper and somehow smoking a cigar. Removing it from his mouth, Kovacs was able to exhale a puff of white smoke, all while floating underwater. The trick: the "smoke" was a small amount of milk which he filled his mouth with before submerging. Kovacs repeated the effect for a Dutch Masters television commercial on his ABC game show, Take A Good Look. One of the special effects he employed made it appear as if he was able to look through his assistant, Barbara Loden's, head. The illusion was performed by placing a black patch on Loden's head and standing her against a black background while one studio camera was trained on her. A second one photographed Kovacs, who used the studio monitor to position himself exactly so that his eye would appear to be looking through a hole in her head. He also developed such routines as an all-gorilla version of Swan Lake, a poker game set to Beethoven's Fifth Symphony, the skit Silent Show, in which Eugene interacts with the world accompanied solely by music and sound effects, parodies of typical television commercials and movie genres, and various musical segments with everyday items (such as kitchen appliances or office equipment) moving in sync to music. A popular recurring skit was The Nairobi Trio, three derby-hatted apes miming mechanically and rhythmically to the tune of Robert Maxwell's "Solfeggio". Kovacs used extended sketches and mood pieces or quick blackout gags lasting only seconds. Some could be expensive, such as his famous used-car salesman routine with a jalopy and a breakaway floor: it cost $12,000 to produce the six-second gag. He was one of the first television comedians to use odd fake credits and comments between the legitimate credits and, at times, during his routines. Kovacs reportedly disliked working in front of a live audience, as was the case with the shows he did for NBC during the 1950s. He found the presence of an audience distracting, and those in the seats frequently did not understand some of the more elaborate visual gags and special effects, which could only be appreciated by watching studio monitors instead of the stage. Like many comedians of the era, Kovacs created a rotation of recurring roles. In addition to the silent "Eugene," his most familiar characters were the fey, lisping poet Percy Dovetonsils, and the heavily accented German radio announcer, Wolfgang von Sauerbraten. Mr. Question Man, who answered viewer queries, was a satire on the long-run (1937–56) radio series, The Answer Man. Others included horror show host Auntie Gruesome, bumbling magician Matzoh Heppelwhite, Frenchman Pierre Ragout and Miklos Molnar, the sardonic Hungarian host of a cooking show. The Miklos character wasn't always confined to a kitchen; Kovacs performed a parody of The Howdy Doody Show with "Buffalo Miklos" as the host. Poet Percy Dovetonsils can be found playing Beethoven's Moonlight Sonata on a disappearing piano and as a "Master Detective" on the "Private Eye-Private Eye" presentation of the US Steel Hour on CBS March 8, 1961. On the same show, the Nairobi Trio abandons its instruments for a safe-cracking job; still with a background of "Solfeggio", but speaking, two of the three appear in an "Outer Space" sketch. Kovacs became a regular on NBC Radio's program Monitor beginning during late 1958, often using his Mr. Question Man character in his radio monologues. Kovacs never hesitated to lampoon those considered institutions of radio and television. In April 1954, he started the late-night talk show, The Ernie Kovacs Show, on DuMont Television Network's New York flagship station, WABD. Stage, screen and radio notables were often guests. Archie Bleyer, head of Cadence Records, came to chat one evening. Bleyer had been the long-time orchestra director for Arthur Godfrey's radio and television shows. He had been dismissed by Godfrey the year before, together with fellow cast member, singer Julius La Rosa. In La Rosa's case, he hired a manager, defying an unwritten Godfrey policy. With Bleyer, Godfrey was angered when he found that Bleyer's record company Cadence Records had produced spoken-word material by Don McNeill, host of ABC's Don McNeill's Breakfast Club, which Godfrey considered competition to his show. Bleyer and Kovacs were shown in split screen, with Kovacs wearing a red wig, headphones, and playing a ukulele in a Godfrey imitation, while talking with his guest. Kovacs's television programs included Three to Get Ready (an early morning program seen on Philadelphia's WPTZ from 1950 through 1952), It's Time for Ernie (1951, his first network series), Ernie in Kovacsland, (a summer replacement show for Kukla, Fran and Ollie, 1951), The Ernie Kovacs Show (1952–56 on various networks), a twice-a-week job filling in for Steve Allen as host of The Tonight Show on Mondays and Tuesdays (1956–57), and game shows Gamble on Love, One Minute Please, Time Will Tell (all on DuMont), and Take a Good Look (1959–61). Kovacs was also the host of a program, Silents Please, which showed silent movies on network television, with serious discussion about the movies and their actors. Kovacs had a brief stint as a celebrity panelist for the television series What's My Line?, but took his responsibilities less than seriously, often eschewing a legitimate question for the sake of a laugh. An example: Industrialist Henry J. Kaiser, the founder of an automobile company, was the program's "mystery guest." Previous questioning had established that the mystery guest's name was synonymous with an automobile brand, Kovacs asked, "Are you – and this is just a wild guess – but are you Abraham Lincoln?"—a reference to the Ford Motor Company's Lincoln automobiles. When Kovacs gave an interview admitting that he was absent from the show when he wanted to go out for dinner on a Sunday, his stint on the panel show was ended. TV specials He also did several television specials, including the famous Silent Show (1957), featuring his character, Eugene: the first all-pantomime prime-time network program. After the end of the Dean Martin-Jerry Lewis partnership, NBC offered Lewis the opportunity to host his own 90-minute color television special. Lewis opted to use only 60 minutes, leaving the network 30 minutes to fill; no one wanted this time slot, but Kovacs was willing to have it. The program contained no spoken dialogue and contained only sound effects and music. Featuring Kovacs as the mute, Charlie Chaplin-like character "Eugene", the program contained surreal sight gags. Kovacs developed the Eugene character during the autumn of 1956, when hosting the television series The Tonight Show. Expectations were high for the Lewis program, but it was Kovacs' special that received the most attention; Kovacs received his first movie offer, had a cover story in Life magazine, and received the Sylvania Award that year. In 1961, Kovacs and his co-director, Joe Behar, were recipients of the Directors Guild of America Award for a second version of this program broadcast by the American Broadcasting Company network. A series of monthly half-hour specials for ABC during 1961–62 is often considered his best television work. Produced on videotape using new editing and special effects techniques, it won a 1962 Emmy Award. Kovacs and co-director Behar also won the Directors Guild of America award for an Ernie Kovacs Special based on the earlier, silent "Eugene" program. Kovacs' last ABC special was broadcast posthumously, on January 23, 1962. The Dutch Masters cigar company became well-known during the late 1950s and early 1960s for its sponsorship of various television projects of Ernie Kovacs. The company allowed Kovacs total creative control in the creation of their television commercials for his programs and specials. He produced a series of non-speaking television commercials for Dutch Masters during the run of his television series Take A Good Look which was praised by both television critics and viewers. While praised by critics, Kovacs rarely had a highly-rated show. The Museum of Broadcast Communications says, "It is doubtful that Ernie Kovacs would find a place on television today. He was too zany, too unrestrained, too undisciplined. Perhaps Jack Gould of The New York Times said it best for Ernie Kovacs: 'The fun was in trying'." Other shows had greater success while using elements of Kovacs's style. George Schlatter, producer of the later television series Rowan & Martin's Laugh-In, was married to actress Jolene Brand, who had appeared in Kovacs' comic troupes over the years and had been a frequent participant in his pioneering sketches. Laugh-In made frequent use of the quick blackout gags and surreal humor that marked many Kovacs projects. Another link was a young NBC staffer, Bill Wendell, Kovacs's usual announcer and sometimes a sketch participant. From 1980 to 1995, Wendell was the announcer for David Letterman, whose show and style of humor were greatly influenced by Kovacs. The Music Man Kovacs was also known for his eclectic musical taste. His main theme song was named "Oriental Blues" by Jack Newton. The rendition most often heard was a piano-driven trio version, but, for his primetime show during 1956, music director Harry Sosnik presented a full-blown big-band version. The German song "Die Moritat von Mackie Messer" from The Threepenny Opera (anglicized to "Mack the Knife"), frequently underscored his blackout routines. Songwriter Robert Maxwell's "Solfeggio" became associated with the derby-hatted apes, 'The Nairobi Trio'. In the 1982 TV special Ernie Kovacs: Television's Original Genius, Edie Adams recalled that when Kovacs first heard the melody, he immediately knew what he wanted to do with it, creating a music-box-like trio that moved in time to the tune. Kovacs was introduced to the song in 1954 by Barry Shear, his director at DuMont Television Network. Kovacs matched an unusual treatment of "Sentimental Journey", by Mexican bandleader Juan García Esquivel, to video of an empty office in which various items (pencil sharpeners, water coolers, wall clocks) come to life in rhythm with the music; it was a variation on several famous animations of a decade earlier. The original three-minute presentation was outlined by Kovacs in a four-page, single-spaced memo to his staff. The perfectionist Kovacs describes in minute detail what had to be done and how to do it. The memo ends with this: "I don't know how the hell you're going to get this done by Sunday – but 'rots of ruck." (signed) "Ernie (with love)". Kovacs also made careful use of the shrill singer Leona Anderson—who had somewhat less than a classical (or even listenable) voice, by some estimations—in comic vignettes. Kovacs used classical music as background for silent skits or abstract visual routines, including "Concerto for Orchestra", by Béla Bartók; music from the opera "The Love of Three Oranges", by Sergei Prokofiev; the finale of Igor Stravinsky's suite "The Firebird"; and Richard Strauss' "Till Eulenspiegel's Merry Pranks"; and, from George Gershwin, "Rialto Ripples"--the theme to his shows--as well as parts of Gershwin's "Concerto in F". He may have been known best for using Joseph Haydn's "String Quartet, Opus 3, Number 5" (the "Serenade," actually composed by Roman Hoffstetter) for a series of 1960–61 commercials he created and videotaped for his sponsor, Dutch Masters. For the show of May 22, 1959, Kovacs on Music, Kovacs began by saying, "I have never really understood classical music, so I would like to take this opportunity to explain it to others." He presented a gorilla version of Swan Lake which differed from the usual performance only in the persona of the dancers, along with giant paper clips moving to music and other sketches. He also served as host on a jazz album to benefit the American Cancer Society in 1957, Listening to Jazz with Ernie Kovacs. It was a 15-minute recording featuring some of the celebrities of the art, including pianist Jimmy Yancey and old original New Orleans Jazz Trumpeter Bunk Johnson, soprano saxophonist Sidney Bechet, guitarist Django Reinhardt, composer/pianist/bandleader Duke Ellington and longtime Ellington trumpeter Cootie Williams. Both the Library of Congress and the National Library of Canada have copies of this recording in their collections. In print Kovacs wrote a novel, Zoomar: A Sophisticated Novel about Love and TV (Doubleday, 1957), based on television pioneer Pat Weaver; it took Kovacs only 13 days to write. The book took its title from the Zoomar brand zoom lenses frequently used on television cameras at the time. In a 1960 interview, Edie Adams related that the novel was written after Kovacs' experiences with network television while he was preparing to broadcast the Silent Show. The 1961 British edition was retitled T.V. Medium Rare by its London-based publisher, Transworld. While he worked on several other book projects, Kovacs's only other published title was How to Talk at Gin, published posthumously in 1962. He intended part of the book's proceeds to benefit Cedars-Sinai Medical Center. During 1955–58, he wrote for Mad (his favorite humor magazine), including the feature "Strangely Believe It!" (a parody of Ripley's Believe It or Not! that was a regular feature of his television shows) and Gringo, a board game with ridiculously complicated rules that was renamed Droongo for the television show. Kovacs also wrote the introduction to the 1958 collection Mad For Keeps: A Collection of the Best from Mad Magazine. Television guest star Kovacs and Edie Adams guest starred on what turned out to be the final episode of The Lucille Ball-Desi Arnaz Show, (syndicated as The Lucy-Desi Comedy Hour or We Love Lucy) "Lucy Meets the Moustache", which was in rehearsals during the week of February 28 and filmed on March 3 for an April 1, 1960 network broadcast. "Lucy Meets the Moustache" was the last time Arnaz and Ball worked together and the last time their famous characters appeared in a first-run broadcast. According to Adams, Ball and Arnaz 'avoided contact and barely talked to each other in rehearsals and in-between scenes'. Adams also said that they were not told their episode was the last or that the famous couple was to divorce (Ball entered the uncontested divorce request March 4, 1960). Kovacs also appeared in roles on other television programs. For General Electric Theater's "I Was a Bloodhound" in 1959, Kovacs played the role of detective Barney Colby, whose extraordinary sense of smell helped him solve many seemingly-impossible cases. Colby was hired by a foreign country to recover its symbol of royalty, a baby elephant, who was being held for ransom. Films Kovacs found Hollywood success as a character actor, often typecast as a swarthy military officer (almost always a "Captain" of some sort) in such films as Operation Mad Ball, Wake Me When It's Over and Our Man in Havana. While working in his first film role for Operation Mad Ball, Kovacs was filming a wild party scene after midnight; it was decided to use real champagne for realism. After a few hours of work, someone came up to Kovacs and remarked that he had been having quite a good time chasing starlets all night. Kovacs told the stranger to go to hell, since he was following the script; he later learned the stranger was Harry Cohn, head of Columbia Pictures. Kovacs and Cohn later became friends despite the way they had met, with Cohn giving Kovacs roles in Bell, Book and Candle (1958) and It Happened to Jane (1959). He garnered critical acclaim for film roles such as the perennially-inebriated writer in Bell, Book and Candle and as the cartoonishly-evil head of a railroad company (who resembled Orson Welles' title character in Citizen Kane) in It Happened to Jane, where he had his head shaved and his remaining hair dyed grey for the role. In 1960, he played the base commander Charlie Stark in the comedy Wake Me When It's Over and the con man Frankie Cannon trying to steal John Wayne's gold mine in the western comedy, North to Alaska. His own personal favorite was said to have been the offbeat Five Golden Hours (1961), in which he portrayed a larcenous professional mourner who meets his match in a professional widow played by Cyd Charisse. Kovacs's last movie, Sail a Crooked Ship (also 1961), was released one month before his death. Personal life First marriage Kovacs and his first wife, Bette Wilcox, were married on August 13, 1945. When the marriage ended, he fought for custody of their children, Elizabeth ("Bette") and Kip Raleigh ("Kippie"). The court awarded Kovacs full custody upon determining that his former wife was mentally unstable. The decision was extremely unusual at the time, setting a legal precedent. Wilcox subsequently kidnapped the children, taking them to Florida. After a long and expensive search, Kovacs regained custody. These events were portrayed in the television movie Ernie Kovacs: Between the Laughter (1984), which garnered an Emmy Award nomination for its writer, April Smith. Kovacs was portrayed by Jeff Goldblum. Kovacs's first wife made a legal attempt to gain custody of her two daughters soon after his death. She began August 2, 1962, by claiming $500,000 was her share of Kovacs's estate and charging that her ex-husband had abducted the girls in 1955; Kovacs had been granted legal custody of his daughters in 1952. On August 30, Wilcox filed an affidavit claiming that Kovacs's widow, Edie Adams, the stepmother to the girls, was "unfit" to care for them. Both daughters, Bette and Kippie, testified that they wanted to stay with their stepmother, Edie. Kippie's testimony was very emotional; in it she referred to Edie as "Mommy" and her birth mother as "the other lady." Upon hearing the verdict that the girls would remain in their home, Adams wept, saying, "This is what Ernie would have wanted. Now I can smile." Elizabeth Kovacs's reaction was "I'm so happy I can hardly express myself", after learning she and her sister would not be forced to leave Edie. Second marriage Kovacs and Adams met in 1951 when she was hired to work for his WPTZ show, Three to Get Ready. Her appearance on Arthur Godfrey's Talent Scouts caught the eye of Kovacs's producer, and he asked her to audition for the program. A classically-trained singer, she was able to perform only three popular songs. Edie said later, "I sang them all during the audition, and if they had asked to hear another, I never would have made it." Quoting Kovacs, "I wish I could say I was the big shot that hired her, but it was my show in name only – the producer had all the say. Later on I did have something to say and I said it: 'Let's get married.'" After the couple's first date, Kovacs proceeded to buy a Jaguar car, telling Adams he wanted to take her out in style. He was seriously taken with the beautiful and talented young woman, courting her with imagination and flair. Kovacs's attempts to win Adams' affection included hiring a mariachi band to serenade her backstage at the Broadway musical she was performing in and the sudden gift of a diamond engagement ring, telling her to wear it until she made up her mind. Kovacs continued this romantic quest after the show went out of town. Adams booked a six-week European cruise, which she hoped would let her make up her mind whether or not to marry Kovacs. After only three days away and many long-distance telephone calls, she curtailed her trip and returned to say "yes". They eloped and were married on September 12, 1954, in Mexico City. The ceremony was presided over by former New York City mayor William O'Dwyer and was performed in Spanish, which neither Kovacs nor Adams understood; O'Dwyer had to prompt each of them to say "Sí" at the "I do" portion of the vows. Adams, who had a middle-class upbringing, was smitten by Kovacs's quirky ways; the couple remained together until his death. (She later said about Kovacs, "He treated me like a little girl, and I loved it—Women's Lib be damned!") Adams also aided Kovacs's struggle to reclaim his two older children after the kidnapping by their mother. She also was a regular partner on his television shows. Kovacs usually introduced or addressed her in a businesslike way, as "Edith Adams". Adams was usually willing to do anything he envisioned, whether it was singing seriously, performing impersonations (including a well-regarded impression of Marilyn Monroe) or taking a pie in the face or a pratfall if and when needed. The couple had one daughter, Mia Susan Kovacs, born June 20, 1959. Kovacs and his family shared a 16-room apartment in Manhattan on Central Park West that seemed perfect until he went to California for his first film role in Operation Mad Ball. The experience of the totally different, laid-back lifestyle of Hollywood made a big impression on him. He realized he was working too much in New York; in California he would be able to work fewer hours, do just as well or better and have more time for Edie and his daughters. At the time, he was working most of the time and sleeping about two or three hours a night. Kovacs claimed that he realized it was time for a change when he was telling his girls a bedtime story and found himself thinking of using it for a show instead. Kovacs relocated his family there in 1957, after Edie finished work for the Broadway play Li'l Abner. Death In the early morning hours of January 13, 1962, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly and crashed into a power pole in Beverly Hills. He was thrown halfway out the vehicle's passenger side and died almost instantly from chest and head injuries. A photographer arrived soon after and images of Kovacs' bodywith an unlit cigar on the pavement near his outstretched handappeared in newspapers across the United States. In keeping Kovacs's wishes, a simple service was held at the Beverly Hills Community Presbyterian Church. The pallbearers included Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, and Mervyn LeRoy, and George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle also attended. The pastor said that Kovacs had summed up his life thus: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." He is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads "Nothing in moderation—We all loved him." Tax evasion A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams. His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take a Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less-memorable film roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton; the pilot episode titled "A Pony for Chris"). Kovacs' role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s, who was selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs' estate. The pilot is part of the public collection of the Paley Center for Media. Some of the issues regarding Kovacs' tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs." Adams, who married and divorced twice after Kovacs' death, refused help from celebrity friends who planned a benefit for the purpose. "I can take care of my own children," she said, and resolved to accept offers only from those who wanted to hire her for her talents. Adams eventually paid all of Kovacs's debts. Lost and surviving work Most of Kovacs's early television work was performed live: few kinescopes have survived. Some videotapes of his ABC specials were preserved; others, such as his quirky game show, Take a Good Look, were available mostly in short segments until recently, with the release of some complete, videotaped episodes. After Kovacs's death, Adams discovered not only that her husband owed ABC a great deal of money, but that some networks were systematically erasing and reusing tapes of Kovacs's shows or disposing of the kinescopes and videotapes. She succeeded in purchasing the rights to surviving footage with the proceeds from Kovacs' insurance policy and her own earnings after Kovacs' IRS debts were paid. In March 1996, Adams detailed her experiences before the National Film Preservation Board. Adams first used some of the videotapes she had purchased for a 1968 ABC television special, The Comedy of Ernie Kovacs; to produce the show, she hired Kovacs's former producer and editor. The hour-long program was sponsored by Kovacs's former sponsor, Dutch Masters. Most of Kovacs's salvaged work is available to researchers at the University of California, Los Angeles Library's Department of Special Collections: additional material is available at the Paley Center for Media. The 1984 television film Ernie Kovacs: Between the Laughter helped return Kovacs to the public's attention, though the show emphasized his bid to retrieve his kidnapped children instead of his professional life. Jeff Goldblum portrayed Kovacs, Madolyn Smith portrayed Bette and Melody Anderson portrayed Adams in the movie. Edie Adams appeared in a cameo in this film, playing Mae West; it was one of the impressions she performed in shows with Kovacs. Telecasts of edited compilations of some of his work by PBS (station WTTW, Chicago) under the title The Best of Ernie Kovacs in 1977, inspired the film. These broadcasts were made available on VHS and DVD. The DVD set features extras that are not in the VHS set. The series was narrated by Jack Lemmon. During the early 1990s, The Comedy Channel broadcast a series of Kovacs' shows under the generic title of The Ernie Kovacs Show. The series included both the ABC specials and some of his 1950s shows from NBC. By 2008, there were no broadcast, cable, or satellite channels broadcasting any of Kovacs's television work, other than his panel appearances on What's My Line? on the Game Show Network. On April 19, 2011, Shout! Factory released The Ernie Kovacs Collection, six DVDs spanning Kovacs's television career. The company's website also offers an extra disc with material from Tonight! and The Ernie Kovacs Show, as well as a rare color kinescope of the complete 30-minute 1957 NBC color broadcast featuring "Eugene". On October 23, 2012, Shout! Factory released The Ernie Kovacs Collection: Volume 2 on DVD. In 1961, Kovacs recorded a record album of poetry in the character of Percy Dovetonsils named Percy Dovetonsils Thpeakth, but was unable to release it due to contractual obligations with other record companies. After he was given the masters, Kovacs donated them to a Los Angeles area hospital. Adams was able to re-acquire the tapes in 1967, and they remained part of her private collection until her death in 2008. The tapes were labeled as movie material and were thought to be such until further examination proved they were Kovacs as Percy reading his poems with no music background. The album was finally released in 2012. Kovacs was inducted posthumously into the Broadcast Pioneers of Philadelphia's Hall of Fame in 1992. Partial filmography Operation Mad Ball (1957) (with Jack Lemmon) as Capt. Paul Lock Bell, Book and Candle (1958) (with James Stewart, Kim Novak, and Jack Lemmon as Sidney Redlitch It Happened to Jane (1959) (with Doris Day and Jack Lemmon) as Harry Foster Malone Our Man in Havana (1959) (with Alec Guinness and Noël Coward) as Capt. Segura Wake Me When It's Over (1960) (with Dick Shawn) as Capt. Charlie Stark Strangers When We Meet (1960) (with Kirk Douglas and Kim Novak) as Roger Altar North to Alaska (1960) (with John Wayne) as Frankie Canon Pepe (1960) (with Cantinflas) as Immigration Inspector Five Golden Hours (1961) (with Cyd Charisse and George Sanders) as Aldo Bondi Sail a Crooked Ship (1961, with Robert Wagner) as Bugsy G. Foglemeyer aka The Captain Notes References Bibliography via Project MUSE Further reading Adams, Edie (1990). Sing a Pretty Song: The "Offbeat" Life of Edie Adams, Including the Ernie Kovacs Years. William Morrow; Barker, David Brian (1982). "Every Moment's a Gift": Ernie Kovacs in Hollywood, 1957–1962, a Master's Thesis. Available for viewing at the library at the University of Texas at Austin Rico, Diana (1990). Kovacsland: A Biography of Ernie Kovacs. Harcourt, Brace & Jovanovich; Walley, David (1975). Nothing in Moderation. Drake Publishers; Reprinted as The Ernie Kovacs Phile by David Walley, Bolder Books, 1978 and Fireside/Simon & Schuster, 1987; External links The Official Ernie Kovacs Website Ernie Kovacs Dot Net: A Tribute To Television's Original Genius Kovacsland Online! – the Ernie Kovacs website List of Kovacs' 16 articles for MAD magazine Watch The Jack Benny Program with Ernie Kovacs as guest at the Internet Archive Operation Mad Ball Trailer (1957) at the Internet Archive John Barbour's documentary Ernie Kovacs: Television's Original Genius at John Barbour's World Ernie Kovacs Dutch Masters Cigar Commercial 1919 births 1962 deaths 20th-century American male actors American people of Hungarian descent American comedy writers American game show hosts American male film actors American male television actors American humorists American satirists American comics writers American television talk show hosts Burials at Forest Lawn Memorial Park (Hollywood Hills) Emmy Award winners Mad (magazine) people Male actors from New Jersey Actors from Trenton, New Jersey Road incident deaths in California Trenton Central High School alumni Writers from Trenton, New Jersey American male comedy actors 20th-century American comedians

C_8d50647977304f559cc6b26bd64e27fc_1

what did he do after her death?

What did Ernie do after Kippie's death?

