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Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Question: What meal do Hundert's students give him? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What meal do Hundert's students give him? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Question: Who does Hundert teach ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who does Hundert teach ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Martin Blythe's son

duorc_ParaphraseRC_question_answering

Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Question: Which Teacher retired after the contest? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Which Teacher retired after the contest? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Hundert

duorc_ParaphraseRC_question_answering

Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Question: Who wins the competition? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who wins the competition? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Mehta

duorc_ParaphraseRC_question_answering

Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Question: What is Hundert's new student's name? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What is Hundert's new student's name? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Sedgwick Bell

duorc_ParaphraseRC_question_answering

Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

Question: Where does Hundert take a trip? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Where does Hundert take a trip? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Emperor's Club Context: Professor William Hundert is a distinguished Classics history teacher at St. Benedict's Academy for Boys. Another year is beginning, and the students file in and introduce themselves. Hundert has a certain plaque above his door he requires one student, Martin Blythe to read. The plaque states: "I am Shutruk Nahunte, King Anshand and Sussa, sovereign of the land of Elam. By command of Ishushinck I destroyed Sippar, took the stele of Niran-Sin, and brought it back to Elam, where I erected it as an offering to my god, Inshushink." He requires his students to look up Shutruk Nahunte, then stops them, saying they won't find it in any history book, because Nahunte is not any. Hundert then says that Nahunte was virtually forgotten because "Ambition and conquest without contribution is without significance." Then he challenges his students, saying "What will your contribution be? How will history remember you?" which becomes the theme of the film. A friendly relationship between Hundert and fellow teacher Elizabeth is also introduced, as she has returned from Greece and presents Hundert with a snow globe of the Parthenon.A new student enter the fray shortly after, a certain Sedgewick Bell, the son of a senator from West Virginia. The cocky Bell starkly contradicts the principled Hundert, and various acts of rebellion lead to much tension between the two. As Bell's attitude worsens, and Hundert unable to straighten him, Hundert feels forced to travel to Washington D.C. and have a word with Senator Bell, Sedgewick's father. The Senator shows a surprising amount of apathy in his son's character development, and reprimands Hundert, telling him that Hundert's job is to teach him facts out of a text book, but not to influence him as a person. Hundert dejectedly returns to St. Benedict's and begins preparations for a certain "Mr. Julius Caesar" contest. The three finalists are determined by a series of essays given by Hundert, and the three highest net scores proceed to the finals, where they stand on stage in togas and...

To the co ed school

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: What do George and Kenny do together? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What do George and Kenny do together? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Went to beach and swim naked.

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Why has Kenny fallen asleep holding George's gun? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Why has Kenny fallen asleep holding George's gun? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

So George doesn't kill himself

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: How long os George and Jim's relationship? If there is no answer, please output "Insufficient information to provide an answer.".

Question: How long os George and Jim's relationship? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

16 years

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: What date does the film take place? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What date does the film take place? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

November 30, 1962

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Who is George's friend? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who is George's friend? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Charley

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Who is George's longtime partner? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who is George's longtime partner? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Jim

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: How long was George and Jim's relationship? If there is no answer, please output "Insufficient information to provide an answer.".

Question: How long was George and Jim's relationship? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

16 years

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Where did George go? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Where did George go? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

snow-white scenery

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Who calls George ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who calls George ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Jim's cousin

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: What do George and Kenny do after having drinks? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What do George and Kenny do after having drinks? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Swim naked at the beach

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Who follows George to the bar? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who follows George to the bar? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Kenny

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: George Falconer is played by what actor? If there is no answer, please output "Insufficient information to provide an answer.".

Question: George Falconer is played by what actor? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Colin Firth

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Who followed George? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who followed George? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Kenny

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: What is the profession of the Single Man? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What is the profession of the Single Man? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

English professor

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: What profession does Jon Kortajarena have in the movie? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What profession does Jon Kortajarena have in the movie? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Convenience store worker

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Why did Kenny fall asleep holding George's gun? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Why did Kenny fall asleep holding George's gun? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Who angers George with their lack of understanding? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who angers George with their lack of understanding? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Jim's homophobic family

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: How does George die? If there is no answer, please output "Insufficient information to provide an answer.".

