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I don't think it was really decided, Director. |
Oh, German! German! Please let it be German. |
My dear fellow, the language is not finally the point. Do you really think that subject is quite appropriate for a national theatre? |
Why not? It's charming. I mean, I don't actually show concubines exposing their! their! It's not indecent! It's highly moral, Majesty. It's full of proper German virtues. I swear it. Absolutely! |
Well done, Mozart. Really quite fine. |
Baron! |
Mozart |
Sire, only opera can do this. In a play, if more than one person speaks at the same time, it's just noise. No one can understand a word. But with music, with music you can have twenty individuals all talking at once, and it's not noise it's a perfect harmony. Isn't that marvelous? |
Mozart, music is not the issue here. No one doubts your talent. It is your judgment of literature that's in question. Even with the politics taken out, this thing would still remain a vulgar farce. Why waste your spirit on such rubbish? Surely you can choose more elevated themes? |
Elevated? What does that mean? Elevated! The only thing a man should elevate is oh, excuse me. I'm sorry. I'm stupid. But I am fed up to the teeth with elevated things! Old dead legends! How can we go on forever writing about gods and legends? |
Because they do. They go on forever at least what they represent. The eternal in us, not the ephemeral. Opera is here to ennoble us. You and me, just as much as His Majesty. |
What is this, Herr Chamberlain? |
What is what? |
Why do I have to submit samples of my work to some stupid committee? Just to teach a sixteenyearold girl. |
Because His Majesty wishes it. |
Is the Emperor angry with me? |
On the contrary. |
Then why doesn't he simply appoint me to the post? |
Mozart, you are not the only composer in Vienna. |
No, but I'm the best. |
A little modesty would suit you better. |
Who is on this committee? |
Kapellmeister Bonno, Count Orsini Rosenberg and Court Composer Salieri. |
Naturally, the Italians! Of course! Always the Italians! |
Mozart |
They hate my music. It terrifies them. The only sound Italians understand is banality. Tonic and dominant, tonic and dominant, from here to Resurrection! Baba! Baba! Baba! Baba! Anything else is morbid. |
Mozart |
Show them one interesting modulation and they faint. Ohime! Morbidezza! Morbidezza! Italians are musical idiots and you want them to judge my music! |
Look, young man, the issue is simple. If you want this post, you must submit your stuff in the same way as all your colleagues. |
Must I? Well, I won't! I tell you straight: I will not! |
Herr Mozart |
May I just do that, Majesty? Show you how it begins? Just that? |
Oh? Have I seen it? |
I I don't think you have, Herr Director. Not yet. I mean, it's quite n Of course, I'll show it to you immediately. |
I think you'd better. |
You mean in Turkey? |
Exactly. |
Then why especially does it have to be in German? |
Well not especially. It can be in Turkish, if you really want. I don't care. |
What you think, Mozart, is scarcely the point. It is what His Majesty thinks that counts. |
But, Your Majesty |
That will do, Herr Mozart! |
Just let me tell you how it begins. |
Mozart! Herr Mozart, may I have a word with you please. Right away. |
Certainly, Herr Director. |
Did you not know that His Majesty has expressly forbidden ballet in his operas? |
Yes, but this is not a ballet. This is a dance at Figaro's wedding. |
Exactly. A dance. |
But surely the Emperor didn't mean to prohibit dancing when it's part of the story. |
It is dangerous for you to interpret His Majesty's edicts. Give me your score, please. |
What are you doing, Herr Director? |
Taking out what you should never have put in. |
Can we see the scene with the music back, please? |
Oh yes, certainly. Certainly, Herr Director! |
I know your work well, Signore. Do you know I actually composed some variations on a melody of yours? |
Really? |
Mio caro Adone. |
Ah! |
A funny little tune, but it yielded some good things. |
Love, Sire! |
Ah, love! Well of course in Italy we know nothing about that. |
Yes! yes! er, on the whole, yes, Majesty. |
But this is absurd! |
Dear Mozart, my sincere congratulations. |
Did you like it, then? |
How could I not? |
It really is the best music one can hear in Vienna today. Don't you agree? |
Herr Mozart, what brings you here? |
Your Excellency, you requested some specimens of my work. Here they are. I don't have to tell you how much I need your help. I truly appreciate your looking at these. I have pressures on me financial pressures. As you know, I'm a married man now. |
So you are. How is your pretty wife? |
She is well. She is well, actually, I'm about to become a father! She only told me last night. You are the first to know. |
I'm flattered. And congratulations to you, of course. |
So you see, this post is very important to me right now. |
Why didn't you come to me yesterday, Mozart? This is a most painful situation. Yesterday I could have helped you. Today, I can't. |
Why? Here is the music. It's here. I am submitting it humbly. Isn't that what you wanted? |
I have just come from the palace. The post has been filled. |
Filled? That's impossible! They haven't even seen my work. I need this post. Please, can't you help me? Please! |
My dear Mozart, there is no one in the world I would rather help, but now it is too late. |
Whom did they choose? |
Herr Sommer. |
Sommer? Herr Sommer? But the man's a fool! He's a total mediocrity. |
No, no, no: he has yet to achieve mediocrity. |
But I can't lose this post, I simply can't! Excellency, please. Let's go to the palace, and you can explain to the Emperor that Herr Sommer is an awful choice. He could actually do musical harm to the Princess! |
An implausible idea. Between you and me, no one in the world could do musical harm to the Princess Elizabeth. |
Look, I must have pupils. Without pupils I can't manage. |
You don't mean to tell me you are living in poverty? |
No, but I'm broke. I'm always broke. I don't know why. |
It has been said, my friend, that you are inclined to live somewhat above your means. |
How can anyone say that? We have no cook, no maid. We have no footman. Nothing at all! |
How is that possible? You give concerts, don't you? I hear they are quite successful. |
They're stupendously successful. You can't get a seat. The only problem is none will hire me. They all want to hear me play, but they won't let me teach their daughters. As if I was some kind of fiend. I'm not a fiend! |
Of course not. |
Do you have a daughter? |
I'm afraid not. |
Well, could you lend me some money till you have one? Then I'll teach her for free. That's a promise. Oh, I'm sorry. I'm being silly. Papa's right I should put a padlock on my mouth. Seriously, is there any chance you could manage a loan? Only for six months, eight at most. After that I'll be the richest man in Vienna. I'll pay you back double. Anything. Name your terms. I'm not joking. I'm working on something that's going to explode like a bomb all over Europe! |
Ah, how exciting! Tell me more. |
I'd better not. It's a bit of a secret. |
Come, come, Mozart; I'm interested. Truly. |
Actually, it's a big secret. Oh, this is delicious! What is it? |
Cream cheese mixed with granulated sugar and suffused with rum. Crema al Mascarpone. |
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