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ACT I (SCENE.—DR. STOCKMANN'S sitting-room. It is evening. The room is plainly but neatly appointed and furnished. In the right-hand wall are two doors; the farther leads out to the hall, the nearer to the doctor's study. In the left-hand wall, opposite the door leading to the hall, is a door leading to the other rooms occupied by the family. In the middle of the same wall stands the stove, and, further forward, a couch with a looking-glass hanging over it and an oval table in front of it. On the table, a lighted lamp, with a lampshade. At the back of the room, an open door leads to the dining-room. BILLING is seen sitting at the dining table, on which a lamp is burning. He has a napkin tucked under his chin, and MRS. STOCKMANN is standing by the table handing him a large plate-full of roast beef. The other places at the table are empty, and the table somewhat in disorder, evidently a meal having recently been finished.) Mrs. Stockmann. You see, if you come an hour late, Mr. Billing, you have to put up with cold meat. Billing (as he eats). It is uncommonly good, thank you—remarkably good. Mrs. Stockmann. My husband makes such a point of having his meals punctually, you know. Billing. That doesn't affect me a bit. Indeed, I almost think I enjoy a meal all the better when I can sit down and eat all by myself, and undisturbed. Mrs. Stockmann. Oh well, as long as you are enjoying it—. (Turns to the hall door, listening.) I expect that is Mr. Hovstad coming too. Billing. Very likely. (PETER STOCKMANN comes in. He wears an overcoat and his official hat, and carries a stick.) Peter Stockmann. Good evening, Katherine. Mrs. Stockmann (coming forward into the sitting-room). Ah, good evening—is it you? How good of you to come up and see us! Peter Stockmann. I happened to be passing, and so—(looks into the dining-room). But you have company with you, I see. Mrs. Stockmann (a little embarrassed). Oh, no—it was quite by chance he came in. (Hurriedly.) Won't you come in and have something, too? Peter Stockmann. I! No, thank you. Good gracious—hot meat at night! Not with my digestion. Mrs. Stockmann. Oh, but just once in a way— Peter Stockmann. No, no, my dear lady; I stick to my tea and bread and butter. It is much more wholesome in the long run—and a little more economical, too. Mrs. Stockmann (smiling). Now you mustn't think that Thomas and I are spendthrifts. Peter Stockmann. Not you, my dear; I would never think that of you. (Points to the Doctor's study.) Is he not at home? Mrs. Stockmann. No, he went out for a little turn after supper—he and the boys. Peter Stockmann. I doubt if that is a wise thing to do. (Listens.) I fancy I hear him coming now. Mrs. Stockmann. No, I don't think it is he. (A knock is heard at the door.) Come in! (HOVSTAD comes in from the hall.) Oh, it is you, Mr. Hovstad! Hovstad. Yes, I hope you will forgive me, but I was delayed at the printers. Good evening, Mr. Mayor. Peter Stockmann (bowing a little distantly). Good evening. You have come on business, no doubt. Hovstad. Partly. It's about an article for the paper. Peter Stockmann. So I imagined. I hear my brother has become a prolific contributor to the "People's Messenger." Hovstad. Yes, he is good enough to write in the "People's Messenger" when he has any home truths to tell. Mrs. Stockmann (to HOVSTAD). But won't you—? (Points to the dining-room.) Peter Stockmann. Quite so, quite so. I don't blame him in the least, as a writer, for addressing himself to the quarters where he will find the readiest sympathy. And, besides that, I personally have no reason to bear any ill will to your paper, Mr. Hovstad. Hovstad. I quite agree with you. Peter Stockmann. Taking one thing with another, there is an excellent spirit of toleration in the town—an admirable municipal spirit. And it all springs from the fact of our having a great common interest to unite us—an interest that is in an equally high degree the concern of every right-minded citizen. Hovstad. The Baths, yes. Peter Stockmann. Exactly—-our fine, new, handsome Baths. Mark my words, Mr. Hovstad—the Baths will become the focus of our municipal life! Not a doubt of it! Mrs. Stockmann. That is just what Thomas says. Peter Stockmann. Think how extraordinarily the place has developed within the last year or two! Money has been flowing in, and there is some life and some business doing in the town. Houses and landed property are rising in value every day. Hovstad. And unemployment is diminishing, Peter Stockmann. Yes, that is another thing. The burden on the poor rates has been lightened, to the great relief of the propertied classes; and that relief will be even greater if only we get a really good summer this year, and lots of visitors—plenty of invalids, who will make the Baths talked about. Hovstad. And there is a good prospect of that, I hear. Peter Stockmann. It looks very promising. Inquiries about apartments and that sort of thing are reaching us, every day. Hovstad. Well, the doctor's article will come in very suitably. Peter Stockmann. Has he been writing something just lately? Hovstad. This is something he wrote in the winter; a recommendation of the Baths—an account of the excellent sanitary conditions here. But I held the article over, temporarily. Peter Stockmann. Ah,—some little difficulty about it, I suppose? Hovstad. No, not at all; I thought it would be better to wait until the spring, because it is just at this time that people begin to think seriously about their summer quarters. Peter Stockmann. Quite right; you were perfectly right, Mr. Hovstad. Hovstad. Yes, Thomas is really indefatigable when it is a question of the Baths. Peter Stockmann. Well remember, he is the Medical Officer to the Baths. Hovstad. Yes, and what is more, they owe their existence to him. Peter Stockmann. To him? Indeed! It is true I have heard from time to time that some people are of that opinion. At the same time I must say I imagined that I took a modest part in the enterprise. Mrs. Stockmann. Yes, that is what Thomas is always saying. Hovstad. But who denies it, Mr. Stockmann? You set the thing going and made a practical concern of it; we all know that. I only meant that the idea of it came first from the doctor. Peter Stockmann. Oh, ideas yes! My brother has had plenty of them in his time—unfortunately. But when it is a question of putting an idea into practical shape, you have to apply to a man of different mettle, Mr. Hovstad. And I certainly should have thought that in this house at least... Mrs. Stockmann. My dear Peter— Hovstad. How can you think that—? Mrs. Stockmann. Won't you go in and have something, Mr. Hovstad? My husband is sure to be back directly. Hovstad. Thank you, perhaps just a morsel. (Goes into the dining-room.) Peter Stockmann (lowering his voice a little). It is a curious thing that these farmers' sons never seem to lose their want of tact. Mrs. Stockmann. Surely it is not worth bothering about! Cannot you and Thomas share the credit as brothers? Peter Stockmann. I should have thought so; but apparently some people are not satisfied with a share. Mrs. Stockmann. What nonsense! You and Thomas get on so capitally together. (Listens.) There he is at last, I think. (Goes out and opens the door leading to the hall.) Dr. Stockmann (laughing and talking outside). Look here—here is another guest for you, Katherine. Isn't that jolly! Come in, Captain Horster; hang your coat up on this peg. Ah, you don't wear an overcoat. Just think, Katherine; I met him in the street and could hardly persuade him to come up! (CAPTAIN HORSTER comes into the room and greets MRS. STOCKMANN. He is followed by DR. STOCKMANN.) Come along in, boys. They are ravenously hungry again, you know. Come along, Captain Horster; you must have a slice of beef. (Pushes HORSTER into the dining-room. EJLIF and MORTEN go in after them.) Mrs. Stockmann. But, Thomas, don't you see—? Dr. Stockmann (turning in the doorway). Oh, is it you, Peter? (Shakes hands with him.) Now that is very delightful. Peter Stockmann. Unfortunately I must go in a moment— Dr. Stockmann. Rubbish! There is some toddy just coming in. You haven't forgotten the toddy, Katherine? Mrs. Stockmann. Of course not; the water is boiling now. (Goes into the dining-room.) Peter Stockmann. Toddy too! Dr. Stockmann. Yes, sit down and we will have it comfortably. Peter Stockmann. Thanks, I never care about an evening's drinking. Dr. Stockmann. But this isn't an evening's drinking. Peter Stockmann. It seems to me—. (Looks towards the dining-room.) It is extraordinary how they can put away all that food. Dr. Stockmann (rubbing his hands). Yes, isn't it splendid to see young people eat? They have always got an appetite, you know! That's as it should be. Lots of food—to build up their strength! They are the people who are going to stir up the fermenting forces of the future, Peter. Peter Stockmann. May I ask what they will find here to "stir up," as you put it? Dr. Stockmann. Ah, you must ask the young people that—when the times comes. We shan't be able to see it, of course. That stands to reason—two old fogies, like us. Peter Stockmann. Really, really! I must say that is an extremely odd expression to— Dr. Stockmann. Oh, you mustn't take me too literally, Peter. I am so heartily happy and contented, you know. I think it is such an extraordinary piece of good fortune to be in the middle of all this growing, germinating life. It is a splendid time to live in! It is as if a whole new world were being created around one. Peter Stockmann. Do you really think so? Dr. Stockmann. Ah, naturally you can't appreciate it as keenly as I. You have lived all your life in these surroundings, and your impressions have been blunted. But I, who have been buried all these years in my little corner up north, almost without ever seeing a stranger who might bring new ideas with him—well, in my case it has just the same effect as if I had been transported into the middle of a crowded city. Peter Stockmann. Oh, a city—! Dr. Stockmann. I know, I know; it is all cramped enough here, compared with many other places. But there is life here—there is promise—there are innumerable things to work for and fight for; and that is the main thing. (Calls.) Katherine, hasn't the postman been here? Mrs. Stockmann (from the dining-room). No. Dr. Stockmann. And then to be comfortably off, Peter! That is something one learns to value, when one has been on the brink of starvation, as we have. Peter Stockmann. Oh, surely— Dr. Stockmann. Indeed I can assure you we have often been very hard put to it, up there. And now to be able to live like a lord! Today, for instance, we had roast beef for dinner—and, what is more, for supper too. Won't you come and have a little bit? Or let me show it you, at any rate? Come here— Peter Stockmann. No, no—not for worlds! Dr. Stockmann. Well, but just come here then. Do you see, we have got a table-cover? Peter Stockmann. Yes, I noticed it. Dr. Stockmann. And we have got a lamp-shade too. Do you see? All out of Katherine's savings! It makes the room so cosy. Don't you think so? Just stand here for a moment—no, no, not there—just here, that's it! Look now, when you get the light on it altogether. I really think it looks very nice, doesn't it? Peter Stockmann. Oh, if you can afford luxuries of this kind— Dr. Stockmann. Yes, I can afford it now. Katherine tells me I earn almost as much as we spend. Peter Stockmann. Almost—yes! Dr. Stockmann. But a scientific man must live in a little bit of style. I am quite sure an ordinary civil servant spends more in a year than I do. Peter Stockmann. I daresay. A civil servant—a man in a well-paid position... Dr. Stockmann. Well, any ordinary merchant, then! A man in that position spends two or three times as much as— Peter Stockmann. It just depends on circumstances. Dr. Stockmann. At all events I assure you I don't waste money unprofitably. But I can't find it in my heart to deny myself the pleasure of entertaining my friends. I need that sort of thing, you know. I have lived for so long shut out of it all, that it is a necessity of life to me to mix with young, eager, ambitious men, men of liberal and active minds; and that describes every one of those fellows who are enjoying their supper in there. I wish you knew more of Hovstad. Peter Stockmann. By the way, Hovstad was telling me he was going to print another article of yours. Dr. Stockmann. An article of mine? Peter Stockmann. Yes, about the Baths. An article you wrote in the winter. Dr. Stockmann. Oh, that one! No, I don't intend that to appear just for the present. Peter Stockmann. Why not? It seems to me that this would be the most opportune moment. Dr. Stockmann. Yes, very likely—under normal conditions. (Crosses the room.) Peter Stockmann (following him with his eyes). Is there anything abnormal about the present conditions? Dr. Stockmann (standing still). To tell you the truth, Peter, I can't say just at this moment—at all events not tonight. There may be much that is very abnormal about the present conditions—and it is possible there may be nothing abnormal about them at all. It is quite possible it may be merely my imagination. Peter Stockmann. I must say it all sounds most mysterious. Is there something going on that I am to be kept in ignorance of? I should have imagined that I, as Chairman of the governing body of the Baths— Dr. Stockmann. And I should have imagined that I—. Oh, come, don't let us fly out at one another, Peter. Peter Stockmann. Heaven forbid! I am not in the habit of flying out at people, as you call it. But I am entitled to request most emphatically that all arrangements shall be made in a businesslike manner, through the proper channels, and shall be dealt with by the legally constituted authorities. I can allow no going behind our backs by any roundabout means. Dr. Stockmann. Have I ever at any time tried to go behind your backs? Peter Stockmann. You have an ingrained tendency to take your own way, at all events; and, that is almost equally inadmissible in a well ordered community. The individual ought undoubtedly to acquiesce in subordinating himself to the community—or, to speak more accurately, to the authorities who have the care of the community's welfare. Dr. Stockmann. Very likely. But what the deuce has all this got to do with me? Peter Stockmann. That is exactly what you never appear to be willing to learn, my dear Thomas. But, mark my words, some day you will have to suffer for it—sooner or later. Now I have told you. Good-bye. Dr. Stockmann. Have you taken leave of your senses? You are on the wrong scent altogether. Peter Stockmann. I am not usually that. You must excuse me now if I— (calls into the dining-room). Good night, Katherine. Good night, gentlemen. (Goes out.) Mrs. Stockmann (coming from the dining-room). Has he gone? Dr. Stockmann. Yes, and in such a bad temper. Mrs. Stockmann. But, dear Thomas, what have you been doing to him again? Dr. Stockmann. Nothing at all. And, anyhow, he can't oblige me to make my report before the proper time. Mrs. Stockmann. What have you got to make a report to him about? Dr. Stockmann. Hm! Leave that to me, Katherine. It is an extraordinary thing that the postman doesn't come. (HOVSTAD, BILLING and HORSTER have got up from the table and come into the sitting-room. EJLIF and MORTEN come in after them.) Billing (stretching himself). Ah!—one feels a new man after a meal like that. Hovstad. The mayor wasn't in a very sweet temper tonight, then. Dr. Stockmann. It is his stomach; he has wretched digestion. Hovstad. I rather think it was us two of the "People's Messenger" that he couldn't digest. Mrs. Stockmann. I thought you came out of it pretty well with him. Hovstad. Oh yes; but it isn't anything more than a sort of truce. Billing. That is just what it is! That word sums up the situation. Dr. Stockmann. We must remember that Peter is a lonely man, poor chap. He has no home comforts of any kind; nothing but everlasting business. And all that infernal weak tea wash that he pours into himself! Now then, my boys, bring chairs up to the table. Aren't we going to have that toddy, Katherine? Mrs. Stockmann (going into the dining-room). I am just getting it. Dr. Stockmann. Sit down here on the couch beside me, Captain Horster. We so seldom see you. Please sit down, my friends. (They sit down at the table. MRS. STOCKMANN brings a tray, with a spirit-lamp, glasses, bottles, etc., upon it.) Mrs. Stockmann. There you are! This is arrack, and this is rum, and this one is the brandy. Now every one must help themselves. Dr. Stockmann (taking a glass). We will. (They all mix themselves some toddy.) And let us have the cigars. Ejlif, you know where the box is. And you, Morten, can fetch my pipe. (The two boys go into the room on the right.) I have a suspicion that Ejlif pockets a cigar now and then!—but I take no notice of it. (Calls out.) And my smoking-cap too, Morten. Katherine, you can tell him where I left it. Ah, he has got it. (The boys bring the various things.) Now, my friends. I stick to my pipe, you know. This one has seen plenty of bad weather with me up north. (Touches glasses with them.) Your good health! Ah, it is good to be sitting snug and warm here. Mrs. Stockmann (who sits knitting). Do you sail soon, Captain Horster? Horster. I expect to be ready to sail next week. Mrs. Stockmann. I suppose you are going to America? Horster. Yes, that is the plan. Mrs. Stockmann. Then you won't be able to take part in the coming election? Horster. Is there going to be an election? Billing. Didn't you know? Horster. No, I don't mix myself up with those things. Billing. But do you not take an interest in public affairs? Horster. No, I don't know anything about politics. Billing. All the same, one ought to vote, at any rate. Horster. Even if one doesn't know anything about what is going on? Billing. Doesn't know! What do you mean by that? A community is like a ship; everyone ought to be prepared to take the helm. Horster. Maybe that is all very well on shore; but on board ship it wouldn't work. Hovstad. It is astonishing how little most sailors care about what goes on on shore. Billing. Very extraordinary. Dr. Stockmann. Sailors are like birds of passage; they feel equally at home in any latitude. And that is only an additional reason for our being all the more keen, Hovstad. Is there to be anything of public interest in tomorrow's "Messenger"? Hovstad. Nothing about municipal affairs. But the day after tomorrow I was thinking of printing your article— Dr. Stockmann. Ah, devil take it—my article! Look here, that must wait a bit. Hovstad. Really? We had just got convenient space for it, and I thought it was just the opportune moment— Dr. Stockmann. Yes, yes, very likely you are right; but it must wait all the same. I will explain to you later. (PETRA comes in from the hall, in hat and cloak and with a bundle of exercise books under her arm.) Petra. Good evening. Dr. Stockmann. Good evening, Petra; come along. (Mutual greetings; PETRA takes off her things and puts them down on a chair by the door.) Petra. And you have all been sitting here enjoying yourselves, while I have been out slaving! Dr. Stockmann. Well, come and enjoy yourself too! Billing. May I mix a glass for you? Petra (coming to the table). Thanks, I would rather do it; you always mix it too strong. But I forgot, father—I have a letter for you. (Goes to the chair where she has laid her things.) Dr. Stockmann. A letter? From whom? Petra (looking in her coat pocket). The postman gave it to me just as I was going out. Dr. Stockmann (getting up and going to her). And you only give to me now! Petra. I really had not time to run up again. There it is! Dr. Stockmann (seizing the letter). Let's see, let's see, child! (Looks at the address.) Yes, that's all right! Mrs. Stockmann. Is it the one you have been expecting go anxiously, Thomas? Dr. Stockmann. Yes, it is. I must go to my room now and— Where shall I get a light, Katherine? Is there no lamp in my room again? Mrs. Stockmann. Yes, your lamp is already lit on your desk. Dr. Stockmann. Good, good. Excuse me for a moment—, (Goes into his study.) Petra. What do you suppose it is, mother? Mrs. Stockmann. I don't know; for the last day or two he has always been asking if the postman has not been. Billing. Probably some country patient. Petra. Poor old dad!—he will overwork himself soon. (Mixes a glass for herself.) There, that will taste good! Hovstad. Have you been teaching in the evening school again today? Petra (sipping from her glass). Two hours. Billing. And four hours of school in the morning? Petra. Five hours. Mrs. Stockmann. And you have still got exercises to correct, I see. Petra. A whole heap, yes. Horster. You are pretty full up with work too, it seems to me. Petra. Yes—but that is good. One is so delightfully tired after it. Billing. Do you like that? Petra. Yes, because one sleeps so well then. Morten. You must be dreadfully wicked, Petra. Petra. Wicked? Morten. Yes, because you work so much. Mr. Rorlund says work is a punishment for our sins. Ejlif. Pooh, what a duffer, you are, to believe a thing like that! Mrs. Stockmann. Come, come, Ejlif! Billing (laughing). That's capital! Hovstad. Don't you want to work as hard as that, Morten? Morten. No, indeed I don't. Hovstad. What do you want to be, then? Morten. I should like best to be a Viking, Ejlif. You would have to be a pagan then. Morten. Well, I could become a pagan, couldn't I? Billing. I agree with you, Morten! My sentiments, exactly. Mrs. Stockmann (signalling to him). I am sure that is not true, Mr. Billing. Billing. Yes, I swear it is! I am a pagan, and I am proud of it. Believe me, before long we shall all be pagans. Morten. And then shall be allowed to do anything we like? Billing. Well, you'll see, Morten. Mrs. Stockmann. You must go to your room now, boys; I am sure you have some lessons to learn for tomorrow. Ejlif. I should like so much to stay a little longer— Mrs. Stockmann. No, no; away you go, both of you, (The boys say good night and go into the room on the left.) Hovstad. Do you really think it can do the boys any harm to hear such things? Mrs. Stockmann. I don't know; but I don't like it. Petra. But you know, mother, I think you really are wrong about it. Mrs. Stockmann. Maybe, but I don't like it—not in our own home. Petra. There is so much falsehood both at home and at school. At home one must not speak, and at school we have to stand and tell lies to the children. Horster. Tell lies? Petra. Yes, don't you suppose we have to teach them all sorts of things that we don't believe? Billing. That is perfectly true. Petra. If only I had the means, I would start a school of my own; and it would be conducted on very different lines. Billing. Oh, bother the means—! Horster. Well if you are thinking of that, Miss Stockmann, I shall be delighted to provide you with a schoolroom. The great big old house my father left me is standing almost empty; there is an immense dining-room downstairs— Petra (laughing). Thank you very much; but I am afraid nothing will come of it. Hovstad. No, Miss Petra is much more likely to take to journalism, I expect. By the way, have you had time to do anything with that English story you promised to translate for us? Petra. No, not yet, but you shall have it in good time. (DR. STOCKMANN comes in from his room with an open letter in his hand.) Dr. Stockmann (waving the letter). Well, now the town will have something new to talk about, I can tell you! Billing. Something new? Mrs. Stockmann. What is this? Dr. Stockmann. A great discovery, Katherine. Hovstad. Really? Mrs. Stockmann. A discovery of yours? Dr. Stockmann. A discovery of mine. (Walks up and down.) Just let them come saying, as usual, that it is all fancy and a crazy man's imagination! But they will be careful what they say this time, I can tell you! Petra. But, father, tell us what it is. Dr. Stockmann. Yes, yes—only give me time, and you shall know all about it. If only I had Peter here now! It just shows how we men can go about forming our judgments, when in reality we are as blind as any moles— Hovstad. What are you driving at, Doctor? Dr. Stockmann (standing still by the table). Isn't it the universal opinion that our town is a healthy spot? Hovstad. Certainly. Dr. Stockmann. Quite an unusually healthy spot, in fact—a place that deserves to be recommended in the warmest possible manner either for invalids or for people who are well— Mrs. Stockmann. Yes, but my dear Thomas— Dr. Stockmann. And we have been recommending it and praising it—I have written and written, both in the "Messenger" and in pamphlets... Hovstad. Well, what then? Dr. Stockmann. And the Baths—we have called them the "main artery of the town's life-blood," the "nerve-centre of our town," and the devil knows what else— Billing. "The town's pulsating heart" was the expression I once used on an important occasion. Dr. Stockmann. Quite so. Well, do you know what they really are, these great, splendid, much praised Baths, that have cost so much money—do you know what they are? Hovstad. No, what are they? Mrs. Stockmann. Yes, what are they? Dr. Stockmann. The whole place is a pest-house! Petra. The Baths, father? Mrs. Stockmann (at the same time), Our Baths? Hovstad. But, Doctor— Billing. Absolutely incredible! Dr. Stockmann. The whole Bath establishment is a whited, poisoned sepulchre, I tell you—the gravest possible danger to the public health! All the nastiness up at Molledal, all that stinking filth, is infecting the water in the conduit-pipes leading to the reservoir; and the same cursed, filthy poison oozes out on the shore too— Horster. Where the bathing-place is? Dr. Stockmann. Just there. Hovstad. How do you come to be so certain of all this, Doctor? Dr. Stockmann. I have investigated the matter most conscientiously. For a long time past I have suspected something of the kind. Last year we had some very strange cases of illness among the visitors—typhoid cases, and cases of gastric fever— Mrs. Stockmann. Yes, that is quite true. Dr. Stockmann. At the time, we supposed the visitors had been infected before they came; but later on, in the winter, I began to have a different opinion; and so I set myself to examine the water, as well as I could. Mrs. Stockmann. Then that is what you have been so busy with? Dr. Stockmann. Indeed I have been busy, Katherine. But here I had none of the necessary scientific apparatus; so I sent samples, both of the drinking-water and of the sea-water, up to the University, to have an accurate analysis made by a chemist. Hovstad. And have you got that? Dr. Stockmann (showing him the letter). Here it is! It proves the presence of decomposing organic matter in the water—it is full of infusoria. The water is absolutely dangerous to use, either internally or externally. Mrs. Stockmann. What a mercy you discovered it in time. Dr. Stockmann. You may well say so. Hovstad. And what do you propose to do now, Doctor? Dr. Stockmann. To see the matter put right, naturally. Hovstad. Can that be done? Dr. Stockmann. It must be done. Otherwise the Baths will be absolutely useless and wasted. But we need not anticipate that; I have a very clear idea what we shall have to do. Mrs. Stockmann. But why have you kept this all so secret, dear? Dr. Stockmann. Do you suppose I was going to run about the town gossiping about it, before I had absolute proof? No, thank you. I am not such a fool. Petra. Still, you might have told us— Dr. Stockmann. Not a living soul. But tomorrow you may run around to the old Badger— Mrs. Stockmann. Oh, Thomas! Thomas! Dr. Stockmann. Well, to your grandfather, then. The old boy will have something to be astonished at! I know he thinks I am cracked—and there are lots of other people who think so too, I have noticed. But now these good folks shall see—they shall just see! (Walks about, rubbing his hands.) There will be a nice upset in the town, Katherine; you can't imagine what it will be. All the conduit-pipes will have to be relaid. Hovstad (getting up). All the conduit-pipes—? Dr. Stockmann. Yes, of course. The intake is too low down; it will have to be lifted to a position much higher up. Petra. Then you were right after all. Dr. Stockmann. Ah, you remember, Petra—I wrote opposing the plans before the work was begun. But at that time no one would listen to me. Well, I am going to let them have it now. Of course I have prepared a report for the Baths Committee; I have had it ready for a week, and was only waiting for this to come. (Shows the letter.) Now it shall go off at once. (Goes into his room and comes back with some papers.) Look at that! Four closely written sheets!—and the letter shall go with them. Give me a bit of paper, Katherine—something to wrap them up in. That will do! Now give it to-to-(stamps his foot)—what the deuce is her name?—give it to the maid, and tell her to take it at once to the Mayor. (Mrs. Stockmann takes the packet and goes out through the dining-room.) Petra. What do you think Uncle Peter will say, father? Dr. Stockmann. What is there for him to say? I should think he would be very glad that such an important truth has been brought to light. Hovstad. Will you let me print a short note about your discovery in the "Messenger?" Dr. Stockmann. I shall be very much obliged if you will. Hovstad. It is very desirable that the public should be informed of it without delay. Dr. Stockmann. Certainly. Mrs. Stockmann (coming back). She has just gone with it. Billing. Upon my soul, Doctor, you are going to be the foremost man in the town! Dr. Stockmann (walking about happily). Nonsense! As a matter of fact I have done nothing more than my duty. I have only made a lucky find—that's all. Still, all the same... Billing. Hovstad, don't you think the town ought to give Dr. Stockmann some sort of testimonial? Hovstad. I will suggest it, anyway. Billing. And I will speak to Aslaksen about it. Dr. Stockmann. No, my good friends, don't let us have any of that nonsense. I won't hear anything of the kind. And if the Baths Committee should think of voting me an increase of salary, I will not accept it. Do you hear, Katherine?—I won't accept it. Mrs. Stockmann. You are quite right, Thomas. Petra (lifting her glass). Your health, father! Hovstad and Billing. Your health, Doctor! Good health! Horster (touches glasses with DR. STOCKMANN). I hope it will bring you nothing but good luck. Dr. Stockmann. Thank you, thank you, my dear fellows! I feel tremendously happy! It is a splendid thing for a man to be able to feel that he has done a service to his native town and to his fellow-citizens. Hurrah, Katherine! (He puts his arms round her and whirls her round and round, while she protests with laughing cries. They all laugh, clap their hands, and cheer the DOCTOR. The boys put their heads in at the door to see what is going on.)

In the home of Dr. Stockmann, Mrs. Stockmann is offering Mr. Billings, an assistant on the local paper, some more food. She thinks she hears the editor, Mr. Hovstad coming, but it is her brother-in-law, the Mayor . He is somewhat shocked to see that the Stockmanns have meat for supper. Mr. Hovstad appears and tells the Burgomaster that he is here on business. Dr. Stockmann often writes an article for Mr. Hovstad's liberal paper. The present article Dr. Stockmann is having printed is about the medicinal value of the new baths which are soon to open up in the town. The Burgomaster speaks about the great value of the baths to the town, but he resents the idea that his brother is credited with being the founder of the baths because he himself was responsible for the execution of the plan. Dr. Stockmann comes in bringing with him another guest, an old friend named Captain Horster. He greets his brother and explains how great it is now to have a job where he can afford to eat meat twice a day and to buy little items. For many years, he has had to live on almost starvation wages, but now that the Burgomaster has gotten him a position with the baths, he is always in good spirits. The Burgomaster wants to know about the new article Dr. Stockmann is publishing, but Dr. Stockmann tells him it isn't to appear until he checks on a few more facts. The Burgomaster knows that the article is about the baths and demands to be told immediately all about it. When Dr. Stockmann refuses, the Burgomaster leaves in anger. Hovstad comes in and intimates that the Burgomaster left because the crowd was too liberal for him. There is a town election coming soon and Hovstad's liberal paper has not been supporting the Burgomaster. Petra Stockmann comes in from the school where she teaches and tells her father that she has a letter for him. Dr. Stockmann becomes excited and goes immediately to his study to read the letter. His wife explains to the guests that Dr. Stockmann has been waiting every day for a week for some mysterious letter. Petra tells the group how difficult it is to teach when the little children have to be told so many things that are not true. She would like to open a school of her own. Captain Horster offers her the bottom of his old house which stands empty most of the time, especially since he is about to sail for America. Hovstad thinks she would do better to come over to journalism and asks her if she has finished the translation of the English novel. She promises to have it completed in a short time. Dr. Stockmann comes back in and is excited about the news he has just received. He thinks he has made a great discovery. He tells them that he has found out that their magnificent, lovely, highly praised baths are nothing more than a poisonous, pestiferous hole. He explains that the pipes are laid too low and all the filth from the tanning mills is infecting the water. He has spent the entire winter investigating the affair and has sent off samples of the water to the university for analysis. The water contains millions of putrefying organic matter called infusoria. These are detrimental to health whether they are used internally or externally. He explains that this was why so many people were sick last summer at the baths. At the time he thought the people brought the disease with them, but now he knows that they became sick from the water. To correct the situation, all of the water pipes will have to be re-laid. Dr. Stockmann explains that the town has often laughed at his ideas and proposals, but now everyone will see that he is not out of his head. He particularly wants Petra to tell her grandfather who has thought Dr. Stockmann was "not quite right." Furthermore, he has prepared a statement for the directors of the baths and is going to send it to the Burgomaster immediately. Hovstad wants to put a short announcement of the discovery in the paper, and it is suggested that the town should do something to honor Dr. Stockmann. Dr. Stockmann thinks, however, that it is a blessing to have served his native town and its citizens.