Ernie Kovacs

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962. Kovacs, who had worked for much of the evening, met Adams at a baby shower given by Billy Wilder for Milton Berle and his wife, who had recently adopted a newborn baby boy. The couple left the party in separate cars. After a light southern California rainstorm, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly, and crashed into a power pole at the corner of Beverly Glen and Santa Monica Boulevards. He was thrown halfway out the passenger side, and died almost instantly from chest and head injuries. A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States. An unlit cigar lay on the pavement, inches from his outstretched arm. Years later, in a documentary about Kovacs, Edie Adams described telephoning the police impatiently when she learned of the crash. An official cupped his hand over the receiver, saying to a colleague, "It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?" With that, Adams's fears were confirmed, and she became inconsolable. Jack Lemmon, who also attended the Berle party, identified Kovacs's body at the morgue because Adams was too distraught to do so. After attending funerals for Hollywood friends, Kovacs had expressed his wishes to Adams that any funeral services for him be kept simple. In keeping with his request, Adams made arrangements for Presbyterian services at the Beverly Hills Community Presbyterian Church. The active pallbearers were Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, Mervyn LeRoy, and Joe Mikolas. Kovacs's father and brother, Andrew and Tom, respectively, served as honorary pallbearers. The attendees included George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle. There was no typical Hollywood-type eulogy, but the church's pastor paid tribute to Kovacs, adding that he once summed up his life in two sentences: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads, "Nothing in moderation--We all loved him." Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52, after a long illness and a lifetime of poor health. Kippie and her husband, Bill Lancaster (1947-1997), a screenwriter and the son of actor Burt Lancaster, are the parents of Kovacs's only grandchild, Keigh Lancaster. His only child with Edie Adams, Mia (1959-1982), was killed on May 8, 1982, also in an automobile accident. Her gravestone reads "Daddy's little girl. We all loved her, too". Mia and Kippie are buried close to their father; when Edie died in 2008, she was buried between Mia and Kippie. CANNOTANSWER

Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads,

Ernest Edward Kovacs (January 23, 1919 – January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Kovacs has been credited as an influence by many individuals and shows, including Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Pee-wee's Playhouse, The Muppet Show, Dave Garroway, Andy Kaufman, You Can't Do That on Television, MST3K, Uncle Floyd, among others. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live. While Kovacs and Adams received Emmy nominations for best performances in a comedy series during 1957, his talent was not recognized formally until after his death. The 1962 Emmy for Outstanding Electronic Camera Work and the Directors' Guild award came a short time after his fatal accident. A quarter century later, he was inducted into the Academy of Television Arts & Sciences Hall of Fame. Kovacs also has a star on the Hollywood Walk of Fame for his work in television. In 1986, the Museum of Broadcasting (later to become the Museum of Television & Radio and now the Paley Center for Media) presented an exhibit of Kovacs's work, called The Vision of Ernie Kovacs. The Pulitzer Prize–winning television critic, William Henry III, wrote for the museum's booklet: "Kovacs was more than another wide-eyed, self-ingratiating clown. He was television's first significant video artist." Early life and career Kovacs's father, Andrew John Kovacs, was born in 1890 and emigrated from Tornaújfalu, Hungary, which is now known as Turnianska Nová Ves, Slovakia. Andrew sailed on the S.S. Würzburg via Bremen, arriving at Ellis Island on February 8, 1906, at age 16. He worked as a policeman, restaurateur, and bootlegger, the last so successfully that he moved his wife Mary, son Tom, and his half-brother Ernest Edward Kovacs into a 20-room mansion in the better part of Trenton. Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the onset of the Great Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth-floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later. A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont in 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong tobacco-smoking habit. Kovacs's first paid entertainment work was during 1941 as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of special events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". Start in television Arriving at NBC's Philadelphia affiliate, WPTZ, for an audition wearing a barrel and shorts got Kovacs his first television job in January 1950. His first show was Pick Your Ideal, a fashion and promotional program for the Ideal Manufacturing Company. Before long, Kovacs was also the host of Deadline For Dinner and Now You're Cooking, shows featuring advice from local chefs. When Kovacs's guest chef did not arrive in time for the show, he offered a recipe for "Eggs Scavok" (Kovacs spelled backward). Kovacs seasoned the egg dish with ashes from his cigar. The sponsor was a local propane company. Hosting these shows soon resulted in his becoming host of a program named Three to Get Ready, named for WPTZ's channel 3 spot on television dials. Premiering in November 1950, Three to Get Ready was innovative because it was the first regularly scheduled early morning (7–9am) show in a major television market, predating NBC's Today by more than a year. Prior to this, it had been assumed that few people would watch television at such an early hour. While the show was advertised as early morning news and weather, Kovacs provided this and more in an original manner. When rain was in the weather forecast, Kovacs would get on a ladder and pour water down on the staff member reading the report. Goats were auditioned for a local theater performance and tiny women appeared to walk up his arm. Kovacs also went outside of the studio for some of his skits, running through a downtown Philadelphia restaurant in a gorilla suit in one; in another, he looked into a construction pit, saying it was deep enough to see to China, when a man in Chinese clothing popped up, said a few words in the language, and ran off. Despite its popularity, the weekly prop budget for the show was just $15. Kovacs once asked his viewers to send unwanted items to Channel 3; they filled the station's lobby. The only character no one ever saw inspired more gifts; he was Howard, the World's Strongest Ant. From the time of his WPTZ debut, Howard received more than 30,000 gifts from Kovacs's viewers, including a mink-lined swimming pool. Kovacs began his Early Eyeball Fraternal & Marching Society (EEFMS) while doing Three to Get Ready. There were membership cards with by-laws and ties; the password was a favorite phrase of Kovacs's: "It's Been Real". Kovacs continued the EEFMS on his morning show when he moved to WCBS in New York in 1952. The success of Three to Get Ready proved that people did indeed watch early-morning television, and it was one of the factors that caused NBC to create The Today Show. WPTZ did not begin broadcasting Today when it premiered on January 14, 1952; network influence caused the station to end Three to Get Ready at the end of March of that year. During early 1952, Kovacs was also doing a late morning show for WPTZ named Kovacs on the Corner. Kovacs would walk through an imaginary neighborhood, talking with various characters such as Pete the Cop and Luigi the Barber. As with Three to Get Ready, there were some special segments. "Swap Time" was one of them: Viewers could bring their unwanted items to the WPTZ studios to trade them live on the air with Kovacs. The show made its debut on January 4, 1952, with Kovacs losing creative control of the program soon after it was begun. Kovacs on the Corner was short-lived; it ended on March 28, 1952, along with Three to Get Ready. Kovacs then began work for WCBS-TV in New York with a local morning show and a later network one. Both programs were canceled; Kovacs lost the local morning program for the same reason as Three to Get Ready—the broadcasting time was confiscated by the station's network in 1954. Visual humor and characters At WPTZ, Kovacs began using the ad-libbed and experimental style that would become his reputation, including video effects, superimpositions, reverse polarities and scanning, and quick blackouts. He was also noted for abstraction and carefully timed non-sequitur gags and for allowing the fourth wall to be breached. Kovacs's cameras commonly showed his viewers activity beyond the boundaries of the show set—including crew members and outside the studio itself. Kovacs also liked talking to the off-camera crew and even introduced segments from the studio control room. He frequently made use of accidents and happenstance, incorporating the unexpected into his shows. In one of Kovacs's Philadelphia broadcasts, Oscar Liebetrau, an elderly crew member who was known for often sleeping for the duration of the telecast, was introduced to the audience as "Sleeping Schwartz." Kovacs was once knocked unconscious when a pie smashed into his face still had the plate under it. Kovacs's love of spontaneity extended to his crew, who would occasionally play on-air pranks on him to see how he would react. During one of his NBC shows, Kovacs was appearing as the inept magician Matzoh Heppelwhite. The sketch called for the magician to frequently hit a gong, which was the signal for a sexy female assistant to bring out a bottle and shot glass for a quick snort of alcohol. Stagehands substituted real liquor for the iced tea normally used for the skit. Kovacs realized that he would be called upon to drink a shot of liquor for each successive gong. He pressed on with the sketch and was quite inebriated by the end of the show. Kovacs helped develop camera tricks still common decades after his death. His character Eugene sat at a table to eat his lunch, but as he removed items one at a time from a lunch box, he watched them inexplicably roll down the table into the lap of a man reading a newspaper at the other end. When Kovacs poured milk from a thermos bottle, the stream flowed in a seemingly unusual direction. Never seen on television before, the secret was using a tilted set in front of a camera tilted at the same angle. He constantly sought new techniques and used both primitive and improvised ways of creating visual effects that would later be done electronically. One innovative construction involved attaching a kaleidoscope made from a toilet paper roll to a camera lens with cardboard and tape and setting the resulting abstract images to music. Another was a soup can with both ends removed fitted with angled mirrors. Used on a camera and turning it could put Kovacs seemingly on the ceiling. An underwater stunt involved cigar smoker Kovacs sitting in an easy chair, reading his newspaper and somehow smoking a cigar. Removing it from his mouth, Kovacs was able to exhale a puff of white smoke, all while floating underwater. The trick: the "smoke" was a small amount of milk which he filled his mouth with before submerging. Kovacs repeated the effect for a Dutch Masters television commercial on his ABC game show, Take A Good Look. One of the special effects he employed made it appear as if he was able to look through his assistant, Barbara Loden's, head. The illusion was performed by placing a black patch on Loden's head and standing her against a black background while one studio camera was trained on her. A second one photographed Kovacs, who used the studio monitor to position himself exactly so that his eye would appear to be looking through a hole in her head. He also developed such routines as an all-gorilla version of Swan Lake, a poker game set to Beethoven's Fifth Symphony, the skit Silent Show, in which Eugene interacts with the world accompanied solely by music and sound effects, parodies of typical television commercials and movie genres, and various musical segments with everyday items (such as kitchen appliances or office equipment) moving in sync to music. A popular recurring skit was The Nairobi Trio, three derby-hatted apes miming mechanically and rhythmically to the tune of Robert Maxwell's "Solfeggio". Kovacs used extended sketches and mood pieces or quick blackout gags lasting only seconds. Some could be expensive, such as his famous used-car salesman routine with a jalopy and a breakaway floor: it cost $12,000 to produce the six-second gag. He was one of the first television comedians to use odd fake credits and comments between the legitimate credits and, at times, during his routines. Kovacs reportedly disliked working in front of a live audience, as was the case with the shows he did for NBC during the 1950s. He found the presence of an audience distracting, and those in the seats frequently did not understand some of the more elaborate visual gags and special effects, which could only be appreciated by watching studio monitors instead of the stage. Like many comedians of the era, Kovacs created a rotation of recurring roles. In addition to the silent "Eugene," his most familiar characters were the fey, lisping poet Percy Dovetonsils, and the heavily accented German radio announcer, Wolfgang von Sauerbraten. Mr. Question Man, who answered viewer queries, was a satire on the long-run (1937–56) radio series, The Answer Man. Others included horror show host Auntie Gruesome, bumbling magician Matzoh Heppelwhite, Frenchman Pierre Ragout and Miklos Molnar, the sardonic Hungarian host of a cooking show. The Miklos character wasn't always confined to a kitchen; Kovacs performed a parody of The Howdy Doody Show with "Buffalo Miklos" as the host. Poet Percy Dovetonsils can be found playing Beethoven's Moonlight Sonata on a disappearing piano and as a "Master Detective" on the "Private Eye-Private Eye" presentation of the US Steel Hour on CBS March 8, 1961. On the same show, the Nairobi Trio abandons its instruments for a safe-cracking job; still with a background of "Solfeggio", but speaking, two of the three appear in an "Outer Space" sketch. Kovacs became a regular on NBC Radio's program Monitor beginning during late 1958, often using his Mr. Question Man character in his radio monologues. Kovacs never hesitated to lampoon those considered institutions of radio and television. In April 1954, he started the late-night talk show, The Ernie Kovacs Show, on DuMont Television Network's New York flagship station, WABD. Stage, screen and radio notables were often guests. Archie Bleyer, head of Cadence Records, came to chat one evening. Bleyer had been the long-time orchestra director for Arthur Godfrey's radio and television shows. He had been dismissed by Godfrey the year before, together with fellow cast member, singer Julius La Rosa. In La Rosa's case, he hired a manager, defying an unwritten Godfrey policy. With Bleyer, Godfrey was angered when he found that Bleyer's record company Cadence Records had produced spoken-word material by Don McNeill, host of ABC's Don McNeill's Breakfast Club, which Godfrey considered competition to his show. Bleyer and Kovacs were shown in split screen, with Kovacs wearing a red wig, headphones, and playing a ukulele in a Godfrey imitation, while talking with his guest. Kovacs's television programs included Three to Get Ready (an early morning program seen on Philadelphia's WPTZ from 1950 through 1952), It's Time for Ernie (1951, his first network series), Ernie in Kovacsland, (a summer replacement show for Kukla, Fran and Ollie, 1951), The Ernie Kovacs Show (1952–56 on various networks), a twice-a-week job filling in for Steve Allen as host of The Tonight Show on Mondays and Tuesdays (1956–57), and game shows Gamble on Love, One Minute Please, Time Will Tell (all on DuMont), and Take a Good Look (1959–61). Kovacs was also the host of a program, Silents Please, which showed silent movies on network television, with serious discussion about the movies and their actors. Kovacs had a brief stint as a celebrity panelist for the television series What's My Line?, but took his responsibilities less than seriously, often eschewing a legitimate question for the sake of a laugh. An example: Industrialist Henry J. Kaiser, the founder of an automobile company, was the program's "mystery guest." Previous questioning had established that the mystery guest's name was synonymous with an automobile brand, Kovacs asked, "Are you – and this is just a wild guess – but are you Abraham Lincoln?"—a reference to the Ford Motor Company's Lincoln automobiles. When Kovacs gave an interview admitting that he was absent from the show when he wanted to go out for dinner on a Sunday, his stint on the panel show was ended. TV specials He also did several television specials, including the famous Silent Show (1957), featuring his character, Eugene: the first all-pantomime prime-time network program. After the end of the Dean Martin-Jerry Lewis partnership, NBC offered Lewis the opportunity to host his own 90-minute color television special. Lewis opted to use only 60 minutes, leaving the network 30 minutes to fill; no one wanted this time slot, but Kovacs was willing to have it. The program contained no spoken dialogue and contained only sound effects and music. Featuring Kovacs as the mute, Charlie Chaplin-like character "Eugene", the program contained surreal sight gags. Kovacs developed the Eugene character during the autumn of 1956, when hosting the television series The Tonight Show. Expectations were high for the Lewis program, but it was Kovacs' special that received the most attention; Kovacs received his first movie offer, had a cover story in Life magazine, and received the Sylvania Award that year. In 1961, Kovacs and his co-director, Joe Behar, were recipients of the Directors Guild of America Award for a second version of this program broadcast by the American Broadcasting Company network. A series of monthly half-hour specials for ABC during 1961–62 is often considered his best television work. Produced on videotape using new editing and special effects techniques, it won a 1962 Emmy Award. Kovacs and co-director Behar also won the Directors Guild of America award for an Ernie Kovacs Special based on the earlier, silent "Eugene" program. Kovacs' last ABC special was broadcast posthumously, on January 23, 1962. The Dutch Masters cigar company became well-known during the late 1950s and early 1960s for its sponsorship of various television projects of Ernie Kovacs. The company allowed Kovacs total creative control in the creation of their television commercials for his programs and specials. He produced a series of non-speaking television commercials for Dutch Masters during the run of his television series Take A Good Look which was praised by both television critics and viewers. While praised by critics, Kovacs rarely had a highly-rated show. The Museum of Broadcast Communications says, "It is doubtful that Ernie Kovacs would find a place on television today. He was too zany, too unrestrained, too undisciplined. Perhaps Jack Gould of The New York Times said it best for Ernie Kovacs: 'The fun was in trying'." Other shows had greater success while using elements of Kovacs's style. George Schlatter, producer of the later television series Rowan & Martin's Laugh-In, was married to actress Jolene Brand, who had appeared in Kovacs' comic troupes over the years and had been a frequent participant in his pioneering sketches. Laugh-In made frequent use of the quick blackout gags and surreal humor that marked many Kovacs projects. Another link was a young NBC staffer, Bill Wendell, Kovacs's usual announcer and sometimes a sketch participant. From 1980 to 1995, Wendell was the announcer for David Letterman, whose show and style of humor were greatly influenced by Kovacs. The Music Man Kovacs was also known for his eclectic musical taste. His main theme song was named "Oriental Blues" by Jack Newton. The rendition most often heard was a piano-driven trio version, but, for his primetime show during 1956, music director Harry Sosnik presented a full-blown big-band version. The German song "Die Moritat von Mackie Messer" from The Threepenny Opera (anglicized to "Mack the Knife"), frequently underscored his blackout routines. Songwriter Robert Maxwell's "Solfeggio" became associated with the derby-hatted apes, 'The Nairobi Trio'. In the 1982 TV special Ernie Kovacs: Television's Original Genius, Edie Adams recalled that when Kovacs first heard the melody, he immediately knew what he wanted to do with it, creating a music-box-like trio that moved in time to the tune. Kovacs was introduced to the song in 1954 by Barry Shear, his director at DuMont Television Network. Kovacs matched an unusual treatment of "Sentimental Journey", by Mexican bandleader Juan García Esquivel, to video of an empty office in which various items (pencil sharpeners, water coolers, wall clocks) come to life in rhythm with the music; it was a variation on several famous animations of a decade earlier. The original three-minute presentation was outlined by Kovacs in a four-page, single-spaced memo to his staff. The perfectionist Kovacs describes in minute detail what had to be done and how to do it. The memo ends with this: "I don't know how the hell you're going to get this done by Sunday – but 'rots of ruck." (signed) "Ernie (with love)". Kovacs also made careful use of the shrill singer Leona Anderson—who had somewhat less than a classical (or even listenable) voice, by some estimations—in comic vignettes. Kovacs used classical music as background for silent skits or abstract visual routines, including "Concerto for Orchestra", by Béla Bartók; music from the opera "The Love of Three Oranges", by Sergei Prokofiev; the finale of Igor Stravinsky's suite "The Firebird"; and Richard Strauss' "Till Eulenspiegel's Merry Pranks"; and, from George Gershwin, "Rialto Ripples"--the theme to his shows--as well as parts of Gershwin's "Concerto in F". He may have been known best for using Joseph Haydn's "String Quartet, Opus 3, Number 5" (the "Serenade," actually composed by Roman Hoffstetter) for a series of 1960–61 commercials he created and videotaped for his sponsor, Dutch Masters. For the show of May 22, 1959, Kovacs on Music, Kovacs began by saying, "I have never really understood classical music, so I would like to take this opportunity to explain it to others." He presented a gorilla version of Swan Lake which differed from the usual performance only in the persona of the dancers, along with giant paper clips moving to music and other sketches. He also served as host on a jazz album to benefit the American Cancer Society in 1957, Listening to Jazz with Ernie Kovacs. It was a 15-minute recording featuring some of the celebrities of the art, including pianist Jimmy Yancey and old original New Orleans Jazz Trumpeter Bunk Johnson, soprano saxophonist Sidney Bechet, guitarist Django Reinhardt, composer/pianist/bandleader Duke Ellington and longtime Ellington trumpeter Cootie Williams. Both the Library of Congress and the National Library of Canada have copies of this recording in their collections. In print Kovacs wrote a novel, Zoomar: A Sophisticated Novel about Love and TV (Doubleday, 1957), based on television pioneer Pat Weaver; it took Kovacs only 13 days to write. The book took its title from the Zoomar brand zoom lenses frequently used on television cameras at the time. In a 1960 interview, Edie Adams related that the novel was written after Kovacs' experiences with network television while he was preparing to broadcast the Silent Show. The 1961 British edition was retitled T.V. Medium Rare by its London-based publisher, Transworld. While he worked on several other book projects, Kovacs's only other published title was How to Talk at Gin, published posthumously in 1962. He intended part of the book's proceeds to benefit Cedars-Sinai Medical Center. During 1955–58, he wrote for Mad (his favorite humor magazine), including the feature "Strangely Believe It!" (a parody of Ripley's Believe It or Not! that was a regular feature of his television shows) and Gringo, a board game with ridiculously complicated rules that was renamed Droongo for the television show. Kovacs also wrote the introduction to the 1958 collection Mad For Keeps: A Collection of the Best from Mad Magazine. Television guest star Kovacs and Edie Adams guest starred on what turned out to be the final episode of The Lucille Ball-Desi Arnaz Show, (syndicated as The Lucy-Desi Comedy Hour or We Love Lucy) "Lucy Meets the Moustache", which was in rehearsals during the week of February 28 and filmed on March 3 for an April 1, 1960 network broadcast. "Lucy Meets the Moustache" was the last time Arnaz and Ball worked together and the last time their famous characters appeared in a first-run broadcast. According to Adams, Ball and Arnaz 'avoided contact and barely talked to each other in rehearsals and in-between scenes'. Adams also said that they were not told their episode was the last or that the famous couple was to divorce (Ball entered the uncontested divorce request March 4, 1960). Kovacs also appeared in roles on other television programs. For General Electric Theater's "I Was a Bloodhound" in 1959, Kovacs played the role of detective Barney Colby, whose extraordinary sense of smell helped him solve many seemingly-impossible cases. Colby was hired by a foreign country to recover its symbol of royalty, a baby elephant, who was being held for ransom. Films Kovacs found Hollywood success as a character actor, often typecast as a swarthy military officer (almost always a "Captain" of some sort) in such films as Operation Mad Ball, Wake Me When It's Over and Our Man in Havana. While working in his first film role for Operation Mad Ball, Kovacs was filming a wild party scene after midnight; it was decided to use real champagne for realism. After a few hours of work, someone came up to Kovacs and remarked that he had been having quite a good time chasing starlets all night. Kovacs told the stranger to go to hell, since he was following the script; he later learned the stranger was Harry Cohn, head of Columbia Pictures. Kovacs and Cohn later became friends despite the way they had met, with Cohn giving Kovacs roles in Bell, Book and Candle (1958) and It Happened to Jane (1959). He garnered critical acclaim for film roles such as the perennially-inebriated writer in Bell, Book and Candle and as the cartoonishly-evil head of a railroad company (who resembled Orson Welles' title character in Citizen Kane) in It Happened to Jane, where he had his head shaved and his remaining hair dyed grey for the role. In 1960, he played the base commander Charlie Stark in the comedy Wake Me When It's Over and the con man Frankie Cannon trying to steal John Wayne's gold mine in the western comedy, North to Alaska. His own personal favorite was said to have been the offbeat Five Golden Hours (1961), in which he portrayed a larcenous professional mourner who meets his match in a professional widow played by Cyd Charisse. Kovacs's last movie, Sail a Crooked Ship (also 1961), was released one month before his death. Personal life First marriage Kovacs and his first wife, Bette Wilcox, were married on August 13, 1945. When the marriage ended, he fought for custody of their children, Elizabeth ("Bette") and Kip Raleigh ("Kippie"). The court awarded Kovacs full custody upon determining that his former wife was mentally unstable. The decision was extremely unusual at the time, setting a legal precedent. Wilcox subsequently kidnapped the children, taking them to Florida. After a long and expensive search, Kovacs regained custody. These events were portrayed in the television movie Ernie Kovacs: Between the Laughter (1984), which garnered an Emmy Award nomination for its writer, April Smith. Kovacs was portrayed by Jeff Goldblum. Kovacs's first wife made a legal attempt to gain custody of her two daughters soon after his death. She began August 2, 1962, by claiming $500,000 was her share of Kovacs's estate and charging that her ex-husband had abducted the girls in 1955; Kovacs had been granted legal custody of his daughters in 1952. On August 30, Wilcox filed an affidavit claiming that Kovacs's widow, Edie Adams, the stepmother to the girls, was "unfit" to care for them. Both daughters, Bette and Kippie, testified that they wanted to stay with their stepmother, Edie. Kippie's testimony was very emotional; in it she referred to Edie as "Mommy" and her birth mother as "the other lady." Upon hearing the verdict that the girls would remain in their home, Adams wept, saying, "This is what Ernie would have wanted. Now I can smile." Elizabeth Kovacs's reaction was "I'm so happy I can hardly express myself", after learning she and her sister would not be forced to leave Edie. Second marriage Kovacs and Adams met in 1951 when she was hired to work for his WPTZ show, Three to Get Ready. Her appearance on Arthur Godfrey's Talent Scouts caught the eye of Kovacs's producer, and he asked her to audition for the program. A classically-trained singer, she was able to perform only three popular songs. Edie said later, "I sang them all during the audition, and if they had asked to hear another, I never would have made it." Quoting Kovacs, "I wish I could say I was the big shot that hired her, but it was my show in name only – the producer had all the say. Later on I did have something to say and I said it: 'Let's get married.'" After the couple's first date, Kovacs proceeded to buy a Jaguar car, telling Adams he wanted to take her out in style. He was seriously taken with the beautiful and talented young woman, courting her with imagination and flair. Kovacs's attempts to win Adams' affection included hiring a mariachi band to serenade her backstage at the Broadway musical she was performing in and the sudden gift of a diamond engagement ring, telling her to wear it until she made up her mind. Kovacs continued this romantic quest after the show went out of town. Adams booked a six-week European cruise, which she hoped would let her make up her mind whether or not to marry Kovacs. After only three days away and many long-distance telephone calls, she curtailed her trip and returned to say "yes". They eloped and were married on September 12, 1954, in Mexico City. The ceremony was presided over by former New York City mayor William O'Dwyer and was performed in Spanish, which neither Kovacs nor Adams understood; O'Dwyer had to prompt each of them to say "Sí" at the "I do" portion of the vows. Adams, who had a middle-class upbringing, was smitten by Kovacs's quirky ways; the couple remained together until his death. (She later said about Kovacs, "He treated me like a little girl, and I loved it—Women's Lib be damned!") Adams also aided Kovacs's struggle to reclaim his two older children after the kidnapping by their mother. She also was a regular partner on his television shows. Kovacs usually introduced or addressed her in a businesslike way, as "Edith Adams". Adams was usually willing to do anything he envisioned, whether it was singing seriously, performing impersonations (including a well-regarded impression of Marilyn Monroe) or taking a pie in the face or a pratfall if and when needed. The couple had one daughter, Mia Susan Kovacs, born June 20, 1959. Kovacs and his family shared a 16-room apartment in Manhattan on Central Park West that seemed perfect until he went to California for his first film role in Operation Mad Ball. The experience of the totally different, laid-back lifestyle of Hollywood made a big impression on him. He realized he was working too much in New York; in California he would be able to work fewer hours, do just as well or better and have more time for Edie and his daughters. At the time, he was working most of the time and sleeping about two or three hours a night. Kovacs claimed that he realized it was time for a change when he was telling his girls a bedtime story and found himself thinking of using it for a show instead. Kovacs relocated his family there in 1957, after Edie finished work for the Broadway play Li'l Abner. Death In the early morning hours of January 13, 1962, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly and crashed into a power pole in Beverly Hills. He was thrown halfway out the vehicle's passenger side and died almost instantly from chest and head injuries. A photographer arrived soon after and images of Kovacs' bodywith an unlit cigar on the pavement near his outstretched handappeared in newspapers across the United States. In keeping Kovacs's wishes, a simple service was held at the Beverly Hills Community Presbyterian Church. The pallbearers included Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, and Mervyn LeRoy, and George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle also attended. The pastor said that Kovacs had summed up his life thus: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." He is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads "Nothing in moderation—We all loved him." Tax evasion A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams. His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take a Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less-memorable film roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton; the pilot episode titled "A Pony for Chris"). Kovacs' role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s, who was selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs' estate. The pilot is part of the public collection of the Paley Center for Media. Some of the issues regarding Kovacs' tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs." Adams, who married and divorced twice after Kovacs' death, refused help from celebrity friends who planned a benefit for the purpose. "I can take care of my own children," she said, and resolved to accept offers only from those who wanted to hire her for her talents. Adams eventually paid all of Kovacs's debts. Lost and surviving work Most of Kovacs's early television work was performed live: few kinescopes have survived. Some videotapes of his ABC specials were preserved; others, such as his quirky game show, Take a Good Look, were available mostly in short segments until recently, with the release of some complete, videotaped episodes. After Kovacs's death, Adams discovered not only that her husband owed ABC a great deal of money, but that some networks were systematically erasing and reusing tapes of Kovacs's shows or disposing of the kinescopes and videotapes. She succeeded in purchasing the rights to surviving footage with the proceeds from Kovacs' insurance policy and her own earnings after Kovacs' IRS debts were paid. In March 1996, Adams detailed her experiences before the National Film Preservation Board. Adams first used some of the videotapes she had purchased for a 1968 ABC television special, The Comedy of Ernie Kovacs; to produce the show, she hired Kovacs's former producer and editor. The hour-long program was sponsored by Kovacs's former sponsor, Dutch Masters. Most of Kovacs's salvaged work is available to researchers at the University of California, Los Angeles Library's Department of Special Collections: additional material is available at the Paley Center for Media. The 1984 television film Ernie Kovacs: Between the Laughter helped return Kovacs to the public's attention, though the show emphasized his bid to retrieve his kidnapped children instead of his professional life. Jeff Goldblum portrayed Kovacs, Madolyn Smith portrayed Bette and Melody Anderson portrayed Adams in the movie. Edie Adams appeared in a cameo in this film, playing Mae West; it was one of the impressions she performed in shows with Kovacs. Telecasts of edited compilations of some of his work by PBS (station WTTW, Chicago) under the title The Best of Ernie Kovacs in 1977, inspired the film. These broadcasts were made available on VHS and DVD. The DVD set features extras that are not in the VHS set. The series was narrated by Jack Lemmon. During the early 1990s, The Comedy Channel broadcast a series of Kovacs' shows under the generic title of The Ernie Kovacs Show. The series included both the ABC specials and some of his 1950s shows from NBC. By 2008, there were no broadcast, cable, or satellite channels broadcasting any of Kovacs's television work, other than his panel appearances on What's My Line? on the Game Show Network. On April 19, 2011, Shout! Factory released The Ernie Kovacs Collection, six DVDs spanning Kovacs's television career. The company's website also offers an extra disc with material from Tonight! and The Ernie Kovacs Show, as well as a rare color kinescope of the complete 30-minute 1957 NBC color broadcast featuring "Eugene". On October 23, 2012, Shout! Factory released The Ernie Kovacs Collection: Volume 2 on DVD. In 1961, Kovacs recorded a record album of poetry in the character of Percy Dovetonsils named Percy Dovetonsils Thpeakth, but was unable to release it due to contractual obligations with other record companies. After he was given the masters, Kovacs donated them to a Los Angeles area hospital. Adams was able to re-acquire the tapes in 1967, and they remained part of her private collection until her death in 2008. The tapes were labeled as movie material and were thought to be such until further examination proved they were Kovacs as Percy reading his poems with no music background. The album was finally released in 2012. Kovacs was inducted posthumously into the Broadcast Pioneers of Philadelphia's Hall of Fame in 1992. Partial filmography Operation Mad Ball (1957) (with Jack Lemmon) as Capt. Paul Lock Bell, Book and Candle (1958) (with James Stewart, Kim Novak, and Jack Lemmon as Sidney Redlitch It Happened to Jane (1959) (with Doris Day and Jack Lemmon) as Harry Foster Malone Our Man in Havana (1959) (with Alec Guinness and Noël Coward) as Capt. Segura Wake Me When It's Over (1960) (with Dick Shawn) as Capt. Charlie Stark Strangers When We Meet (1960) (with Kirk Douglas and Kim Novak) as Roger Altar North to Alaska (1960) (with John Wayne) as Frankie Canon Pepe (1960) (with Cantinflas) as Immigration Inspector Five Golden Hours (1961) (with Cyd Charisse and George Sanders) as Aldo Bondi Sail a Crooked Ship (1961, with Robert Wagner) as Bugsy G. Foglemeyer aka The Captain Notes References Bibliography via Project MUSE Further reading Adams, Edie (1990). Sing a Pretty Song: The "Offbeat" Life of Edie Adams, Including the Ernie Kovacs Years. William Morrow; Barker, David Brian (1982). "Every Moment's a Gift": Ernie Kovacs in Hollywood, 1957–1962, a Master's Thesis. Available for viewing at the library at the University of Texas at Austin Rico, Diana (1990). Kovacsland: A Biography of Ernie Kovacs. Harcourt, Brace & Jovanovich; Walley, David (1975). Nothing in Moderation. Drake Publishers; Reprinted as The Ernie Kovacs Phile by David Walley, Bolder Books, 1978 and Fireside/Simon & Schuster, 1987; External links The Official Ernie Kovacs Website Ernie Kovacs Dot Net: A Tribute To Television's Original Genius Kovacsland Online! – the Ernie Kovacs website List of Kovacs' 16 articles for MAD magazine Watch The Jack Benny Program with Ernie Kovacs as guest at the Internet Archive Operation Mad Ball Trailer (1957) at the Internet Archive John Barbour's documentary Ernie Kovacs: Television's Original Genius at John Barbour's World Ernie Kovacs Dutch Masters Cigar Commercial 1919 births 1962 deaths 20th-century American male actors American people of Hungarian descent American comedy writers American game show hosts American male film actors American male television actors American humorists American satirists American comics writers American television talk show hosts Burials at Forest Lawn Memorial Park (Hollywood Hills) Emmy Award winners Mad (magazine) people Male actors from New Jersey Actors from Trenton, New Jersey Road incident deaths in California Trenton Central High School alumni Writers from Trenton, New Jersey American male comedy actors 20th-century American comedians

