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Just watch Bettany strut his stuff .

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` Butterfingered ' is the word for the big-fisted direction of Jez Butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach .

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If Welles was unhappy at the prospect of the human race splitting in two , he probably would n't be too crazy with his great-grandson 's movie splitting up in pretty much the same way .

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A grand fart coming from a director beginning to resemble someone 's crazy French grandfather .

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She nearly glows with enthusiasm , sensuality and a conniving wit .

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Diaz wears out her welcome in her most charmless performance

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Lucy 's a dull girl , that 's all .

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Where Tom Green stages his gags as assaults on America 's knee-jerk moral sanctimony , Jackass lacks aspirations of social upheaval .

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Wallace seems less like he 's been burning to tell a war story than he 's been itching to somehow tack one together

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The biggest problem with Roger Avary 's uproar against the MPAA is that , even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything .

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Although What Time offers Tsai 's usual style and themes , it has a more colorful , more playful tone than his other films .

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With Dirty Deeds , David Caesar has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works on screen .

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It is not the first time that director Sara Sugarman stoops to having characters drop their pants for laughs and not the last time she fails to provoke them .

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Sayles ... once again strands his superb performers in the same old story .

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Miyazaki 's nonstop images are so stunning , and his imagination so vivid , that the only possible complaint you could have about Spirited Away is that there is no rest period , no timeout .

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The biggest problem I have ( other than the very sluggish pace ) is we never really see her Esther blossom as an actress , even though her talent is supposed to be growing .

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MacDowell , whose wifty Southern charm has anchored lighter affairs ... brings an absolutely riveting conviction to her role .

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Kinnear ... gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers .

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You come away thinking not only that Kate is n't very bright , but that she has n't been worth caring about and that maybe she , Janine and Molly -- an all-woman dysfunctional family -- deserve one another .

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What we have is a character faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance .

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Irwin is so earnest that it 's hard to resist his pleas to spare wildlife and respect their environs .

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Meyjes ... has done his homework and soaked up some jazzy new revisionist theories about the origins of Nazi politics and aesthetics .

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But though he only scratches the surface , at least he provides a strong itch to explore more .

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It finds its moviegoing pleasures in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice .

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LaBute was more fun when his characters were torturing each other psychologically and talking about their genitals in public .

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Her film is like a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless .

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Like Mike is a winner for kids , and no doubt a winner for Lil Bow Wow , who can now add movies to the list of things he does well .

0.9

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On the right track to something that 's creepy and effective ... It 's just going to take more than a man in a Bullwinkle costume to get there .

0.28

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There are now two signs that M. Night Shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema : Unbreakable and Signs .

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Bella is the picture of health with boundless energy until a few days before she dies .

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Roger Michell , who did an appealing job directing Persuasion and Notting Hill in England , gets too artsy in his American debut .

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With Notorious C.H.O. Cho proves she has the stuff to stand tall with Pryor , Carlin and Murphy .

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Benigni presents himself as the boy puppet Pinocchio , complete with receding hairline , weathered countenance and American Breckin Meyer 's ridiculously inappropriate Valley Boy voice .

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Karmen moves like rhythm itself , her lips chanting to the beat , her long , braided hair doing little to wipe away the jeweled beads of sweat .

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Her film is unrelentingly claustrophobic and unpleasant .

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The Bai brothers have taken an small slice of history and opened it up for all of us to understand , and they 've told a nice little story in the process .

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13 Conversations may be a bit too enigmatic and overly ambitious to be fully successful , but Sprecher and her screenwriting partner and sister , Karen Sprecher , do n't seem ever to run out of ideas .

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As the sulking , moody male hustler in the title role , ( Franco ) has all of Dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability .

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Queen of the Damned as you might have guessed , makes sorry use of Aaliyah in her one and only starring role -- she does little here but point at things that explode into flame .

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Count on his movie to work at the back of your neck long after you leave the theater .

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With an obvious rapport with her actors and a striking style behind the camera , Hélène Angel is definitely a director to watch .

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This is one of Mr. Chabrol 's subtlest works , but also one of his most uncanny .

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Davis has energy , but she does n't bother to make her heroine 's book sound convincing , the gender-war ideas original , or the comic scenes fly .

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In any case , I would recommend Big Bad Love only to Winger fans who have missed her since 1995 's Forget Paris .

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Slap her - she 's not funny !

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( Gulpilil ) is a commanding screen presence , and his character 's abundant humanism makes him the film 's moral compass .

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Jackie Chan movies are a guilty pleasure - he 's easy to like and always leaves us laughing .

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Griffiths proves she 's that rare luminary who continually raises the standard of her profession .

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Bray is completely at sea ; with nothing but a Savage Garden music video on his resume , he has no clue about making a movie .

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As commander-in-chief of this film , Bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world .

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A lot of the credit for the film 's winning tone must go to Grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the Atlantic love him .

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With each of her three protagonists , Miller eloquently captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path .

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He has a great cast and a great idea .

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It 's the perfect star vehicle for Grant , allowing him to finally move away from his usual bumbling , tongue-tied screen persona .

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Kapur 's contradictory feelings about his material result in a movie that works against itself .

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Mike Leigh populates his movie with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life

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If Reno is to the left of liberal on the political spectrum , her tough , funny , rather chaotic show is n't subversive so much as it is nit-picky about the hypocrisies of our time .

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Green might want to hang onto that ski mask , as robbery may be the only way to pay for his next project .

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She 's all-powerful , a voice for a pop-cyber culture that feeds on her Bjorkness .

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Birot is a competent enough filmmaker , but her story has nothing fresh or very exciting about it .

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The script kicks in , and Mr. Hartley 's distended pace and foot-dragging rhythms follow .

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All leather pants & augmented boobs , Hawn is hilarious as she tries to resuscitate the fun-loving libertine lost somewhere inside the conservative , handbag-clutching Sarandon .

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