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819 | presents an astute appraisal of middle american musical torpor and the desperate struggle to escape it . | Subjective | (20 (24 (25 (85 presents) (27 (52 an) (16 (61 [UNK]) (0 (44 [UNK]) (12 (74 of) (27 (52 middle) (2 (95 american) (2 (32 musical) (42 [UNK]))))))))) (1 (39 and) (25 (13 (43 the) (69 desperate)) (3 (6 (28 (40 struggle) (73 to)) (57 escape)) (83 it))))) (77 .)) |
82 | "the animation merely serves up a predictable , maudlin story that swipes heavily from bambi and the lion king , yet lacks the emotional resonance of either of those movies ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 animation)) (3 (3 (62 merely) (3 (59 serves) (47 up))) (27 (52 a) (2 (68 predictable) (8 (8 (8 (70 ,) (15 (82 maudlin) (8 (69 story) (75 that)))) (42 [UNK])) (42 [UNK])))))) (1 (49 from) (27 (44 [UNK]) (1 (49 and) (27 (52 the) (2 (32 lion) (84 king))))))) (31 (1 (39 ,) (25 (58 yet) (1 (49 lacks) (27 (22 (43 the) (2 (32 emotional) (84 resonance))) (12 (74 of) (27 (91 either) (12 (74 of) (27 (53 those) (92 movies))))))))) (77 .)))) (55 ")) |
820 | "when not obscured by the booming bass-heavy soundtrack , the conversation presents the kind of linguistic fumbling not heard since macy gray's game of chinese whispers with mr bean ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 when) (25 (85 not) (27 (44 [UNK]) (1 (49 by) (27 (29 (52 the) (61 [UNK])) (8 (42 [UNK]) (8 (66 -) (23 (50 heavy) (84 soundtrack))))))))) (1 (39 ,) (25 (13 (43 the) (42 [UNK])) (3 (89 presents) (27 (81 the) (11 (65 kind) (12 (74 of) (27 (61 [UNK]) (3 (28 (89 [UNK]) (86 not)) (45 heard)))))))))) (31 (1 (49 since) (27 (35 [UNK]) (8 (8 (42 [UNK]) (8 (28 (38 ') (67 s)) (19 (87 game) (12 (74 of) (27 (54 chinese) (8 (44 [UNK]) (1 (49 with) (56 mr)))))))) (42 [UNK])))) (77 .)))) (55 ")) |
821 | "there's a neat twist , subtly rendered , that could have wrapped things up at 80 minutes , but kang tacks on three or four more endings ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 there) (3 (28 (38 ') (67 s)) (27 (52 a) (2 (32 neat) (84 twist))))) (1 (39 ,) (24 (25 (86 subtly) (94 rendered)) (1 (39 ,) (24 (25 (13 (75 that) (28 (89 could) (86 have))) (3 (3 (59 wrapped) (47 things)) (47 up))) (1 (49 at) (27 (53 80) (92 minutes)))))))) (31 (1 (39 ,) (25 (88 but) (24 (25 (15 (82 kang) (8 (44 [UNK]) (1 (49 on) (27 (53 three) (92 or))))) (68 four)) (1 (37 more) (61 [UNK]))))) (77 .)))) (55 ")) |
822 | not since ghostbusters has a film used manhattan's architecture in such a gloriously goofy way . | Subjective | (20 (24 (25 (58 not) (1 (39 since) (24 (25 (44 [UNK]) (3 (89 has) (27 (81 a) (64 film)))) (1 (49 used) (56 manhattan))))) (1 (28 (38 ') (67 s)) (35 [UNK]))) (31 (1 (49 in) (27 (33 such) (27 (52 a) (2 (61 [UNK]) (2 (32 goofy) (84 way)))))) (77 .))) |
823 | a crisply made movie that is no more than mildly amusing . | Subjective | (20 (24 (25 (13 (27 (52 a) (2 (61 [UNK]) (2 (32 made) (84 movie)))) (48 that)) (3 (28 (89 is) (86 no)) (45 more))) (1 (49 than) (27 (37 mildly) (71 amusing)))) (77 .)) |
824 | "borrows a bit from the classics "" wait until dark "" and "" extremities "" . . . but in terms of its style , the movie is in a class by itself ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (24 (25 (27 (44 [UNK]) (27 (81 a) (11 (65 bit) (12 (74 from) (27 (81 the) (64 classics)))))) (3 (28 (55 ") (55 ")) (45 wait))) (1 (39 until) (25 (58 dark) (1 (55 ") (55 "))))) (76 and)) (3 (28 (55 ") (55 ")) (45 [UNK]))) (1 (55 ") (55 "))) (31 (1 (31 (1 (77 .) (77 .)) (77 .)) (24 (25 (88 but) (24 (25 (85 in) (27 (91 terms) (12 (74 of) (27 (46 its) (51 style))))) (1 (39 ,) (24 (25 (13 (43 the) (69 movie)) (89 is)) (1 (49 in) (27 (81 a) (64 class))))))) (1 (49 by) (56 itself)))) (77 .)))) (55 ")) |
825 | "the biggest problem i have ( other than the very sluggish pace ) is we never really see her esther blossom as an actress , even though her talent is supposed to be growing ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (52 the) (2 (32 biggest) (84 problem))) (13 (25 (27 (27 (41 i) (89 have)) (8 (8 (70 () (15 (82 other) (8 (39 than) (27 (52 the) (2 (95 very) (2 (32 sluggish) (84 pace))))))) (34 )))) (79 is)) (41 we))) (3 (6 (28 (89 never) (86 really)) (57 see)) (27 (52 her) (2 (32 esther) (42 [UNK]))))) (1 (49 as) (27 (81 an) (64 actress)))) (31 (1 (39 ,) (25 (88 even) (25 (13 (88 though) (27 (46 her) (51 talent))) (3 (6 (28 (3 (89 is) (45 supposed)) (73 to)) (57 be)) (83 growing))))) (77 .)))) (55 ")) |
826 | "should be seen and absorbed , if only to recall that hollywood horror does , occasionally , get it more or less right ." | Subjective | (20 (20 (55 ") (20 (24 (25 (6 (28 (89 should) (86 be)) (57 seen)) (1 (49 and) (61 [UNK]))) (1 (39 ,) (25 (88 if) (25 (13 (24 (25 (3 (6 (28 (40 only) (73 to)) (57 [UNK])) (27 (52 that) (2 (32 hollywood) (84 horror)))) (94 does)) (1 (70 ,) (37 occasionally))) (39 ,)) (3 (3 (59 get) (47 it)) (47 more)))))) (31 (1 (49 or) (27 (37 less) (71 right))) (77 .)))) (55 ")) |
827 | "for a film about two mismatched buddies , crystal and de niro share little screen time and even less chemistry ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 for) (27 (81 a) (64 film))) (1 (49 about) (27 (52 two) (2 (44 [UNK]) (84 buddies))))) (31 (1 (39 ,) (25 (27 (56 crystal) (1 (39 and) (25 (13 (90 de) (92 niro)) (3 (28 (28 (3 (89 share) (27 (52 little) (2 (32 screen) (84 time)))) (76 and)) (86 even)) (45 less))))) (79 chemistry))) (77 .)))) (55 ")) |
828 | "the whole thing feels like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 the) (2 (32 whole) (84 thing))) (3 (28 (6 (28 (3 (59 feels) (1 (49 like) (27 (29 (52 a) (61 [UNK])) (8 (39 ,) (29 (52 a) (61 [UNK])))))) (73 to)) (57 cover)) (47 up)) (27 (81 the) (64 fact)))) (1 (39 that) (24 (25 (13 (43 the) (69 picture)) (3 (89 is) (45 constructed))) (1 (49 around) (27 (81 a) (11 (65 core) (12 (74 of) (27 (35 [UNK]) (8 (66 -) (23 (66 -) (76 or))))))))))) (31 (1 (39 ,) (25 (58 worse) (1 (28 (30 (58 yet) (4 (8 (70 ,) (61 [UNK])) (66 -))) (66 -)) (87 ideas)))) (77 .)))) (55 ")) |
829 | "like the best 60 minutes exposй , the film ( at 80 minutes ) is actually quite entertaining ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 like) (27 (52 the) (2 (95 best) (2 (44 [UNK]) (84 minutes))))) (1 (13 (61 [UNK]) (8 (8 (21 (8 (70 ,) (13 (43 the) (69 film))) (70 ()) (1 (49 at) (27 (53 80) (92 minutes)))) (34 )))) (3 (6 (28 (89 is) (86 actually)) (57 quite)) (83 entertaining)))) (77 .))) (55 ")) |
