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The Field - Then It's White.mp3 | 33082132 | ['looped musical elements', 'piano melody'] | ['introduces and develops upon looped musical elements, such as the piano melody,', 'song'] | https://en.wikipedia.org/wiki/?curid=33082132 |
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The First Time Ever I Saw Your Face (Flack) sample.ogg | 4794223 | ['Soul', 'vocal jazz'] | [] | https://en.wikipedia.org/wiki/?curid=4794223 |
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The Fixer (Pearl Jam song - sample).ogg | 23058901 | ['playful', 'warm guitars', 'Alternative rock', 'odd time signatures', 'pop', 'pop rock'] | ['three-chord'] | https://en.wikipedia.org/wiki/?curid=23058901 |
|
The Force - Shark Scare.ogg | 6589411 | ['background music', 'narration', 'samples'] | ['showing its use of narration and background music'] | https://en.wikipedia.org/wiki/?curid=6589411 |
|
The Four Brothers - Death Come a-Knockin'.ogg | 167391 | ['singing', 'vocal music', 'gospel song'] | [] | https://en.wikipedia.org/wiki/?curid=167391 |
|
The Four Brothers - Death Come a-Knockin'.ogg | commons:4729978 | ['singing', 'sing', 'vocal music', 'gospel song'] | [] | https://commons.wikimedia.org/wiki/?curid=4729978 |
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The Four Horsemen.ogg | 46988917 | ['galloping', 'drum'] | ['galloping tremolo picked riff and double bass drum'] | https://en.wikipedia.org/wiki/?curid=46988917 |
|
The Four Horsemen.ogg | 209213 | ['double bass drum triplets', 'galloping'] | [] | https://en.wikipedia.org/wiki/?curid=209213 |
|
The Fray - How to Save a Life.ogg | 5888376 | ['Pop rock'] | [] | https://en.wikipedia.org/wiki/?curid=5888376 |
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The Fray - Over My Head (Cable Car).ogg | 5237038 | ['Pop rock', 'pop-rock', 'live'] | ['a timeless pop-rock smash that soars with lightness and ease'] | https://en.wikipedia.org/wiki/?curid=5237038 |
|
The Freak Fandango Orchestra - Bublitzki.ogg | 69953444 | ['rock', 'rock music', 'indie rock music', 'folk music', 'singing', 'folk'] | [] | https://en.wikipedia.org/wiki/?curid=69953444 |
|
The Gap Band - I Don't Believe You Want to Get Up and Dance (Oopps).ogg | 1443792 | [] | ['exempli'] | https://en.wikipedia.org/wiki/?curid=1443792 |
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The Gaslight Anthem - The '59 Sound.ogg | 25487570 | ['driving rock'] | ['that goes along with raw, driving rock'] | https://en.wikipedia.org/wiki/?curid=25487570 |
|
The Genesis.ogg | 6533956 | ['samples'] | ["The intro is an aural montage depicting Nas's background and contains samples"] | https://en.wikipedia.org/wiki/?curid=6533956 |
|
The Girl Is Mine (Michael Jackson song - sample).ogg | 2321132 | ['Pop', 'ballad', 'duet', 'love', 'R&B', 'soft rock'] | ['a "breezy lighthearted love song'] | https://en.wikipedia.org/wiki/?curid=2321132 |
|
The Girl from Ipanema (Fitzgerald) sample.ogg | 661206 | ['bossa nova', 'Bossa nova', 'sing', 'vocal debut', 'jazz'] | ['is a Brazilian bossa nova and jazz song'] | https://en.wikipedia.org/wiki/?curid=661206 |
|
The Girl from Ipanema sample.ogg | 661206 | ['bossa nova', 'Bossa nova', 'sing', 'vocal debut', 'jazz'] | ['is a Brazilian bossa nova and jazz song'] | https://en.wikipedia.org/wiki/?curid=661206 |
|
The Girl with the Flaxen Hair.ogg | 6260 | ['20th-century period classical music', 'romantic period classical music', 'classical music'] | [] | https://en.wikipedia.org/wiki/?curid=6260 |
|
The Gold Diggers' Song sung by Dick Powell.ogg | 9031703 | ['vocal', 'sing'] | [] | https://en.wikipedia.org/wiki/?curid=9031703 |
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The Gold Diggers' Song sung by Dick Powell.ogg | 48933357 | [] | [] | https://en.wikipedia.org/wiki/?curid=48933357 |
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The Golden Jubilee Quartet - Oh Jonah.ogg | 167391 | ['singing', 'vocal music', 'gospel song'] | [] | https://en.wikipedia.org/wiki/?curid=167391 |
|
The Golden Jubilee Quartet - Oh Jonah.ogg | commons:4729855 | ['sings', 'singing', 'vocal music', 'gospel song'] | [] | https://commons.wikimedia.org/wiki/?curid=4729855 |
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The Golden Jubilee Quartet - Oh Jonah.ogg | 16224 | ['gospel song', 'singing', 'vocal music', 'gospel'] | [] | https://en.wikipedia.org/wiki/?curid=16224 |