The being finished speaking, and fixed his looks upon me in expectation of a reply. But I was bewildered, perplexed, and unable to arrange my ideas sufficiently to understand the full extent of his proposition. He continued-- "You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do; and I demand it of you as a right which you must not refuse." The latter part of his tale had kindled anew in me the anger that had died away while he narrated his peaceful life among the cottagers, and, as he said this, I could no longer suppress the rage that burned within me. "I do refuse it," I replied; "and no torture shall ever extort a consent from me. You may render me the most miserable of men, but you shall never make me base in my own eyes. Shall I create another like yourself, whose joint wickedness might desolate the world. Begone! I have answered you; you may torture me, but I will never consent." "You are in the wrong," replied the fiend; "and, instead of threatening, I am content to reason with you. I am malicious because I am miserable; am I not shunned and hated by all mankind? You, my creator, would tear me to pieces, and triumph; remember that, and tell me why I should pity man more than he pities me? You would not call it murder, if you could precipitate me into one of those ice-rifts, and destroy my frame, the work of your own hands. Shall I respect man, when he contemns me? Let him live with me in the interchange of kindness, and, instead of injury, I would bestow every benefit upon him with tears of gratitude at his acceptance. But that cannot be; the human senses are insurmountable barriers to our union. Yet mine shall not be the submission of abject slavery. I will revenge my injuries: if I cannot inspire love, I will cause fear; and chiefly towards you my arch-enemy, because my creator, do I swear inextinguishable hatred. Have a care: I will work at your destruction, nor finish until I desolate your heart, so that you curse the hour of your birth." A fiendish rage animated him as he said this; his face was wrinkled into contortions too horrible for human eyes to behold; but presently he calmed himself, and proceeded-- "I intended to reason. This passion is detrimental to me; for you do not reflect that you are the cause of its excess. If any being felt emotions of benevolence towards me, I should return them an hundred and an hundred fold; for that one creature's sake, I would make peace with the whole kind! But I now indulge in dreams of bliss that cannot be realized. What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself: the gratification is small, but it is all that I can receive, and it shall content me. It is true, we shall be monsters, cut off from all the world; but on that account we shall be more attached to one another. Our lives will not be happy, but they will be harmless, and free from the misery I now feel. Oh! my creator, make me happy; let me feel gratitude towards you for one benefit! Let me see that I excite the sympathy of some existing thing; do not deny me my request!" I was moved. I shuddered when I thought of the possible consequences of my consent; but I felt that there was some justice in his argument. His tale, and the feelings he now expressed, proved him to be a creature of fine sensations; and did I not, as his maker, owe him all the portion of happiness that it was in my power to bestow? He saw my change of feeling, and continued-- "If you consent, neither you nor any other human being shall ever see us again: I will go to the vast wilds of South America. My food is not that of man; I do not destroy the lamb and the kid, to glut my appetite; acorns and berries afford me sufficient nourishment. My companion will be of the same nature as myself, and will be content with the same fare. We shall make our bed of dried leaves; the sun will shine on us as on man, and will ripen our food. The picture I present to you is peaceful and human, and you must feel that you could deny it only in the wantonness of power and cruelty. Pitiless as you have been towards me, I now see compassion in your eyes: let me seize the favourable moment, and persuade you to promise what I so ardently desire." "You propose," replied I, "to fly from the habitations of man, to dwell in those wilds where the beasts of the field will be your only companions. How can you, who long for the love and sympathy of man, persevere in this exile? You will return, and again seek their kindness, and you will meet with their detestation; your evil passions will be renewed, and you will then have a companion to aid you in the task of destruction. This may not be; cease to argue the point, for I cannot consent." "How inconstant are your feelings! but a moment ago you were moved by my representations, and why do you again harden yourself to my complaints? I swear to you, by the earth which I inhabit, and by you that made me, that, with the companion you bestow, I will quit the neighbourhood of man, and dwell, as it may chance, in the most savage of places. My evil passions will have fled, for I shall meet with sympathy; my life will flow quietly away, and, in my dying moments, I shall not curse my maker." His words had a strange effect upon me. I compassionated him, and sometimes felt a wish to console him; but when I looked upon him, when I saw the filthy mass that moved and talked, my heart sickened, and my feelings were altered to those of horror and hatred. I tried to stifle these sensations; I thought, that as I could not sympathize with him, I had no right to withhold from him the small portion of happiness which was yet in my power to bestow. "You swear," I said, "to be harmless; but have you not already shewn a degree of malice that should reasonably make me distrust you? May not even this be a feint that will increase your triumph by affording a wider scope for your revenge?" "How is this? I thought I had moved your compassion, and yet you still refuse to bestow on me the only benefit that can soften my heart, and render me harmless. If I have no ties and no affections, hatred and vice must be my portion; the love of another will destroy the cause of my crimes, and I shall become a thing, of whose existence every one will be ignorant. My vices are the children of a forced solitude that I abhor; and my virtues will necessarily arise when I live in communion with an equal. I shall feel the affections of a sensitive being, and become linked to the chain of existence and events, from which I am now excluded." I paused some time to reflect on all he had related, and the various arguments which he had employed. I thought of the promise of virtues which he had displayed on the opening of his existence, and the subsequent blight of all kindly feeling by the loathing and scorn which his protectors had manifested towards him. His power and threats were not omitted in my calculations: a creature who could exist in the ice caves of the glaciers, and hide himself from pursuit among the ridges of inaccessible precipices, was a being possessing faculties it would be vain to cope with. After a long pause of reflection, I concluded, that the justice due both to him and my fellow-creatures demanded of me that I should comply with his request. Turning to him, therefore, I said-- "I consent to your demand, on your solemn oath to quit Europe for ever, and every other place in the neighbourhood of man, as soon as I shall deliver into your hands a female who will accompany you in your exile." "I swear," he cried, "by the sun, and by the blue sky of heaven, that if you grant my prayer, while they exist you shall never behold me again. Depart to your home, and commence your labours: I shall watch their progress with unutterable anxiety; and fear not but that when you are ready I shall appear." Saying this, he suddenly quitted me, fearful, perhaps, of any change in my sentiments. I saw him descend the mountain with greater speed than the flight of an eagle, and quickly lost him among the undulations of the sea of ice. His tale had occupied the whole day; and the sun was upon the verge of the horizon when he departed. I knew that I ought to hasten my descent towards the valley, as I should soon be encompassed in darkness; but my heart was heavy, and my steps slow. The labour of winding among the little paths of the mountains, and fixing my feet firmly as I advanced, perplexed me, occupied as I was by the emotions which the occurrences of the day had produced. Night was far advanced, when I came to the half-way resting-place, and seated myself beside the fountain. The stars shone at intervals, as the clouds passed from over them; the dark pines rose before me, and every here and there a broken tree lay on the ground: it was a scene of wonderful solemnity, and stirred strange thoughts within me. I wept bitterly; and, clasping my hands in agony, I exclaimed, "Oh! stars, and clouds, and winds, ye are all about to mock me: if ye really pity me, crush sensation and memory; let me become as nought; but if not, depart, depart and leave me in darkness." These were wild and miserable thoughts; but I cannot describe to you how the eternal twinkling of the stars weighed upon me, and how I listened to every blast of wind, as if it were a dull ugly siroc on its way to consume me. Morning dawned before I arrived at the village of Chamounix; but my presence, so haggard and strange, hardly calmed the fears of my family, who had waited the whole night in anxious expectation of my return. The following day we returned to Geneva. The intention of my father in coming had been to divert my mind, and to restore me to my lost tranquillity; but the medicine had been fatal. And, unable to account for the excess of misery I appeared to suffer, he hastened to return home, hoping the quiet and monotony of a domestic life would by degrees alleviate my sufferings from whatsoever cause they might spring. For myself, I was passive in all their arrangements; and the gentle affection of my beloved Elizabeth was inadequate to draw me from the depth of my despair. The promise I had made to the daemon weighed upon my mind, like Dante's iron cowl on the heads of the hellish hypocrites. All pleasures of earth and sky passed before me like a dream, and that thought only had to me the reality of life. Can you wonder, that sometimes a kind of insanity possessed me, or that I saw continually about me a multitude of filthy animals inflicting on me incessant torture, that often extorted screams and bitter groans? By degrees, however, these feelings became calmed. I entered again into the every-day scene of life, if not with interest, at least with some degree of tranquillity.

The monster perhaps expects Victor to have a solution for both their predicaments, but the monster soon realizes that Victor wishes to be rid of him, and return to a normal way of life. The monster offers him a way out. The monster: "I demand a creature of another sex, but as hideous as myself; the gratification is small, but it is all that I can receive, and it shall content me. It is true, we shall be monsters, cut off from the entire world; but on that account we shall be more attached to one another. '''''.. Oh! My creator, make me happy; let me feel gratitude towards you for one benefit!" Victor relents and agrees to recreate a monster to be a mate for him.

V. The Wood-Sawyer One year and three months. During all that time Lucie was never sure, from hour to hour, but that the Guillotine would strike off her husband's head next day. Every day, through the stony streets, the tumbrils now jolted heavily, filled with Condemned. Lovely girls; bright women, brown-haired, black-haired, and grey; youths; stalwart men and old; gentle born and peasant born; all red wine for La Guillotine, all daily brought into light from the dark cellars of the loathsome prisons, and carried to her through the streets to slake her devouring thirst. Liberty, equality, fraternity, or death;--the last, much the easiest to bestow, O Guillotine! If the suddenness of her calamity, and the whirling wheels of the time, had stunned the Doctor's daughter into awaiting the result in idle despair, it would but have been with her as it was with many. But, from the hour when she had taken the white head to her fresh young bosom in the garret of Saint Antoine, she had been true to her duties. She was truest to them in the season of trial, as all the quietly loyal and good will always be. As soon as they were established in their new residence, and her father had entered on the routine of his avocations, she arranged the little household as exactly as if her husband had been there. Everything had its appointed place and its appointed time. Little Lucie she taught, as regularly, as if they had all been united in their English home. The slight devices with which she cheated herself into the show of a belief that they would soon be reunited--the little preparations for his speedy return, the setting aside of his chair and his books--these, and the solemn prayer at night for one dear prisoner especially, among the many unhappy souls in prison and the shadow of death--were almost the only outspoken reliefs of her heavy mind. She did not greatly alter in appearance. The plain dark dresses, akin to mourning dresses, which she and her child wore, were as neat and as well attended to as the brighter clothes of happy days. She lost her colour, and the old and intent expression was a constant, not an occasional, thing; otherwise, she remained very pretty and comely. Sometimes, at night on kissing her father, she would burst into the grief she had repressed all day, and would say that her sole reliance, under Heaven, was on him. He always resolutely answered: "Nothing can happen to him without my knowledge, and I know that I can save him, Lucie." They had not made the round of their changed life many weeks, when her father said to her, on coming home one evening: "My dear, there is an upper window in the prison, to which Charles can sometimes gain access at three in the afternoon. When he can get to it--which depends on many uncertainties and incidents--he might see you in the street, he thinks, if you stood in a certain place that I can show you. But you will not be able to see him, my poor child, and even if you could, it would be unsafe for you to make a sign of recognition." "O show me the place, my father, and I will go there every day." From that time, in all weathers, she waited there two hours. As the clock struck two, she was there, and at four she turned resignedly away. When it was not too wet or inclement for her child to be with her, they went together; at other times she was alone; but, she never missed a single day. It was the dark and dirty corner of a small winding street. The hovel of a cutter of wood into lengths for burning, was the only house at that end; all else was wall. On the third day of her being there, he noticed her. "Good day, citizeness." "Good day, citizen." This mode of address was now prescribed by decree. It had been established voluntarily some time ago, among the more thorough patriots; but, was now law for everybody. "Walking here again, citizeness?" "You see me, citizen!" The wood-sawyer, who was a little man with a redundancy of gesture (he had once been a mender of roads), cast a glance at the prison, pointed at the prison, and putting his ten fingers before his face to represent bars, peeped through them jocosely. "But it's not my business," said he. And went on sawing his wood. Next day he was looking out for her, and accosted her the moment she appeared. "What? Walking here again, citizeness?" "Yes, citizen." "Ah! A child too! Your mother, is it not, my little citizeness?" "Do I say yes, mamma?" whispered little Lucie, drawing close to her. "Yes, dearest." "Yes, citizen." "Ah! But it's not my business. My work is my business. See my saw! I call it my Little Guillotine. La, la, la; La, la, la! And off his head comes!" The billet fell as he spoke, and he threw it into a basket. "I call myself the Samson of the firewood guillotine. See here again! Loo, loo, loo; Loo, loo, loo! And off _her_ head comes! Now, a child. Tickle, tickle; Pickle, pickle! And off _its_ head comes. All the family!" Lucie shuddered as he threw two more billets into his basket, but it was impossible to be there while the wood-sawyer was at work, and not be in his sight. Thenceforth, to secure his good will, she always spoke to him first, and often gave him drink-money, which he readily received. He was an inquisitive fellow, and sometimes when she had quite forgotten him in gazing at the prison roof and grates, and in lifting her heart up to her husband, she would come to herself to find him looking at her, with his knee on his bench and his saw stopped in its work. "But it's not my business!" he would generally say at those times, and would briskly fall to his sawing again. In all weathers, in the snow and frost of winter, in the bitter winds of spring, in the hot sunshine of summer, in the rains of autumn, and again in the snow and frost of winter, Lucie passed two hours of every day at this place; and every day on leaving it, she kissed the prison wall. Her husband saw her (so she learned from her father) it might be once in five or six times: it might be twice or thrice running: it might be, not for a week or a fortnight together. It was enough that he could and did see her when the chances served, and on that possibility she would have waited out the day, seven days a week. These occupations brought her round to the December month, wherein her father walked among the terrors with a steady head. On a lightly-snowing afternoon she arrived at the usual corner. It was a day of some wild rejoicing, and a festival. She had seen the houses, as she came along, decorated with little pikes, and with little red caps stuck upon them; also, with tricoloured ribbons; also, with the standard inscription (tricoloured letters were the favourite), Republic One and Indivisible. Liberty, Equality, Fraternity, or Death! The miserable shop of the wood-sawyer was so small, that its whole surface furnished very indifferent space for this legend. He had got somebody to scrawl it up for him, however, who had squeezed Death in with most inappropriate difficulty. On his house-top, he displayed pike and cap, as a good citizen must, and in a window he had stationed his saw inscribed as his "Little Sainte Guillotine"--for the great sharp female was by that time popularly canonised. His shop was shut and he was not there, which was a relief to Lucie, and left her quite alone. But, he was not far off, for presently she heard a troubled movement and a shouting coming along, which filled her with fear. A moment afterwards, and a throng of people came pouring round the corner by the prison wall, in the midst of whom was the wood-sawyer hand in hand with The Vengeance. There could not be fewer than five hundred people, and they were dancing like five thousand demons. There was no other music than their own singing. They danced to the popular Revolution song, keeping a ferocious time that was like a gnashing of teeth in unison. Men and women danced together, women danced together, men danced together, as hazard had brought them together. At first, they were a mere storm of coarse red caps and coarse woollen rags; but, as they filled the place, and stopped to dance about Lucie, some ghastly apparition of a dance-figure gone raving mad arose among them. They advanced, retreated, struck at one another's hands, clutched at one another's heads, spun round alone, caught one another and spun round in pairs, until many of them dropped. While those were down, the rest linked hand in hand, and all spun round together: then the ring broke, and in separate rings of two and four they turned and turned until they all stopped at once, began again, struck, clutched, and tore, and then reversed the spin, and all spun round another way. Suddenly they stopped again, paused, struck out the time afresh, formed into lines the width of the public way, and, with their heads low down and their hands high up, swooped screaming off. No fight could have been half so terrible as this dance. It was so emphatically a fallen sport--a something, once innocent, delivered over to all devilry--a healthy pastime changed into a means of angering the blood, bewildering the senses, and steeling the heart. Such grace as was visible in it, made it the uglier, showing how warped and perverted all things good by nature were become. The maidenly bosom bared to this, the pretty almost-child's head thus distracted, the delicate foot mincing in this slough of blood and dirt, were types of the disjointed time. This was the Carmagnole. As it passed, leaving Lucie frightened and bewildered in the doorway of the wood-sawyer's house, the feathery snow fell as quietly and lay as white and soft, as if it had never been. "O my father!" for he stood before her when she lifted up the eyes she had momentarily darkened with her hand; "such a cruel, bad sight." "I know, my dear, I know. I have seen it many times. Don't be frightened! Not one of them would harm you." "I am not frightened for myself, my father. But when I think of my husband, and the mercies of these people--" "We will set him above their mercies very soon. I left him climbing to the window, and I came to tell you. There is no one here to see. You may kiss your hand towards that highest shelving roof." "I do so, father, and I send him my Soul with it!" "You cannot see him, my poor dear?" "No, father," said Lucie, yearning and weeping as she kissed her hand, "no." A footstep in the snow. Madame Defarge. "I salute you, citizeness," from the Doctor. "I salute you, citizen." This in passing. Nothing more. Madame Defarge gone, like a shadow over the white road. "Give me your arm, my love. Pass from here with an air of cheerfulness and courage, for his sake. That was well done;" they had left the spot; "it shall not be in vain. Charles is summoned for to-morrow." "For to-morrow!" "There is no time to lose. I am well prepared, but there are precautions to be taken, that could not be taken until he was actually summoned before the Tribunal. He has not received the notice yet, but I know that he will presently be summoned for to-morrow, and removed to the Conciergerie; I have timely information. You are not afraid?" She could scarcely answer, "I trust in you." "Do so, implicitly. Your suspense is nearly ended, my darling; he shall be restored to you within a few hours; I have encompassed him with every protection. I must see Lorry." He stopped. There was a heavy lumbering of wheels within hearing. They both knew too well what it meant. One. Two. Three. Three tumbrils faring away with their dread loads over the hushing snow. "I must see Lorry," the Doctor repeated, turning her another way. The staunch old gentleman was still in his trust; had never left it. He and his books were in frequent requisition as to property confiscated and made national. What he could save for the owners, he saved. No better man living to hold fast by what Tellson's had in keeping, and to hold his peace. A murky red and yellow sky, and a rising mist from the Seine, denoted the approach of darkness. It was almost dark when they arrived at the Bank. The stately residence of Monseigneur was altogether blighted and deserted. Above a heap of dust and ashes in the court, ran the letters: National Property. Republic One and Indivisible. Liberty, Equality, Fraternity, or Death! Who could that be with Mr. Lorry--the owner of the riding-coat upon the chair--who must not be seen? From whom newly arrived, did he come out, agitated and surprised, to take his favourite in his arms? To whom did he appear to repeat her faltering words, when, raising his voice and turning his head towards the door of the room from which he had issued, he said: "Removed to the Conciergerie, and summoned for to-morrow?"

One year and three months have passed since Darnay's initial imprisonment. Lucie arranges her Parisian household as if her husband were there in hopes that he will soon appear. She also lives in fear. Every day she sees the tumbrels loaded with the condemned on their way to the guillotine and prays that Darnay is not included. Every day she and little Lucie would walk to the prison, hoping to catch a glimpse of Darnay. She is informed by her father that Darnay sometimes catches a glimpse of her standing outside. Next to the prison is a woodcutter's shop, and the road-mender from earlier in the novel is the wood sawyer. Lucie is at first scared of him, but she still talks to him and offers him drinking money. One day, there is a crowd rejoicing, as if there were a festival. A mob wildly rushes around the prison in a Revolution Dance called the Carmagnole. Lucie is frightened as the mob passes and is relieved to see her father standing protectively over her. He tells her that Darnay is to be brought to trial the next day. He also says that because of the activity it will be safe for her to signal Darnay. As Lucie gives her signal, Madame Defarge walks by; it is a bad omen. Lucie and her father go to give Mr. Lorry the good news about Darnay. Mr. Lorry has a visitor that he does not want them to see, so he hurries the person into the next room before receiving the Manettes.

SCENE V. Another part of the field. [Enter Brutus, Dardanius, Clitus, Strato, and Volumnius.] BRUTUS. Come, poor remains of friends, rest on this rock. CLITUS. Statilius show'd the torch-light; but, my lord, He came not back: he is or ta'en or slain. BRUTUS. Sit thee down, Clitus: slaying is the word; It is a deed in fashion. Hark thee, Clitus. [Whispering.] CLITUS. What, I, my lord? No, not for all the world. BRUTUS. Peace then! no words. CLITUS. I'll rather kill myself. BRUTUS. Hark thee, Dardanius. [Whispers him.] DARDANIUS. Shall I do such a deed? CLITUS. O Dardanius! DARDANIUS. O Clitus! CLITUS. What ill request did Brutus make to thee? DARDANIUS. To kill him, Clitus. Look, he meditates. CLITUS. Now is that noble vessel full of grief, That it runs over even at his eyes. BRUTUS. Come hither, good Volumnius; list a word. VOLUMNIUS. What says my lord? BRUTUS. Why, this, Volumnius: The ghost of Caesar hath appear'd to me Two several times by night; at Sardis once, And this last night here in Philippi fields: I know my hour is come. VOLUMNIUS. Not so, my lord. BRUTUS. Nay I am sure it is, Volumnius. Thou seest the world, Volumnius, how it goes; Our enemies have beat us to the pit: [Low alarums.] It is more worthy to leap in ourselves Than tarry till they push us. Good Volumnius, Thou know'st that we two went to school together; Even for that our love of old, I pr'ythee, Hold thou my sword-hilts, whilst I run on it. VOLUMNIUS. That's not an office for a friend, my lord. [Alarums still.] CLITUS. Fly, fly, my lord! there is no tarrying here. BRUTUS. Farewell to you;--and you;--and you, Volumnius.-- Strato, thou hast been all this while asleep; Farewell to thee too, Strato.--Countrymen, My heart doth joy, that yet in all my life I found no man but he was true to me. I shall have glory by this losing day, More than Octavius and Mark Antony By this vile conquest shall attain unto. So, fare you well at once; for Brutus' tongue Hath almost ended his life's history: Night hangs upon mine eyes; my bones would rest That have but labour'd to attain this hour. [Alarums. Cry within, "Fly, fly, fly!"] CLITUS. Fly, my lord, fly! BRUTUS. Hence! I will follow.-- [Exeunt Clitus, Dardanius, and Volumnius.] I pr'ythee, Strato, stay thou by thy lord: Thou art a fellow of a good respect; Thy life hath had some smack of honor in it: Hold, then, my sword, and turn away thy face, While I do run upon it. Wilt thou, Strato? STRATO. Give me your hand first: fare you well, my lord. BRUTUS. Farewell, good Strato.--Caesar, now be still: I kill'd not thee with half so good a will. [He runs on his sword, and dies.] [Alarum. Retreat. Enter Octavius, Antony, Messala, Lucilius, and Army.] OCTAVIUS. What man is that? MESSALA. My master's man.--Strato, where is thy master? STRATO. Free from the bondage you are in, Messala: The conquerors can but make a fire of him; For Brutus only overcame himself, And no man else hath honour by his death. LUCILIUS. So Brutus should be found.--I thank thee, Brutus, That thou hast proved Lucilius' saying true. OCTAVIUS. All that served Brutus, I will entertain them.-- Fellow, wilt thou bestow thy time with me? STRATO. Ay, if Messala will prefer me to you. OCTAVIUS. Do so, good Messala. MESSALA. How died my master, Strato? STRATO. I held the sword, and he did run on it. MESSALA. Octavius, then take him to follow thee, That did the latest service to my master. ANTONY. This was the noblest Roman of them all: All the conspirators, save only he, Did that they did in envy of great Caesar; He only, in a general-honest thought And common good to all, made one of them. His life was gentle; and the elements So mix'd in him that Nature might stand up And say to all the world, "This was a man!" OCTAVIUS. According to his virtue let us use him With all respect and rites of burial. Within my tent his bones to-night shall lie, Most like a soldier, order'd honorably.-- So, call the field to rest; and let's away, To part the glories of this happy day. [Exeunt.] THE END

We observe Brutus and his generals resting from the arduous battle. He wishes one of them to kill him, but they refuse. Just then Caesar's ghost appears to Brutus again, and he knows it is time for him to die. Volumnius believes that the battle can still be won, but Brutus argues that the enemy has them cornered. He asks Volumnius to hold his sword while he runs onto it, but he refuses, believing it is improper for a friend to do this. Antony's army approaches and Clitus warns Brutus to flee. Brutus wishes his comrades farewell, and Strato who has just woken up agrees to hold Brutus' sword. They shake hands, and Brutus kills himself. Antony comes onto the scene and says, "This was the noblest Roman of them all: All the conspirators, save only he, Did that they did in envy of great Caesar. He only, in a general honest thought And common good to all, made one of them. His life was gentle, and the elements So mixed in him that nature might stand up And say to all the world, this was a man!" Octavius promises an appropriate funeral for Brutus and the battle ceases. They celebrate their triumph.