C_8d50647977304f559cc6b26bd64e27fc_1

what does his epitaph read?

What does Ernie's epitaph read?

Ernie Kovacs

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962. Kovacs, who had worked for much of the evening, met Adams at a baby shower given by Billy Wilder for Milton Berle and his wife, who had recently adopted a newborn baby boy. The couple left the party in separate cars. After a light southern California rainstorm, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly, and crashed into a power pole at the corner of Beverly Glen and Santa Monica Boulevards. He was thrown halfway out the passenger side, and died almost instantly from chest and head injuries. A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States. An unlit cigar lay on the pavement, inches from his outstretched arm. Years later, in a documentary about Kovacs, Edie Adams described telephoning the police impatiently when she learned of the crash. An official cupped his hand over the receiver, saying to a colleague, "It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?" With that, Adams's fears were confirmed, and she became inconsolable. Jack Lemmon, who also attended the Berle party, identified Kovacs's body at the morgue because Adams was too distraught to do so. After attending funerals for Hollywood friends, Kovacs had expressed his wishes to Adams that any funeral services for him be kept simple. In keeping with his request, Adams made arrangements for Presbyterian services at the Beverly Hills Community Presbyterian Church. The active pallbearers were Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, Mervyn LeRoy, and Joe Mikolas. Kovacs's father and brother, Andrew and Tom, respectively, served as honorary pallbearers. The attendees included George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle. There was no typical Hollywood-type eulogy, but the church's pastor paid tribute to Kovacs, adding that he once summed up his life in two sentences: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads, "Nothing in moderation--We all loved him." Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52, after a long illness and a lifetime of poor health. Kippie and her husband, Bill Lancaster (1947-1997), a screenwriter and the son of actor Burt Lancaster, are the parents of Kovacs's only grandchild, Keigh Lancaster. His only child with Edie Adams, Mia (1959-1982), was killed on May 8, 1982, also in an automobile accident. Her gravestone reads "Daddy's little girl. We all loved her, too". Mia and Kippie are buried close to their father; when Edie died in 2008, she was buried between Mia and Kippie. CANNOTANSWER

"Nothing in moderation--We all loved him."