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The Greatest (Michelle Williams song - sample).ogg | 18569726 | ['Pop', 'vocals', 'militant drum loop', 'ballad', 'piano riff', 'vocal', 'pop ballad', 'lush balladry', 'moderate tempo'] | ['The song has a basic sequence of C-G-Am-F as its chord progression', 'it is set in common time and composed at a moderate tempo, featuring additional vocals by Rico Love along with a piano riff and a militant drum loop', 'is a "pop ballad"', 'the song as "a fantastic pop ballad"'] | https://en.wikipedia.org/wiki/?curid=18569726 |
|
The Greatest Man That Ever Lived.ogg | 21189255 | ['folk-metal chorale', 'comedy rock', 'rap', 'power pop', 'Alternative rock', 'falsetto', 'rapped intro', 'glossy production', 'progressive rock', 'rapping'] | ['introductory rap section'] | https://en.wikipedia.org/wiki/?curid=21189255 |
|
The Greencards Movin' On.ogg | 6237735 | [] | [] | https://en.wikipedia.org/wiki/?curid=6237735 |
|
The Happening - Supremes.ogg | 11666307 | ['Pop'] | [] | https://en.wikipedia.org/wiki/?curid=11666307 |
|
The Heart Wants What It Wants.ogg | 44320989 | ['Pop', 'midtempo', 'minimal electropop beat', 'mid-tempo', 'haunting groans', 'ominous synths', 'vocals', 'lyrical interpretation', 'sings', 'electropop beat', 'R&B', 'pop'] | ['A mid-tempo pop and R&B track with a minimal electropop beat', 'It is a midtempo pop and R&B song, that contains a minimal electropop beat complete with finger snaps, ominous synths and haunting groans'] | https://en.wikipedia.org/wiki/?curid=44320989 |
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The Holly and the Ivy.ogg | commons:6377643 | ['christmas carol', 'christian music', 'christmas music'] | [] | https://commons.wikimedia.org/wiki/?curid=6377643 |
|
The Hooters - All You Zombies ver2.ogg | 295859 | ['Synth-pop', 'heartland rock'] | [] | https://en.wikipedia.org/wiki/?curid=295859 |
|
The Hooters - Private Emotion sample.ogg | 7660651 | ['Hammond organ', 'emotional interpretation', 'vulnerability', 'vocal', 'dreamy', 'light mandolin accompaniment', 'vocals', 'pop power ballad', 'power-ballad', 'love song', 'ballads', 'grittier', '76 beats per minute', 'lead vocal', 'duet', 'mandolin', 'lovely', 'ballad', 'world music', 'stirring vocal'] | ['The harmonies in this gorgeous ballad', 'harmony with a female co-vocalist', 'a stirring duet"', 'a nice fusion of vocals', 'is a ballad that uses mandolin and Hammond organ', 'Windwood-ish lead vocal [and] light mandolin accompaniment"', 'past releases"', 'A ballad, using mandolin and Hammond organ', 'a decent tortured power-ballad"', 'A world music and pop power ballad', 'is a world music and pop power ballad', 'it a "lovely ballad" and praised Martin\'s vocals that are "more grittier and more textured than', 's "gentle love melancholy"', 'is composed in the key of G major with a groove of 76 beats per minute'] | https://en.wikipedia.org/wiki/?curid=7660651 |
|
The Humans Goodbye.ogg | 56686904 | ['Soft rock', 'vocals', 'ballad', 'vocal delivery', '1980s-', '1980s', 'pop rock ballad', 'soft rock', 'pop rock'] | ['a 1980s-inspired soft rock and pop rock ballad', 'is a 1980s-inspired soft rock and pop rock ballad whose instrumentation includes a cello'] | https://en.wikipedia.org/wiki/?curid=56686904 |
|
The Innocence Mission - Pioneering.ogg | 2122426 | ['folk pop'] | ['folk pop sound'] | https://en.wikipedia.org/wiki/?curid=2122426 |
|
The JAMs - All You Need Is Love (106bpm) (excerpt).ogg | 4789109 | ['female vocal', 'dub', 'narrations', 'guerrilla', 'samples', 'synthesiser', 'rap', 'beatbox rhythm', 'alternative hip hop', 'beatbox', 'raps', 'rhythmic panting', 'Electronic', 'Scottish', 'beatbox rhythms'] | ['A simple beatbox rhythm', "adding beatbox rhythms and Drummond's Scottish-accented raps, poems and narrations", "adding beatbox rhythms and Bill Drummond's Scottish-accented raps and narrations"] | https://en.wikipedia.org/wiki/?curid=4789109 |
|
The JAMs - All You Need Is Love (106bpm) (excerpt).ogg | 4277081 | ['rapping', 'illegal samples'] | [] | https://en.wikipedia.org/wiki/?curid=4277081 |
|
The JAMs - All You Need Is Love (excerpt).ogg | 4789109 | ['synthesiser', 'narrations', 'guerrilla', 'rap', 'beatbox rhythm', 'popular music', 'beatbox', 'raps', 'rhythmic panting', 'Scottish', 'beatbox rhythms'] | ['A simple beatbox rhythm', 'the rhythm is punctuated', "adding beatbox rhythms and Drummond's Scottish-accented raps, poems and narrations", "adding beatbox rhythms and Bill Drummond's Scottish-accented raps and narrations"] | https://en.wikipedia.org/wiki/?curid=4789109 |