83 | "beresford nicely mixes in as much humor as pathos to take us on his sentimental journey of the heart . it really is a shame that more won't get an opportunity to embrace small , sweet 'evelyn . '" | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (24 (25 (13 (61 [UNK]) (42 [UNK])) (35 [UNK])) (1 (1 (49 in) (27 (37 as) (71 much))) (78 humor))) (39 as)) (3 (6 (28 (40 [UNK]) (73 to)) (57 take)) (83 us))) (1 (31 (1 (49 on) (27 (52 his) (2 (68 sentimental) (11 (65 journey) (12 (74 of) (27 (81 the) (64 heart))))))) (77 .)) (24 (25 (41 it) (3 (62 really) (3 (89 is) (27 (81 a) (64 shame))))) (1 (39 that) (25 (41 more) (3 (6 (28 (3 (62 won) (3 (6 (28 (38 ') (67 t)) (57 get)) (27 (81 an) (64 opportunity)))) (73 to)) (57 embrace)) (27 (26 (2 (68 small) (8 (70 ,) (82 sweet))) (38 ')) (87 evelyn)))))))) (31 (77 .) (38 ')))) (55 ")) |
830 | "as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you'd expect from the guy-in-a-dress genre , and a personal low for everyone involved ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 as) (24 (25 (13 (15 (82 predictable) (8 (39 as) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (29 (52 a) (61 [UNK])) (10 (66 -) (2 (44 [UNK]) (84 game))))))))) (8 (8 (70 ,) (61 [UNK])) (42 [UNK]))) (3 (28 (89 is) (86 even)) (27 (37 more) (71 ludicrous)))) (1 (39 than) (24 (25 (41 you) (3 (28 (38 ') (67 d)) (45 expect))) (1 (49 from) (27 (52 the) (2 (68 guy) (8 (66 -) (23 (74 in) (10 (66 -) (2 (81 a) (10 (66 -) (2 (32 dress) (84 genre)))))))))))))) (1 (39 ,) (25 (85 and) (27 (52 a) (2 (32 personal) (84 low)))))) (31 (1 (49 for) (27 (37 everyone) (71 involved))) (77 .)))) (55 ")) |
831 | "aimed at a new age audience , but its subject's sincerity and gentle , self-deprecating nature translate well to a general audience ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 aimed) (1 (49 at) (27 (52 a) (2 (95 new) (2 (32 age) (84 audience)))))) (1 (39 ,) (25 (13 (88 but) (27 (46 its) (51 subject))) (3 (3 (28 (38 ') (67 s)) (27 (54 sincerity) (8 (8 (76 and) (2 (68 gentle) (8 (70 ,) (15 (82 self) (8 (66 -) (23 (50 deprecating) (84 nature))))))) (42 [UNK])))) (47 well))))) (31 (1 (49 to) (27 (52 a) (2 (32 general) (84 audience)))) (77 .)))) (55 ")) |
832 | the best thing that can be said of the picture is that it does have a few cute moments . | Subjective | (20 (24 (25 (13 (27 (52 the) (2 (32 best) (84 thing))) (48 that)) (3 (28 (89 can) (86 be)) (45 said))) (1 (49 of) (27 (81 the) (64 picture)))) (31 (1 (49 is) (27 (75 that) (25 (41 it) (3 (28 (89 does) (86 have)) (27 (52 a) (2 (95 few) (2 (32 cute) (84 moments)))))))) (77 .))) |
833 | "astonishing isn't the word -- neither is incompetent , incoherent or just plain crap . indeed , none of these words really gets at the very special type of badness that is deuces wild ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (80 astonishing) (3 (62 isn) (3 (28 (38 ') (67 t)) (27 (27 (81 the) (64 word)) (8 (66 -) (23 (66 -) (58 neither))))))) (3 (6 (28 (28 (3 (89 is) (27 (35 [UNK]) (8 (70 ,) (82 incoherent)))) (76 or)) (86 just)) (57 plain)) (83 crap))) (1 (39 .) (25 (58 indeed) (1 (39 ,) (25 (27 (91 none) (12 (74 of) (27 (53 these) (92 words)))) (3 (62 really) (59 gets))))))) (31 (1 (49 at) (27 (52 the) (2 (95 very) (2 (68 special) (11 (65 type) (12 (74 of) (27 (35 [UNK]) (8 (75 that) (3 (89 is) (27 (53 deuces) (92 wild))))))))))) (77 .)))) (55 ")) |
834 | "with an unflappable air of decadent urbanity , everett remains a perfect wildean actor , and a relaxed firth displays impeccable comic skill ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 with) (27 (52 an) (2 (42 [UNK]) (11 (65 air) (12 (74 of) (27 (35 [UNK]) (8 (42 [UNK]) (8 (70 ,) (61 [UNK]))))))))) (1 (49 remains) (27 (52 a) (2 (32 perfect) (42 [UNK]))))) (31 (1 (8 (63 actor) (8 (39 ,) (21 (8 (8 (8 (8 (76 and) (29 (52 a) (61 [UNK]))) (42 [UNK])) (42 [UNK])) (42 [UNK])) (70 comic)))) (78 skill)) (77 .)))) (55 ")) |
835 | "its story may be a thousand years old , but why did it have to seem like it took another thousand to tell it to us ?" | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 its) (69 story)) (3 (28 (89 may) (86 be)) (27 (27 (52 a) (2 (44 [UNK]) (84 years))) (78 old)))) (1 (39 ,) (25 (88 but) (24 (25 (88 why) (24 (25 (13 (88 did) (80 it)) (3 (28 (40 have) (73 to)) (45 seem))) (1 (39 like) (25 (41 it) (3 (6 (28 (3 (59 took) (27 (81 another) (61 [UNK]))) (73 to)) (57 tell)) (83 it)))))) (1 (49 to) (56 us)))))) (36 ?))) (55 ")) |
836 | "but tongue-in-cheek preposterousness has always been part of for the most part wilde's droll whimsy helps "" being earnest "" overcome its weaknesses and parker's creative interference . . ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 but) (27 (54 tongue) (8 (66 -) (23 (74 in) (10 (66 -) (2 (32 cheek) (42 [UNK]))))))) (3 (6 (28 (89 has) (86 always)) (57 been)) (27 (91 part) (12 (74 of) (27 (33 for) (27 (52 the) (2 (95 most) (2 (32 part) (84 wilde))))))))) (1 (6 (28 (38 ') (67 s)) (57 [UNK])) (42 [UNK]))) (31 (49 helps) (20 (55 ") (20 (55 ") (20 (24 (25 (27 (37 being) (71 earnest)) (3 (7 (6 (28 (55 ") (55 ")) (57 overcome)) (46 its)) (42 [UNK]))) (1 (39 and) (25 (41 parker) (3 (28 (38 ') (67 s)) (27 (90 creative) (61 [UNK])))))) (31 (1 (77 .) (77 .)) (77 .)))))))) (55 ")) |
837 | "deep intelligence and a warm , enveloping affection breathe out of every frame ." | Subjective | (20 (20 (55 ") (20 (27 (52 deep) (2 (68 intelligence) (8 (8 (28 (76 and) (27 (52 a) (2 (68 warm) (8 (70 ,) (61 [UNK]))))) (51 affection)) (42 [UNK])))) (31 (1 (60 out) (12 (74 of) (27 (81 every) (64 frame)))) (77 .)))) (55 ")) |
838 | shankman . . . and screenwriter karen janszen bungle their way through the narrative as if it were a series of bible parables and not an actual story . | Subjective | (20 (24 (25 (13 (42 [UNK]) (31 (1 (77 .) (77 .)) (77 .))) (3 (6 (28 (76 and) (27 (54 screenwriter) (8 (61 [UNK]) (42 [UNK])))) (57 [UNK])) (27 (46 their) (51 way)))) (1 (49 through) (27 (81 the) (64 narrative)))) (31 (1 (39 as) (25 (13 (88 if) (80 it)) (3 (28 (28 (3 (89 were) (27 (81 a) (11 (65 series) (12 (74 of) (27 (61 [UNK]) (35 [UNK])))))) (76 and)) (86 not)) (27 (52 an) (2 (32 actual) (84 story)))))) (77 .))) |
839 | unfolds in a series of achronological vignettes whose cumulative effect is chilling . | Subjective | (20 (25 (58 unfolds) (1 (49 in) (27 (81 a) (11 (65 series) (12 (74 of) (27 (44 [UNK]) (92 vignettes))))))) (31 (25 (22 (43 whose) (2 (44 [UNK]) (84 effect))) (3 (89 is) (45 chilling))) (77 .))) |