Question: How does George die? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

heart attack

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: Where do George and Kenny meet? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Where do George and Kenny meet? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

UCLA campus after class

duorc_ParaphraseRC_question_answering

Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Question: What is Carlos' profession? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What is Carlos' profession? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: A Single Man Context: George Falconer (Colin Firth) approaches a car accident in the middle of a snow-white scenery. There is a bloodied man there and he kisses him. He wakes up: he was dreaming about the moment when his partner of 16 years, Jim (Mathew Goode), died--though he was not there with him because Jim was visiting his disapproving family on his own. George remembers the phone ringing on that fateful day, when Jim's cousin told him about the fatal accident, and how George was not welcome to attend the funeral, because of the family's homophobia (common for the period and later). George remembers breaking down to Charley (Julianne Moore) that day, his best friend from his life in London, who had also relocated to LA; once briefly sexually attached to George before he was completely honest with himself, she may still feel attracted to him.George showers and dresses. It's November 30, 1962, the eve of the Cuban missile crisis. Though British, he is now a professor of English at UCLA. He is depressed, never having recovered from his loss; and when he leaves for work, he packs a gun in his briefcase.He tells his cleaning lady Alva (Paulette Lamori) that she has always been wonderful - in spite of her having forgotten to take out the bread from the fridge. George hugs her, which leaves her utterly confused.On campus, George notices a couple of students, chain-smoking Lois (Nicole Steinwedell) and a boy. One of the secretaries (Keri Lynn Pratt) tells him that she has given his address to some nice new student; it turns out to be this boy, Kenny Potter (Nicholas Hoult), who talks to him after class about the speech George has just given out in the classroom concerning minorities and fear. Kenny discusses recreational drug use with Kenny who tells him that he had never heard George express himself so openly in class as he had that day. He buys George a pencil sharpener as a token of gratitude for George's talking with him.George phones Charley, who is dressing for the dinner they have planned at her home. George gets into his car,...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: What does the actress order? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What does the actress order? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

coffee

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: Why does Mike not want to act in commercials? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Why does Mike not want to act in commercials? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Real actors don't do commercials

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: What kind of routine does Mike launch into? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What kind of routine does Mike launch into? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

a story about his father as a black actor

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: What is mike attending? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What is mike attending? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

An audition

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: Why does the director tell Mike not to audition for the commercial? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Why does the director tell Mike not to audition for the commercial? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

they need someone with long hair, dreadlocks etc

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: According to Mike's resume, what can he do? If there is no answer, please output "Insufficient information to provide an answer.".

Question: According to Mike's resume, what can he do? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

rap

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: What kind of accent does he use? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What kind of accent does he use? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Pacino-as-Scarface, Italian-American, New York

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: What does the commercial director recommend Mike audition for? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What does the commercial director recommend Mike audition for? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

rap music

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: Who is at a booth in a diner? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who is at a booth in a diner? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

a girl

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: Who expressed interest? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who expressed interest? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

The casting agent

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: Which accent was missing? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Which accent was missing? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: What is the actress's suggestion to Mike? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What is the actress's suggestion to Mike? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

not too light,not too dark.