|
The JAMs - All You Need Is Love (excerpt).ogg | 20132435 | [] | [] | https://en.wikipedia.org/wiki/?curid=20132435 |
|
The JAMs - Burn the Bastards (excerpt).ogg | 5239527 | ['trumpet break', 'drum line', 'vocals', 'uptempo', 'house music', 'sample', 'upbeat', 'House', 'beatbox', 'acid house overtones', 'sing', 'vocal samples', 'sings', 'house', 'sampled', 'driving 4/4 rhythm'] | ['A driving 4/4 rhythm and a sampled Roland TB-303 loop provide acid house overtones', 'upbeat and uptempo house music', 'a trumpet break and drum line are sampled', "which dispenses with Drummond's vocals", 'is a celebratory house music song'] | https://en.wikipedia.org/wiki/?curid=5239527 |
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The JAMs - Down Town (excerpt).ogg | 4789164 | ['Hammond organ', 'house music', 'beatbox rhythm', 'house music rhythms', 'House', 'raps', 'sing', 'piano', 'bassline', 'beatbox rhythms'] | ['and an accompaniment of piano and Hammond organ', 'used elements of the distinctive bassline', 'The song is gospel music driven by house music rhythms', 'These disparate elements are held together by a beatbox rhythm, a bassline borrowed'] | https://en.wikipedia.org/wiki/?curid=4789164 |
|
The JAMs - It's Grim Up North (Radio Edit) (excerpt).ogg | 2844949 | ['turbo kick', 'down', 'bass guitar', 'vocals', 'techno beat', 'heavy,', 'distorted voice', 'Industrial techno', 'train whistles', 'drums', 'pounding', 'diesel roar', 'rave', 'percussion', 'crow calls', 'techno', 'synthesised sounds', 'industrial techno', 'steam whistles', 'dull thud'] | ['set to a pounding industrial techno beat and percussion reminiscent of steam whistles', 'comprises the orchestral arrangement of Jerusalem, beginning alongside a fadeout of the industrial techno instrumentation', 'The composition consists of a pounding and often discordant industrial techno in mixed time signatures', 'is a six-minute reprise of the techno themes', 'The instrumentation is in a minor key and is frequently discordant, featuring synthesised sounds reminiscent of passing heavy goods vehicles and train whistles', 'is a heavy, pounding industrial techno track', "Drummond's distorted voice", 'Following the climax of the hymn, howling wind and crow calls are heard and then fade out', 'The instrumentation and vocals of the first section gradually diminish', 'nothing', 'this is the eternal echo of a Victorian steam driven revolution or the turbo kick of a distant Northern rave', 'the underlying rhythm keeps a 4/4 time signature, several instruments keep 3/16 and 3/4 time throughout the track, including a deep second drum line—the "regular dull thud"—which juxtaposes when the 4/4 instruments and percussion drop out'] | https://en.wikipedia.org/wiki/?curid=2844949 |
|
The Juan MacLean - Happy House sample.ogg | 22997278 | [] | [] | https://en.wikipedia.org/wiki/?curid=22997278 |
|
The KLF - 3 a.m. Eternal (Live at the S.S.L.) (excerpt).ogg | 4149702 | ['disco Techno', 'opening vocals', 'euro-flavoured', 'techno/', 'rap', 'House', 'industrial riffs', 'atmospheric chanting', 'hardcore thrash', 'R&B diva vocals', 'hip-hop', 'acid house pop', 'deep house pulser', 'dancefloor', 'bassline', 'pop', 'club', 'hardcore dance'] | ['a "euro-flavoured deep house pulser" with atmospheric chanting and a "cathedral-like resonance"', 'Sonic blast of techno/hip-hop, industrial riffs, and R&B diva vocals has the juice', 'noise is hardcore punk thrash through a disco Techno hit played by'] | https://en.wikipedia.org/wiki/?curid=4149702 |
|
The KLF - America What Time Is Love (excerpt).ogg | 4490200 | ['backing vocals', 'rap', 'keyboards', 'vocal', 'industrial edge', 'vocals', 'electric guitar', 'spacy techno instrumental', 'hip-hop', 'electronic dance anthem', 'power-pop anthem', 'samples', 'dance', 'hiphouse', 'remixing', 'bass', 'Trance', 'hard rock', 'techno', 'pop'] | ['refreshing rave that combines elements of hip-hop, techno, and pop', 'the track was an instrumental electronic dance anthem', 'the hook that propels this spacy techno instrumental with an industrial edge', 'beats, sirens and whoops intact', 'with cod-Russian chants and spoof American patriotic choirs', "an unflippin'believable power-pop anthem with mentaaahl guitars and Wall of Sound shrieks", 'and additional instrumentation'] | https://en.wikipedia.org/wiki/?curid=4490200 |