84 | "a deliberative account of a lifestyle characterized by its surface-obsession Ц one that typifies the delirium of post , pre , and extant stardom ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (52 a) (2 (42 [UNK]) (11 (65 account) (12 (74 of) (27 (81 a) (64 lifestyle)))))) (79 [UNK])) (1 (49 by) (27 (27 (81 its) (64 surface)) (8 (66 -) (50 obsession))))) (31 (1 (39 ц) (25 (13 (93 one) (75 that)) (3 (42 [UNK]) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (54 post) (8 (8 (8 (70 ,) (15 (82 pre) (8 (39 ,) (76 and)))) (42 [UNK])) (42 [UNK]))))))))) (77 .)))) (55 ")) |
840 | "there's something with potential here , but the movie decides , like lavinia , to go the conservative route ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 there) (3 (28 (38 ') (67 s)) (45 something))) (1 (1 (49 with) (56 potential)) (78 here))) (31 (1 (39 ,) (25 (88 but) (25 (13 (43 the) (69 movie)) (3 (6 (28 (3 (59 decides) (1 (39 ,) (25 (88 like) (25 (58 [UNK]) (39 ,))))) (73 to)) (57 go)) (27 (52 the) (2 (32 conservative) (84 route))))))) (77 .)))) (55 ")) |
841 | it will take a strong stomach for the ordinary viewer to maintain an appetite for pinochet apologetics after this litany of suffering . | Subjective | (20 (24 (25 (41 it) (3 (6 (28 (3 (28 (89 will) (86 take)) (27 (52 a) (2 (68 strong) (0 (44 [UNK]) (12 (74 for) (27 (52 the) (2 (32 ordinary) (84 viewer)))))))) (73 to)) (57 maintain)) (27 (81 an) (11 (65 appetite) (12 (74 for) (27 (61 [UNK]) (35 [UNK]))))))) (1 (49 after) (27 (81 this) (61 [UNK])))) (31 (1 (74 of) (56 suffering)) (77 .))) |
842 | "well-written , nicely acted and beautifully shot and scored , the film works on several levels , openly questioning social mores while ensnaring the audience with its emotional pull ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (54 well) (8 (66 -) (23 (50 written) (8 (70 ,) (61 [UNK]))))) (79 acted)) (1 (49 and) (27 (90 beautifully) (15 (82 shot) (8 (76 and) (35 [UNK])))))) (31 (1 (39 ,) (24 (25 (13 (24 (25 (13 (43 the) (69 film)) (3 (59 works) (1 (49 on) (27 (27 (53 several) (92 levels)) (8 (70 ,) (61 [UNK])))))) (1 (49 questioning) (27 (90 social) (61 [UNK])))) (39 while)) (3 (42 [UNK]) (27 (81 the) (64 audience)))) (1 (49 with) (27 (52 its) (2 (32 emotional) (84 pull)))))) (77 .)))) (55 ")) |
843 | "scherfig , who has had a successful career in tv , tackles more than she can handle ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (44 [UNK]) (1 (39 ,) (24 (25 (41 who) (3 (28 (89 has) (86 had)) (27 (52 a) (2 (32 successful) (84 career))))) (1 (49 in) (56 tv))))) (48 ,)) (3 (89 tackles) (45 more))) (1 (39 than) (25 (41 she) (3 (62 can) (59 handle))))) (77 .))) (55 ")) |
844 | "a profoundly stupid affair , populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility ." | Subjective | (20 (20 (55 ") (20 (24 (25 (29 (52 a) (61 [UNK])) (2 (32 stupid) (84 affair))) (1 (39 ,) (25 (13 (24 (25 (85 [UNK]) (27 (52 its) (2 (68 hackneyed) (8 (76 and) (2 (44 [UNK]) (84 storyline)))))) (1 (49 with) (27 (35 [UNK]) (8 (63 characters) (8 (76 and) (82 performers)))))) (75 who)) (3 (89 value) (45 cash))))) (31 (1 (49 above) (61 [UNK])) (77 .)))) (55 ")) |
845 | "an intriguing , richly detailed look at the early days of hollywood power and glamour ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (27 (52 an) (2 (68 intriguing) (8 (70 ,) (61 [UNK])))) (78 detailed)) (79 look)) (1 (49 at) (27 (22 (43 the) (2 (32 early) (84 days))) (12 (74 of) (27 (53 hollywood) (92 power)))))) (31 (1 (76 and) (94 glamour)) (77 .)))) (55 ")) |
846 | "a warm but realistic meditation on friendship , family and affection ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (52 a) (2 (68 warm) (8 (76 but) (82 realistic)))) (79 meditation)) (1 (49 on) (27 (54 friendship) (8 (70 ,) (15 (82 family) (8 (76 and) (82 affection))))))) (77 .))) (55 ")) |
847 | the characters are never more than sketches . . . which leaves any true emotional connection or identification frustratingly out of reach . | Subjective | (20 (24 (25 (13 (43 the) (69 characters)) (3 (28 (89 are) (86 never)) (45 more))) (1 (49 than) (61 [UNK]))) (31 (1 (31 (1 (77 .) (77 .)) (77 .)) (24 (25 (41 which) (3 (3 (89 leaves) (27 (52 any) (2 (95 true) (2 (68 emotional) (11 (65 connection) (12 (74 or) (27 (61 [UNK]) (35 [UNK])))))))) (47 out))) (1 (74 of) (56 reach)))) (77 .))) |
848 | ozpetek succeeds in portraying small nuances that demonstrate the stages of love -- unrequited or blossoming -- and in showcasing the family structure created by a group of people who have been rejected for one reason or another . | Subjective | (20 (24 (25 (13 (25 (44 [UNK]) (3 (59 succeeds) (1 (49 in) (27 (35 [UNK]) (8 (70 small) (61 [UNK])))))) (75 that)) (3 (42 [UNK]) (27 (81 the) (11 (65 stages) (12 (74 of) (27 (54 love) (8 (66 -) (23 (66 -) (24 (25 (58 [UNK]) (1 (49 or) (27 (35 [UNK]) (8 (66 -) (23 (66 -) (76 and)))))) (1 (1 (49 in) (27 (44 [UNK]) (27 (81 the) (64 family)))) (78 structure))))))))))) (1 (18 (60 created) (12 (74 by) (27 (81 a) (11 (65 group) (12 (74 of) (27 (54 people) (8 (75 who) (3 (28 (89 have) (86 been)) (45 rejected))))))))) (1 (49 for) (27 (93 one) (64 reason))))) (31 (1 (49 or) (56 another)) (77 .))) |
849 | the problem is that the movie has no idea of it is serious or not . | Subjective | (20 (24 (25 (27 (81 the) (64 problem)) (79 is)) (1 (39 that) (25 (13 (43 the) (69 movie)) (3 (89 has) (27 (81 no) (11 (65 idea) (12 (74 of) (27 (80 it) (28 (28 (3 (89 is) (45 serious)) (76 or)) (86 not)))))))))) (77 .)) |
85 | tsai may be ploughing the same furrow once too often . | Subjective | (20 (24 (25 (44 [UNK]) (3 (6 (28 (89 may) (86 be)) (57 [UNK])) (27 (52 the) (2 (32 same) (42 [UNK]))))) (1 (49 once) (27 (37 too) (71 often)))) (77 .)) |
850 | mocking kung fu pictures when they were a staple of exploitation theater programming was witty . mocking them now is an exercise in pointlessness . | Subjective | (20 (24 (25 (13 (13 (61 [UNK]) (8 (66 kung) (23 (50 fu) (84 pictures)))) (31 (1 (39 when) (25 (41 they) (3 (89 were) (27 (52 a) (0 (44 [UNK]) (12 (74 of) (27 (35 [UNK]) (8 (63 theater) (8 (42 [UNK]) (8 (70 was) (82 witty))))))))))) (77 .))) (3 (59 [UNK]) (47 them))) (1 (48 now) (3 (89 is) (27 (81 an) (64 exercise))))) (31 (1 (49 in) (61 [UNK])) (77 .))) |
851 | " "" lovely and amazing is a story about real people . these people are insecure about their lives . they aren't convinced that there's some inner beauty about them . they see themselves as i suspect most people do , mostly for the flaws . however , these are still" | Subjective | (20 (20 (55 ") (20 (55 ") (20 (55 ") (20 (24 (25 (27 (54 lovely) (8 (76 and) (82 amazing))) (3 (89 is) (27 (81 a) (64 story)))) (1 (31 (1 (49 about) (27 (53 real) (92 people))) (77 .)) (24 (25 (13 (43 these) (69 people)) (3 (89 are) (45 insecure))) (1 (31 (1 (49 about) (27 (46 their) (51 lives))) (77 .)) (24 (25 (41 they) (3 (62 aren) (3 (28 (38 ') (67 t)) (45 convinced)))) (1 (39 that) (24 (25 (41 there) (3 (28 (38 ') (67 s)) (27 (52 some) (2 (32 inner) (84 beauty))))) (1 (31 (1 (49 about) (56 them)) (77 .)) (24 (25 (41 they) (3 (59 see) (47 themselves))) (1 (1 (39 as) (25 (41 i) (3 (59 suspect) (27 (53 most) (92 people))))) (78 do))))))))))) (1 (39 ,) (24 (25 (58 mostly) (1 (49 for) (27 (81 the) (64 flaws)))) (1 (39 .) (25 (58 however) (1 (39 ,) (25 (80 these) (28 (89 are) (86 still)))))))))))) (55 ")) |