There was an empty room above-stairs at the wooden Midshipman's, which, in days of yore, had been Walter's bedroom. Walter, rousing up the Captain betimes in the morning, proposed that they should carry thither such furniture out of the little parlour as would grace it best, so that Florence might take possession of it when she rose. As nothing could be more agreeable to Captain Cuttle than making himself very red and short of breath in such a cause, he turned to (as he himself said) with a will; and, in a couple of hours, this garret was transformed into a species of land-cabin, adorned with all the choicest moveables out of the parlour, inclusive even of the Tartar frigate, which the Captain hung up over the chimney-piece with such extreme delight, that he could do nothing for half-an-hour afterwards but walk backward from it, lost in admiration. The Captain could be induced by no persuasion of Walter's to wind up the big watch, or to take back the canister, or to touch the sugar-tongs and teaspoons. 'No, no, my lad;' was the Captain's invariable reply to any solicitation of the kind, 'I've made that there little property over, jintly.' These words he repeated with great unction and gravity, evidently believing that they had the virtue of an Act of Parliament, and that unless he committed himself by some new admission of ownership, no flaw could be found in such a form of conveyance. It was an advantage of the new arrangement, that besides the greater seclusion it afforded Florence, it admitted of the Midshipman being restored to his usual post of observation, and also of the shop shutters being taken down. The latter ceremony, however little importance the unconscious Captain attached to it, was not wholly superfluous; for, on the previous day, so much excitement had been occasioned in the neighbourhood, by the shutters remaining unopened, that the Instrument-maker's house had been honoured with an unusual share of public observation, and had been intently stared at from the opposite side of the way, by groups of hungry gazers, at any time between sunrise and sunset. The idlers and vagabonds had been particularly interested in the Captain's fate; constantly grovelling in the mud to apply their eyes to the cellar-grating, under the shop-window, and delighting their imaginations with the fancy that they could see a piece of his coat as he hung in a corner; though this settlement of him was stoutly disputed by an opposite faction, who were of opinion that he lay murdered with a hammer, on the stairs. It was not without exciting some discontent, therefore, that the subject of these rumours was seen early in the morning standing at his shop-door as hale and hearty as if nothing had happened; and the beadle of that quarter, a man of an ambitious character, who had expected to have the distinction of being present at the breaking open of the door, and of giving evidence in full uniform before the coroner, went so far as to say to an opposite neighbour, that the chap in the glazed hat had better not try it on there--without more particularly mentioning what--and further, that he, the beadle, would keep his eye upon him. 'Captain Cuttle,' said Walter, musing, when they stood resting from their labours at the shop-door, looking down the old familiar street; it being still early in the morning; 'nothing at all of Uncle Sol, in all that time!' 'Nothing at all, my lad,' replied the Captain, shaking his head. 'Gone in search of me, dear, kind old man,' said Walter: 'yet never write to you! But why not? He says, in effect, in this packet that you gave me,' taking the paper from his pocket, which had been opened in the presence of the enlightened Bunsby, 'that if you never hear from him before opening it, you may believe him dead. Heaven forbid! But you would have heard of him, even if he were dead! Someone would have written, surely, by his desire, if he could not; and have said, "on such a day, there died in my house," or "under my care," or so forth, "Mr Solomon Gills of London, who left this last remembrance and this last request to you".' The Captain, who had never climbed to such a clear height of probability before, was greatly impressed by the wide prospect it opened, and answered, with a thoughtful shake of his head, 'Well said, my lad; wery well said.' 'I have been thinking of this, or, at least,' said Walter, colouring, 'I have been thinking of one thing and another, all through a sleepless night, and I cannot believe, Captain Cuttle, but that my Uncle Sol (Lord bless him!) is alive, and will return. I don't so much wonder at his going away, because, leaving out of consideration that spice of the marvellous which was always in his character, and his great affection for me, before which every other consideration of his life became nothing, as no one ought to know so well as I who had the best of fathers in him,'--Walter's voice was indistinct and husky here, and he looked away, along the street,--'leaving that out of consideration, I say, I have often read and heard of people who, having some near and dear relative, who was supposed to be shipwrecked at sea, have gone down to live on that part of the sea-shore where any tidings of the missing ship might be expected to arrive, though only an hour or two sooner than elsewhere, or have even gone upon her track to the place whither she was bound, as if their going would create intelligence. I think I should do such a thing myself, as soon as another, or sooner than many, perhaps. But why my Uncle shouldn't write to you, when he so clearly intended to do so, or how he should die abroad, and you not know it through some other hand, I cannot make out.' Captain Cuttle observed, with a shake of his head, that Jack Bunsby himself hadn't made it out, and that he was a man as could give a pretty taut opinion too. 'If my Uncle had been a heedless young man, likely to be entrapped by jovial company to some drinking-place, where he was to be got rid of for the sake of what money he might have about him,' said Walter; 'or if he had been a reckless sailor, going ashore with two or three months' pay in his pocket, I could understand his disappearing, and leaving no trace behind. But, being what he was--and is, I hope--I can't believe it.' 'Wal'r, my lad,' inquired the Captain, wistfully eyeing him as he pondered and pondered, 'what do you make of it, then?' 'Captain Cuttle,' returned Walter, 'I don't know what to make of it. I suppose he never has written! There is no doubt about that?' 'If so be as Sol Gills wrote, my lad,' replied the Captain, argumentatively, 'where's his dispatch?' 'Say that he entrusted it to some private hand,' suggested Walter, 'and that it has been forgotten, or carelessly thrown aside, or lost. Even that is more probable to me, than the other event. In short, I not only cannot bear to contemplate that other event, Captain Cuttle, but I can't, and won't.' 'Hope, you see, Wal'r,' said the Captain, sagely, 'Hope. It's that as animates you. Hope is a buoy, for which you overhaul your Little Warbler, sentimental diwision, but Lord, my lad, like any other buoy, it only floats; it can't be steered nowhere. Along with the figure-head of Hope,' said the Captain, 'there's a anchor; but what's the good of my having a anchor, if I can't find no bottom to let it go in?' Captain Cuttle said this rather in his character of a sagacious citizen and householder, bound to impart a morsel from his stores of wisdom to an inexperienced youth, than in his own proper person. Indeed, his face was quite luminous as he spoke, with new hope, caught from Walter; and he appropriately concluded by slapping him on the back; and saying, with enthusiasm, 'Hooroar, my lad! Indiwidually, I'm o' your opinion.' Walter, with his cheerful laugh, returned the salutation, and said: 'Only one word more about my Uncle at present, Captain Cuttle. I suppose it is impossible that he can have written in the ordinary course--by mail packet, or ship letter, you understand--' 'Ay, ay, my lad,' said the Captain approvingly. '--And that you have missed the letter, anyhow?' 'Why, Wal'r,' said the Captain, turning his eyes upon him with a faint approach to a severe expression, 'ain't I been on the look-out for any tidings of that man o' science, old Sol Gills, your Uncle, day and night, ever since I lost him? Ain't my heart been heavy and watchful always, along of him and you? Sleeping and waking, ain't I been upon my post, and wouldn't I scorn to quit it while this here Midshipman held together!' 'Yes, Captain Cuttle,' replied Walter, grasping his hand, 'I know you would, and I know how faithful and earnest all you say and feel is. I am sure of it. You don't doubt that I am as sure of it as I am that my foot is again upon this door-step, or that I again have hold of this true hand. Do you?' 'No, no, Wal'r,' returned the Captain, with his beaming 'I'll hazard no more conjectures,' said Walter, fervently shaking the hard hand of the Captain, who shook his with no less goodwill. 'All I will add is, Heaven forbid that I should touch my Uncle's possessions, Captain Cuttle! Everything that he left here, shall remain in the care of the truest of stewards and kindest of men--and if his name is not Cuttle, he has no name! Now, best of friends, about--Miss Dombey.' There was a change in Walter's manner, as he came to these two words; and when he uttered them, all his confidence and cheerfulness appeared to have deserted him. 'I thought, before Miss Dombey stopped me when I spoke of her father last night,' said Walter, '--you remember how?' The Captain well remembered, and shook his head. 'I thought,' said Walter, 'before that, that we had but one hard duty to perform, and that it was, to prevail upon her to communicate with her friends, and to return home.' The Captain muttered a feeble 'Awast!' or a 'Stand by!' or something or other, equally pertinent to the occasion; but it was rendered so extremely feeble by the total discomfiture with which he received this announcement, that what it was, is mere matter of conjecture. 'But,' said Walter, 'that is over. I think so, no longer. I would sooner be put back again upon that piece of wreck, on which I have so often floated, since my preservation, in my dreams, and there left to drift, and drive, and die!' 'Hooroar, my lad!' exclaimed the Captain, in a burst of uncontrollable satisfaction. 'Hooroar! hooroar! hooroar!' 'To think that she, so young, so good, and beautiful,' said Walter, 'so delicately brought up, and born to such a different fortune, should strive with the rough world! But we have seen the gulf that cuts off all behind her, though no one but herself can know how deep it is; and there is no return.' Captain Cuttle, without quite understanding this, greatly approved of it, and observed in a tone of strong corroboration, that the wind was quite abaft. 'She ought not to be alone here; ought she, Captain Cuttle?' said Walter, anxiously. 'Well, my lad,' replied the Captain, after a little sagacious consideration. 'I don't know. You being here to keep her company, you see, and you two being jintly--' 'Dear Captain Cuttle!' remonstrated Walter. 'I being here! Miss Dombey, in her guileless innocent heart, regards me as her adopted brother; but what would the guile and guilt of my heart be, if I pretended to believe that I had any right to approach her, familiarly, in that character--if I pretended to forget that I am bound, in honour, not to do it?' 'Wal'r, my lad,' hinted the Captain, with some revival of his discomfiture, 'ain't there no other character as--' 'Oh!' returned Walter, 'would you have me die in her esteem--in such esteem as hers--and put a veil between myself and her angel's face for ever, by taking advantage of her being here for refuge, so trusting and so unprotected, to endeavour to exalt myself into her lover? What do I say? There is no one in the world who would be more opposed to me if I could do so, than you.' 'Wal'r, my lad,' said the Captain, drooping more and more, 'prowiding as there is any just cause or impediment why two persons should not be jined together in the house of bondage, for which you'll overhaul the place and make a note, I hope I should declare it as promised and wowed in the banns. So there ain't no other character; ain't there, my lad?' Walter briskly waved his hand in the negative. 'Well, my lad,' growled the Captain slowly, 'I won't deny but what I find myself wery much down by the head, along o' this here, or but what I've gone clean about. But as to Lady lass, Wal'r, mind you, wot's respect and duty to her, is respect and duty in my articles, howsumever disapinting; and therefore I follows in your wake, my lad, and feel as you are, no doubt, acting up to yourself. And there ain't no other character, ain't there?' said the Captain, musing over the ruins of his fallen castle, with a very despondent face. 'Now, Captain Cuttle,' said Walter, starting a fresh point with a gayer air, to cheer the Captain up--but nothing could do that; he was too much concerned--'I think we should exert ourselves to find someone who would be a proper attendant for Miss Dombey while she remains here, and who may be trusted. None of her relations may. It's clear Miss Dombey feels that they are all subservient to her father. What has become of Susan?' 'The young woman?' returned the Captain. 'It's my belief as she was sent away again the will of Heart's Delight. I made a signal for her when Lady lass first come, and she rated of her wery high, and said she had been gone a long time.' 'Then,' said Walter, 'do you ask Miss Dombey where she's gone, and we'll try to find her. The morning's getting on, and Miss Dombey will soon be rising. You are her best friend. Wait for her upstairs, and leave me to take care of all down here.' The Captain, very crest-fallen indeed, echoed the sigh with which Walter said this, and complied. Florence was delighted with her new room, anxious to see Walter, and overjoyed at the prospect of greeting her old friend Susan. But Florence could not say where Susan was gone, except that it was in Essex, and no one could say, she remembered, unless it were Mr Toots. With this information the melancholy Captain returned to Walter, and gave him to understand that Mr Toots was the young gentleman whom he had encountered on the door-step, and that he was a friend of his, and that he was a young gentleman of property, and that he hopelessly adored Miss Dombey. The Captain also related how the intelligence of Walter's supposed fate had first made him acquainted with Mr Toots, and how there was solemn treaty and compact between them, that Mr Toots should be mute upon the subject of his love. The question then was, whether Florence could trust Mr Toots; and Florence saying, with a smile, 'Oh, yes, with her whole heart!' it became important to find out where Mr Toots lived. This, Florence didn't know, and the Captain had forgotten; and the Captain was telling Walter, in the little parlour, that Mr Toots was sure to be there soon, when in came Mr Toots himself. 'Captain Gills,' said Mr Toots, rushing into the parlour without any ceremony, 'I'm in a state of mind bordering on distraction!' Mr Toots had discharged those words, as from a mortar, before he observed Walter, whom he recognised with what may be described as a chuckle of misery. 'You'll excuse me, Sir,' said Mr Toots, holding his forehead, 'but I'm at present in that state that my brain is going, if not gone, and anything approaching to politeness in an individual so situated would be a hollow mockery. Captain Gills, I beg to request the favour of a private interview.' 'Why, Brother,' returned the Captain, taking him by the hand, 'you are the man as we was on the look-out for.' 'Oh, Captain Gills,' said Mr Toots, 'what a look-out that must be, of which I am the object! I haven't dared to shave, I'm in that rash state. I haven't had my clothes brushed. My hair is matted together. I told the Chicken that if he offered to clean my boots, I'd stretch him a Corpse before me!' All these indications of a disordered mind were verified in Mr Toots's appearance, which was wild and savage. 'See here, Brother,' said the Captain. 'This here's old Sol Gills's nevy Wal'r. Him as was supposed to have perished at sea.' Mr Toots took his hand from his forehead, and stared at Walter. 'Good gracious me!' stammered Mr Toots. 'What a complication of misery! How-de-do? I--I--I'm afraid you must have got very wet. Captain Gills, will you allow me a word in the shop?' He took the Captain by the coat, and going out with him whispered: 'That then, Captain Gills, is the party you spoke of, when you said that he and Miss Dombey were made for one another?' 'Why, ay, my lad,' replied the disconsolate Captain; 'I was of that mind once.' 'And at this time!' exclaimed Mr Toots, with his hand to his forehead again. 'Of all others!--a hated rival! At least, he ain't a hated rival,' said Mr Toots, stopping short, on second thoughts, and taking away his hand; 'what should I hate him for? No. If my affection has been truly disinterested, Captain Gills, let me prove it now!' Mr Toots shot back abruptly into the parlour, and said, wringing Walter by the hand: 'How-de-do? I hope you didn't take any cold. I--I shall be very glad if you'll give me the pleasure of your acquaintance. I wish you many happy returns of the day. Upon my word and honour,' said Mr Toots, warming as he became better acquainted with Walter's face and figure, 'I'm very glad to see you!' 'Thank you, heartily,' said Walter. 'I couldn't desire a more genuine and genial welcome.' 'Couldn't you, though?' said Mr Toots, still shaking his hand. 'It's very kind of you. I'm much obliged to you. How-de-do? I hope you left everybody quite well over the--that is, upon the--I mean wherever you came from last, you know.' All these good wishes, and better intentions, Walter responded to manfully. 'Captain Gills,' said Mr Toots, 'I should wish to be strictly honourable; but I trust I may be allowed now, to allude to a certain subject that--' 'Ay, ay, my lad,' returned the Captain. 'Freely, freely.' 'Then, Captain Gills,' said Mr Toots, 'and Lieutenant Walters--are you aware that the most dreadful circumstances have been happening at Mr Dombey's house, and that Miss Dombey herself has left her father, who, in my opinion,' said Mr Toots, with great excitement, 'is a Brute, that it would be a flattery to call a--a marble monument, or a bird of prey,--and that she is not to be found, and has gone no one knows where?' 'May I ask how you heard this?' inquired Walter. 'Lieutenant Walters,' said Mr Toots, who had arrived at that appellation by a process peculiar to himself; probably by jumbling up his Christian name with the seafaring profession, and supposing some relationship between him and the Captain, which would extend, as a matter of course, to their titles; 'Lieutenant Walters, I can have no objection to make a straightforward reply. The fact is, that feeling extremely interested in everything that relates to Miss Dombey--not for any selfish reason, Lieutenant Walters, for I am well aware that the most able thing I could do for all parties would be to put an end to my existence, which can only be regarded as an inconvenience--I have been in the habit of bestowing a trifle now and then upon a footman; a most respectable young man, of the name of Towlinson, who has lived in the family some time; and Towlinson informed me, yesterday evening, that this was the state of things. Since which, Captain Gills--and Lieutenant Walters--I have been perfectly frantic, and have been lying down on the sofa all night, the Ruin you behold.' 'Mr Toots,' said Walter, 'I am happy to be able to relieve your mind. Pray calm yourself. Miss Dombey is safe and well.' 'Sir!' cried Mr Toots, starting from his chair and shaking hands with him anew, 'the relief is so excessive, and unspeakable, that if you were to tell me now that Miss Dombey was married even, I could smile. Yes, Captain Gills,' said Mr Toots, appealing to him, 'upon my soul and body, I really think, whatever I might do to myself immediately afterwards, that I could smile, I am so relieved.' 'It will be a greater relief and delight still, to such a generous mind as yours,' said Walter, not at all slow in returning his greeting, 'to find that you can render service to Miss Dombey. Captain Cuttle, will you have the kindness to take Mr Toots upstairs?' The Captain beckoned to Mr Toots, who followed him with a bewildered countenance, and, ascending to the top of the house, was introduced, without a word of preparation from his conductor, into Florence's new retreat. Poor Mr Toots's amazement and pleasure at sight of her were such, that they could find a vent in nothing but extravagance. He ran up to her, seized her hand, kissed it, dropped it, seized it again, fell upon one knee, shed tears, chuckled, and was quite regardless of his danger of being pinned by Diogenes, who, inspired by the belief that there was something hostile to his mistress in these demonstrations, worked round and round him, as if only undecided at what particular point to go in for the assault, but quite resolved to do him a fearful mischief. 'Oh Di, you bad, forgetful dog! Dear Mr Toots, I am so rejoiced to see you!' 'Thankee,' said Mr Toots, 'I am pretty well, I'm much obliged to you, Miss Dombey. I hope all the family are the same.' Mr Toots said this without the least notion of what he was talking about, and sat down on a chair, staring at Florence with the liveliest contention of delight and despair going on in his face that any face could exhibit. 'Captain Gills and Lieutenant Walters have mentioned, Miss Dombey,' gasped Mr Toots, 'that I can do you some service. If I could by any means wash out the remembrance of that day at Brighton, when I conducted myself--much more like a Parricide than a person of independent property,' said Mr Toots, with severe self-accusation, 'I should sink into the silent tomb with a gleam of joy.' 'Pray, Mr Toots,' said Florence, 'do not wish me to forget anything in our acquaintance. I never can, believe me. You have been far too kind and good to me always.' 'Miss Dombey,' returned Mr Toots, 'your consideration for my feelings is a part of your angelic character. Thank you a thousand times. It's of no consequence at all.' 'What we thought of asking you,' said Florence, 'is, whether you remember where Susan, whom you were so kind as to accompany to the coach-office when she left me, is to be found.' 'Why I do not certainly, Miss Dombey,' said Mr Toots, after a little consideration, 'remember the exact name of the place that was on the coach; and I do recollect that she said she was not going to stop there, but was going farther on. But, Miss Dombey, if your object is to find her, and to have her here, myself and the Chicken will produce her with every dispatch that devotion on my part, and great intelligence on the Chicken's, can ensure.' Mr Toots was so manifestly delighted and revived by the prospect of being useful, and the disinterested sincerity of his devotion was so unquestionable, that it would have been cruel to refuse him. Florence, with an instinctive delicacy, forbore to urge the least obstacle, though she did not forbear to overpower him with thanks; and Mr Toots proudly took the commission upon himself for immediate execution. 'Miss Dombey,' said Mr Toots, touching her proffered hand, with a pang of hopeless love visibly shooting through him, and flashing out in his face, 'Good-bye! Allow me to take the liberty of saying, that your misfortunes make me perfectly wretched, and that you may trust me, next to Captain Gills himself. I am quite aware, Miss Dombey, of my own deficiencies--they're not of the least consequence, thank you--but I am entirely to be relied upon, I do assure you, Miss Dombey.' With that Mr Toots came out of the room, again accompanied by the Captain, who, standing at a little distance, holding his hat under his arm and arranging his scattered locks with his hook, had been a not uninterested witness of what passed. And when the door closed behind them, the light of Mr Toots's life was darkly clouded again. 'Captain Gills,' said that gentleman, stopping near the bottom of the stairs, and turning round, 'to tell you the truth, I am not in a frame of mind at the present moment, in which I could see Lieutenant Walters with that entirely friendly feeling towards him that I should wish to harbour in my breast. We cannot always command our feelings, Captain Gills, and I should take it as a particular favour if you'd let me out at the private door.' 'Brother,' returned the Captain, 'you shall shape your own course. Wotever course you take, is plain and seamanlike, I'm wery sure.' 'Captain Gills,' said Mr Toots, 'you're extremely kind. Your good opinion is a consolation to me. There is one thing,' said Mr Toots, standing in the passage, behind the half-opened door, 'that I hope you'll bear in mind, Captain Gills, and that I should wish Lieutenant Walters to be made acquainted with. I have quite come into my property now, you know, and--and I don't know what to do with it. If I could be at all useful in a pecuniary point of view, I should glide into the silent tomb with ease and smoothness.' Mr Toots said no more, but slipped out quietly and shut the door upon himself, to cut the Captain off from any reply. Florence thought of this good creature, long after he had left her, with mingled emotions of pain and pleasure. He was so honest and warm-hearted, that to see him again and be assured of his truth to her in her distress, was a joy and comfort beyond all price; but for that very reason, it was so affecting to think that she caused him a moment's unhappiness, or ruffled, by a breath, the harmless current of his life, that her eyes filled with tears, and her bosom overflowed with pity. Captain Cuttle, in his different way, thought much of Mr Toots too; and so did Walter; and when the evening came, and they were all sitting together in Florence's new room, Walter praised him in a most impassioned manner, and told Florence what he had said on leaving the house, with every graceful setting-off in the way of comment and appreciation that his own honesty and sympathy could surround it with. Mr Toots did not return upon the next day, or the next, or for several days; and in the meanwhile Florence, without any new alarm, lived like a quiet bird in a cage, at the top of the old Instrument-maker's house. But Florence drooped and hung her head more and more plainly, as the days went on; and the expression that had been seen in the face of the dead child, was often turned to the sky from her high window, as if it sought his angel out, on the bright shore of which he had spoken: lying on his little bed. Florence had been weak and delicate of late, and the agitation she had undergone was not without its influences on her health. But it was no bodily illness that affected her now. She was distressed in mind; and the cause of her distress was Walter. Interested in her, anxious for her, proud and glad to serve her, and showing all this with the enthusiasm and ardour of his character, Florence saw that he avoided her. All the long day through, he seldom approached her room. If she asked for him, he came, again for the moment as earnest and as bright as she remembered him when she was a lost child in the staring streets; but he soon became constrained--her quick affection was too watchful not to know it--and uneasy, and soon left her. Unsought, he never came, all day, between the morning and the night. When the evening closed in, he was always there, and that was her happiest time, for then she half believed that the old Walter of her childhood was not changed. But, even then, some trivial word, look, or circumstance would show her that there was an indefinable division between them which could not be passed. And she could not but see that these revealings of a great alteration in Walter manifested themselves in despite of his utmost efforts to hide them. In his consideration for her, she thought, and in the earnestness of his desire to spare her any wound from his kind hand, he resorted to innumerable little artifices and disguises. So much the more did Florence feel the greatness of the alteration in him; so much the oftener did she weep at this estrangement of her brother. The good Captain--her untiring, tender, ever zealous friend--saw it, too, Florence thought, and it pained him. He was less cheerful and hopeful than he had been at first, and would steal looks at her and Walter, by turns, when they were all three together of an evening, with quite a sad face. Florence resolved, at last, to speak to Walter. She believed she knew now what the cause of his estrangement was, and she thought it would be a relief to her full heart, and would set him more at ease, if she told him she had found it out, and quite submitted to it, and did not reproach him. It was on a certain Sunday afternoon, that Florence took this resolution. The faithful Captain, in an amazing shirt-collar, was sitting by her, reading with his spectacles on, and she asked him where Walter was. 'I think he's down below, my lady lass,' returned the Captain. 'I should like to speak to him,' said Florence, rising hurriedly as if to go downstairs. 'I'll rouse him up here, Beauty,' said the Captain, 'in a trice.' Thereupon the Captain, with much alacrity, shouldered his book--for he made it a point of duty to read none but very large books on a Sunday, as having a more staid appearance: and had bargained, years ago, for a prodigious volume at a book-stall, five lines of which utterly confounded him at any time, insomuch that he had not yet ascertained of what subject it treated--and withdrew. Walter soon appeared. 'Captain Cuttle tells me, Miss Dombey,' he eagerly began on coming in--but stopped when he saw her face. 'You are not so well to-day. You look distressed. You have been weeping.' He spoke so kindly, and with such a fervent tremor in his voice, that the tears gushed into her eyes at the sound of his words. 'Walter,' said Florence, gently, 'I am not quite well, and I have been weeping. I want to speak to you.' He sat down opposite to her, looking at her beautiful and innocent face; and his own turned pale, and his lips trembled. 'You said, upon the night when I knew that you were saved--and oh! dear Walter, what I felt that night, and what I hoped!--' He put his trembling hand upon the table between them, and sat looking at her. '--that I was changed. I was surprised to hear you say so, but I understand, now, that I am. Don't be angry with me, Walter. I was too much overjoyed to think of it, then.' She seemed a child to him again. It was the ingenuous, confiding, loving child he saw and heard. Not the dear woman, at whose feet he would have laid the riches of the earth. 'You remember the last time I saw you, Walter, before you went away?' He put his hand into his breast, and took out a little purse. 'I have always worn it round my neck! If I had gone down in the deep, it would have been with me at the bottom of the sea.' 'And you will wear it still, Walter, for my old sake?' 'Until I die!' She laid her hand on his, as fearlessly and simply, as if not a day had intervened since she gave him the little token of remembrance. 'I am glad of that. I shall be always glad to think so, Walter. Do you recollect that a thought of this change seemed to come into our minds at the same time that evening, when we were talking together?' 'No!' he answered, in a wondering tone. 'Yes, Walter. I had been the means of injuring your hopes and prospects even then. I feared to think so, then, but I know it now. If you were able, then, in your generosity, to hide from me that you knew it too, you cannot do so now, although you try as generously as before. You do. I thank you for it, Walter, deeply, truly; but you cannot succeed. You have suffered too much in your own hardships, and in those of your dearest relation, quite to overlook the innocent cause of all the peril and affliction that has befallen you. You cannot quite forget me in that character, and we can be brother and sister no longer. But, dear Walter, do not think that I complain of you in this. I might have known it--ought to have known it--but forgot it in my joy. All I hope is that you may think of me less irksomely when this feeling is no more a secret one; and all I ask is, Walter, in the name of the poor child who was your sister once, that you will not struggle with yourself, and pain yourself, for my sake, now that I know all!' Walter had looked upon her while she said this, with a face so full of wonder and amazement, that it had room for nothing else. Now he caught up the hand that touched his, so entreatingly, and held it between his own. 'Oh, Miss Dombey,' he said, 'is it possible that while I have been suffering so much, in striving with my sense of what is due to you, and must be rendered to you, I have made you suffer what your words disclose to me? Never, never, before Heaven, have I thought of you but as the single, bright, pure, blessed recollection of my boyhood and my youth. Never have I from the first, and never shall I to the last, regard your part in my life, but as something sacred, never to be lightly thought of, never to be esteemed enough, never, until death, to be forgotten. Again to see you look, and hear you speak, as you did on that night when we parted, is happiness to me that there are no words to utter; and to be loved and trusted as your brother, is the next gift I could receive and prize!' 'Walter,' said Florence, looking at him earnestly, but with a changing face, 'what is that which is due to me, and must be rendered to me, at the sacrifice of all this?' 'Respect,' said Walter, in a low tone. 'Reverence.' The colour dawned in her face, and she timidly and thoughtfully withdrew her hand; still looking at him with unabated earnestness. 'I have not a brother's right,' said Walter. 'I have not a brother's claim. I left a child. I find a woman.' The colour overspread her face. She made a gesture as if of entreaty that he would say no more, and her face dropped upon her hands. They were both silent for a time; she weeping. 'I owe it to a heart so trusting, pure, and good,' said Walter, 'even to tear myself from it, though I rend my own. How dare I say it is my sister's!' She was weeping still. 'If you had been happy; surrounded as you should be by loving and admiring friends, and by all that makes the station you were born to enviable,' said Walter; 'and if you had called me brother, then, in your affectionate remembrance of the past, I could have answered to the name from my distant place, with no inward assurance that I wronged your spotless truth by doing so. But here--and now!' 'Oh thank you, thank you, Walter! Forgive my having wronged you so much. I had no one to advise me. I am quite alone.' 'Florence!' said Walter, passionately. 'I am hurried on to say, what I thought, but a few moments ago, nothing could have forced from my lips. If I had been prosperous; if I had any means or hope of being one day able to restore you to a station near your own; I would have told you that there was one name you might bestow upon--me--a right above all others, to protect and cherish you--that I was worthy of in nothing but the love and honour that I bore you, and in my whole heart being yours. I would have told you that it was the only claim that you could give me to defend and guard you, which I dare accept and dare assert; but that if I had that right, I would regard it as a trust so precious and so priceless, that the undivided truth and fervour of my life would poorly acknowledge its worth.' The head was still bent down, the tears still falling, and the bosom swelling with its sobs. 'Dear Florence! Dearest Florence! whom I called so in my thoughts before I could consider how presumptuous and wild it was. One last time let me call you by your own dear name, and touch this gentle hand in token of your sisterly forgetfulness of what I have said.' She raised her head, and spoke to him with such a solemn sweetness in her eyes; with such a calm, bright, placid smile shining on him through her tears; with such a low, soft tremble in her frame and voice; that the innermost chords of his heart were touched, and his sight was dim as he listened. 'No, Walter, I cannot forget it. I would not forget it, for the world. Are you--are you very poor?' 'I am but a wanderer,' said Walter, 'making voyages to live, across the sea. That is my calling now.' 'Are you soon going away again, Walter?' 'Very soon.' She sat looking at him for a moment; then timidly put her trembling hand in his. 'If you will take me for your wife, Walter, I will love you dearly. If you will let me go with you, Walter, I will go to the world's end without fear. I can give up nothing for you--I have nothing to resign, and no one to forsake; but all my love and life shall be devoted to you, and with my last breath I will breathe your name to God if I have sense and memory left.' He caught her to his heart, and laid her cheek against his own, and now, no more repulsed, no more forlorn, she wept indeed, upon the breast of her dear lover. Blessed Sunday Bells, ringing so tranquilly in their entranced and happy ears! Blessed Sunday peace and quiet, harmonising with the calmness in their souls, and making holy air around them! Blessed twilight stealing on, and shading her so soothingly and gravely, as she falls asleep, like a hushed child, upon the bosom she has clung to! Oh load of love and trustfulness that lies to lightly there! Ay, look down on the closed eyes, Walter, with a proudly tender gaze; for in all the wide wide world they seek but thee now--only thee! The Captain remained in the little parlour until it was quite dark. He took the chair on which Walter had been sitting, and looked up at the skylight, until the day, by little and little, faded away, and the stars peeped down. He lighted a candle, lighted a pipe, smoked it out, and wondered what on earth was going on upstairs, and why they didn't call him to tea. Florence came to his side while he was in the height of his wonderment. 'Ay! lady lass!' cried the Captain. 'Why, you and Wal'r have had a long spell o' talk, my beauty.' Florence put her little hand round one of the great buttons of his coat, and said, looking down into his face: 'Dear Captain, I want to tell you something, if you please. The Captain raised his head pretty smartly, to hear what it was. Catching by this means a more distinct view of Florence, he pushed back his chair, and himself with it, as far as they could go. 'What! Heart's Delight!' cried the Captain, suddenly elated, 'Is it that?' 'Yes!' said Florence, eagerly. 'Wal'r! Husband! THAT?' roared the Captain, tossing up his glazed hat into the skylight. 'Yes!' cried Florence, laughing and crying together. The Captain immediately hugged her; and then, picking up the glazed hat and putting it on, drew her arm through his, and conducted her upstairs again; where he felt that the great joke of his life was now to be made. 'What, Wal'r my lad!' said the Captain, looking in at the door, with his face like an amiable warming-pan. 'So there ain't NO other character, ain't there?' He had like to have suffocated himself with this pleasantry, which he repeated at least forty times during tea; polishing his radiant face with the sleeve of his coat, and dabbing his head all over with his pocket-handkerchief, in the intervals. But he was not without a graver source of enjoyment to fall back upon, when so disposed, for he was repeatedly heard to say in an undertone, as he looked with ineffable delight at Walter and Florence: 'Ed'ard Cuttle, my lad, you never shaped a better course in your life, than when you made that there little property over, jintly!'

Walter and Cuttle set up rooms so that Florence can be as comfortable as possible. They also talk about Sol Gills. Walter is concerned that he has not contacted Cuttle, but believes that if Sol had in fact died, someone would have notified Cuttle. Walter continues to be astonished that Sol has not sent any letters and asks Cuttle if there is any way he could have missed them, but Cuttle assures him this is impossible. They also determine that Florence should not be sent back to her father's house. When Cuttle raises his hopes of a match between Walter and Florence, Walter is quick to swear that he would never damage her trust, since she thinks of him as a brother. Since it is not appropriate for Florence to continue to live without female supervision, Walter suggests that they find Susan so that she can come and serve as Florence's maid. Having determined that the best person who might know Susan's whereabouts is Toots, they are all happy when Toots himself arrives at the house. Toots is in a state of disorder, and is even more disoriented when he is introduced to Walter. He is briefly resentful, and then quickly warms to him. Toots is still unaware that Florence is at the house, and tells them the story of her having fled from her father's. He is very distressed at her unknown whereabouts and relieved when they tell him that Florence is safe and sound. They take him up to Florence's rooms. He vows to find Susan for her, and a little later, he also tells Cuttle that he would like to use his money to help Florence in any way that he can. A few days pass, and Florence is distressed to realize that, while he is always kind, Walter is watchful and guarded with her. She finally decides to confront him, and asks him to come and speak to her. Florence says that she believes Walter is angry with her because it was due to her that her father sent him on the ill-fated voyage and upended his life. Dismayed, Walter explains that he is in love with her, and has been struggling with trying to conceal his feelings. Hearing this, Florence realizes her own feelings and the two agree to marry. Cuttle is overjoyed with the news