|
The KLF - Chill Out (excerpt of Dream Time in Lake Jackson).ogg | 984711 | ['throat singing', 'ethereal synthesiser sounds'] | ['Ethnic Tuvan throat singing underscored by ethereal synthesiser sounds'] | https://en.wikipedia.org/wiki/?curid=984711 |
|
The KLF - Chill Out (excerpt of Elvis on the Radio).ogg | 984711 | ['rolling stock', 'pedal steel'] | [] | https://en.wikipedia.org/wiki/?curid=984711 |
|
The KLF - Chill Out (excerpt of Wichita Lineman).ogg | 984711 | ['strings', 'build-up'] | ['The build-up features samples of a furiously intense salesman'] | https://en.wikipedia.org/wiki/?curid=984711 |
|
The KLF - Justified and Ancient (Stand by The JAMs) (excerpt).ogg | 4563084 | ['machine guns', 'rap', 'House', 'vocal', 'country music', 'country music singer', 'hooks', 'lead vocals', 'vocals', 'upbeat', 'electric guitar', 'cappella', 'electro', 'keyboard', 'rapping', 'lullaby', 'female vocals', 'drums', 'samples', 'bass', 'African music', 'gentle'] | ['which has female vocals', 'was an upbeat and funky version of the', "spensed with the pedal steel and substituted Wynette's lead vocals with", 'vocal line, which is syncopated similarly to African music and is at first a cappella', 'were driven by hooks and riffs and emulated a live performance by using sampled crowd noise'] | https://en.wikipedia.org/wiki/?curid=4563084 |
|
The KLF - Kylie Said to Jason (excerpt).ogg | 4789230 | ['pedal guitar', 'rap vocal', 'samples', 'electropop', 'lush synth chorus', 'Electropop', 'house piano', 'ambient house'] | ['featuring pedal guitar played', 'the rap vocal is reminiscent', 'the lush synth chorus and house piano', 'is an electropop record'] | https://en.wikipedia.org/wiki/?curid=4789230 |
|
The KLF - Last Train to Trancentral (LP version) (excerpt).ogg | 4484018 | ['psychedelic', 'uptempo', 'sample', 'ave arrangement', 'rap', 'funky beats', 'keyboards', 'pop-house music', 'acid techno', 'anthemic', 'swirlaway beat', 'vocals', 'sequenced vocals', 'relentless', 'downtempo', 'house', 'female vocals', 'catchy', 'dance', 'uplifting string-synthesiser break', 'Electronic', '-up', 'ambient house', 'pop music', 'dance music', 'samples cheering', 'chord progression', 'combo', 'progressive instrumental', 'odd samples'] | ['uptempo pop-house music', 'this house reworking follows a conventional song structure, with a rhythm that mimics the sound of a train in motion along its tracks', "It's the essence of great pop music, of great dance music", 'an enticing combo of odd samples, funky beats, and anthemic chorus chants', 'a downtempo collection', 'It features a strained, chordless synthesiser melody and a progressive instrumental build-up into a string-orchestrated break', 'stripped of the female vocals', 'a live feel, huge, swirlaway beat and insanely catchy chorus', 'is distinctive for an uplifting string-synthesiser break', 'the "ethereal atmospherics"', 'in the context of a relentless, sample-filled rave arrangement', 'is a minimalist ambient house reworking'] | https://en.wikipedia.org/wiki/?curid=4484018 |
|
The KLF - Last Train to Trancentral (Live from the Lost Continent) (excerpt).ogg | 4484018 | ['psychedelic', 'uptempo', 'sample', 'ave arrangement', 'rap', 'funky beats', 'keyboards', 'pop-house music', 'reggae musician', 'acid techno', 'swirlaway beat', 'vocals', 'sequenced vocals', 'progressive instrumental', 'downtempo', 'house', 'female vocals', 'catchy', 'dance', 'uplifting string-synthesiser break', 'Electronic', '-up', 'ambient house', 'pop music', 'dance music', 'samples cheering', 'chord progression', 'combo', 'ambient', 'odd samples'] | ['uptempo pop-house music', 'this house reworking follows a conventional song structure, with a rhythm that mimics the sound of a train in motion along its tracks', "It's the essence of great pop music, of great dance music", 'an enticing combo of odd samples, funky beats, and anthemic chorus chants', 'a downtempo collection', 'It features a strained, chordless synthesiser melody and a progressive instrumental build-up into a string-orchestrated break', 'stripped of the female vocals', 'a live feel, huge, swirlaway beat and insanely catchy chorus', 'is distinctive for an uplifting string-synthesiser break', 'the "ethereal atmospherics"', 'in the context of a relentless, sample-filled rave arrangement', 'is a minimalist ambient house reworking'] | https://en.wikipedia.org/wiki/?curid=4484018 |
|