Ernest Edward Kovacs (January 23, 1919 – January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Kovacs has been credited as an influence by many individuals and shows, including Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Pee-wee's Playhouse, The Muppet Show, Dave Garroway, Andy Kaufman, You Can't Do That on Television, MST3K, Uncle Floyd, among others. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live. While Kovacs and Adams received Emmy nominations for best performances in a comedy series during 1957, his talent was not recognized formally until after his death. The 1962 Emmy for Outstanding Electronic Camera Work and the Directors' Guild award came a short time after his fatal accident. A quarter century later, he was inducted into the Academy of Television Arts & Sciences Hall of Fame. Kovacs also has a star on the Hollywood Walk of Fame for his work in television. In 1986, the Museum of Broadcasting (later to become the Museum of Television & Radio and now the Paley Center for Media) presented an exhibit of Kovacs's work, called The Vision of Ernie Kovacs. The Pulitzer Prize–winning television critic, William Henry III, wrote for the museum's booklet: "Kovacs was more than another wide-eyed, self-ingratiating clown. He was television's first significant video artist." Early life and career Kovacs's father, Andrew John Kovacs, was born in 1890 and emigrated from Tornaújfalu, Hungary, which is now known as Turnianska Nová Ves, Slovakia. Andrew sailed on the S.S. Würzburg via Bremen, arriving at Ellis Island on February 8, 1906, at age 16. He worked as a policeman, restaurateur, and bootlegger, the last so successfully that he moved his wife Mary, son Tom, and his half-brother Ernest Edward Kovacs into a 20-room mansion in the better part of Trenton. Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the onset of the Great Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth-floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later. A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont in 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong tobacco-smoking habit. Kovacs's first paid entertainment work was during 1941 as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of special events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". Start in television Arriving at NBC's Philadelphia affiliate, WPTZ, for an audition wearing a barrel and shorts got Kovacs his first television job in January 1950. His first show was Pick Your Ideal, a fashion and promotional program for the Ideal Manufacturing Company. Before long, Kovacs was also the host of Deadline For Dinner and Now You're Cooking, shows featuring advice from local chefs. When Kovacs's guest chef did not arrive in time for the show, he offered a recipe for "Eggs Scavok" (Kovacs spelled backward). Kovacs seasoned the egg dish with ashes from his cigar. The sponsor was a local propane company. Hosting these shows soon resulted in his becoming host of a program named Three to Get Ready, named for WPTZ's channel 3 spot on television dials. Premiering in November 1950, Three to Get Ready was innovative because it was the first regularly scheduled early morning (7–9am) show in a major television market, predating NBC's Today by more than a year. Prior to this, it had been assumed that few people would watch television at such an early hour. While the show was advertised as early morning news and weather, Kovacs provided this and more in an original manner. When rain was in the weather forecast, Kovacs would get on a ladder and pour water down on the staff member reading the report. Goats were auditioned for a local theater performance and tiny women appeared to walk up his arm. Kovacs also went outside of the studio for some of his skits, running through a downtown Philadelphia restaurant in a gorilla suit in one; in another, he looked into a construction pit, saying it was deep enough to see to China, when a man in Chinese clothing popped up, said a few words in the language, and ran off. Despite its popularity, the weekly prop budget for the show was just $15. Kovacs once asked his viewers to send unwanted items to Channel 3; they filled the station's lobby. The only character no one ever saw inspired more gifts; he was Howard, the World's Strongest Ant. From the time of his WPTZ debut, Howard received more than 30,000 gifts from Kovacs's viewers, including a mink-lined swimming pool. Kovacs began his Early Eyeball Fraternal & Marching Society (EEFMS) while doing Three to Get Ready. There were membership cards with by-laws and ties; the password was a favorite phrase of Kovacs's: "It's Been Real". Kovacs continued the EEFMS on his morning show when he moved to WCBS in New York in 1952. The success of Three to Get Ready proved that people did indeed watch early-morning television, and it was one of the factors that caused NBC to create The Today Show. WPTZ did not begin broadcasting Today when it premiered on January 14, 1952; network influence caused the station to end Three to Get Ready at the end of March of that year. During early 1952, Kovacs was also doing a late morning show for WPTZ named Kovacs on the Corner. Kovacs would walk through an imaginary neighborhood, talking with various characters such as Pete the Cop and Luigi the Barber. As with Three to Get Ready, there were some special segments. "Swap Time" was one of them: Viewers could bring their unwanted items to the WPTZ studios to trade them live on the air with Kovacs. The show made its debut on January 4, 1952, with Kovacs losing creative control of the program soon after it was begun. Kovacs on the Corner was short-lived; it ended on March 28, 1952, along with Three to Get Ready. Kovacs then began work for WCBS-TV in New York with a local morning show and a later network one. Both programs were canceled; Kovacs lost the local morning program for the same reason as Three to Get Ready—the broadcasting time was confiscated by the station's network in 1954. Visual humor and characters At WPTZ, Kovacs began using the ad-libbed and experimental style that would become his reputation, including video effects, superimpositions, reverse polarities and scanning, and quick blackouts. He was also noted for abstraction and carefully timed non-sequitur gags and for allowing the fourth wall to be breached. Kovacs's cameras commonly showed his viewers activity beyond the boundaries of the show set—including crew members and outside the studio itself. Kovacs also liked talking to the off-camera crew and even introduced segments from the studio control room. He frequently made use of accidents and happenstance, incorporating the unexpected into his shows. In one of Kovacs's Philadelphia broadcasts, Oscar Liebetrau, an elderly crew member who was known for often sleeping for the duration of the telecast, was introduced to the audience as "Sleeping Schwartz." Kovacs was once knocked unconscious when a pie smashed into his face still had the plate under it. Kovacs's love of spontaneity extended to his crew, who would occasionally play on-air pranks on him to see how he would react. During one of his NBC shows, Kovacs was appearing as the inept magician Matzoh Heppelwhite. The sketch called for the magician to frequently hit a gong, which was the signal for a sexy female assistant to bring out a bottle and shot glass for a quick snort of alcohol. Stagehands substituted real liquor for the iced tea normally used for the skit. Kovacs realized that he would be called upon to drink a shot of liquor for each successive gong. He pressed on with the sketch and was quite inebriated by the end of the show. Kovacs helped develop camera tricks still common decades after his death. His character Eugene sat at a table to eat his lunch, but as he removed items one at a time from a lunch box, he watched them inexplicably roll down the table into the lap of a man reading a newspaper at the other end. When Kovacs poured milk from a thermos bottle, the stream flowed in a seemingly unusual direction. Never seen on television before, the secret was using a tilted set in front of a camera tilted at the same angle. He constantly sought new techniques and used both primitive and improvised ways of creating visual effects that would later be done electronically. One innovative construction involved attaching a kaleidoscope made from a toilet paper roll to a camera lens with cardboard and tape and setting the resulting abstract images to music. Another was a soup can with both ends removed fitted with angled mirrors. Used on a camera and turning it could put Kovacs seemingly on the ceiling. An underwater stunt involved cigar smoker Kovacs sitting in an easy chair, reading his newspaper and somehow smoking a cigar. Removing it from his mouth, Kovacs was able to exhale a puff of white smoke, all while floating underwater. The trick: the "smoke" was a small amount of milk which he filled his mouth with before submerging. Kovacs repeated the effect for a Dutch Masters television commercial on his ABC game show, Take A Good Look. One of the special effects he employed made it appear as if he was able to look through his assistant, Barbara Loden's, head. The illusion was performed by placing a black patch on Loden's head and standing her against a black background while one studio camera was trained on her. A second one photographed Kovacs, who used the studio monitor to position himself exactly so that his eye would appear to be looking through a hole in her head. He also developed such routines as an all-gorilla version of Swan Lake, a poker game set to Beethoven's Fifth Symphony, the skit Silent Show, in which Eugene interacts with the world accompanied solely by music and sound effects, parodies of typical television commercials and movie genres, and various musical segments with everyday items (such as kitchen appliances or office equipment) moving in sync to music. A popular recurring skit was The Nairobi Trio, three derby-hatted apes miming mechanically and rhythmically to the tune of Robert Maxwell's "Solfeggio". Kovacs used extended sketches and mood pieces or quick blackout gags lasting only seconds. Some could be expensive, such as his famous used-car salesman routine with a jalopy and a breakaway floor: it cost $12,000 to produce the six-second gag. He was one of the first television comedians to use odd fake credits and comments between the legitimate credits and, at times, during his routines. Kovacs reportedly disliked working in front of a live audience, as was the case with the shows he did for NBC during the 1950s. He found the presence of an audience distracting, and those in the seats frequently did not understand some of the more elaborate visual gags and special effects, which could only be appreciated by watching studio monitors instead of the stage. Like many comedians of the era, Kovacs created a rotation of recurring roles. In addition to the silent "Eugene," his most familiar characters were the fey, lisping poet Percy Dovetonsils, and the heavily accented German radio announcer, Wolfgang von Sauerbraten. Mr. Question Man, who answered viewer queries, was a satire on the long-run (1937–56) radio series, The Answer Man. Others included horror show host Auntie Gruesome, bumbling magician Matzoh Heppelwhite, Frenchman Pierre Ragout and Miklos Molnar, the sardonic Hungarian host of a cooking show. The Miklos character wasn't always confined to a kitchen; Kovacs performed a parody of The Howdy Doody Show with "Buffalo Miklos" as the host. Poet Percy Dovetonsils can be found playing Beethoven's Moonlight Sonata on a disappearing piano and as a "Master Detective" on the "Private Eye-Private Eye" presentation of the US Steel Hour on CBS March 8, 1961. On the same show, the Nairobi Trio abandons its instruments for a safe-cracking job; still with a background of "Solfeggio", but speaking, two of the three appear in an "Outer Space" sketch. Kovacs became a regular on NBC Radio's program Monitor beginning during late 1958, often using his Mr. Question Man character in his radio monologues. Kovacs never hesitated to lampoon those considered institutions of radio and television. In April 1954, he started the late-night talk show, The Ernie Kovacs Show, on DuMont Television Network's New York flagship station, WABD. Stage, screen and radio notables were often guests. Archie Bleyer, head of Cadence Records, came to chat one evening. Bleyer had been the long-time orchestra director for Arthur Godfrey's radio and television shows. He had been dismissed by Godfrey the year before, together with fellow cast member, singer Julius La Rosa. In La Rosa's case, he hired a manager, defying an unwritten Godfrey policy. With Bleyer, Godfrey was angered when he found that Bleyer's record company Cadence Records had produced spoken-word material by Don McNeill, host of ABC's Don McNeill's Breakfast Club, which Godfrey considered competition to his show. Bleyer and Kovacs were shown in split screen, with Kovacs wearing a red wig, headphones, and playing a ukulele in a Godfrey imitation, while talking with his guest. Kovacs's television programs included Three to Get Ready (an early morning program seen on Philadelphia's WPTZ from 1950 through 1952), It's Time for Ernie (1951, his first network series), Ernie in Kovacsland, (a summer replacement show for Kukla, Fran and Ollie, 1951), The Ernie Kovacs Show (1952–56 on various networks), a twice-a-week job filling in for Steve Allen as host of The Tonight Show on Mondays and Tuesdays (1956–57), and game shows Gamble on Love, One Minute Please, Time Will Tell (all on DuMont), and Take a Good Look (1959–61). Kovacs was also the host of a program, Silents Please, which showed silent movies on network television, with serious discussion about the movies and their actors. Kovacs had a brief stint as a celebrity panelist for the television series What's My Line?, but took his responsibilities less than seriously, often eschewing a legitimate question for the sake of a laugh. An example: Industrialist Henry J. Kaiser, the founder of an automobile company, was the program's "mystery guest." Previous questioning had established that the mystery guest's name was synonymous with an automobile brand, Kovacs asked, "Are you – and this is just a wild guess – but are you Abraham Lincoln?"—a reference to the Ford Motor Company's Lincoln automobiles. When Kovacs gave an interview admitting that he was absent from the show when he wanted to go out for dinner on a Sunday, his stint on the panel show was ended. TV specials He also did several television specials, including the famous Silent Show (1957), featuring his character, Eugene: the first all-pantomime prime-time network program. After the end of the Dean Martin-Jerry Lewis partnership, NBC offered Lewis the opportunity to host his own 90-minute color television special. Lewis opted to use only 60 minutes, leaving the network 30 minutes to fill; no one wanted this time slot, but Kovacs was willing to have it. The program contained no spoken dialogue and contained only sound effects and music. Featuring Kovacs as the mute, Charlie Chaplin-like character "Eugene", the program contained surreal sight gags. Kovacs developed the Eugene character during the autumn of 1956, when hosting the television series The Tonight Show. Expectations were high for the Lewis program, but it was Kovacs' special that received the most attention; Kovacs received his first movie offer, had a cover story in Life magazine, and received the Sylvania Award that year. In 1961, Kovacs and his co-director, Joe Behar, were recipients of the Directors Guild of America Award for a second version of this program broadcast by the American Broadcasting Company network. A series of monthly half-hour specials for ABC during 1961–62 is often considered his best television work. Produced on videotape using new editing and special effects techniques, it won a 1962 Emmy Award. Kovacs and co-director Behar also won the Directors Guild of America award for an Ernie Kovacs Special based on the earlier, silent "Eugene" program. Kovacs' last ABC special was broadcast posthumously, on January 23, 1962. The Dutch Masters cigar company became well-known during the late 1950s and early 1960s for its sponsorship of various television projects of Ernie Kovacs. The company allowed Kovacs total creative control in the creation of their television commercials for his programs and specials. He produced a series of non-speaking television commercials for Dutch Masters during the run of his television series Take A Good Look which was praised by both television critics and viewers. While praised by critics, Kovacs rarely had a highly-rated show. The Museum of Broadcast Communications says, "It is doubtful that Ernie Kovacs would find a place on television today. He was too zany, too unrestrained, too undisciplined. Perhaps Jack Gould of The New York Times said it best for Ernie Kovacs: 'The fun was in trying'." Other shows had greater success while using elements of Kovacs's style. George Schlatter, producer of the later television series Rowan & Martin's Laugh-In, was married to actress Jolene Brand, who had appeared in Kovacs' comic troupes over the years and had been a frequent participant in his pioneering sketches. Laugh-In made frequent use of the quick blackout gags and surreal humor that marked many Kovacs projects. Another link was a young NBC staffer, Bill Wendell, Kovacs's usual announcer and sometimes a sketch participant. From 1980 to 1995, Wendell was the announcer for David Letterman, whose show and style of humor were greatly influenced by Kovacs. The Music Man Kovacs was also known for his eclectic musical taste. His main theme song was named "Oriental Blues" by Jack Newton. The rendition most often heard was a piano-driven trio version, but, for his primetime show during 1956, music director Harry Sosnik presented a full-blown big-band version. The German song "Die Moritat von Mackie Messer" from The Threepenny Opera (anglicized to "Mack the Knife"), frequently underscored his blackout routines. Songwriter Robert Maxwell's "Solfeggio" became associated with the derby-hatted apes, 'The Nairobi Trio'. In the 1982 TV special Ernie Kovacs: Television's Original Genius, Edie Adams recalled that when Kovacs first heard the melody, he immediately knew what he wanted to do with it, creating a music-box-like trio that moved in time to the tune. Kovacs was introduced to the song in 1954 by Barry Shear, his director at DuMont Television Network. Kovacs matched an unusual treatment of "Sentimental Journey", by Mexican bandleader Juan García Esquivel, to video of an empty office in which various items (pencil sharpeners, water coolers, wall clocks) come to life in rhythm with the music; it was a variation on several famous animations of a decade earlier. The original three-minute presentation was outlined by Kovacs in a four-page, single-spaced memo to his staff. The perfectionist Kovacs describes in minute detail what had to be done and how to do it. The memo ends with this: "I don't know how the hell you're going to get this done by Sunday – but 'rots of ruck." (signed) "Ernie (with love)". Kovacs also made careful use of the shrill singer Leona Anderson—who had somewhat less than a classical (or even listenable) voice, by some estimations—in comic vignettes. Kovacs used classical music as background for silent skits or abstract visual routines, including "Concerto for Orchestra", by Béla Bartók; music from the opera "The Love of Three Oranges", by Sergei Prokofiev; the finale of Igor Stravinsky's suite "The Firebird"; and Richard Strauss' "Till Eulenspiegel's Merry Pranks"; and, from George Gershwin, "Rialto Ripples"--the theme to his shows--as well as parts of Gershwin's "Concerto in F". He may have been known best for using Joseph Haydn's "String Quartet, Opus 3, Number 5" (the "Serenade," actually composed by Roman Hoffstetter) for a series of 1960–61 commercials he created and videotaped for his sponsor, Dutch Masters. For the show of May 22, 1959, Kovacs on Music, Kovacs began by saying, "I have never really understood classical music, so I would like to take this opportunity to explain it to others." He presented a gorilla version of Swan Lake which differed from the usual performance only in the persona of the dancers, along with giant paper clips moving to music and other sketches. He also served as host on a jazz album to benefit the American Cancer Society in 1957, Listening to Jazz with Ernie Kovacs. It was a 15-minute recording featuring some of the celebrities of the art, including pianist Jimmy Yancey and old original New Orleans Jazz Trumpeter Bunk Johnson, soprano saxophonist Sidney Bechet, guitarist Django Reinhardt, composer/pianist/bandleader Duke Ellington and longtime Ellington trumpeter Cootie Williams. Both the Library of Congress and the National Library of Canada have copies of this recording in their collections. In print Kovacs wrote a novel, Zoomar: A Sophisticated Novel about Love and TV (Doubleday, 1957), based on television pioneer Pat Weaver; it took Kovacs only 13 days to write. The book took its title from the Zoomar brand zoom lenses frequently used on television cameras at the time. In a 1960 interview, Edie Adams related that the novel was written after Kovacs' experiences with network television while he was preparing to broadcast the Silent Show. The 1961 British edition was retitled T.V. Medium Rare by its London-based publisher, Transworld. While he worked on several other book projects, Kovacs's only other published title was How to Talk at Gin, published posthumously in 1962. He intended part of the book's proceeds to benefit Cedars-Sinai Medical Center. During 1955–58, he wrote for Mad (his favorite humor magazine), including the feature "Strangely Believe It!" (a parody of Ripley's Believe It or Not! that was a regular feature of his television shows) and Gringo, a board game with ridiculously complicated rules that was renamed Droongo for the television show. Kovacs also wrote the introduction to the 1958 collection Mad For Keeps: A Collection of the Best from Mad Magazine. Television guest star Kovacs and Edie Adams guest starred on what turned out to be the final episode of The Lucille Ball-Desi Arnaz Show, (syndicated as The Lucy-Desi Comedy Hour or We Love Lucy) "Lucy Meets the Moustache", which was in rehearsals during the week of February 28 and filmed on March 3 for an April 1, 1960 network broadcast. "Lucy Meets the Moustache" was the last time Arnaz and Ball worked together and the last time their famous characters appeared in a first-run broadcast. According to Adams, Ball and Arnaz 'avoided contact and barely talked to each other in rehearsals and in-between scenes'. Adams also said that they were not told their episode was the last or that the famous couple was to divorce (Ball entered the uncontested divorce request March 4, 1960). Kovacs also appeared in roles on other television programs. For General Electric Theater's "I Was a Bloodhound" in 1959, Kovacs played the role of detective Barney Colby, whose extraordinary sense of smell helped him solve many seemingly-impossible cases. Colby was hired by a foreign country to recover its symbol of royalty, a baby elephant, who was being held for ransom. Films Kovacs found Hollywood success as a character actor, often typecast as a swarthy military officer (almost always a "Captain" of some sort) in such films as Operation Mad Ball, Wake Me When It's Over and Our Man in Havana. While working in his first film role for Operation Mad Ball, Kovacs was filming a wild party scene after midnight; it was decided to use real champagne for realism. After a few hours of work, someone came up to Kovacs and remarked that he had been having quite a good time chasing starlets all night. Kovacs told the stranger to go to hell, since he was following the script; he later learned the stranger was Harry Cohn, head of Columbia Pictures. Kovacs and Cohn later became friends despite the way they had met, with Cohn giving Kovacs roles in Bell, Book and Candle (1958) and It Happened to Jane (1959). He garnered critical acclaim for film roles such as the perennially-inebriated writer in Bell, Book and Candle and as the cartoonishly-evil head of a railroad company (who resembled Orson Welles' title character in Citizen Kane) in It Happened to Jane, where he had his head shaved and his remaining hair dyed grey for the role. In 1960, he played the base commander Charlie Stark in the comedy Wake Me When It's Over and the con man Frankie Cannon trying to steal John Wayne's gold mine in the western comedy, North to Alaska. His own personal favorite was said to have been the offbeat Five Golden Hours (1961), in which he portrayed a larcenous professional mourner who meets his match in a professional widow played by Cyd Charisse. Kovacs's last movie, Sail a Crooked Ship (also 1961), was released one month before his death. Personal life First marriage Kovacs and his first wife, Bette Wilcox, were married on August 13, 1945. When the marriage ended, he fought for custody of their children, Elizabeth ("Bette") and Kip Raleigh ("Kippie"). The court awarded Kovacs full custody upon determining that his former wife was mentally unstable. The decision was extremely unusual at the time, setting a legal precedent. Wilcox subsequently kidnapped the children, taking them to Florida. After a long and expensive search, Kovacs regained custody. These events were portrayed in the television movie Ernie Kovacs: Between the Laughter (1984), which garnered an Emmy Award nomination for its writer, April Smith. Kovacs was portrayed by Jeff Goldblum. Kovacs's first wife made a legal attempt to gain custody of her two daughters soon after his death. She began August 2, 1962, by claiming $500,000 was her share of Kovacs's estate and charging that her ex-husband had abducted the girls in 1955; Kovacs had been granted legal custody of his daughters in 1952. On August 30, Wilcox filed an affidavit claiming that Kovacs's widow, Edie Adams, the stepmother to the girls, was "unfit" to care for them. Both daughters, Bette and Kippie, testified that they wanted to stay with their stepmother, Edie. Kippie's testimony was very emotional; in it she referred to Edie as "Mommy" and her birth mother as "the other lady." Upon hearing the verdict that the girls would remain in their home, Adams wept, saying, "This is what Ernie would have wanted. Now I can smile." Elizabeth Kovacs's reaction was "I'm so happy I can hardly express myself", after learning she and her sister would not be forced to leave Edie. Second marriage Kovacs and Adams met in 1951 when she was hired to work for his WPTZ show, Three to Get Ready. Her appearance on Arthur Godfrey's Talent Scouts caught the eye of Kovacs's producer, and he asked her to audition for the program. A classically-trained singer, she was able to perform only three popular songs. Edie said later, "I sang them all during the audition, and if they had asked to hear another, I never would have made it." Quoting Kovacs, "I wish I could say I was the big shot that hired her, but it was my show in name only – the producer had all the say. Later on I did have something to say and I said it: 'Let's get married.'" After the couple's first date, Kovacs proceeded to buy a Jaguar car, telling Adams he wanted to take her out in style. He was seriously taken with the beautiful and talented young woman, courting her with imagination and flair. Kovacs's attempts to win Adams' affection included hiring a mariachi band to serenade her backstage at the Broadway musical she was performing in and the sudden gift of a diamond engagement ring, telling her to wear it until she made up her mind. Kovacs continued this romantic quest after the show went out of town. Adams booked a six-week European cruise, which she hoped would let her make up her mind whether or not to marry Kovacs. After only three days away and many long-distance telephone calls, she curtailed her trip and returned to say "yes". They eloped and were married on September 12, 1954, in Mexico City. The ceremony was presided over by former New York City mayor William O'Dwyer and was performed in Spanish, which neither Kovacs nor Adams understood; O'Dwyer had to prompt each of them to say "Sí" at the "I do" portion of the vows. Adams, who had a middle-class upbringing, was smitten by Kovacs's quirky ways; the couple remained together until his death. (She later said about Kovacs, "He treated me like a little girl, and I loved it—Women's Lib be damned!") Adams also aided Kovacs's struggle to reclaim his two older children after the kidnapping by their mother. She also was a regular partner on his television shows. Kovacs usually introduced or addressed her in a businesslike way, as "Edith Adams". Adams was usually willing to do anything he envisioned, whether it was singing seriously, performing impersonations (including a well-regarded impression of Marilyn Monroe) or taking a pie in the face or a pratfall if and when needed. The couple had one daughter, Mia Susan Kovacs, born June 20, 1959. Kovacs and his family shared a 16-room apartment in Manhattan on Central Park West that seemed perfect until he went to California for his first film role in Operation Mad Ball. The experience of the totally different, laid-back lifestyle of Hollywood made a big impression on him. He realized he was working too much in New York; in California he would be able to work fewer hours, do just as well or better and have more time for Edie and his daughters. At the time, he was working most of the time and sleeping about two or three hours a night. Kovacs claimed that he realized it was time for a change when he was telling his girls a bedtime story and found himself thinking of using it for a show instead. Kovacs relocated his family there in 1957, after Edie finished work for the Broadway play Li'l Abner. Death In the early morning hours of January 13, 1962, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly and crashed into a power pole in Beverly Hills. He was thrown halfway out the vehicle's passenger side and died almost instantly from chest and head injuries. A photographer arrived soon after and images of Kovacs' bodywith an unlit cigar on the pavement near his outstretched handappeared in newspapers across the United States. In keeping Kovacs's wishes, a simple service was held at the Beverly Hills Community Presbyterian Church. The pallbearers included Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, and Mervyn LeRoy, and George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle also attended. The pastor said that Kovacs had summed up his life thus: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." He is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads "Nothing in moderation—We all loved him." Tax evasion A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams. His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take a Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less-memorable film roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton; the pilot episode titled "A Pony for Chris"). Kovacs' role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s, who was selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs' estate. The pilot is part of the public collection of the Paley Center for Media. Some of the issues regarding Kovacs' tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs." Adams, who married and divorced twice after Kovacs' death, refused help from celebrity friends who planned a benefit for the purpose. "I can take care of my own children," she said, and resolved to accept offers only from those who wanted to hire her for her talents. Adams eventually paid all of Kovacs's debts. Lost and surviving work Most of Kovacs's early television work was performed live: few kinescopes have survived. Some videotapes of his ABC specials were preserved; others, such as his quirky game show, Take a Good Look, were available mostly in short segments until recently, with the release of some complete, videotaped episodes. After Kovacs's death, Adams discovered not only that her husband owed ABC a great deal of money, but that some networks were systematically erasing and reusing tapes of Kovacs's shows or disposing of the kinescopes and videotapes. She succeeded in purchasing the rights to surviving footage with the proceeds from Kovacs' insurance policy and her own earnings after Kovacs' IRS debts were paid. In March 1996, Adams detailed her experiences before the National Film Preservation Board. Adams first used some of the videotapes she had purchased for a 1968 ABC television special, The Comedy of Ernie Kovacs; to produce the show, she hired Kovacs's former producer and editor. The hour-long program was sponsored by Kovacs's former sponsor, Dutch Masters. Most of Kovacs's salvaged work is available to researchers at the University of California, Los Angeles Library's Department of Special Collections: additional material is available at the Paley Center for Media. The 1984 television film Ernie Kovacs: Between the Laughter helped return Kovacs to the public's attention, though the show emphasized his bid to retrieve his kidnapped children instead of his professional life. Jeff Goldblum portrayed Kovacs, Madolyn Smith portrayed Bette and Melody Anderson portrayed Adams in the movie. Edie Adams appeared in a cameo in this film, playing Mae West; it was one of the impressions she performed in shows with Kovacs. Telecasts of edited compilations of some of his work by PBS (station WTTW, Chicago) under the title The Best of Ernie Kovacs in 1977, inspired the film. These broadcasts were made available on VHS and DVD. The DVD set features extras that are not in the VHS set. The series was narrated by Jack Lemmon. During the early 1990s, The Comedy Channel broadcast a series of Kovacs' shows under the generic title of The Ernie Kovacs Show. The series included both the ABC specials and some of his 1950s shows from NBC. By 2008, there were no broadcast, cable, or satellite channels broadcasting any of Kovacs's television work, other than his panel appearances on What's My Line? on the Game Show Network. On April 19, 2011, Shout! Factory released The Ernie Kovacs Collection, six DVDs spanning Kovacs's television career. The company's website also offers an extra disc with material from Tonight! and The Ernie Kovacs Show, as well as a rare color kinescope of the complete 30-minute 1957 NBC color broadcast featuring "Eugene". On October 23, 2012, Shout! Factory released The Ernie Kovacs Collection: Volume 2 on DVD. In 1961, Kovacs recorded a record album of poetry in the character of Percy Dovetonsils named Percy Dovetonsils Thpeakth, but was unable to release it due to contractual obligations with other record companies. After he was given the masters, Kovacs donated them to a Los Angeles area hospital. Adams was able to re-acquire the tapes in 1967, and they remained part of her private collection until her death in 2008. The tapes were labeled as movie material and were thought to be such until further examination proved they were Kovacs as Percy reading his poems with no music background. The album was finally released in 2012. Kovacs was inducted posthumously into the Broadcast Pioneers of Philadelphia's Hall of Fame in 1992. Partial filmography Operation Mad Ball (1957) (with Jack Lemmon) as Capt. Paul Lock Bell, Book and Candle (1958) (with James Stewart, Kim Novak, and Jack Lemmon as Sidney Redlitch It Happened to Jane (1959) (with Doris Day and Jack Lemmon) as Harry Foster Malone Our Man in Havana (1959) (with Alec Guinness and Noël Coward) as Capt. Segura Wake Me When It's Over (1960) (with Dick Shawn) as Capt. Charlie Stark Strangers When We Meet (1960) (with Kirk Douglas and Kim Novak) as Roger Altar North to Alaska (1960) (with John Wayne) as Frankie Canon Pepe (1960) (with Cantinflas) as Immigration Inspector Five Golden Hours (1961) (with Cyd Charisse and George Sanders) as Aldo Bondi Sail a Crooked Ship (1961, with Robert Wagner) as Bugsy G. Foglemeyer aka The Captain Notes References Bibliography via Project MUSE Further reading Adams, Edie (1990). Sing a Pretty Song: The "Offbeat" Life of Edie Adams, Including the Ernie Kovacs Years. William Morrow; Barker, David Brian (1982). "Every Moment's a Gift": Ernie Kovacs in Hollywood, 1957–1962, a Master's Thesis. Available for viewing at the library at the University of Texas at Austin Rico, Diana (1990). Kovacsland: A Biography of Ernie Kovacs. Harcourt, Brace & Jovanovich; Walley, David (1975). Nothing in Moderation. Drake Publishers; Reprinted as The Ernie Kovacs Phile by David Walley, Bolder Books, 1978 and Fireside/Simon & Schuster, 1987; External links The Official Ernie Kovacs Website Ernie Kovacs Dot Net: A Tribute To Television's Original Genius Kovacsland Online! – the Ernie Kovacs website List of Kovacs' 16 articles for MAD magazine Watch The Jack Benny Program with Ernie Kovacs as guest at the Internet Archive Operation Mad Ball Trailer (1957) at the Internet Archive John Barbour's documentary Ernie Kovacs: Television's Original Genius at John Barbour's World Ernie Kovacs Dutch Masters Cigar Commercial 1919 births 1962 deaths 20th-century American male actors American people of Hungarian descent American comedy writers American game show hosts American male film actors American male television actors American humorists American satirists American comics writers American television talk show hosts Burials at Forest Lawn Memorial Park (Hollywood Hills) Emmy Award winners Mad (magazine) people Male actors from New Jersey Actors from Trenton, New Jersey Road incident deaths in California Trenton Central High School alumni Writers from Trenton, New Jersey American male comedy actors 20th-century American comedians

C_8d50647977304f559cc6b26bd64e27fc_1

when did he die?

When did Ernie Kovacs die?

Ernie Kovacs

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962. Kovacs, who had worked for much of the evening, met Adams at a baby shower given by Billy Wilder for Milton Berle and his wife, who had recently adopted a newborn baby boy. The couple left the party in separate cars. After a light southern California rainstorm, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly, and crashed into a power pole at the corner of Beverly Glen and Santa Monica Boulevards. He was thrown halfway out the passenger side, and died almost instantly from chest and head injuries. A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States. An unlit cigar lay on the pavement, inches from his outstretched arm. Years later, in a documentary about Kovacs, Edie Adams described telephoning the police impatiently when she learned of the crash. An official cupped his hand over the receiver, saying to a colleague, "It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?" With that, Adams's fears were confirmed, and she became inconsolable. Jack Lemmon, who also attended the Berle party, identified Kovacs's body at the morgue because Adams was too distraught to do so. After attending funerals for Hollywood friends, Kovacs had expressed his wishes to Adams that any funeral services for him be kept simple. In keeping with his request, Adams made arrangements for Presbyterian services at the Beverly Hills Community Presbyterian Church. The active pallbearers were Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, Mervyn LeRoy, and Joe Mikolas. Kovacs's father and brother, Andrew and Tom, respectively, served as honorary pallbearers. The attendees included George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle. There was no typical Hollywood-type eulogy, but the church's pastor paid tribute to Kovacs, adding that he once summed up his life in two sentences: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads, "Nothing in moderation--We all loved him." Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52, after a long illness and a lifetime of poor health. Kippie and her husband, Bill Lancaster (1947-1997), a screenwriter and the son of actor Burt Lancaster, are the parents of Kovacs's only grandchild, Keigh Lancaster. His only child with Edie Adams, Mia (1959-1982), was killed on May 8, 1982, also in an automobile accident. Her gravestone reads "Daddy's little girl. We all loved her, too". Mia and Kippie are buried close to their father; when Edie died in 2008, she was buried between Mia and Kippie. CANNOTANSWER

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962.