STAVE FIVE THE END OF IT Yes! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in! "I will live in the Past, the Present, and the Future!" Scrooge repeated as he scrambled out of bed. "The Spirits of all Three shall strive within me. Oh, Jacob Marley! Heaven and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!" He was so fluttered and so glowing with his good intentions, that his broken voice would scarcely answer to his call. He had been sobbing violently in his conflict with the Spirit, and his face was wet with tears. "They are not torn down," cried Scrooge, folding one of his bed-curtains in his arms, "they are not torn down, rings and all. They are here--I am here--the shadows of the things that would have been may be dispelled. They will be. I know they will!" His hands were busy with his garments all this time; turning them inside out, putting them on upside down, tearing them, mislaying them, making them parties to every kind of extravagance. "I don't know what to do!" cried Scrooge, laughing and crying in the same breath; and making a perfect Laocooen of himself with his stockings. "I am as light as a feather, I am as happy as an angel, I am as merry as a school-boy. I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the world! Hallo here! Whoop! Hallo!" He had frisked into the sitting-room, and was now standing there: perfectly winded. "There's the saucepan that the gruel was in!" cried Scrooge, starting off again, and going round the fire-place. "There's the door by which the Ghost of Jacob Marley entered! There's the corner where the Ghost of Christmas Present sat! There's the window where I saw the wandering Spirits! It's all right, it's all true, it all happened. Ha, ha, ha!" Really, for a man who had been out of practice for so many years, it was a splendid laugh, a most illustrious laugh. The father of a long, long line of brilliant laughs! "I don't know what day of the month it is," said Scrooge. "I don't know how long I have been among the Spirits. I don't know anything. I'm quite a baby. Never mind. I don't care. I'd rather be a baby. Hallo! Whoop! Hallo here!" He was checked in his transports by the churches ringing out the lustiest peals he had ever heard. Clash, clash, hammer; ding, dong, bell! Bell, dong, ding; hammer, clang, clash! Oh, glorious, glorious! Running to the window, he opened it, and put out his head. No fog, no mist; clear, bright, jovial, stirring, cold; cold, piping for the blood to dance to; Golden sun-light; Heavenly sky; sweet fresh air; merry bells. Oh, glorious! Glorious! "What's to-day?" cried Scrooge, calling downward to a boy in Sunday clothes, who perhaps had loitered in to look about him. "EH?" returned the boy with all his might of wonder. "What's to-day, my fine fellow?" said Scrooge. "To-day!" replied the boy. "Why, CHRISTMAS DAY." "It's Christmas Day!" said Scrooge to himself. "I haven't missed it. The Spirits have done it all in one night. They can do anything they like. Of course they can. Of course they can. Hallo, my fine fellow!" "Hallo!" returned the boy. "Do you know the Poulterer's in the next street but one, at the corner?" Scrooge inquired. "I should hope I did," replied the lad. "An intelligent boy!" said Scrooge. "A remarkable boy! Do you know whether they've sold the prize Turkey that was hanging up there?--Not the little prize Turkey: the big one?" "What! the one as big as me?" returned the boy. "What a delightful boy!" said Scrooge. "It's a pleasure to talk to him. Yes, my buck!" "It's hanging there now," replied the boy. "Is it?" said Scrooge. "Go and buy it." "Walk-ER!" exclaimed the boy. "No, no," said Scrooge, "I am in earnest. Go and buy it, and tell 'em to bring it here, that I may give them the directions where to take it. Come back with the man, and I'll give you a shilling. Come back with him in less than five minutes, and I'll give you half-a-crown!" The boy was off like a shot. He must have had a steady hand at a trigger who could have got a shot off half so fast. "I'll send it to Bob Cratchit's," whispered Scrooge, rubbing his hands, and splitting with a laugh. "He shan't know who sends it. It's twice the size of Tiny Tim. Joe Miller never made such a joke as sending it to Bob's will be!" The hand in which he wrote the address was not a steady one; but write it he did, somehow, and went down-stairs to open the street-door, ready for the coming of the poulterer's man. As he stood there, waiting his arrival, the knocker caught his eye. "I shall love it as long as I live!" cried Scrooge, patting it with his hand. "I scarcely ever looked at it before. What an honest expression it has in its face! It's a wonderful knocker!--Here's the Turkey. Hallo! Whoop! How are you? Merry Christmas!" It _was_ a Turkey! He never could have stood upon his legs, that bird. He would have snapped 'em short off in a minute, like sticks of sealing-wax. "Why, it's impossible to carry that to Camden Town," said Scrooge. "You must have a cab." The chuckle with which he said this, and the chuckle with which he paid for the Turkey, and the chuckle with which he paid for the cab, and the chuckle with which he recompensed the boy, were only to be exceeded by the chuckle with which he sat down breathless in his chair again, and chuckled till he cried. Shaving was not an easy task, for his hand continued to shake very much; and shaving requires attention, even when you don't dance while you are at it. But, if he had cut the end of his nose off, he would have put a piece of sticking-plaster over it, and been quite satisfied. He dressed himself "all in his best," and at last got out into the streets. The people were by this time pouring forth, as he had seen them with the Ghost of Christmas Present; and, walking with his hands behind him, Scrooge regarded every one with a delighted smile. He looked so irresistibly pleasant, in a word, that three or four good-humoured fellows said, "Good morning, sir! A merry Christmas to you!" And Scrooge said often afterwards that, of all the blithe sounds he had ever heard, those were the blithest in his ears. He had not gone far when, coming on towards him, he beheld the portly gentleman who had walked into his counting-house the day before, and said, "Scrooge and Marley's, I believe?" It sent a pang across his heart to think how this old gentleman would look upon him when they met; but he knew what path lay straight before him, and he took it. "My dear sir," said Scrooge, quickening his pace, and taking the old gentleman by both his hands, "how do you do? I hope you succeeded yesterday. It was very kind of you. A merry Christmas to you, sir!" "Mr. Scrooge?" "Yes," said Scrooge. "That is my name, and I fear it may not be pleasant to you. Allow me to ask your pardon. And will you have the goodness----" Here Scrooge whispered in his ear. "Lord bless me!" cried the gentleman, as if his breath were taken away. "My dear Mr. Scrooge, are you serious?" "If you please," said Scrooge. "Not a farthing less. A great many back-payments are included in it, I assure you. Will you do me that favour?" "My dear sir," said the other, shaking hands with him, "I don't know what to say to such munifi----" "Don't say anything, please," retorted Scrooge. "Come and see me. Will you come and see me?" "I will!" cried the old gentleman. And it was clear he meant to do it. "Thankee," said Scrooge. "I am much obliged to you. I thank you fifty times. Bless you!" He went to church, and walked about the streets, and watched the people hurrying to and fro, and patted the children on the head, and questioned beggars, and looked down into the kitchens of houses, and up to the windows; and found that everything could yield him pleasure. He had never dreamed that any walk--that anything--could give him so much happiness. In the afternoon he turned his steps towards his nephew's house. He passed the door a dozen times before he had the courage to go up and knock. But he made a dash, and did it. "Is your master at home, my dear?" said Scrooge to the girl. Nice girl! Very. "Yes sir." "Where is he, my love?" said Scrooge. "He's in the dining-room, sir, along with mistress. I'll show you up-stairs, if you please." "Thankee. He knows me," said Scrooge, with his hand already on the dining-room lock. "I'll go in here, my dear." He turned it gently, and sidled his face in round the door. They were looking at the table (which was spread out in great array); for these young housekeepers are always nervous on such points, and like to see that everything is right. "Fred!" said Scrooge. Dear heart alive, how his niece by marriage started! Scrooge had forgotten, for the moment, about her sitting in the corner with the footstool, or he wouldn't have done it on any account. "Why, bless my soul!" cried Fred, "who's that?" "It's I. Your uncle Scrooge. I have come to dinner. Will you let me in, Fred?" Let him in! It is a mercy he didn't shake his arm off. He was at home in five minutes. Nothing could be heartier. His niece looked just the same. So did Topper when _he_ came. So did the plump sister when _she_ came. So did every one when _they_ came. Wonderful party, wonderful games, wonderful unanimity, won-der-ful happiness! But he was early at the office next morning. Oh, he was early there! If he could only be there first, and catch Bob Cratchit coming late! That was the thing he had set his heart upon. And he did it; yes, he did! The clock struck nine. No Bob. A quarter past. No Bob. He was full eighteen minutes and a half behind his time. Scrooge sat with his door wide open, that he might see him come into the tank. His hat was off before he opened the door; his comforter too. He was on his stool in a jiffy; driving away with his pen, as if he were trying to overtake nine o'clock. "Hallo!" growled Scrooge in his accustomed voice as near as he could feign it. "What do you mean by coming here at this time of day?" "I am very sorry, sir," said Bob. "I _am_ behind my time." "You are!" repeated Scrooge. "Yes. I think you are. Step this way, sir, if you please." "It's only once a year, sir," pleaded Bob, appearing from the tank. "It shall not be repeated. I was making rather merry yesterday, sir." "Now, I'll tell you what, my friend," said Scrooge. "I am not going to stand this sort of thing any longer. And therefore," he continued, leaping from his stool, and giving Bob such a dig in the waistcoat that he staggered back into the tank again: "and therefore I am about to raise your salary!" Bob trembled, and got a little nearer to the ruler. He had a momentary idea of knocking Scrooge down with it, holding him, and calling to the people in the court for help and a strait-waistcoat. "A merry Christmas, Bob!" said Scrooge with an earnestness that could not be mistaken, as he clapped him on the back. "A merrier Christmas, Bob, my good fellow, than I have given you for many a year! I'll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob! Make up the fires and buy another coal-scuttle before you dot another i, Bob Cratchit!" * * * * * Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did NOT die, he was a second father. He became as good a friend, as good a master, and as good a man as the good old City knew, or any other good old city, town, or borough in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset; and, knowing that such as these would be blind anyway, he thought it quite as well that they should wrinkle up their eyes in grins as have the malady in less attractive forms. His own heart laughed: and that was quite enough for him. He had no further intercourse with Spirits, but lived upon the Total-Abstinence Principle ever afterwards; and it was always said of him that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!

Scrooge wakes up in his bedroom and joyfully repeats his vow to live from the lessons of the three ghosts. He runs around his house and then outside, where church bells ring. A boy tells him it is Christmas Day, and Scrooge realizes that the ghosts visited him all in one night. Scrooge buys a prize turkey and sends it to Bob Cratchit's house. Scrooge dresses in his best clothing and walks in the crowds with a smile. He gives a great deal of money to the portly gentleman who had asked him for a charitable donation yesterday. Scrooge continues to walk through the city and happily talks with everyone he meets. He visits Fred's house and has a wonderful time at the party. The next morning, Scrooge gets to work early. When Cratchit comes in late, Scrooge pretends to reprimand him, then gives him a raise. Scrooge continues his kindly ways, befriending everyone and becoming a second father to Tiny Tim, who does not die. He never sees the ghosts again, but he keeps the spirit of Christmas alive in his heart as well as anyone.

By the time his mother began leaving the cave on hunting expeditions, the cub had learned well the law that forbade his approaching the entrance. Not only had this law been forcibly and many times impressed on him by his mother's nose and paw, but in him the instinct of fear was developing. Never, in his brief cave-life, had he encountered anything of which to be afraid. Yet fear was in him. It had come down to him from a remote ancestry through a thousand thousand lives. It was a heritage he had received directly from One Eye and the she-wolf; but to them, in turn, it had been passed down through all the generations of wolves that had gone before. Fear!--that legacy of the Wild which no animal may escape nor exchange for pottage. So the grey cub knew fear, though he knew not the stuff of which fear was made. Possibly he accepted it as one of the restrictions of life. For he had already learned that there were such restrictions. Hunger he had known; and when he could not appease his hunger he had felt restriction. The hard obstruction of the cave-wall, the sharp nudge of his mother's nose, the smashing stroke of her paw, the hunger unappeased of several famines, had borne in upon him that all was not freedom in the world, that to life there were limitations and restraints. These limitations and restraints were laws. To be obedient to them was to escape hurt and make for happiness. He did not reason the question out in this man fashion. He merely classified the things that hurt and the things that did not hurt. And after such classification he avoided the things that hurt, the restrictions and restraints, in order to enjoy the satisfactions and the remunerations of life. Thus it was that in obedience to the law laid down by his mother, and in obedience to the law of that unknown and nameless thing, fear, he kept away from the mouth of the cave. It remained to him a white wall of light. When his mother was absent, he slept most of the time, while during the intervals that he was awake he kept very quiet, suppressing the whimpering cries that tickled in his throat and strove for noise. Once, lying awake, he heard a strange sound in the white wall. He did not know that it was a wolverine, standing outside, all a-trembling with its own daring, and cautiously scenting out the contents of the cave. The cub knew only that the sniff was strange, a something unclassified, therefore unknown and terrible--for the unknown was one of the chief elements that went into the making of fear. The hair bristled upon the grey cub's back, but it bristled silently. How was he to know that this thing that sniffed was a thing at which to bristle? It was not born of any knowledge of his, yet it was the visible expression of the fear that was in him, and for which, in his own life, there was no accounting. But fear was accompanied by another instinct--that of concealment. The cub was in a frenzy of terror, yet he lay without movement or sound, frozen, petrified into immobility, to all appearances dead. His mother, coming home, growled as she smelt the wolverine's track, and bounded into the cave and licked and nozzled him with undue vehemence of affection. And the cub felt that somehow he had escaped a great hurt. But there were other forces at work in the cub, the greatest of which was growth. Instinct and law demanded of him obedience. But growth demanded disobedience. His mother and fear impelled him to keep away from the white wall. Growth is life, and life is for ever destined to make for light. So there was no damming up the tide of life that was rising within him--rising with every mouthful of meat he swallowed, with every breath he drew. In the end, one day, fear and obedience were swept away by the rush of life, and the cub straddled and sprawled toward the entrance. Unlike any other wall with which he had had experience, this wall seemed to recede from him as he approached. No hard surface collided with the tender little nose he thrust out tentatively before him. The substance of the wall seemed as permeable and yielding as light. And as condition, in his eyes, had the seeming of form, so he entered into what had been wall to him and bathed in the substance that composed it. It was bewildering. He was sprawling through solidity. And ever the light grew brighter. Fear urged him to go back, but growth drove him on. Suddenly he found himself at the mouth of the cave. The wall, inside which he had thought himself, as suddenly leaped back before him to an immeasurable distance. The light had become painfully bright. He was dazzled by it. Likewise he was made dizzy by this abrupt and tremendous extension of space. Automatically, his eyes were adjusting themselves to the brightness, focusing themselves to meet the increased distance of objects. At first, the wall had leaped beyond his vision. He now saw it again; but it had taken upon itself a remarkable remoteness. Also, its appearance had changed. It was now a variegated wall, composed of the trees that fringed the stream, the opposing mountain that towered above the trees, and the sky that out-towered the mountain. A great fear came upon him. This was more of the terrible unknown. He crouched down on the lip of the cave and gazed out on the world. He was very much afraid. Because it was unknown, it was hostile to him. Therefore the hair stood up on end along his back and his lips wrinkled weakly in an attempt at a ferocious and intimidating snarl. Out of his puniness and fright he challenged and menaced the whole wide world. Nothing happened. He continued to gaze, and in his interest he forgot to snarl. Also, he forgot to be afraid. For the time, fear had been routed by growth, while growth had assumed the guise of curiosity. He began to notice near objects--an open portion of the stream that flashed in the sun, the blasted pine-tree that stood at the base of the slope, and the slope itself, that ran right up to him and ceased two feet beneath the lip of the cave on which he crouched. Now the grey cub had lived all his days on a level floor. He had never experienced the hurt of a fall. He did not know what a fall was. So he stepped boldly out upon the air. His hind-legs still rested on the cave- lip, so he fell forward head downward. The earth struck him a harsh blow on the nose that made him yelp. Then he began rolling down the slope, over and over. He was in a panic of terror. The unknown had caught him at last. It had gripped savagely hold of him and was about to wreak upon him some terrific hurt. Growth was now routed by fear, and he ki-yi'd like any frightened puppy. The unknown bore him on he knew not to what frightful hurt, and he yelped and ki-yi'd unceasingly. This was a different proposition from crouching in frozen fear while the unknown lurked just alongside. Now the unknown had caught tight hold of him. Silence would do no good. Besides, it was not fear, but terror, that convulsed him. But the slope grew more gradual, and its base was grass-covered. Here the cub lost momentum. When at last he came to a stop, he gave one last agonised yell and then a long, whimpering wail. Also, and quite as a matter of course, as though in his life he had already made a thousand toilets, he proceeded to lick away the dry clay that soiled him. After that he sat up and gazed about him, as might the first man of the earth who landed upon Mars. The cub had broken through the wall of the world, the unknown had let go its hold of him, and here he was without hurt. But the first man on Mars would have experienced less unfamiliarity than did he. Without any antecedent knowledge, without any warning whatever that such existed, he found himself an explorer in a totally new world. Now that the terrible unknown had let go of him, he forgot that the unknown had any terrors. He was aware only of curiosity in all the things about him. He inspected the grass beneath him, the moss-berry plant just beyond, and the dead trunk of the blasted pine that stood on the edge of an open space among the trees. A squirrel, running around the base of the trunk, came full upon him, and gave him a great fright. He cowered down and snarled. But the squirrel was as badly scared. It ran up the tree, and from a point of safety chattered back savagely. This helped the cub's courage, and though the woodpecker he next encountered gave him a start, he proceeded confidently on his way. Such was his confidence, that when a moose-bird impudently hopped up to him, he reached out at it with a playful paw. The result was a sharp peck on the end of his nose that made him cower down and ki-yi. The noise he made was too much for the moose-bird, who sought safety in flight. But the cub was learning. His misty little mind had already made an unconscious classification. There were live things and things not alive. Also, he must watch out for the live things. The things not alive remained always in one place, but the live things moved about, and there was no telling what they might do. The thing to expect of them was the unexpected, and for this he must be prepared. He travelled very clumsily. He ran into sticks and things. A twig that he thought a long way off, would the next instant hit him on the nose or rake along his ribs. There were inequalities of surface. Sometimes he overstepped and stubbed his nose. Quite as often he understepped and stubbed his feet. Then there were the pebbles and stones that turned under him when he trod upon them; and from them he came to know that the things not alive were not all in the same state of stable equilibrium as was his cave--also, that small things not alive were more liable than large things to fall down or turn over. But with every mishap he was learning. The longer he walked, the better he walked. He was adjusting himself. He was learning to calculate his own muscular movements, to know his physical limitations, to measure distances between objects, and between objects and himself. His was the luck of the beginner. Born to be a hunter of meat (though he did not know it), he blundered upon meat just outside his own cave-door on his first foray into the world. It was by sheer blundering that he chanced upon the shrewdly hidden ptarmigan nest. He fell into it. He had essayed to walk along the trunk of a fallen pine. The rotten bark gave way under his feet, and with a despairing yelp he pitched down the rounded crescent, smashed through the leafage and stalks of a small bush, and in the heart of the bush, on the ground, fetched up in the midst of seven ptarmigan chicks. They made noises, and at first he was frightened at them. Then he perceived that they were very little, and he became bolder. They moved. He placed his paw on one, and its movements were accelerated. This was a source of enjoyment to him. He smelled it. He picked it up in his mouth. It struggled and tickled his tongue. At the same time he was made aware of a sensation of hunger. His jaws closed together. There was a crunching of fragile bones, and warm blood ran in his mouth. The taste of it was good. This was meat, the same as his mother gave him, only it was alive between his teeth and therefore better. So he ate the ptarmigan. Nor did he stop till he had devoured the whole brood. Then he licked his chops in quite the same way his mother did, and began to crawl out of the bush. He encountered a feathered whirlwind. He was confused and blinded by the rush of it and the beat of angry wings. He hid his head between his paws and yelped. The blows increased. The mother ptarmigan was in a fury. Then he became angry. He rose up, snarling, striking out with his paws. He sank his tiny teeth into one of the wings and pulled and tugged sturdily. The ptarmigan struggled against him, showering blows upon him with her free wing. It was his first battle. He was elated. He forgot all about the unknown. He no longer was afraid of anything. He was fighting, tearing at a live thing that was striking at him. Also, this live thing was meat. The lust to kill was on him. He had just destroyed little live things. He would now destroy a big live thing. He was too busy and happy to know that he was happy. He was thrilling and exulting in ways new to him and greater to him than any he had known before. He held on to the wing and growled between his tight-clenched teeth. The ptarmigan dragged him out of the bush. When she turned and tried to drag him back into the bush's shelter, he pulled her away from it and on into the open. And all the time she was making outcry and striking with her free wing, while feathers were flying like a snow-fall. The pitch to which he was aroused was tremendous. All the fighting blood of his breed was up in him and surging through him. This was living, though he did not know it. He was realising his own meaning in the world; he was doing that for which he was made--killing meat and battling to kill it. He was justifying his existence, than which life can do no greater; for life achieves its summit when it does to the uttermost that which it was equipped to do. After a time, the ptarmigan ceased her struggling. He still held her by the wing, and they lay on the ground and looked at each other. He tried to growl threateningly, ferociously. She pecked on his nose, which by now, what of previous adventures was sore. He winced but held on. She pecked him again and again. From wincing he went to whimpering. He tried to back away from her, oblivious to the fact that by his hold on her he dragged her after him. A rain of pecks fell on his ill-used nose. The flood of fight ebbed down in him, and, releasing his prey, he turned tail and scampered on across the open in inglorious retreat. He lay down to rest on the other side of the open, near the edge of the bushes, his tongue lolling out, his chest heaving and panting, his nose still hurting him and causing him to continue his whimper. But as he lay there, suddenly there came to him a feeling as of something terrible impending. The unknown with all its terrors rushed upon him, and he shrank back instinctively into the shelter of the bush. As he did so, a draught of air fanned him, and a large, winged body swept ominously and silently past. A hawk, driving down out of the blue, had barely missed him. While he lay in the bush, recovering from his fright and peering fearfully out, the mother-ptarmigan on the other side of the open space fluttered out of the ravaged nest. It was because of her loss that she paid no attention to the winged bolt of the sky. But the cub saw, and it was a warning and a lesson to him--the swift downward swoop of the hawk, the short skim of its body just above the ground, the strike of its talons in the body of the ptarmigan, the ptarmigan's squawk of agony and fright, and the hawk's rush upward into the blue, carrying the ptarmigan away with it It was a long time before the cub left its shelter. He had learned much. Live things were meat. They were good to eat. Also, live things when they were large enough, could give hurt. It was better to eat small live things like ptarmigan chicks, and to let alone large live things like ptarmigan hens. Nevertheless he felt a little prick of ambition, a sneaking desire to have another battle with that ptarmigan hen--only the hawk had carried her away. Maybe there were other ptarmigan hens. He would go and see. He came down a shelving bank to the stream. He had never seen water before. The footing looked good. There were no inequalities of surface. He stepped boldly out on it; and went down, crying with fear, into the embrace of the unknown. It was cold, and he gasped, breathing quickly. The water rushed into his lungs instead of the air that had always accompanied his act of breathing. The suffocation he experienced was like the pang of death. To him it signified death. He had no conscious knowledge of death, but like every animal of the Wild, he possessed the instinct of death. To him it stood as the greatest of hurts. It was the very essence of the unknown; it was the sum of the terrors of the unknown, the one culminating and unthinkable catastrophe that could happen to him, about which he knew nothing and about which he feared everything. He came to the surface, and the sweet air rushed into his open mouth. He did not go down again. Quite as though it had been a long-established custom of his he struck out with all his legs and began to swim. The near bank was a yard away; but he had come up with his back to it, and the first thing his eyes rested upon was the opposite bank, toward which he immediately began to swim. The stream was a small one, but in the pool it widened out to a score of feet. Midway in the passage, the current picked up the cub and swept him downstream. He was caught in the miniature rapid at the bottom of the pool. Here was little chance for swimming. The quiet water had become suddenly angry. Sometimes he was under, sometimes on top. At all times he was in violent motion, now being turned over or around, and again, being smashed against a rock. And with every rock he struck, he yelped. His progress was a series of yelps, from which might have been adduced the number of rocks he encountered. Below the rapid was a second pool, and here, captured by the eddy, he was gently borne to the bank, and as gently deposited on a bed of gravel. He crawled frantically clear of the water and lay down. He had learned some more about the world. Water was not alive. Yet it moved. Also, it looked as solid as the earth, but was without any solidity at all. His conclusion was that things were not always what they appeared to be. The cub's fear of the unknown was an inherited distrust, and it had now been strengthened by experience. Thenceforth, in the nature of things, he would possess an abiding distrust of appearances. He would have to learn the reality of a thing before he could put his faith into it. One other adventure was destined for him that day. He had recollected that there was such a thing in the world as his mother. And then there came to him a feeling that he wanted her more than all the rest of the things in the world. Not only was his body tired with the adventures it had undergone, but his little brain was equally tired. In all the days he had lived it had not worked so hard as on this one day. Furthermore, he was sleepy. So he started out to look for the cave and his mother, feeling at the same time an overwhelming rush of loneliness and helplessness. He was sprawling along between some bushes, when he heard a sharp intimidating cry. There was a flash of yellow before his eyes. He saw a weasel leaping swiftly away from him. It was a small live thing, and he had no fear. Then, before him, at his feet, he saw an extremely small live thing, only several inches long, a young weasel, that, like himself, had disobediently gone out adventuring. It tried to retreat before him. He turned it over with his paw. It made a queer, grating noise. The next moment the flash of yellow reappeared before his eyes. He heard again the intimidating cry, and at the same instant received a sharp blow on the side of the neck and felt the sharp teeth of the mother-weasel cut into his flesh. While he yelped and ki-yi'd and scrambled backward, he saw the mother- weasel leap upon her young one and disappear with it into the neighbouring thicket. The cut of her teeth in his neck still hurt, but his feelings were hurt more grievously, and he sat down and weakly whimpered. This mother-weasel was so small and so savage. He was yet to learn that for size and weight the weasel was the most ferocious, vindictive, and terrible of all the killers of the Wild. But a portion of this knowledge was quickly to be his. He was still whimpering when the mother-weasel reappeared. She did not rush him, now that her young one was safe. She approached more cautiously, and the cub had full opportunity to observe her lean, snakelike body, and her head, erect, eager, and snake-like itself. Her sharp, menacing cry sent the hair bristling along his back, and he snarled warningly at her. She came closer and closer. There was a leap, swifter than his unpractised sight, and the lean, yellow body disappeared for a moment out of the field of his vision. The next moment she was at his throat, her teeth buried in his hair and flesh. At first he snarled and tried to fight; but he was very young, and this was only his first day in the world, and his snarl became a whimper, his fight a struggle to escape. The weasel never relaxed her hold. She hung on, striving to press down with her teeth to the great vein where his life-blood bubbled. The weasel was a drinker of blood, and it was ever her preference to drink from the throat of life itself. The grey cub would have died, and there would have been no story to write about him, had not the she-wolf come bounding through the bushes. The weasel let go the cub and flashed at the she-wolf's throat, missing, but getting a hold on the jaw instead. The she-wolf flirted her head like the snap of a whip, breaking the weasel's hold and flinging it high in the air. And, still in the air, the she-wolf's jaws closed on the lean, yellow body, and the weasel knew death between the crunching teeth. The cub experienced another access of affection on the part of his mother. Her joy at finding him seemed even greater than his joy at being found. She nozzled him and caressed him and licked the cuts made in him by the weasel's teeth. Then, between them, mother and cub, they ate the blood-drinker, and after that went back to the cave and slept.

The She-wolf now leaves her cub alone more often to go on her hunting expeditions. It has been impressed upon him that he should not set foot outside the cave. Since instinct is developing in him, he accepts fear as one of the restrictions of life, and he does not go near the mouth of the cave. Once he hears a strange sniffing at the cave, which comes from a wolverine. His mother arrives in time to protect him. One day the cub goes out into the open, rolls down the slope, is dazzled by the light, and starts crying like any frightened puppy. When he finally gains a foothold, he goes on to explore the grassy area that surrounds him. He is frightened by a squirrel and a woodpecker. He comes across a ptarmigan nest, eats the babies , and dares to fight the mother ptarmigan, injuring her. A hawk interrupts the battle, which the ptarmigan seemed to be winning, and kills the bird. The cub then falls into a river. He struggles towards land, swimming for the first time, but is carried downstream where he is safely deposited. He also comes across a weasel with whom he starts a fight. He would have been killed by the mother weasel had it not been for the timely intervention of his own mother. When she kills the weasel, they eat it together.

It is time to relate what a change took place in English public opinion when it transpired that the real bankrobber, a certain James Strand, had been arrested, on the 17th day of December, at Edinburgh. Three days before, Phileas Fogg had been a criminal, who was being desperately followed up by the police; now he was an honourable gentleman, mathematically pursuing his eccentric journey round the world. The papers resumed their discussion about the wager; all those who had laid bets, for or against him, revived their interest, as if by magic; the "Phileas Fogg bonds" again became negotiable, and many new wagers were made. Phileas Fogg's name was once more at a premium on 'Change. His five friends of the Reform Club passed these three days in a state of feverish suspense. Would Phileas Fogg, whom they had forgotten, reappear before their eyes! Where was he at this moment? The 17th of December, the day of James Strand's arrest, was the seventy-sixth since Phileas Fogg's departure, and no news of him had been received. Was he dead? Had he abandoned the effort, or was he continuing his journey along the route agreed upon? And would he appear on Saturday, the 21st of December, at a quarter before nine in the evening, on the threshold of the Reform Club saloon? The anxiety in which, for three days, London society existed, cannot be described. Telegrams were sent to America and Asia for news of Phileas Fogg. Messengers were dispatched to the house in Saville Row morning and evening. No news. The police were ignorant what had become of the detective, Fix, who had so unfortunately followed up a false scent. Bets increased, nevertheless, in number and value. Phileas Fogg, like a racehorse, was drawing near his last turning-point. The bonds were quoted, no longer at a hundred below par, but at twenty, at ten, and at five; and paralytic old Lord Albemarle bet even in his favour. A great crowd was collected in Pall Mall and the neighbouring streets on Saturday evening; it seemed like a multitude of brokers permanently established around the Reform Club. Circulation was impeded, and everywhere disputes, discussions, and financial transactions were going on. The police had great difficulty in keeping back the crowd, and as the hour when Phileas Fogg was due approached, the excitement rose to its highest pitch. The five antagonists of Phileas Fogg had met in the great saloon of the club. John Sullivan and Samuel Fallentin, the bankers, Andrew Stuart, the engineer, Gauthier Ralph, the director of the Bank of England, and Thomas Flanagan, the brewer, one and all waited anxiously. When the clock indicated twenty minutes past eight, Andrew Stuart got up, saying, "Gentlemen, in twenty minutes the time agreed upon between Mr. Fogg and ourselves will have expired." "What time did the last train arrive from Liverpool?" asked Thomas Flanagan. "At twenty-three minutes past seven," replied Gauthier Ralph; "and the next does not arrive till ten minutes after twelve." "Well, gentlemen," resumed Andrew Stuart, "if Phileas Fogg had come in the 7:23 train, he would have got here by this time. We can, therefore, regard the bet as won." "Wait; don't let us be too hasty," replied Samuel Fallentin. "You know that Mr. Fogg is very eccentric. His punctuality is well known; he never arrives too soon, or too late; and I should not be surprised if he appeared before us at the last minute." "Why," said Andrew Stuart nervously, "if I should see him, I should not believe it was he." "The fact is," resumed Thomas Flanagan, "Mr. Fogg's project was absurdly foolish. Whatever his punctuality, he could not prevent the delays which were certain to occur; and a delay of only two or three days would be fatal to his tour." "Observe, too," added John Sullivan, "that we have received no intelligence from him, though there are telegraphic lines all along his route." "He has lost, gentleman," said Andrew Stuart, "he has a hundred times lost! You know, besides, that the China the only steamer he could have taken from New York to get here in time arrived yesterday. I have seen a list of the passengers, and the name of Phileas Fogg is not among them. Even if we admit that fortune has favoured him, he can scarcely have reached America. I think he will be at least twenty days behind-hand, and that Lord Albemarle will lose a cool five thousand." "It is clear," replied Gauthier Ralph; "and we have nothing to do but to present Mr. Fogg's cheque at Barings to-morrow." At this moment, the hands of the club clock pointed to twenty minutes to nine. "Five minutes more," said Andrew Stuart. The five gentlemen looked at each other. Their anxiety was becoming intense; but, not wishing to betray it, they readily assented to Mr. Fallentin's proposal of a rubber. "I wouldn't give up my four thousand of the bet," said Andrew Stuart, as he took his seat, "for three thousand nine hundred and ninety-nine." The clock indicated eighteen minutes to nine. The players took up their cards, but could not keep their eyes off the clock. Certainly, however secure they felt, minutes had never seemed so long to them! "Seventeen minutes to nine," said Thomas Flanagan, as he cut the cards which Ralph handed to him. Then there was a moment of silence. The great saloon was perfectly quiet; but the murmurs of the crowd outside were heard, with now and then a shrill cry. The pendulum beat the seconds, which each player eagerly counted, as he listened, with mathematical regularity. "Sixteen minutes to nine!" said John Sullivan, in a voice which betrayed his emotion. One minute more, and the wager would be won. Andrew Stuart and his partners suspended their game. They left their cards, and counted the seconds. At the fortieth second, nothing. At the fiftieth, still nothing. At the fifty-fifth, a loud cry was heard in the street, followed by applause, hurrahs, and some fierce growls. The players rose from their seats. At the fifty-seventh second the door of the saloon opened; and the pendulum had not beat the sixtieth second when Phileas Fogg appeared, followed by an excited crowd who had forced their way through the club doors, and in his calm voice, said, "Here I am, gentlemen!"