The KLF - Last Train to Trancentral (Pure Trance version) (excerpt).ogg | 4484018 | ['psychedelic', 'uptempo', 'sample', 'ave arrangement', 'rap', 'invented instruments', 'funky beats', 'keyboards', 'pop-house music', 'reggae musician', 'acid techno', 'swirlaway beat', 'sequenced vocals', 'upbeat', 'progressive instrumental', 'relentless', 'chanting', 'downtempo', 'house', 'catchy', 'dance', 'uplifting string-synthesiser break', 'nce', 'Electronic', '-up', 'ambient house', 'pop music', 'dance music', 'samples cheering', 'combo', 'ambient', 'odd samples'] | ['uptempo pop-house music', 'this house reworking follows a conventional song structure, with a rhythm that mimics the sound of a train in motion along its tracks', 'are purely percussive, punctuated by the bleats of sheep', 'A more upbeat section of the track, leading into percussive ambience', 'take on a strangely liberating, mantra-like feel', "It's the essence of great pop music, of great dance music", 'an enticing combo of odd samples, funky beats, and anthemic chorus chants', 'a downtempo collection', 'It features a strained, chordless synthesiser melody and a progressive instrumental build-up into a string-orchestrated break', 'a live feel, huge, swirlaway beat and insanely catchy chorus', 'is distinctive for an uplifting string-synthesiser break', 'the "ethereal atmospherics"', 'in the context of a relentless, sample-filled rave arrangement', 'is a minimalist ambient house reworking'] | https://en.wikipedia.org/wiki/?curid=4484018 |
|
The KLF - What Time Is Love (LP version) (excerpt).ogg | 4490200 | ['backing vocals', 'rap', 'keyboards', 'vocal', 'industrial edge', 'vocals', 'electric guitar', 'spacy techno instrumental', 'hip-hop', 'electronic dance anthem', 'power-pop anthem', 'samples', 'hiphouse', 'remixing', 'bass', 'Trance', 'techno', 'pop', 'brass band'] | ['refreshing rave that combines elements of hip-hop, techno, and pop', 'the track was an instrumental electronic dance anthem', 'the hook that propels this spacy techno instrumental with an industrial edge', 'with cod-Russian chants and spoof American patriotic choirs', "an unflippin'believable power-pop anthem with mentaaahl guitars and Wall of Sound shrieks", 'and additional instrumentation'] | https://en.wikipedia.org/wiki/?curid=4490200 |
|
The KLF - What Time Is Love (Pure Trance version) (excerpt).ogg | 4490200 | ['backing vocals', 'rap', 'keyboards', 'vocal', 'industrial edge', 'vocals', 'spacy techno instrumental', 'unique', 'hip-hop', 'electronic dance anthem', 'drums', 'power-pop anthem', 'samples', 'instrumental', 'hiphouse', 'remixing', 'bass', 'Trance', 'techno', 'compelling', 'pop', 'brass band'] | ['refreshing rave that combines elements of hip-hop, techno, and pop', 'the track was an instrumental electronic dance anthem', 'the hook that propels this spacy techno instrumental with an industrial edge', 'with cod-Russian chants and spoof American patriotic choirs', "an unflippin'believable power-pop anthem with mentaaahl guitars and Wall of Sound shrieks", 'and additional instrumentation'] | https://en.wikipedia.org/wiki/?curid=4490200 |
|
The KLF vs ENT - 3 a.m. Eternal (TOTP Version) (excerpt).ogg | 1008354 | ['thrash metal'] | ['The thrash metal'] | https://en.wikipedia.org/wiki/?curid=1008354 |
|
The KLF vs ENT - 3 a.m. Eternal (TOTP Version) (excerpt).ogg | 4149702 | ['disco Techno', 'grindcore', 'opening vocals', 'techno/', 'rap', 'House', 'industrial riffs', 'crowd noise', 'R&B diva vocals', 'hardcore thrash', 'hip-hop', 'acid house pop', 'deep house pulser', 'dancefloor', 'bassline', 'club', 'hardcore dance'] | ['a "euro-flavoured deep house pulser" with atmospheric chanting and a "cathedral-like resonance"', 'Sonic blast of techno/hip-hop, industrial riffs, and R&B diva vocals has the juice', 'noise is hardcore punk thrash through a disco Techno hit played by'] | https://en.wikipedia.org/wiki/?curid=4149702 |
|
The Killers - All These Things That I've Done.ogg | 3125873 | ['pop', 'Alternative rock'] | ['strength as a pop-rock anthem'] | https://en.wikipedia.org/wiki/?curid=3125873 |
|
The Kinks You Really Got Me.ogg | 3158351 | ['amplifier', 'distorted', 'guitar'] | ['features a jagged, distorted guitar riff'] | https://en.wikipedia.org/wiki/?curid=3158351 |
|
The Kinks You Really Got Me.ogg | 25090692 | ['hard rock'] | [] | https://en.wikipedia.org/wiki/?curid=25090692 |
|