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: Who goes to another audition and reads a Cuban accent? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who goes to another audition and reads a Cuban accent? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

mike

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: What does Mike realize his father wanted him to be? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What does Mike realize his father wanted him to be? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

an actor not a black actor

duorc_ParaphraseRC_question_answering

Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Question: What is Mike doing? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What is Mike doing? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Multi-Facial Context: A man (Vin Diesel) wearing a sleeveless white undershirt and black hat is speaking in an thick Italian-American accent, with accompanying gestures and body movements. He says there are no good women out there, then tells a story. He took his girlfriend out to dinner and struck a stranger who seemed to have been flirting with her. Upon realizing the stranger was gay, he concluded that his girlfriend was flirting, took her outside and beat her. The storyteller concludes by expressing his confusion that she doesn't call anymore, re-enforcing his theme that there are no good girls available.Across the room, a man (Lewis Steidl) asks if Mike (the storyteller) can speak Italian. Mike repeats a few commonly-heard phrases. Holding up a headshot photo of Mike, he asks who Mike's agent is - it is clear that the story was an audition for an acting job. The man impassively says for Mike to call with the info, indicating the end of the interview. The woman (Cara Gaffen) sitting at the table stops Mike for a moment asking who wrote the monologue. Mike claims it is a true story.At a streetside payphone, Mike speaks with only a slight New York accent to his manager, assuring him that he followed his instruction to claim the monologue was a true story. As he speaks, he wipes his bicep with alcohol to remove a mark evidently placed to make him convincing in the role. He worries about the offensiveness of the story, complaining that such an attitude won't win an Oscar. He laughs into the phone and says Joe Pesci was different.Next Mike walks into a waiting room, encountering a black friend Ivan (Phillip Jones) who is also there to audition. As Mike dons a shirt and adds an earring, they discuss making commercials, a source of income for struggling actors. Mike says that real actors like Pacino and Denzel don't do them, while Ivan expresses willingness for any paying job. Mike relates his concerns about the offensive audition.They are interrupted by a black man (Ivan Jordain) who looks surprised at Mike's appearance. He...

Sitting in a waiting area

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who does alma find in the garden? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who does alma find in the garden? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Mr. Vogler

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what photo does elizabet find in her book? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what photo does elizabet find in her book? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

famous stroop report

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what does the boy in the hospital wake up next to? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what does the boy in the hospital wake up next to? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Several corpses

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what does alma discover in elisabet's letters? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what does alma discover in elisabet's letters? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Elisabet has been analyzing and studying her

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what photos does elizabeth see in a book? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what photos does elizabeth see in a book? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Jews being arrested in the Warsaw Ghetto

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who has scars on her face that she covers with makeup? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who has scars on her face that she covers with makeup? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Elisabet

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what body part does elizabet hit on alma? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what body part does elizabet hit on alma? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

nose

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what state is elisabet in at the end of the movie? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what state is elisabet in at the end of the movie? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

completely catatonic

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: What makes Elisabeth panic? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What makes Elisabeth panic? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

seeing a Vietnamese Buddhist monk's self-immolation on television

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who stares at the photograph? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who stares at the photograph? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

NO ASNWER

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who mistake alma for elisabeth If there is no answer, please output "Insufficient information to provide an answer.".

Question: who mistake alma for elisabeth If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Mr. Vogler

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: why does alma leave the shards on the footpath? If there is no answer, please output "Insufficient information to provide an answer.".

Question: why does alma leave the shards on the footpath? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

to cut Elisabet

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what animal is slaughtered in the beginning of the story? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what animal is slaughtered in the beginning of the story? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

a lamb

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: Who flew into a rage? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who flew into a rage? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

the nurse

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what does alma do with the baby? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what does alma do with the baby? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

abort the baby

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who is mr. vogler? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who is mr. vogler? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

stage actress

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: Who leaves the cottage alone? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who leaves the cottage alone? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Alma

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what is alma's profession? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what is alma's profession? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Nurse

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: What does Elisabet cover with makeup? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What does Elisabet cover with makeup? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

scars

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what does alma break on the footpath? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what does alma break on the footpath? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

drinking glass

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who took elisabet's letters? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who took elisabet's letters? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Alma

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what does elisabet become despite having no diagnosed illness? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what does elisabet become despite having no diagnosed illness? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Mute

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what is the problem with stage actress elisabet vogler? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what is the problem with stage actress elisabet vogler? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

She is mute.