Ernest Edward Kovacs (January 23, 1919 – January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Kovacs has been credited as an influence by many individuals and shows, including Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Pee-wee's Playhouse, The Muppet Show, Dave Garroway, Andy Kaufman, You Can't Do That on Television, MST3K, Uncle Floyd, among others. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live. While Kovacs and Adams received Emmy nominations for best performances in a comedy series during 1957, his talent was not recognized formally until after his death. The 1962 Emmy for Outstanding Electronic Camera Work and the Directors' Guild award came a short time after his fatal accident. A quarter century later, he was inducted into the Academy of Television Arts & Sciences Hall of Fame. Kovacs also has a star on the Hollywood Walk of Fame for his work in television. In 1986, the Museum of Broadcasting (later to become the Museum of Television & Radio and now the Paley Center for Media) presented an exhibit of Kovacs's work, called The Vision of Ernie Kovacs. The Pulitzer Prize–winning television critic, William Henry III, wrote for the museum's booklet: "Kovacs was more than another wide-eyed, self-ingratiating clown. He was television's first significant video artist." Early life and career Kovacs's father, Andrew John Kovacs, was born in 1890 and emigrated from Tornaújfalu, Hungary, which is now known as Turnianska Nová Ves, Slovakia. Andrew sailed on the S.S. Würzburg via Bremen, arriving at Ellis Island on February 8, 1906, at age 16. He worked as a policeman, restaurateur, and bootlegger, the last so successfully that he moved his wife Mary, son Tom, and his half-brother Ernest Edward Kovacs into a 20-room mansion in the better part of Trenton. Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the onset of the Great Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth-floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later. A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont in 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong tobacco-smoking habit. Kovacs's first paid entertainment work was during 1941 as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of special events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". Start in television Arriving at NBC's Philadelphia affiliate, WPTZ, for an audition wearing a barrel and shorts got Kovacs his first television job in January 1950. His first show was Pick Your Ideal, a fashion and promotional program for the Ideal Manufacturing Company. Before long, Kovacs was also the host of Deadline For Dinner and Now You're Cooking, shows featuring advice from local chefs. When Kovacs's guest chef did not arrive in time for the show, he offered a recipe for "Eggs Scavok" (Kovacs spelled backward). Kovacs seasoned the egg dish with ashes from his cigar. The sponsor was a local propane company. Hosting these shows soon resulted in his becoming host of a program named Three to Get Ready, named for WPTZ's channel 3 spot on television dials. Premiering in November 1950, Three to Get Ready was innovative because it was the first regularly scheduled early morning (7–9am) show in a major television market, predating NBC's Today by more than a year. Prior to this, it had been assumed that few people would watch television at such an early hour. While the show was advertised as early morning news and weather, Kovacs provided this and more in an original manner. When rain was in the weather forecast, Kovacs would get on a ladder and pour water down on the staff member reading the report. Goats were auditioned for a local theater performance and tiny women appeared to walk up his arm. Kovacs also went outside of the studio for some of his skits, running through a downtown Philadelphia restaurant in a gorilla suit in one; in another, he looked into a construction pit, saying it was deep enough to see to China, when a man in Chinese clothing popped up, said a few words in the language, and ran off. Despite its popularity, the weekly prop budget for the show was just $15. Kovacs once asked his viewers to send unwanted items to Channel 3; they filled the station's lobby. The only character no one ever saw inspired more gifts; he was Howard, the World's Strongest Ant. From the time of his WPTZ debut, Howard received more than 30,000 gifts from Kovacs's viewers, including a mink-lined swimming pool. Kovacs began his Early Eyeball Fraternal & Marching Society (EEFMS) while doing Three to Get Ready. There were membership cards with by-laws and ties; the password was a favorite phrase of Kovacs's: "It's Been Real". Kovacs continued the EEFMS on his morning show when he moved to WCBS in New York in 1952. The success of Three to Get Ready proved that people did indeed watch early-morning television, and it was one of the factors that caused NBC to create The Today Show. WPTZ did not begin broadcasting Today when it premiered on January 14, 1952; network influence caused the station to end Three to Get Ready at the end of March of that year. During early 1952, Kovacs was also doing a late morning show for WPTZ named Kovacs on the Corner. Kovacs would walk through an imaginary neighborhood, talking with various characters such as Pete the Cop and Luigi the Barber. As with Three to Get Ready, there were some special segments. "Swap Time" was one of them: Viewers could bring their unwanted items to the WPTZ studios to trade them live on the air with Kovacs. The show made its debut on January 4, 1952, with Kovacs losing creative control of the program soon after it was begun. Kovacs on the Corner was short-lived; it ended on March 28, 1952, along with Three to Get Ready. Kovacs then began work for WCBS-TV in New York with a local morning show and a later network one. Both programs were canceled; Kovacs lost the local morning program for the same reason as Three to Get Ready—the broadcasting time was confiscated by the station's network in 1954. Visual humor and characters At WPTZ, Kovacs began using the ad-libbed and experimental style that would become his reputation, including video effects, superimpositions, reverse polarities and scanning, and quick blackouts. He was also noted for abstraction and carefully timed non-sequitur gags and for allowing the fourth wall to be breached. Kovacs's cameras commonly showed his viewers activity beyond the boundaries of the show set—including crew members and outside the studio itself. Kovacs also liked talking to the off-camera crew and even introduced segments from the studio control room. He frequently made use of accidents and happenstance, incorporating the unexpected into his shows. In one of Kovacs's Philadelphia broadcasts, Oscar Liebetrau, an elderly crew member who was known for often sleeping for the duration of the telecast, was introduced to the audience as "Sleeping Schwartz." Kovacs was once knocked unconscious when a pie smashed into his face still had the plate under it. Kovacs's love of spontaneity extended to his crew, who would occasionally play on-air pranks on him to see how he would react. During one of his NBC shows, Kovacs was appearing as the inept magician Matzoh Heppelwhite. The sketch called for the magician to frequently hit a gong, which was the signal for a sexy female assistant to bring out a bottle and shot glass for a quick snort of alcohol. Stagehands substituted real liquor for the iced tea normally used for the skit. Kovacs realized that he would be called upon to drink a shot of liquor for each successive gong. He pressed on with the sketch and was quite inebriated by the end of the show. Kovacs helped develop camera tricks still common decades after his death. His character Eugene sat at a table to eat his lunch, but as he removed items one at a time from a lunch box, he watched them inexplicably roll down the table into the lap of a man reading a newspaper at the other end. When Kovacs poured milk from a thermos bottle, the stream flowed in a seemingly unusual direction. Never seen on television before, the secret was using a tilted set in front of a camera tilted at the same angle. He constantly sought new techniques and used both primitive and improvised ways of creating visual effects that would later be done electronically. One innovative construction involved attaching a kaleidoscope made from a toilet paper roll to a camera lens with cardboard and tape and setting the resulting abstract images to music. Another was a soup can with both ends removed fitted with angled mirrors. Used on a camera and turning it could put Kovacs seemingly on the ceiling. An underwater stunt involved cigar smoker Kovacs sitting in an easy chair, reading his newspaper and somehow smoking a cigar. Removing it from his mouth, Kovacs was able to exhale a puff of white smoke, all while floating underwater. The trick: the "smoke" was a small amount of milk which he filled his mouth with before submerging. Kovacs repeated the effect for a Dutch Masters television commercial on his ABC game show, Take A Good Look. One of the special effects he employed made it appear as if he was able to look through his assistant, Barbara Loden's, head. The illusion was performed by placing a black patch on Loden's head and standing her against a black background while one studio camera was trained on her. A second one photographed Kovacs, who used the studio monitor to position himself exactly so that his eye would appear to be looking through a hole in her head. He also developed such routines as an all-gorilla version of Swan Lake, a poker game set to Beethoven's Fifth Symphony, the skit Silent Show, in which Eugene interacts with the world accompanied solely by music and sound effects, parodies of typical television commercials and movie genres, and various musical segments with everyday items (such as kitchen appliances or office equipment) moving in sync to music. A popular recurring skit was The Nairobi Trio, three derby-hatted apes miming mechanically and rhythmically to the tune of Robert Maxwell's "Solfeggio". Kovacs used extended sketches and mood pieces or quick blackout gags lasting only seconds. Some could be expensive, such as his famous used-car salesman routine with a jalopy and a breakaway floor: it cost $12,000 to produce the six-second gag. He was one of the first television comedians to use odd fake credits and comments between the legitimate credits and, at times, during his routines. Kovacs reportedly disliked working in front of a live audience, as was the case with the shows he did for NBC during the 1950s. He found the presence of an audience distracting, and those in the seats frequently did not understand some of the more elaborate visual gags and special effects, which could only be appreciated by watching studio monitors instead of the stage. Like many comedians of the era, Kovacs created a rotation of recurring roles. In addition to the silent "Eugene," his most familiar characters were the fey, lisping poet Percy Dovetonsils, and the heavily accented German radio announcer, Wolfgang von Sauerbraten. Mr. Question Man, who answered viewer queries, was a satire on the long-run (1937–56) radio series, The Answer Man. Others included horror show host Auntie Gruesome, bumbling magician Matzoh Heppelwhite, Frenchman Pierre Ragout and Miklos Molnar, the sardonic Hungarian host of a cooking show. The Miklos character wasn't always confined to a kitchen; Kovacs performed a parody of The Howdy Doody Show with "Buffalo Miklos" as the host. Poet Percy Dovetonsils can be found playing Beethoven's Moonlight Sonata on a disappearing piano and as a "Master Detective" on the "Private Eye-Private Eye" presentation of the US Steel Hour on CBS March 8, 1961. On the same show, the Nairobi Trio abandons its instruments for a safe-cracking job; still with a background of "Solfeggio", but speaking, two of the three appear in an "Outer Space" sketch. Kovacs became a regular on NBC Radio's program Monitor beginning during late 1958, often using his Mr. Question Man character in his radio monologues. Kovacs never hesitated to lampoon those considered institutions of radio and television. In April 1954, he started the late-night talk show, The Ernie Kovacs Show, on DuMont Television Network's New York flagship station, WABD. Stage, screen and radio notables were often guests. Archie Bleyer, head of Cadence Records, came to chat one evening. Bleyer had been the long-time orchestra director for Arthur Godfrey's radio and television shows. He had been dismissed by Godfrey the year before, together with fellow cast member, singer Julius La Rosa. In La Rosa's case, he hired a manager, defying an unwritten Godfrey policy. With Bleyer, Godfrey was angered when he found that Bleyer's record company Cadence Records had produced spoken-word material by Don McNeill, host of ABC's Don McNeill's Breakfast Club, which Godfrey considered competition to his show. Bleyer and Kovacs were shown in split screen, with Kovacs wearing a red wig, headphones, and playing a ukulele in a Godfrey imitation, while talking with his guest. Kovacs's television programs included Three to Get Ready (an early morning program seen on Philadelphia's WPTZ from 1950 through 1952), It's Time for Ernie (1951, his first network series), Ernie in Kovacsland, (a summer replacement show for Kukla, Fran and Ollie, 1951), The Ernie Kovacs Show (1952–56 on various networks), a twice-a-week job filling in for Steve Allen as host of The Tonight Show on Mondays and Tuesdays (1956–57), and game shows Gamble on Love, One Minute Please, Time Will Tell (all on DuMont), and Take a Good Look (1959–61). Kovacs was also the host of a program, Silents Please, which showed silent movies on network television, with serious discussion about the movies and their actors. Kovacs had a brief stint as a celebrity panelist for the television series What's My Line?, but took his responsibilities less than seriously, often eschewing a legitimate question for the sake of a laugh. An example: Industrialist Henry J. Kaiser, the founder of an automobile company, was the program's "mystery guest." Previous questioning had established that the mystery guest's name was synonymous with an automobile brand, Kovacs asked, "Are you – and this is just a wild guess – but are you Abraham Lincoln?"—a reference to the Ford Motor Company's Lincoln automobiles. When Kovacs gave an interview admitting that he was absent from the show when he wanted to go out for dinner on a Sunday, his stint on the panel show was ended. TV specials He also did several television specials, including the famous Silent Show (1957), featuring his character, Eugene: the first all-pantomime prime-time network program. After the end of the Dean Martin-Jerry Lewis partnership, NBC offered Lewis the opportunity to host his own 90-minute color television special. Lewis opted to use only 60 minutes, leaving the network 30 minutes to fill; no one wanted this time slot, but Kovacs was willing to have it. The program contained no spoken dialogue and contained only sound effects and music. Featuring Kovacs as the mute, Charlie Chaplin-like character "Eugene", the program contained surreal sight gags. Kovacs developed the Eugene character during the autumn of 1956, when hosting the television series The Tonight Show. Expectations were high for the Lewis program, but it was Kovacs' special that received the most attention; Kovacs received his first movie offer, had a cover story in Life magazine, and received the Sylvania Award that year. In 1961, Kovacs and his co-director, Joe Behar, were recipients of the Directors Guild of America Award for a second version of this program broadcast by the American Broadcasting Company network. A series of monthly half-hour specials for ABC during 1961–62 is often considered his best television work. Produced on videotape using new editing and special effects techniques, it won a 1962 Emmy Award. Kovacs and co-director Behar also won the Directors Guild of America award for an Ernie Kovacs Special based on the earlier, silent "Eugene" program. Kovacs' last ABC special was broadcast posthumously, on January 23, 1962. The Dutch Masters cigar company became well-known during the late 1950s and early 1960s for its sponsorship of various television projects of Ernie Kovacs. The company allowed Kovacs total creative control in the creation of their television commercials for his programs and specials. He produced a series of non-speaking television commercials for Dutch Masters during the run of his television series Take A Good Look which was praised by both television critics and viewers. While praised by critics, Kovacs rarely had a highly-rated show. The Museum of Broadcast Communications says, "It is doubtful that Ernie Kovacs would find a place on television today. He was too zany, too unrestrained, too undisciplined. Perhaps Jack Gould of The New York Times said it best for Ernie Kovacs: 'The fun was in trying'." Other shows had greater success while using elements of Kovacs's style. George Schlatter, producer of the later television series Rowan & Martin's Laugh-In, was married to actress Jolene Brand, who had appeared in Kovacs' comic troupes over the years and had been a frequent participant in his pioneering sketches. Laugh-In made frequent use of the quick blackout gags and surreal humor that marked many Kovacs projects. Another link was a young NBC staffer, Bill Wendell, Kovacs's usual announcer and sometimes a sketch participant. From 1980 to 1995, Wendell was the announcer for David Letterman, whose show and style of humor were greatly influenced by Kovacs. The Music Man Kovacs was also known for his eclectic musical taste. His main theme song was named "Oriental Blues" by Jack Newton. The rendition most often heard was a piano-driven trio version, but, for his primetime show during 1956, music director Harry Sosnik presented a full-blown big-band version. The German song "Die Moritat von Mackie Messer" from The Threepenny Opera (anglicized to "Mack the Knife"), frequently underscored his blackout routines. Songwriter Robert Maxwell's "Solfeggio" became associated with the derby-hatted apes, 'The Nairobi Trio'. In the 1982 TV special Ernie Kovacs: Television's Original Genius, Edie Adams recalled that when Kovacs first heard the melody, he immediately knew what he wanted to do with it, creating a music-box-like trio that moved in time to the tune. Kovacs was introduced to the song in 1954 by Barry Shear, his director at DuMont Television Network. Kovacs matched an unusual treatment of "Sentimental Journey", by Mexican bandleader Juan García Esquivel, to video of an empty office in which various items (pencil sharpeners, water coolers, wall clocks) come to life in rhythm with the music; it was a variation on several famous animations of a decade earlier. The original three-minute presentation was outlined by Kovacs in a four-page, single-spaced memo to his staff. The perfectionist Kovacs describes in minute detail what had to be done and how to do it. The memo ends with this: "I don't know how the hell you're going to get this done by Sunday – but 'rots of ruck." (signed) "Ernie (with love)". Kovacs also made careful use of the shrill singer Leona Anderson—who had somewhat less than a classical (or even listenable) voice, by some estimations—in comic vignettes. Kovacs used classical music as background for silent skits or abstract visual routines, including "Concerto for Orchestra", by Béla Bartók; music from the opera "The Love of Three Oranges", by Sergei Prokofiev; the finale of Igor Stravinsky's suite "The Firebird"; and Richard Strauss' "Till Eulenspiegel's Merry Pranks"; and, from George Gershwin, "Rialto Ripples"--the theme to his shows--as well as parts of Gershwin's "Concerto in F". He may have been known best for using Joseph Haydn's "String Quartet, Opus 3, Number 5" (the "Serenade," actually composed by Roman Hoffstetter) for a series of 1960–61 commercials he created and videotaped for his sponsor, Dutch Masters. For the show of May 22, 1959, Kovacs on Music, Kovacs began by saying, "I have never really understood classical music, so I would like to take this opportunity to explain it to others." He presented a gorilla version of Swan Lake which differed from the usual performance only in the persona of the dancers, along with giant paper clips moving to music and other sketches. He also served as host on a jazz album to benefit the American Cancer Society in 1957, Listening to Jazz with Ernie Kovacs. It was a 15-minute recording featuring some of the celebrities of the art, including pianist Jimmy Yancey and old original New Orleans Jazz Trumpeter Bunk Johnson, soprano saxophonist Sidney Bechet, guitarist Django Reinhardt, composer/pianist/bandleader Duke Ellington and longtime Ellington trumpeter Cootie Williams. Both the Library of Congress and the National Library of Canada have copies of this recording in their collections. In print Kovacs wrote a novel, Zoomar: A Sophisticated Novel about Love and TV (Doubleday, 1957), based on television pioneer Pat Weaver; it took Kovacs only 13 days to write. The book took its title from the Zoomar brand zoom lenses frequently used on television cameras at the time. In a 1960 interview, Edie Adams related that the novel was written after Kovacs' experiences with network television while he was preparing to broadcast the Silent Show. The 1961 British edition was retitled T.V. Medium Rare by its London-based publisher, Transworld. While he worked on several other book projects, Kovacs's only other published title was How to Talk at Gin, published posthumously in 1962. He intended part of the book's proceeds to benefit Cedars-Sinai Medical Center. During 1955–58, he wrote for Mad (his favorite humor magazine), including the feature "Strangely Believe It!" (a parody of Ripley's Believe It or Not! that was a regular feature of his television shows) and Gringo, a board game with ridiculously complicated rules that was renamed Droongo for the television show. Kovacs also wrote the introduction to the 1958 collection Mad For Keeps: A Collection of the Best from Mad Magazine. Television guest star Kovacs and Edie Adams guest starred on what turned out to be the final episode of The Lucille Ball-Desi Arnaz Show, (syndicated as The Lucy-Desi Comedy Hour or We Love Lucy) "Lucy Meets the Moustache", which was in rehearsals during the week of February 28 and filmed on March 3 for an April 1, 1960 network broadcast. "Lucy Meets the Moustache" was the last time Arnaz and Ball worked together and the last time their famous characters appeared in a first-run broadcast. According to Adams, Ball and Arnaz 'avoided contact and barely talked to each other in rehearsals and in-between scenes'. Adams also said that they were not told their episode was the last or that the famous couple was to divorce (Ball entered the uncontested divorce request March 4, 1960). Kovacs also appeared in roles on other television programs. For General Electric Theater's "I Was a Bloodhound" in 1959, Kovacs played the role of detective Barney Colby, whose extraordinary sense of smell helped him solve many seemingly-impossible cases. Colby was hired by a foreign country to recover its symbol of royalty, a baby elephant, who was being held for ransom. Films Kovacs found Hollywood success as a character actor, often typecast as a swarthy military officer (almost always a "Captain" of some sort) in such films as Operation Mad Ball, Wake Me When It's Over and Our Man in Havana. While working in his first film role for Operation Mad Ball, Kovacs was filming a wild party scene after midnight; it was decided to use real champagne for realism. After a few hours of work, someone came up to Kovacs and remarked that he had been having quite a good time chasing starlets all night. Kovacs told the stranger to go to hell, since he was following the script; he later learned the stranger was Harry Cohn, head of Columbia Pictures. Kovacs and Cohn later became friends despite the way they had met, with Cohn giving Kovacs roles in Bell, Book and Candle (1958) and It Happened to Jane (1959). He garnered critical acclaim for film roles such as the perennially-inebriated writer in Bell, Book and Candle and as the cartoonishly-evil head of a railroad company (who resembled Orson Welles' title character in Citizen Kane) in It Happened to Jane, where he had his head shaved and his remaining hair dyed grey for the role. In 1960, he played the base commander Charlie Stark in the comedy Wake Me When It's Over and the con man Frankie Cannon trying to steal John Wayne's gold mine in the western comedy, North to Alaska. His own personal favorite was said to have been the offbeat Five Golden Hours (1961), in which he portrayed a larcenous professional mourner who meets his match in a professional widow played by Cyd Charisse. Kovacs's last movie, Sail a Crooked Ship (also 1961), was released one month before his death. Personal life First marriage Kovacs and his first wife, Bette Wilcox, were married on August 13, 1945. When the marriage ended, he fought for custody of their children, Elizabeth ("Bette") and Kip Raleigh ("Kippie"). The court awarded Kovacs full custody upon determining that his former wife was mentally unstable. The decision was extremely unusual at the time, setting a legal precedent. Wilcox subsequently kidnapped the children, taking them to Florida. After a long and expensive search, Kovacs regained custody. These events were portrayed in the television movie Ernie Kovacs: Between the Laughter (1984), which garnered an Emmy Award nomination for its writer, April Smith. Kovacs was portrayed by Jeff Goldblum. Kovacs's first wife made a legal attempt to gain custody of her two daughters soon after his death. She began August 2, 1962, by claiming $500,000 was her share of Kovacs's estate and charging that her ex-husband had abducted the girls in 1955; Kovacs had been granted legal custody of his daughters in 1952. On August 30, Wilcox filed an affidavit claiming that Kovacs's widow, Edie Adams, the stepmother to the girls, was "unfit" to care for them. Both daughters, Bette and Kippie, testified that they wanted to stay with their stepmother, Edie. Kippie's testimony was very emotional; in it she referred to Edie as "Mommy" and her birth mother as "the other lady." Upon hearing the verdict that the girls would remain in their home, Adams wept, saying, "This is what Ernie would have wanted. Now I can smile." Elizabeth Kovacs's reaction was "I'm so happy I can hardly express myself", after learning she and her sister would not be forced to leave Edie. Second marriage Kovacs and Adams met in 1951 when she was hired to work for his WPTZ show, Three to Get Ready. Her appearance on Arthur Godfrey's Talent Scouts caught the eye of Kovacs's producer, and he asked her to audition for the program. A classically-trained singer, she was able to perform only three popular songs. Edie said later, "I sang them all during the audition, and if they had asked to hear another, I never would have made it." Quoting Kovacs, "I wish I could say I was the big shot that hired her, but it was my show in name only – the producer had all the say. Later on I did have something to say and I said it: 'Let's get married.'" After the couple's first date, Kovacs proceeded to buy a Jaguar car, telling Adams he wanted to take her out in style. He was seriously taken with the beautiful and talented young woman, courting her with imagination and flair. Kovacs's attempts to win Adams' affection included hiring a mariachi band to serenade her backstage at the Broadway musical she was performing in and the sudden gift of a diamond engagement ring, telling her to wear it until she made up her mind. Kovacs continued this romantic quest after the show went out of town. Adams booked a six-week European cruise, which she hoped would let her make up her mind whether or not to marry Kovacs. After only three days away and many long-distance telephone calls, she curtailed her trip and returned to say "yes". They eloped and were married on September 12, 1954, in Mexico City. The ceremony was presided over by former New York City mayor William O'Dwyer and was performed in Spanish, which neither Kovacs nor Adams understood; O'Dwyer had to prompt each of them to say "Sí" at the "I do" portion of the vows. Adams, who had a middle-class upbringing, was smitten by Kovacs's quirky ways; the couple remained together until his death. (She later said about Kovacs, "He treated me like a little girl, and I loved it—Women's Lib be damned!") Adams also aided Kovacs's struggle to reclaim his two older children after the kidnapping by their mother. She also was a regular partner on his television shows. Kovacs usually introduced or addressed her in a businesslike way, as "Edith Adams". Adams was usually willing to do anything he envisioned, whether it was singing seriously, performing impersonations (including a well-regarded impression of Marilyn Monroe) or taking a pie in the face or a pratfall if and when needed. The couple had one daughter, Mia Susan Kovacs, born June 20, 1959. Kovacs and his family shared a 16-room apartment in Manhattan on Central Park West that seemed perfect until he went to California for his first film role in Operation Mad Ball. The experience of the totally different, laid-back lifestyle of Hollywood made a big impression on him. He realized he was working too much in New York; in California he would be able to work fewer hours, do just as well or better and have more time for Edie and his daughters. At the time, he was working most of the time and sleeping about two or three hours a night. Kovacs claimed that he realized it was time for a change when he was telling his girls a bedtime story and found himself thinking of using it for a show instead. Kovacs relocated his family there in 1957, after Edie finished work for the Broadway play Li'l Abner. Death In the early morning hours of January 13, 1962, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly and crashed into a power pole in Beverly Hills. He was thrown halfway out the vehicle's passenger side and died almost instantly from chest and head injuries. A photographer arrived soon after and images of Kovacs' bodywith an unlit cigar on the pavement near his outstretched handappeared in newspapers across the United States. In keeping Kovacs's wishes, a simple service was held at the Beverly Hills Community Presbyterian Church. The pallbearers included Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, and Mervyn LeRoy, and George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle also attended. The pastor said that Kovacs had summed up his life thus: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." He is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads "Nothing in moderation—We all loved him." Tax evasion A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams. His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take a Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less-memorable film roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton; the pilot episode titled "A Pony for Chris"). Kovacs' role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s, who was selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs' estate. The pilot is part of the public collection of the Paley Center for Media. Some of the issues regarding Kovacs' tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs." Adams, who married and divorced twice after Kovacs' death, refused help from celebrity friends who planned a benefit for the purpose. "I can take care of my own children," she said, and resolved to accept offers only from those who wanted to hire her for her talents. Adams eventually paid all of Kovacs's debts. Lost and surviving work Most of Kovacs's early television work was performed live: few kinescopes have survived. Some videotapes of his ABC specials were preserved; others, such as his quirky game show, Take a Good Look, were available mostly in short segments until recently, with the release of some complete, videotaped episodes. After Kovacs's death, Adams discovered not only that her husband owed ABC a great deal of money, but that some networks were systematically erasing and reusing tapes of Kovacs's shows or disposing of the kinescopes and videotapes. She succeeded in purchasing the rights to surviving footage with the proceeds from Kovacs' insurance policy and her own earnings after Kovacs' IRS debts were paid. In March 1996, Adams detailed her experiences before the National Film Preservation Board. Adams first used some of the videotapes she had purchased for a 1968 ABC television special, The Comedy of Ernie Kovacs; to produce the show, she hired Kovacs's former producer and editor. The hour-long program was sponsored by Kovacs's former sponsor, Dutch Masters. Most of Kovacs's salvaged work is available to researchers at the University of California, Los Angeles Library's Department of Special Collections: additional material is available at the Paley Center for Media. The 1984 television film Ernie Kovacs: Between the Laughter helped return Kovacs to the public's attention, though the show emphasized his bid to retrieve his kidnapped children instead of his professional life. Jeff Goldblum portrayed Kovacs, Madolyn Smith portrayed Bette and Melody Anderson portrayed Adams in the movie. Edie Adams appeared in a cameo in this film, playing Mae West; it was one of the impressions she performed in shows with Kovacs. Telecasts of edited compilations of some of his work by PBS (station WTTW, Chicago) under the title The Best of Ernie Kovacs in 1977, inspired the film. These broadcasts were made available on VHS and DVD. The DVD set features extras that are not in the VHS set. The series was narrated by Jack Lemmon. During the early 1990s, The Comedy Channel broadcast a series of Kovacs' shows under the generic title of The Ernie Kovacs Show. The series included both the ABC specials and some of his 1950s shows from NBC. By 2008, there were no broadcast, cable, or satellite channels broadcasting any of Kovacs's television work, other than his panel appearances on What's My Line? on the Game Show Network. On April 19, 2011, Shout! Factory released The Ernie Kovacs Collection, six DVDs spanning Kovacs's television career. The company's website also offers an extra disc with material from Tonight! and The Ernie Kovacs Show, as well as a rare color kinescope of the complete 30-minute 1957 NBC color broadcast featuring "Eugene". On October 23, 2012, Shout! Factory released The Ernie Kovacs Collection: Volume 2 on DVD. In 1961, Kovacs recorded a record album of poetry in the character of Percy Dovetonsils named Percy Dovetonsils Thpeakth, but was unable to release it due to contractual obligations with other record companies. After he was given the masters, Kovacs donated them to a Los Angeles area hospital. Adams was able to re-acquire the tapes in 1967, and they remained part of her private collection until her death in 2008. The tapes were labeled as movie material and were thought to be such until further examination proved they were Kovacs as Percy reading his poems with no music background. The album was finally released in 2012. Kovacs was inducted posthumously into the Broadcast Pioneers of Philadelphia's Hall of Fame in 1992. Partial filmography Operation Mad Ball (1957) (with Jack Lemmon) as Capt. Paul Lock Bell, Book and Candle (1958) (with James Stewart, Kim Novak, and Jack Lemmon as Sidney Redlitch It Happened to Jane (1959) (with Doris Day and Jack Lemmon) as Harry Foster Malone Our Man in Havana (1959) (with Alec Guinness and Noël Coward) as Capt. Segura Wake Me When It's Over (1960) (with Dick Shawn) as Capt. Charlie Stark Strangers When We Meet (1960) (with Kirk Douglas and Kim Novak) as Roger Altar North to Alaska (1960) (with John Wayne) as Frankie Canon Pepe (1960) (with Cantinflas) as Immigration Inspector Five Golden Hours (1961) (with Cyd Charisse and George Sanders) as Aldo Bondi Sail a Crooked Ship (1961, with Robert Wagner) as Bugsy G. Foglemeyer aka The Captain Notes References Bibliography via Project MUSE Further reading Adams, Edie (1990). Sing a Pretty Song: The "Offbeat" Life of Edie Adams, Including the Ernie Kovacs Years. William Morrow; Barker, David Brian (1982). "Every Moment's a Gift": Ernie Kovacs in Hollywood, 1957–1962, a Master's Thesis. Available for viewing at the library at the University of Texas at Austin Rico, Diana (1990). Kovacsland: A Biography of Ernie Kovacs. Harcourt, Brace & Jovanovich; Walley, David (1975). Nothing in Moderation. Drake Publishers; Reprinted as The Ernie Kovacs Phile by David Walley, Bolder Books, 1978 and Fireside/Simon & Schuster, 1987; External links The Official Ernie Kovacs Website Ernie Kovacs Dot Net: A Tribute To Television's Original Genius Kovacsland Online! – the Ernie Kovacs website List of Kovacs' 16 articles for MAD magazine Watch The Jack Benny Program with Ernie Kovacs as guest at the Internet Archive Operation Mad Ball Trailer (1957) at the Internet Archive John Barbour's documentary Ernie Kovacs: Television's Original Genius at John Barbour's World Ernie Kovacs Dutch Masters Cigar Commercial 1919 births 1962 deaths 20th-century American male actors American people of Hungarian descent American comedy writers American game show hosts American male film actors American male television actors American humorists American satirists American comics writers American television talk show hosts Burials at Forest Lawn Memorial Park (Hollywood Hills) Emmy Award winners Mad (magazine) people Male actors from New Jersey Actors from Trenton, New Jersey Road incident deaths in California Trenton Central High School alumni Writers from Trenton, New Jersey American male comedy actors 20th-century American comedians

C_8d50647977304f559cc6b26bd64e27fc_1

did he have a wife?