The Kinks You Really Got Me.ogg | 978860 | ['Mid-tempo', 'guitar solo', 'heavy guitar riff rock', 'vocal', 'Garage rock', 'distorted guitar riffs', 'blues', 'punk rock', 'histrionic" guitar playing', '-rhythmic', 'guitar riff', 'proto-punk', 'bustling', 'power chords', 'heavier', 'garage rock', 'rock', 'hard rock', 'rock and roll', 'vocal shenanigans', 'heavy metal'] | ['as garage rock, hard rock, rock and roll, and proto-punk', 'a pulsating, blues-flavored rock-a-rhythmic.', 'was built around power chords (perfect fifths and octaves) and heavily influenced later rock musicians, particularly in the genres of heavy metal and punk rock', 'use of distorted guitar riffs', 'The song is centred on a guitar riff'] | https://en.wikipedia.org/wiki/?curid=978860 |
|
The Lakes by Taylor Swift.ogg | 64624797 | ['violins', 'poetic', 'instrumentals', 'orchestral pop', '"euphoric" crescendo of', 'serenading', 'soft', 'orchestral', 'acoustic guitar', 'strings', 'melancholic', 'indie ballad', 'romantic', 'Indie', 'lush orchestration', 'dreamy anthem', 'string instruments', 'melodramatic', 'indie'] | ['dreamy anthem', 'The song prominently incorporates string instruments, which critics felt were "lushly produced" and "serenading"', 'is a midtempo indie ballad, set to acoustic guitar and strings', 'is a melodramatic, midtempo indie ballad driven by acoustic guitar, with lush orchestration heavily laden with strings and a "euphoric" crescendo of violins', '" wordplay and "dazzlingly novel" vocals, which she described as "soft, distinct, imperfect,', 'was a "big orchestral version', 'melancholic instrumentals', 'the orchestral intro'] | https://en.wikipedia.org/wiki/?curid=64624797 |
|
The Last of Us Clicker sound effect.ogg | 46595487 | ['original sounds'] | [] | https://en.wikipedia.org/wiki/?curid=46595487 |
|
The Last of Us Clicker sound effect.ogg | 45204814 | ['sound effect'] | [] | https://en.wikipedia.org/wiki/?curid=45204814 |
|
The Latsos Piano Duo performs Brahms Hungarian Dance in A major (version for piano four hands).ogg | commons:81372953 | ['piano music', 'romantic period classical music', 'classical music', 'classical piano music'] | [] | https://commons.wikimedia.org/wiki/?curid=81372953 |
|
The Lebanon.ogg | 8209005 | ['synth', 'deep throat backing', 'guitar'] | ['adds a U2/Public Image Ltd riff to the normal synth and deep throat backing'] | https://en.wikipedia.org/wiki/?curid=8209005 |
|
The Lick on electric guitar (E minor).ogg | 57231127 | ['guitar music', 'guitar'] | ['in E minor played on the guitar, with the grace note on the first and fifth note'] | https://en.wikipedia.org/wiki/?curid=57231127 |
|
The Lick on electric guitar (E minor).ogg | commons:70214702 | ['guitar music', 'electric guitar'] | ['played on electric guitar in E minor'] | https://commons.wikimedia.org/wiki/?curid=70214702 |
|
The Lion Sleeps Tonight by The Tokens.ogg | 435605 | ['Rhythm and blues', 'folk', 'doo-wop', 'o-w'] | ['This song is written and composed in the key of F major'] | https://en.wikipedia.org/wiki/?curid=435605 |
|
The Little Girl I Once Knew.ogg | 5043889 | ['vocals', 'stop–start melody', 'avant-pop', 'dramatic', 'bass part', 'harmonies', 'Avant-pop', 'low-key', 'vocal contributions'] | ['It also features a prominent bass part', '\'s "powerful layers of vocals'] | https://en.wikipedia.org/wiki/?curid=5043889 |
|
The Logical Song.ogg | 5482072 | ['hot sax', 'keyboards', 'catchy hook', 'vocal', 'pop rock', 'castanets', 'circling', 'Progressive pop', 'singing', 'guitar lick'] | ['lyric and a raucous sax line are joined by a familiar circling guitar lick and excellent singing"', 'catchy hook'] | https://en.wikipedia.org/wiki/?curid=5482072 |
|
The Logical Song.ogg | 42554343 | ['progressive pop'] | ['progressive pop'] | https://en.wikipedia.org/wiki/?curid=42554343 |
|
The Lonely Island - "YOLO" (Audio sample).ogg | 38342211 | ['Comedy hip hop'] | [] | https://en.wikipedia.org/wiki/?curid=38342211 |
|
The Lord's My Shepherd - Rhymni Silurian Male Voice Choir.ogg | commons:59217450 | ['choral music', 'vocal music', 'vocal ensemble', 'choir'] | [] | https://commons.wikimedia.org/wiki/?curid=59217450 |
|
The Lord's My Shepherd - Rhymni Silurian Male Voice Choir.ogg | 19652977 | ['choral music', 'vocal music', 'vocal ensemble', 'choir'] | ['sung to the tune'] | https://en.wikipedia.org/wiki/?curid=19652977 |