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who flew into a rage? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who flew into a rage? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what does elisabet's husband include in his letter to her? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what does elisabet's husband include in his letter to her? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

A photograph of her young son

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who says: "you are inaccessible. they said you were healthy, but your sickness is of the worst kind: it makes you seem healthy. you act it so well everyone believes it, everyone except me, because i know how rotten you are inside." If there is no answer, please output "Insufficient information to provide an answer.".

Question: who says: "you are inaccessible. they said you were healthy, but your sickness is of the worst kind: it makes you seem healthy. you act it so well everyone believes it, everyone except me, because i know how rotten you are inside." If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who leaves the cottage alone? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who leaves the cottage alone? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what does elisabet cover with makeup? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what does elisabet cover with makeup? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: Alma likes underage boys? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Alma likes underage boys? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Yes

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what makes elisabeth panic? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what makes elisabeth panic? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who packs her bags and leaves the cottage? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who packs her bags and leaves the cottage? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Alma

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who makes repeated efforts to abort the fetus? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who makes repeated efforts to abort the fetus? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Alma

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what does mr. vogler say to alma? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what does mr. vogler say to alma? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

nothing

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: alma likes underage boys? If there is no answer, please output "Insufficient information to provide an answer.".

Question: alma likes underage boys? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who takes elisabet's letters for the postbox? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who takes elisabet's letters for the postbox? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Alma

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: where were the jews arrested? If there is no answer, please output "Insufficient information to provide an answer.".

Question: where were the jews arrested? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Warsaw Ghetto

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what is alma's job If there is no answer, please output "Insufficient information to provide an answer.".

Question: what is alma's job If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Nurse

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what is elisabet's profession? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what is elisabet's profession? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Stage Actress

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who becomes pregnant? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who becomes pregnant? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Alma

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: what does alma break? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what does alma break? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

drinking glass

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: who hears a man yelling outside? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who hears a man yelling outside? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Alma

duorc_ParaphraseRC_question_answering

Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Question: Who says: "You are inaccessible. They said you were healthy, but your sickness is of the worst kind: it makes you seem healthy. You act it so well everyone believes it, everyone except me, because I know how rotten you are inside." If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who says: "You are inaccessible. They said you were healthy, but your sickness is of the worst kind: it makes you seem healthy. You act it so well everyone believes it, everyone except me, because I know how rotten you are inside." If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Persona Context: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a ménage à quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...

Alma

duorc_ParaphraseRC_question_answering

Movie title: Caddyshack Context: Danny Noonan (Michael O'Keefe) works as a caddy at the upscale Bushwood Country Club to raise enough money to go to college. Danny often caddies for Ty Webb (Chevy Chase), a free-spirited lothario, talented golfer, and the son of one of Bushwood's co-founders. Danny decides to gain favor with Judge Elihu Smails (Ted Knight), the country club's arrogant co-founder and director of the caddy scholarship program, by caddying for him. Meanwhile, Carl Spackler (Bill Murray), one of the greenskeepers, is entrusted with combatting a potentially disastrous gopher infestation. Throughout the film, Carl tries a variety of methods to kill the gopher (e.g. shooting, drowning) without success. Al Czervik (Rodney Dangerfield), a fiery, foulmouthed, disrespectful, libidinous ethnic hunk of pure nouveau riche, looked down upon by Judge Smails, begins appearing at the club. Smails is heckled by Czervik as he tees off, causing his shot to go badly wrong. Smails eventually throws a putter away in anger and accidentally injures a member of the club. Danny takes responsibility for the incident, as a ploy to gain Smails' trust. Smails encourages him to apply for the caddy scholarship. At Bushwood's annual Fourth of July banquet, Danny and his girlfriend Maggie (Sarah Holcomb) work as servers. Czervik continues to frustrate Smails with his loutish behavior, while Danny becomes attracted to Lacey Underall (Cindy Morgan), Smails' promiscuous niece. Danny wins the Caddy Day golf tournament and the scholarship, earning him praise from Smails and an invitation to attend the christening ceremony for his boat. The boat is sunk at the event after a collision with Czervik's larger boat. On returning, Smails discovers Lacey and Danny having a tryst at his house. Expecting to be fired or to have the scholarship revoked, Danny is surprised when Smails only demands that he keep the incident a secret. Unable to tolerate the continued presence of the fast-talking Czervik, Smails confronts him and announces that Czervik will never be granted...