In this chapter, the state of England is described. Once the real thief is arrested everyone starts taking interest in Fogg's wager once again. Betting is revived. A great crowd gathers near the Reform Club on Saturday evening. In the meantime Fogg's five fellow club members and whist partners come together at the Club. They all discuss whether Fogg will be able to make it on time. They think that he won't be able to. As their tension grows, they start counting the seconds to the time of the wager. Barely a few seconds before Fogg makes his appearance in his usual calm way. Outside the club, a delirious crowd makes much noise

ACT IV. SCENE 1. Troy. A street Enter, at one side, AENEAS, and servant with a torch; at another, PARIS, DEIPHOBUS, ANTENOR, DIOMEDES the Grecian, and others, with torches PARIS. See, ho! Who is that there? DEIPHOBUS. It is the Lord Aeneas. AENEAS. Is the Prince there in person? Had I so good occasion to lie long As you, Prince Paris, nothing but heavenly business Should rob my bed-mate of my company. DIOMEDES. That's my mind too. Good morrow, Lord Aeneas. PARIS. A valiant Greek, Aeneas -take his hand: Witness the process of your speech, wherein You told how Diomed, a whole week by days, Did haunt you in the field. AENEAS. Health to you, valiant sir, During all question of the gentle truce; But when I meet you arm'd, as black defiance As heart can think or courage execute. DIOMEDES. The one and other Diomed embraces. Our bloods are now in calm; and so long health! But when contention and occasion meet, By Jove, I'll play the hunter for thy life With all my force, pursuit, and policy. AENEAS. And thou shalt hunt a lion, that will fly With his face backward. In humane gentleness, Welcome to Troy! now, by Anchises' life, Welcome indeed! By Venus' hand I swear No man alive can love in such a sort The thing he means to kill, more excellently. DIOMEDES. We sympathise. Jove let Aeneas live, If to my sword his fate be not the glory, A thousand complete courses of the sun! But in mine emulous honour let him die With every joint a wound, and that to-morrow! AENEAS. We know each other well. DIOMEDES.We do; and long to know each other worse. PARIS. This is the most despiteful'st gentle greeting The noblest hateful love, that e'er I heard of. What business, lord, so early? AENEAS. I was sent for to the King; but why, I know not. PARIS. His purpose meets you: 'twas to bring this Greek To Calchas' house, and there to render him, For the enfreed Antenor, the fair Cressid. Let's have your company; or, if you please, Haste there before us. I constantly believe- Or rather call my thought a certain knowledge- My brother Troilus lodges there to-night. Rouse him and give him note of our approach, With the whole quality wherefore; I fear We shall be much unwelcome. AENEAS. That I assure you: Troilus had rather Troy were borne to Greece Than Cressid borne from Troy. PARIS. There is no help; The bitter disposition of the time Will have it so. On, lord; we'll follow you. AENEAS. Good morrow, all. Exit with servant PARIS. And tell me, noble Diomed-faith, tell me true, Even in the soul of sound good-fellowship- Who in your thoughts deserves fair Helen best, Myself or Menelaus? DIOMEDES. Both alike: He merits well to have her that doth seek her, Not making any scruple of her soilure, With such a hell of pain and world of charge; And you as well to keep her that defend her, Not palating the taste of her dishonour, With such a costly loss of wealth and friends. He like a puling cuckold would drink up The lees and dregs of a flat tamed piece; You, like a lecher, out of whorish loins Are pleas'd to breed out your inheritors. Both merits pois'd, each weighs nor less nor more; But he as he, the heavier for a whore. PARIS. You are too bitter to your country-woman. DIOMEDES. She's bitter to her country. Hear me, Paris: For every false drop in her bawdy veins A Grecian's life hath sunk; for every scruple Of her contaminated carrion weight A Troyan hath been slain; since she could speak, She hath not given so many good words breath As for her Greeks and Troyans suff'red death. PARIS. Fair Diomed, you do as chapmen do, Dispraise the thing that you desire to buy; But we in silence hold this virtue well: We'll not commend what we intend to sell. Here lies our way. Exeunt

On a street in Troy, Aeneas meets up with Paris and his posse of Trojan leaders, along with Diomedes, a Greek leader. Aeneas greets Paris by saying something like "Hey, if I had a girl like Helen in my bed, I wouldn't be out here prowling the streets of Troy." Then Aeneas turns to the Greek Diomedes, and the two guys exchange some friendly banter about how funny it is that they're always trying to hunt down and kill each other on the battlefield. LOL! Paris declares that this little display is the "noblest hateful love" he's ever witnessed. Translation: they're totally frenemies. Aeneas finds out that the King wants him to escort Diomedes to Calchas' house to trade Cressida for the prisoner Antenor. But Paris is afraid that they'll find Cressida in bed with Troilus, so he asks Aeneas to run ahead and warn him. Aeneas notes that Troilus would rather see Troy lose the war to Greece than lose Cressida. Sure, Paris says, it's a bummer the lovebirds have to be broken up. But that's the way it goes when you're in the middle of a nasty war. Easy for Paris to say--he started the whole thing. Anyway, Aeneas trots off to warn Troilus. Then Paris turns to Diomedes and asks who he thinks deserves Helen more: him or Menelaus? Diomedes replies that both men deserve her because they're willing to fight over a "whore" who isn't worth the loss of money and soldiers. Paris thinks Diomedes is too bitter toward Helen, and we really have to agree. But Diomedes doesn't stop there. He refers to Helen as "contaminated carrion" and says she's not worth the lives that have been lost fighting over who should get to have her. Um, we really have to ask--how much of a choice did Helen really have? Paris agrees to disagree, and they head off to Calchas' house to collect Cressida.

On board POMPEY'S Galley, lying near Misenum. [Music. Enter two or three SERVANTS with a banquet.] FIRST SERVANT. Here they'll be, man. Some o' their plants are ill-rooted already; the least wind i' the world will blow them down. SECOND SERVANT. Lepidus is high-coloured. FIRST SERVANT. They have made him drink alms-drink. SECOND SERVANT. As they pinch one another by the disposition, he cries out 'no more'; reconciles them to his entreaty and himself to the drink. FIRST SERVANT. But it raises the greater war between him and his discretion. SECOND SERVANT. Why, this it is to have a name in great men's fellowship: I had as lief have a reed that will do me no service as a partizan I could not heave. FIRST SERVANT. To be called into a huge sphere, and not to be seen to move in't, are the holes where eyes should be, which pitifully disaster the cheeks. [A sennet sounded. Enter CAESAR, ANTONY, LEPIDUS, POMPEY, AGRIPPA, MAECENAS, ENOBARBUS, MENAS, with other Captains.] ANTONY. [To CAESAR.] Thus do they, sir: they take the flow o' the Nile By certain scales i' the pyramid; they know By the height, the lowness, or the mean, if dearth Or foison follow: the higher Nilus swells The more it promises; as it ebbs, the seedsman Upon the slime and ooze scatters his grain, And shortly comes to harvest. LEPIDUS. You've strange serpents there. ANTONY. Ay, Lepidus. LEPIDUS. Your serpent of Egypt is bred now of your mud by the operation of your sun: so is your crocodile. ANTONY. They are so. POMPEY. Sit --and some wine!--A health to Lepidus! LEPIDUS. I am not so well as I should be, but I'll ne'er out. ENOBARBUS. Not till you have slept; I fear me you'll be in till then. LEPIDUS. Nay, certainly, I have heard the Ptolemies' pyramises are very goodly things; without contradiction I have heard that. MENAS. [Aside to POMPEY.] Pompey, a word. POMPEY. [Aside to MENAS.] Say in mine ear: what is't? MENAS. [Aside to POMPEY.] Forsake thy seat, I do beseech thee, captain, And hear me speak a word. POMPEY. [Aside to MENAS.] Forbear me till ano.n-- This wine for Lepidus! LEPIDUS. What manner o' thing is your crocodile? ANTONY. It is shaped, sir, like itself; and it is as broad as it hath breadth: it is just so high as it is, and moves with it own organs: it lives by that which nourisheth it, and the elements once out of it, it transmigrates. LEPIDUS. What colour is it of? ANTONY. Of its own colour too. LEPIDUS. 'Tis a strange serpent. ANTONY. 'Tis so. And the tears of it are wet. CAESAR. Will this description satisfy him? ANTONY. With the health that Pompey gives him, else he is a very epicure. POMPEY. [Aside to MENAS.] Go, hang, sir, hang! Tell me of that! away! Do as I bid you.--Where's this cup I call'd for? MENAS. [Aside to POMPEY.] If for the sake of merit thou wilt hear me, Rise from thy stool. POMPEY. [Aside to MENAS.] I think thou'rt mad. [Rises and walks aside.] The matter? MENAS. I have ever held my cap off to thy fortunes. POMPEY. Thou hast serv'd me with much faith. What's else to say?-- Be jolly, lords. ANTONY. These quicksands, Lepidus, Keep off them, for you sink. MENAS. Wilt thou be lord of all the world? POMPEY. What say'st thou? MENAS. Wilt thou be lord of the whole world? That's twice. POMPEY. How should that be? MENAS. But entertain it, And though you think me poor, I am the man Will give thee all the world. POMPEY. Hast thou drunk well? MENAS. No, Pompey, I have kept me from the cup. Thou art, if thou dar'st be, the earthly Jove: Whate'er the ocean pales or sky inclips Is thine, if thou wilt have't. POMPEY. Show me which way. MENAS. These three world-sharers, these competitors, Are in thy vessel: let me cut the cable; And when we are put off, fall to their throats: All then is thine. POMPEY. Ah, this thou shouldst have done, And not have spoke on't! In me 'tis villainy: In thee't had been good service. Thou must know 'Tis not my profit that does lead mine honour: Mine honour it. Repent that e'er thy tongue Hath so betray'd thine act: being done unknown, I should have found it afterwards well done; But must condemn it now. Desist, and drink. MENAS. [Aside.] For this, I'll never follow thy pall'd fortunes more. Who seeks, and will not take when once 'tis offer'd, Shall never find it more. POMPEY. This health to Lepidus! ANTONY. Bear him ashore. I'll pledge it for him, Pompey. ENOBARBUS. Here's to thee, Menas! MENAS. Enobarbus, welcome! POMPEY. Fill till the cup be hid. ENOBARBUS. There's a strong fellow, Menas. [Pointing to the servant who carries off LEPIDUS.] MENAS. Why? ENOBARBUS. 'A bears the third part of the world, man; see'st not? MENAS. The third part, then, is drunk; would it were all, That it might go on wheels! ENOBARBUS. Drink thou; increase the reels. MENAS. Come. POMPEY. This is not yet an Alexandrian feast. ANTONY. It ripens towards it.--Strike the vessels, ho!-- Here is to Caesar! CAESAR. I could well forbear't. It's monstrous labour when I wash my brain And it grows fouler. ANTONY. Be a child o' the time. CAESAR. Possess it, I'll make answer: But I had rather fast from all four days Than drink so much in one. ENOBARBUS. [To ANTONY.] Ha, my brave emperor! Shall we dance now the Egyptian Bacchanals And celebrate our drink? POMPEY. Let's ha't, good soldier. ANTONY. Come, let's all take hands, Till that the conquering wine hath steep'd our sense In soft and delicate Lethe. ENOBARBUS. All take hands.-- Make battery to our ears with the loud music:-- The while I'll place you: then the boy shall sing; The holding every man shall bear as loud As his strong sides can volley. [Music plays. ENOBARBUS places them hand in hand.] SONG. Come, thou monarch of the vine, Plumpy Bacchus with pink eyne! In thy fats our cares be drown'd, With thy grapes our hairs be crown'd: Cup us, till the world go round, Cup us, till the world go round! CAESAR. What would you more?--Pompey, good night. Good brother, Let me request you off: our graver business Frowns at this levity.--Gentle lords, let's part; You see we have burnt our cheeks: strong Enobarb Is weaker than the wine; and mine own tongue Splits what it speaks: the wild disguise hath almost Antick'd us all. What needs more words. Good night.-- Good Antony, your hand. POMPEY. I'll try you on the shore. ANTONY. And shall, sir: give's your hand. POMPEY. O Antony, You have my father's house,--but, what? we are friends. Come, down into the boat. ENOBARBUS. Take heed you fall not. [Exeunt POMPEY, CAESAR, ANTONY, and Attendants.] Menas, I'll not on shore. MENAS. No, to my cabin.-- These drums!--these trumpets, flutes! what!-- Let Neptune hear we bid a loud farewell To these great fellows: sound and be hang'd, sound out! [A flourish of trumpets, with drums.] ENOBARBUS. Hoo! says 'a.--There's my cap. MENAS. Hoo!--noble captain, come. [Exeunt.]

Pompey throws a feast for the Roman leaders on his boats. While everyone drinks, Menas tells Pompey he can make him the king of the world. Pompey asks how, and Menas states that he could kill all of the leaders while they are on the boat. Pompey refuses because it would offend his honor, and the men have to remove Ledipus from the boat because he becomes so drunk

Lily woke from happy dreams to find two notes at her bedside. One was from Mrs. Trenor, who announced that she was coming to town that afternoon for a flying visit, and hoped Miss Bart would be able to dine with her. The other was from Selden. He wrote briefly that an important case called him to Albany, whence he would be unable to return till the evening, and asked Lily to let him know at what hour on the following day she would see him. Lily, leaning back among her pillows, gazed musingly at his letter. The scene in the Brys' conservatory had been like a part of her dreams; she had not expected to wake to such evidence of its reality. Her first movement was one of annoyance: this unforeseen act of Selden's added another complication to life. It was so unlike him to yield to such an irrational impulse! Did he really mean to ask her to marry him? She had once shown him the impossibility of such a hope, and his subsequent behaviour seemed to prove that he had accepted the situation with a reasonableness somewhat mortifying to her vanity. It was all the more agreeable to find that this reasonableness was maintained only at the cost of not seeing her; but, though nothing in life was as sweet as the sense of her power over him, she saw the danger of allowing the episode of the previous night to have a sequel. Since she could not marry him, it would be kinder to him, as well as easier for herself, to write a line amicably evading his request to see her: he was not the man to mistake such a hint, and when next they met it would be on their usual friendly footing. Lily sprang out of bed, and went straight to her desk. She wanted to write at once, while she could trust to the strength of her resolve. She was still languid from her brief sleep and the exhilaration of the evening, and the sight of Selden's writing brought back the culminating moment of her triumph: the moment when she had read in his eyes that no philosophy was proof against her power. It would be pleasant to have that sensation again . . . no one else could give it to her in its fulness; and she could not bear to mar her mood of luxurious retrospection by an act of definite refusal. She took up her pen and wrote hastily: "TOMORROW AT FOUR;" murmuring to herself, as she slipped the sheet into its envelope: "I can easily put him off when tomorrow comes." Judy Trenor's summons was very welcome to Lily. It was the first time she had received a direct communication from Bellomont since the close of her last visit there, and she was still visited by the dread of having incurred Judy's displeasure. But this characteristic command seemed to reestablish their former relations; and Lily smiled at the thought that her friend had probably summoned her in order to hear about the Brys' entertainment. Mrs. Trenor had absented herself from the feast, perhaps for the reason so frankly enunciated by her husband, perhaps because, as Mrs. Fisher somewhat differently put it, she "couldn't bear new people when she hadn't discovered them herself." At any rate, though she remained haughtily at Bellomont, Lily suspected in her a devouring eagerness to hear of what she had missed, and to learn exactly in what measure Mrs. Wellington Bry had surpassed all previous competitors for social recognition. Lily was quite ready to gratify this curiosity, but it happened that she was dining out. She determined, however, to see Mrs. Trenor for a few moments, and ringing for her maid she despatched a telegram to say that she would be with her friend that evening at ten. She was dining with Mrs. Fisher, who had gathered at an informal feast a few of the performers of the previous evening. There was to be plantation music in the studio after dinner--for Mrs. Fisher, despairing of the republic, had taken up modelling, and annexed to her small crowded house a spacious apartment, which, whatever its uses in her hours of plastic inspiration, served at other times for the exercise of an indefatigable hospitality. Lily was reluctant to leave, for the dinner was amusing, and she would have liked to lounge over a cigarette and hear a few songs; but she could not break her engagement with Judy, and shortly after ten she asked her hostess to ring for a hansom, and drove up Fifth Avenue to the Trenors'. She waited long enough on the doorstep to wonder that Judy's presence in town was not signalized by a greater promptness in admitting her; and her surprise was increased when, instead of the expected footman, pushing his shoulders into a tardy coat, a shabby care-taking person in calico let her into the shrouded hall. Trenor, however, appeared at once on the threshold of the drawing-room, welcoming her with unusual volubility while he relieved her of her cloak and drew her into the room. "Come along to the den; it's the only comfortable place in the house. Doesn't this room look as if it was waiting for the body to be brought down? Can't see why Judy keeps the house wrapped up in this awful slippery white stuff--it's enough to give a fellow pneumonia to walk through these rooms on a cold day. You look a little pinched yourself, by the way: it's rather a sharp night out. I noticed it walking up from the club. Come along, and I'll give you a nip of brandy, and you can toast yourself over the fire and try some of my new Egyptians--that little Turkish chap at the Embassy put me on to a brand that I want you to try, and if you like 'em I'll get out a lot for you: they don't have 'em here yet, but I'll cable." He led her through the house to the large room at the back, where Mrs. Trenor usually sat, and where, even in her absence, there was an air of occupancy. Here, as usual, were flowers, newspapers, a littered writing-table, and a general aspect of lamp-lit familiarity, so that it was a surprise not to see Judy's energetic figure start up from the arm-chair near the fire. It was apparently Trenor himself who had been occupying the seat in question, for it was overhung by a cloud of cigar smoke, and near it stood one of those intricate folding tables which British ingenuity has devised to facilitate the circulation of tobacco and spirits. The sight of such appliances in a drawing-room was not unusual in Lily's set, where smoking and drinking were unrestricted by considerations of time and place, and her first movement was to help herself to one of the cigarettes recommended by Trenor, while she checked his loquacity by asking, with a surprised glance: "Where's Judy?" Trenor, a little heated by his unusual flow of words, and perhaps by prolonged propinquity with the decanters, was bending over the latter to decipher their silver labels. "Here, now, Lily, just a drop of cognac in a little fizzy water--you do look pinched, you know: I swear the end of your nose is red. I'll take another glass to keep you company--Judy?--Why, you see, Judy's got a devil of a head ache--quite knocked out with it, poor thing--she asked me to explain--make it all right, you know--Do come up to the fire, though; you look dead-beat, really. Now do let me make you comfortable, there's a good girl." He had taken her hand, half-banteringly, and was drawing her toward a low seat by the hearth; but she stopped and freed herself quietly. "Do you mean to say that Judy's not well enough to see me? Doesn't she want me to go upstairs?" Trenor drained the glass he had filled for himself, and paused to set it down before he answered. "Why, no--the fact is, she's not up to seeing anybody. It came on suddenly, you know, and she asked me to tell you how awfully sorry she was--if she'd known where you were dining she'd have sent you word." "She did know where I was dining; I mentioned it in my telegram. But it doesn't matter, of course. I suppose if she's so poorly she won't go back to Bellomont in the morning, and I can come and see her then." "Yes: exactly--that's capital. I'll tell her you'll pop in tomorrow morning. And now do sit down a minute, there's a dear, and let's have a nice quiet jaw together. You won't take a drop, just for sociability? Tell me what you think of that cigarette. Why, don't you like it? What are you chucking it away for?" "I am chucking it away because I must go, if you'll have the goodness to call a cab for me," Lily returned with a smile. She did not like Trenor's unusual excitability, with its too evident explanation, and the thought of being alone with him, with her friend out of reach upstairs, at the other end of the great empty house, did not conduce to a desire to prolong their TETE-A-TETE. But Trenor, with a promptness which did not escape her, had moved between herself and the door. "Why must you go, I should like to know? If Judy'd been here you'd have sat gossiping till all hours--and you can't even give me five minutes! It's always the same story. Last night I couldn't get near you--I went to that damned vulgar party just to see you, and there was everybody talking about you, and asking me if I'd ever seen anything so stunning, and when I tried to come up and say a word, you never took any notice, but just went on laughing and joking with a lot of asses who only wanted to be able to swagger about afterward, and look knowing when you were mentioned." He paused, flushed by his diatribe, and fixing on her a look in which resentment was the ingredient she least disliked. But she had regained her presence of mind, and stood composedly in the middle of the room, while her slight smile seemed to put an ever increasing distance between herself and Trenor. Across it she said: "Don't be absurd, Gus. It's past eleven, and I must really ask you to ring for a cab." He remained immovable, with the lowering forehead she had grown to detest. "And supposing I won't ring for one--what'll you do then?" "I shall go upstairs to Judy if you force me to disturb her." Trenor drew a step nearer and laid his hand on her arm. "Look here, Lily: won't you give me five minutes of your own accord?" "Not tonight, Gus: you----" "Very good, then: I'll take 'em. And as many more as I want." He had squared himself on the threshold, his hands thrust deep in his pockets. He nodded toward the chair on the hearth. "Go and sit down there, please: I've got a word to say to you." Lily's quick temper was getting the better of her fears. She drew herself up and moved toward the door. "If you have anything to say to me, you must say it another time. I shall go up to Judy unless you call a cab for me at once." He burst into a laugh. "Go upstairs and welcome, my dear; but you won't find Judy. She ain't there." Lily cast a startled look upon him. "Do you mean that Judy is not in the house--not in town?" she exclaimed. "That's just what I do mean," returned Trenor, his bluster sinking to sullenness under her look. "Nonsense--I don't believe you. I am going upstairs," she said impatiently. He drew unexpectedly aside, letting her reach the threshold unimpeded. "Go up and welcome; but my wife is at Bellomont." But Lily had a flash of reassurance. "If she hadn't come she would have sent me word----" "She did; she telephoned me this afternoon to let you know." "I received no message." "I didn't send any." The two measured each other for a moment, but Lily still saw her opponent through a blur of scorn that made all other considerations indistinct. "I can't imagine your object in playing such a stupid trick on me; but if you have fully gratified your peculiar sense of humour I must again ask you to send for a cab." It was the wrong note, and she knew it as she spoke. To be stung by irony it is not necessary to understand it, and the angry streaks on Trenor's face might have been raised by an actual lash. "Look here, Lily, don't take that high and mighty tone with me." He had again moved toward the door, and in her instinctive shrinking from him she let him regain command of the threshold. "I DID play a trick on you; I own up to it; but if you think I'm ashamed you're mistaken. Lord knows I've been patient enough--I've hung round and looked like an ass. And all the while you were letting a lot of other fellows make up to you . . . letting 'em make fun of me, I daresay . . . I'm not sharp, and can't dress my friends up to look funny, as you do . . . but I can tell when it's being done to me . . . I can tell fast enough when I'm made a fool of . . ." "Ah, I shouldn't have thought that!" flashed from Lily; but her laugh dropped to silence under his look. "No; you wouldn't have thought it; but you'll know better now. That's what you're here for tonight. I've been waiting for a quiet time to talk things over, and now I've got it I mean to make you hear me out." His first rush of inarticulate resentment had been followed by a steadiness and concentration of tone more disconcerting to Lily than the excitement preceding it. For a moment her presence of mind forsook her. She had more than once been in situations where a quick sword-play of wit had been needful to cover her retreat; but her frightened heart-throbs told her that here such skill would not avail. To gain time she repeated: "I don't understand what you want." Trenor had pushed a chair between herself and the door. He threw himself in it, and leaned back, looking up at her. "I'll tell you what I want: I want to know just where you and I stand. Hang it, the man who pays for the dinner is generally allowed to have a seat at table." She flamed with anger and abasement, and the sickening need of having to conciliate where she longed to humble. "I don't know what you mean--but you must see, Gus, that I can't stay here talking to you at this hour----" "Gad, you go to men's houses fast enough in broad day light--strikes me you're not always so deuced careful of appearances." The brutality of the thrust gave her the sense of dizziness that follows on a physical blow. Rosedale had spoken then--this was the way men talked of her--She felt suddenly weak and defenceless: there was a throb of self-pity in her throat. But all the while another self was sharpening her to vigilance, whispering the terrified warning that every word and gesture must be measured. "If you have brought me here to say insulting things----" she began. Trenor laughed. "Don't talk stage-rot. I don't want to insult you. But a man's got his feelings--and you've played with mine too long. I didn't begin this business--kept out of the way, and left the track clear for the other chaps, till you rummaged me out and set to work to make an ass of me--and an easy job you had of it, too. That's the trouble--it was too easy for you--you got reckless--thought you could turn me inside out, and chuck me in the gutter like an empty purse. But, by gad, that ain't playing fair: that's dodging the rules of the game. Of course I know now what you wanted--it wasn't my beautiful eyes you were after--but I tell you what, Miss Lily, you've got to pay up for making me think so----" He rose, squaring his shoulders aggressively, and stepped toward her with a reddening brow; but she held her footing, though every nerve tore at her to retreat as he advanced. "Pay up?" she faltered. "Do you mean that I owe you money?" He laughed again. "Oh, I'm not asking for payment in kind. But there's such a thing as fair play--and interest on one's money--and hang me if I've had as much as a look from you----" "Your money? What have I to do with your money? You advised me how to invest mine . . . you must have seen I knew nothing of business . . . you told me it was all right----" "It WAS all right--it is, Lily: you're welcome to all of it, and ten times more. I'm only asking for a word of thanks from you." He was closer still, with a hand that grew formidable; and the frightened self in her was dragging the other down. "I HAVE thanked you; I've shown I was grateful. What more have you done than any friend might do, or any one accept from a friend?" Trenor caught her up with a sneer. "I don't doubt you've accepted as much before--and chucked the other chaps as you'd like to chuck me. I don't care how you settled your score with them--if you fooled 'em I'm that much to the good. Don't stare at me like that--I know I'm not talking the way a man is supposed to talk to a girl--but, hang it, if you don't like it you can stop me quick enough--you know I'm mad about you--damn the money, there's plenty more of it--if THAT bothers you . . . I was a brute, Lily--Lily!--just look at me----" Over and over her the sea of humiliation broke--wave crashing on wave so close that the moral shame was one with the physical dread. It seemed to her that self-esteem would have made her invulnerable--that it was her own dishonour which put a fearful solitude about her. His touch was a shock to her drowning consciousness. She drew back from him with a desperate assumption of scorn. "I've told you I don't understand--but if I owe you money you shall be paid----" Trenor's face darkened to rage: her recoil of abhorrence had called out the primitive man. "Ah--you'll borrow from Selden or Rosedale--and take your chances of fooling them as you've fooled me! Unless--unless you've settled your other scores already--and I'm the only one left out in the cold!" She stood silent, frozen to her place. The words--the words were worse than the touch! Her heart was beating all over her body--in her throat, her limbs, her helpless useless hands. Her eyes travelled despairingly about the room--they lit on the bell, and she remembered that help was in call. Yes, but scandal with it--a hideous mustering of tongues. No, she must fight her way out alone. It was enough that the servants knew her to be in the house with Trenor--there must be nothing to excite conjecture in her way of leaving it. She raised her head, and achieved a last clear look at him. "I am here alone with you," she said. "What more have you to say?" To her surprise, Trenor answered the look with a speechless stare. With his last gust of words the flame had died out, leaving him chill and humbled. It was as though a cold air had dispersed the fumes of his libations, and the situation loomed before him black and naked as the ruins of a fire. Old habits, old restraints, the hand of inherited order, plucked back the bewildered mind which passion had jolted from its ruts. Trenor's eye had the haggard look of the sleep-walker waked on a deathly ledge. "Go home! Go away from here"----he stammered, and turning his back on her walked toward the hearth. The sharp release from her fears restored Lily to immediate lucidity. The collapse of Trenor's will left her in control, and she heard herself, in a voice that was her own yet outside herself, bidding him ring for the servant, bidding him give the order for a hansom, directing him to put her in it when it came. Whence the strength came to her she knew not; but an insistent voice warned her that she must leave the house openly, and nerved her, in the hall before the hovering care taker, to exchange light words with Trenor, and charge him with the usual messages for Judy, while all the while she shook with inward loathing. On the doorstep, with the street before her, she felt a mad throb of liberation, intoxicating as the prisoner's first draught of free air; but the clearness of brain continued, and she noted the mute aspect of Fifth Avenue, guessed at the lateness of the hour, and even observed a man's figure--was there something half-familiar in its outline?--which, as she entered the hansom, turned from the opposite corner and vanished in the obscurity of the side street. But with the turn of the wheels reaction came, and shuddering darkness closed on her. "I can't think--I can't think," she moaned, and leaned her head against the rattling side of the cab. She seemed a stranger to herself, or rather there were two selves in her, the one she had always known, and a new abhorrent being to which it found itself chained. She had once picked up, in a house where she was staying, a translation of the EUMENIDES, and her imagination had been seized by the high terror of the scene where Orestes, in the cave of the oracle, finds his implacable huntresses asleep, and snatches an hour's repose. Yes, the Furies might sometimes sleep, but they were there, always there in the dark corners, and now they were awake and the iron clang of their wings was in her brain . . . She opened her eyes and saw the streets passing--the familiar alien streets. All she looked on was the same and yet changed. There was a great gulf fixed between today and yesterday. Everything in the past seemed simple, natural, full of daylight--and she was alone in a place of darkness and pollution.--Alone! It was the loneliness that frightened her. Her eyes fell on an illuminated clock at a street corner, and she saw that the hands marked the half hour after eleven. Only half-past eleven--there were hours and hours left of the night! And she must spend them alone, shuddering sleepless on her bed. Her soft nature recoiled from this ordeal, which had none of the stimulus of conflict to goad her through it. Oh, the slow cold drip of the minutes on her head! She had a vision of herself lying on the black walnut bed--and the darkness would frighten her, and if she left the light burning the dreary details of the room would brand themselves forever on her brain. She had always hated her room at Mrs. Peniston's--its ugliness, its impersonality, the fact that nothing in it was really hers. To a torn heart uncomforted by human nearness a room may open almost human arms, and the being to whom no four walls mean more than any others, is, at such hours, expatriate everywhere. Lily had no heart to lean on. Her relation with her aunt was as superficial as that of chance lodgers who pass on the stairs. But even had the two been in closer contact, it was impossible to think of Mrs. Peniston's mind as offering shelter or comprehension to such misery as Lily's. As the pain that can be told is but half a pain, so the pity that questions has little healing in its touch. What Lily craved was the darkness made by enfolding arms, the silence which is not solitude, but compassion holding its breath. She started up and looked forth on the passing streets. Gerty!--they were nearing Gerty's corner. If only she could reach there before this labouring anguish burst from her breast to her lips--if only she could feel the hold of Gerty's arms while she shook in the ague-fit of fear that was coming upon her! She pushed up the door in the roof and called the address to the driver. It was not so late--Gerty might still be waking. And even if she were not, the sound of the bell would penetrate every recess of her tiny apartment, and rouse her to answer her friend's call.

Lily wakes up the day after the party to find two notes for her. One is from Mrs. Trenor, who wants to see Lily that afternoon. The next is from Selden, who was called away on business but would like to see her the following evening. Lily is irritated by Selden's note - it makes her life more complicated. Also, she's made it clear that she doesn't intend to marry him, so what is he doing? She enjoys having power over him, but she knows it would be dangerous for last night's scene to "have a sequel." Still, she answers his note with a message to meet her tomorrow at 4pm, figuring she can tell him off in person. In the meantime, Lily can rest easy that Judy is again her friend . Lily has dinner with Mrs. Fisher and then heads to the Trenors' after 10pm to see Judy. She finds it odd that the house is mostly dark, and that a shabby caretaker opens the door for her rather than the usual footman. Gus Trenor greets her and leads her into the den where he sets about getting her a drink. Lily asks where Judy is, but he says she's upstairs in bed with a headache and not to worry about it. He keeps trying to change the subject. Lily says that if Judy isn't well enough to see her, she'll have to come back tomorrow to visit instead. She asks repeatedly for a cab, but Trenor keeps refusing to call her one. He starts in again on how Lily just wanted to use him for stock tips, and now that she's gotten what she wanted, she never spends any time with him. Lily explains that it's past eleven and therefore inappropriate for the two of them to be alone together while Judy is upstairs. She says if he won't call her a cab, she'll go upstairs and get his wife. Then, Gus admits the truth: Judy isn't here. She's at Bellomont. He orchestrated the evening to get Lily alone with him in the house. Lily is all, "This is so indecent!", which enrages him further. He says that he's been giving Lily tons of money and, in return, she owes him. He never explicitly says anything about sex, but it's clear that that's what he's talking about. Lily is indignant; she thought he was simply investing her money on the stock market for her. Gus doesn't think a woman like Lily - who "goes to men's houses in broad daylight" - has any right to take the moral high road with him. Lily realizes that Rosedale told him about the afternoon he found her leaving Selden's room at the Benedick. Finally, she says that if she owes Gus money, she will surely pay him back. He doesn't want money - he wants something else. But Lily insists she will pay him back and then runs out of the house. As she gets into a carriage and departs, she thinks she recognizes the outline of a pair of gentlemen outside on the street... Lily is horrified and distraught. Seeing that it's only 11:30, she doesn't know where to go for the rest of the night. She doesn't want to be alone. She decides to go stay with Gerty Farish, who has always been so kind to her.