Did Ernie Kovacs have a wife?

Ernie Kovacs

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962. Kovacs, who had worked for much of the evening, met Adams at a baby shower given by Billy Wilder for Milton Berle and his wife, who had recently adopted a newborn baby boy. The couple left the party in separate cars. After a light southern California rainstorm, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly, and crashed into a power pole at the corner of Beverly Glen and Santa Monica Boulevards. He was thrown halfway out the passenger side, and died almost instantly from chest and head injuries. A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States. An unlit cigar lay on the pavement, inches from his outstretched arm. Years later, in a documentary about Kovacs, Edie Adams described telephoning the police impatiently when she learned of the crash. An official cupped his hand over the receiver, saying to a colleague, "It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?" With that, Adams's fears were confirmed, and she became inconsolable. Jack Lemmon, who also attended the Berle party, identified Kovacs's body at the morgue because Adams was too distraught to do so. After attending funerals for Hollywood friends, Kovacs had expressed his wishes to Adams that any funeral services for him be kept simple. In keeping with his request, Adams made arrangements for Presbyterian services at the Beverly Hills Community Presbyterian Church. The active pallbearers were Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, Mervyn LeRoy, and Joe Mikolas. Kovacs's father and brother, Andrew and Tom, respectively, served as honorary pallbearers. The attendees included George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle. There was no typical Hollywood-type eulogy, but the church's pastor paid tribute to Kovacs, adding that he once summed up his life in two sentences: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads, "Nothing in moderation--We all loved him." Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52, after a long illness and a lifetime of poor health. Kippie and her husband, Bill Lancaster (1947-1997), a screenwriter and the son of actor Burt Lancaster, are the parents of Kovacs's only grandchild, Keigh Lancaster. His only child with Edie Adams, Mia (1959-1982), was killed on May 8, 1982, also in an automobile accident. Her gravestone reads "Daddy's little girl. We all loved her, too". Mia and Kippie are buried close to their father; when Edie died in 2008, she was buried between Mia and Kippie. CANNOTANSWER

"It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?"

Ernest Edward Kovacs (January 23, 1919 – January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Kovacs has been credited as an influence by many individuals and shows, including Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Pee-wee's Playhouse, The Muppet Show, Dave Garroway, Andy Kaufman, You Can't Do That on Television, MST3K, Uncle Floyd, among others. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live. While Kovacs and Adams received Emmy nominations for best performances in a comedy series during 1957, his talent was not recognized formally until after his death. The 1962 Emmy for Outstanding Electronic Camera Work and the Directors' Guild award came a short time after his fatal accident. A quarter century later, he was inducted into the Academy of Television Arts & Sciences Hall of Fame. Kovacs also has a star on the Hollywood Walk of Fame for his work in television. In 1986, the Museum of Broadcasting (later to become the Museum of Television & Radio and now the Paley Center for Media) presented an exhibit of Kovacs's work, called The Vision of Ernie Kovacs. The Pulitzer Prize–winning television critic, William Henry III, wrote for the museum's booklet: "Kovacs was more than another wide-eyed, self-ingratiating clown. He was television's first significant video artist." Early life and career Kovacs's father, Andrew John Kovacs, was born in 1890 and emigrated from Tornaújfalu, Hungary, which is now known as Turnianska Nová Ves, Slovakia. Andrew sailed on the S.S. Würzburg via Bremen, arriving at Ellis Island on February 8, 1906, at age 16. He worked as a policeman, restaurateur, and bootlegger, the last so successfully that he moved his wife Mary, son Tom, and his half-brother Ernest Edward Kovacs into a 20-room mansion in the better part of Trenton. Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the onset of the Great Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth-floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later. A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont in 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong tobacco-smoking habit. Kovacs's first paid entertainment work was during 1941 as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of special events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". Start in television Arriving at NBC's Philadelphia affiliate, WPTZ, for an audition wearing a barrel and shorts got Kovacs his first television job in January 1950. His first show was Pick Your Ideal, a fashion and promotional program for the Ideal Manufacturing Company. Before long, Kovacs was also the host of Deadline For Dinner and Now You're Cooking, shows featuring advice from local chefs. When Kovacs's guest chef did not arrive in time for the show, he offered a recipe for "Eggs Scavok" (Kovacs spelled backward). Kovacs seasoned the egg dish with ashes from his cigar. The sponsor was a local propane company. Hosting these shows soon resulted in his becoming host of a program named Three to Get Ready, named for WPTZ's channel 3 spot on television dials. Premiering in November 1950, Three to Get Ready was innovative because it was the first regularly scheduled early morning (7–9am) show in a major television market, predating NBC's Today by more than a year. Prior to this, it had been assumed that few people would watch television at such an early hour. While the show was advertised as early morning news and weather, Kovacs provided this and more in an original manner. When rain was in the weather forecast, Kovacs would get on a ladder and pour water down on the staff member reading the report. Goats were auditioned for a local theater performance and tiny women appeared to walk up his arm. Kovacs also went outside of the studio for some of his skits, running through a downtown Philadelphia restaurant in a gorilla suit in one; in another, he looked into a construction pit, saying it was deep enough to see to China, when a man in Chinese clothing popped up, said a few words in the language, and ran off. Despite its popularity, the weekly prop budget for the show was just $15. Kovacs once asked his viewers to send unwanted items to Channel 3; they filled the station's lobby. The only character no one ever saw inspired more gifts; he was Howard, the World's Strongest Ant. From the time of his WPTZ debut, Howard received more than 30,000 gifts from Kovacs's viewers, including a mink-lined swimming pool. Kovacs began his Early Eyeball Fraternal & Marching Society (EEFMS) while doing Three to Get Ready. There were membership cards with by-laws and ties; the password was a favorite phrase of Kovacs's: "It's Been Real". Kovacs continued the EEFMS on his morning show when he moved to WCBS in New York in 1952. The success of Three to Get Ready proved that people did indeed watch early-morning television, and it was one of the factors that caused NBC to create The Today Show. WPTZ did not begin broadcasting Today when it premiered on January 14, 1952; network influence caused the station to end Three to Get Ready at the end of March of that year. During early 1952, Kovacs was also doing a late morning show for WPTZ named Kovacs on the Corner. Kovacs would walk through an imaginary neighborhood, talking with various characters such as Pete the Cop and Luigi the Barber. As with Three to Get Ready, there were some special segments. "Swap Time" was one of them: Viewers could bring their unwanted items to the WPTZ studios to trade them live on the air with Kovacs. The show made its debut on January 4, 1952, with Kovacs losing creative control of the program soon after it was begun. Kovacs on the Corner was short-lived; it ended on March 28, 1952, along with Three to Get Ready. Kovacs then began work for WCBS-TV in New York with a local morning show and a later network one. Both programs were canceled; Kovacs lost the local morning program for the same reason as Three to Get Ready—the broadcasting time was confiscated by the station's network in 1954. Visual humor and characters At WPTZ, Kovacs began using the ad-libbed and experimental style that would become his reputation, including video effects, superimpositions, reverse polarities and scanning, and quick blackouts. He was also noted for abstraction and carefully timed non-sequitur gags and for allowing the fourth wall to be breached. Kovacs's cameras commonly showed his viewers activity beyond the boundaries of the show set—including crew members and outside the studio itself. Kovacs also liked talking to the off-camera crew and even introduced segments from the studio control room. He frequently made use of accidents and happenstance, incorporating the unexpected into his shows. In one of Kovacs's Philadelphia broadcasts, Oscar Liebetrau, an elderly crew member who was known for often sleeping for the duration of the telecast, was introduced to the audience as "Sleeping Schwartz." Kovacs was once knocked unconscious when a pie smashed into his face still had the plate under it. Kovacs's love of spontaneity extended to his crew, who would occasionally play on-air pranks on him to see how he would react. During one of his NBC shows, Kovacs was appearing as the inept magician Matzoh Heppelwhite. The sketch called for the magician to frequently hit a gong, which was the signal for a sexy female assistant to bring out a bottle and shot glass for a quick snort of alcohol. Stagehands substituted real liquor for the iced tea normally used for the skit. Kovacs realized that he would be called upon to drink a shot of liquor for each successive gong. He pressed on with the sketch and was quite inebriated by the end of the show. Kovacs helped develop camera tricks still common decades after his death. His character Eugene sat at a table to eat his lunch, but as he removed items one at a time from a lunch box, he watched them inexplicably roll down the table into the lap of a man reading a newspaper at the other end. When Kovacs poured milk from a thermos bottle, the stream flowed in a seemingly unusual direction. Never seen on television before, the secret was using a tilted set in front of a camera tilted at the same angle. He constantly sought new techniques and used both primitive and improvised ways of creating visual effects that would later be done electronically. One innovative construction involved attaching a kaleidoscope made from a toilet paper roll to a camera lens with cardboard and tape and setting the resulting abstract images to music. Another was a soup can with both ends removed fitted with angled mirrors. Used on a camera and turning it could put Kovacs seemingly on the ceiling. An underwater stunt involved cigar smoker Kovacs sitting in an easy chair, reading his newspaper and somehow smoking a cigar. Removing it from his mouth, Kovacs was able to exhale a puff of white smoke, all while floating underwater. The trick: the "smoke" was a small amount of milk which he filled his mouth with before submerging. Kovacs repeated the effect for a Dutch Masters television commercial on his ABC game show, Take A Good Look. One of the special effects he employed made it appear as if he was able to look through his assistant, Barbara Loden's, head. The illusion was performed by placing a black patch on Loden's head and standing her against a black background while one studio camera was trained on her. A second one photographed Kovacs, who used the studio monitor to position himself exactly so that his eye would appear to be looking through a hole in her head. He also developed such routines as an all-gorilla version of Swan Lake, a poker game set to Beethoven's Fifth Symphony, the skit Silent Show, in which Eugene interacts with the world accompanied solely by music and sound effects, parodies of typical television commercials and movie genres, and various musical segments with everyday items (such as kitchen appliances or office equipment) moving in sync to music. A popular recurring skit was The Nairobi Trio, three derby-hatted apes miming mechanically and rhythmically to the tune of Robert Maxwell's "Solfeggio". Kovacs used extended sketches and mood pieces or quick blackout gags lasting only seconds. Some could be expensive, such as his famous used-car salesman routine with a jalopy and a breakaway floor: it cost $12,000 to produce the six-second gag. He was one of the first television comedians to use odd fake credits and comments between the legitimate credits and, at times, during his routines. Kovacs reportedly disliked working in front of a live audience, as was the case with the shows he did for NBC during the 1950s. He found the presence of an audience distracting, and those in the seats frequently did not understand some of the more elaborate visual gags and special effects, which could only be appreciated by watching studio monitors instead of the stage. Like many comedians of the era, Kovacs created a rotation of recurring roles. In addition to the silent "Eugene," his most familiar characters were the fey, lisping poet Percy Dovetonsils, and the heavily accented German radio announcer, Wolfgang von Sauerbraten. Mr. Question Man, who answered viewer queries, was a satire on the long-run (1937–56) radio series, The Answer Man. Others included horror show host Auntie Gruesome, bumbling magician Matzoh Heppelwhite, Frenchman Pierre Ragout and Miklos Molnar, the sardonic Hungarian host of a cooking show. The Miklos character wasn't always confined to a kitchen; Kovacs performed a parody of The Howdy Doody Show with "Buffalo Miklos" as the host. Poet Percy Dovetonsils can be found playing Beethoven's Moonlight Sonata on a disappearing piano and as a "Master Detective" on the "Private Eye-Private Eye" presentation of the US Steel Hour on CBS March 8, 1961. On the same show, the Nairobi Trio abandons its instruments for a safe-cracking job; still with a background of "Solfeggio", but speaking, two of the three appear in an "Outer Space" sketch. Kovacs became a regular on NBC Radio's program Monitor beginning during late 1958, often using his Mr. Question Man character in his radio monologues. Kovacs never hesitated to lampoon those considered institutions of radio and television. In April 1954, he started the late-night talk show, The Ernie Kovacs Show, on DuMont Television Network's New York flagship station, WABD. Stage, screen and radio notables were often guests. Archie Bleyer, head of Cadence Records, came to chat one evening. Bleyer had been the long-time orchestra director for Arthur Godfrey's radio and television shows. He had been dismissed by Godfrey the year before, together with fellow cast member, singer Julius La Rosa. In La Rosa's case, he hired a manager, defying an unwritten Godfrey policy. With Bleyer, Godfrey was angered when he found that Bleyer's record company Cadence Records had produced spoken-word material by Don McNeill, host of ABC's Don McNeill's Breakfast Club, which Godfrey considered competition to his show. Bleyer and Kovacs were shown in split screen, with Kovacs wearing a red wig, headphones, and playing a ukulele in a Godfrey imitation, while talking with his guest. Kovacs's television programs included Three to Get Ready (an early morning program seen on Philadelphia's WPTZ from 1950 through 1952), It's Time for Ernie (1951, his first network series), Ernie in Kovacsland, (a summer replacement show for Kukla, Fran and Ollie, 1951), The Ernie Kovacs Show (1952–56 on various networks), a twice-a-week job filling in for Steve Allen as host of The Tonight Show on Mondays and Tuesdays (1956–57), and game shows Gamble on Love, One Minute Please, Time Will Tell (all on DuMont), and Take a Good Look (1959–61). Kovacs was also the host of a program, Silents Please, which showed silent movies on network television, with serious discussion about the movies and their actors. Kovacs had a brief stint as a celebrity panelist for the television series What's My Line?, but took his responsibilities less than seriously, often eschewing a legitimate question for the sake of a laugh. An example: Industrialist Henry J. Kaiser, the founder of an automobile company, was the program's "mystery guest." Previous questioning had established that the mystery guest's name was synonymous with an automobile brand, Kovacs asked, "Are you – and this is just a wild guess – but are you Abraham Lincoln?"—a reference to the Ford Motor Company's Lincoln automobiles. When Kovacs gave an interview admitting that he was absent from the show when he wanted to go out for dinner on a Sunday, his stint on the panel show was ended. TV specials He also did several television specials, including the famous Silent Show (1957), featuring his character, Eugene: the first all-pantomime prime-time network program. After the end of the Dean Martin-Jerry Lewis partnership, NBC offered Lewis the opportunity to host his own 90-minute color television special. Lewis opted to use only 60 minutes, leaving the network 30 minutes to fill; no one wanted this time slot, but Kovacs was willing to have it. The program contained no spoken dialogue and contained only sound effects and music. Featuring Kovacs as the mute, Charlie Chaplin-like character "Eugene", the program contained surreal sight gags. Kovacs developed the Eugene character during the autumn of 1956, when hosting the television series The Tonight Show. Expectations were high for the Lewis program, but it was Kovacs' special that received the most attention; Kovacs received his first movie offer, had a cover story in Life magazine, and received the Sylvania Award that year. In 1961, Kovacs and his co-director, Joe Behar, were recipients of the Directors Guild of America Award for a second version of this program broadcast by the American Broadcasting Company network. A series of monthly half-hour specials for ABC during 1961–62 is often considered his best television work. Produced on videotape using new editing and special effects techniques, it won a 1962 Emmy Award. Kovacs and co-director Behar also won the Directors Guild of America award for an Ernie Kovacs Special based on the earlier, silent "Eugene" program. Kovacs' last ABC special was broadcast posthumously, on January 23, 1962. The Dutch Masters cigar company became well-known during the late 1950s and early 1960s for its sponsorship of various television projects of Ernie Kovacs. The company allowed Kovacs total creative control in the creation of their television commercials for his programs and specials. He produced a series of non-speaking television commercials for Dutch Masters during the run of his television series Take A Good Look which was praised by both television critics and viewers. While praised by critics, Kovacs rarely had a highly-rated show. The Museum of Broadcast Communications says, "It is doubtful that Ernie Kovacs would find a place on television today. He was too zany, too unrestrained, too undisciplined. Perhaps Jack Gould of The New York Times said it best for Ernie Kovacs: 'The fun was in trying'." Other shows had greater success while using elements of Kovacs's style. George Schlatter, producer of the later television series Rowan & Martin's Laugh-In, was married to actress Jolene Brand, who had appeared in Kovacs' comic troupes over the years and had been a frequent participant in his pioneering sketches. Laugh-In made frequent use of the quick blackout gags and surreal humor that marked many Kovacs projects. Another link was a young NBC staffer, Bill Wendell, Kovacs's usual announcer and sometimes a sketch participant. From 1980 to 1995, Wendell was the announcer for David Letterman, whose show and style of humor were greatly influenced by Kovacs. The Music Man Kovacs was also known for his eclectic musical taste. His main theme song was named "Oriental Blues" by Jack Newton. The rendition most often heard was a piano-driven trio version, but, for his primetime show during 1956, music director Harry Sosnik presented a full-blown big-band version. The German song "Die Moritat von Mackie Messer" from The Threepenny Opera (anglicized to "Mack the Knife"), frequently underscored his blackout routines. Songwriter Robert Maxwell's "Solfeggio" became associated with the derby-hatted apes, 'The Nairobi Trio'. In the 1982 TV special Ernie Kovacs: Television's Original Genius, Edie Adams recalled that when Kovacs first heard the melody, he immediately knew what he wanted to do with it, creating a music-box-like trio that moved in time to the tune. Kovacs was introduced to the song in 1954 by Barry Shear, his director at DuMont Television Network. Kovacs matched an unusual treatment of "Sentimental Journey", by Mexican bandleader Juan García Esquivel, to video of an empty office in which various items (pencil sharpeners, water coolers, wall clocks) come to life in rhythm with the music; it was a variation on several famous animations of a decade earlier. The original three-minute presentation was outlined by Kovacs in a four-page, single-spaced memo to his staff. The perfectionist Kovacs describes in minute detail what had to be done and how to do it. The memo ends with this: "I don't know how the hell you're going to get this done by Sunday – but 'rots of ruck." (signed) "Ernie (with love)". Kovacs also made careful use of the shrill singer Leona Anderson—who had somewhat less than a classical (or even listenable) voice, by some estimations—in comic vignettes. Kovacs used classical music as background for silent skits or abstract visual routines, including "Concerto for Orchestra", by Béla Bartók; music from the opera "The Love of Three Oranges", by Sergei Prokofiev; the finale of Igor Stravinsky's suite "The Firebird"; and Richard Strauss' "Till Eulenspiegel's Merry Pranks"; and, from George Gershwin, "Rialto Ripples"--the theme to his shows--as well as parts of Gershwin's "Concerto in F". He may have been known best for using Joseph Haydn's "String Quartet, Opus 3, Number 5" (the "Serenade," actually composed by Roman Hoffstetter) for a series of 1960–61 commercials he created and videotaped for his sponsor, Dutch Masters. For the show of May 22, 1959, Kovacs on Music, Kovacs began by saying, "I have never really understood classical music, so I would like to take this opportunity to explain it to others." He presented a gorilla version of Swan Lake which differed from the usual performance only in the persona of the dancers, along with giant paper clips moving to music and other sketches. He also served as host on a jazz album to benefit the American Cancer Society in 1957, Listening to Jazz with Ernie Kovacs. It was a 15-minute recording featuring some of the celebrities of the art, including pianist Jimmy Yancey and old original New Orleans Jazz Trumpeter Bunk Johnson, soprano saxophonist Sidney Bechet, guitarist Django Reinhardt, composer/pianist/bandleader Duke Ellington and longtime Ellington trumpeter Cootie Williams. Both the Library of Congress and the National Library of Canada have copies of this recording in their collections. In print Kovacs wrote a novel, Zoomar: A Sophisticated Novel about Love and TV (Doubleday, 1957), based on television pioneer Pat Weaver; it took Kovacs only 13 days to write. The book took its title from the Zoomar brand zoom lenses frequently used on television cameras at the time. In a 1960 interview, Edie Adams related that the novel was written after Kovacs' experiences with network television while he was preparing to broadcast the Silent Show. The 1961 British edition was retitled T.V. Medium Rare by its London-based publisher, Transworld. While he worked on several other book projects, Kovacs's only other published title was How to Talk at Gin, published posthumously in 1962. He intended part of the book's proceeds to benefit Cedars-Sinai Medical Center. During 1955–58, he wrote for Mad (his favorite humor magazine), including the feature "Strangely Believe It!" (a parody of Ripley's Believe It or Not! that was a regular feature of his television shows) and Gringo, a board game with ridiculously complicated rules that was renamed Droongo for the television show. Kovacs also wrote the introduction to the 1958 collection Mad For Keeps: A Collection of the Best from Mad Magazine. Television guest star Kovacs and Edie Adams guest starred on what turned out to be the final episode of The Lucille Ball-Desi Arnaz Show, (syndicated as The Lucy-Desi Comedy Hour or We Love Lucy) "Lucy Meets the Moustache", which was in rehearsals during the week of February 28 and filmed on March 3 for an April 1, 1960 network broadcast. "Lucy Meets the Moustache" was the last time Arnaz and Ball worked together and the last time their famous characters appeared in a first-run broadcast. According to Adams, Ball and Arnaz 'avoided contact and barely talked to each other in rehearsals and in-between scenes'. Adams also said that they were not told their episode was the last or that the famous couple was to divorce (Ball entered the uncontested divorce request March 4, 1960). Kovacs also appeared in roles on other television programs. For General Electric Theater's "I Was a Bloodhound" in 1959, Kovacs played the role of detective Barney Colby, whose extraordinary sense of smell helped him solve many seemingly-impossible cases. Colby was hired by a foreign country to recover its symbol of royalty, a baby elephant, who was being held for ransom. Films Kovacs found Hollywood success as a character actor, often typecast as a swarthy military officer (almost always a "Captain" of some sort) in such films as Operation Mad Ball, Wake Me When It's Over and Our Man in Havana. While working in his first film role for Operation Mad Ball, Kovacs was filming a wild party scene after midnight; it was decided to use real champagne for realism. After a few hours of work, someone came up to Kovacs and remarked that he had been having quite a good time chasing starlets all night. Kovacs told the stranger to go to hell, since he was following the script; he later learned the stranger was Harry Cohn, head of Columbia Pictures. Kovacs and Cohn later became friends despite the way they had met, with Cohn giving Kovacs roles in Bell, Book and Candle (1958) and It Happened to Jane (1959). He garnered critical acclaim for film roles such as the perennially-inebriated writer in Bell, Book and Candle and as the cartoonishly-evil head of a railroad company (who resembled Orson Welles' title character in Citizen Kane) in It Happened to Jane, where he had his head shaved and his remaining hair dyed grey for the role. In 1960, he played the base commander Charlie Stark in the comedy Wake Me When It's Over and the con man Frankie Cannon trying to steal John Wayne's gold mine in the western comedy, North to Alaska. His own personal favorite was said to have been the offbeat Five Golden Hours (1961), in which he portrayed a larcenous professional mourner who meets his match in a professional widow played by Cyd Charisse. Kovacs's last movie, Sail a Crooked Ship (also 1961), was released one month before his death. Personal life First marriage Kovacs and his first wife, Bette Wilcox, were married on August 13, 1945. When the marriage ended, he fought for custody of their children, Elizabeth ("Bette") and Kip Raleigh ("Kippie"). The court awarded Kovacs full custody upon determining that his former wife was mentally unstable. The decision was extremely unusual at the time, setting a legal precedent. Wilcox subsequently kidnapped the children, taking them to Florida. After a long and expensive search, Kovacs regained custody. These events were portrayed in the television movie Ernie Kovacs: Between the Laughter (1984), which garnered an Emmy Award nomination for its writer, April Smith. Kovacs was portrayed by Jeff Goldblum. Kovacs's first wife made a legal attempt to gain custody of her two daughters soon after his death. She began August 2, 1962, by claiming $500,000 was her share of Kovacs's estate and charging that her ex-husband had abducted the girls in 1955; Kovacs had been granted legal custody of his daughters in 1952. On August 30, Wilcox filed an affidavit claiming that Kovacs's widow, Edie Adams, the stepmother to the girls, was "unfit" to care for them. Both daughters, Bette and Kippie, testified that they wanted to stay with their stepmother, Edie. Kippie's testimony was very emotional; in it she referred to Edie as "Mommy" and her birth mother as "the other lady." Upon hearing the verdict that the girls would remain in their home, Adams wept, saying, "This is what Ernie would have wanted. Now I can smile." Elizabeth Kovacs's reaction was "I'm so happy I can hardly express myself", after learning she and her sister would not be forced to leave Edie. Second marriage Kovacs and Adams met in 1951 when she was hired to work for his WPTZ show, Three to Get Ready. Her appearance on Arthur Godfrey's Talent Scouts caught the eye of Kovacs's producer, and he asked her to audition for the program. A classically-trained singer, she was able to perform only three popular songs. Edie said later, "I sang them all during the audition, and if they had asked to hear another, I never would have made it." Quoting Kovacs, "I wish I could say I was the big shot that hired her, but it was my show in name only – the producer had all the say. Later on I did have something to say and I said it: 'Let's get married.'" After the couple's first date, Kovacs proceeded to buy a Jaguar car, telling Adams he wanted to take her out in style. He was seriously taken with the beautiful and talented young woman, courting her with imagination and flair. Kovacs's attempts to win Adams' affection included hiring a mariachi band to serenade her backstage at the Broadway musical she was performing in and the sudden gift of a diamond engagement ring, telling her to wear it until she made up her mind. Kovacs continued this romantic quest after the show went out of town. Adams booked a six-week European cruise, which she hoped would let her make up her mind whether or not to marry Kovacs. After only three days away and many long-distance telephone calls, she curtailed her trip and returned to say "yes". They eloped and were married on September 12, 1954, in Mexico City. The ceremony was presided over by former New York City mayor William O'Dwyer and was performed in Spanish, which neither Kovacs nor Adams understood; O'Dwyer had to prompt each of them to say "Sí" at the "I do" portion of the vows. Adams, who had a middle-class upbringing, was smitten by Kovacs's quirky ways; the couple remained together until his death. (She later said about Kovacs, "He treated me like a little girl, and I loved it—Women's Lib be damned!") Adams also aided Kovacs's struggle to reclaim his two older children after the kidnapping by their mother. She also was a regular partner on his television shows. Kovacs usually introduced or addressed her in a businesslike way, as "Edith Adams". Adams was usually willing to do anything he envisioned, whether it was singing seriously, performing impersonations (including a well-regarded impression of Marilyn Monroe) or taking a pie in the face or a pratfall if and when needed. The couple had one daughter, Mia Susan Kovacs, born June 20, 1959. Kovacs and his family shared a 16-room apartment in Manhattan on Central Park West that seemed perfect until he went to California for his first film role in Operation Mad Ball. The experience of the totally different, laid-back lifestyle of Hollywood made a big impression on him. He realized he was working too much in New York; in California he would be able to work fewer hours, do just as well or better and have more time for Edie and his daughters. At the time, he was working most of the time and sleeping about two or three hours a night. Kovacs claimed that he realized it was time for a change when he was telling his girls a bedtime story and found himself thinking of using it for a show instead. Kovacs relocated his family there in 1957, after Edie finished work for the Broadway play Li'l Abner. Death In the early morning hours of January 13, 1962, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly and crashed into a power pole in Beverly Hills. He was thrown halfway out the vehicle's passenger side and died almost instantly from chest and head injuries. A photographer arrived soon after and images of Kovacs' bodywith an unlit cigar on the pavement near his outstretched handappeared in newspapers across the United States. In keeping Kovacs's wishes, a simple service was held at the Beverly Hills Community Presbyterian Church. The pallbearers included Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, and Mervyn LeRoy, and George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle also attended. The pastor said that Kovacs had summed up his life thus: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." He is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads "Nothing in moderation—We all loved him." Tax evasion A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams. His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take a Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less-memorable film roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton; the pilot episode titled "A Pony for Chris"). Kovacs' role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s, who was selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs' estate. The pilot is part of the public collection of the Paley Center for Media. Some of the issues regarding Kovacs' tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs." Adams, who married and divorced twice after Kovacs' death, refused help from celebrity friends who planned a benefit for the purpose. "I can take care of my own children," she said, and resolved to accept offers only from those who wanted to hire her for her talents. Adams eventually paid all of Kovacs's debts. Lost and surviving work Most of Kovacs's early television work was performed live: few kinescopes have survived. Some videotapes of his ABC specials were preserved; others, such as his quirky game show, Take a Good Look, were available mostly in short segments until recently, with the release of some complete, videotaped episodes. After Kovacs's death, Adams discovered not only that her husband owed ABC a great deal of money, but that some networks were systematically erasing and reusing tapes of Kovacs's shows or disposing of the kinescopes and videotapes. She succeeded in purchasing the rights to surviving footage with the proceeds from Kovacs' insurance policy and her own earnings after Kovacs' IRS debts were paid. In March 1996, Adams detailed her experiences before the National Film Preservation Board. Adams first used some of the videotapes she had purchased for a 1968 ABC television special, The Comedy of Ernie Kovacs; to produce the show, she hired Kovacs's former producer and editor. The hour-long program was sponsored by Kovacs's former sponsor, Dutch Masters. Most of Kovacs's salvaged work is available to researchers at the University of California, Los Angeles Library's Department of Special Collections: additional material is available at the Paley Center for Media. The 1984 television film Ernie Kovacs: Between the Laughter helped return Kovacs to the public's attention, though the show emphasized his bid to retrieve his kidnapped children instead of his professional life. Jeff Goldblum portrayed Kovacs, Madolyn Smith portrayed Bette and Melody Anderson portrayed Adams in the movie. Edie Adams appeared in a cameo in this film, playing Mae West; it was one of the impressions she performed in shows with Kovacs. Telecasts of edited compilations of some of his work by PBS (station WTTW, Chicago) under the title The Best of Ernie Kovacs in 1977, inspired the film. These broadcasts were made available on VHS and DVD. The DVD set features extras that are not in the VHS set. The series was narrated by Jack Lemmon. During the early 1990s, The Comedy Channel broadcast a series of Kovacs' shows under the generic title of The Ernie Kovacs Show. The series included both the ABC specials and some of his 1950s shows from NBC. By 2008, there were no broadcast, cable, or satellite channels broadcasting any of Kovacs's television work, other than his panel appearances on What's My Line? on the Game Show Network. On April 19, 2011, Shout! Factory released The Ernie Kovacs Collection, six DVDs spanning Kovacs's television career. The company's website also offers an extra disc with material from Tonight! and The Ernie Kovacs Show, as well as a rare color kinescope of the complete 30-minute 1957 NBC color broadcast featuring "Eugene". On October 23, 2012, Shout! Factory released The Ernie Kovacs Collection: Volume 2 on DVD. In 1961, Kovacs recorded a record album of poetry in the character of Percy Dovetonsils named Percy Dovetonsils Thpeakth, but was unable to release it due to contractual obligations with other record companies. After he was given the masters, Kovacs donated them to a Los Angeles area hospital. Adams was able to re-acquire the tapes in 1967, and they remained part of her private collection until her death in 2008. The tapes were labeled as movie material and were thought to be such until further examination proved they were Kovacs as Percy reading his poems with no music background. The album was finally released in 2012. Kovacs was inducted posthumously into the Broadcast Pioneers of Philadelphia's Hall of Fame in 1992. Partial filmography Operation Mad Ball (1957) (with Jack Lemmon) as Capt. Paul Lock Bell, Book and Candle (1958) (with James Stewart, Kim Novak, and Jack Lemmon as Sidney Redlitch It Happened to Jane (1959) (with Doris Day and Jack Lemmon) as Harry Foster Malone Our Man in Havana (1959) (with Alec Guinness and Noël Coward) as Capt. Segura Wake Me When It's Over (1960) (with Dick Shawn) as Capt. Charlie Stark Strangers When We Meet (1960) (with Kirk Douglas and Kim Novak) as Roger Altar North to Alaska (1960) (with John Wayne) as Frankie Canon Pepe (1960) (with Cantinflas) as Immigration Inspector Five Golden Hours (1961) (with Cyd Charisse and George Sanders) as Aldo Bondi Sail a Crooked Ship (1961, with Robert Wagner) as Bugsy G. Foglemeyer aka The Captain Notes References Bibliography via Project MUSE Further reading Adams, Edie (1990). Sing a Pretty Song: The "Offbeat" Life of Edie Adams, Including the Ernie Kovacs Years. William Morrow; Barker, David Brian (1982). "Every Moment's a Gift": Ernie Kovacs in Hollywood, 1957–1962, a Master's Thesis. Available for viewing at the library at the University of Texas at Austin Rico, Diana (1990). Kovacsland: A Biography of Ernie Kovacs. Harcourt, Brace & Jovanovich; Walley, David (1975). Nothing in Moderation. Drake Publishers; Reprinted as The Ernie Kovacs Phile by David Walley, Bolder Books, 1978 and Fireside/Simon & Schuster, 1987; External links The Official Ernie Kovacs Website Ernie Kovacs Dot Net: A Tribute To Television's Original Genius Kovacsland Online! – the Ernie Kovacs website List of Kovacs' 16 articles for MAD magazine Watch The Jack Benny Program with Ernie Kovacs as guest at the Internet Archive Operation Mad Ball Trailer (1957) at the Internet Archive John Barbour's documentary Ernie Kovacs: Television's Original Genius at John Barbour's World Ernie Kovacs Dutch Masters Cigar Commercial 1919 births 1962 deaths 20th-century American male actors American people of Hungarian descent American comedy writers American game show hosts American male film actors American male television actors American humorists American satirists American comics writers American television talk show hosts Burials at Forest Lawn Memorial Park (Hollywood Hills) Emmy Award winners Mad (magazine) people Male actors from New Jersey Actors from Trenton, New Jersey Road incident deaths in California Trenton Central High School alumni Writers from Trenton, New Jersey American male comedy actors 20th-century American comedians