Question: Who is the competition between at the Bushwood country club ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who is the competition between at the Bushwood country club ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Caddyshack Context: Danny Noonan (Michael O'Keefe) works as a caddy at the upscale Bushwood Country Club to raise enough money to go to college. Danny often caddies for Ty Webb (Chevy Chase), a free-spirited lothario, talented golfer, and the son of one of Bushwood's co-founders. Danny decides to gain favor with Judge Elihu Smails (Ted Knight), the country club's arrogant co-founder and director of the caddy scholarship program, by caddying for him. Meanwhile, Carl Spackler (Bill Murray), one of the greenskeepers, is entrusted with combatting a potentially disastrous gopher infestation. Throughout the film, Carl tries a variety of methods to kill the gopher (e.g. shooting, drowning) without success. Al Czervik (Rodney Dangerfield), a fiery, foulmouthed, disrespectful, libidinous ethnic hunk of pure nouveau riche, looked down upon by Judge Smails, begins appearing at the club. Smails is heckled by Czervik as he tees off, causing his shot to go badly wrong. Smails eventually throws a putter away in anger and accidentally injures a member of the club. Danny takes responsibility for the incident, as a ploy to gain Smails' trust. Smails encourages him to apply for the caddy scholarship. At Bushwood's annual Fourth of July banquet, Danny and his girlfriend Maggie (Sarah Holcomb) work as servers. Czervik continues to frustrate Smails with his loutish behavior, while Danny becomes attracted to Lacey Underall (Cindy Morgan), Smails' promiscuous niece. Danny wins the Caddy Day golf tournament and the scholarship, earning him praise from Smails and an invitation to attend the christening ceremony for his boat. The boat is sunk at the event after a collision with Czervik's larger boat. On returning, Smails discovers Lacey and Danny having a tryst at his house. Expecting to be fired or to have the scholarship revoked, Danny is surprised when Smails only demands that he keep the incident a secret. Unable to tolerate the continued presence of the fast-talking Czervik, Smails confronts him and announces that Czervik will never be granted...

Smails and Dr. Beeper against Czervik and Webb

duorc_ParaphraseRC_question_answering

Movie title: Caddyshack Context: Danny Noonan (Michael O'Keefe) works as a caddy at the upscale Bushwood Country Club to raise enough money to go to college. Danny often caddies for Ty Webb (Chevy Chase), a free-spirited lothario, talented golfer, and the son of one of Bushwood's co-founders. Danny decides to gain favor with Judge Elihu Smails (Ted Knight), the country club's arrogant co-founder and director of the caddy scholarship program, by caddying for him. Meanwhile, Carl Spackler (Bill Murray), one of the greenskeepers, is entrusted with combatting a potentially disastrous gopher infestation. Throughout the film, Carl tries a variety of methods to kill the gopher (e.g. shooting, drowning) without success. Al Czervik (Rodney Dangerfield), a fiery, foulmouthed, disrespectful, libidinous ethnic hunk of pure nouveau riche, looked down upon by Judge Smails, begins appearing at the club. Smails is heckled by Czervik as he tees off, causing his shot to go badly wrong. Smails eventually throws a putter away in anger and accidentally injures a member of the club. Danny takes responsibility for the incident, as a ploy to gain Smails' trust. Smails encourages him to apply for the caddy scholarship. At Bushwood's annual Fourth of July banquet, Danny and his girlfriend Maggie (Sarah Holcomb) work as servers. Czervik continues to frustrate Smails with his loutish behavior, while Danny becomes attracted to Lacey Underall (Cindy Morgan), Smails' promiscuous niece. Danny wins the Caddy Day golf tournament and the scholarship, earning him praise from Smails and an invitation to attend the christening ceremony for his boat. The boat is sunk at the event after a collision with Czervik's larger boat. On returning, Smails discovers Lacey and Danny having a tryst at his house. Expecting to be fired or to have the scholarship revoked, Danny is surprised when Smails only demands that he keep the incident a secret. Unable to tolerate the continued presence of the fast-talking Czervik, Smails confronts him and announces that Czervik will never be granted...