No sooner was her answer dispatched, than Mrs. Dashwood indulged herself in the pleasure of announcing to her son-in-law and his wife that she was provided with a house, and should incommode them no longer than till every thing were ready for her inhabiting it. They heard her with surprise. Mrs. John Dashwood said nothing; but her husband civilly hoped that she would not be settled far from Norland. She had great satisfaction in replying that she was going into Devonshire.--Edward turned hastily towards her, on hearing this, and, in a voice of surprise and concern, which required no explanation to her, repeated, "Devonshire! Are you, indeed, going there? So far from hence! And to what part of it?" She explained the situation. It was within four miles northward of Exeter. "It is but a cottage," she continued, "but I hope to see many of my friends in it. A room or two can easily be added; and if my friends find no difficulty in travelling so far to see me, I am sure I will find none in accommodating them." She concluded with a very kind invitation to Mr. and Mrs. John Dashwood to visit her at Barton; and to Edward she gave one with still greater affection. Though her late conversation with her daughter-in-law had made her resolve on remaining at Norland no longer than was unavoidable, it had not produced the smallest effect on her in that point to which it principally tended. To separate Edward and Elinor was as far from being her object as ever; and she wished to show Mrs. John Dashwood, by this pointed invitation to her brother, how totally she disregarded her disapprobation of the match. Mr. John Dashwood told his mother again and again how exceedingly sorry he was that she had taken a house at such a distance from Norland as to prevent his being of any service to her in removing her furniture. He really felt conscientiously vexed on the occasion; for the very exertion to which he had limited the performance of his promise to his father was by this arrangement rendered impracticable.-- The furniture was all sent around by water. It chiefly consisted of household linen, plate, china, and books, with a handsome pianoforte of Marianne's. Mrs. John Dashwood saw the packages depart with a sigh: she could not help feeling it hard that as Mrs. Dashwood's income would be so trifling in comparison with their own, she should have any handsome article of furniture. Mrs. Dashwood took the house for a twelvemonth; it was ready furnished, and she might have immediate possession. No difficulty arose on either side in the agreement; and she waited only for the disposal of her effects at Norland, and to determine her future household, before she set off for the west; and this, as she was exceedingly rapid in the performance of everything that interested her, was soon done.--The horses which were left her by her husband had been sold soon after his death, and an opportunity now offering of disposing of her carriage, she agreed to sell that likewise at the earnest advice of her eldest daughter. For the comfort of her children, had she consulted only her own wishes, she would have kept it; but the discretion of Elinor prevailed. HER wisdom too limited the number of their servants to three; two maids and a man, with whom they were speedily provided from amongst those who had formed their establishment at Norland. The man and one of the maids were sent off immediately into Devonshire, to prepare the house for their mistress's arrival; for as Lady Middleton was entirely unknown to Mrs. Dashwood, she preferred going directly to the cottage to being a visitor at Barton Park; and she relied so undoubtingly on Sir John's description of the house, as to feel no curiosity to examine it herself till she entered it as her own. Her eagerness to be gone from Norland was preserved from diminution by the evident satisfaction of her daughter-in-law in the prospect of her removal; a satisfaction which was but feebly attempted to be concealed under a cold invitation to her to defer her departure. Now was the time when her son-in-law's promise to his father might with particular propriety be fulfilled. Since he had neglected to do it on first coming to the estate, their quitting his house might be looked on as the most suitable period for its accomplishment. But Mrs. Dashwood began shortly to give over every hope of the kind, and to be convinced, from the general drift of his discourse, that his assistance extended no farther than their maintenance for six months at Norland. He so frequently talked of the increasing expenses of housekeeping, and of the perpetual demands upon his purse, which a man of any consequence in the world was beyond calculation exposed to, that he seemed rather to stand in need of more money himself than to have any design of giving money away. In a very few weeks from the day which brought Sir John Middleton's first letter to Norland, every thing was so far settled in their future abode as to enable Mrs. Dashwood and her daughters to begin their journey. Many were the tears shed by them in their last adieus to a place so much beloved. "Dear, dear Norland!" said Marianne, as she wandered alone before the house, on the last evening of their being there; "when shall I cease to regret you!--when learn to feel a home elsewhere!--Oh! happy house, could you know what I suffer in now viewing you from this spot, from whence perhaps I may view you no more!--And you, ye well-known trees!--but you will continue the same.--No leaf will decay because we are removed, nor any branch become motionless although we can observe you no longer!--No; you will continue the same; unconscious of the pleasure or the regret you occasion, and insensible of any change in those who walk under your shade!--But who will remain to enjoy you?"

Mrs. Dashwood announces that they are to leave soon, and take the cottage in Devonshire; Fanny Dashwood is pleased of course, though Edward seems surprised that they are moving so far away. Mrs. Dashwood takes pleasure in the arrangements, and sends their furniture ahead to the house; she invites Edward warmly, hoping he will come to visit them there. Mrs. Dashwood's former hopes that John Dashwood might assist them in some way come to naught; indeed, he starts to comment on the expenses of his housekeeping, indicating that his generosity only extended to keeping them at Norland for those few months.

But the privations, or rather the hardships, of Lowood lessened. Spring drew on: she was indeed already come; the frosts of winter had ceased; its snows were melted, its cutting winds ameliorated. My wretched feet, flayed and swollen to lameness by the sharp air of January, began to heal and subside under the gentler breathings of April; the nights and mornings no longer by their Canadian temperature froze the very blood in our veins; we could now endure the play-hour passed in the garden: sometimes on a sunny day it began even to be pleasant and genial, and a greenness grew over those brown beds, which, freshening daily, suggested the thought that Hope traversed them at night, and left each morning brighter traces of her steps. Flowers peeped out amongst the leaves; snow-drops, crocuses, purple auriculas, and golden-eyed pansies. On Thursday afternoons (half-holidays) we now took walks, and found still sweeter flowers opening by the wayside, under the hedges. I discovered, too, that a great pleasure, an enjoyment which the horizon only bounded, lay all outside the high and spike-guarded walls of our garden: this pleasure consisted in prospect of noble summits girdling a great hill-hollow, rich in verdure and shadow; in a bright beck, full of dark stones and sparkling eddies. How different had this scene looked when I viewed it laid out beneath the iron sky of winter, stiffened in frost, shrouded with snow!--when mists as chill as death wandered to the impulse of east winds along those purple peaks, and rolled down "ing" and holm till they blended with the frozen fog of the beck! That beck itself was then a torrent, turbid and curbless: it tore asunder the wood, and sent a raving sound through the air, often thickened with wild rain or whirling sleet; and for the forest on its banks, _that_ showed only ranks of skeletons. April advanced to May: a bright serene May it was; days of blue sky, placid sunshine, and soft western or southern gales filled up its duration. And now vegetation matured with vigour; Lowood shook loose its tresses; it became all green, all flowery; its great elm, ash, and oak skeletons were restored to majestic life; woodland plants sprang up profusely in its recesses; unnumbered varieties of moss filled its hollows, and it made a strange ground-sunshine out of the wealth of its wild primrose plants: I have seen their pale gold gleam in overshadowed spots like scatterings of the sweetest lustre. All this I enjoyed often and fully, free, unwatched, and almost alone: for this unwonted liberty and pleasure there was a cause, to which it now becomes my task to advert. Have I not described a pleasant site for a dwelling, when I speak of it as bosomed in hill and wood, and rising from the verge of a stream? Assuredly, pleasant enough: but whether healthy or not is another question. That forest-dell, where Lowood lay, was the cradle of fog and fog-bred pestilence; which, quickening with the quickening spring, crept into the Orphan Asylum, breathed typhus through its crowded schoolroom and dormitory, and, ere May arrived, transformed the seminary into an hospital. Semi-starvation and neglected colds had predisposed most of the pupils to receive infection: forty-five out of the eighty girls lay ill at one time. Classes were broken up, rules relaxed. The few who continued well were allowed almost unlimited license; because the medical attendant insisted on the necessity of frequent exercise to keep them in health: and had it been otherwise, no one had leisure to watch or restrain them. Miss Temple's whole attention was absorbed by the patients: she lived in the sick-room, never quitting it except to snatch a few hours' rest at night. The teachers were fully occupied with packing up and making other necessary preparations for the departure of those girls who were fortunate enough to have friends and relations able and willing to remove them from the seat of contagion. Many, already smitten, went home only to die: some died at the school, and were buried quietly and quickly, the nature of the malady forbidding delay. While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin. But I, and the rest who continued well, enjoyed fully the beauties of the scene and season; they let us ramble in the wood, like gipsies, from morning till night; we did what we liked, went where we liked: we lived better too. Mr. Brocklehurst and his family never came near Lowood now: household matters were not scrutinised into; the cross housekeeper was gone, driven away by the fear of infection; her successor, who had been matron at the Lowton Dispensary, unused to the ways of her new abode, provided with comparative liberality. Besides, there were fewer to feed; the sick could eat little; our breakfast-basins were better filled; when there was no time to prepare a regular dinner, which often happened, she would give us a large piece of cold pie, or a thick slice of bread and cheese, and this we carried away with us to the wood, where we each chose the spot we liked best, and dined sumptuously. My favourite seat was a smooth and broad stone, rising white and dry from the very middle of the beck, and only to be got at by wading through the water; a feat I accomplished barefoot. The stone was just broad enough to accommodate, comfortably, another girl and me, at that time my chosen comrade--one Mary Ann Wilson; a shrewd, observant personage, whose society I took pleasure in, partly because she was witty and original, and partly because she had a manner which set me at my ease. Some years older than I, she knew more of the world, and could tell me many things I liked to hear: with her my curiosity found gratification: to my faults also she gave ample indulgence, never imposing curb or rein on anything I said. She had a turn for narrative, I for analysis; she liked to inform, I to question; so we got on swimmingly together, deriving much entertainment, if not much improvement, from our mutual intercourse. And where, meantime, was Helen Burns? Why did I not spend these sweet days of liberty with her? Had I forgotten her? or was I so worthless as to have grown tired of her pure society? Surely the Mary Ann Wilson I have mentioned was inferior to my first acquaintance: she could only tell me amusing stories, and reciprocate any racy and pungent gossip I chose to indulge in; while, if I have spoken truth of Helen, she was qualified to give those who enjoyed the privilege of her converse a taste of far higher things. True, reader; and I knew and felt this: and though I am a defective being, with many faults and few redeeming points, yet I never tired of Helen Burns; nor ever ceased to cherish for her a sentiment of attachment, as strong, tender, and respectful as any that ever animated my heart. How could it be otherwise, when Helen, at all times and under all circumstances, evinced for me a quiet and faithful friendship, which ill-humour never soured, nor irritation never troubled? But Helen was ill at present: for some weeks she had been removed from my sight to I knew not what room upstairs. She was not, I was told, in the hospital portion of the house with the fever patients; for her complaint was consumption, not typhus: and by consumption I, in my ignorance, understood something mild, which time and care would be sure to alleviate. I was confirmed in this idea by the fact of her once or twice coming downstairs on very warm sunny afternoons, and being taken by Miss Temple into the garden; but, on these occasions, I was not allowed to go and speak to her; I only saw her from the schoolroom window, and then not distinctly; for she was much wrapped up, and sat at a distance under the verandah. One evening, in the beginning of June, I had stayed out very late with Mary Ann in the wood; we had, as usual, separated ourselves from the others, and had wandered far; so far that we lost our way, and had to ask it at a lonely cottage, where a man and woman lived, who looked after a herd of half-wild swine that fed on the mast in the wood. When we got back, it was after moonrise: a pony, which we knew to be the surgeon's, was standing at the garden door. Mary Ann remarked that she supposed some one must be very ill, as Mr. Bates had been sent for at that time of the evening. She went into the house; I stayed behind a few minutes to plant in my garden a handful of roots I had dug up in the forest, and which I feared would wither if I left them till the morning. This done, I lingered yet a little longer: the flowers smelt so sweet as the dew fell; it was such a pleasant evening, so serene, so warm; the still glowing west promised so fairly another fine day on the morrow; the moon rose with such majesty in the grave east. I was noting these things and enjoying them as a child might, when it entered my mind as it had never done before:-- "How sad to be lying now on a sick bed, and to be in danger of dying! This world is pleasant--it would be dreary to be called from it, and to have to go who knows where?" And then my mind made its first earnest effort to comprehend what had been infused into it concerning heaven and hell; and for the first time it recoiled, baffled; and for the first time glancing behind, on each side, and before it, it saw all round an unfathomed gulf: it felt the one point where it stood--the present; all the rest was formless cloud and vacant depth; and it shuddered at the thought of tottering, and plunging amid that chaos. While pondering this new idea, I heard the front door open; Mr. Bates came out, and with him was a nurse. After she had seen him mount his horse and depart, she was about to close the door, but I ran up to her. "How is Helen Burns?" "Very poorly," was the answer. "Is it her Mr. Bates has been to see?" "Yes." "And what does he say about her?" "He says she'll not be here long." This phrase, uttered in my hearing yesterday, would have only conveyed the notion that she was about to be removed to Northumberland, to her own home. I should not have suspected that it meant she was dying; but I knew instantly now! It opened clear on my comprehension that Helen Burns was numbering her last days in this world, and that she was going to be taken to the region of spirits, if such region there were. I experienced a shock of horror, then a strong thrill of grief, then a desire--a necessity to see her; and I asked in what room she lay. "She is in Miss Temple's room," said the nurse. "May I go up and speak to her?" "Oh no, child! It is not likely; and now it is time for you to come in; you'll catch the fever if you stop out when the dew is falling." The nurse closed the front door; I went in by the side entrance which led to the schoolroom: I was just in time; it was nine o'clock, and Miss Miller was calling the pupils to go to bed. It might be two hours later, probably near eleven, when I--not having been able to fall asleep, and deeming, from the perfect silence of the dormitory, that my companions were all wrapt in profound repose--rose softly, put on my frock over my night-dress, and, without shoes, crept from the apartment, and set off in quest of Miss Temple's room. It was quite at the other end of the house; but I knew my way; and the light of the unclouded summer moon, entering here and there at passage windows, enabled me to find it without difficulty. An odour of camphor and burnt vinegar warned me when I came near the fever room: and I passed its door quickly, fearful lest the nurse who sat up all night should hear me. I dreaded being discovered and sent back; for I _must_ see Helen,--I must embrace her before she died,--I must give her one last kiss, exchange with her one last word. Having descended a staircase, traversed a portion of the house below, and succeeded in opening and shutting, without noise, two doors, I reached another flight of steps; these I mounted, and then just opposite to me was Miss Temple's room. A light shone through the keyhole and from under the door; a profound stillness pervaded the vicinity. Coming near, I found the door slightly ajar; probably to admit some fresh air into the close abode of sickness. Indisposed to hesitate, and full of impatient impulses--soul and senses quivering with keen throes--I put it back and looked in. My eye sought Helen, and feared to find death. Close by Miss Temple's bed, and half covered with its white curtains, there stood a little crib. I saw the outline of a form under the clothes, but the face was hid by the hangings: the nurse I had spoken to in the garden sat in an easy-chair asleep; an unsnuffed candle burnt dimly on the table. Miss Temple was not to be seen: I knew afterwards that she had been called to a delirious patient in the fever-room. I advanced; then paused by the crib side: my hand was on the curtain, but I preferred speaking before I withdrew it. I still recoiled at the dread of seeing a corpse. "Helen!" I whispered softly, "are you awake?" She stirred herself, put back the curtain, and I saw her face, pale, wasted, but quite composed: she looked so little changed that my fear was instantly dissipated. "Can it be you, Jane?" she asked, in her own gentle voice. "Oh!" I thought, "she is not going to die; they are mistaken: she could not speak and look so calmly if she were." I got on to her crib and kissed her: her forehead was cold, and her cheek both cold and thin, and so were her hand and wrist; but she smiled as of old. "Why are you come here, Jane? It is past eleven o'clock: I heard it strike some minutes since." "I came to see you, Helen: I heard you were very ill, and I could not sleep till I had spoken to you." "You came to bid me good-bye, then: you are just in time probably." "Are you going somewhere, Helen? Are you going home?" "Yes; to my long home--my last home." "No, no, Helen!" I stopped, distressed. While I tried to devour my tears, a fit of coughing seized Helen; it did not, however, wake the nurse; when it was over, she lay some minutes exhausted; then she whispered-- "Jane, your little feet are bare; lie down and cover yourself with my quilt." I did so: she put her arm over me, and I nestled close to her. After a long silence, she resumed, still whispering-- "I am very happy, Jane; and when you hear that I am dead, you must be sure and not grieve: there is nothing to grieve about. We all must die one day, and the illness which is removing me is not painful; it is gentle and gradual: my mind is at rest. I leave no one to regret me much: I have only a father; and he is lately married, and will not miss me. By dying young, I shall escape great sufferings. I had not qualities or talents to make my way very well in the world: I should have been continually at fault." "But where are you going to, Helen? Can you see? Do you know?" "I believe; I have faith: I am going to God." "Where is God? What is God?" "My Maker and yours, who will never destroy what He created. I rely implicitly on His power, and confide wholly in His goodness: I count the hours till that eventful one arrives which shall restore me to Him, reveal Him to me." "You are sure, then, Helen, that there is such a place as heaven, and that our souls can get to it when we die?" "I am sure there is a future state; I believe God is good; I can resign my immortal part to Him without any misgiving. God is my father; God is my friend: I love Him; I believe He loves me." "And shall I see you again, Helen, when I die?" "You will come to the same region of happiness: be received by the same mighty, universal Parent, no doubt, dear Jane." Again I questioned, but this time only in thought. "Where is that region? Does it exist?" And I clasped my arms closer round Helen; she seemed dearer to me than ever; I felt as if I could not let her go; I lay with my face hidden on her neck. Presently she said, in the sweetest tone-- "How comfortable I am! That last fit of coughing has tired me a little; I feel as if I could sleep: but don't leave me, Jane; I like to have you near me." "I'll stay with you, _dear_ Helen: no one shall take me away." "Are you warm, darling?" "Yes." "Good-night, Jane." "Good-night, Helen." She kissed me, and I her, and we both soon slumbered. When I awoke it was day: an unusual movement roused me; I looked up; I was in somebody's arms; the nurse held me; she was carrying me through the passage back to the dormitory. I was not reprimanded for leaving my bed; people had something else to think about; no explanation was afforded then to my many questions; but a day or two afterwards I learned that Miss Temple, on returning to her own room at dawn, had found me laid in the little crib; my face against Helen Burns's shoulder, my arms round her neck. I was asleep, and Helen was--dead. Her grave is in Brocklebridge churchyard: for fifteen years after her death it was only covered by a grassy mound; but now a grey marble tablet marks the spot, inscribed with her name, and the word "Resurgam."

Lowood is beautiful in the springtime, and the hardships of winter are greatly reduced. However, typhus spreads through the school and infects over half the pupils. Classes are not held and the rules are relaxed. Miss Temple is entirely occupied attending the sick. Many girls die in the school and many others go home to die. Since there are only a few people to feed, there is finally an ample supply of food. Fear of infection keeps Mr. Brocklehurst and his family away from Lowood. Jane spends her time with another new friend, Mary Ann Wilson. Unfortunately, Helen is suffering from tuberculosis and is not allowed outside. One day Jane finds the doctor's pony at the garden door. The nurse tells her that he has come to see Helen Burns. Jane feels a strong desire to see her friend and rushes to her bedside. Helen seems happy that she is going to God. The next morning Jane is found asleep with her arms around the dead Helen.

He had recently read a eulogy on a new method for curing club-foot, and as he was a partisan of progress, he conceived the patriotic idea that Yonville, in order to keep to the fore, ought to have some operations for strephopody or club-foot. "For," said he to Emma, "what risk is there? See--" (and he enumerated on his fingers the advantages of the attempt), "success, almost certain relief and beautifying of the patient, celebrity acquired by the operator. Why, for example, should not your husband relieve poor Hippolyte of the 'Lion d'Or'? Note that he would not fail to tell about his cure to all the travellers, and then" (Homais lowered his voice and looked round him) "who is to prevent me from sending a short paragraph on the subject to the paper? Eh! goodness me! an article gets about; it is talked of; it ends by making a snowball! And who knows? who knows?" In fact, Bovary might succeed. Nothing proved to Emma that he was not clever; and what a satisfaction for her to have urged him to a step by which his reputation and fortune would be increased! She only wished to lean on something more solid than love. Charles, urged by the druggist and by her, allowed himself to be persuaded. He sent to Rouen for Dr. Duval's volume, and every evening, holding his head between both hands, plunged into the reading of it. While he was studying equinus, varus, and valgus, that is to say, katastrephopody, endostrephopody, and exostrephopody (or better, the various turnings of the foot downwards, inwards, and outwards, with the hypostrephopody and anastrephopody), otherwise torsion downwards and upwards, Monsier Homais, with all sorts of arguments, was exhorting the lad at the inn to submit to the operation. "You will scarcely feel, probably, a slight pain; it is a simple prick, like a little blood-letting, less than the extraction of certain corns." Hippolyte, reflecting, rolled his stupid eyes. "However," continued the chemist, "it doesn't concern me. It's for your sake, for pure humanity! I should like to see you, my friend, rid of your hideous caudication, together with that waddling of the lumbar regions which, whatever you say, must considerably interfere with you in the exercise of your calling." Then Homais represented to him how much jollier and brisker he would feel afterwards, and even gave him to understand that he would be more likely to please the women; and the stable-boy began to smile heavily. Then he attacked him through his vanity: "Aren't you a man? Hang it! what would you have done if you had had to go into the army, to go and fight beneath the standard? Ah! Hippolyte!" And Homais retired, declaring that he could not understand this obstinacy, this blindness in refusing the benefactions of science. The poor fellow gave way, for it was like a conspiracy. Binet, who never interfered with other people's business, Madame Lefrancois, Artemise, the neighbours, even the mayor, Monsieur Tuvache--everyone persuaded him, lectured him, shamed him; but what finally decided him was that it would cost him nothing. Bovary even undertook to provide the machine for the operation. This generosity was an idea of Emma's, and Charles consented to it, thinking in his heart of hearts that his wife was an angel. So by the advice of the chemist, and after three fresh starts, he had a kind of box made by the carpenter, with the aid of the locksmith, that weighed about eight pounds, and in which iron, wood, sheer-iron, leather, screws, and nuts had not been spared. But to know which of Hippolyte's tendons to cut, it was necessary first of all to find out what kind of club-foot he had. He had a foot forming almost a straight line with the leg, which, however, did not prevent it from being turned in, so that it was an equinus together with something of a varus, or else a slight varus with a strong tendency to equinus. But with this equinus, wide in foot like a horse's hoof, with rugose skin, dry tendons, and large toes, on which the black nails looked as if made of iron, the clubfoot ran about like a deer from morn till night. He was constantly to be seen on the Place, jumping round the carts, thrusting his limping foot forwards. He seemed even stronger on that leg than the other. By dint of hard service it had acquired, as it were, moral qualities of patience and energy; and when he was given some heavy work, he stood on it in preference to its fellow. Now, as it was an equinus, it was necessary to cut the tendon of Achilles, and, if need were, the anterior tibial muscle could be seen to afterwards for getting rid of the varus; for the doctor did not dare to risk both operations at once; he was even trembling already for fear of injuring some important region that he did not know. Neither Ambrose Pare, applying for the first time since Celsus, after an interval of fifteen centuries, a ligature to an artery, nor Dupuytren, about to open an abscess in the brain, nor Gensoul when he first took away the superior maxilla, had hearts that trembled, hands that shook, minds so strained as Monsieur Bovary when he approached Hippolyte, his tenotome between his fingers. And as at hospitals, near by on a table lay a heap of lint, with waxed thread, many bandages--a pyramid of bandages--every bandage to be found at the druggist's. It was Monsieur Homais who since morning had been organising all these preparations, as much to dazzle the multitude as to keep up his illusions. Charles pierced the skin; a dry crackling was heard. The tendon was cut, the operation over. Hippolyte could not get over his surprise, but bent over Bovary's hands to cover them with kisses. "Come, be calm," said the druggist; "later on you will show your gratitude to your benefactor." And he went down to tell the result to five or six inquirers who were waiting in the yard, and who fancied that Hippolyte would reappear walking properly. Then Charles, having buckled his patient into the machine, went home, where Emma, all anxiety, awaited him at the door. She threw herself on his neck; they sat down to table; he ate much, and at dessert he even wanted to take a cup of coffee, a luxury he only permitted himself on Sundays when there was company. The evening was charming, full of prattle, of dreams together. They talked about their future fortune, of the improvements to be made in their house; he saw people's estimation of him growing, his comforts increasing, his wife always loving him; and she was happy to refresh herself with a new sentiment, healthier, better, to feel at last some tenderness for this poor fellow who adored her. The thought of Rodolphe for one moment passed through her mind, but her eyes turned again to Charles; she even noticed with surprise that he had not bad teeth. They were in bed when Monsieur Homais, in spite of the servant, suddenly entered the room, holding in his hand a sheet of paper just written. It was the paragraph he intended for the "Fanal de Rouen." He brought it for them to read. "Read it yourself," said Bovary. He read-- "'Despite the prejudices that still invest a part of the face of Europe like a net, the light nevertheless begins to penetrate our country places. Thus on Tuesday our little town of Yonville found itself the scene of a surgical operation which is at the same time an act of loftiest philanthropy. Monsieur Bovary, one of our most distinguished practitioners--'" "Oh, that is too much! too much!" said Charles, choking with emotion. "No, no! not at all! What next!" "'--Performed an operation on a club-footed man.' I have not used the scientific term, because you know in a newspaper everyone would not perhaps understand. The masses must--'" "No doubt," said Bovary; "go on!" "I proceed," said the chemist. "'Monsieur Bovary, one of our most distinguished practitioners, performed an operation on a club-footed man called Hippolyte Tautain, stableman for the last twenty-five years at the hotel of the "Lion d'Or," kept by Widow Lefrancois, at the Place d'Armes. The novelty of the attempt, and the interest incident to the subject, had attracted such a concourse of persons that there was a veritable obstruction on the threshold of the establishment. The operation, moreover, was performed as if by magic, and barely a few drops of blood appeared on the skin, as though to say that the rebellious tendon had at last given way beneath the efforts of art. The patient, strangely enough--we affirm it as an eye-witness--complained of no pain. His condition up to the present time leaves nothing to be desired. Everything tends to show that his convelescence will be brief; and who knows even if at our next village festivity we shall not see our good Hippolyte figuring in the bacchic dance in the midst of a chorus of joyous boon-companions, and thus proving to all eyes by his verve and his capers his complete cure? Honour, then, to the generous savants! Honour to those indefatigable spirits who consecrate their vigils to the amelioration or to the alleviation of their kind! Honour, thrice honour! Is it not time to cry that the blind shall see, the deaf hear, the lame walk? But that which fanaticism formerly promised to its elect, science now accomplishes for all men. We shall keep our readers informed as to the successive phases of this remarkable cure.'" This did not prevent Mere Lefrancois, from coming five days after, scared, and crying out-- "Help! he is dying! I am going crazy!" Charles rushed to the "Lion d'Or," and the chemist, who caught sight of him passing along the Place hatless, abandoned his shop. He appeared himself breathless, red, anxious, and asking everyone who was going up the stairs-- "Why, what's the matter with our interesting strephopode?" The strephopode was writhing in hideous convulsions, so that the machine in which his leg was enclosed was knocked against the wall enough to break it. With many precautions, in order not to disturb the position of the limb, the box was removed, and an awful sight presented itself. The outlines of the foot disappeared in such a swelling that the entire skin seemed about to burst, and it was covered with ecchymosis, caused by the famous machine. Hippolyte had already complained of suffering from it. No attention had been paid to him; they had to acknowledge that he had not been altogether wrong, and he was freed for a few hours. But, hardly had the oedema gone down to some extent, than the two savants thought fit to put back the limb in the apparatus, strapping it tighter to hasten matters. At last, three days after, Hippolyte being unable to endure it any longer, they once more removed the machine, and were much surprised at the result they saw. The livid tumefaction spread over the leg, with blisters here and there, whence there oozed a black liquid. Matters were taking a serious turn. Hippolyte began to worry himself, and Mere Lefrancois, had him installed in the little room near the kitchen, so that he might at least have some distraction. But the tax-collector, who dined there every day, complained bitterly of such companionship. Then Hippolyte was removed to the billiard-room. He lay there moaning under his heavy coverings, pale with long beard, sunken eyes, and from time to time turning his perspiring head on the dirty pillow, where the flies alighted. Madame Bovary went to see him. She brought him linen for his poultices; she comforted, and encouraged him. Besides, he did not want for company, especially on market-days, when the peasants were knocking about the billiard-balls round him, fenced with the cues, smoked, drank, sang, and brawled. "How are you?" they said, clapping him on the shoulder. "Ah! you're not up to much, it seems, but it's your own fault. You should do this! do that!" And then they told him stories of people who had all been cured by other remedies than his. Then by way of consolation they added-- "You give way too much! Get up! You coddle yourself like a king! All the same, old chap, you don't smell nice!" Gangrene, in fact, was spreading more and more. Bovary himself turned sick at it. He came every hour, every moment. Hippolyte looked at him with eyes full of terror, sobbing-- "When shall I get well? Oh, save me! How unfortunate I am! How unfortunate I am!" And the doctor left, always recommending him to diet himself. "Don't listen to him, my lad," said Mere Lefrancois, "Haven't they tortured you enough already? You'll grow still weaker. Here! swallow this." And she gave him some good beef-tea, a slice of mutton, a piece of bacon, and sometimes small glasses of brandy, that he had not the strength to put to his lips. Abbe Bournisien, hearing that he was growing worse, asked to see him. He began by pitying his sufferings, declaring at the same time that he ought to rejoice at them since it was the will of the Lord, and take advantage of the occasion to reconcile himself to Heaven. "For," said the ecclesiastic in a paternal tone, "you rather neglected your duties; you were rarely seen at divine worship. How many years is it since you approached the holy table? I understand that your work, that the whirl of the world may have kept you from care for your salvation. But now is the time to reflect. Yet don't despair. I have known great sinners, who, about to appear before God (you are not yet at this point I know), had implored His mercy, and who certainly died in the best frame of mind. Let us hope that, like them, you will set us a good example. Thus, as a precaution, what is to prevent you from saying morning and evening a 'Hail Mary, full of grace,' and 'Our Father which art in heaven'? Yes, do that, for my sake, to oblige me. That won't cost you anything. Will you promise me?" The poor devil promised. The cure came back day after day. He chatted with the landlady; and even told anecdotes interspersed with jokes and puns that Hippolyte did not understand. Then, as soon as he could, he fell back upon matters of religion, putting on an appropriate expression of face. His zeal seemed successful, for the club-foot soon manifested a desire to go on a pilgrimage to Bon-Secours if he were cured; to which Monsieur Bournisien replied that he saw no objection; two precautions were better than one; it was no risk anyhow. The druggist was indignant at what he called the manoeuvres of the priest; they were prejudicial, he said, to Hippolyte's convalescence, and he kept repeating to Madame Lefrancois, "Leave him alone! leave him alone! You perturb his morals with your mysticism." But the good woman would no longer listen to him; he was the cause of it all. From a spirit of contradiction she hung up near the bedside of the patient a basin filled with holy-water and a branch of box. Religion, however, seemed no more able to succour him than surgery, and the invincible gangrene still spread from the extremities towards the stomach. It was all very well to vary the potions and change the poultices; the muscles each day rotted more and more; and at last Charles replied by an affirmative nod of the head when Mere Lefrancois, asked him if she could not, as a forlorn hope, send for Monsieur Canivet of Neufchatel, who was a celebrity. A doctor of medicine, fifty years of age, enjoying a good position and self-possessed, Charles's colleague did not refrain from laughing disdainfully when he had uncovered the leg, mortified to the knee. Then having flatly declared that it must be amputated, he went off to the chemist's to rail at the asses who could have reduced a poor man to such a state. Shaking Monsieur Homais by the button of his coat, he shouted out in the shop-- "These are the inventions of Paris! These are the ideas of those gentry of the capital! It is like strabismus, chloroform, lithotrity, a heap of monstrosities that the Government ought to prohibit. But they want to do the clever, and they cram you with remedies without, troubling about the consequences. We are not so clever, not we! We are not savants, coxcombs, fops! We are practitioners; we cure people, and we should not dream of operating on anyone who is in perfect health. Straighten club-feet! As if one could straighten club-feet! It is as if one wished, for example, to make a hunchback straight!" Homais suffered as he listened to this discourse, and he concealed his discomfort beneath a courtier's smile; for he needed to humour Monsier Canivet, whose prescriptions sometimes came as far as Yonville. So he did not take up the defence of Bovary; he did not even make a single remark, and, renouncing his principles, he sacrificed his dignity to the more serious interests of his business. This amputation of the thigh by Doctor Canivet was a great event in the village. On that day all the inhabitants got up earlier, and the Grande Rue, although full of people, had something lugubrious about it, as if an execution had been expected. At the grocer's they discussed Hippolyte's illness; the shops did no business, and Madame Tuvache, the mayor's wife, did not stir from her window, such was her impatience to see the operator arrive. He came in his gig, which he drove himself. But the springs of the right side having at length given way beneath the weight of his corpulence, it happened that the carriage as it rolled along leaned over a little, and on the other cushion near him could be seen a large box covered in red sheep-leather, whose three brass clasps shone grandly. After he had entered like a whirlwind the porch of the "Lion d'Or," the doctor, shouting very loud, ordered them to unharness his horse. Then he went into the stable to see that she was eating her oats all right; for on arriving at a patient's he first of all looked after his mare and his gig. People even said about this-- "Ah! Monsieur Canivet's a character!" And he was the more esteemed for this imperturbable coolness. The universe to the last man might have died, and he would not have missed the smallest of his habits. Homais presented himself. "I count on you," said the doctor. "Are we ready? Come along!" But the druggist, turning red, confessed that he was too sensitive to assist at such an operation. "When one is a simple spectator," he said, "the imagination, you know, is impressed. And then I have such a nervous system!" "Pshaw!" interrupted Canivet; "on the contrary, you seem to me inclined to apoplexy. Besides, that doesn't astonish me, for you chemist fellows are always poking about your kitchens, which must end by spoiling your constitutions. Now just look at me. I get up every day at four o'clock; I shave with cold water (and am never cold). I don't wear flannels, and I never catch cold; my carcass is good enough! I live now in one way, now in another, like a philosopher, taking pot-luck; that is why I am not squeamish like you, and it is as indifferent to me to carve a Christian as the first fowl that turns up. Then, perhaps, you will say, habit! habit!" Then, without any consideration for Hippolyte, who was sweating with agony between his sheets, these gentlemen entered into a conversation, in which the druggist compared the coolness of a surgeon to that of a general; and this comparison was pleasing to Canivet, who launched out on the exigencies of his art. He looked upon, it as a sacred office, although the ordinary practitioners dishonoured it. At last, coming back to the patient, he examined the bandages brought by Homais, the same that had appeared for the club-foot, and asked for someone to hold the limb for him. Lestiboudois was sent for, and Monsieur Canivet having turned up his sleeves, passed into the billiard-room, while the druggist stayed with Artemise and the landlady, both whiter than their aprons, and with ears strained towards the door. Bovary during this time did not dare to stir from his house. He kept downstairs in the sitting-room by the side of the fireless chimney, his chin on his breast, his hands clasped, his eyes staring. "What a mishap!" he thought, "what a mishap!" Perhaps, after all, he had made some slip. He thought it over, but could hit upon nothing. But the most famous surgeons also made mistakes; and that is what no one would ever believe! People, on the contrary, would laugh, jeer! It would spread as far as Forges, as Neufchatel, as Rouen, everywhere! Who could say if his colleagues would not write against him. Polemics would ensue; he would have to answer in the papers. Hippolyte might even prosecute him. He saw himself dishonoured, ruined, lost; and his imagination, assailed by a world of hypotheses, tossed amongst them like an empty cask borne by the sea and floating upon the waves. Emma, opposite, watched him; she did not share his humiliation; she felt another--that of having supposed such a man was worth anything. As if twenty times already she had not sufficiently perceived his mediocrity. Charles was walking up and down the room; his boots creaked on the floor. "Sit down," she said; "you fidget me." He sat down again. How was it that she--she, who was so intelligent--could have allowed herself to be deceived again? and through what deplorable madness had she thus ruined her life by continual sacrifices? She recalled all her instincts of luxury, all the privations of her soul, the sordidness of marriage, of the household, her dream sinking into the mire like wounded swallows; all that she had longed for, all that she had denied herself, all that she might have had! And for what? for what? In the midst of the silence that hung over the village a heart-rending cry rose on the air. Bovary turned white to fainting. She knit her brows with a nervous gesture, then went on. And it was for him, for this creature, for this man, who understood nothing, who felt nothing! For he was there quite quiet, not even suspecting that the ridicule of his name would henceforth sully hers as well as his. She had made efforts to love him, and she had repented with tears for having yielded to another! "But it was perhaps a valgus!" suddenly exclaimed Bovary, who was meditating. At the unexpected shock of this phrase falling on her thought like a leaden bullet on a silver plate, Emma, shuddering, raised her head in order to find out what he meant to say; and they looked at the other in silence, almost amazed to see each other, so far sundered were they by their inner thoughts. Charles gazed at her with the dull look of a drunken man, while he listened motionless to the last cries of the sufferer, that followed each other in long-drawn modulations, broken by sharp spasms like the far-off howling of some beast being slaughtered. Emma bit her wan lips, and rolling between her fingers a piece of coral that she had broken, fixed on Charles the burning glance of her eyes like two arrows of fire about to dart forth. Everything in him irritated her now; his face, his dress, what he did not say, his whole person, his existence, in fine. She repented of her past virtue as of a crime, and what still remained of it rumbled away beneath the furious blows of her pride. She revelled in all the evil ironies of triumphant adultery. The memory of her lover came back to her with dazzling attractions; she threw her whole soul into it, borne away towards this image with a fresh enthusiasm; and Charles seemed to her as much removed from her life, as absent forever, as impossible and annihilated, as if he had been about to die and were passing under her eyes. There was a sound of steps on the pavement. Charles looked up, and through the lowered blinds he saw at the corner of the market in the broad sunshine Dr. Canivet, who was wiping his brow with his handkerchief. Homais, behind him, was carrying a large red box in his hand, and both were going towards the chemist's. Then with a feeling of sudden tenderness and discouragement Charles turned to his wife saying to her-- "Oh, kiss me, my own!" "Leave me!" she said, red with anger. "What is the matter?" he asked, stupefied. "Be calm; compose yourself. You know well enough that I love you. Come!" "Enough!" she cried with a terrible look. And escaping from the room, Emma closed the door so violently that the barometer fell from the wall and smashed on the floor. Charles sank back into his arm-chair overwhelmed, trying to discover what could be wrong with her, fancying some nervous illness, weeping, and vaguely feeling something fatal and incomprehensible whirling round him. When Rodolphe came to the garden that evening, he found his mistress waiting for him at the foot of the steps on the lowest stair. They threw their arms round one another, and all their rancour melted like snow beneath the warmth of that kiss.