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The Louvre - Sample.ogg | 53362049 | ['indie rock', 'ambient music', 'electropop'] | ['is an acoustic guitar-driven electropop song with elements of indie rock and ambient music'] | https://en.wikipedia.org/wiki/?curid=53362049 |
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The Low Anthem - Charlie Darwin.ogg | 72050450 | ['chant', 'falsetto voice'] | ['The falsetto voice'] | https://en.wikipedia.org/wiki/?curid=72050450 |
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The Low Anthem - Charlie Darwin.ogg | 26350844 | ['breezy', 'choral', 'falsetto voice'] | [] | https://en.wikipedia.org/wiki/?curid=26350844 |
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The Meteors - Wreckin' Crew.ogg | 182609 | ['slam dancing', 'psychobilly'] | ['inspired the psychobilly style of slam dancing known'] | https://en.wikipedia.org/wiki/?curid=182609 |
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The Metropolitan Chamber Orchestra - Haydn's Cello Concerto No. 1 in C major, Hob.VIIb-1 - I. Moderato.ogg | commons:130976680 | ['cello', 'classical music', 'classical period classical music'] | [] | https://commons.wikimedia.org/wiki/?curid=130976680 |
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The Metropolitan Chamber Orchestra - Haydn's Cello Concerto No. 1 in C major, Hob.VIIb-1 - II. Adagio.ogg | commons:130976679 | ['cello', 'classical music', 'classical period classical music'] | [] | https://commons.wikimedia.org/wiki/?curid=130976679 |
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The Metropolitan Chamber Orchestra - Haydn's Cello Concerto No. 1 in C major, Hob.VIIb-1 - III. Allegro molto.ogg | 1975389 | ['cello', 'classical music', 'classical period classical music'] | [] | https://en.wikipedia.org/wiki/?curid=1975389 |
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The Microphones, I Want Wind To Blow vocal track.ogg | 2762896 | ['singing', 'elongated'] | ['The first track is of Elverum singing and the other three are used to form an elongated chord', 'featuring'] | https://en.wikipedia.org/wiki/?curid=2762896 |
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The Microphones, I Want Wind To Blow vocal track.ogg | 63981267 | ['vocal'] | [] | https://en.wikipedia.org/wiki/?curid=63981267 |
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The Middle Of Starting Over.ogg | 54734871 | ['catchy', 'midtempo', 'acoustic guitar', 'country pop', 'punchier grooves', 'acoustic guitars', 'country pop influences', 'teen pop', 'powerful vocals', 'lyrical interpretation', '92 beats per minute', 'vocal', 'folk pop', 'pop', 'Folk pop', 'folk', 'pop jam'] | ['an acoustic guitar-driven midtempo folk pop song with teen pop and country pop influences', 'feature punchier grooves', 'is a midtempo pop folk song with country pop influences backed by acoustic guitars and percussion elements', 'A folk-meets-pop jam', 'acoustic guitar-driven midtempo folk pop song with teen pop and country pop influences', ", unforgettable sound only made stronger by Sabrina's powerful vocals", "The song follows the chord progression of D–A/C-Bm-G and Carpenter's vocal range spans from the low note A3 to the high note of A4"] | https://en.wikipedia.org/wiki/?curid=54734871 |
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The Miracle (Of Joey Ramone) U2.ogg | 43783012 | ['male vocals'] | [] | https://en.wikipedia.org/wiki/?curid=43783012 |
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The Miracle (Of Joey Ramone) U2.ogg | 43837924 | ['Pop rock'] | [] | https://en.wikipedia.org/wiki/?curid=43837924 |
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The Modena Chamber Orchestra - Vivaldi's L'estro armonico, Concerto No. 10, RV 580 - I. Allegro.ogg | commons:127053995 | ['violin music', 'classical music', 'baroque period classical music', 'violin concerto'] | [] | https://commons.wikimedia.org/wiki/?curid=127053995 |
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The Modena Chamber Orchestra - Vivaldi's L'estro armonico, Concerto No. 10, RV 580 - II. Largo-Larghetto.ogg | commons:127053996 | ['violin music', 'classical music', 'baroque period classical music', 'violin concerto'] | [] | https://commons.wikimedia.org/wiki/?curid=127053996 |
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The Modena Chamber Orchestra - Vivaldi's L'estro armonico, Concerto No. 10, RV 580 - III. Allegro.ogg | commons:127053997 | ['violin music', 'classical music', 'baroque period classical music', 'violin concerto'] | [] | https://commons.wikimedia.org/wiki/?curid=127053997 |