Question: What's the name of the real estate developer who intrudes ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What's the name of the real estate developer who intrudes ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Caddyshack Context: Danny Noonan (Michael O'Keefe) works as a caddy at the upscale Bushwood Country Club to raise enough money to go to college. Danny often caddies for Ty Webb (Chevy Chase), a free-spirited lothario, talented golfer, and the son of one of Bushwood's co-founders. Danny decides to gain favor with Judge Elihu Smails (Ted Knight), the country club's arrogant co-founder and director of the caddy scholarship program, by caddying for him. Meanwhile, Carl Spackler (Bill Murray), one of the greenskeepers, is entrusted with combatting a potentially disastrous gopher infestation. Throughout the film, Carl tries a variety of methods to kill the gopher (e.g. shooting, drowning) without success. Al Czervik (Rodney Dangerfield), a fiery, foulmouthed, disrespectful, libidinous ethnic hunk of pure nouveau riche, looked down upon by Judge Smails, begins appearing at the club. Smails is heckled by Czervik as he tees off, causing his shot to go badly wrong. Smails eventually throws a putter away in anger and accidentally injures a member of the club. Danny takes responsibility for the incident, as a ploy to gain Smails' trust. Smails encourages him to apply for the caddy scholarship. At Bushwood's annual Fourth of July banquet, Danny and his girlfriend Maggie (Sarah Holcomb) work as servers. Czervik continues to frustrate Smails with his loutish behavior, while Danny becomes attracted to Lacey Underall (Cindy Morgan), Smails' promiscuous niece. Danny wins the Caddy Day golf tournament and the scholarship, earning him praise from Smails and an invitation to attend the christening ceremony for his boat. The boat is sunk at the event after a collision with Czervik's larger boat. On returning, Smails discovers Lacey and Danny having a tryst at his house. Expecting to be fired or to have the scholarship revoked, Danny is surprised when Smails only demands that he keep the incident a secret. Unable to tolerate the continued presence of the fast-talking Czervik, Smails confronts him and announces that Czervik will never be granted...

Czervik

duorc_ParaphraseRC_question_answering

Movie title: Caddyshack Context: Danny Noonan (Michael O'Keefe) works as a caddy at the upscale Bushwood Country Club to raise enough money to go to college. Danny often caddies for Ty Webb (Chevy Chase), a free-spirited lothario, talented golfer, and the son of one of Bushwood's co-founders. Danny decides to gain favor with Judge Elihu Smails (Ted Knight), the country club's arrogant co-founder and director of the caddy scholarship program, by caddying for him. Meanwhile, Carl Spackler (Bill Murray), one of the greenskeepers, is entrusted with combatting a potentially disastrous gopher infestation. Throughout the film, Carl tries a variety of methods to kill the gopher (e.g. shooting, drowning) without success. Al Czervik (Rodney Dangerfield), a fiery, foulmouthed, disrespectful, libidinous ethnic hunk of pure nouveau riche, looked down upon by Judge Smails, begins appearing at the club. Smails is heckled by Czervik as he tees off, causing his shot to go badly wrong. Smails eventually throws a putter away in anger and accidentally injures a member of the club. Danny takes responsibility for the incident, as a ploy to gain Smails' trust. Smails encourages him to apply for the caddy scholarship. At Bushwood's annual Fourth of July banquet, Danny and his girlfriend Maggie (Sarah Holcomb) work as servers. Czervik continues to frustrate Smails with his loutish behavior, while Danny becomes attracted to Lacey Underall (Cindy Morgan), Smails' promiscuous niece. Danny wins the Caddy Day golf tournament and the scholarship, earning him praise from Smails and an invitation to attend the christening ceremony for his boat. The boat is sunk at the event after a collision with Czervik's larger boat. On returning, Smails discovers Lacey and Danny having a tryst at his house. Expecting to be fired or to have the scholarship revoked, Danny is surprised when Smails only demands that he keep the incident a secret. Unable to tolerate the continued presence of the fast-talking Czervik, Smails confronts him and announces that Czervik will never be granted...