One day it was learned that a doctor in Rouen had published a remarkable new surgical procedure for curing clubfoot. Emma and Homais urged Charles to carry out the new operation on Hippolyte, the crippled servant at the inn. Emma hoped in this way to advance Bovary in his career and thus satisfy her desire to be a good wife; she had many daydreams about the wealth and increased prestige to which his success would entitle them. Homais expected to gain personal repute from his own part in the operation and to bring more business to Yonville as word of the cure spread. Neither Homais nor Emma was particularly concerned with the safety of the operation or the well-being of Hippolyte. Bovary was dubious about the new technique and was unwilling to cooperate, but, under the combined pressure of Emma and Homais, finally gave in. Moreover, nearly everyone in the town, including the mayor, was a staunch advocate of the new operation, for they had all been convinced by Homais of its advantage to them. Their ceaseless prodding continued until Bovary was ready to proceed. Hippolyte was terrified and confused by the whole idea, but he was a simple youth and was induced to volunteer his body for the sake of Yonville and Science. The operation was carried out by Homais and Charles in the local inn. At first it seemed a success, but Hippolyte soon became ill and suffered terrible pain. It was discovered that his leg was infested with gangrene. Bovary was very upset and unable to act; so a consultant was called in from another town. The doctor sternly admonished Bovary for his foolish treatment and amputated the patient's leg. Homais, meanwhile, disclaimed any responsibility, and Emma was disgusted by what she interpreted as a further demonstration of Charles' stupid incompetence. In fact, however, the fault was not entirely Bovary's although no one recognized this. Some of the blame also belonged to the specialist who had published an untested and undependable "cure." Bovary and Emma were both depressed by this incident, although for different reasons. He was ashamed of what he had done and felt that he had been irresponsible. She reproached herself for ever having had faith in him and decided that she was now absolved of any responsibility to her husband. Her passion for Rodolphe flared up again, and she saw him that night for the first time in many days. Charles, in his simplicity, assumed that Emma's depression had been caused by sympathy for him and was gratified by her demonstration of devotion.

SCENE II. A room of state in TIMON'S house Hautboys playing loud music. A great banquet serv'd in; FLAVIUS and others attending; and then enter LORD TIMON, the states, the ATHENIAN LORDS, VENTIDIUS, which TIMON redeem'd from prison. Then comes, dropping after all, APEMANTUS, discontentedly, like himself VENTIDIUS. Most honoured Timon, It hath pleas'd the gods to remember my father's age, And call him to long peace. He is gone happy, and has left me rich. Then, as in grateful virtue I am bound To your free heart, I do return those talents, Doubled with thanks and service, from whose help I deriv'd liberty. TIMON. O, by no means, Honest Ventidius! You mistake my love; I gave it freely ever; and there's none Can truly say he gives, if he receives. If our betters play at that game, we must not dare To imitate them: faults that are rich are fair. VENTIDIUS. A noble spirit! TIMON. Nay, my lords, ceremony was but devis'd at first To set a gloss on faint deeds, hollow welcomes, Recanting goodness, sorry ere 'tis shown; But where there is true friendship there needs none. Pray, sit; more welcome are ye to my fortunes Than my fortunes to me. [They sit] FIRST LORD. My lord, we always have confess'd it. APEMANTUS. Ho, ho, confess'd it! Hang'd it, have you not? TIMON. O, Apemantus, you are welcome. APEMANTUS. No; You shall not make me welcome. I come to have thee thrust me out of doors. TIMON. Fie, th'art a churl; ye have got a humour there Does not become a man; 'tis much to blame. They say, my lords, Ira furor brevis est; but yond man is ever angry. Go, let him have a table by himself; for he does neither affect company nor is he fit for't indeed. APEMANTUS. Let me stay at thine apperil, Timon. I come to observe; I give thee warning on't. TIMON. I take no heed of thee. Th'art an Athenian, therefore welcome. I myself would have no power; prithee let my meat make thee silent. APEMANTUS. I scorn thy meat; 't'would choke me, for I should ne'er flatter thee. O you gods, what a number of men eats Timon, and he sees 'em not! It grieves me to see so many dip their meat in one man's blood; and all the madness is, he cheers them up too. I wonder men dare trust themselves with men. Methinks they should invite them without knives: Good for their meat and safer for their lives. There's much example for't; the fellow that sits next him now, parts bread with him, pledges the breath of him in a divided draught, is the readiest man to kill him. 'T has been proved. If I were a huge man I should fear to drink at meals. Lest they should spy my windpipe's dangerous notes: Great men should drink with harness on their throats. TIMON. My lord, in heart! and let the health go round. SECOND LORD. Let it flow this way, my good lord. APEMANTUS. Flow this way! A brave fellow! He keeps his tides well. Those healths will make thee and thy state look ill, Timon. Here's that which is too weak to be a sinner, honest water, which ne'er left man i' th' mire. This and my food are equals; there's no odds. Feasts are too proud to give thanks to the gods. APEMANTUS' Grace Immortal gods, I crave no pelf; I pray for no man but myself. Grant I may never prove so fond To trust man on his oath or bond, Or a harlot for her weeping, Or a dog that seems a-sleeping, Or a keeper with my freedom, Or my friends, if I should need 'em. Amen. So fall to't. Rich men sin, and I eat root. [Eats and drinks] Much good dich thy good heart, Apemantus! TIMON. Captain Alcibiades, your heart's in the field now. ALCIBIADES. My heart is ever at your service, my lord. TIMON. You had rather be at a breakfast of enemies than dinner of friends. ALCIBIADES. So they were bleeding new, my lord, there's no meat like 'em; I could wish my best friend at such a feast. APEMANTUS. Would all those flatterers were thine enemies then, that then thou mightst kill 'em, and bid me to 'em. FIRST LORD. Might we but have that happiness, my lord, that you would once use our hearts, whereby we might express some part of our zeals, we should think ourselves for ever perfect. TIMON. O, no doubt, my good friends, but the gods themselves have provided that I shall have much help from you. How had you been my friends else? Why have you that charitable title from thousands, did not you chiefly belong to my heart? I have told more of you to myself than you can with modesty speak in your own behalf; and thus far I confirm you. O you gods, think I, what need we have any friends if we should ne'er have need of 'em? They were the most needless creatures living, should we ne'er have use for 'em; and would most resemble sweet instruments hung up in cases, that keep their sounds to themselves. Why, I have often wish'd myself poorer, that I might come nearer to you. We are born to do benefits; and what better or properer can we call our own than the riches of our friends? O, what a precious comfort 'tis to have so many like brothers commanding one another's fortunes! O, joy's e'en made away ere't can be born! Mine eyes cannot hold out water, methinks. To forget their faults, I drink to you. APEMANTUS. Thou weep'st to make them drink, Timon. SECOND LORD. Joy had the like conception in our eyes, And at that instant like a babe sprung up. APEMANTUS. Ho, ho! I laugh to think that babe a bastard. THIRD LORD. I promise you, my lord, you mov'd me much. APEMANTUS. Much! [Sound tucket] TIMON. What means that trump? Enter a SERVANT How now? SERVANT. Please you, my lord, there are certain ladies most desirous of admittance. TIMON. Ladies! What are their wills? SERVANT. There comes with them a forerunner, my lord, which bears that office to signify their pleasures. TIMON. I pray let them be admitted. Enter CUPID CUPID. Hail to thee, worthy Timon, and to all That of his bounties taste! The five best Senses Acknowledge thee their patron, and come freely To gratulate thy plenteous bosom. Th' Ear, Taste, Touch, Smell, pleas'd from thy table rise; They only now come but to feast thine eyes. TIMON. They're welcome all; let 'em have kind admittance. Music, make their welcome. Exit CUPID FIRST LORD. You see, my lord, how ample y'are belov'd. Music. Re-enter CUPID, witb a Masque of LADIES as Amazons, with lutes in their hands, dancing and playing APEMANTUS. Hoy-day, what a sweep of vanity comes this way! They dance? They are mad women. Like madness is the glory of this life, As this pomp shows to a little oil and root. We make ourselves fools to disport ourselves, And spend our flatteries to drink those men Upon whose age we void it up again With poisonous spite and envy. Who lives that's not depraved or depraves? Who dies that bears not one spurn to their graves Of their friends' gift? I should fear those that dance before me now Would one day stamp upon me. 'T has been done: Men shut their doors against a setting sun. The LORDS rise from table, with much adoring of TIMON; and to show their loves, each single out an Amazon, and all dance, men with women, a lofty strain or two to the hautboys, and cease TIMON. You have done our pleasures much grace, fair ladies, Set a fair fashion on our entertainment, Which was not half so beautiful and kind; You have added worth unto't and lustre, And entertain'd me with mine own device; I am to thank you for't. FIRST LADY. My lord, you take us even at the best. APEMANTUS. Faith, for the worst is filthy, and would not hold taking, I doubt me. TIMON. Ladies, there is an idle banquet attends you; Please you to dispose yourselves. ALL LADIES. Most thankfully, my lord. Exeunt CUPID and LADIES TIMON. Flavius! FLAVIUS. My lord? TIMON. The little casket bring me hither. FLAVIUS. Yes, my lord. [Aside] More jewels yet! There is no crossing him in's humour, Else I should tell him- well i' faith, I should- When all's spent, he'd be cross'd then, an he could. 'Tis pity bounty had not eyes behind, That man might ne'er be wretched for his mind. Exit FIRST LORD. Where be our men? SERVANT. Here, my lord, in readiness. SECOND LORD. Our horses! Re-enter FLAVIUS, with the casket TIMON. O my friends, I have one word to say to you. Look you, my good lord, I must entreat you honour me so much As to advance this jewel; accept it and wear it, Kind my lord. FIRST LORD. I am so far already in your gifts- ALL. So are we all. Enter a SERVANT SERVANT. My lord, there are certain nobles of the Senate newly alighted and come to visit you. TIMON. They are fairly welcome. Exit SERVANT FLAVIUS. I beseech your honour, vouchsafe me a word; it does concern you near. TIMON. Near! Why then, another time I'll hear thee. I prithee let's be provided to show them entertainment. FLAVIUS. [Aside] I scarce know how. Enter another SERVANT SECOND SERVANT. May it please vour honour, Lord Lucius, out of his free love, hath presented to you four milk-white horses, trapp'd in silver. TIMON. I shall accept them fairly. Let the presents Be worthily entertain'd. Exit SERVANT Enter a third SERVANT How now! What news? THIRD SERVANT. Please you, my lord, that honourable gentleman, Lord Lucullus, entreats your company to-morrow to hunt with him and has sent your honour two brace of greyhounds. TIMON. I'll hunt with him; and let them be receiv'd, Not without fair reward. Exit SERVANT FLAVIUS. [Aside] What will this come to? He commands us to provide and give great gifts, And all out of an empty coffer; Nor will he know his purse, or yield me this, To show him what a beggar his heart is, Being of no power to make his wishes good. His promises fly so beyond his state That what he speaks is all in debt; he owes For ev'ry word. He is so kind that he now Pays interest for't; his land's put to their books. Well, would I were gently put out of office Before I were forc'd out! Happier is he that has no friend to feed Than such that do e'en enemies exceed. I bleed inwardly for my lord. Exit TIMON. You do yourselves much wrong; You bate too much of your own merits. Here, my lord, a trifle of our love. SECOND LORD. With more than common thanks I will receive it. THIRD LORD. O, he's the very soul of bounty! TIMON. And now I remember, my lord, you gave good words the other day of a bay courser I rode on. 'Tis yours because you lik'd it. THIRD LORD. O, I beseech you pardon me, my lord, in that. TIMON. You may take my word, my lord: I know no man Can justly praise but what he does affect. I weigh my friend's affection with mine own. I'll tell you true; I'll call to you. ALL LORDS. O, none so welcome! TIMON. I take all and your several visitations So kind to heart 'tis not enough to give; Methinks I could deal kingdoms to my friends And ne'er be weary. Alcibiades, Thou art a soldier, therefore seldom rich. It comes in charity to thee; for all thy living Is 'mongst the dead, and all the lands thou hast Lie in a pitch'd field. ALCIBIADES. Ay, defil'd land, my lord. FIRST LORD. We are so virtuously bound- TIMON. And so am I to you. SECOND LORD. So infinitely endear'd- TIMON. All to you. Lights, more lights! FIRST LORD. The best of happiness, honour, and fortunes, keep with you, Lord Timon! TIMON. Ready for his friends. Exeunt all but APEMANTUS and TIMON APEMANTUS. What a coil's here! Serving of becks and jutting-out of bums! I doubt whether their legs be worth the sums That are given for 'em. Friendship's full of dregs: Methinks false hearts should never have sound legs. Thus honest fools lay out their wealth on curtsies. TIMON. Now, Apemantus, if thou wert not sullen I would be good to thee. APEMANTUS. No, I'll nothing; for if I should be brib'd too, there would be none left to rail upon thee, and then thou wouldst sin the faster. Thou giv'st so long, Timon, I fear me thou wilt give away thyself in paper shortly. What needs these feasts, pomps, and vain-glories? TIMON. Nay, an you begin to rail on society once, I am sworn not to give regard to you. Farewell; and come with better music. Exit APEMANTUS. So. Thou wilt not hear me now: thou shalt not then. I'll lock thy heaven from thee. O that men's ears should be To counsel deaf, but not to flattery! Exit

Timon and all his friends and servants enter, followed by a lagging Apemantus. A man named Venditius, just released from prison, thanks Timon for paying for his release. He says he hopes to repay Timon someday, but Timon says he gave the money out of love, and he won't feel that he has truly been generous if he gets anything back. All the lords acknowledge these deeds, but Timon says there's no need for ceremony among friends. Apemantus makes a snickering comment, so Timon welcomes him, but again Apemantus refuses his welcome. Timon sends Apemantus to a distant table by himself so his bad temper won't infect the rest of the party. Apemantus declares that he has come to the feast merely to observe, and he scorns Timon's proffered food, saying he won't be paid to flatter Timon. He is horrified at the mob of senators and lords who eat up Timon's feast like birds of prey would eat Timon's flesh. Yet Timon doesn't notice them diminishing his bounty, he rather urges them on. The other lords give thanks to the gods, but Apemantus says his own grace, declaring he will never trust the oath or bond of anyone, and he prays for no one but himself. Timon speaks to Alcibiades, asking him if he would rather be out in the field with his soldiers. Alcibiades says he would rather be at the feast, and Apemantus scorns him for flattery. A lord says to Timon that he wishes Timon would come to some trial whereby all his friends could help him out for once. But Timon says they all help him by being his friends, and he was born to help them out and benefit them, sharing his bounty with his friends. A servant announces several ladies outside who have asked to be admitted to the feast. A group of ladies disguised as Amazons enter and perform a dance for the feasters. Apemantus criticizes the dancers, calling them madwomen and depraved flatterers. The other lords join the ladies in dancing before the ladies depart. Then Timon calls his servant Flavius to bring in a small casket. Flavius notes to himself that Timon's bounty is running out, but he can't say anything to Timon about it when he is in a giving mood. Flavius returns with the casket, and from it Timon gives jewels to all the lords. Flavius asks Timon if he may speak to him about an important matter, but Timon puts him off. One servant enters, announcing that nobles of the senate have come to visit. Another servant enters to say that Lord Lucius has sent Timon a gift, and a third servant announces Lord Lucullus's gifts. Flavius notes to himself that Timon gives great gifts to these lords out of an empty coffer, and he refuses to listen to an account of his holdings. Now Timon has become bankrupt, so that all his gifts are based on debt. He owes money on every gift, having mortgaged all his lands. Timon ruins himself faster by providing for friends than by struggling with enemies, declares Flavius. Timon then bestows an array of gifts on the lords in attendance. He gives his horse to one lord, money to Alcibiades. The lords say how indebted they are to Timon, and depart. Apemantus remains with Timon. Timon says he would give Apemantus a gift too if only he would be less sullen, but Apemantus says there would be no one to criticize Timon if he is bribed, and then Timon's downfall would come even faster. Timon swears he won't listen to Apemantus and departs. Apemantus says he wishes men would listen to advice more readily than they do to flattery.