C_8d50647977304f559cc6b26bd64e27fc_1

what did they tell her?

What did the people speaking to Ernie's wife tell Mrs. Kovacs?

Ernie Kovacs

Kovacs was killed in a car accident in Los Angeles during the early morning hours of January 13, 1962. Kovacs, who had worked for much of the evening, met Adams at a baby shower given by Billy Wilder for Milton Berle and his wife, who had recently adopted a newborn baby boy. The couple left the party in separate cars. After a light southern California rainstorm, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly, and crashed into a power pole at the corner of Beverly Glen and Santa Monica Boulevards. He was thrown halfway out the passenger side, and died almost instantly from chest and head injuries. A photographer managed to arrive moments later, and graphic images of Kovacs's dead body appeared in newspapers across the United States. An unlit cigar lay on the pavement, inches from his outstretched arm. Years later, in a documentary about Kovacs, Edie Adams described telephoning the police impatiently when she learned of the crash. An official cupped his hand over the receiver, saying to a colleague, "It's Mrs. Kovacs, he's on his way to the coroner - what should I tell her?" With that, Adams's fears were confirmed, and she became inconsolable. Jack Lemmon, who also attended the Berle party, identified Kovacs's body at the morgue because Adams was too distraught to do so. After attending funerals for Hollywood friends, Kovacs had expressed his wishes to Adams that any funeral services for him be kept simple. In keeping with his request, Adams made arrangements for Presbyterian services at the Beverly Hills Community Presbyterian Church. The active pallbearers were Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, Mervyn LeRoy, and Joe Mikolas. Kovacs's father and brother, Andrew and Tom, respectively, served as honorary pallbearers. The attendees included George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle. There was no typical Hollywood-type eulogy, but the church's pastor paid tribute to Kovacs, adding that he once summed up his life in two sentences: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." Kovacs is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads, "Nothing in moderation--We all loved him." Only one of Kovacs's three children survives: his eldest, Elizabeth, from his first marriage. Kippie, his second daughter, died on July 28, 2001 at the age of 52, after a long illness and a lifetime of poor health. Kippie and her husband, Bill Lancaster (1947-1997), a screenwriter and the son of actor Burt Lancaster, are the parents of Kovacs's only grandchild, Keigh Lancaster. His only child with Edie Adams, Mia (1959-1982), was killed on May 8, 1982, also in an automobile accident. Her gravestone reads "Daddy's little girl. We all loved her, too". Mia and Kippie are buried close to their father; when Edie died in 2008, she was buried between Mia and Kippie. CANNOTANSWER

With that, Adams's fears were confirmed, and she became inconsolable.

