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[ { "from": "human", "value": "Write me a song called Circles (Demo) with the following description: “Circles” is a collaboration between Pusha T, Desiigner and Ty Dolla $ign recorded during sessions for Pusha’s unreleased/scrapped album, King Push. This is an early version of the track that leaked online on August 6, 2020.\nThis demo version of the track lacks Desiigner, instead featuring a rare instance of Pusha singing his parts with some alternate lyrics. Pusha’s second and third verse are also combined, lacking Desiigner’s bridge to separate them. The file was dated July 24, 2016. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Ty Dolla $ign]\nTell her throw that ass in a circle\nThrow that ass in a circle (Ooh, yeah)\nDolla show what that work do\nTell her throw that ass in a circle (Ooh, yeah)\nTell her throw that ass in a circle, yeah\nGeeked up, bitch, Urkel\nShe gon' throw that ass in a circle, yeah\nThrow that ass in a circle\nShe gon' throw it back for a boss (Boss)\nLook back for a boss (Boss)\nMake it clap for a boss (Boss)\nClean it up for a boss\nGettin' head in my drawers\nGettin' head with my drawers on\nPrivate flight like a boss\nMaserati like a boss, ayy, yeah\n[Post-Chorus: Pusha T]\nPut you in all the designer\nIf you keep me high, be my supplier\nSee, she like playin' with fire\nMeet you anywhere as long as you fly her (Yeah, yeah)\n[Verse 1: Pusha T]\nThrow that ass in a circle, now\nShow me how you been workin' now\nI just wanna be certain now\nSurgery's the new workin' out\nLove the way that you perkin' out\nCompliments to your surgeon now\nAin't no need to be nervous now\nKnow the cost of these Birkins? Ow\nNever had a problem with it\nI just tally up the digits\nHe count it by the band\nI just count it by the midget\nIf we on the same accord\nI'll take you out your Honda Civic\nAnd they just like to talk about it\nI just rap it 'cause I live it (Woo) [Chorus: Ty Dolla $ign]\nTell her throw that ass in a circle\nThrow that ass in a circle (Ooh, yeah)\nDolla show what that work do\nTell her throw that ass in a circle (Ooh, yeah)\nTell her throw that ass in a circle, yeah\nGeeked up, bitch, Urkel\nShe gon' throw that ass in a circle, yeah\nThrow that ass in a circle\nShe gon' throw it back for a boss (Boss)\nLook back for a boss (Boss)\nMake it clap for a boss (Boss)\nClean it up for a boss\nGettin' head in my drawers\nGettin' head with my drawers on\nPrivate flight like a boss\nMaserati like a boss, ayy, yeah\n[Post-Chorus: Pusha T]\nPut you in all the designer\nIf you keep me high, be my supplier (Yeah)\nSee, she like playin' with fire\nMeet you anywhere as long as you fly her (Yeah, yeah)\n[Verse 2: Pusha T]\nThrow that ass in a circle (Uh)\nThrow that ass 'til it hurts you (Ooh)\nLet me see what that work do (Yeah)\nYou can't hide what that skirt do (Uh)\nThrow that ass in a circle (Woo)\nMake it rain 'til it's purple (Uh)\nGo all night with no curfew (Go)\nYou should call out of work too\nYeah, 911 heaven ('Rrt)\nSeven-figure nigga, laced out with 7/11\nTonight she ain't yours\nShe off the 7th Heaven (Let's go)\nBlowbama P, she call me Living Legend (Yeah) [Chorus: Ty Dolla $ign]\nTell her throw that ass in a circle\nThrow that ass in a circle (Ooh, yeah)\nDolla show what that work do\nTell her throw that ass in a circle (Ooh, yeah)\nTell her throw that ass in a circle, yeah\nGeeked up, bitch, Urkel\nShe gon' throw that ass in a circle, yeah\nThrow that ass in a circle\nShe gon' throw it back for a boss (Boss)\nLook back for a boss (Boss)\nMake it clap for a boss (Boss)\nClean it up for a boss\nGettin' head in my drawers\nGettin' head with my drawers on\nPrivate flight like a boss\nMaserati like a boss, ayy, yeah" } ]

[ { "from": "human", "value": "Write me a song called The London (Demo) with the following description: “The London (Demo)” is a leaked, early mix of Young Thug’s May 2019 single “The London.” The demo is similar to the completed version, but Travis Scott’s chorus is unfinished, his harmonies during Young Thug’s verse are louder, and his outro is extended with a short bridge. The demo also features a slightly different mix on the beat from the final version. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Travis Scott]\nMe-meet me at The London\nAin't no bad time when you run one (Yeah)\nIt'd make bank if you undo\nBetter break it down to find you\n6' 1\", on the money 9' 2\"\nHand it down, hit me when you undo\nHand it back, hit it when I knew\nI knew, I knew, yeah, I knew\n[Verse 1: J. Cole]\nYeah, circumnavigate the globe as the cash grows (Grow)\nGet a nigga whacked like you get the grass mowed (Mowed)\nI'm talkin' slick when I'm with the Big Slime, nigga (Slime)\nCould hit your bitch, you could never hit mine, nigga (Mine)\nIn my DM, they electric slide, nigga (Huh, slide)\nNo catfishin', this is not a fish fry, nigga\nNever switch sides on my dog\nCatch a contact, hitch a ride, go to Mars\nEverybody sing\nHow could you come up out your face\nAnd say I ain't the hardest nigga you done ever heard?\nI left a flock of rappers dead and buried\nA verse from me is like 11 birds\nI did the math, it’s like two thousand dollars every word\nI'm on the verge, I'll beat the charge\nI killed some niggas and I walked away from it\nThen I observe, just how you curve\nThen told the nigga that they gotta wait for it\n\"I know—I know you in high demand\"\nI'm ballin' on a pussy nigga like Juwanna Mann\nI'm drownin' all inside the pussy like I never swam\nAyy, fuck your IG, I put somethin' on your sonogram\nI'm the man, ayy, ayy [Chorus: Travis Scott]\nMe-meet me at The London\nAin't no bad time when you run one (Yeah)\nIt'd make bank if you undo\nBetter break it down to find you\n6' 1\", on the money 9' 2\"\nHand it down, hit me when you undo\nHand it back, hit it when I knew\nI knew, I knew, yeah, I knew\n[Verse 2: Young Thug]\nPimp talk, church talk, I can make a brick walk (Woo)\nUp north, down south, Bankhead to Rachel Walk (Ayy)\nHit it with a little water, stretch it like a vocal cord\nSTD, I run my ward, fuck a fed and his daughter (Let's go)\nI'ma run the compound (Yeah)\nI supply the cigarettes and bread (Woo)\nI got a main and she gon' ride (Uh)\nShe took a quarter and she fled (Uh)\nI'm in the Lamb, so she gon' ride (Yeah)\nI see the pain in shawty's light brown eyes (Ooh)\nI'm at The London with some big thighs\nNo fries, she eat steaks with the fish sides\nDid your mama tell you when something on fire\nStop, drop and roll? (Aw yeah)\nI've been on the road like a pair of spinners at Stop-N-Go's (Yeah)\nI could charge 'em like a Dodge Hemi Demon\nGot your broad in the garage eatin' semen\nEvery time a nigga go back to the ward\nNiggas act like they want start\nAnd we leave them on the cement (Grra, grra!) [Chorus: Travis Scott]\nMe-meet me at The London\nAin't no bad time when you run one (Yeah)\nIt'd make bank if you undo\nBetter break it down to find you\n6' 1\", on the money 9' 2\"\nHand it down, hit me when you undo\nHand it back, hit it when I knew\nI knew, I knew, yeah, I knew\n[Bridge: Travis Scott]\nI, crash down, we get money (Hey)\nFor the full town (Woah, when you won't play, I)\nI decided, for the full side (Hoes will say)\nAnd they know, I might (And fly, I...)\nGet down, might (Don't play)\nSee the whole town every time, I... (Oh, every day)\nYeah, they know what's up (Folks will say)\n([?] on the beat)\n[Refrain: Travis Scott]\nShe jumped out with the breasts on ill\nI took tears, so I might sight-see it\nShe jumped out with the breasts on ill\nI took tears, so I might sight-see it [Chorus: Travis Scott]\nMe-meet me at The London (Ooh, ooh)\nAin't no bad time when you run one (Ooh, ooh)\nIt'd make bank if you undo (Ooh, ooh)\nBetter break it down to find you (Ooh, ooh)\n6' 1\", on the money 9' 2\" (Ooh, ooh)\nHand it down, hit me when you undo (Ooh, ooh)\nHand it back, hit it when I knew (Ooh, ooh)\nI knew, I knew, yeah, I knew" } ]

[ { "from": "human", "value": "Write me a song called Angel with the following description: “Angel” is the eighth track of Fifth Harmony’s self-titled album. The group released the audio of the song on August 10, 2017, and the music video one day later.\nThe track finds them rhetorically questioning “Who said I was an angel?”, mocking an ex-lover who was “too inconsistent” while simultaneously proving that they are not to be messed with.\nFifth Harmony first performed this song live at the FYE Album Release party. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Normani & \nLauren\n]\nWho said I was an angel?\nWho said I was an angel?\n(\nOh yeah\n)\n[Verse 1: Normani]\nWe was just a moment, nothin' serious\nNever really paid you no mind\nDropped the bag, started payin’ attention\nShould've never lied\nShould've never not kept your word\nWoulda had a reason to keep mine\nYou was too way inconsistent\nShould’ve never lied\n[Pre-Chorus: Lauren]\nShould've never crossed that line with ya\nEverything was cool, just drinkin' with ya\nWay too young to be up in handcuffs\nWasn't tryna spend my life on the phone with ya\nGotta keep it on one hundred with ya\nThe original me wouldn't fuck with ya\nAnd I was beginning to fuck with ya\n[Chorus: Dinah, \nLauren\n, \nDinah & Ally\n]\nWho said I was an angel?\nWho said I was an angel? (\nOh yeah\n)\nWhen you look at me, what do you see?\nOpen your eyes, I'm more brilliant than you'll ever be\nWho said I was an angel? [Verse 2: Ally]\nYeah, won't lie and say I don’t lie\nYeah, I might’ve told a few lies, yeah\nWon't lie and say I didn’t try\nBut you're only worth a few tries, yeah\nTrack star, think you're runnin' these streets\nYou ain’t the only one runnin' the streets\nStay makin' ground like I only wear cleats, yeah\n[Pre-Chorus: Dinah]\nShould've never crossed that line with ya\nEverything was cool, just drinkin' with ya\nWay too young to be up in handcuffs\nWasn't tryna spend my life on the phone with ya\nGotta keep it on one hundred with ya\nThe original me wouldn't fuck with ya\nAnd I was beginning to fuck with ya\n[Chorus: Dinah, \nNormani\n, \nAlly\n & \nAll\n]\nWho said I was an angel? (\nBut you was wrong, oh yeah\n)\nWho said I was an angel? (\nOh, I'm no angel\n, \nwhen you look at me\n)\nWhen you look at me (\nOh\n), what do you see? (What do you see?)\nOpen your eyes, I'm more brilliant than you'll ever be\nWho said I was an angel?\nWho said I was an angel? Oh [Break]\n(\nI want it, I want it, I want it\nI want it, I want it\n)\n[Chorus: Normani, \nLauren\n, \nDinah\n, \nNormani & Dinah\n]\nWho said I was an angel?\n(\nWho said I was an angel? Didn't know the real me, I'm far from an angel\n)\nWho said I was an angel?\n(\nNever took the time out, you never had time to figure me out, when you look at me\n)\nWhen you look at me (\nOh\n), what do you see? (\nWhat do you see?\n)\nOpen your eyes, I'm \nmore brilliant than you'll ever be\n (\nYeah\n)\nWho said I was an angel?\nWho said I was a, an angel? Oh" } ]

[ { "from": "human", "value": "Write me a song called Collide with the following description: “Collide” is a song by British recording artist Leona Lewis and Swedish DJ and record producer Avicii. The song was originally recorded for Lewis' third studio album, Glassheart, but was not included on the album’s final track listing. The song was instead released as a standalone single. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'll pick you up when you're down\nBe there when no one's around\nWhen you're in unfamiliar places\nCount on me through life's changes\nI'm in tune with how you feel\nEverything 'bout this is real\nWhen you're in unfamiliar places\nCount on me through life's changes\n[Pre-Chorus]\nYou're all I want, yeah\nI know you're the one, yeah\nYou're all I want, yeah\nI know you're the one, yeah\n[Chorus]\nCrash into me\nAt full speed\nCrash into me\nWe can collide, we can collide\nCrash into me\nAt full speed\nWe can collide, we can collide\nWe can collide, we can collide [Verse 2]\nWhen you're in unfamiliar places\nCount on me through life's changes\nKnow that you're never alone\nIn me, you can find a home\nWhen you're in unfamiliar places\nCount on me through life's changes\n[Pre-Chorus]\nYou're all I want, yeah (Yeah)\nYou're all I want (Oh), yeah (Yeah)\nYou're all I want, yeah (You are the one)\nI know you're the one, yeah (You are)\n[Chorus]\nCrash into me\nAt full speed\nWe can collide, we can collide\nWe can collide, we can collide\nCrash into me\nWe can collide" } ]

[ { "from": "human", "value": "Write me a song called The Incredible True Story (Trailer) with the following description: After nearly a year after Logic dropped his debut studio album, Under Pressure – he is ready to push forward his new vision by announcing his sophomore album The Incredible True Story….\nThe announcement comes with a cinematic trailer featuring Logic rocking a NASA bomber jacket and throwing on a beat on an Akai MPC player – followed by an “Incoming Transmission” that features Anna Elyse Palchikoff reprising her role as Thalia from his previous album and also Steve Blum & Kevin Randolph playing characters named Thomas and Kai respectively.\nThe trailer teases “motion picture Sci-Fi epic” that is likely a visual component to the album.\nThis is inspired Childish Gambino’s because the internet screenplay which was a written-audio-visual component to his sophomore album. Logic has often cited Donald Glover as his inspiration.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI am the greatest\nI, I, I, I, I (am the greatest)\nI am the greatest\n[Verse]\nFuck 'em, I will never love 'em, I'm way up\nBitch you know I've been above 'em (the greatest), I stay up\n[Transmission: Thomas, \nThalia\n & (Kai)]\nShit never works, how do I turn this thing on?\nCheap shit never works\nYou have to push the button, Thomas\n(Yeah, the one on the top right, where it's always been since the beginning of time, fucking dumbass)\nI heard that, bite me Kai" } ]

[ { "from": "human", "value": "Write me a song called ​motive with the following description: “motive” is the third track from Ariana’s sixth studio album, positions. It marks the first collaboration between Grande and Doja Cat.\nThe collaboration was first teased on May 13, 2020, by Ariana in an interview with Zane Lowe for Apple Music. Again, on September 20, 2020, Doja confirmed the existence of a collaboration with Grande on her Twitter. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMu-Mu-Mu-Murda\n[Verse 1: Ariana Grande]\nTell me why I get this feeling\nThat you really wanna turn me on\nTell me why I get this feeling\nThat you really wanna make me yours, ah\n[Pre-Chorus: Ariana Grande]\n'\nCause I see you tryin', subliminally tryin'\nTo see if I'm gon' be the one that's in your arms\nI admit it's exciting, parts of me kinda like it\nBut before I lead you on\n[Chorus: Ariana Grande]\nBaby, tell me, what's your motive? (Motive)\nWhat's your motive?\nWhat's your motive? (Ah)\nSo tell me, what's your motive? (Motive)\nWhat's your motive?\nWhat's your motive? (Ah)\n[Verse 2: Ariana Grande]\nI could call bullshit out from a mile away (Don't say)\nYou want me if you can keep comin' back for me\nMight have to curve you if you just can't talk straight (Just say)\nSay what you mean 'cause you might get it [Pre-Chorus: Ariana Grande]\n'Cause I see you tryin', subliminally tryin'\nTo see if I'm gon' be the one that's in your arms\nI admit it's exciting, parts of me kinda like it\nBut before I lead you on\n[Chorus: Ariana Grande & \nDoja Cat\n]\nTell me, what's your motive?\nWhat's your motive?\nWhat's your motive? (Ah)\nSo tell me, what's your motive?\nWhat's your motive?\nWhat's your motive? (\nAyy, yeah, yeah, ayy\n, ah)\n[Verse 3: Doja Cat]\nYou treat me like gold, baby\nNow you wanna spoil me\nDid you want a trophy or you wanna sport me, baby?\nWant me on your neck 'cause you wanted respect\n'Cause you fightin' some war, baby\nWell, I had to bring the fists out, had to put a wall up\nBut don't trust phonies, baby (Yeah, yeah, yeah, yeah)\nYou gotta tell me, what's your motive, baby?\n'Cause you got your candy (Yeah) on your arm (Yeah)\nNo need to sugarcoat a lie (Yeah)\nSay what you want, I needed a real bonafide G (Come on)\nCan you promise me you'll bring it all tonight? (Give it to me)\n'Cause I need you to be wise\nTell me everything that's on your mind, come on [Chorus: Ariana Grande & \nDoja Cat\n]\nBaby, tell me what's your motive? (\nTell me, baby\n)\nWhat's your motive? (\nWhat's your motive?\n)\nWhat's your motive? (\nWhat's your motive?\n, ah)\nSo tell me, what's your motive? (\nBetter tell me, baby\n)\nWhat's your motive? (\nWhat's your motive?; Better tell me, baby\n)\nWhat's your motive? (\nYeah, ayy\n, ah)" } ]

[ { "from": "human", "value": "Write me a song called Shake It Off with the following description: 超有名なPopソング ”Shake It Off\"、藤井風のジャズっぽいアレンジ、ジャズっぽいハーモニーが、ぐっと大人っぽくエモーショナルで、どこかR＆Bの雰囲気を醸し出しています。\n“Shake It off” is a cover by 藤井風 (Fujii Kaze) derived from “Shake It Off,” which is originally performed by Taylor Swift. The cover from Fujii turned the famous pop song into an emotional cover accompanied with a jazz-style arrangement and harmonies. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "​藤井風「Shake It Off」の歌詞\n[Verse 1]\nI stay out too late\nGot nothing in my brain\nThat's what people say.. Mmm\nThat's what people say.. Mmm\nI go on too many dates\nBut I can't make them stay\nAt least that's what people say.. Mmm\nThat's what people say.. Mmm\n[Pre-Chorus 1]\nBut I keep cruising\nCan't stop, won't stop moving\nIt's like I got this music\nIn my mind\nSaying it's gonna be alright\n[Chorus]\nCause the players gonna play, play, play, play, play\nAnd the haters gonna hate, hate, hate, hate, hate\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off\nHeartbreakers gonna break, break, break, break, break\nAnd the fakers gonna fake, fake, fake, fake, fake\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off [Verse 2]\nI never miss a beat\nI'm lightning on my feet\nThat's what they don’t see.. Mmm\nThat's what they don’t see.. Mmm\nI'm dancing on my own\nI make the moves up as I go\nThat's what they don't know.. Mmm\nThat’s what they don’t know.. Mmm\n[Pre-Chorus 2]\nBut I keep cruising\nCan't stop, won't stop grooving\nIt's like I got this music\nIn my mind\nSaying it's gonna be alright\n[Chorus]\nCause the players gonna play, play, play, play, play\nAnd the haters gonna hate, hate, hate, hate, hate\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off\nHeartbreakers gonna break, break, break, break, break\nAnd the fakers gonna fake, fake, fake, fake, fake\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off [Interlude]\n\"Hey---\nJust think while you've been gettin' down and out about the liars and the dirty dirty cheats of the world..\nYou could've been gettin' down\nTo this! Sick! Beat!\"\n[Bridge]\nMy ex man brought his new girlfriend\nShe's like 'oh my God!'\nBut I'm just gonna shake\nAnd to the fella over there\nWith the hella good hair\nWon't you come on over\nBaby we can shake shake shake..\n[Chorus]\nCause the players gonna play, play, play, play, play\nAnd the haters gonna hate, hate, hate, hate, hate\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off\nHeartbreakers gonna break, break, break, break, break\nAnd the fakers gonna fake, fake, fake, fake, fake\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off" } ]

[ { "from": "human", "value": "Write me a song called Trapped with the following description: This very short track was included on The Re-Up due to Proof’s tragic passing, caused by an altercation at a nightclub. Proof’s passing was addressed in an intro by Eminem where he pays respects to the late rapper.\nTrapped is a remastered section of the first verse from Proof’s song “Oil Can Harry” from the album “Grown Man Sh!t”, originally from 2005. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem]\nBig Proof, rest in peace\nDoody\n, we love you\nWe just wanna keep makin' you proud\n[Verse: Proof & \nEminem\n]\nMy life is trapped in these lines\n, that’s why I’m packin' these nines\nI gotta rap, I ain’t dyin', that’s in the back of my mind\nGot a strap made of iron, can’t relax on this grind\nBendin' over backwards for these slackers 'til I’m snappin' my spine\nNatural high, gotta focus, on these bogus poachers\nLookin' over my shoulder, Proof get it poppin' like soda, hold up\nWe nothin' but soldiers\n, slow up, \nthis gun is loaded\n, roll up\nThey beef and we leavin' ‘em coked up\nIf Slim say it I spray it, if he will it I kill it\nWe Kilpatrick and Ilitch of Detroit, y'all can feel it\nReal as this gun on my waistline, at war we don’t waste time\nJa, man he can’t take a punch and 50 can take nine\nWe got school crap here at the 7, 8, and Dexter\nI’m up in Hollis spendin’ dollars, ain’t feelin' no pressure\nYes sir, your texture is bitch, betcha you flinch\nWhen Proof shoot up that coup and wet your whole clique" } ]

[ { "from": "human", "value": "Write me a song called I’ll Be Waiting with the following description: “I’ll Be Waiting” is about looking past life’s hardships and powering through everything it has to throw at you.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Sarah]\nLife is hard and the living's rough\nBut, these are the times where you gotta stand up\nDon't let them break you down or tear you up\nThese are the times when you gotta stand up\n[Pre-Chorus: Sarah (+ Band)]\n(Eh oh, eh oh oh, eh oh)\nYou can turn it around\n(Eh oh, eh oh oh, eh oh)\nYou can turn it around\n[Chorus: Band]\nAnd I'll be waiting here for you\n'Till the sun burns out and the stars fall out\nI'll be waiting here for you\nYou know I will be, I'll be\nI'll be waiting, waiting, waiting\n'Till the sun burns out and the stars fall out\nI'll be waiting here for you\nYou know I will be, I'll be waiting\n[Verse 2: Sarah]\nDay by day might be hard to do\nBut, these are the times when you gotta push through\nCan't let them break you down or bend the truth\nThese are the times when you gotta push through [Pre-Chorus: Sarah (+ Band)]\n(Eh oh, eh oh oh, eh oh)\nYou can turn it around\n(Eh oh, eh oh oh, eh oh)\nYou can turn it around\n[Chorus: Band]\nAnd I'll be waiting here for you\n'Till the sun burns out and the stars fall out\nI'll be waiting here for you\nYou know I will be, I'll be\nI'll be waiting, waiting, waiting\n'Till the sun burns out and the stars fall out\nI'll be waiting here for you\nYou know I will be, I'll be waiting\n[Bridge: Gianni (+ Band)]\nNever let them see you break in the middle\nLet your heart get too little\nOr get lost in the riddle\n(Never let them see you break in the middle\nLet your heart get too little\nOr get lost in the riddle)\n[Chorus: Band]\nAnd I'll be waiting here for you\n'Till the sun burns out and the stars fall out\nI'll be waiting here for you\nYou know I will be, I'll be\nI'll be waiting, waiting, waiting\n'Till the sun burns out and the stars fall out\nI'll be waiting here for you\nYou know I will be, I'll be waiting" } ]

[ { "from": "human", "value": "Write me a song called Untouchable with the following description: http://snd.sc/zBvqBiExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook: Nathaniel]\nGirl, you're official\nYou belong with a guy like me, for sure\nWith no hesitation, all I need is one word\nWith me, you can't go wrong\nWe could be the untouchables\nWe could be the untouchables\nBaby, we could be untouchable!\n[Verse 1: Ace Hood]\nOk, white panorama, seats all suede\nBad bitch with me, imported from Malaysia\nRed bottom chunky, whole shoes spiked\nMy girl got a girlfriend, but she ain't even dyke\nIntroduced her to the life, so beyond nice\n40 stories later, I'm penetratin' the pipe\nBottles on cold ice, take it there? I just might\nDream's no longer dreams, the things are in your sight\nPut your pass to the side, passports when we fly\nBonnie and Clyde, untouchable with the bond\nYeah, baby, I can take it there\nKeep it shinin' like a chandelier\nI'm talkin' sweaters, all cashmere\nCan't give you the world, but shawty, it be damn near\nI got your heart, so tell 'em \"Stand clear!\"\nI got a spot by side, you can stand here [Hook]\nGirl, you're official\nYou belong with a guy like me, for sure\nWith no hesitation, all I need is one word\nWith me, you can't go wrong\nWe could be the untouchables\nWe could be the untouchables\nBaby, we could be untouchable!\n[Verse 2: Pusha T]\nYeah, me and you, we untouchable\nGood girl gone bad, who corrupted you?\nUsed to be a college girl eatin' Lunchables\nNow your Phillip Lim sweats feelin' comfortable\nArch your back, let me get them from up under you\nCar notes, let me get them for a month or two\nBlock calls, you ain't even gotta wonder who\nI downsize, see it's only 'bout one or two\nI'm just kiddin', hoes know I'm driven\nDirty birds flyin' out the coupe like a pigeon\n (yeeughk!)\nSee, their mission's impossible\nMy trick game since the 90's been phenomenal\nDrop dollars on it, pop bottles on it\nGucci silks got you feelin' like a goddess, don't it?\nYeah, this lifestyle's no fairy tale\nA Rolodex of ex-hoes know it very well [Hook]\nGirl, you're official\nYou belong with a guy like me, for sure\nWith no hesitation, all I need is one word\nWith me, you can't go wrong\nWe could be the untouchables\nWe could be the untouchables\nBaby, we could be untouchable!\n[Verse 3: French Montana]\nYou know who rock jewels, make moves with all the mommas\nBack of the club, sippin' Patron is where you'll find me\nBack of the Ghost, me and ma bumpin' Chardy\nCountin' money fast, and shawty popped an ad\nUntouchable for good, now I put it all on her throat\nShe from my neck of the wood\nAnd, oh, I think I love her\nI know she call me Dad, but I gotta thank her mother\nI let her kiss the dice, then I play the game\nWe on the G5's, you on them paper planes\nI need a leather Oscar\nUntouchable like Kevin Costner, slumber for the Red Lobster\n[Hook]\nGirl, you're official\nYou belong with a guy like me, for sure\nWith no hesitation, all I need is one word\nWith me, you can't go wrong\nWe could be the untouchables\nWe could be the untouchables\nBaby, we could be untouchable!" } ]

[ { "from": "human", "value": "Write me a song called Last Name with the following description: Future enlists the help of Lil Durk to reminisce on his street origins and reveal his innermost fear, which include women who want his “Last Name.” The title alludes to Future’s long list of women who have trapped him into fatherhood through dishonest methods in order to get money from him.\nOn October 15, 2019, Future teased a snippet of the track via Instagram, where he also revealed that Lil Durk was featured.\nFuture and Lil Durk are frequent collaborators having worked on numerous tracks together, such as July 2016’s “Hated on Me” and August 2018’s “Spin The Block.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future]\nThis ain't a diss song, this a real song\n (\nDY Krazy\n)\nNigga, we ain't runnin' from no responsibilities\nI take care of families\nI'm embarrassed over this mess that I done caused\n[Chorus: Future]\nI can't go to sleep, I'm paranoid and it's way too many homicides\nBought a hundred guns, got my niggas slidin'\nFuck the bitch once, now she wan' cry\nSnitches told the feds, I had an alibi\nBrokenhearted, fuck my bitch every night\nI don't know her name, she wanna have my child\nLaughin' to the bank, got me runnin' wild\nNumb to the pain, so I keep a smile\n[Verse 1: Future]\nGotta keep it stashed up for the trial\nMaterial intentions, gotta play it foul\nI'm in rare form like a hyena runnin' wild\nAll the opps gettin' gunned down\n[Chorus: Future]\nI can't go to sleep, I'm paranoid and it's way too many homicides\nBought a hundred guns, got my niggas slidin'\nFuck the bitch once, now she wan' cry\nSnitches told the feds, I had an alibi\nBrokenhearted, fuck my bitch every night\nI don't know her name, she wanna have my child\nLaughin' to the bank, got me runnin' wild\nNumb to the pain, so I keep a smile [Verse 2: Lil Durk]\nI lost connections to the streets and I was in denial\nI seen a grown man shed tears 'cause he lost his trial\nI saved the streets, a crazy feeling just to lose a child\nHave a one-on-one with God, yeah, it been a while\nI woke up paranoid off drugs, I said, \"I'm tired now\"\nI answer my phone in the middle of the night, like, \"Who done died now?\"\nKnowin' I'm involved, but we gon' slide back when it's dyin' down\nI don't know who opps no more, you look crazy, I'm firin' rounds\nI love the streets, it's a portion of me\nI came from nothin' to the voice of the streets\nI got blood in the streets\nThe way he died, I advise he died in his sleep\nThat's the trenches, yeah, yeah\n[Chorus: Future]\nI can't go to sleep, I'm paranoid and it's way too many homicides\nBought a hundred guns, got my niggas slidin'\nFuck the bitch once, now she wan' cry\nSnitches told the feds, I had an alibi\nBrokenhearted, fuck my bitch every night\nI don't know her name, she wanna have my child\nLaughin' to the bank, got me runnin' wild\nNumb to the pain, so I keep a smile\n[Verse 3: Future]\nPublic conversation got you touchin' clouds\nPopped the wrong pill, hit the wrong dial\nAin't no visitation, waitin' for the trial (Ain't no visitation)\nTook my last name, this ain't 'bout the child (Woah)\nReal classy Jazzy, real don't do no trollin'\nGotta treat you like you dead when you playin' bogus [Verse 4: Lil Durk]\nSee, Pluto, you my brother, gotta stay focused\nSometimes I get in my feelings, too, I wish I wore a Trojan\nThey tryna go viral off DMs, that's why I'm antisocial\nI'm just tryna teach the killers not to use emotion\nI got a whole bitch, don't think about my old bitch\nI'm just tryna live my life and catch this moment, yeah\n[Chorus: Future]\nI can't go to sleep, I'm paranoid and it's way too many homicides\nBought a hundred guns, got my niggas slidin'\nFuck the bitch once, now she wan' cry\nSnitches told the feds, I had an alibi\nBrokenhearted, fuck my bitch every night\nI don't know her name, she wanna have my child\nLaughin' to the bank, got me runnin' wild\nNumb to the pain, so I keep a smile\n[Outro: Future]\nWe can't even get no sleep behind this shit\nYou make a temporary decision\nThat cause permanent pain\nShit ain't goin' nowhere (I can't go to sleep, I'm paranoid and it's way too many homicides)\nThat hood mentality feel like you can go through anything, nigga (Bought a hundred guns, got my niggas slidin'\nLaughin' to the bank, got me runnin' wild\nNumb to the pain, so I keep a smile)" } ]

[ { "from": "human", "value": "Write me a song called Silent Night with the following description: Mariah Carey’s version of the famous Christmas carol first composed in 1818 by Austrian church organist Franz Xaver Gruber, set as the opening track on her first Christmas album and fourth overall, Merry Christmas. Carey’s version omits the second and fourth verses of the initial version. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Silent night\nHoly night\nAll is calm\nAll is bright\n'Round yon virgin Mother and Child\nHoly infant so tender and mild\nSleep in heavenly peace\nSleep in heavenly peace\nSilent night\nHoly night\nSon of God\nOh love's pure light\nRadiant beams from thy holy face\nWith the dawn of redeeming grace\nJesus, Jesus, Lord at thy birth\nOh, Jesus, Lord at thy birth\nSleep, sleep\nSleep in heavenly, heavenly peace\nSleep, sleep, sleep in heavenly, heavenly, heavenly peace\nPeace, peace\nSleep, sleep, sleep in heavenly peace" } ]

[ { "from": "human", "value": "Write me a song called It’s Alright with the following description: You don’t have to worry . Everything is gonna be ok and is gonna be fineExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHmm, dear, naw\nTo whom it may concern\n[Verse 1]\nI guess this is my reward\nFor giving him all my love\nWith holding nothing yeah\nNothing could quantify\nThe feelings I had inside\nStill he took me for granted\n[Refrain]\nDon't worry about nothing, don't, don't worry bout nothing\nIt's all for the good, it's better this way\n(To whom it may concern)\nIt's alright, it's alright\nCause I tried and I tried\nIt's alright, it's alright\nAnd I cried and I cried\nIt's alright, it's alright\nBut it's alright now, but it's alright now\nSaid it's alright\n[Verse 2]\nI thought he was infallible\nPerfect in every way\nKing to my kingdom\nI put him on a pedestal\nNever thinking he'd, he'd hurt me this way\n(How could you hurt me this way?) [Refrain]\nDon't worry about nothing, don't, don't worry bout nothing\nIt's all for the good, it's better this way\n(To whom it may concern)\nIt's alright, it's alright\nCause I tried and I tried\nIt's alright, it's alright\nAnd I cried and I cried\nIt's alright, it's alright\nBut it's alright\nIt's alright, but it's alright now\n(To whom it may concern)\nIt's alright\nCause I tried and I tried\nAnd I cried and I cried\nIt's alright, it's alright\nI, still it's alright now, yeah\nDon't worry about nothing, don't, don't worry bout nothing\nIt's all for the good, it's better this way\n[Verse 3]\nBoy you know I loved you boy, I loved you boy\nAnd boy you know you hurt me, you hurt me, you hurt me boy\nBut in time, I heal\nAnd I want you to know, I\nI said I love you boy\nAnd you didn't have to hurt me so bad\nI said I love you boy [Refrain]\nIt's alright\nDon't worry about nothing, don't, don't worry bout nothing\nIt's all for the good\nIt's better this way\nIt's alright, it's alright\nIt's alright, it's alright\nI tried\nIt's alright, it's alright\nAnd I cried\nIt's alright, it's alright\nAnd, I tried\nAnd you didn't have to hurt me so bad\nI tried\nAnd you didn't have to hurt me so bad\n(To whom it may concern)" } ]

[ { "from": "human", "value": "Write me a song called Mi Nena* with the following description: “Mi Nena” es la primera colaboración entre Ozuna y Navel Ozuna, quien solía ser chofer en Uber. Después de conocer al locutor puertorriqueño Molusco en 2018, Navel llegó a las manos de Ozuna, quien le prometió que harían una canción juntos.\nEl tema es un romántico que presenta a un hombre que trata ganar el amor de una mujer hablando desde el corazón. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"Mi Nena\" ft. Navel Ozuna]\n¡La letra completa estará disponible pronto!\n[Adelanto]\n[Verso 1: Ozuna]\nConmigo se siente importante\nMuy profesional, es otra cosa, una belleza impresionante\nLe doy la comida en la boquita\nEsa mamcita tiene todo lo que Ozuna necesita\nOlorcito' como a mí me gusta\nNunca me pelea, ella va con lo que mi corazón busca\nLo que no quería sucedió, oh\nDesde hace tiempo ya mi corazón volvió y se enamoró\nElla pa' mí, yo pa' ella, chamaquita bella\nBrillando en la oscuridad como una estrella\nNo le importa lo que digan\nPasamos momento' de eso' de lo' que nunca se olvidan\n[Coro: Ozuna]\nSolo a mi nena quiero yo\nElla me hace olvidarme del dolor\nSolo a mi nena quiero yo\nCon ella paso lo' momento' que nunca se olvidan [Pre-Coro: Ozuna]\nLejos de aquí, donde no hay nadie más\n[Coro: Ozuna]\nSolo a mi nena quiero yo\nElla me hace olvidarme del dolor\nSolo a mi nena quiero yo\nCon ella paso lo' momento' que nunca se olvidan\n[Verso 2: Ozuna]\nCon ella yo me siento diferente\nIgnora lo que le dice la gente\nQue no voy a hacerla feliz\nPero ella sabe que eso no es así\nYo me la llevo y sale de monotonía\nSi la miro a los ojos, veo en su cara de alegría\nUna mejor que tú nunca en mi vida conocía\nEsa e' mi shorty mía, solo mía\n[Puente: Ozuna]\nCuando conmigo está\nYo no quisiera ni que el tiempo se acabe\nEsos ojito' tienen la facilidad\n¿O será tu cuerpo el que me pone grave? Y lo sabe'\nCuando conmigo está\nYo no quisiera ni que el tiempo se acabe\nEsos ojito' tienen la facilidad\n¿O será tu cuerpo el que me pone grave? Y lo sabe' [Coro: Ozuna]\nSolo a mi nena quiero yo\nElla me hace olvidarme del dolor\nSolo a mi nena quiero yo\nCon ella paso lo' momento' que nunca se olvidan" } ]

[ { "from": "human", "value": "Write me a song called Hands Up with the following description: “Hands Up” is the second single from Lloyd Banks' second studio album, Rotten Apple. The chorus is sung by fellow G-Unit member 50 Cent and the video features the former as well as another, G-Unit member Tony Yayo.\nThe song is produced by Eminem and was released as a digital download on July 25, 2006. “Hands Up” debuted at #84 on the Billboard Hot 100.\nIt is featured on the soundtrack of Saints Row 2, a video game released in 2008 which sold 3.5 million copies. Big rappers and big songs for big games. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lloyd Banks]\nI wasn't gone if you missed me\nPut 'em up\nPut 'em up, put 'em up, put 'em up\nPut 'em up\nPut 'em up, put 'em up, put 'em up\n[Chorus: 50 Cent & \nLloyd Banks\n]\nHands up! Shorty, when you party with me\nWe goin' way past quarter to three\n(I say hands up!)\n I'm good in the VIP\nI got my hammer right here with me\n(I say hands up!)\n You know when you party with crooks\nYou gotta learn to respect the jux\n(I say hands up!)\n Everything ain't cool as the fame\nAnd this shit ain't as sweet as it looks \n(I say hands up!)\nYou know I'm puttin' something on me\nRight before I leave outta the car\n (We came to party)\nYou go tough talkin' at me\nYou gon' leave out the club wit a scar\n (We came to party)\nWe pop bottles like it's all free\n'Fore I leave, I'ma buy out the bar\n (We came to party)\nYou gon' order whatchu want, it's on me\nI'm a G, take a look at a star\n (We came to party)\n[Verse 1: Lloyd Banks]\nIt feels so good to live sucka free\nI'm soakin' it all up while your girl's suckin' me\nIt mean the world to her, it's nuttin' but a nut to me\nLook miss, get a grip or let a mothafucker be\nI'm a rap star, who 'posed to be ridin' around in that car\nTwo in the front, in the back got the plasma\nThis ain't a free ride, you gotta have the gas ma\nI wouldn't buy a chick a pump that got asthma\nAnd I'm busy so I move a bit faster\nYou can't tell me yes if I don't ask ya, huh\nI'm a bastard, damn near chauvinist, hand over the plastic\nCause they wanna see ya man go in the casket\nRule number one: keep ya gun or get ya ass hit\nAnd that's it, lights off and ya body stiff\nBy the same niggas you used to party with [Chorus: 50 Cent & \nLloyd Banks\n]\nHands up! Shorty, when you party with me\nWe goin' way past quarter to three\n(I say hands up!)\n I'm good in the VIP\nI got my hammer right here with me\n(I say hands up!)\n You know when you party with crooks\nYou gotta learn to respect the jux\n(I say hands up!)\n Everything ain't cool as the fame\nAnd this shit ain't as sweet as it looks \n(I say hands up!)\nYou know I'm puttin' something on me\nRight before I leave outta the car\n (We came to party)\nYou go tough talkin' at me\nYou gon' leave out the club wit a scar\n (We came to party)\nWe pop bottles like it's all free\n'Fore I leave, I'ma buy out the bar\n (We came to party)\nYou gon' order whatchu want, it's on me\nI'm a G, take a look at a star\n (We came to party)\n[Verse 2: Lloyd Banks]\nYea\nI cruise through the strip, 22's on the whip, new Ruger on the hip\nThousand dollar outfit, never stooge never slip\nFollow rules or get whipped, nigga move or get hit\nI don't care who's on the strip\nIt ain't only the Ferrari now, the jewels got 'em sick\nNow it's 2006, I need a new bottom miss\nIt's a'ight, they can talk, I'm amused by the pricks\nI'm the news out the bricks, nigga, who's hot as this?\nI bet the mansion and the swimming pool got 'em pissed\nI ain't a cuddler, I fuck the drool outta chick\nMy niggas ice-grill, but it ain't the same\nThey don't see the faces, they just see the chains like\nOOH when ya get 'em, they don't know you with me\nThey probably think the bouncers at the front door frisk me\nThis regular shit, the everyday mentality\nThey charged up, don't make me put in the battery [Chorus: 50 Cent & \nLloyd Banks\n]\nHands up! Shorty, when you party with me\nWe goin' way past quarter to three\n(I say hands up!)\n I'm good in the VIP\nI got my hammer right here with me\n(I say hands up!)\n You know when you party with crooks\nYou gotta learn to respect the jux\n(I say hands up!)\n Everything ain't cool as the fame\nAnd this shit ain't as sweet as it looks \n(I say hands up!)\nYou know I'm puttin' something on me\nRight before I leave outta the car\n (We came to party)\nYou go tough talkin' at me\nYou gon' leave out the club wit a scar\n (We came to party)\nWe pop bottles like it's all free\n'Fore I leave, I'ma buy out the bar\n (We came to party)\nYou gon' order whatchu want, it's on me\nI'm a G, take a look at a star\n (We came to party)\nPut 'em up\nPut 'em up, put 'em up, put 'em up\nPut 'em up\nPut 'em up, put 'em up, put 'em up" } ]

[ { "from": "human", "value": "Write me a song called I Miss You (Demo) with the following description: Frank Ocean initially wrote this song for Beyoncé but he sang it at the Bowery Ballroom in New York Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI thought that things like this get better with time\nBut I still need you, why is that?\nYou're the only image in my mind\nSo I still see you, around\n[Hook]\nI miss you, like everyday\nWanna be with you, but you're away\nSaid I miss you, missing you insane\nIf I got with you, would it feel the same\n[Verse 2]\nWords don't ever seem to come out right\nBut I still mean them, why is that?\nIt hurts my pride to tell you how I feel\nBut I still need to, now why is that?\n[Hook]\nOh it's cause I miss you, like everyday\nWanna be with you, but you're away\nI said I miss you, I miss you insane\nBut if I got with you, would it feel the same\n[Verse 3]\nAnd it don't matter who you are\nIt is so simple, a feeling\nBut it's everything\nNo matter who you love\nIt is so simple, a feeling\nBut it's everything" } ]

[ { "from": "human", "value": "Write me a song called Whoever You Like with the following description: Beat samples T.I.’s hit single Whatever You Like.\nOff Wayne’s mixtape Dedication 3. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Lil Wayne]\nI said I'm stepping out with my niggas tonight\nIt's Young Money bitch and\nYou can do whoever you like\nYou can do whoever you like\nI said Gudda Gudda, T-Streets, Drizzy Drake, Mack Maine\nJae Millz, Tyga Tyga, you can do whoever you like\nYou can do whoever you like\n[Verse 1: Jae Millz]\nBaby we are so live you ain't gotta check for a pulse\nIts Young Money, but you can call us multiple choice\nSee you can choose me, choose Mack or Gudda Gudd\nStreets, Drizzy Drake, Tyga Tyga, or all the above\nBut no falling in love\nWe just fuck until we fall out and we fall asleep\nYou want a uptown hustler, you can call on me, I'm Jae Millz\nFor my money I make moves, like a R8 on the open street\nI know you're nasty, I can see it in your eyes\nI can tell how you move, it's written all in your vibe\nSo fuck your man, 'cause what he living is a lie\nHe commercial, it's only 10 seats on them planes that we fly\nPlus I'm fly, and no exaggeration\nBut I'm so fly, fuck a plane, I'll get you to your destination\nHolla at ya mizzann, it's Young Money\nLife is good, fuck the forecast cause everyday is sunny [Interlude: Lil Wayne & (Jae Millz)]\nWell, not actually, 'cause I make it rain\n(Whatever you like) Yeah, you can pick the weather you like\n[Chorus: Lil Wayne]\nOkay, Jae Millz, Gudda Gudda, Taz Po, T-Streets\nMack Maine, Tyga Tyga, you can do whoever you like\nYou can do whoever you like\n[Verse 2: Lil Wayne]\nUm, they ask me am I single and I tell 'em, \"Hell no!\"\nThey ask who I go with, I say, \"Whoever wanna go!\"\nAnd we can go wherever you like\nThey ask me am I single, and I tell 'em, \"Hell no!\"\nThey ask who I'm fucking I say 'whoever wanna know'\nAnd I can fuck whoever I like\n[Verse 3: Gudda Gudda]\nGot my two fingers out the roof, see me repping out\nThe Levi's is skinny, so I'm walking with the weapon out\nTwo bitches on my arm, get my Don Juan on\nWatch the hoes go crazy when the boy song on\nMulticolored stones on, we getting money, yeah\nI get my Styrofoam on, my cup muddy\nYeah I walk down on ya bitch, then I run away with her\nLet her do what she like, then I have my way with her\nI ain't trying to play with her, I ain't trying to stay with her\nI'm just trying to dick her down, nigga, you can lay with her\nSo give me MySpace like dot com\nI'm Funkmaster Flex, with the flow, I drop bombs\n\"Young Gudda Moneybags,\" that's what they calling me\nShitting on you boys like I'm sitting on the toilet seat\nY.M.O.B. we on that Soprano shit\nEvery day, we blowing cash, we be on that Hammer shit [Chorus: Lil Wayne]\nLike you can't touch this, like you can't touch us with a pipe\nBut we can touch whoever we like\nYou could even do Lil Chuckee, Lil Twist, KY, Bobby V\nLil Scrap, didn't say me, 'cause I got a wife\nSo, sorry, not tonight\n[Outro: Lil Wayne]\nYou see I hope your math is right\nTake ya body as a sacrifice\nYou see them flashing lights\nWelcome to afterlife" } ]

[ { "from": "human", "value": "Write me a song called Try Me (Left Cheek) with the following description: “Try Me” is a leaked collaboration between Jeremih and Travis Scott. The song was given the name “Left Cheek” by DJ SpinKing, and is often known, albeit incorrectly, as “Left Cheek, Right Cheek”.\nTwo versions of the song exist: Travis' version which features more vocals from Travis himself, and this version created for DJ SpinKing which features additional production from Hitmaka and more vocals from Jeremih.\nJeremih previewed an early version “Try Me” in April 2015 via Snapchat, before giving it to Travis who previewed his version on November 18, 2015, at the Filmore as part of The Weeknd’s The Madness Tour. Fans speculated that the song would appear on Travis' then-forthcoming album, Birds in the Trap Sing McKnight. The song didn’t make the cut, however, DJ SpinKing later said that the song would appear on his mixtape, For The Culture. Again, the song didn’t make the cut as Travis took the song back.\nThis version of the song leaked online on September 13, 2018. One of the song’s producers, Vinylz, who had previously teased releasing Travis' version of the song took to Twitter to emphasise that this leaked version is not the final version of the song. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Jeremih]\nHitmaka\nYeah (Aw, yeah)\n[Chorus: Travis Scott]\nLeft cheek, right cheek\nUp top my suite\nDon't stop, go girl\nLong as you know who the one\nLeft cheek, right cheek\nUp top my suite\nDon't stop, go girl\nLong as you know who the—\n[Interlude: Bernie Mac & \nMonica Calhoun\n]\nWhat did she say?\nBaby, those white bitches looked at that white man dead in the eyes and told him\n\"Fuck that, pay me\"\nHaha, and that's why I get 30 percent, ha\nWhen can I start?\nImmediately\n[Verse 1: Jeremih]\nNo love for 'em\nDrugs, money, she bust a fuck\nShe need it, no love\nNo fucks is given, can't trust the love\nWhole lotta livin' (Whole lotta livin'), talkin' that shit (Talkin' that shit)\nWhole lotta bitches and they try me (You know)\nPour out the liquor (Pour out the liquor)\nDroppin' out the Swishas (Droppin' out the Swishas), I'ma fuck it up [Pre-Chorus: Jeremih]\nShe said, \"Try me\" (She said try)\nAnd she, she said, \"Try me\"\nShe said, \"Try me\" (My, my, my)\n\"Try me\", she makin' her ass go (Shakin' [?] this whole time)\n[Chorus: Travis Scott & \nJeremih\n]\nLeft cheek (\nWoo\n), right cheek (\nCash, girl\n)\nUp top my suite (\nBreeches\n)\nDon't stop, go girl (\nThat's just\n)\nLong as you know who the one (\nWhat the?\n)\nLeft cheek, right cheek (\nThrowin' cash up\n)\nUp top my suite (\nLet's go\n)\nDon't stop, go girl (\nJust know\n)\nLong as you know who the—\n[Verse 2: Jeremih]\nDon't want ones, you the one\nGimme some reverse-cowgirl, call me daddy and giddy up\nCan't make this up (No), heart-shaped booty, I'm in love (Love)\nShe let me stab in it one time, I kill that pussy in my OJ glove\nSay she only wanna sex me with her bestie, that's the bestie\nWanna slide up in that pussy (Slide up in that)\nI'ma die up in that pussy (I'ma die up in that)\nGot nine lives up in that pussy (Got nine lives up in that)\nReece's Pieces, lick the pussy (Reece's Pieces, lick the)\nTryna teach me Kamasutra (Teach me Kamasutra)\nLucious Lyon in that Cookie (Lucious, Lucious, Lucious) [Pre-Chorus: Jeremih]\nShe said, \"Try me\" (She said try)\nShe said, \"Try me\" (My, my, my)\n\"Try me\"\nShe makin' her ass go (Shakin' [?] this whole time)\n[Chorus: Travis Scott & \nJeremih\n]\nLeft cheek (\nWoo\n), right cheek (\nCash, girl\n)\nUp top my suite (\nBreeches\n)\nDon't stop, go girl (\nThat's just\n)\nLong as you know who the one (\nSpecial\n)\nLeft cheek, right cheek (\nThrowin' cash up\n)\nUp top my suite (\nLet's go\n)\nDon't stop, go girl (\nJust know\n)\nLong as you know who the— (\nSpecial\n)\n[Outro: Jeremih]\nShe said, \"Try me\" (She said)\nShe said, \"Try me\" (My, my, my)\n\"Try me\"\nShakin' [?] this whole time (Aw, yeah)" } ]

[ { "from": "human", "value": "Write me a song called Cabin Fever with the following description: “Cabin Fever” refers to feeling strange from staying in one place for a long time which Wiz and his crew often do in expensive hotel rooms while smoking huge amounts of weed, drinking Bombay gin, and ordering room service. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah\nYeaah\nTahaha\nYou niggas know its the gang or kill yourself, right?\nYeaah\nYup\n[Verse 1]\nRed hat black chucks black 501's on\nThat's your baby momma but her numbers in my iPhone\nYea I got a girl but I swear I need a newer bitch\nLet her out the house and I'll be leaving here with your bitch\nI'm flyin' in a different city every night\nGot everything I ever wanted so this can't be life\nBreaking down the weed I'm 'bout to make a plane\nA hundred niggas with me all reppin' Taylor Gang\n[Break]\nYeaaahahhhh bitch\nOkaaayyyy\nYeaah\nYup\n[Verse 2]\nLot of niggas fake but me I give these hoes faith\nFeed her alcohol and leave that bitch with no taste\nOut of this world need my own space\nBack seat and I'm a ride until the chrome break\nBig heat will turn your body to a cold case\nShe don't even make it rain she just throw me face\nGot some niggas quick to bang like they Major Payne\nTold Lil' mom I rep the gang she just say the same\nYeaaaaahhhhh bitch [Chorus]\nIf you see em point em out\nIf you see em point em out\nThere's a bad bitch in here\nAnd you see her point her out\nThere's a bad bitch in here\nAnd you see her point her out\n[Verse 3]\nYeeeaaahh yupp\nYou show up to concerts looking like a fan\nI pull up in car service looking like the man\nHella reefer smoke a lot of pictures being taken\nMy bitch from Atlanta my weed is Jamaican\nI don't talk much too many niggas hatin\nBuy the boutique that's my type of conversation\nI dropped a little change on these hater frames\nTook her car keys and let her play Dwayne\nLil bitch, now go on and pick that money up\nNot cus I said so, cus you want to" } ]

[ { "from": "human", "value": "Write me a song called Strong with the following description: Track #8 off Berner and B-Real’s joint-project Prohibition featuring Wiz Khalifa.\nDownload Prohibition here!\n\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Wiz Khalifa]\nReal cuz\nBerner I see you\nSmall world man\nNigga' got big money thought\nShit ain't gon' change either\n[Hook: Wiz Khalifa]\nI'm always smoking that strong (smoking that strong)\nI'm always stuffin' the bong (stuffin' the bong)\nAnd all my niggas' got gangsta' written all over them\n(gangsta' written all over them, uh)\nMake sure you pop that champagne\nIt's enough for all of them\n(It's enough for all of them, uh)\n[Verse 1: Wiz Khalifa]\nI pull up my garage slow, puffin' on the cone\nShiftin' gear and let my tires smoke\nThe bong weed got my eyes low, but I'm focused\nI can see ya hater comin' but I'd rather get this money\nSeein' niggas' tryin' take my whole swag and acknowledge it\nThat Porsche 911 is the reason I'm talking shit\nI see you buying gold, it ain't the proper kt\nWas that all about, fake cross, fake dimonds fallin' out\nHit the club, I'm ballin' out [Chorus: Wiz Khalifa]\nAnd I just took three shots of gin\n(and I just took three shots of gin)\nAnd rolled six joints for my niggas'\n(and rolled six joints for my niggas')\nAnd I'mma need somebody else to drive my car\n(and I'mma need somebody else to drive my car)\nRep the game cause they know that we the illest\nPlus my clique full of certified winners\n[Hook: Wiz Khalifa]\n[Verse 2: B-Real]\nI wake up every morning\nAnd I bake up every morning\nAnd we cake up in the evening\nGet it blazin' without warnin'\nEverywhere I've been performing\nThey got flowers and we burnin'\nYou can smell me when I'm coming\nYou ain't know well now you learnin'\nAnd if you takin' shit for granted\nMake no mistake you'll be stranded\nNo strong and empty handed\nWe got the best on the planet\nCatch a spark, and there you have it\nWhen it's dark just fuckin' light it\nIt's the way that we provide it\nWe roll the Cookies and the Paris\nAnd the Jet, you look embarrassed\nAnd we smokin' like we careless\nWe be smokin' on the rarest Marijuana [?]\nSee this rookies couldn't bear it\nFuck around and get embarrassed\nI came with Berner and Khalifa\nYou know we the biggest cheefas\nShout to Snoop cause he's a Beaver\nI came with Berner and Khalifa\nYou know we the biggest cheefas\nShout to Snoop cause he's a Beaver\nWe the kings about that reefer [Hook: Wiz Khalifa]\n[Verse 3: Berner]\nThe kinda shit I'm on will make you yearn\nI'm only smokin' strong, a few Xanax, Don Perignon\nCity to city, we said our smoke is long\nPull up in our foreign cars\nIt's been a hot minute \nsince I wrote to God\nLet that clear burn slow, all on my Raw\nPulled another fifty pounds down, he gon' want 'em all\nOf course I'm gon' stunt, I'm young, rich and dumb\nI got swimmers lungs, you hit this shit once and you're done\nIn the session burn tough, hold it if you can\nI'm in Japan smoking Kush outta soda cans\nWorldwide man, just high as like a roller coaster\nWax got your heart beatin' fast, it's almost over\nWeed game veterans, high grade medicine\nNo fingerprints, we don't leave no evidence\nDon't hesitate to celebrate, roll another one\nWe gon' stay smoked out and let the money come\n[Hook: Wiz Khalifa]" } ]

[ { "from": "human", "value": "Write me a song called 6'7' Freestyle with the following description: A freestyle over the beat for 6 Foot 7 Foot by Lil Wayne. Featuring Kendrick’s label mate, ScHoolboy Q Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kendrick Lamar]\nSaid I'm a fuckin' monster,\n \na massive attack, I haunt ya\nI mastered the rap, then fucked up the monitors, mastered that\nAfter that, I went for thermometers, popped 'em all, then popped in the\nJaw of Tracy Veronica, holla back, they promised us\nNo pajamas, insomnia, will attack, I attack like piranha does\nHit your block like a comet- blah! And you all know what time it is\n2012, mark your calendars, calisthenics and silencers\nExercisin' that trigger strap, rock with us, Metallica\nCompetition no talent, hmm, in the jungle, what's wild enough?\nJust might stumble upon a pack of lions\nNo lyin', my soldiers dyin', this is Iraq, alliances\nLining with stars and bars of a prison rep,\n my science a-\n-pplyin' pressure, her stretcher is needed, pay the proceeds\nOr you live in debt, y'all soft as a giga-pet, you niggas can't see me\nUnless you watchin' the TV or ultra huggin' my silhouette\nMy flow got the ceiling wet, I spit 'til I feel my breath\nWho sinkin' my fuckin' chest? She fuckin' the fuckin' best\nMean my dick is the dick of death, mean I'm killin that pussy\nLike Spike whenever that Jerry slept\n[Verse 2: Kendrick Lamar]\nYeah, Dre\nMe and Andre the Giant, 6'7 and climbin'\nWhether you storm to your climate,\n whether you're beat makin' or rhyming\nBumpin some Phyllis Hyman, hand full of diamonds like Jay fans\nOn a island with Ray Bans, glasses palmin' asses\nThat probably came wit' a great tan, hehe\nI be the motherfuckin' mecca of this hub city spectrum\nWhere they at? I will dissect them like a fucking frog's rectum\nWhy you wreckin' with irreputable? My worst flow incredible\nThey probably call the federal after I slaughter several\nEtcetera, etcetera, Bentley passin' up Celicas\nThey tellin' us about shit, HiiiPoWeR in your mouth, bitch\nAnd Top Dawg can vouch, bitch, nigga, what you 'bout?\nAbout face with army outfits, the general's here\nThat mean the hustlers and the criminals here\nPenitence reachin' pinnacles of life and despair\nAnd me I solemnly swear to handle mine like a Taliban and die for it\nOnly difference is I ain't never askin' Allah for it\nOnly difference is I be spazzin' and still a proud poet\nPut me in a category, I don't know what's a sadder story\nGuts and glory,\n your pain bore me you ain't really lived it\nI take you to a block where they crippin'\nOr Piru that 5'2 gun bigger than the torso of Pippen\nBitch, I been doin' it\nBefore you niggas ruined it, show me somethin' different\nYou either kissin' dick or givin' me distance\nYou live in a district of dimebags and dummies, I know your statistics\nWho your boss? He more like my assistant\nGet lost, have a egg and a biscuit\nBreak fast when we aimin' them biscuits\nPay cash when your chain come up missin'\nQ! Q! [Verse 3: ScHoolboy Q]\nAh!\nDouble up, shit, what the fuck?\nGet me some my promo poppin', \nsetbacks droppin', soon they watchin'\nI just lock and load explode, target flowed, I'm somewhere blowed\nMarriotts and Swisher Sweets, L.A. nigga pro'bly east\nCheerin' for the ragin' beats, X O henny scrape the keif\nBangin C, I'm bangin', B,\n put them niggas next to me\nStop and focus, get the lead, I'm here now, let the hardest speak\nYa all them dudes got ovaries, period, run on sentence\nStill I'm ventin', air conditionin', coolest breezes, ill diseases\nGrip my penis, shoot my semen, still I'm comin', miles a runnin'\nI was learnin' gettin' knowledge, head is throbbin', she's a goblin\nWe be mobbin' over bitches, stick and miss and she the business\nGet a witness, pussy frenchin', just a mission\nPoppin' off like on a mission, proposition, gettin' money, drop a nigga\nRush a nigga, stomp a nigga, crush a nigga, dust a nigga\nCopperhead gon' thrust a nigga, heatin' up the winter, nigga\nSomethin' to remember, nigga, hella sick, I got a spit\nCurse with a verse like God told me kill the shit\nLoad the clip Heckler & Koch, the hoover king\nBada bing by the ding a ling, natural hoover\nFing ring with a vision clearin' it with Visine, asian from Beijing\nMoney make her cum, she cream- feed the weak, that's Wing Stop\nAt the start with rain drops, autobot\nSpace shuttle shittin' on your car lots- boy, stop!\nCould at least got a saturn, huh? HiiiPoWer see our patent, huh?\nWorkin' on tracks like we never been free, 22 squezze niggas shootin' off C’s\nPlease thought a nigga shot 16’s\nRhyme sixteens- bada bing, bing, bing, bing.... bing [Outro: Kendrick Lamar]\nIf you want to be from HiiiPoWeR\nPlease come to friend zone\nBut don't wowwy\nYou will not suck on my dick tonight" } ]

[ { "from": "human", "value": "Write me a song called I Can See You (Taylor’s Version) [From The Vault] with the following description: “I Can See You” shows Swift seductively addressing her potential lover. Ensnared with a sexual atmosphere, she continuously challenges and invites her partner to explore their newfound relationship, both romantically and sexually.\nWith similar themes, this song is reminiscent of her 2017 reputation track, “Dress,” which delved into her sexual admiration of her now ex-boyfriend Joe Alwyn. Although this track does not seem to address anyone in particular and was originally written around 2010 for the first version of Swift’s Speak Now album, it emphasizes Taylor’s recent use of rock and alternative sonics.\nThe blend of synthesizer, guitar and bass mash up to create a rather new and fresh sound to Taylor. The experimental sound, in which Swift also later went on to dive into throughout albums like 2017’s reputation and 2022’s Midnights, have always made Swift’s discography as a whole interesting to listen to. Especially around the time her 2014 album, 1989, in which she fully embraced Pop music and Pop influences in her songs, she talked about how she always wanted to be experimental with her art – during a 2015 interview for extratv, she said:\nI think that it’s important to experiment with different things. I think that the direction you wanna go musically, it has to surprise people. There are a lot of my songwriting that I haven’t explored yet.\n“I Can See You” is a magnetic blend of atmospheric production, enticing melodies, and Taylor Swift’s signature storytelling prowess. It captures the essence of longing, secrecy, and the undeniable attraction between two souls who dance on the edge of temptation. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI-I-I-I\n[Verse 1]\nYou brush past me in the hallway\nAnd you don't think I, I, I can see ya, do ya?\nI’ve been watchin' you for ages\nAnd I spend my time tryin' not to feel it\n[Pre-Chorus]\nBut what would you do if I went to touch you now?\nWhat would you do if they never found us out?\nWhat would you do if we never made a sound?\n[Chorus]\n’Cause I can see you waitin' down the hall from me\nAnd I could see you up against the wall with me\nAnd what would you do? Baby, if you only knew\nThat I can see you\n[Post-Chorus]\nI-I-I-I\n[Verse 2]\nAnd we kept everything professional\nBut something's changed, it's somethin' I, I like\nThey keep watchful eyes on us\nSo it's best that we move fast and keep quiet\nYou won't believe half the things I see inside my head\nWait 'til you see half the things that haven’t happened yet [Pre-Chorus]\nBut what would you do if I went to touch you now?\nWhat would you do if they never found us out?\nWhat would you do if we never made a sound?\n[Chorus]\n’Cause I can see you waitin' down the hall from me\nAnd I could see you up against the wall with me\nAnd what would you do? Baby, if you only knew, oh, oh, oh\nThat I could see you throw your jacket on the floor\nI could see you, make me want you even more\nWhat would you do? Baby, if you only knew\nThat I can see you\n[Post-Chorus]\nI-I-I-I\n[Bridge]\nI can see you in your suit and your necktie\nPassed me a note sayin’, \"Meet me tonight\"\nThen we kiss and you know I won't ever tell, yeah\nAnd I could see you being my addiction\nYou can see me as a secret mission\nHide away and I will start behaving myself\n[Pre-Chorus]\nI-I-I-I\nOh-oh, oh, oh [Chorus]\nI can see you waitin' down the hall from me\nAnd I could see you up against the wall with me\nAnd what would you do? Baby, if you only knew, oh\nThat I could see you throw your jacket on the floor\nI could see you, make me want you even more\nWhat would you do? Baby, if you only knew\nThat I can see you, oh, I can see you\n[Outro]\nOh, I see you, I see you, baby\nI see you\n(I-I-I-I) I see you, I see you, baby\nOh, baby" } ]

[ { "from": "human", "value": "Write me a song called If U Seek Amy with the following description: “If U Seek Amy” is a song recorded by American singer Britney Spears for her sixth studio album, Circus. The song was released as the third single from the album. Its title and lyrics are based on a pun, where the phrase “If U Seek Amy” is meant to sound like “F-U-C-K me” when heard in the chorus. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nLa, la, la, la, la-la, la, la\nLa, la, la, la, la-la, la, la\nLa, la, la, la, la-la, la, la\nLa, la, la, la, la-la, la, la\n[Verse 1]\nOh, baby, baby, have you seen Amy tonight?\nIs she in the bathroom, is she smoking up outside? (\nOh\n)\nOh, baby, baby, does she take a piece of lime\nFor the drink that I'ma buy her?\nDo you know just what she likes? (\nOh\n)\n[Pre-Chorus]\nOh-oh, tell me, have you seen her?\n'Cause I'm so, oh, I can't get her off of my brain\nI just wanna go to the party she gon' go\nCan somebody take me home?\nHa-ha-he-he-ha-ha-ho\n[Chorus]\nLove me, hate me, say what you want about me\nBut all of the boys and all of the girls are begging to, if you seek Amy\nLove me, hate me, but can't you see what I see?\nAll of the boys and all of the girls are begging to, if you seek Amy [Interlude]\n(\nLove me, hate me\n)\nLa, la, la, la, la-la, la, la\nLa, la, la, la, la-la, la, la\n[Verse 2]\nAmy told me that she's gonna meet me up\nI don't know where or when, and now they're closing up the club (\nOh\n)\nI've seen her once or twice before, she knows my face\nBut it's hard to see with all the people standing in the way (\nOh\n)\n[Pre-Chorus]\nOh-oh, tell me, have you seen her?\n'Cause I'm so, oh, I can't get her off of my brain\nI just wanna go to the party she gon' go\nCan somebody take me home?\nHa-ha-he-he-ha-ha-ho\n[Chorus]\nLove me, hate me, say what you want about me\nBut all of the boys and all of the girls are begging to, if you seek Amy\nLove me, hate me, but can't you see what I see?\nAll of the boys and all of the girls are begging to, if you seek Amy\n[Post-Chorus]\n(Love me, hate me) Oh, say what you want about me\nOh, but can't you see what I see?\n(Love me, hate me) Oh, say what you want about me\n('Bout me, 'bout me) [Bridge]\nSo tell me if you see her\n(\nLet me know what she was wearing, and what she was like\n)\n'Cause I've been waiting here forever\n(\nLet me know where she was going, I don't mind\n)\nOh, baby, baby, if you seek Amy tonight (\nOh\n)\nOh, baby, baby, we'll do whatever you like\nOh, baby, baby, baby\nOh, baby, baby, baby\n[Interlude]\nLa, la, la, la, la-la, la, la\nLa, la, la, la, la-la, la, la\nLa, la, la, la, la-la, la, la\nLa, la, la, la, la-la, la, la\n[Chorus]\nLove me, hate me, say what you want about me\nBut all of the boys and all of the girls are begging to, if you seek Amy\nLove me, hate me, but can't you see what I see?\nAll of the boys and all of the girls are begging to, if you seek Amy\nLove me, hate me, say what you want about me (Yeah, yeah)\nLove me, hate me, but can't you see what I see?\nAll of the boys and all of the girls are begging to if you seek Amy\n[Post-Chorus]\n(Love me, hate me) Oh, say what you want about me\nOh, but can't you see what I see?\n(Love me, hate me) Oh, say what you want about me\nAll of the boys and all of the girls are begging to if you seek Amy" } ]

[ { "from": "human", "value": "Write me a song called SoFlo Like Antonio with the following description: When the famous rapper Post Malone comes to visit his friend Ethan on an episode of H3H3 (Ethan’s channel), Ethan and Post decide to make a song about the living meme, SoFloAntonio.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nSoFlo like An-\nOh shit\nYeah, SoFlo like, ayy, ayy\n[Chorus: Post Malone & \nEthan Klein\n]\nSoFlo like Antonio, SoFlo like Antonio\nWhatchu know about\nSoFlo like Antonio, SoFlo he even stole my flow\nDamn\nSoFlo like Antonio, SoFlo like Antonio\nWhatchu know about\nSoFlo like Antonio, SoFlo he even stole my flow\nDamn\n[Verse: Ethan Klein]\nSoFlo\nWhere you at, boy? Where you at, boy?\nSoFlo\nWhere you at, boy?\nYo, I'm down at South Beach, Florida\nYou got all the beach before ya\nAnd just when I thought he couldn't take it any further, damn\nSoFlo is my father, damn\nSoFlo is my father, damn\nSoFlo is my father, damn\nSoFlo is my father, damn\nHe stole everything from me\nCan you please just back off?\nJust let me have my fucking snow cone\nIt's got strawberry syrup, it's my favorite flavor\nYou can fuck my whole family tree, just let me be [Interlude: Ethan Klein]\nFuck you SoFlo! Make your own shit!\nStop stealing shit from everyone\nMake your own shit, dog!\nFuck off!\n(\nCoughing\n)\nSoFlo is my father\n[Chorus: Post Malone]\nSoFlo like Antonio, SoFlo like Antonio\nSoFlo like Antonio, SoFlo he even stole my flow\nSoFlo like Antonio, SoFlo like Antonio\nSoFlo like Antonio" } ]

[ { "from": "human", "value": "Write me a song called Let Me Live with the following description: “Live My Life” is the second liberating entry to Rudimental’s upcoming album following “These Days” with Macklemore, Jess Glynne & Dan Caplen. This time, the group joins forces with dancehall force Major Lazer, rising rapper Mr Eazi & frequent collaborator Anne-Marie whom they worked in “Rumour Mill” and “Love Ain’t Just A Word.”\nThe track was originally teased through Diplo’s Snapchat account, but was ultimately premiered in a concert in Dubai. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Mr Eazi]\nRudimental\nMajor Lazer\n[Verse 1: Anne-Marie]\nAs I walk through the water, so many things I see, uh-huh\nAnd then I say to myself, \"It’s never as it seems\"\n[Refrain: Anne-Marie]\n'Cause I am the one, I rule my world\nNobody rule my destiny\n'Cause you are the one, you rule your world\nNo bad man own your destiny\n[Chorus: Anne-Marie]\nLeave me alone, let me live my life\nLeave me alone, let me live it up, live it up\nLeave me alone, make I live my life\nLeave me alone, make I live it up, live it up\nLeave me alone, let me—\n[Verse 2: Anne-Marie]\nAre we losing control, or is it meant to be, uh-huh?\nNow I’ve opened my mind, come and set me free\n[Refrain: Anne-Marie]\n'Cause I am the one, I rule my world\nNobody rule my destiny\n'Cause you are the one, you rule your world\nNo bad man own your destiny [Chorus: Anne-Marie]\nLeave me alone, let me live my life\nLeave me alone, let me live it up, live it up\nLeave me alone, make I live my life\nLeave me alone, make I live it up, live it up\nLeave me alone, let me live my life\nLeave me alone, let me live it up, live it up\nLeave me alone, make I live my life\nLeave me alone, make I live it up, live it up\nLeave me alone, let me—\n[Post-Chorus: Anne-Marie]\nWhy don't you leave me alone?\nYeah, yeah\n[Verse 3: Mr Eazi]\nI will do anything I like\nI will sip anything I like\nE be me way I get my life\nE be me way I get my life\nI no say it's alright\nI'de catch some vibes tonight\nEveryday, every night, everyday\nFeel the love, yo\n[Bridge: Anne-Marie, Mr Eazi & \nAnne-Marie\n]\nEnjoy everyday\nEnjoy da da\nEnjoy your life\nEnjoy everyday\nEnjoy da da\nOh, oh\nEnjoy everyday\nEnjoy da da\nEnjoy your life, yeah\nEnjoy everyday [Pre-Chorus: Anne-Marie]\nWhy don't you live your life? Yeah\nAnd I'll go live mine\n[Chorus: Anne-Marie]\nLeave me alone, let me live my life\nLeave me alone, let me live it up, live it up\nLeave me alone, make I live my life (Why don't you live your life?)\nLeave me alone, make I live it up, live it up (And I will go live mine)\nLeave me alone, let me—\n[Post-Chorus: Anne-Marie, Mr Eazi & \nAnne-Marie\n]\nEnjoy everyday\nEnjoy da da\nEnjoy your life\nEnjoy everyday\nEnjoy da da\nOh, oh\nEnjoy everyday\nEnjoy da da\nEnjoy your life, yeah\nEnjoy everyday" } ]

[ { "from": "human", "value": "Write me a song called ​good kid, m.A.A.d city Album Review with the following description: Jayson Greene’s review of the modern day masterpiece by Kendrick Lamar. The album was named Pitchfork’s “Album of the Year” in 2012, the second hip hop album reviewed by the publication to achieve this.\nRating:\n#9.5/10Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "The first sound we hear on good kid, m.A.A.d. city is a prayer: \n\"Thank you, Lord Jesus, for saving us with your precious blood,\" voices murmur,\n evoking a family dinner gathering. The album's cover art, a grubby Polaroid, provides a visual prompt for the scene: Baby Kendrick dangles off an uncle's knee in front of a squat kitchen table displaying a 40-ounce and Lamar's baby bottle. The snapshot is such an unvarnished peek into the rapper's inner life that staring at it for too long feels almost invasive. This autobiographical intensity is the album's calling card. Listening to it feels like walking directly into Lamar's childhood home and, for the next hour, growing up alongside him.\nLamar has subtitled the record \"A Short Film by Kendrick Lamar\", and the comparison rings true: You could take the album's outline and build a set for a three-act play. It opens on a 17-year-old Kendrick \n\"with nothing but pussy stuck on my mental,\"\n driving his mother's van to see a girl named Sherane. As his voice darts and halts in a rhythm that mimics his over-eager commute, Lamar explores the furtiveness of young lust: \"It's deep-rooted, the music of being young and dumb,\" he raps. The song is interrupted by the first of several voice mail recordings that delineate the album's structure: Kendrick's mother, rambling into his phone and pleading for him to return her car. These voicemails appear through the record, reinforcing that good kid, m.A.A.d city is partly a love letter to the grounding power of family. In this album's world, family and faith are not abstract concepts: They are the fraying tethers holding Lamar back from the chasm of gang violence that threatens to consume him.\nAll this weighty material might make good kid, m.A.A.d city sound like a bit of a drag. But the miracle of this album is how it ties straightforward rap thrills-- dazzling lyrical virtuosity, slick quotables, pulverizing beats, star turns from guest rappers-- directly to its narrative. For example, \nwhen \"Backseat Freestyle\" leaked last week, its uncharacteristic subject matter (\"All my life I want money and power/ Respect my mind or die from lead shower\") took some fans by surprise. But on the album, it marks the moment in the narrative when young Kendrick's character first begins rapping, egged on by a friend who plugs in a beat CD.\n Framed this way, his \"damn, I got bitches\" chant gets turned inside out: This isn't an alpha male's boast. It's a pipsqueak's first pass at a chest-puff. It's also a monster of a radio-ready single, with Kendrick rapping in three voices (in double- and triple-time, no less) over an insane Hit-Boy beat.\nLamar grew up in Compton, and ghosts of West Coast gangsta-rap haunt this album's edges, casting shadows on Kendrick's complicated relationship with his hometown. When \"The Art of Peer Pressure\" brings Kendrick and his friends to Rosecrans Ave., the music downshifts into menacing G-funk mode as a salute to hallowed ground. Ice Cube’s “Bird in the Hand” is invoked to set up “m.A.A.d city” (“Fresh of out school, 'cause I was a high-school grad...\"), which appropriately marks the moment when real violence erupts. Here, Kendrick sounds like a terrified kid: \"I made a promise to see you bleeding,\" he raps, his voice pitched at a pleading, near-hysterical sob. In response, the voice of Compton's Most Wanted rapper MC Eiht leers, \"Wake yo' punk ass up,\" like a father figure of the Darth Vader variety.\nWhich brings us to the album's most visible benefactor and most unsettled presence: Dr. Dre. In recent months, Dre has availed himself of the fresh-career oxygen Kendrick's rise has pumped into his atmosphere, lumbering out of his corporate airlock to stand with Lamar on magazine covers. But the role he plays in Lamar's story feels muddled and unresolved. On an album that manages to seamlessly work a smirking Drake and a highly recognizable Janet Jackson sample (\"Poetic Justice\") into the fabric of a larger narrative, it is only Dre's appearance, on the final track \"Compton\", that feels like an uneasy outlier.\n\"Compton\" is the victory lap, the coronation. Coming after the stunning 12-minute denouement \"Sing About Me, I'm Dying of Thirst\", in which Lamar delivers a verse from a peripheral character that is the album's most dazzling stroke of empathy, it can't help but be a small deflation. The moment of arrival in any artist's story is always less interesting than their journey, and there's a disconnect in hearing Lamar and Dre stunt over Just Blaze's blaring orchestral-soul beat. Dre's music is part of the landscape that Kendrick grew up in but his actual appearance has a certain Truman Show feel to it.\nBut the true ending of good kid, m.A.A.d. city takes place at the end of the previous song, \"Real\", which represents the spiritual victory that the album's story has thrashed its way towards. Finally grasping that \"none of that shit\"-- money, power, respect, loving your block-- \"make me real,\" Lamar embraces what does, as his parents put the album's central concerns to bed: \"Any nigga can kill a man,\" his father admonishes. \"That don't make you a real nigga. Real is responsibility. Real is taking care of your motherfucking family.\" And his mother: \"If I don't hear from you by tomorrow, I hope you come back and learn from your mistakes. Come back a man... Tell your story to these black and brown kids in Compton... When you do make it, give back with your words of encouragement. And that's the best way to give back to your city. And I love you, Kendrick.\"\n9.5/10" } ]

[ { "from": "human", "value": "Write me a song called Trust In Me with the following description: On Hudson’s old website, she explained the story behind the song, saying:\nThis was my first try at songwriting. I was feeling a little depressed at the time, and was thinking about all the things I’d done wrong. I felt like I was oil and God was water, and I just wouldn’t mix. I started writing about this and God placed a peace in my heart. I really felt He was saying “don’t worry child, trust in me.” I just had to open my heart to the healing process. It’s funny how sometimes we think that we can be so horrible that God would turn His back to His own. I guess we will never really understand His mercy until we see His Glory. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHow could I see you when I was so blind?\nHow could I grasp you when I was far behind?\nHow could I hear you when I was so deaf?\nHow could I get up when I had been left?\n[Chorus]\nBut You said, don't worry\nFor I've healed the blind man\nAnd I've set the captives free\nAnd You said, don't worry\nFor all you've gotta do\nIs put your trust in me\n[Bridge]\nHow could I be clean when I was so dirty\nHow could I be made whole when I was torn apart\nMake me whole, make me whole\nMake me whole again\n[Chorus]\nBut You said, don't worry\nFor I've healed the blind man\nAnd I've set the captives free\nAnd You said, don't worry\nFor all you've gotta do\nIs put your trust in me\nBut You said, don't worry\nFor I've healed the blind man\nAnd I've set the captives free\nAnd You said, don't worry\nFor all you've gotta do\nIs put your trust in me\nBut You said, don't worry\nFor I've healed the blind man\nAnd I've set the captives free\nAnd You said, don't worry\nFor all you've gotta do\nIs put your trust in me" } ]

[ { "from": "human", "value": "Write me a song called Scared of the Moon (Demo) with the following description: This ‘unfinished’ gem was originally recorded in 1984. Although produced by Matt Forger at Westlake Studios, it unfortunately didn’t make the cut for “Bad”. Although the original track was lost under Jackson’s possession, Forger later reworked the track using a cassette copy in 1999. This track is written by Jackson & Buz Kohan and failed to appear on both Bad & Invincible albums respectively. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nAlone she lies waiting\nSurrounded by gloom\nInvaded by shadows\nPainting the room\nThe light from the window\nCuts through the air\nAnd pins the child lying there\nScared of the moon\nShe pulls up the covers\nAnd shivers in fright\nShe hides from the color\nThat rides on the night\nThe light through the window\nThat lights up the sky\nAnd causes her mournful cry\nScared of the moon\n[Pre-Chorus 1]\nThere's nothing wrong\nDon't be bothered they said\nIt's just childish fantasies turning your head\nNo need to worry\nIt's really too soon\nBut there she lies shivering\nScared of the moon [Chorus]\nScared of the moon\nScared of the moon\nScared of the moon\nScared of the moon\n[Verse 2]\nThe years go by swiftly\nAnd soon childhood ends\nBut life is still fearful\nWhen evening descends\nThe fear of a child\nStill intrudes the night\nReturning on beams of light\nScared of the moon\nThe feeling of terror\nShe felt as a youth\nHas turned from a fantasy\nInto the truth\nThe moon is the enemy\nTwisting her soul\nAnd taking its fearful toll\nScared of the moon\n[Pre-Chorus 2]\nBut now there are others who sit in a room\nAnd wait for the sunlight to brighten their gloom\nTogether they gather\nTheir lunacy shade\nBut knowing just why they're scared\nScared of the moon [Chorus]\nScared of the moon\nScared of the moon\nScared of the moon\nScared of the moon\n[Outro]\nScared of the moon (scared of the moon)" } ]

[ { "from": "human", "value": "Write me a song called Fine China with the following description: “Fine China” is a reference to porcelain–a particularly beautiful Chinese ceramic material. In this song, Juice WRLD compares his girl to fine china and talks about how he loves his girl and lusts for her. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future & \nJuice WRLD\n]\nThe world on drugs\nTen\n (Yeah) \nthousand dollar plates\nThousand dollar plates\nThousand dollar plates, fine china\nShorty like a, uh\nShorty like a\n(Wheezy outta here)\n[Chorus: Juice WRLD]\nShorty like a thousand dollar plate, fine china\nTell her that she beautiful every day, I remind her\nThen I jump in her pussy like a lake, I'm a diver\nAnd her last man was a pussy, had a vagina\nI get lost in her eyes, like dust from the skies\nIt's her body or nobody, I refuse to compromise\nSo if she leaves, I'ma kill her, oh, she'll die\nDid I say that out loud? I'm so crazy about mine\n[Verse 1: Juice WRLD]\nGoin' insane, feel you pickin' up and movin' things inside my brain\nI know I don't have to argue about everything\nBut we don't have the same soul\nWould've sold yours too and got a bigger bankroll\nYou tell me that you love me, baby, say it again\nRepeat it over and over until it's in my brain\nPicked up the drugs so I let my brain go\nWoulda fried yours too, but I'm selfish about my Percs, oh [Chorus: Juice WRLD]\nShorty like a thousand dollar plate, fine china\nTell her that she beautiful every day, I remind her\nThen I jump in her pussy like a lake, I'm a diver\nAnd her last man was a pussy, had a vagina\nI get lost in her eyes, like dust from the skies\nIt's her body or nobody, I refuse to compromise\nSo if she leaves, I'ma kill her, oh, she'll die\nDid I say that out loud? I'm so crazy about mine\n[Verse 2: Future]\nI'm so crazy about mine (\nWheezy outta here\n)\nI'm goin' to Pluto with my girl (Oh, shorty)\nI'm goin' to Jupiter with my girl (Don't call your exes)\nI'm goin' to Mars with my girl (Don't call your exes)\nI'm goin' to Saturn with my girl\nBeen feelin' like I'm runnin' out of space\nYou need to send your location, I can't think\nI done fell in love twice but I gotta be lyin'\n'Cause I'm livin' ten lives, I go crazy about mines, ayy\n[Chorus: Juice WRLD]\nShorty like a thousand dollar plate, fine china\nTell her that she beautiful every day, I remind her\nThen I jump in her pussy like a lake, I'm a diver\nAnd her last man was a pussy, had a vagina\nI get lost in her eyes, like dust from the skies\nIt's her body or nobody, I refuse to compromise\nSo if she leaves, I'ma kill her, oh, she'll die\nDid I say that out loud? I'm so crazy about mine [Outro: Juice WRLD]\nDid I say that out loud? I'm so crazy about mine" } ]

[ { "from": "human", "value": "Write me a song called September with the following description: This is a cover of “September,” originally performed by Earth, Wind & Fire.\nJustin Timberlake joins Anna Kendrick in a duet of sorts, accompanied by the notorious band in a re-recording of their smash hit. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Justin Timberlake \nwith Anna Kendrick\n]\nDo you remember\nThe 21st night of September?\nLove was changin' the minds of pretenders\nWhile \nchasing the clouds away\n[Verse 1: Anna Kendrick]\nOur hearts were ringin'\nIn the key that our souls were singin'\nAs we danced in the night\nRemember how the stars stole the night away\n[Chorus: Earth, Wind & Fire]\nBa de ya - say do you remember\nBa de ya - dancin' in September\nBa de ya - never was a cloudy day\n[Post-Chorus: Earth, Wind & Fire]\nBa duda, ba duda, ba duda, badu\nBa duda, badu, ba duda, badu\nBa duda, badu, ba duda\n[Verse 2: Anna Kendrick]\nMy thoughts are with you\nHoldin' hands with your heart to see you\nOnly blue talk and love\nRemember how we knew love was here to stay [Verse 2: Justin Timberlake]\nNow December found the love we shared in September\nOnly blue talk and love\nRemember, the true love we share today\n[Chorus: Earth, Wind & Fire]\nBa de ya - say do you remember\nBa de ya - dancin' in September\nBa de ya - never was a cloudy day\nAnd we say\nBa de ya - say do you remember\nBa de ya - dancin' in September\nBa de ya - never was a cloudy day\n[Verse 3: Justin Timberlake]\nThe bell was ringin', aha\nOur souls were singin'\nDo you remember\nNever was a cloudy day\n[Chorus: Earth, Wind & Fire]\nBa de ya - say do you remember\nBa de ya - dancin' in September\nBa de ya - never was a cloudy day\nBa de ya - say do you remember\nBa de ya - dancin' in September\nBa de ya - never was a cloudy day [Bridge: Justin Timberlake]\nBreak it down for me (Say do you remember)\nDancin' in September\n[Chorus: Earth, Wind & Fire & Justin Timberlake]\nBa de ya\nSay do you remember\nDo you remember?\nBa de ya - dancin' in September (We're dancin' in September)\nBa de ya - never was a cloudy day\n[Outro: Earth, Wind & Fire & Justin Timberlake]\nUh huh! (Bring it back now)\nDancin' in September\nUh huh!\nAll the way down to the summer" } ]

[ { "from": "human", "value": "Write me a song called Pablo with the following description: Kanye West brings “Pablo,” a trap banger with Donda 2’s executive producer Future and frequent collaborator Travis Scott. The song’s title seemingly stems from Ye’s seventh studio album, The Life of Pablo, which was inspired by Pablo Escobar, Pablo Picasso, and the Apostle Paul.\nThe song was spotted on the first two Donda 2 tracklists posted by Kanye on February 18 and 19, 2022. The song was debuted during the Donda 2 album listening party on February 22, at LoanDepot Park in Miami, Florida. The next day, the song was one of the first four songs to be officially released exclusively on the Stem Player.\nOn March 7, when the album became available to stream on the Stem Player website for the device owners, “Pablo,” alongside “Security” became temporarily available for everyone. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Travis Scott & \nKanye West\n]\nWho they waitin' on? That's Pablo\nTake my heart, run (Take my heart, run)\nJust don't go numb (Just don't go numb)\nJust don't go dumb (Just don't go dumb)\nLet's have some fun (Let's have some fun)\nPull out your tongue (Pull out your tongue, yeah)\nWhat you waitin' on? (What you waitin' on?)\nWho they waitin' on? That's Pablo\nTake my heart, run (Take my heart, run)\nJust don't go numb (Just don't go numb)\nJust don't break nothin' (Just don't break nothin')\nLet's just have fun (Let's just have fun)\nPull out your tongue (Pull out your tongue)\nWhat you waitin' on? (What you waitin' on?)\nWho they waitin' on? That's Pablo\n[Verse 1: Kanye West]\nI never saw this stuff as blind (Chi', Chi', Chi', Chi')\nSome gon say that love is blind (Chi', Chi', Chi', Chi')\nShow me something new in town (Chi', Chi', Chi', Chi')\nPick me up before I drown (Chi', Chi', Chi')\nPick me up before I drown\nPick me up before I drown\nSatan himself is back in town\nPick me up before I drown\nFeelin' up, uh, you wait\nAnd I know, you ain't\nThrowin' up, like, who ain't?\nThrowin' up, ayy, who ain't?\nThrowin' up, mmm, you can't\nRun it up, mmm, you faint (You faint) [Chorus: Travis Scott & \nKanye West\n]\nWho they waitin' on? That's Pablo\nTake my heart, run (Take my heart, run)\nJust don't go numb (Just don't go numb)\nJust don't go dumb (Just don't go dumb)\nLet's have some fun (Let's have some fun)\nPull out your tongue (Pull out your tongue)\nWhat you waitin' on? (What you waitin' on?)\nWho they waitin' on? That's Pablo\nTake my heart, run (Take my heart, run)\nJust don't go numb (Just don't go numb)\nJust don't go dumb (Just don't go dumb)\nLet's have some fun (Let's have some fun)\nPull out your tongue (Pull out your tongue)\nWhat you waitin' on? (What you waitin' on?)\nWho they waitin' on? That's Pablo\n[Verse 2: Future]\nComin' from the blitz, turn to your ashtray\nYou can have a bad day\nPull up with a stick, three thou' shots, André\nTop of the world, **** get starstruck, I just be oiled up\nCalm my nerves, hangin' with narcos, shoot like vato\nBales at the loft, I can go golf, mmm\nFlyin' out to New York, she do it with an arch\nRick James, drip on my cloth\nWhy must I explain? When I'm with my dawg, right or wrong [Outro: Kanye West]\nWho they waitin' on? That's Pablo" } ]

[ { "from": "human", "value": "Write me a song called Kurt Loder Car Freestyle with the following description: This freestyle was recorded when Eminem was showing MTV around his old neighborhood in Detroit. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Eminem & \nProof\n]\nYo, yo, I'll start it off, yo, yo\nMy name is Shady, his name is Proof (\nYeah\n)\nYo, we used to have a roof up on my house\nAnd now we had a mouse that ate the cheese out of the fridge\nDidn't want to admit that I was on welfare when I was three\nPlus, when I was four, my mother used to leave\nShe used to always slam the door and say\n\"Goodbye, goodbye, Marshall, I'm leaving, I'm single\nAnd right now I'm going to mingle at bingo\"\nYeah, \"See you later, alligator,\" is what she said\nThen I would always stay at house, freezin' till I'm dead\n'Cause it was cold inside that house, we never had no heat\nYo, Proof used to come, walkin' up right up the street (\nYeah\n)\nAnd be like, \"Yo, what up, Em? How you doin'?\"\nI used be like, \"Yeah, man, it's good to see you, dawg\nBut my life's ruined, 'cause my mom just left\" (\nTrue\n)\nShe left my brother Nate and I hate\nThe fact that we never had no food on our plate\nSo then Proof said, \"What up, Em?\"\nYo, so I said, \"Proof, won't you come in?\"\n[Verse 2: Proof]\nYeah, yeah, come in, one time for that\nTango and Cash,\n \ncame to mango and blast\nTogether, tougher than Alcatraz prison bars\nDrivin' foreign cars, yes, it's me and my man compadre\nBlack and white, white and ivory and black ebony\nThey can't step to me, rubbery and heavenly\nThey can't see us in the 3-1-3 vicinity\nAyo, Em, ha-ha-ha-ha [Verse 3: Eminem & \nProof\n]\nWhat up? Ha-ha, I come in, like ha-ha, I'm ill like nah-nah\nAnd y'all don't wanna see me 'cause I'm ill with the skill (\nYeah\n)\nAnd I can grill and I always keep it real\nWhen I build my garage back after it just got burnt down (\nYeah\n)\nSorry that my parents weren't always around (\nYeah\n)\nBut it was really hectic growin' up, but now I'm blowin' up\nSo it don't matter, every show I do, I'm always showin' up\nTo the club drunk as Hell, drunk as fuck, drunk as what?\nCan't say that on MTV, but remember little old wimpy me\nWho used to always dream to be on MTV?\nNow you can't see me– (\nYeah\n)\nI know you remember that rhyme\nAyy, wait a minute, yo, check it out, I'm 'bout to flatline\nPass the mic back to Proof\n'Cause we get loose, we drink gin and juice\nSip it 'cause we always raise the roof\n[Verse 4: Proof]\nAyo, ayo, we all up in your sight like cataracts\nMe and Em tag-team\nBeat any of y'all on some battle rap\nSee us next time, we strippin' on your Cadillac's\nHow you like that? Swing you down like a battle axe\n[Verse 5: Eminem & \nProof\n]\nI'm down like a battle axe, I got a fatter axe to smash\nAnd I smash your cataracts\n'Cause of Cadillac's that I be drivin'\nWhen I be high off fuckin' vivarin\nNow you can't see me 'cause I'm revivin' and survivin'\nIn the D, every single day in Detroit\nIf rappers wanna step to me, they better get to the point\n'Cause they don't understand the way that I do it (\nYeah\n)\nThe fluid that I be spittin' is never written\n'Cause I'm always, always bitten, 'cause it— [Verse 6: Proof with \nEminem\n]\nAh, ayo, we make your neck crack like a snare pop\nWe're fresh and they're \nnot\nSo give it up, don't even do this\nYou're wack, in fact you get flat-lined\nYou need practice, we stick you like a cactus\nNah, you're not a guy, you're an actress\nThe fact is—\n[Verse 7: Eminem & \nProof\n]\nHere's my address, this is my old address on called–\nStreet called \"Dresden\"\nYo, dead presidents is what I'm resurrectin'\nGotta say \"What's up?\" to Desmond and JLB (\nYeah\n)\nBut yo, they don't help me\nDo a thing, they never did\nWhen I was a clever kid, rhymin'\nI always used to go to school and climb in (\nAyo\n)\nThe back baseball diamond\n[Verse 8: Proof with \nEminem\n]\nAbort, hold up!\nHurt shoulder, peace for Kurt \nLoder\nYeah, for doin' an interview\nIn a minute or two we gon' enter in you [Verse 9: Eminem , \nProof\n & \nBoth\n]\nIn the nude, when we intrude\nDon't mean to be rude\nBut, yo, what's up, dude? (\nDude?\n)\nHow you doin', MTV? How you doin', Kurt?\nHow you doin' everybody else in the world?\nYou're gettin' hurt by this freestyle\nThat I be comin' up with, eruptin'\nAnd kick your mother in the tummy\nAnd in the stomach\nAyo, ayo, and all this we just done is freestyle\nAh, ah, ah, don't touch that\n \ndial\n, yeah\n[Verse 10: Eminem & \nProof\n]\nHold it right there, I'm your worst nightmare\nWipin' diapers on my high chair (What? Yeah!)\nWhen I was this big\nNow I'm still bigger, but I'm skinny like a twig\nSkinny little white boy\nGrowin' up I liked noise\nI spike punch and light joints, haha\n[Verse 11: Proof]\nAyo, everybody looks for us to follow\nWe crush the bottle, thrust the throttle\nBust a bottle over your head\nTrain your thoughts just like Cus d'Amato\nYour guts is hollow, back up, Proof and Em\n[Verse 12: Eminem & Proof]\nAnd all them wack MC's steppin' to me at Saint Andrews\nJust remember that I hate you, and yo, I can't stand you (\nYeah\n)\nBye-bye! (\nBye-bye\n) Goodbye, good night!\nBye-bye (\nBye-bye\n), good night!\nBye-bye, good night! (\nBye-bye\n)" } ]

[ { "from": "human", "value": "Write me a song called Summer Sixteen (Demo) with the following description: This is an untitled reference recorded over the instrumental for the first half of Drake’s “Summer Sixteen” in late 2015. The track is thought to have been considered for their unreleased collaborative album and originates from the same session as “Pop Style”, however, the track never developed further and Drake kept it. It leaked online on April 4, 2020. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nJump on a [?] though\nAnd I got it though\nAnd I got it though\nGot it though\n[Verse]\nAnd I got it though\nSend it [?] and I add it though\nSend it up and I add it though\nThis is the [?], these niggas stop boxin'\nNiggas too pussy for me to father them\nBut I daughter them, putting them for adoption\nRich niggas got options, some-some with the posse\nSome-some for the posse, some-some for the mobsters\nOne time for the [?] for the [?] for the [?]\nTake my kindness for a weakness\nTake a ho bitch for a freak bitch\nTake a wifey for a freak bitch\nTurn a wifey to a freak bitch\nSome-some for a freakenin'\nWon't they bring back Freaknik'?\nWon't some for the [?]?\nTry to see it to a [?]\nI'ma [?] when I [?]\nSome-some and I don't eat shit\nPissed off on a Easter, all-white, it's like Easter\nAlright, it's like alright, it's alright, I'm like [?]\nSome-some when I keep ya\nSome-some I might deet ya\nSome-some for Derek Jeter [?] and I'ma east ya\nAhh, some-some [?]\nCops stop [?]\n[?]\nLotta niggas, like I said, poppin' in it\nI been in a [?], [?], [?]\nRevenge, my nigga, revenge, my nigga, then, my nigga\nAgain, my nigga, I'ma [?] again, my nigga\nOh shit, nigga we don't use that flow no more\n[?] like go no more, ah\nSwear like [?] go no more\nActin' like a nigga like 'Ye ain't from the go no more\nSlow these mo'fuckers down, hold these mo'fuckers out\nHold this mo'fucker round, this the mo'fuckin' town\nI got somethin' for you now, ah" } ]