852 | "armed with a rad '80s soundtrack and a winning cast ( including indie rocker liz phair ) , cherish is an ingenious low-budget thriller ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (91 armed) (12 (74 with) (27 (52 a) (2 (61 [UNK]) (2 (38 ') (72 80s)))))) (79 soundtrack)) (1 (49 and) (27 (27 (52 a) (2 (32 winning) (84 cast))) (8 (8 (8 (8 (70 () (15 (82 including) (8 (70 indie) (61 [UNK])))) (42 [UNK])) (42 [UNK])) (34 )))))) (31 (1 (39 ,) (25 (44 [UNK]) (3 (89 is) (27 (52 an) (2 (95 ingenious) (2 (68 low) (8 (66 -) (23 (50 budget) (84 thriller))))))))) (77 .)))) (55 ")) |
853 | "just like every other seagal movie , only louder and without that silly ponytail ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 just) (1 (49 like) (27 (52 every) (2 (27 (53 other) (92 seagal)) (69 movie))))) (1 (39 ,) (25 (86 only) (94 [UNK])))) (31 (1 (39 and) (25 (85 without) (27 (52 that) (2 (32 silly) (42 [UNK]))))) (77 .)))) (55 ")) |
854 | "like life on the island , the movie grows boring despite the scenery ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 like) (27 (56 life) (1 (49 on) (27 (81 the) (64 island))))) (1 (39 ,) (25 (13 (43 the) (69 movie)) (3 (89 grows) (45 boring))))) (31 (1 (49 despite) (27 (81 the) (64 scenery))) (77 .)))) (55 ")) |
855 | a film worthy of comparison to truffaut's best cinematic poems . | Subjective | (20 (24 (25 (27 (81 a) (64 film)) (79 worthy)) (1 (74 of) (56 comparison))) (31 (1 (49 to) (27 (35 [UNK]) (8 (28 (38 ') (67 s)) (2 (95 best) (2 (32 cinematic) (42 [UNK])))))) (77 .))) |
856 | "missteps take what was otherwise a fascinating , riveting story and send it down the path of the mundane ." | Subjective | (20 (20 (55 ") (20 (24 (25 (44 [UNK]) (3 (6 (28 (3 (59 take) (25 (41 what) (3 (28 (89 was) (86 otherwise)) (27 (52 a) (2 (68 fascinating) (8 (39 ,) (2 (32 riveting) (84 story)))))))) (76 and)) (57 send)) (83 it))) (1 (49 down) (27 (81 the) (11 (65 path) (12 (74 of) (27 (81 the) (64 mundane))))))) (77 .))) (55 ")) |
857 | a captivating and intimate study about dying and loving . . . | Subjective | (20 (24 (25 (27 (29 (52 a) (61 [UNK])) (8 (76 and) (82 intimate))) (79 study)) (1 (49 about) (27 (54 dying) (8 (76 and) (82 loving))))) (31 (1 (77 .) (77 .)) (77 .))) |
858 | "if you enjoy being rewarded by a script that assumes you aren't very bright , then blood work is for you ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 if) (80 you)) (3 (28 (89 enjoy) (86 being)) (45 [UNK]))) (1 (49 by) (27 (81 a) (64 script)))) (31 (1 (39 that) (24 (25 (13 (88 [UNK]) (80 you)) (3 (62 aren) (3 (28 (38 ') (67 t)) (27 (37 very) (71 bright))))) (1 (39 ,) (25 (88 then) (24 (25 (27 (53 blood) (92 work)) (79 is)) (1 (49 for) (56 you))))))) (77 .)))) (55 ")) |
859 | "what makes this latest version of the four feathers the best so far are the beautiful desert locations ( in morocco ) , and the superb action sequences ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 what) (3 (3 (89 makes) (27 (22 (43 this) (2 (32 latest) (84 version))) (12 (74 of) (27 (52 the) (2 (32 four) (84 feathers)))))) (27 (81 the) (64 best)))) (1 (13 (37 so) (94 far)) (3 (89 are) (27 (27 (52 the) (2 (32 beautiful) (84 desert))) (8 (63 locations) (8 (70 () (15 (82 in) (8 (44 [UNK]) (34 )))))))))) (31 (1 (39 ,) (25 (88 and) (25 (27 (52 the) (2 (32 superb) (84 action))) (79 sequences)))) (77 .)))) (55 ")) |
86 | russian ark moves beyond a simple technical exercise and into the realm of greatness . it's a masterpiece on every level . | Subjective | (20 (24 (25 (13 (90 russian) (92 ark)) (3 (59 moves) (1 (49 beyond) (27 (52 a) (2 (95 simple) (2 (32 technical) (84 exercise))))))) (1 (76 and) (1 (49 into) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (44 [UNK]) (1 (39 .) (25 (41 it) (3 (28 (38 ') (67 s)) (27 (81 a) (64 masterpiece)))))))))))) (31 (1 (49 on) (27 (81 every) (64 level))) (77 .))) |
860 | takes us on a journey toward self-awareness that is both deadpan hilarious and profoundly moving . | Subjective | (20 (24 (25 (3 (59 takes) (47 us)) (1 (49 on) (27 (81 a) (64 journey)))) (1 (49 toward) (27 (54 self) (8 (66 -) (50 awareness))))) (31 (1 (1 (48 that) (3 (89 is) (27 (33 both) (27 (35 [UNK]) (8 (63 hilarious) (8 (76 and) (35 [UNK]))))))) (78 moving)) (77 .))) |
861 | this is darkest drama reminiscent of antonin artaud's literary experiments in psychoanalysis . | Subjective | (20 (24 (25 (41 this) (3 (89 is) (27 (44 [UNK]) (92 drama)))) (1 (60 reminiscent) (12 (74 of) (27 (35 [UNK]) (8 (42 [UNK]) (8 (28 (38 ') (67 s)) (2 (32 literary) (42 [UNK])))))))) (31 (1 (49 in) (56 psychoanalysis)) (77 .))) |
862 | "a markedly inactive film , city is conversational bordering on confessional ." | Subjective | (20 (20 (55 ") (20 (24 (25 (29 (52 a) (61 [UNK])) (2 (44 [UNK]) (84 film))) (1 (39 ,) (25 (41 city) (3 (89 is) (27 (61 [UNK]) (35 [UNK])))))) (31 (1 (49 on) (61 [UNK])) (77 .)))) (55 ")) |
863 | " coarse , cliched and clunky , this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it squanders the charms of stars hugh grant and sandra bullock ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 [UNK]) (1 (39 ,) (24 (25 (61 [UNK]) (8 (76 and) (82 clunky))) (1 (39 ,) (24 (25 (29 (52 this) (61 [UNK])) (2 (32 romantic) (84 comedy))) (1 (49 in) (27 (33 which) (27 (61 [UNK]) (35 [UNK]))))))))) (1 (49 for) (27 (52 no) (2 (32 better) (84 reason))))) (31 (1 (49 than) (27 (75 that) (25 (13 (43 the) (69 screenplay)) (3 (28 (3 (59 demands) (25 (41 it) (3 (42 [UNK]) (27 (81 the) (11 (65 charms) (12 (74 of) (27 (33 stars) (27 (53 hugh) (92 grant))))))))) (76 and)) (27 (53 sandra) (92 bullock)))))) (77 .)))) (55 ")) |
864 | ki-duk kim has created a provocatively violent and sexual film with an oddly idyllic sensibility . it's a mysterious but ultimately rewarding experience . | Subjective | (20 (24 (25 (13 (61 [UNK]) (8 (66 -) (23 (61 [UNK]) (63 kim)))) (3 (28 (89 has) (86 created)) (27 (52 a) (2 (61 [UNK]) (2 (68 violent) (8 (76 and) (2 (32 sexual) (84 film)))))))) (1 (49 with) (27 (52 an) (2 (95 oddly) (2 (44 [UNK]) (84 sensibility)))))) (31 (1 (39 .) (25 (41 it) (3 (28 (38 ') (67 s)) (27 (52 a) (2 (68 mysterious) (8 (39 but) (27 (52 ultimately) (2 (32 rewarding) (84 experience))))))))) (77 .))) |
865 | it's easy for a filmmaker to blow up the world -- but what shyamalan does is much riskier . he tries to blow our minds . | Subjective | (20 (24 (25 (41 it) (3 (28 (38 ') (67 s)) (45 easy))) (1 (49 for) (27 (52 a) (2 (68 filmmaker) (8 (73 to) (57 blow)))))) (31 (1 (49 up) (27 (27 (81 the) (64 world)) (8 (66 -) (23 (66 -) (24 (25 (88 but) (25 (13 (88 what) (80 shyamalan)) (3 (62 does) (3 (89 is) (27 (37 much) (61 [UNK])))))) (1 (39 .) (25 (41 he) (3 (6 (28 (40 tries) (73 to)) (57 blow)) (27 (46 our) (51 minds)))))))))) (77 .))) |
866 | "one of the best examples of how to treat a subject , you're not fully aware is being examined , much like a photo of yourself you didn't know was being taken ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (93 one) (12 (74 of) (27 (81 the) (64 best)))) (3 (6 (28 (3 (59 [UNK]) (1 (74 of) (56 how))) (73 to)) (57 treat)) (27 (81 a) (64 subject)))) (1 (39 ,) (24 (25 (13 (80 you) (3 (28 (28 (28 (38 ') (67 re)) (86 not)) (86 fully)) (45 aware))) (3 (28 (89 is) (86 being)) (45 [UNK]))) (1 (39 ,) (24 (25 (58 much) (1 (49 like) (27 (81 a) (61 [UNK])))) (1 (74 of) (56 yourself))))))) (31 (25 (13 (80 you) (3 (62 didn) (6 (28 (38 ') (67 t)) (57 know)))) (3 (28 (89 was) (86 being)) (45 taken))) (77 .)))) (55 ")) |
867 | "there's a sweetness to it that's disarming and diverting -- mostly thanks to performances of slater , richard dreyfuss as his partner in crime , and portia di rossi as dreyfuss' daughter ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (25 (41 there) (3 (28 (3 (28 (38 ') (67 s)) (27 (81 a) (64 sweetness))) (73 to)) (45 it))) (75 that)) (3 (28 (38 ') (67 s)) (27 (35 [UNK]) (8 (8 (76 and) (82 diverting)) (8 (66 -) (23 (66 -) (15 (82 mostly) (8 (28 (40 thanks) (73 to)) (19 (87 performances) (12 (74 of) (27 (35 [UNK]) (8 (70 ,) (15 (82 richard) (8 (44 [UNK]) (1 (49 as) (27 (46 his) (51 partner))))))))))))))))) (1 (49 in) (27 (54 crime) (8 (8 (8 (8 (39 ,) (76 and)) (42 [UNK])) (42 [UNK])) (42 [UNK]))))) (31 (1 (49 as) (27 (26 (44 [UNK]) (38 ')) (87 daughter))) (77 .)))) (55 ")) |
868 | "guaranteed to move anyone who ever shook , rattled , or rolled ." | Subjective | (20 (20 (55 ") (20 (3 (6 (28 (40 [UNK]) (73 to)) (57 move)) (83 anyone)) (31 (1 (48 who) (3 (62 ever) (3 (28 (21 (8 (42 [UNK]) (8 (70 ,) (61 [UNK]))) (70 ,)) (76 or)) (45 rolled)))) (77 .)))) (55 ")) |
869 | "a beautiful meditation on the life force and redemptive power of literature -- for writers and readers alike -- and on what it means to be fully alive , navigating the rocky terrain between vision and execution ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (52 a) (2 (68 beautiful) (11 (65 meditation) (12 (74 on) (27 (52 the) (2 (32 life) (84 force))))))) (8 (8 (76 and) (2 (42 [UNK]) (11 (65 power) (12 (74 of) (27 (56 literature) (1 (8 (8 (66 -) (23 (66 -) (1 (49 for) (56 writers)))) (8 (76 and) (35 [UNK]))) (78 alike))))))) (8 (66 -) (23 (66 -) (76 and))))) (1 (1 (39 on) (25 (13 (88 what) (80 it)) (3 (6 (28 (40 means) (73 to)) (57 be)) (83 fully)))) (78 alive))) (31 (1 (39 ,) (25 (85 [UNK]) (27 (81 the) (16 (61 [UNK]) (0 (44 [UNK]) (12 (74 between) (27 (54 vision) (8 (76 and) (82 execution))))))))) (77 .)))) (55 ")) |
87 | a coming-of-age film that avoids the cartoonish clichйs and sneering humor of the genre as it provides a fresh view of an old type -- the uncertain girl on the brink of womanhood . | Subjective | (20 (24 (25 (13 (27 (52 a) (2 (68 coming) (8 (66 -) (23 (74 of) (10 (66 -) (2 (32 age) (84 film))))))) (48 that)) (3 (42 [UNK]) (27 (22 (43 the) (2 (61 [UNK]) (2 (68 clichиs) (8 (76 and) (2 (44 [UNK]) (84 humor)))))) (12 (74 of) (27 (81 the) (64 genre)))))) (1 (39 as) (24 (25 (41 it) (3 (89 provides) (27 (27 (52 a) (2 (68 fresh) (11 (65 view) (12 (74 of) (27 (52 an) (2 (32 old) (84 type))))))) (8 (66 -) (23 (66 -) (27 (52 the) (2 (44 [UNK]) (84 girl)))))))) (1 (49 on) (27 (81 the) (64 brink)))))) (31 (1 (74 of) (61 [UNK])) (77 .))) |
870 | "it is bad , but certainly not without merit as entertainment ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (89 is) (45 bad))) (1 (39 ,) (25 (88 but) (24 (25 (86 certainly) (94 not)) (1 (49 without) (61 [UNK])))))) (31 (1 (49 as) (56 entertainment)) (77 .)))) (55 ")) |
871 | "nothing's at stake , just a twisty double-cross you can smell a mile away--still , the derivative nine queens is lots of fun ." | Subjective | (20 (20 (55 ") (20 (24 (25 (80 nothing) (28 (38 ') (67 s))) (1 (49 at) (27 (27 (44 [UNK]) (1 (39 ,) (25 (13 (27 (33 just) (27 (52 a) (2 (61 [UNK]) (2 (68 double) (8 (66 -) (50 cross)))))) (48 you)) (3 (3 (62 can) (3 (42 [UNK]) (27 (81 a) (64 mile)))) (47 away))))) (8 (66 -) (23 (66 -) (86 still)))))) (31 (1 (1 (39 ,) (25 (22 (43 the) (2 (95 derivative) (2 (32 nine) (84 queens)))) (3 (89 is) (27 (91 lots) (74 of))))) (78 fun)) (77 .)))) (55 ")) |
872 | "it almost plays like solaris , but with guns and jokes ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (62 almost) (59 plays))) (1 (49 like) (61 [UNK]))) (31 (1 (39 ,) (25 (88 but) (25 (85 with) (27 (54 guns) (8 (76 and) (82 jokes)))))) (77 .)))) (55 ")) |
873 | "the delicious trimmingsarrive early and stay late , filling nearly every minutewith a lighthearted glow , some impudent snickers , and a glorious dose of humankind's liberating ability to triumph over a scrooge or two ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 the) (2 (95 delicious) (2 (44 [UNK]) (84 early)))) (3 (3 (28 (76 and) (27 (27 (37 stay) (71 late)) (8 (70 ,) (82 filling)))) (27 (33 nearly) (27 (81 every) (61 [UNK])))) (27 (52 a) (2 (61 [UNK]) (35 [UNK]))))) (1 (39 ,) (24 (25 (13 (27 (52 some) (2 (61 [UNK]) (35 [UNK]))) (48 ,)) (3 (76 and) (27 (81 a) (16 (61 [UNK]) (0 (44 [UNK]) (12 (74 of) (27 (35 [UNK]) (8 (28 (38 ') (67 s)) (42 [UNK]))))))))) (1 (28 (40 ability) (73 to)) (87 triumph))))) (31 (1 (49 over) (27 (29 (52 a) (61 [UNK])) (8 (76 or) (82 two)))) (77 .)))) (55 ")) |
874 | a poky and pseudo-serious exercise in sham actor workshops and an affected malaise . | Subjective | (20 (24 (25 (29 (52 a) (61 [UNK])) (8 (76 and) (2 (95 pseudo) (10 (66 -) (2 (32 serious) (84 exercise)))))) (1 (49 in) (27 (54 sham) (8 (8 (63 actor) (8 (42 [UNK]) (8 (76 and) (29 (52 an) (61 [UNK]))))) (42 [UNK]))))) (77 .)) |
875 | "it could change america , not only because it is full of necessary discussion points , but because it is so accessible that it makes complex politics understandable to viewers looking for nothing but energetic entertainment ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (28 (89 could) (86 change)) (45 america))) (1 (1 (39 ,) (24 (25 (86 not) (94 only)) (1 (39 because) (25 (41 it) (3 (89 is) (18 (60 full) (12 (74 of) (27 (53 necessary) (92 discussion))))))))) (78 points))) (31 (1 (39 ,) (24 (25 (88 but) (24 (25 (13 (88 because) (80 it)) (3 (89 is) (27 (37 so) (71 accessible)))) (1 (39 that) (24 (25 (41 it) (3 (89 makes) (27 (27 (53 complex) (92 politics)) (44 [UNK])))) (1 (49 to) (56 viewers)))))) (1 (18 (60 looking) (12 (74 for) (27 (54 nothing) (8 (70 but) (61 [UNK]))))) (78 entertainment)))) (77 .)))) (55 ")) |
876 | "the exploitative , clumsily staged violence overshadows everything , including most of the actors ." | Subjective | (20 (20 (55 ") (20 (24 (25 (29 (52 the) (61 [UNK])) (8 (70 ,) (61 [UNK]))) (1 (13 (90 staged) (92 violence)) (3 (59 [UNK]) (47 everything)))) (31 (1 (39 ,) (25 (85 including) (27 (91 most) (12 (74 of) (27 (81 the) (64 actors)))))) (77 .)))) (55 ")) |
877 | the corpse count ultimately overrides what little we learn along the way about vicarious redemption . | Subjective | (20 (24 (25 (13 (43 the) (42 [UNK])) (3 (6 (28 (89 count) (86 ultimately)) (57 [UNK])) (83 what))) (1 (39 little) (25 (41 we) (3 (59 learn) (1 (49 along) (27 (81 the) (64 way))))))) (31 (1 (49 about) (27 (44 [UNK]) (92 redemption))) (77 .))) |
878 | it's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5 . | Subjective | (20 (24 (25 (41 it) (3 (3 (28 (38 ') (67 s)) (27 (81 a) (64 shame))) (27 (52 the) (2 (61 [UNK]) (2 (68 first) (8 (90 101) (92 minutes))))))) (1 (6 (28 (40 have) (73 to)) (57 be)) (42 [UNK]))) (31 (1 (49 with) (27 (52 the) (2 (61 [UNK]) (2 (32 final) (84 5))))) (77 .))) |
879 | [diaz] can blunder into the crudest situations with such sweet innocence as to inspire giggles rather than groans . | Subjective | (20 (24 (25 (13 (27 (90 [) (61 [UNK])) (48 ])) (3 (89 can) (27 (44 [UNK]) (1 (49 into) (27 (22 (43 the) (2 (44 [UNK]) (84 situations))) (12 (74 with) (27 (33 such) (27 (53 sweet) (92 innocence))))))))) (1 (1 (39 as) (25 (85 to) (27 (44 [UNK]) (92 giggles)))) (78 rather))) (31 (1 (49 than) (61 [UNK])) (77 .))) |
88 | "this humbling little film , fueled by the light comedic work of zhao benshan and the delicate ways of dong jie , is just the sort for those moviegoers who complain that 'they don't make movies like they used to anymore . '" | Subjective | (20 (20 (20 (55 ") (20 (24 (25 (29 (52 this) (61 [UNK])) (2 (32 little) (84 film))) (1 (39 ,) (25 (13 (24 (25 (58 [UNK]) (1 (49 by) (27 (52 the) (2 (95 light) (2 (68 comedic) (11 (65 work) (12 (74 of) (27 (90 zhao) (61 [UNK]))))))))) (1 (49 and) (27 (52 the) (2 (68 delicate) (11 (65 ways) (12 (74 of) (27 (37 dong) (71 jie)))))))) (39 ,)) (3 (28 (89 is) (86 just)) (27 (81 the) (11 (65 sort) (12 (74 for) (27 (54 those) (8 (42 [UNK]) (8 (75 who) (61 [UNK]))))))))))) (31 (1 (1 (39 that) (24 (25 (38 ') (25 (41 they) (3 (62 don) (3 (6 (28 (38 ') (67 t)) (57 make)) (83 movies))))) (1 (49 like) (27 (80 they) (28 (40 used) (73 to)))))) (78 anymore)) (77 .)))) (38 ')) (55 ")) |
880 | "the film is enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i've ever seen in the many film and stage adaptations of the work ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 film)) (3 (89 is) (27 (44 [UNK]) (1 (1 (49 by) (27 (52 an) (2 (61 [UNK]) (2 (68 mixed) (11 (65 cast) (12 (74 of) (27 (35 [UNK]) (8 (44 [UNK]) (1 (39 ,) (24 (25 (58 [UNK]) (1 (49 by) (27 (90 christopher) (61 [UNK])))) (1 (49 as) (27 (29 (52 the) (61 [UNK])) (8 (76 and) (2 (95 most) (2 (61 [UNK]) (2 (32 evil) (84 uncle))))))))))))))))) (78 ralph))))) (1 (41 i) (6 (28 (28 (38 ') (67 ve)) (86 ever)) (57 seen)))) (31 (1 (49 in) (27 (27 (52 the) (2 (32 many) (84 film))) (8 (76 and) (2 (68 stage) (0 (44 [UNK]) (12 (74 of) (27 (81 the) (64 work)))))))) (77 .)))) (55 ")) |
881 | "does a good job of establishing a time and place , and of telling a fascinating character's story ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 does) (27 (52 a) (2 (68 good) (11 (65 job) (12 (74 of) (27 (44 [UNK]) (27 (81 a) (64 time)))))))) (1 (39 and) (25 (27 (54 place) (8 (39 ,) (76 and))) (12 (74 of) (27 (33 telling) (27 (52 a) (2 (32 fascinating) (84 character)))))))) (31 (1 (28 (38 ') (67 s)) (87 story)) (77 .)))) (55 ")) |
882 | the story has some nice twists but the ending and some of the back-story is a little tired . the performances are all solid ; it merely lacks originality to make it a great movie . | Subjective | (20 (24 (25 (13 (43 the) (69 story)) (3 (89 has) (27 (52 some) (2 (32 nice) (84 twists))))) (1 (49 but) (27 (81 the) (64 ending)))) (31 (1 (31 (1 (39 and) (25 (13 (93 some) (12 (74 of) (27 (52 the) (2 (68 back) (8 (66 -) (50 story)))))) (3 (89 is) (27 (52 a) (2 (32 little) (84 tired)))))) (77 .)) (24 (25 (13 (43 the) (69 performances)) (3 (89 are) (27 (37 all) (71 solid)))) (1 (39 ;) (25 (41 it) (3 (3 (6 (28 (3 (59 merely) (1 (49 lacks) (56 originality))) (73 to)) (57 make)) (83 it)) (27 (52 a) (2 (32 great) (84 movie)))))))) (77 .))) |
883 | the movie just has too much on its plate to really stay afloat for its just under ninety minute running time . | Subjective | (20 (24 (25 (13 (43 the) (69 movie)) (3 (6 (28 (28 (3 (3 (62 just) (3 (89 has) (27 (37 too) (71 much)))) (1 (49 on) (27 (46 its) (42 [UNK])))) (73 to)) (86 really)) (57 stay)) (83 afloat))) (1 (49 for) (27 (46 its) (51 just)))) (31 (1 (49 under) (27 (52 ninety) (2 (95 minute) (2 (32 running) (84 time))))) (77 .))) |
884 | one of the best films that showcase a romance within the context of an artistic movement | Subjective | (20 (13 (27 (93 one) (12 (74 of) (27 (52 the) (2 (32 best) (84 films))))) (48 that)) (1 (49 showcase) (27 (81 a) (11 (65 romance) (12 (74 within) (27 (81 the) (11 (65 context) (12 (74 of) (27 (52 an) (2 (32 artistic) (84 movement))))))))))) |
885 | "stupid , infantile , redundant , sloppy , over-the-top , and amateurish . yep , it's "" waking up in reno . "" go back to sleep ." | Subjective | (20 (20 (55 ") (20 (24 (25 (71 stupid) (8 (70 ,) (61 [UNK]))) (1 (39 ,) (24 (25 (27 (35 [UNK]) (8 (70 ,) (15 (82 sloppy) (8 (8 (70 ,) (15 (82 over) (8 (66 -) (23 (81 the) (10 (66 -) (2 (64 top) (1 (39 ,) (25 (85 and) (27 (72 amateurish) (77 .)))))))))) (42 [UNK]))))) (31 (1 (39 ,) (24 (25 (41 it) (3 (3 (28 (38 ') (67 s)) (27 (27 (55 ") (55 ")) (44 [UNK]))) (47 up))) (1 (49 in) (61 [UNK])))) (77 .))) (1 (55 ") (55 "))))) (31 (1 (28 (3 (59 go) (47 back)) (73 to)) (87 sleep)) (77 .)))) (55 ")) |
886 | "the story may not be new , but australian director john polson , making his american feature debut , jazzes it up adroitly ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 story)) (3 (6 (28 (89 may) (86 not)) (57 be)) (83 new))) (1 (39 ,) (25 (85 but) (27 (54 australian) (8 (8 (70 director) (82 john)) (42 [UNK])))))) (31 (1 (1 (39 ,) (25 (13 (27 (33 making) (27 (52 his) (2 (95 american) (2 (32 feature) (84 debut))))) (48 ,)) (3 (3 (59 [UNK]) (47 it)) (47 up)))) (61 [UNK])) (77 .)))) (55 ")) |
887 | "anyone who welcomes a dash of the avant-garde fused with their humor should take pleasure in this crazed , joyous romp of a film ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 anyone) (25 (41 who) (3 (42 [UNK]) (27 (52 a) (0 (44 [UNK]) (12 (74 of) (27 (52 the) (2 (68 avant) (8 (66 -) (23 (50 garde) (0 (44 [UNK]) (12 (74 with) (27 (46 their) (51 humor)))))))))))))) (1 (28 (89 should) (86 take)) (87 pleasure))) (31 (1 (49 in) (27 (22 (43 this) (2 (61 [UNK]) (8 (8 (70 ,) (82 joyous)) (42 [UNK])))) (12 (74 of) (27 (81 a) (64 film))))) (77 .)))) (55 ")) |
888 | perhaps no greater example yet exists of the beauty achievable when one is a master of the digital aesthetic . | Subjective | (20 (24 (25 (85 perhaps) (27 (27 (52 no) (2 (44 [UNK]) (84 example))) (8 (8 (70 yet) (18 (60 exists) (12 (74 of) (27 (81 the) (64 beauty))))) (42 [UNK])))) (1 (39 when) (25 (41 one) (3 (89 is) (27 (81 a) (11 (65 master) (12 (74 of) (27 (52 the) (2 (32 digital) (84 aesthetic)))))))))) (77 .)) |
889 | a marvellous journey from childhood idealism to adolescent self-absorption . | Subjective | (20 (24 (25 (29 (52 a) (61 [UNK])) (64 journey)) (1 (49 from) (27 (90 childhood) (61 [UNK])))) (31 (1 (49 to) (27 (90 adolescent) (15 (82 self) (8 (66 -) (61 [UNK]))))) (77 .))) |
89 | a documentary to make the stones weep -- as shameful as it is scary . | Subjective | (20 (24 (25 (13 (43 a) (69 documentary)) (3 (28 (73 to) (57 make)) (27 (52 the) (2 (68 stones) (8 (42 [UNK]) (8 (66 -) (66 -))))))) (1 (37 as) (61 [UNK]))) (31 (1 (39 as) (25 (41 it) (3 (89 is) (45 scary)))) (77 .))) |
890 | "the film is about the relationships rather than about the outcome . and it sees those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 film)) (3 (59 is) (1 (1 (1 (49 about) (27 (81 the) (64 relationships))) (78 rather)) (78 than)))) (1 (31 (1 (49 about) (27 (81 the) (61 [UNK]))) (77 .)) (24 (25 (13 (88 and) (80 it)) (3 (89 sees) (27 (53 those) (92 relationships)))) (1 (39 ,) (24 (25 (85 including) (27 (75 that) (12 (74 between) (27 (81 the) (11 (65 son) (12 (74 and) (27 (46 his) (51 wife)))))))) (1 (39 ,) (24 (25 (85 and) (27 (81 the) (64 wife))) (1 (49 and) (27 (22 (43 the) (2 (68 father) (8 (39 ,) (76 and)))) (12 (74 between) (27 (52 the) (2 (32 two) (84 brothers))))))))))))) (31 (1 (39 ,) (25 (85 with) (27 (52 incredible) (2 (68 subtlety) (8 (76 and) (35 [UNK])))))) (77 .)))) (55 ")) |
891 | "the lightest , most breezy movie steven spielberg has made in more than a decade . and the positive change in tone here seems to have recharged him ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (13 (43 the) (42 [UNK])) (31 (1 (39 ,) (24 (25 (13 (27 (52 most) (2 (44 [UNK]) (84 movie))) (13 (90 steven) (92 spielberg))) (3 (89 has) (45 made))) (1 (49 in) (27 (56 more) (1 (49 than) (27 (81 a) (64 decade))))))) (77 .))) (3 (28 (76 and) (27 (81 the) (61 [UNK]))) (45 change))) (1 (49 in) (56 tone))) (31 (25 (41 here) (3 (6 (28 (28 (40 seems) (73 to)) (86 have)) (57 [UNK])) (83 him))) (77 .)))) (55 ")) |
892 | a brutally honest documentary about a much anticipated family reunion that goes wrong thanks to culture shock and a refusal to empathize with others . | Subjective | (20 (24 (25 (13 (27 (52 a) (2 (95 brutally) (2 (2 (32 honest) (84 documentary)) (1 (1 (49 about) (27 (52 a) (2 (95 much) (2 (44 [UNK]) (84 family))))) (78 reunion))))) (48 that)) (3 (59 goes) (47 wrong))) (1 (28 (3 (28 (40 thanks) (73 to)) (27 (27 (53 culture) (92 shock)) (8 (76 and) (29 (52 a) (61 [UNK]))))) (73 to)) (35 [UNK]))) (31 (1 (49 with) (56 others)) (77 .))) |
893 | "to honestly address the flaws inherent in how medical aid is made available to american workers , a more balanced or fair portrayal of both sides will be needed ." | Subjective | (20 (20 (55 ") (20 (24 (25 (73 to) (83 honestly)) (1 (61 [UNK]) (22 (43 the) (2 (68 flaws) (11 (65 inherent) (12 (74 in) (27 (27 (33 how) (25 (13 (90 medical) (92 aid)) (3 (89 is) (45 made)))) (8 (28 (40 available) (73 to)) (2 (32 american) (84 workers)))))))))) (31 (1 (39 ,) (25 (27 (52 a) (2 (95 more) (2 (68 balanced) (8 (76 or) (2 (68 fair) (11 (65 portrayal) (12 (74 of) (27 (46 both) (51 sides))))))))) (3 (28 (89 will) (86 be)) (45 needed)))) (77 .)))) (55 ")) |
894 | jonah is sunday school lite . but it's told with a comic edge usually associated with the devilish act of laughter . | Subjective | (20 (24 (25 (44 [UNK]) (3 (89 is) (27 (27 (44 [UNK]) (92 school)) (44 [UNK])))) (1 (39 .) (24 (25 (13 (88 but) (80 it)) (3 (28 (38 ') (67 s)) (45 told))) (1 (49 with) (27 (52 a) (2 (95 comic) (2 (68 edge) (8 (89 usually) (0 (44 [UNK]) (12 (74 with) (27 (52 the) (2 (44 [UNK]) (84 act))))))))))))) (31 (1 (74 of) (56 laughter)) (77 .))) |
895 | "an entertaining , surprisingly well-written and often rowdily amusing picture ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (52 an) (2 (68 entertaining) (8 (39 ,) (27 (37 surprisingly) (71 well))))) (8 (66 -) (50 written))) (1 (49 and) (27 (52 often) (2 (61 [UNK]) (2 (32 amusing) (84 picture)))))) (77 .))) (55 ")) |
896 | it makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film . | Subjective | (20 (24 (25 (41 it) (3 (6 (28 (89 makes) (86 you)) (57 believe)) (27 (81 the) (64 cast)))) (1 (76 and) (3 (28 (3 (6 (28 (89 crew) (86 thoroughly)) (57 [UNK])) (83 themselves)) (76 and)) (45 believed)))) (31 (1 (49 in) (27 (46 their) (2 (68 small) (8 (66 -) (23 (50 budget) (84 film)))))) (77 .))) |
897 | "herzog , a man of detail became enraptured with his subject and was unable to use his editing shears ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 [UNK]) (1 (39 ,) (25 (27 (81 a) (64 man)) (12 (74 of) (27 (54 detail) (8 (70 became) (61 [UNK]))))))) (1 (49 with) (27 (46 his) (51 subject)))) (31 (1 (76 and) (3 (89 was) (27 (27 (7 (6 (28 (40 unable) (73 to)) (57 use)) (46 his)) (51 editing)) (44 [UNK])))) (77 .)))) (55 ")) |
898 | "the volatile dynamics of female friendship is the subject of this unhurried , low-key film that is so off-hollywood that it seems positively french in its rhythms and resonance ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (81 the) (16 (61 [UNK]) (0 (44 [UNK]) (12 (74 of) (27 (53 female) (92 friendship)))))) (3 (89 is) (27 (81 the) (11 (65 subject) (12 (74 of) (27 (81 this) (61 [UNK]))))))) (1 (39 ,) (25 (13 (27 (54 low) (8 (66 -) (23 (50 key) (84 film)))) (48 that)) (3 (28 (89 is) (86 so)) (27 (54 off) (8 (66 -) (23 (27 (56 hollywood) (1 (39 that) (25 (41 it) (3 (89 seems) (45 [UNK]))))) (68 french)))))))) (31 (1 (49 in) (27 (27 (81 its) (64 rhythms)) (8 (76 and) (82 resonance)))) (77 .)))) (55 ")) |
899 | "this is a stunning film , a one-of-a-kind tour de force ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 this) (3 (89 is) (27 (52 a) (2 (32 stunning) (84 film))))) (1 (39 ,) (25 (27 (81 a) (64 one)) (8 (66 -) (23 (74 of) (10 (66 -) (2 (81 a) (10 (66 -) (2 (68 kind) (8 (63 tour) (8 (70 de) (82 force)))))))))))) (77 .))) (55 ")) |
9 | it is so refreshing to see robin williams turn 180 degrees from the string of insultingly innocuous and sappy fiascoes he's been making for the last several years . | Subjective | (20 (24 (25 (41 it) (3 (6 (28 (3 (28 (89 is) (86 so)) (45 refreshing)) (73 to)) (57 see)) (27 (44 [UNK]) (92 williams)))) (1 (18 (60 turn) (12 (74 180) (27 (44 [UNK]) (1 (49 from) (27 (81 the) (11 (65 string) (12 (74 of) (27 (35 [UNK]) (8 (8 (42 [UNK]) (8 (76 and) (35 [UNK]))) (42 [UNK])))))))))) (1 (1 (41 he) (6 (28 (38 ') (67 s)) (57 been))) (78 making)))) (31 (1 (49 for) (27 (52 the) (2 (68 last) (8 (90 several) (92 years))))) (77 .))) |
90 | savvy director robert j . siegel and his co-writers keep the story subtle and us in suspense . | Subjective | (20 (24 (25 (13 (61 [UNK]) (8 (8 (70 director) (15 (82 robert) (8 (72 j) (77 .)))) (42 [UNK]))) (3 (28 (76 and) (27 (52 his) (2 (95 co) (10 (66 -) (2 (64 writers) (1 (49 keep) (27 (81 the) (64 story)))))))) (45 subtle))) (1 (49 and) (56 us))) (31 (1 (49 in) (56 suspense)) (77 .))) |
900 | "this familiar rise-and-fall tale is long on glamour and short on larger moralistic consequences , though it's told with sharp ears and eyes for the tenor of the times ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 this) (2 (68 familiar) (8 (63 rise) (8 (66 -) (23 (76 and) (10 (66 -) (2 (32 fall) (84 tale)))))))) (3 (89 is) (45 long))) (1 (1 (49 on) (27 (54 glamour) (8 (76 and) (18 (60 short) (12 (74 on) (27 (90 larger) (61 [UNK]))))))) (78 consequences))) (31 (1 (39 ,) (24 (25 (13 (88 though) (80 it)) (3 (28 (38 ') (67 s)) (45 told))) (1 (49 with) (27 (52 sharp) (2 (68 ears) (8 (76 and) (18 (60 eyes) (12 (74 for) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (81 the) (64 times))))))))))))) (77 .)))) (55 ")) |
901 | "the laser-projected paintings provide a spell-casting beauty , while russell and dreyfus are a romantic pairing of hearts , preciously exposed as history corners them ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 the) (2 (68 laser) (8 (66 -) (23 (35 [UNK]) (44 [UNK]))))) (1 (49 provide) (27 (27 (81 a) (64 spell)) (8 (66 -) (23 (50 casting) (84 beauty)))))) (1 (39 ,) (25 (88 while) (24 (25 (13 (61 [UNK]) (8 (76 and) (35 [UNK]))) (3 (89 are) (27 (52 a) (2 (32 romantic) (42 [UNK]))))) (1 (74 of) (56 hearts)))))) (31 (1 (39 ,) (25 (44 [UNK]) (3 (3 (59 exposed) (1 (49 as) (27 (90 history) (61 [UNK])))) (47 them)))) (77 .)))) (55 ")) |
902 | this will go on so long as there are moviegoers anxious to see strange young guys doing strange guy things . | Subjective | (20 (24 (25 (41 this) (3 (89 will) (45 go))) (1 (49 on) (27 (37 so) (71 long)))) (31 (1 (39 as) (24 (25 (41 there) (3 (6 (28 (3 (89 are) (27 (61 [UNK]) (35 [UNK]))) (73 to)) (57 see)) (27 (52 strange) (2 (32 young) (84 guys))))) (1 (49 doing) (27 (52 strange) (2 (32 guy) (84 things)))))) (77 .))) |
903 | two hours of sepia-tinted heavy metal images and surround sound effects of people moaning . | Subjective | (20 (24 (25 (27 (53 two) (92 hours)) (12 (74 of) (27 (35 [UNK]) (8 (66 -) (23 (44 [UNK]) (2 (95 heavy) (2 (32 metal) (84 images)))))))) (1 (76 and) (3 (42 [UNK]) (27 (53 sound) (92 effects))))) (31 (1 (1 (74 of) (56 people)) (61 [UNK])) (77 .))) |
904 | "well-acted , well-directed and , for all its moodiness , not too pretentious ." | Subjective | (20 (20 (55 ") (20 (24 (25 (71 well) (8 (66 -) (23 (50 acted) (8 (70 ,) (15 (82 well) (8 (66 -) (50 directed))))))) (1 (76 and) (1 (39 ,) (25 (85 for) (27 (33 all) (27 (46 its) (42 [UNK]))))))) (31 (1 (39 ,) (25 (85 not) (27 (37 too) (71 pretentious)))) (77 .)))) (55 ")) |
905 | rodriguez . . . was unable to reproduce the special spark between the characters that made the first film such a delight . | Subjective | (20 (24 (25 (13 (42 [UNK]) (31 (1 (77 .) (77 .)) (77 .))) (3 (6 (28 (3 (89 was) (45 unable)) (73 to)) (57 [UNK])) (27 (52 the) (2 (68 special) (11 (65 spark) (12 (74 between) (27 (81 the) (64 characters)))))))) (1 (75 that) (17 (89 made) (22 (43 the) (2 (32 first) (84 film)))))) (31 (1 (49 such) (27 (81 a) (64 delight))) (77 .))) |
906 | "it's refreshing that someone understands the need for the bad boy ; diesel , with his brawny frame and cool , composed delivery , fits the bill perfectly ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (28 (38 ') (67 s)) (45 refreshing))) (1 (39 that) (24 (25 (41 someone) (3 (59 understands) (27 (81 the) (11 (65 need) (12 (74 for) (27 (52 the) (2 (32 bad) (84 boy)))))))) (1 (74 ;) (56 diesel))))) (31 (1 (1 (39 ,) (25 (13 (1 (1 (49 with) (27 (52 his) (2 (42 [UNK]) (11 (65 frame) (12 (74 and) (27 (54 cool) (8 (70 ,) (61 [UNK])))))))) (78 delivery)) (39 ,)) (3 (89 fits) (27 (81 the) (64 bill))))) (78 perfectly)) (77 .)))) (55 ")) |
907 | . . . liotta is put in an impossible spot because his character's deceptions ultimately undo him and the believability of the entire scenario . too bad . | Subjective | (20 (24 (25 (13 (31 (1 (77 .) (77 .)) (77 .)) (94 [UNK])) (3 (89 is) (45 put))) (1 (49 in) (27 (52 an) (2 (32 impossible) (42 [UNK]))))) (31 (1 (39 because) (24 (25 (13 (46 his) (14 (84 character) (8 (28 (38 ') (67 s)) (51 deceptions)))) (3 (28 (3 (62 ultimately) (3 (59 [UNK]) (47 him))) (76 and)) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (52 the) (2 (32 entire) (84 scenario)))))))) (1 (49 .) (27 (37 too) (71 bad))))) (77 .))) |
908 | "[t]he script isn't up to the level of the direction , nor are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi's now-cliched vampire accent ." | Subjective | (20 (20 (55 ") (20 (24 (25 (90 [) (67 t)) (1 (1 (39 ]) (24 (25 (13 (43 he) (69 script)) (3 (28 (3 (62 isn) (3 (28 (38 ') (67 t)) (45 up))) (73 to)) (27 (81 the) (11 (65 level) (12 (74 of) (27 (81 the) (64 direction))))))) (1 (39 ,) (24 (25 (41 nor) (3 (89 are) (27 (52 the) (2 (32 uneven) (84 performances))))) (1 (49 by) (27 (81 the) (64 cast))))))) (78 members))) (31 (1 (39 ,) (24 (25 (41 who) (3 (89 seem) (45 [UNK]))) (1 (76 and) (3 (6 (28 (40 determined) (73 to)) (57 [UNK])) (27 (35 [UNK]) (8 (8 (42 [UNK]) (8 (28 (38 ') (67 s)) (2 (95 now) (10 (66 -) (2 (44 [UNK]) (84 vampire)))))) (42 [UNK]))))))) (77 .)))) (55 ")) |