Question: Who is the judge at the event ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who is the judge at the event ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Caddyshack Context: Danny Noonan (Michael O'Keefe) works as a caddy at the upscale Bushwood Country Club to raise enough money to go to college. Danny often caddies for Ty Webb (Chevy Chase), a free-spirited lothario, talented golfer, and the son of one of Bushwood's co-founders. Danny decides to gain favor with Judge Elihu Smails (Ted Knight), the country club's arrogant co-founder and director of the caddy scholarship program, by caddying for him. Meanwhile, Carl Spackler (Bill Murray), one of the greenskeepers, is entrusted with combatting a potentially disastrous gopher infestation. Throughout the film, Carl tries a variety of methods to kill the gopher (e.g. shooting, drowning) without success. Al Czervik (Rodney Dangerfield), a fiery, foulmouthed, disrespectful, libidinous ethnic hunk of pure nouveau riche, looked down upon by Judge Smails, begins appearing at the club. Smails is heckled by Czervik as he tees off, causing his shot to go badly wrong. Smails eventually throws a putter away in anger and accidentally injures a member of the club. Danny takes responsibility for the incident, as a ploy to gain Smails' trust. Smails encourages him to apply for the caddy scholarship. At Bushwood's annual Fourth of July banquet, Danny and his girlfriend Maggie (Sarah Holcomb) work as servers. Czervik continues to frustrate Smails with his loutish behavior, while Danny becomes attracted to Lacey Underall (Cindy Morgan), Smails' promiscuous niece. Danny wins the Caddy Day golf tournament and the scholarship, earning him praise from Smails and an invitation to attend the christening ceremony for his boat. The boat is sunk at the event after a collision with Czervik's larger boat. On returning, Smails discovers Lacey and Danny having a tryst at his house. Expecting to be fired or to have the scholarship revoked, Danny is surprised when Smails only demands that he keep the incident a secret. Unable to tolerate the continued presence of the fast-talking Czervik, Smails confronts him and announces that Czervik will never be granted...

Lou

duorc_ParaphraseRC_question_answering

Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Question: What does Nick Miller teach? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What does Nick Miller teach? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Physics

duorc_ParaphraseRC_question_answering

Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Question: Who tries to shoot down Nick's plane ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who tries to shoot down Nick's plane ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Robertson

duorc_ParaphraseRC_question_answering

Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Question: Who does JK see Nick as ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who does JK see Nick as ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Question: What do Nick and Lisa do after they meet ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What do Nick and Lisa do after they meet ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Question: What does another trip to 2041 reveal ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: What does another trip to 2041 reveal ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Question: Who plays Nick Miller? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who plays Nick Miller? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Matthew Bruch

duorc_ParaphraseRC_question_answering

Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Question: How does the film end ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: How does the film end ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Question: How do Nick and Lisa spend the remainder of the film ? If there is no answer, please output "Insufficient information to provide an answer.".

Question: How do Nick and Lisa spend the remainder of the film ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Insufficient information to provide an answer.

duorc_ParaphraseRC_question_answering

Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Question: Who plays Lisa Hansen? If there is no answer, please output "Insufficient information to provide an answer.".