Ernest Edward Kovacs (January 23, 1919 – January 13, 1962) was an American comedian, actor, and writer. Kovacs's visually experimental and often spontaneous comedic style influenced numerous television comedy programs for years after his death. Kovacs has been credited as an influence by many individuals and shows, including Johnny Carson, David Letterman, Rowan and Martin's Laugh-In, Saturday Night Live, Monty Python's Flying Circus, Jim Henson, Max Headroom, Chevy Chase, Conan O'Brien, Jimmy Kimmel, Captain Kangaroo, Sesame Street, The Electric Company, Pee-wee's Playhouse, The Muppet Show, Dave Garroway, Andy Kaufman, You Can't Do That on Television, MST3K, Uncle Floyd, among others. Chevy Chase thanked Kovacs during his acceptance speech for his Emmy award for Saturday Night Live. While Kovacs and Adams received Emmy nominations for best performances in a comedy series during 1957, his talent was not recognized formally until after his death. The 1962 Emmy for Outstanding Electronic Camera Work and the Directors' Guild award came a short time after his fatal accident. A quarter century later, he was inducted into the Academy of Television Arts & Sciences Hall of Fame. Kovacs also has a star on the Hollywood Walk of Fame for his work in television. In 1986, the Museum of Broadcasting (later to become the Museum of Television & Radio and now the Paley Center for Media) presented an exhibit of Kovacs's work, called The Vision of Ernie Kovacs. The Pulitzer Prize–winning television critic, William Henry III, wrote for the museum's booklet: "Kovacs was more than another wide-eyed, self-ingratiating clown. He was television's first significant video artist." Early life and career Kovacs's father, Andrew John Kovacs, was born in 1890 and emigrated from Tornaújfalu, Hungary, which is now known as Turnianska Nová Ves, Slovakia. Andrew sailed on the S.S. Würzburg via Bremen, arriving at Ellis Island on February 8, 1906, at age 16. He worked as a policeman, restaurateur, and bootlegger, the last so successfully that he moved his wife Mary, son Tom, and his half-brother Ernest Edward Kovacs into a 20-room mansion in the better part of Trenton. Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the onset of the Great Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth-floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later. A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont in 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong tobacco-smoking habit. Kovacs's first paid entertainment work was during 1941 as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of special events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". Start in television Arriving at NBC's Philadelphia affiliate, WPTZ, for an audition wearing a barrel and shorts got Kovacs his first television job in January 1950. His first show was Pick Your Ideal, a fashion and promotional program for the Ideal Manufacturing Company. Before long, Kovacs was also the host of Deadline For Dinner and Now You're Cooking, shows featuring advice from local chefs. When Kovacs's guest chef did not arrive in time for the show, he offered a recipe for "Eggs Scavok" (Kovacs spelled backward). Kovacs seasoned the egg dish with ashes from his cigar. The sponsor was a local propane company. Hosting these shows soon resulted in his becoming host of a program named Three to Get Ready, named for WPTZ's channel 3 spot on television dials. Premiering in November 1950, Three to Get Ready was innovative because it was the first regularly scheduled early morning (7–9am) show in a major television market, predating NBC's Today by more than a year. Prior to this, it had been assumed that few people would watch television at such an early hour. While the show was advertised as early morning news and weather, Kovacs provided this and more in an original manner. When rain was in the weather forecast, Kovacs would get on a ladder and pour water down on the staff member reading the report. Goats were auditioned for a local theater performance and tiny women appeared to walk up his arm. Kovacs also went outside of the studio for some of his skits, running through a downtown Philadelphia restaurant in a gorilla suit in one; in another, he looked into a construction pit, saying it was deep enough to see to China, when a man in Chinese clothing popped up, said a few words in the language, and ran off. Despite its popularity, the weekly prop budget for the show was just $15. Kovacs once asked his viewers to send unwanted items to Channel 3; they filled the station's lobby. The only character no one ever saw inspired more gifts; he was Howard, the World's Strongest Ant. From the time of his WPTZ debut, Howard received more than 30,000 gifts from Kovacs's viewers, including a mink-lined swimming pool. Kovacs began his Early Eyeball Fraternal & Marching Society (EEFMS) while doing Three to Get Ready. There were membership cards with by-laws and ties; the password was a favorite phrase of Kovacs's: "It's Been Real". Kovacs continued the EEFMS on his morning show when he moved to WCBS in New York in 1952. The success of Three to Get Ready proved that people did indeed watch early-morning television, and it was one of the factors that caused NBC to create The Today Show. WPTZ did not begin broadcasting Today when it premiered on January 14, 1952; network influence caused the station to end Three to Get Ready at the end of March of that year. During early 1952, Kovacs was also doing a late morning show for WPTZ named Kovacs on the Corner. Kovacs would walk through an imaginary neighborhood, talking with various characters such as Pete the Cop and Luigi the Barber. As with Three to Get Ready, there were some special segments. "Swap Time" was one of them: Viewers could bring their unwanted items to the WPTZ studios to trade them live on the air with Kovacs. The show made its debut on January 4, 1952, with Kovacs losing creative control of the program soon after it was begun. Kovacs on the Corner was short-lived; it ended on March 28, 1952, along with Three to Get Ready. Kovacs then began work for WCBS-TV in New York with a local morning show and a later network one. Both programs were canceled; Kovacs lost the local morning program for the same reason as Three to Get Ready—the broadcasting time was confiscated by the station's network in 1954. Visual humor and characters At WPTZ, Kovacs began using the ad-libbed and experimental style that would become his reputation, including video effects, superimpositions, reverse polarities and scanning, and quick blackouts. He was also noted for abstraction and carefully timed non-sequitur gags and for allowing the fourth wall to be breached. Kovacs's cameras commonly showed his viewers activity beyond the boundaries of the show set—including crew members and outside the studio itself. Kovacs also liked talking to the off-camera crew and even introduced segments from the studio control room. He frequently made use of accidents and happenstance, incorporating the unexpected into his shows. In one of Kovacs's Philadelphia broadcasts, Oscar Liebetrau, an elderly crew member who was known for often sleeping for the duration of the telecast, was introduced to the audience as "Sleeping Schwartz." Kovacs was once knocked unconscious when a pie smashed into his face still had the plate under it. Kovacs's love of spontaneity extended to his crew, who would occasionally play on-air pranks on him to see how he would react. During one of his NBC shows, Kovacs was appearing as the inept magician Matzoh Heppelwhite. The sketch called for the magician to frequently hit a gong, which was the signal for a sexy female assistant to bring out a bottle and shot glass for a quick snort of alcohol. Stagehands substituted real liquor for the iced tea normally used for the skit. Kovacs realized that he would be called upon to drink a shot of liquor for each successive gong. He pressed on with the sketch and was quite inebriated by the end of the show. Kovacs helped develop camera tricks still common decades after his death. His character Eugene sat at a table to eat his lunch, but as he removed items one at a time from a lunch box, he watched them inexplicably roll down the table into the lap of a man reading a newspaper at the other end. When Kovacs poured milk from a thermos bottle, the stream flowed in a seemingly unusual direction. Never seen on television before, the secret was using a tilted set in front of a camera tilted at the same angle. He constantly sought new techniques and used both primitive and improvised ways of creating visual effects that would later be done electronically. One innovative construction involved attaching a kaleidoscope made from a toilet paper roll to a camera lens with cardboard and tape and setting the resulting abstract images to music. Another was a soup can with both ends removed fitted with angled mirrors. Used on a camera and turning it could put Kovacs seemingly on the ceiling. An underwater stunt involved cigar smoker Kovacs sitting in an easy chair, reading his newspaper and somehow smoking a cigar. Removing it from his mouth, Kovacs was able to exhale a puff of white smoke, all while floating underwater. The trick: the "smoke" was a small amount of milk which he filled his mouth with before submerging. Kovacs repeated the effect for a Dutch Masters television commercial on his ABC game show, Take A Good Look. One of the special effects he employed made it appear as if he was able to look through his assistant, Barbara Loden's, head. The illusion was performed by placing a black patch on Loden's head and standing her against a black background while one studio camera was trained on her. A second one photographed Kovacs, who used the studio monitor to position himself exactly so that his eye would appear to be looking through a hole in her head. He also developed such routines as an all-gorilla version of Swan Lake, a poker game set to Beethoven's Fifth Symphony, the skit Silent Show, in which Eugene interacts with the world accompanied solely by music and sound effects, parodies of typical television commercials and movie genres, and various musical segments with everyday items (such as kitchen appliances or office equipment) moving in sync to music. A popular recurring skit was The Nairobi Trio, three derby-hatted apes miming mechanically and rhythmically to the tune of Robert Maxwell's "Solfeggio". Kovacs used extended sketches and mood pieces or quick blackout gags lasting only seconds. Some could be expensive, such as his famous used-car salesman routine with a jalopy and a breakaway floor: it cost $12,000 to produce the six-second gag. He was one of the first television comedians to use odd fake credits and comments between the legitimate credits and, at times, during his routines. Kovacs reportedly disliked working in front of a live audience, as was the case with the shows he did for NBC during the 1950s. He found the presence of an audience distracting, and those in the seats frequently did not understand some of the more elaborate visual gags and special effects, which could only be appreciated by watching studio monitors instead of the stage. Like many comedians of the era, Kovacs created a rotation of recurring roles. In addition to the silent "Eugene," his most familiar characters were the fey, lisping poet Percy Dovetonsils, and the heavily accented German radio announcer, Wolfgang von Sauerbraten. Mr. Question Man, who answered viewer queries, was a satire on the long-run (1937–56) radio series, The Answer Man. Others included horror show host Auntie Gruesome, bumbling magician Matzoh Heppelwhite, Frenchman Pierre Ragout and Miklos Molnar, the sardonic Hungarian host of a cooking show. The Miklos character wasn't always confined to a kitchen; Kovacs performed a parody of The Howdy Doody Show with "Buffalo Miklos" as the host. Poet Percy Dovetonsils can be found playing Beethoven's Moonlight Sonata on a disappearing piano and as a "Master Detective" on the "Private Eye-Private Eye" presentation of the US Steel Hour on CBS March 8, 1961. On the same show, the Nairobi Trio abandons its instruments for a safe-cracking job; still with a background of "Solfeggio", but speaking, two of the three appear in an "Outer Space" sketch. Kovacs became a regular on NBC Radio's program Monitor beginning during late 1958, often using his Mr. Question Man character in his radio monologues. Kovacs never hesitated to lampoon those considered institutions of radio and television. In April 1954, he started the late-night talk show, The Ernie Kovacs Show, on DuMont Television Network's New York flagship station, WABD. Stage, screen and radio notables were often guests. Archie Bleyer, head of Cadence Records, came to chat one evening. Bleyer had been the long-time orchestra director for Arthur Godfrey's radio and television shows. He had been dismissed by Godfrey the year before, together with fellow cast member, singer Julius La Rosa. In La Rosa's case, he hired a manager, defying an unwritten Godfrey policy. With Bleyer, Godfrey was angered when he found that Bleyer's record company Cadence Records had produced spoken-word material by Don McNeill, host of ABC's Don McNeill's Breakfast Club, which Godfrey considered competition to his show. Bleyer and Kovacs were shown in split screen, with Kovacs wearing a red wig, headphones, and playing a ukulele in a Godfrey imitation, while talking with his guest. Kovacs's television programs included Three to Get Ready (an early morning program seen on Philadelphia's WPTZ from 1950 through 1952), It's Time for Ernie (1951, his first network series), Ernie in Kovacsland, (a summer replacement show for Kukla, Fran and Ollie, 1951), The Ernie Kovacs Show (1952–56 on various networks), a twice-a-week job filling in for Steve Allen as host of The Tonight Show on Mondays and Tuesdays (1956–57), and game shows Gamble on Love, One Minute Please, Time Will Tell (all on DuMont), and Take a Good Look (1959–61). Kovacs was also the host of a program, Silents Please, which showed silent movies on network television, with serious discussion about the movies and their actors. Kovacs had a brief stint as a celebrity panelist for the television series What's My Line?, but took his responsibilities less than seriously, often eschewing a legitimate question for the sake of a laugh. An example: Industrialist Henry J. Kaiser, the founder of an automobile company, was the program's "mystery guest." Previous questioning had established that the mystery guest's name was synonymous with an automobile brand, Kovacs asked, "Are you – and this is just a wild guess – but are you Abraham Lincoln?"—a reference to the Ford Motor Company's Lincoln automobiles. When Kovacs gave an interview admitting that he was absent from the show when he wanted to go out for dinner on a Sunday, his stint on the panel show was ended. TV specials He also did several television specials, including the famous Silent Show (1957), featuring his character, Eugene: the first all-pantomime prime-time network program. After the end of the Dean Martin-Jerry Lewis partnership, NBC offered Lewis the opportunity to host his own 90-minute color television special. Lewis opted to use only 60 minutes, leaving the network 30 minutes to fill; no one wanted this time slot, but Kovacs was willing to have it. The program contained no spoken dialogue and contained only sound effects and music. Featuring Kovacs as the mute, Charlie Chaplin-like character "Eugene", the program contained surreal sight gags. Kovacs developed the Eugene character during the autumn of 1956, when hosting the television series The Tonight Show. Expectations were high for the Lewis program, but it was Kovacs' special that received the most attention; Kovacs received his first movie offer, had a cover story in Life magazine, and received the Sylvania Award that year. In 1961, Kovacs and his co-director, Joe Behar, were recipients of the Directors Guild of America Award for a second version of this program broadcast by the American Broadcasting Company network. A series of monthly half-hour specials for ABC during 1961–62 is often considered his best television work. Produced on videotape using new editing and special effects techniques, it won a 1962 Emmy Award. Kovacs and co-director Behar also won the Directors Guild of America award for an Ernie Kovacs Special based on the earlier, silent "Eugene" program. Kovacs' last ABC special was broadcast posthumously, on January 23, 1962. The Dutch Masters cigar company became well-known during the late 1950s and early 1960s for its sponsorship of various television projects of Ernie Kovacs. The company allowed Kovacs total creative control in the creation of their television commercials for his programs and specials. He produced a series of non-speaking television commercials for Dutch Masters during the run of his television series Take A Good Look which was praised by both television critics and viewers. While praised by critics, Kovacs rarely had a highly-rated show. The Museum of Broadcast Communications says, "It is doubtful that Ernie Kovacs would find a place on television today. He was too zany, too unrestrained, too undisciplined. Perhaps Jack Gould of The New York Times said it best for Ernie Kovacs: 'The fun was in trying'." Other shows had greater success while using elements of Kovacs's style. George Schlatter, producer of the later television series Rowan & Martin's Laugh-In, was married to actress Jolene Brand, who had appeared in Kovacs' comic troupes over the years and had been a frequent participant in his pioneering sketches. Laugh-In made frequent use of the quick blackout gags and surreal humor that marked many Kovacs projects. Another link was a young NBC staffer, Bill Wendell, Kovacs's usual announcer and sometimes a sketch participant. From 1980 to 1995, Wendell was the announcer for David Letterman, whose show and style of humor were greatly influenced by Kovacs. The Music Man Kovacs was also known for his eclectic musical taste. His main theme song was named "Oriental Blues" by Jack Newton. The rendition most often heard was a piano-driven trio version, but, for his primetime show during 1956, music director Harry Sosnik presented a full-blown big-band version. The German song "Die Moritat von Mackie Messer" from The Threepenny Opera (anglicized to "Mack the Knife"), frequently underscored his blackout routines. Songwriter Robert Maxwell's "Solfeggio" became associated with the derby-hatted apes, 'The Nairobi Trio'. In the 1982 TV special Ernie Kovacs: Television's Original Genius, Edie Adams recalled that when Kovacs first heard the melody, he immediately knew what he wanted to do with it, creating a music-box-like trio that moved in time to the tune. Kovacs was introduced to the song in 1954 by Barry Shear, his director at DuMont Television Network. Kovacs matched an unusual treatment of "Sentimental Journey", by Mexican bandleader Juan García Esquivel, to video of an empty office in which various items (pencil sharpeners, water coolers, wall clocks) come to life in rhythm with the music; it was a variation on several famous animations of a decade earlier. The original three-minute presentation was outlined by Kovacs in a four-page, single-spaced memo to his staff. The perfectionist Kovacs describes in minute detail what had to be done and how to do it. The memo ends with this: "I don't know how the hell you're going to get this done by Sunday – but 'rots of ruck." (signed) "Ernie (with love)". Kovacs also made careful use of the shrill singer Leona Anderson—who had somewhat less than a classical (or even listenable) voice, by some estimations—in comic vignettes. Kovacs used classical music as background for silent skits or abstract visual routines, including "Concerto for Orchestra", by Béla Bartók; music from the opera "The Love of Three Oranges", by Sergei Prokofiev; the finale of Igor Stravinsky's suite "The Firebird"; and Richard Strauss' "Till Eulenspiegel's Merry Pranks"; and, from George Gershwin, "Rialto Ripples"--the theme to his shows--as well as parts of Gershwin's "Concerto in F". He may have been known best for using Joseph Haydn's "String Quartet, Opus 3, Number 5" (the "Serenade," actually composed by Roman Hoffstetter) for a series of 1960–61 commercials he created and videotaped for his sponsor, Dutch Masters. For the show of May 22, 1959, Kovacs on Music, Kovacs began by saying, "I have never really understood classical music, so I would like to take this opportunity to explain it to others." He presented a gorilla version of Swan Lake which differed from the usual performance only in the persona of the dancers, along with giant paper clips moving to music and other sketches. He also served as host on a jazz album to benefit the American Cancer Society in 1957, Listening to Jazz with Ernie Kovacs. It was a 15-minute recording featuring some of the celebrities of the art, including pianist Jimmy Yancey and old original New Orleans Jazz Trumpeter Bunk Johnson, soprano saxophonist Sidney Bechet, guitarist Django Reinhardt, composer/pianist/bandleader Duke Ellington and longtime Ellington trumpeter Cootie Williams. Both the Library of Congress and the National Library of Canada have copies of this recording in their collections. In print Kovacs wrote a novel, Zoomar: A Sophisticated Novel about Love and TV (Doubleday, 1957), based on television pioneer Pat Weaver; it took Kovacs only 13 days to write. The book took its title from the Zoomar brand zoom lenses frequently used on television cameras at the time. In a 1960 interview, Edie Adams related that the novel was written after Kovacs' experiences with network television while he was preparing to broadcast the Silent Show. The 1961 British edition was retitled T.V. Medium Rare by its London-based publisher, Transworld. While he worked on several other book projects, Kovacs's only other published title was How to Talk at Gin, published posthumously in 1962. He intended part of the book's proceeds to benefit Cedars-Sinai Medical Center. During 1955–58, he wrote for Mad (his favorite humor magazine), including the feature "Strangely Believe It!" (a parody of Ripley's Believe It or Not! that was a regular feature of his television shows) and Gringo, a board game with ridiculously complicated rules that was renamed Droongo for the television show. Kovacs also wrote the introduction to the 1958 collection Mad For Keeps: A Collection of the Best from Mad Magazine. Television guest star Kovacs and Edie Adams guest starred on what turned out to be the final episode of The Lucille Ball-Desi Arnaz Show, (syndicated as The Lucy-Desi Comedy Hour or We Love Lucy) "Lucy Meets the Moustache", which was in rehearsals during the week of February 28 and filmed on March 3 for an April 1, 1960 network broadcast. "Lucy Meets the Moustache" was the last time Arnaz and Ball worked together and the last time their famous characters appeared in a first-run broadcast. According to Adams, Ball and Arnaz 'avoided contact and barely talked to each other in rehearsals and in-between scenes'. Adams also said that they were not told their episode was the last or that the famous couple was to divorce (Ball entered the uncontested divorce request March 4, 1960). Kovacs also appeared in roles on other television programs. For General Electric Theater's "I Was a Bloodhound" in 1959, Kovacs played the role of detective Barney Colby, whose extraordinary sense of smell helped him solve many seemingly-impossible cases. Colby was hired by a foreign country to recover its symbol of royalty, a baby elephant, who was being held for ransom. Films Kovacs found Hollywood success as a character actor, often typecast as a swarthy military officer (almost always a "Captain" of some sort) in such films as Operation Mad Ball, Wake Me When It's Over and Our Man in Havana. While working in his first film role for Operation Mad Ball, Kovacs was filming a wild party scene after midnight; it was decided to use real champagne for realism. After a few hours of work, someone came up to Kovacs and remarked that he had been having quite a good time chasing starlets all night. Kovacs told the stranger to go to hell, since he was following the script; he later learned the stranger was Harry Cohn, head of Columbia Pictures. Kovacs and Cohn later became friends despite the way they had met, with Cohn giving Kovacs roles in Bell, Book and Candle (1958) and It Happened to Jane (1959). He garnered critical acclaim for film roles such as the perennially-inebriated writer in Bell, Book and Candle and as the cartoonishly-evil head of a railroad company (who resembled Orson Welles' title character in Citizen Kane) in It Happened to Jane, where he had his head shaved and his remaining hair dyed grey for the role. In 1960, he played the base commander Charlie Stark in the comedy Wake Me When It's Over and the con man Frankie Cannon trying to steal John Wayne's gold mine in the western comedy, North to Alaska. His own personal favorite was said to have been the offbeat Five Golden Hours (1961), in which he portrayed a larcenous professional mourner who meets his match in a professional widow played by Cyd Charisse. Kovacs's last movie, Sail a Crooked Ship (also 1961), was released one month before his death. Personal life First marriage Kovacs and his first wife, Bette Wilcox, were married on August 13, 1945. When the marriage ended, he fought for custody of their children, Elizabeth ("Bette") and Kip Raleigh ("Kippie"). The court awarded Kovacs full custody upon determining that his former wife was mentally unstable. The decision was extremely unusual at the time, setting a legal precedent. Wilcox subsequently kidnapped the children, taking them to Florida. After a long and expensive search, Kovacs regained custody. These events were portrayed in the television movie Ernie Kovacs: Between the Laughter (1984), which garnered an Emmy Award nomination for its writer, April Smith. Kovacs was portrayed by Jeff Goldblum. Kovacs's first wife made a legal attempt to gain custody of her two daughters soon after his death. She began August 2, 1962, by claiming $500,000 was her share of Kovacs's estate and charging that her ex-husband had abducted the girls in 1955; Kovacs had been granted legal custody of his daughters in 1952. On August 30, Wilcox filed an affidavit claiming that Kovacs's widow, Edie Adams, the stepmother to the girls, was "unfit" to care for them. Both daughters, Bette and Kippie, testified that they wanted to stay with their stepmother, Edie. Kippie's testimony was very emotional; in it she referred to Edie as "Mommy" and her birth mother as "the other lady." Upon hearing the verdict that the girls would remain in their home, Adams wept, saying, "This is what Ernie would have wanted. Now I can smile." Elizabeth Kovacs's reaction was "I'm so happy I can hardly express myself", after learning she and her sister would not be forced to leave Edie. Second marriage Kovacs and Adams met in 1951 when she was hired to work for his WPTZ show, Three to Get Ready. Her appearance on Arthur Godfrey's Talent Scouts caught the eye of Kovacs's producer, and he asked her to audition for the program. A classically-trained singer, she was able to perform only three popular songs. Edie said later, "I sang them all during the audition, and if they had asked to hear another, I never would have made it." Quoting Kovacs, "I wish I could say I was the big shot that hired her, but it was my show in name only – the producer had all the say. Later on I did have something to say and I said it: 'Let's get married.'" After the couple's first date, Kovacs proceeded to buy a Jaguar car, telling Adams he wanted to take her out in style. He was seriously taken with the beautiful and talented young woman, courting her with imagination and flair. Kovacs's attempts to win Adams' affection included hiring a mariachi band to serenade her backstage at the Broadway musical she was performing in and the sudden gift of a diamond engagement ring, telling her to wear it until she made up her mind. Kovacs continued this romantic quest after the show went out of town. Adams booked a six-week European cruise, which she hoped would let her make up her mind whether or not to marry Kovacs. After only three days away and many long-distance telephone calls, she curtailed her trip and returned to say "yes". They eloped and were married on September 12, 1954, in Mexico City. The ceremony was presided over by former New York City mayor William O'Dwyer and was performed in Spanish, which neither Kovacs nor Adams understood; O'Dwyer had to prompt each of them to say "Sí" at the "I do" portion of the vows. Adams, who had a middle-class upbringing, was smitten by Kovacs's quirky ways; the couple remained together until his death. (She later said about Kovacs, "He treated me like a little girl, and I loved it—Women's Lib be damned!") Adams also aided Kovacs's struggle to reclaim his two older children after the kidnapping by their mother. She also was a regular partner on his television shows. Kovacs usually introduced or addressed her in a businesslike way, as "Edith Adams". Adams was usually willing to do anything he envisioned, whether it was singing seriously, performing impersonations (including a well-regarded impression of Marilyn Monroe) or taking a pie in the face or a pratfall if and when needed. The couple had one daughter, Mia Susan Kovacs, born June 20, 1959. Kovacs and his family shared a 16-room apartment in Manhattan on Central Park West that seemed perfect until he went to California for his first film role in Operation Mad Ball. The experience of the totally different, laid-back lifestyle of Hollywood made a big impression on him. He realized he was working too much in New York; in California he would be able to work fewer hours, do just as well or better and have more time for Edie and his daughters. At the time, he was working most of the time and sleeping about two or three hours a night. Kovacs claimed that he realized it was time for a change when he was telling his girls a bedtime story and found himself thinking of using it for a show instead. Kovacs relocated his family there in 1957, after Edie finished work for the Broadway play Li'l Abner. Death In the early morning hours of January 13, 1962, Kovacs lost control of his Chevrolet Corvair station wagon while turning quickly and crashed into a power pole in Beverly Hills. He was thrown halfway out the vehicle's passenger side and died almost instantly from chest and head injuries. A photographer arrived soon after and images of Kovacs' bodywith an unlit cigar on the pavement near his outstretched handappeared in newspapers across the United States. In keeping Kovacs's wishes, a simple service was held at the Beverly Hills Community Presbyterian Church. The pallbearers included Jack Lemmon, Frank Sinatra, Dean Martin, Billy Wilder, and Mervyn LeRoy, and George Burns, Groucho Marx, Edward G. Robinson, Kirk Douglas, Jack Benny, James Stewart, Charlton Heston, Buster Keaton and Milton Berle also attended. The pastor said that Kovacs had summed up his life thus: "I was born in Trenton, New Jersey in 1919 to a Hungarian couple. I've been smoking cigars ever since." He is buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles. His epitaph reads "Nothing in moderation—We all loved him." Tax evasion A frequent critic of the U.S. tax system, Kovacs owed the Internal Revenue Service several hundred thousand dollars in back taxes, due to his refusal to pay the bulk of them. Up to 90% of his earnings were garnished as a result. His long battles with the IRS inspired Kovacs to invest his money in a convoluted series of paper corporations in the U.S. and Canada. He would give them bizarre names, such as "The Bazooka Dooka Hicka Hocka Hookah Company". In 1961, Kovacs was served with a $75,000 lien for back taxes; that same day he bought the California Racquet Club with the apparent hope of being able to use it as a tax write-off. The property had mortgages at the time of purchase which were later paid by Edie Adams. His tax woes also affected Kovacs's career, forcing him to take any offered work to pay his debt. This included the ABC game show Take a Good Look, appearances on variety shows such as NBC's The Ford Show, Starring Tennessee Ernie Ford, and some of his less-memorable film roles. He also filmed an unaired 1962 pilot episode for a proposed CBS series, Medicine Man (co-starring Buster Keaton; the pilot episode titled "A Pony for Chris"). Kovacs' role was that of Dr. P. Crookshank, a traveling medicine salesman in the 1870s, who was selling Mother McGreevy's Wizard Juice, also known as "man's best friend in a bottle". This was abandoned after his death, which occurred the day after filming some scenes for the pilot in Griffith Park. CBS initially intended to broadcast the show as part of a summer replacement program, The Comedy Spot, but decided against it due to problems with Kovacs' estate. The pilot is part of the public collection of the Paley Center for Media. Some of the issues regarding Kovacs' tax problems were still unresolved years after his death. Kovacs had purchased two insurance policies in 1951; his mother was named as the primary beneficiary of them. The IRS placed a lien against them both for their cash value in 1961. To stop the actions being taken against her, Mary Kovacs had to go to Federal court. The court's early 1966 ruling resolved the issue, with the last sentence of the document reading: "Prima facie, it looks as if, within the limits of discretion permitted the government by the relevant statutes, an injustice is being done Mary Kovacs." Adams, who married and divorced twice after Kovacs' death, refused help from celebrity friends who planned a benefit for the purpose. "I can take care of my own children," she said, and resolved to accept offers only from those who wanted to hire her for her talents. Adams eventually paid all of Kovacs's debts. Lost and surviving work Most of Kovacs's early television work was performed live: few kinescopes have survived. Some videotapes of his ABC specials were preserved; others, such as his quirky game show, Take a Good Look, were available mostly in short segments until recently, with the release of some complete, videotaped episodes. After Kovacs's death, Adams discovered not only that her husband owed ABC a great deal of money, but that some networks were systematically erasing and reusing tapes of Kovacs's shows or disposing of the kinescopes and videotapes. She succeeded in purchasing the rights to surviving footage with the proceeds from Kovacs' insurance policy and her own earnings after Kovacs' IRS debts were paid. In March 1996, Adams detailed her experiences before the National Film Preservation Board. Adams first used some of the videotapes she had purchased for a 1968 ABC television special, The Comedy of Ernie Kovacs; to produce the show, she hired Kovacs's former producer and editor. The hour-long program was sponsored by Kovacs's former sponsor, Dutch Masters. Most of Kovacs's salvaged work is available to researchers at the University of California, Los Angeles Library's Department of Special Collections: additional material is available at the Paley Center for Media. The 1984 television film Ernie Kovacs: Between the Laughter helped return Kovacs to the public's attention, though the show emphasized his bid to retrieve his kidnapped children instead of his professional life. Jeff Goldblum portrayed Kovacs, Madolyn Smith portrayed Bette and Melody Anderson portrayed Adams in the movie. Edie Adams appeared in a cameo in this film, playing Mae West; it was one of the impressions she performed in shows with Kovacs. Telecasts of edited compilations of some of his work by PBS (station WTTW, Chicago) under the title The Best of Ernie Kovacs in 1977, inspired the film. These broadcasts were made available on VHS and DVD. The DVD set features extras that are not in the VHS set. The series was narrated by Jack Lemmon. During the early 1990s, The Comedy Channel broadcast a series of Kovacs' shows under the generic title of The Ernie Kovacs Show. The series included both the ABC specials and some of his 1950s shows from NBC. By 2008, there were no broadcast, cable, or satellite channels broadcasting any of Kovacs's television work, other than his panel appearances on What's My Line? on the Game Show Network. On April 19, 2011, Shout! Factory released The Ernie Kovacs Collection, six DVDs spanning Kovacs's television career. The company's website also offers an extra disc with material from Tonight! and The Ernie Kovacs Show, as well as a rare color kinescope of the complete 30-minute 1957 NBC color broadcast featuring "Eugene". On October 23, 2012, Shout! Factory released The Ernie Kovacs Collection: Volume 2 on DVD. In 1961, Kovacs recorded a record album of poetry in the character of Percy Dovetonsils named Percy Dovetonsils Thpeakth, but was unable to release it due to contractual obligations with other record companies. After he was given the masters, Kovacs donated them to a Los Angeles area hospital. Adams was able to re-acquire the tapes in 1967, and they remained part of her private collection until her death in 2008. The tapes were labeled as movie material and were thought to be such until further examination proved they were Kovacs as Percy reading his poems with no music background. The album was finally released in 2012. Kovacs was inducted posthumously into the Broadcast Pioneers of Philadelphia's Hall of Fame in 1992. Partial filmography Operation Mad Ball (1957) (with Jack Lemmon) as Capt. Paul Lock Bell, Book and Candle (1958) (with James Stewart, Kim Novak, and Jack Lemmon as Sidney Redlitch It Happened to Jane (1959) (with Doris Day and Jack Lemmon) as Harry Foster Malone Our Man in Havana (1959) (with Alec Guinness and Noël Coward) as Capt. Segura Wake Me When It's Over (1960) (with Dick Shawn) as Capt. Charlie Stark Strangers When We Meet (1960) (with Kirk Douglas and Kim Novak) as Roger Altar North to Alaska (1960) (with John Wayne) as Frankie Canon Pepe (1960) (with Cantinflas) as Immigration Inspector Five Golden Hours (1961) (with Cyd Charisse and George Sanders) as Aldo Bondi Sail a Crooked Ship (1961, with Robert Wagner) as Bugsy G. Foglemeyer aka The Captain Notes References Bibliography via Project MUSE Further reading Adams, Edie (1990). Sing a Pretty Song: The "Offbeat" Life of Edie Adams, Including the Ernie Kovacs Years. William Morrow; Barker, David Brian (1982). "Every Moment's a Gift": Ernie Kovacs in Hollywood, 1957–1962, a Master's Thesis. Available for viewing at the library at the University of Texas at Austin Rico, Diana (1990). Kovacsland: A Biography of Ernie Kovacs. Harcourt, Brace & Jovanovich; Walley, David (1975). Nothing in Moderation. Drake Publishers; Reprinted as The Ernie Kovacs Phile by David Walley, Bolder Books, 1978 and Fireside/Simon & Schuster, 1987; External links The Official Ernie Kovacs Website Ernie Kovacs Dot Net: A Tribute To Television's Original Genius Kovacsland Online! – the Ernie Kovacs website List of Kovacs' 16 articles for MAD magazine Watch The Jack Benny Program with Ernie Kovacs as guest at the Internet Archive Operation Mad Ball Trailer (1957) at the Internet Archive John Barbour's documentary Ernie Kovacs: Television's Original Genius at John Barbour's World Ernie Kovacs Dutch Masters Cigar Commercial 1919 births 1962 deaths 20th-century American male actors American people of Hungarian descent American comedy writers American game show hosts American male film actors American male television actors American humorists American satirists American comics writers American television talk show hosts Burials at Forest Lawn Memorial Park (Hollywood Hills) Emmy Award winners Mad (magazine) people Male actors from New Jersey Actors from Trenton, New Jersey Road incident deaths in California Trenton Central High School alumni Writers from Trenton, New Jersey American male comedy actors 20th-century American comedians

C_61f7b6bfa43f4590b3b5f6583174f11a_0

What albums were released bewteen 2005-2010?

What albums for 3 Doors Down were released between 2005-2010?

3 Doors Down

By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. The band recorded in 2009 a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". CANNOTANSWER

the band had sold 12 million albums.

3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, "Kryptonite", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits "When I'm Gone" and "Here Without You". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading "Doors Down". Since the band consisted of three people at the time, they added the "3" to create "3 Doors Down". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of "Kryptonite" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: "Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them." Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, "Kryptonite", "Loser", and "Duck and Run". A fourth single, "Be Like That" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the "American Pie 2 Edit". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including "When I'm Gone", "Here Without You", and "The Road I'm On". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, "Dangerous Game", "Dead Love", and "Wasted Me", but only "Dangerous Game" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video "When I'm Gone". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song "That Smell". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual "3 Doors Down and Friends" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released "When You're Young" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, "Every Time You Go" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that "3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the "Gang of Outlaws" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song "One Light" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of "In the Air Tonight" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell "got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled "Songs from the Basement" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was "proud" to perform and that he thinks it would be a "good experience". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: "Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar." Vail continued that the band's choice to perform had a lot to do with their "God, guns, and country black-and-white sort of viewpoint" and that "they spend a lot of time going to Iraq, doing service, playing for the troops." In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; "Who knows when we'll follow that one up. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us." In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called "Shine", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: "When You're Young" followed by "Kryptonite". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists

C_61f7b6bfa43f4590b3b5f6583174f11a_0

What were the titles of the albums?

What were the titles of the albums for 3 Doors Down released between 2005-2010??

3 Doors Down

By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. The band recorded in 2009 a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". CANNOTANSWER

2005's Seventeen Days,

3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, "Kryptonite", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits "When I'm Gone" and "Here Without You". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading "Doors Down". Since the band consisted of three people at the time, they added the "3" to create "3 Doors Down". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of "Kryptonite" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: "Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them." Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, "Kryptonite", "Loser", and "Duck and Run". A fourth single, "Be Like That" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the "American Pie 2 Edit". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including "When I'm Gone", "Here Without You", and "The Road I'm On". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, "Dangerous Game", "Dead Love", and "Wasted Me", but only "Dangerous Game" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video "When I'm Gone". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song "That Smell". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual "3 Doors Down and Friends" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released "When You're Young" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, "Every Time You Go" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that "3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the "Gang of Outlaws" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song "One Light" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of "In the Air Tonight" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell "got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled "Songs from the Basement" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was "proud" to perform and that he thinks it would be a "good experience". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: "Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar." Vail continued that the band's choice to perform had a lot to do with their "God, guns, and country black-and-white sort of viewpoint" and that "they spend a lot of time going to Iraq, doing service, playing for the troops." In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; "Who knows when we'll follow that one up. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us." In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called "Shine", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: "When You're Young" followed by "Kryptonite". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists