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eye-catching art direction

sons , loyalty and duty

some fine acting

the honor

overcome its weaknesses

parker displays in freshening the play

better video-game-based flicks ,

making this character understandable ,

herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion

that cleverly captures the dry wit that 's so prevalent on the rock

more chillingly effective

the best-sustained ideas

so special

allows it to rank with its worthy predecessors

as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves

takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch

the picture emerges as a surprisingly anemic disappointment .

the few ` cool ' actors

as david letterman and the onion have proven , the worst of tragedies can be fertile sources of humor , but lawrence has only a fleeting grasp of how to develop them .

a film that plays things so nice 'n safe as to often play like a milquetoast movie of the week blown up for the big screen .

grand locations

'd be hard put to find a movie character more unattractive or odorous ( than leon )

bull

more annoying

ludicrous attempt

's a cool event for the whole family

is that it 's actually watchable

boring and meandering .

the right choice

largely unfulfilling

with outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie

ultimately winning story

the leaping story line , shaped by director peter kosminsky into sharp slivers and cutting impressions

as a thoughtful and unflinching examination of an alternative lifestyle , sex with strangers is a success .

a stale copy

in columbia pictures ' perverse idea of an animated holiday movie

the 1989 paradiso will prefer this new version

evokes the bottom tier of blaxploitation flicks from the 1970s .

there is no substitute for on-screen chemistry , and

like a bad soap opera

schnieder

armed with a game supporting cast , from the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud .

made by a proper , middle-aged woman .

the content is n't nearly as captivating as the rowdy participants think it is .

underdone potato

me wonder if lawrence hates criticism so much that he refuses to evaluate his own work

tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers

most wondrously

to place blame

, and gently tedious in its comedy

yet fails to overcome the film 's manipulative sentimentality and annoying stereotypes .

, sophisticated film

hey , those farts got to my inner nine-year-old

the film boasts at least a few good ideas and features some decent performances , but

used to burn every print of the film

thrillingly uses modern technology to take the viewer inside the wave .

are complex and quirky , but entirely believable as the remarkable ensemble cast brings them to life

this charming , thought-provoking new york fest of life and love has its rewards .

shifting in your chair too often

struggle tragically to comprehend the chasm of knowledge that 's opened between them

see a romance this smart

insightful

imitation

so uncool the only thing missing is the `` gadzooks ! ''

, crowd-pleasing goals

historic scandal

the era of the intelligent , well-made b movie is long gone

earnestness remarkably well

equally spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are .

off the path of good sense

visually sloppy

flakiness

is still quite good-natured

generic scripts

a grand whimper

scare the pants

that disconnects every 10 seconds

most ingenious film

mildly interesting

have to see it .

exploits ( headbanger ) stereotypes in good fun , while adding a bit of heart and unsettling subject matter .

both deserve better .

rarely , indeed almost never , is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema .

fun to watch

repetitive arguments , schemes and treachery

to emerge as an exquisite motion picture in its own right

recite bland police procedural details , fiennes wanders around

the lively intelligence of the artists and their perceptiveness about their own situations

a droll sense

you 've never come within a mile of the longest yard

so completely loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money .

scary and sad

a film without surprise

it 's the funniest american comedy since graffiti bridge .

as its larger themes

star performances

endless rain is offset by the sheer ugliness of everything else

hyper-realistic

like a spectator and not a participant

for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while