Question: Who plays Lisa Hansen? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Time Chasers Context: Nick Miller has discovered the key to time-travel. Using a small plane located at his local airport in Vermont, the local college professor manages to fly 50 years into the future, and return to the present day (1991).Hoping to capitalize on this discovery, Nick places two calls: -the first call is to a local company called GenCorp, with Nick claiming he's developed a new fuel-efficient engine. -the second call is to the local newspaper, where Nick claims his Grandmother is going to skydive for the first time.The next day, Nick meets Matthew Paul from GenCorp, and Lisa Henson from the newspaper. Nick is surprised to see Lisa as they both went to school together long ago. After coaxing both of them into his airplane, Nick then tells them about his discovery of Time-Travel. Though Matthew is apprehensive, Lisa suggests they go 50 years in the future.Nick manages to take them to 2041. After landing, he shows them all that has changed. Nick also claims that he wishes to obtain an R&D; grant because of his discovery, as he is currently out of money. Matthew then explains that once they get back, he intends to tell the head of GenCorp about Nick's discovery as soon as possible.Some time after the three have returned, Matthew makes good on his promise, and Nick shows his discovery to the head of GenCorp, J.K. Robertson. Robertson immediately wishes to do business with Nick, and also offers a position at GenCorp to Lisa. However, Lisa refuses and cautions Nick that associating with GenCorp is a bad idea. Nick tries to get her to reconsider, but she walks away.After some time, Nick turns over the information he has regarding his time-travel experiments, but on trying to access the files that are being kept in GenCorp's computers, finds that he does not have access to this.Going to the local supermarket, Nick comes across Lisa. Lisa apologizes for the way she reacted the last time they talked, but Nick claims he has a surprise for her. Taking her to the airport, Nick gets access to his plane, and takes Lisa back to the...

Bonnie Pritchard

duorc_ParaphraseRC_question_answering

Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

Question: how is the screenplay? If there is no answer, please output "Insufficient information to provide an answer.".

Question: how is the screenplay? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

Understandable

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Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

Question: who is arthur kirklands least favourite judge? If there is no answer, please output "Insufficient information to provide an answer.".

Question: who is arthur kirklands least favourite judge? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

Henry T. Flemming

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Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

Question: when was this movie released? If there is no answer, please output "Insufficient information to provide an answer.".

Question: when was this movie released? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

1979

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Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

Question: when did this movie come out? If there is no answer, please output "Insufficient information to provide an answer.".

Question: when did this movie come out? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

1979

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Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

Question: what is arthur kirkland's profession? If there is no answer, please output "Insufficient information to provide an answer.".

Question: what is arthur kirkland's profession? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: ...And Justice for All Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2013) (Learn how and when to remove this template message) Arthur Kirkland (Al Pacino), a defense attorney in Baltimore, is in jail on a contempt of court charge after punching Judge Henry T. Fleming (John Forsythe) while arguing the case of Jeff McCullaugh (Thomas G. Waites). McCullagh was stopped for a minor traffic offence, but then mistaken for a killer of the same name and has already spent a year and a half in jail; Fleming has repeatedly stymied Kirkland's efforts to have the case reviewed. Though there is strong new evidence that Jeff is innocent, Fleming refuses McCullaugh's appeal due to its late submission and leaves him in prison. After being released, Arthur takes another case, that of a transgender Ralph Agee (Robert Christian), arrested for small crime and becoming a victim of the legal system. Arthur pays regular visits to his grandfather Sam (Lee Strasberg) in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur also begins a romance with a legal ethics committee member, Gail Packer (Christine Lahti). Arthur has a friendly relationship with Judge Francis Rayford (Jack Warden), who takes him on a hair-raising ride in his personal helicopter, laughing as he tests how far they can possibly go without running out of fuel, while a terrified Arthur begs him to land. Rayford, a veteran of the Korean War, is borderline suicidal and keeps a rifle in his chambers at the courthouse, a 1911 pistol in his shoulder holster at all times, and eats his lunch on the ledge outside his office window, four stories up. One day, Arthur is unexpectedly requested to defend Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person...

Attorney

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