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The Monkees - I'm a Believer.ogg | 1717039 | ['Pop rock', 'rocker', 'lead vocals'] | ['is a "medium-paced rocker [that] is full of the group\'s top notch harmonies and is laced with infectious sounds', 'an easy-go dance mover'] | https://en.wikipedia.org/wiki/?curid=1717039 |
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The Monster (Eminem featuring Rihanna) sample.ogg | 40794152 | ['"soulful" vocals', 'vocals', 'Pop rap', 'rap', 'old school rap', 'pop-', 'rock guitars', 'hip-hop', 'singing', 'pop'] | ['is written in the key of C♯ minor, with a chord progression of C♯m-B-A', 'as sounding "like an old school rap song as it blends genres with Eminem\'s rap vocals, rock guitars, and Rihanna\'s pop-style singing of the chorus'] | https://en.wikipedia.org/wiki/?curid=40794152 |
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The Moody Blues - Nights In White Satin.ogg | 2015929 | ['depressed', 'orchestral', 'spoken-word poem', 'love ballad', 'searing vocal', 'orchestral"', 'keyboard', 'Symphonic rock', 'pop', 'chopped parts'] | ['the orchestral accompaniment for the introduction', 'written in the key of E', 'the "intense mood of the funk orchestration serves up an atmosphere that penetrates to the very core of this depressed love ballad"'] | https://en.wikipedia.org/wiki/?curid=2015929 |
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The Moody Blues - Ride My See-Saw.ogg | 15959362 | ['rock', 'uptempo', 'dance', 'Psychedelic rock', 'polished vocals', 'teen attraction', 'rock’n’roll'] | ['an uptempo, vibrant rock’n’roll song', 'a "dance track with powerful teen attraction" and "polished vocals', 'a "blockbuster rocker"'] | https://en.wikipedia.org/wiki/?curid=15959362 |
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The Moon Represents My Heart - Teresa Teng.ogg | 30138313 | ['gangtai', 'soft', 'whispery'] | ['described as "soft, melodious, often whispery and restrained'] | https://en.wikipedia.org/wiki/?curid=30138313 |
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The Narrative - Chasing a Feeling.ogg | 42926148 | ['guitars', 'soft sounds'] | [] | https://en.wikipedia.org/wiki/?curid=42926148 |
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The Narrative - Eyes Closed.ogg | 36641886 | ['male-female vocals'] | ['features the male-female vocals combination that brings attention to their music'] | https://en.wikipedia.org/wiki/?curid=36641886 |
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The National Anthem (Radiohead).ogg | 1621525 | ['free jazz', 'funk', 'rock', 'jam', 'thrilling', 'guitars', 'evocative', 'Jazz-rock', 'jazz-rock fusion', 'repetitive bassline', 'art rock', 'squawking', 'crusty funk', 'jazz'] | ['crusty funk"', 'the free jazz section', 'the song is a "radical jazz-rock fusion"', 'a discordant horn section squalling over a studiedly crude bass line', 'it was "a strange, thrilling blast of kosmik highway music" that combined jazz with the Hawkwind song', 'The song is moored to a repetitive bassline, and develops in a direction influenced by jazz', "those guitars and Yorke's evocative voice", 'the jazz elements', "featuring a horn section improvising over a repetitive bassline, demonstrates the band's increasing influence from jazz"] | https://en.wikipedia.org/wiki/?curid=1621525 |
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The National Anthem (Radiohead).ogg | 170770 | ['repetitive bassline', 'jazz'] | ["featuring a horn section improvising over a repetitive bassline, demonstrates the band's increasing influence from jazz"] | https://en.wikipedia.org/wiki/?curid=170770 |
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The Next Ten Minutes - L5Y 2002.ogg | 18849168 | ['duet'] | [] | https://en.wikipedia.org/wiki/?curid=18849168 |
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The Nobodys-No Guarantees.ogg | 1496192 | ['singing', 'vocal music', 'rock music'] | [] | https://en.wikipedia.org/wiki/?curid=1496192 |
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The Noisy Days Are Over by Field Music.ogg | 48700893 | ['energetic tempo', 'vocal harmonies', 'repetitive bassline', 'dance-floor groove'] | ['features a fast-paced and energetic tempo, a circular and repetitive bassline, and a dance-floor groove, with David and Peter Brewis on vocal harmonies'] | https://en.wikipedia.org/wiki/?curid=48700893 |