WALTON, _in continuation_. August 26th, 17--. You have read this strange and terrific story, Margaret; and do you not feel your blood congealed with horror, like that which even now curdles mine? Sometimes, seized with sudden agony, he could not continue his tale; at others, his voice broken, yet piercing, uttered with difficulty the words so replete with agony. His fine and lovely eyes were now lighted up with indignation, now subdued to downcast sorrow, and quenched in infinite wretchedness. Sometimes he commanded his countenance and tones, and related the most horrible incidents with a tranquil voice, suppressing every mark of agitation; then, like a volcano bursting forth, his face would suddenly change to an expression of the wildest rage, as he shrieked out imprecations on his persecutor. His tale is connected, and told with an appearance of the simplest truth; yet I own to you that the letters of Felix and Safie, which he shewed me, and the apparition of the monster, seen from our ship, brought to me a greater conviction of the truth of his narrative than his asseverations, however earnest and connected. Such a monster has then really existence; I cannot doubt it; yet I am lost in surprise and admiration. Sometimes I endeavoured to gain from Frankenstein the particulars of his creature's formation; but on this point he was impenetrable. "Are you mad, my friend?" said he, "or whither does your senseless curiosity lead you? Would you also create for yourself and the world a demoniacal enemy? Or to what do your questions tend? Peace, peace! learn my miseries, and do not seek to increase your own." Frankenstein discovered that I made notes concerning his history: he asked to see them, and then himself corrected and augmented them in many places; but principally in giving the life and spirit to the conversations he held with his enemy. "Since you have preserved my narration," said he, "I would not that a mutilated one should go down to posterity." Thus has a week passed away, while I have listened to the strangest tale that ever imagination formed. My thoughts, and every feeling of my soul, have been drunk up by the interest for my guest, which this tale, and his own elevated and gentle manners have created. I wish to soothe him; yet can I counsel one so infinitely miserable, so destitute of every hope of consolation, to live? Oh, no! the only joy that he can now know will be when he composes his shattered feelings to peace and death. Yet he enjoys one comfort, the offspring of solitude and delirium: he believes, that, when in dreams he holds converse with his friends, and derives from that communion consolation for his miseries, or excitements to his vengeance, that they are not the creations of his fancy, but the real beings who visit him from the regions of a remote world. This faith gives a solemnity to his reveries that render them to me almost as imposing and interesting as truth. Our conversations are not always confined to his own history and misfortunes. On every point of general literature he displays unbounded knowledge, and a quick and piercing apprehension. His eloquence is forcible and touching; nor can I hear him, when he relates a pathetic incident, or endeavours to move the passions of pity or love, without tears. What a glorious creature must he have been in the days of his prosperity, when he is thus noble and godlike in ruin. He seems to feel his own worth, and the greatness of his fall. "When younger," said he, "I felt as if I were destined for some great enterprise. My feelings are profound; but I possessed a coolness of judgment that fitted me for illustrious achievements. This sentiment of the worth of my nature supported me, when others would have been oppressed; for I deemed it criminal to throw away in useless grief those talents that might be useful to my fellow-creatures. When I reflected on the work I had completed, no less a one than the creation of a sensitive and rational animal, I could not rank myself with the herd of common projectors. But this feeling, which supported me in the commencement of my career, now serves only to plunge me lower in the dust. All my speculations and hopes are as nothing; and, like the archangel who aspired to omnipotence, I am chained in an eternal hell. My imagination was vivid, yet my powers of analysis and application were intense; by the union of these qualities I conceived the idea, and executed the creation of a man. Even now I cannot recollect, without passion, my reveries while the work was incomplete. I trod heaven in my thoughts, now exulting in my powers, now burning with the idea of their effects. From my infancy I was imbued with high hopes and a lofty ambition; but how am I sunk! Oh! my friend, if you had known me as I once was, you would not recognize me in this state of degradation. Despondency rarely visited my heart; a high destiny seemed to bear me on, until I fell, never, never again to rise." Must I then lose this admirable being? I have longed for a friend; I have sought one who would sympathize with and love me. Behold, on these desert seas I have found such a one; but, I fear, I have gained him only to know his value, and lose him. I would reconcile him to life, but he repulses the idea. "I thank you, Walton," he said, "for your kind intentions towards so miserable a wretch; but when you speak of new ties, and fresh affections, think you that any can replace those who are gone? Can any man be to me as Clerval was; or any woman another Elizabeth? Even where the affections are not strongly moved by any superior excellence, the companions of our childhood always possess a certain power over our minds, which hardly any later friend can obtain. They know our infantine dispositions, which, however they may be afterwards modified, are never eradicated; and they can judge of our actions with more certain conclusions as to the integrity of our motives. A sister or a brother can never, unless indeed such symptoms have been shewn early, suspect the other of fraud or false dealing, when another friend, however strongly he may be attached, may, in spite of himself, be invaded with suspicion. But I enjoyed friends, dear not only through habit and association, but from their own merits; and, wherever I am, the soothing voice of my Elizabeth, and the conversation of Clerval, will be ever whispered in my ear. They are dead; and but one feeling in such a solitude can persuade me to preserve my life. If I were engaged in any high undertaking or design, fraught with extensive utility to my fellow-creatures, then could I live to fulfil it. But such is not my destiny; I must pursue and destroy the being to whom I gave existence; then my lot on earth will be fulfilled, and I may die." * * * * * September 2d. MY BELOVED SISTER, I write to you, encompassed by peril, and ignorant whether I am ever doomed to see again dear England, and the dearer friends that inhabit it. I am surrounded by mountains of ice, which admit of no escape, and threaten every moment to crush my vessel. The brave fellows, whom I have persuaded to be my companions, look towards me for aid; but I have none to bestow. There is something terribly appalling in our situation, yet my courage and hopes do not desert me. We may survive; and if we do not, I will repeat the lessons of my Seneca, and die with a good heart. Yet what, Margaret, will be the state of your mind? You will not hear of my destruction, and you will anxiously await my return. Years will pass, and you will have visitings of despair, and yet be tortured by hope. Oh! my beloved sister, the sickening failings of your heart-felt expectations are, in prospect, more terrible to me than my own death. But you have a husband, and lovely children; you may be happy: heaven bless you, and make you so! My unfortunate guest regards me with the tenderest compassion. He endeavours to fill me with hope; and talks as if life were a possession which he valued. He reminds me how often the same accidents have happened to other navigators, who have attempted this sea, and, in spite of myself, he fills me with cheerful auguries. Even the sailors feel the power of his eloquence: when he speaks, they no longer despair: he rouses their energies, and, while they hear his voice, they believe these vast mountains of ice are mole-hills, which will vanish before the resolutions of man. These feelings are transitory; each day's expectation delayed fills them with fear, and I almost dread a mutiny caused by this despair. * * * * * September 5th. A scene has just passed of such uncommon interest, that although it is highly probable that these papers may never reach you, yet I cannot forbear recording it. We are still surrounded by mountains of ice, still in imminent danger of being crushed in their conflict. The cold is excessive, and many of my unfortunate comrades have already found a grave amidst this scene of desolation. Frankenstein has daily declined in health: a feverish fire still glimmers in his eyes; but he is exhausted, and, when suddenly roused to any exertion, he speedily sinks again into apparent lifelessness. I mentioned in my last letter the fears I entertained of a mutiny. This morning, as I sat watching the wan countenance of my friend--his eyes half closed, and his limbs hanging listlessly,--I was roused by half a dozen of the sailors, who desired admission into the cabin. They entered; and their leader addressed me. He told me that he and his companions had been chosen by the other sailors to come in deputation to me, to make me a demand, which, in justice, I could not refuse. We were immured in ice, and should probably never escape; but they feared that if, as was possible, the ice should dissipate, and a free passage be opened, I should be rash enough to continue my voyage, and lead them into fresh dangers, after they might happily have surmounted this. They desired, therefore, that I should engage with a solemn promise, that if the vessel should be freed, I would instantly direct my coarse southward. This speech troubled me. I had not despaired; nor had I yet conceived the idea of returning, if set free. Yet could I, in justice, or even in possibility, refuse this demand? I hesitated before I answered; when Frankenstein, who had at first been silent, and, indeed, appeared hardly to have force enough to attend, now roused himself; his eyes sparkled, and his cheeks flushed with momentary vigour. Turning towards the men, he said-- "What do you mean? What do you demand of your captain? Are you then so easily turned from your design? Did you not call this a glorious expedition? and wherefore was it glorious? Not because the way was smooth and placid as a southern sea, but because it was full of dangers and terror; because, at every new incident, your fortitude was to be called forth, and your courage exhibited; because danger and death surrounded, and these dangers you were to brave and overcome. For this was it a glorious, for this was it an honourable undertaking. You were hereafter to be hailed as the benefactors of your species; your name adored, as belonging to brave men who encountered death for honour and the benefit of mankind. And now, behold, with the first imagination of danger, or, if you will, the first mighty and terrific trial of your courage, you shrink away, and are content to be handed down as men who had not strength enough to endure cold and peril; and so, poor souls, they were chilly, and returned to their warm fire-sides. Why, that requires not this preparation; ye need not have come thus far, and dragged your captain to the shame of a defeat, merely to prove yourselves cowards. Oh! be men, or be more than men. Be steady to your purposes, and firm as a rock. This ice is not made of such stuff as your hearts might be; it is mutable, cannot withstand you, if you say that it shall not. Do not return to your families with the stigma of disgrace marked on your brows. Return as heroes who have fought and conquered, and who know not what it is to turn their backs on the foe." He spoke this with a voice so modulated to the different feelings expressed in his speech, with an eye so full of lofty design and heroism, that can you wonder that these men were moved. They looked at one another, and were unable to reply. I spoke; I told them to retire, and consider of what had been said: that I would not lead them further north, if they strenuously desired the contrary; but that I hoped that, with reflection, their courage would return. They retired, and I turned towards my friend; but he was sunk in languor, and almost deprived of life. How all this will terminate, I know not; but I had rather die, than return shamefully,--my purpose unfulfilled. Yet I fear such will be my fate; the men, unsupported by ideas of glory and honour, can never willingly continue to endure their present hardships. * * * * * September 7th. The die is cast; I have consented to return, if we are not destroyed. Thus are my hopes blasted by cowardice and indecision; I come back ignorant and disappointed. It requires more philosophy than I possess, to bear this injustice with patience. * * * * * September 12th. It is past; I am returning to England. I have lost my hopes of utility and glory;--I have lost my friend. But I will endeavour to detail these bitter circumstances to you, my dear sister; and, while I am wafted towards England, and towards you, I will not despond. September 19th, the ice began to move, and roarings like thunder were heard at a distance, as the islands split and cracked in every direction. We were in the most imminent peril; but, as we could only remain passive, my chief attention was occupied by my unfortunate guest, whose illness increased in such a degree, that he was entirely confined to his bed. The ice cracked behind us, and was driven with force towards the north; a breeze sprung from the west, and on the 11th the passage towards the south became perfectly free. When the sailors saw this, and that their return to their native country was apparently assured, a shout of tumultuous joy broke from, them, loud and long-continued. Frankenstein, who was dozing, awoke, and asked the cause of the tumult. "They shout," I said, "because they will soon return to England." "Do you then really return?" "Alas! yes; I cannot withstand their demands. I cannot lead them unwillingly to danger, and I must return." "Do so, if you will; but I will not. You may give up your purpose; but mine is assigned to me by heaven, and I dare not. I am weak; but surely the spirits who assist my vengeance will endow me with sufficient strength." Saying this, he endeavoured to spring from the bed, but the exertion was too great for him; he fell back, and fainted. It was long before he was restored; and I often thought that life was entirely extinct. At length he opened his eyes, but he breathed with difficulty, and was unable to speak. The surgeon gave him a composing draught, and ordered us to leave him undisturbed. In the mean time he told me, that my friend had certainly not many hours to live. His sentence was pronounced; and I could only grieve, and be patient. I sat by his bed watching him; his eyes were closed, and I thought he slept; but presently he called to me in a feeble voice, and, bidding me come near, said--"Alas! the strength I relied on is gone; I feel that I shall soon die, and he, my enemy and persecutor, may still be in being. Think not, Walton, that in the last moments of my existence I feel that burning hatred, and ardent desire of revenge, I once expressed, but I feel myself justified in desiring the death of my adversary. During these last days I have been occupied in examining my past conduct; nor do I find it blameable. In a fit of enthusiastic madness I created a rational creature, and was bound towards him, to assure, as far as was in my power, his happiness and well-being. This was my duty; but there was another still paramount to that. My duties towards my fellow-creatures had greater claims to my attention, because they included a greater proportion of happiness or misery. Urged by this view, I refused, and I did right in refusing, to create a companion for the first creature. He shewed unparalleled malignity and selfishness, in evil: he destroyed my friends; he devoted to destruction beings who possessed exquisite sensations, happiness, and wisdom; nor do I know where this thirst for vengeance may end. Miserable himself, that he may render no other wretched, he ought to die. The task of his destruction was mine, but I have failed. When actuated by selfish and vicious motives, I asked you to undertake my unfinished work; and I renew this request now, when I am only induced by reason and virtue. "Yet I cannot ask you to renounce your country and friends, to fulfil this task; and now, that you are returning to England, you will have little chance of meeting with him. But the consideration of these points, and the well-balancing of what you may esteem your duties, I leave to you; my judgment and ideas are already disturbed by the near approach of death. I dare not ask you to do what I think right, for I may still be misled by passion. "That he should live to be an instrument of mischief disturbs me; in other respects this hour, when I momentarily expect my release, is the only happy one which I have enjoyed for several years. The forms of the beloved dead flit before me, and I hasten to their arms. Farewell, Walton! Seek happiness in tranquillity, and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries. Yet why do I say this? I have myself been blasted in these hopes, yet another may succeed." His voice became fainter as he spoke; and at length, exhausted by his effort, he sunk into silence. About half an hour afterwards he attempted again to speak, but was unable; he pressed my hand feebly, and his eyes closed for ever, while the irradiation of a gentle smile passed away from his lips. Margaret, what comment can I make on the untimely extinction of this glorious spirit? What can I say, that will enable you to understand the depth of my sorrow? All that I should express would be inadequate and feeble. My tears flow; my mind is overshadowed by a cloud of disappointment. But I journey towards England, and I may there find consolation. I am interrupted. What do these sounds portend? It is midnight; the breeze blows fairly, and the watch on deck scarcely stir. Again; there is a sound as of a human voice, but hoarser; it comes from the cabin where the remains of Frankenstein still lie. I must arise, and examine. Good night, my sister. Great God! what a scene has just taken place! I am yet dizzy with the remembrance of it. I hardly know whether I shall have the power to detail it; yet the tale which I have recorded would be incomplete without this final and wonderful catastrophe. I entered the cabin, where lay the remains of my ill-fated and admirable friend. Over him hung a form which I cannot find words to describe; gigantic in stature, yet uncouth and distorted in its proportions. As he hung over the coffin, his face was concealed by long locks of ragged hair; but one vast hand was extended, in colour and apparent texture like that of a mummy. When he heard the sound of my approach, he ceased to utter exclamations of grief and horror, and sprung towards the window. Never did I behold a vision so horrible as his face, of such loathsome, yet appalling hideousness. I shut my eyes involuntarily, and endeavoured to recollect what were my duties with regard to this destroyer. I called on him to stay. He paused, looking on me with wonder; and, again turning towards the lifeless form of his creator, he seemed to forget my presence, and every feature and gesture seemed instigated by the wildest rage of some uncontrollable passion. "That is also my victim!" he exclaimed; "in his murder my crimes are consummated; the miserable series of my being is wound to its close! Oh, Frankenstein! generous and self-devoted being! what does it avail that I now ask thee to pardon me? I, who irretrievably destroyed thee by destroying all thou lovedst. Alas! he is cold; he may not answer me." His voice seemed suffocated; and my first impulses, which had suggested to me the duty of obeying the dying request of my friend, in destroying his enemy, were now suspended by a mixture of curiosity and compassion. I approached this tremendous being; I dared not again raise my looks upon his face, there was something so scaring and unearthly in his ugliness. I attempted to speak, but the words died away on my lips. The monster continued to utter wild and incoherent self-reproaches. At length I gathered resolution to address him, in a pause of the tempest of his passion: "Your repentance," I said, "is now superfluous. If you had listened to the voice of conscience, and heeded the stings of remorse, before you had urged your diabolical vengeance to this extremity, Frankenstein would yet have lived." "And do you dream?" said the daemon; "do you think that I was then dead to agony and remorse?--He," he continued, pointing to the corpse, "he suffered not more in the consummation of the deed;--oh! not the ten-thousandth portion of the anguish that was mine during the lingering detail of its execution. A frightful selfishness hurried me on, while my heart was poisoned with remorse. Think ye that the groans of Clerval were music to my ears? My heart was fashioned to be susceptible of love and sympathy; and, when wrenched by misery to vice and hatred, it did not endure the violence of the change without torture such as you cannot even imagine. "After the murder of Clerval, I returned to Switzerland, heart-broken and overcome. I pitied Frankenstein; my pity amounted to horror: I abhorred myself. But when I discovered that he, the author at once of my existence and of its unspeakable torments, dared to hope for happiness; that while he accumulated wretchedness and despair upon me, he sought his own enjoyment in feelings and passions from the indulgence of which I was for ever barred, then impotent envy and bitter indignation filled me with an insatiable thirst for vengeance. I recollected my threat, and resolved that it should be accomplished. I knew that I was preparing for myself a deadly torture; but I was the slave, not the master of an impulse, which I detested, yet could not disobey. Yet when she died!--nay, then I was not miserable. I had cast off all feeling, subdued all anguish to riot in the excess of my despair. Evil thenceforth became my good. Urged thus far, I had no choice but to adapt my nature to an element which I had willingly chosen. The completion of my demoniacal design became an insatiable passion. And now it is ended; there is my last victim!" I was at first touched by the expressions of his misery; yet when I called to mind what Frankenstein had said of his powers of eloquence and persuasion, and when I again cast my eyes on the lifeless form of my friend, indignation was re-kindled within me. "Wretch!" I said, "it is well that you come here to whine over the desolation that you have made. You throw a torch into a pile of buildings, and when they are consumed you sit among the ruins, and lament the fall. Hypocritical fiend! if he whom you mourn still lived, still would he be the object, again would he become the prey of your accursed vengeance. It is not pity that you feel; you lament only because the victim of your malignity is withdrawn from your power." "Oh, it is not thus--not thus," interrupted the being; "yet such must be the impression conveyed to you by what appears to be the purport of my actions. Yet I seek not a fellow-feeling in my misery. No sympathy may I ever find. When I first sought it, it was the love of virtue, the feelings of happiness and affection with which my whole being overflowed, that I wished to be participated. But now, that virtue has become to me a shadow, and that happiness and affection are turned into bitter and loathing despair, in what should I seek for sympathy? I am content to suffer alone, while my sufferings shall endure: when I die, I am well satisfied that abhorrence and opprobrium should load my memory. Once my fancy was soothed with dreams of virtue, of fame, and of enjoyment. Once I falsely hoped to meet with beings, who, pardoning my outward form, would love me for the excellent qualities which I was capable of bringing forth. I was nourished with high thoughts of honour and devotion. But now vice has degraded me beneath the meanest animal. No crime, no mischief, no malignity, no misery, can be found comparable to mine. When I call over the frightful catalogue of my deeds, I cannot believe that I am he whose thoughts were once filled with sublime and transcendant visions of the beauty and the majesty of goodness. But it is even so; the fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am quite alone. "You, who call Frankenstein your friend, seem to have a knowledge of my crimes and his misfortunes. But, in the detail which he gave you of them, he could not sum up the hours and months of misery which I endured, wasting in impotent passions. For whilst I destroyed his hopes, I did not satisfy my own desires. They were for ever ardent and craving; still I desired love and fellowship, and I was still spurned. Was there no injustice in this? Am I to be thought the only criminal, when all human kind sinned against me? Why do you not hate Felix, who drove his friend from his door with contumely? Why do you not execrate the rustic who sought to destroy the saviour of his child? Nay, these are virtuous and immaculate beings! I, the miserable and the abandoned, am an abortion, to be spurned at, and kicked, and trampled on. Even now my blood boils at the recollection of this injustice. "But it is true that I am a wretch. I have murdered the lovely and the helpless; I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when they will meet my eyes, when it will haunt my thoughts, no more. "Fear not that I shall be the instrument of future mischief. My work is nearly complete. Neither your's nor any man's death is needed to consummate the series of my being, and accomplish that which must be done; but it requires my own. Do not think that I shall be slow to perform this sacrifice. I shall quit your vessel on the ice-raft which brought me hither, and shall seek the most northern extremity of the globe; I shall collect my funeral pile, and consume to ashes this miserable frame, that its remains may afford no light to any curious and unhallowed wretch, who would create such another as I have been. I shall die. I shall no longer feel the agonies which now consume me, or be the prey of feelings unsatisfied, yet unquenched. He is dead who called me into being; and when I shall be no more, the very remembrance of us both will speedily vanish. I shall no longer see the sun or stars, or feel the winds play on my cheeks. Light, feeling, and sense, will pass away; and in this condition must I find my happiness. Some years ago, when the images which this world affords first opened upon me, when I felt the cheering warmth of summer, and heard the rustling of the leaves and the chirping of the birds, and these were all to me, I should have wept to die; now it is my only consolation. Polluted by crimes, and torn by the bitterest remorse, where can I find rest but in death? "Farewell! I leave you, and in you the last of human kind whom these eyes will ever behold. Farewell, Frankenstein! If thou wert yet alive, and yet cherished a desire of revenge against me, it would be better satiated in my life than in my destruction. But it was not so; thou didst seek my extinction, that I might not cause greater wretchedness; and if yet, in some mode unknown to me, thou hast not yet ceased to think and feel, thou desirest not my life for my own misery. Blasted as thou wert, my agony was still superior to thine; for the bitter sting of remorse may not cease to rankle in my wounds until death shall close them for ever. "But soon," he cried, with sad and solemn enthusiasm, "I shall die, and what I now feel be no longer felt. Soon these burning miseries will be extinct. I shall ascend my funeral pile triumphantly, and exult in the agony of the torturing flames. The light of that conflagration will fade away; my ashes will be swept into the sea by the winds. My spirit will sleep in peace; or if it thinks, it will not surely think thus. Farewell." He sprung from the cabin-window, as he said this, upon the ice-raft which lay close to the vessel. He was soon borne away by the waves, and lost in darkness and distance.

In the first letter, dated August 26, 17 -- , Walton is now the narrator for the remainder of the story. Walton tells how Victor proves his tale by producing the letters of Felix and Safie. Victor tells Walton to learn from his mistakes, that knowledge for evil ends leads to disaster. Walton comforts Victor in his last days and the two pass the time discussing other topics, such as literature, when Walton notices that it has taken a full week for Victor to narrate this story. Victor tells Robert that he must carry on the mission to destroy the monster. In the letter dated September 2, 17 -- , Walton grieves at the fact that he has found a friend who seems on the verge of death and that his own mission to discover a northwest Arctic passage has failed. He writes to his sister to remember him fondly and to wish her family well. In the letter dated September 5, 17 -- , Walton writes that Victor is now dying, and Walton has a near mutiny aboard his ship. The crew wants the ship to return to warmer waters before the ship is crushed by the weight of the ice. Walton chides the crew for their lack of adventure, and they agree to rescind their demand to turn the ship southward to escape a certain death. In the letter dated September 7, Walton is in deep despair, now far short of his goal. He informs the crew that they will return to England if they are not destroyed. In the last letter of the book, dated September 12, Victor wants to remain in this inhospitable climate even if Walton's ship returns home. However, Walton cannot lead the men to their deaths. Victor will not return to Europe or England without confronting his enemy. Walton knows that Victor will die soon from exhaustion and exposure. In the end, Victor dies. The monster breaks into the ship's cabin where Victor's body lies in state. Walton and the monster startle each other and the monster begins to tell his part of the story when he began his reign of terror. The monster finds that he can gain no sympathy from man, so he pledges to remain in the frozen north until he dies. The monster tells that he has suffered along with Victor and made evil his version of good. The monster promises no harm to Walton or his crew and leaves the ship to live out his days in the frozen land of ice. To the monster, dying is his only consolation to relieve the pain he has endured since he was given that spark of life in Ingolstadt. He swears "I shall ascend my funeral pile triumphantly and exult in the agony of the torturing flames." With this statement, the monster leaps overboard from the ship and disappears in the mist.

Unaccountable, however, as the circumstances of his release might appear to the whole family, it was certain that Edward was free; and to what purpose that freedom would be employed was easily pre-determined by all;--for after experiencing the blessings of ONE imprudent engagement, contracted without his mother's consent, as he had already done for more than four years, nothing less could be expected of him in the failure of THAT, than the immediate contraction of another. His errand at Barton, in fact, was a simple one. It was only to ask Elinor to marry him;--and considering that he was not altogether inexperienced in such a question, it might be strange that he should feel so uncomfortable in the present case as he really did, so much in need of encouragement and fresh air. How soon he had walked himself into the proper resolution, however, how soon an opportunity of exercising it occurred, in what manner he expressed himself, and how he was received, need not be particularly told. This only need be said;--that when they all sat down to table at four o'clock, about three hours after his arrival, he had secured his lady, engaged her mother's consent, and was not only in the rapturous profession of the lover, but, in the reality of reason and truth, one of the happiest of men. His situation indeed was more than commonly joyful. He had more than the ordinary triumph of accepted love to swell his heart, and raise his spirits. He was released without any reproach to himself, from an entanglement which had long formed his misery, from a woman whom he had long ceased to love;--and elevated at once to that security with another, which he must have thought of almost with despair, as soon as he had learnt to consider it with desire. He was brought, not from doubt or suspense, but from misery to happiness;--and the change was openly spoken in such a genuine, flowing, grateful cheerfulness, as his friends had never witnessed in him before. His heart was now open to Elinor, all its weaknesses, all its errors confessed, and his first boyish attachment to Lucy treated with all the philosophic dignity of twenty-four. "It was a foolish, idle inclination on my side," said he, "the consequence of ignorance of the world--and want of employment. Had my mother given me some active profession when I was removed at eighteen from the care of Mr. Pratt, I think--nay, I am sure, it would never have happened; for though I left Longstaple with what I thought, at the time, a most unconquerable preference for his niece, yet had I then had any pursuit, any object to engage my time and keep me at a distance from her for a few months, I should very soon have outgrown the fancied attachment, especially by mixing more with the world, as in such case I must have done. But instead of having any thing to do, instead of having any profession chosen for me, or being allowed to chuse any myself, I returned home to be completely idle; and for the first twelvemonth afterwards I had not even the nominal employment, which belonging to the university would have given me; for I was not entered at Oxford till I was nineteen. I had therefore nothing in the world to do, but to fancy myself in love; and as my mother did not make my home in every respect comfortable, as I had no friend, no companion in my brother, and disliked new acquaintance, it was not unnatural for me to be very often at Longstaple, where I always felt myself at home, and was always sure of a welcome; and accordingly I spent the greatest part of my time there from eighteen to nineteen: Lucy appeared everything that was amiable and obliging. She was pretty too--at least I thought so THEN; and I had seen so little of other women, that I could make no comparisons, and see no defects. Considering everything, therefore, I hope, foolish as our engagement was, foolish as it has since in every way been proved, it was not at the time an unnatural or an inexcusable piece of folly." The change which a few hours had wrought in the minds and the happiness of the Dashwoods, was such--so great--as promised them all, the satisfaction of a sleepless night. Mrs. Dashwood, too happy to be comfortable, knew not how to love Edward, nor praise Elinor enough, how to be enough thankful for his release without wounding his delicacy, nor how at once to give them leisure for unrestrained conversation together, and yet enjoy, as she wished, the sight and society of both. Marianne could speak HER happiness only by tears. Comparisons would occur--regrets would arise;--and her joy, though sincere as her love for her sister, was of a kind to give her neither spirits nor language. But Elinor--how are HER feelings to be described?--From the moment of learning that Lucy was married to another, that Edward was free, to the moment of his justifying the hopes which had so instantly followed, she was every thing by turns but tranquil. But when the second moment had passed, when she found every doubt, every solicitude removed, compared her situation with what so lately it had been,--saw him honourably released from his former engagement, saw him instantly profiting by the release, to address herself and declare an affection as tender, as constant as she had ever supposed it to be,--she was oppressed, she was overcome by her own felicity;--and happily disposed as is the human mind to be easily familiarized with any change for the better, it required several hours to give sedateness to her spirits, or any degree of tranquillity to her heart. Edward was now fixed at the cottage at least for a week;--for whatever other claims might be made on him, it was impossible that less than a week should be given up to the enjoyment of Elinor's company, or suffice to say half that was to be said of the past, the present, and the future;--for though a very few hours spent in the hard labor of incessant talking will despatch more subjects than can really be in common between any two rational creatures, yet with lovers it is different. Between THEM no subject is finished, no communication is even made, till it has been made at least twenty times over. Lucy's marriage, the unceasing and reasonable wonder among them all, formed of course one of the earliest discussions of the lovers;--and Elinor's particular knowledge of each party made it appear to her in every view, as one of the most extraordinary and unaccountable circumstances she had ever heard. How they could be thrown together, and by what attraction Robert could be drawn on to marry a girl, of whose beauty she had herself heard him speak without any admiration,--a girl too already engaged to his brother, and on whose account that brother had been thrown off by his family--it was beyond her comprehension to make out. To her own heart it was a delightful affair, to her imagination it was even a ridiculous one, but to her reason, her judgment, it was completely a puzzle. Edward could only attempt an explanation by supposing, that, perhaps, at first accidentally meeting, the vanity of the one had been so worked on by the flattery of the other, as to lead by degrees to all the rest. Elinor remembered what Robert had told her in Harley Street, of his opinion of what his own mediation in his brother's affairs might have done, if applied to in time. She repeated it to Edward. "THAT was exactly like Robert,"--was his immediate observation.--"And THAT," he presently added, "might perhaps be in HIS head when the acquaintance between them first began. And Lucy perhaps at first might think only of procuring his good offices in my favour. Other designs might afterward arise." How long it had been carrying on between them, however, he was equally at a loss with herself to make out; for at Oxford, where he had remained for choice ever since his quitting London, he had had no means of hearing of her but from herself, and her letters to the very last were neither less frequent, nor less affectionate than usual. Not the smallest suspicion, therefore, had ever occurred to prepare him for what followed;--and when at last it burst on him in a letter from Lucy herself, he had been for some time, he believed, half stupified between the wonder, the horror, and the joy of such a deliverance. He put the letter into Elinor's hands. "DEAR SIR, "Being very sure I have long lost your affections, I have thought myself at liberty to bestow my own on another, and have no doubt of being as happy with him as I once used to think I might be with you; but I scorn to accept a hand while the heart was another's. Sincerely wish you happy in your choice, and it shall not be my fault if we are not always good friends, as our near relationship now makes proper. I can safely say I owe you no ill-will, and am sure you will be too generous to do us any ill offices. Your brother has gained my affections entirely, and as we could not live without one another, we are just returned from the altar, and are now on our way to Dawlish for a few weeks, which place your dear brother has great curiosity to see, but thought I would first trouble you with these few lines, and shall always remain, "Your sincere well-wisher, friend, and sister, "LUCY FERRARS. "I have burnt all your letters, and will return your picture the first opportunity. Please to destroy my scrawls--but the ring with my hair you are very welcome to keep." Elinor read and returned it without any comment. "I will not ask your opinion of it as a composition," said Edward.--"For worlds would not I have had a letter of hers seen by YOU in former days.--In a sister it is bad enough, but in a wife!--how I have blushed over the pages of her writing!--and I believe I may say that since the first half year of our foolish--business--this is the only letter I ever received from her, of which the substance made me any amends for the defect of the style." "However it may have come about," said Elinor, after a pause,--"they are certainly married. And your mother has brought on herself a most appropriate punishment. The independence she settled on Robert, through resentment against you, has put it in his power to make his own choice; and she has actually been bribing one son with a thousand a-year, to do the very deed which she disinherited the other for intending to do. She will hardly be less hurt, I suppose, by Robert's marrying Lucy, than she would have been by your marrying her." "She will be more hurt by it, for Robert always was her favourite.--She will be more hurt by it, and on the same principle will forgive him much sooner." In what state the affair stood at present between them, Edward knew not, for no communication with any of his family had yet been attempted by him. He had quitted Oxford within four and twenty hours after Lucy's letter arrived, and with only one object before him, the nearest road to Barton, had had no leisure to form any scheme of conduct, with which that road did not hold the most intimate connection. He could do nothing till he were assured of his fate with Miss Dashwood; and by his rapidity in seeking THAT fate, it is to be supposed, in spite of the jealousy with which he had once thought of Colonel Brandon, in spite of the modesty with which he rated his own deserts, and the politeness with which he talked of his doubts, he did not, upon the whole, expect a very cruel reception. It was his business, however, to say that he DID, and he said it very prettily. What he might say on the subject a twelvemonth after, must be referred to the imagination of husbands and wives. That Lucy had certainly meant to deceive, to go off with a flourish of malice against him in her message by Thomas, was perfectly clear to Elinor; and Edward himself, now thoroughly enlightened on her character, had no scruple in believing her capable of the utmost meanness of wanton ill-nature. Though his eyes had been long opened, even before his acquaintance with Elinor began, to her ignorance and a want of liberality in some of her opinions--they had been equally imputed, by him, to her want of education; and till her last letter reached him, he had always believed her to be a well-disposed, good-hearted girl, and thoroughly attached to himself. Nothing but such a persuasion could have prevented his putting an end to an engagement, which, long before the discovery of it laid him open to his mother's anger, had been a continual source of disquiet and regret to him. "I thought it my duty," said he, "independent of my feelings, to give her the option of continuing the engagement or not, when I was renounced by my mother, and stood to all appearance without a friend in the world to assist me. In such a situation as that, where there seemed nothing to tempt the avarice or the vanity of any living creature, how could I suppose, when she so earnestly, so warmly insisted on sharing my fate, whatever it might be, that any thing but the most disinterested affection was her inducement? And even now, I cannot comprehend on what motive she acted, or what fancied advantage it could be to her, to be fettered to a man for whom she had not the smallest regard, and who had only two thousand pounds in the world. She could not foresee that Colonel Brandon would give me a living." "No; but she might suppose that something would occur in your favour; that your own family might in time relent. And at any rate, she lost nothing by continuing the engagement, for she has proved that it fettered neither her inclination nor her actions. The connection was certainly a respectable one, and probably gained her consideration among her friends; and, if nothing more advantageous occurred, it would be better for her to marry YOU than be single." Edward was, of course, immediately convinced that nothing could have been more natural than Lucy's conduct, nor more self-evident than the motive of it. Elinor scolded him, harshly as ladies always scold the imprudence which compliments themselves, for having spent so much time with them at Norland, when he must have felt his own inconstancy. "Your behaviour was certainly very wrong," said she; "because--to say nothing of my own conviction, our relations were all led away by it to fancy and expect WHAT, as you were THEN situated, could never be." He could only plead an ignorance of his own heart, and a mistaken confidence in the force of his engagement. "I was simple enough to think, that because my FAITH was plighted to another, there could be no danger in my being with you; and that the consciousness of my engagement was to keep my heart as safe and sacred as my honour. I felt that I admired you, but I told myself it was only friendship; and till I began to make comparisons between yourself and Lucy, I did not know how far I was got. After that, I suppose, I WAS wrong in remaining so much in Sussex, and the arguments with which I reconciled myself to the expediency of it, were no better than these:--The danger is my own; I am doing no injury to anybody but myself." Elinor smiled, and shook her head. Edward heard with pleasure of Colonel Brandon's being expected at the Cottage, as he really wished not only to be better acquainted with him, but to have an opportunity of convincing him that he no longer resented his giving him the living of Delaford--"Which, at present," said he, "after thanks so ungraciously delivered as mine were on the occasion, he must think I have never forgiven him for offering." NOW he felt astonished himself that he had never yet been to the place. But so little interest had he taken in the matter, that he owed all his knowledge of the house, garden, and glebe, extent of the parish, condition of the land, and rate of the tithes, to Elinor herself, who had heard so much of it from Colonel Brandon, and heard it with so much attention, as to be entirely mistress of the subject. One question after this only remained undecided, between them, one difficulty only was to be overcome. They were brought together by mutual affection, with the warmest approbation of their real friends; their intimate knowledge of each other seemed to make their happiness certain--and they only wanted something to live upon. Edward had two thousand pounds, and Elinor one, which, with Delaford living, was all that they could call their own; for it was impossible that Mrs. Dashwood should advance anything; and they were neither of them quite enough in love to think that three hundred and fifty pounds a-year would supply them with the comforts of life. Edward was not entirely without hopes of some favourable change in his mother towards him; and on THAT he rested for the residue of their income. But Elinor had no such dependence; for since Edward would still be unable to marry Miss Morton, and his chusing herself had been spoken of in Mrs. Ferrars's flattering language as only a lesser evil than his chusing Lucy Steele, she feared that Robert's offence would serve no other purpose than to enrich Fanny. About four days after Edward's arrival Colonel Brandon appeared, to complete Mrs. Dashwood's satisfaction, and to give her the dignity of having, for the first time since her living at Barton, more company with her than her house would hold. Edward was allowed to retain the privilege of first comer, and Colonel Brandon therefore walked every night to his old quarters at the Park; from whence he usually returned in the morning, early enough to interrupt the lovers' first tete-a-tete before breakfast. A three weeks' residence at Delaford, where, in his evening hours at least, he had little to do but to calculate the disproportion between thirty-six and seventeen, brought him to Barton in a temper of mind which needed all the improvement in Marianne's looks, all the kindness of her welcome, and all the encouragement of her mother's language, to make it cheerful. Among such friends, however, and such flattery, he did revive. No rumour of Lucy's marriage had yet reached him:--he knew nothing of what had passed; and the first hours of his visit were consequently spent in hearing and in wondering. Every thing was explained to him by Mrs. Dashwood, and he found fresh reason to rejoice in what he had done for Mr. Ferrars, since eventually it promoted the interest of Elinor. It would be needless to say, that the gentlemen advanced in the good opinion of each other, as they advanced in each other's acquaintance, for it could not be otherwise. Their resemblance in good principles and good sense, in disposition and manner of thinking, would probably have been sufficient to unite them in friendship, without any other attraction; but their being in love with two sisters, and two sisters fond of each other, made that mutual regard inevitable and immediate, which might otherwise have waited the effect of time and judgment. The letters from town, which a few days before would have made every nerve in Elinor's body thrill with transport, now arrived to be read with less emotion than mirth. Mrs. Jennings wrote to tell the wonderful tale, to vent her honest indignation against the jilting girl, and pour forth her compassion towards poor Mr. Edward, who, she was sure, had quite doted upon the worthless hussy, and was now, by all accounts, almost broken-hearted, at Oxford.-- "I do think," she continued, "nothing was ever carried on so sly; for it was but two days before Lucy called and sat a couple of hours with me. Not a soul suspected anything of the matter, not even Nancy, who, poor soul! came crying to me the day after, in a great fright for fear of Mrs. Ferrars, as well as not knowing how to get to Plymouth; for Lucy it seems borrowed all her money before she went off to be married, on purpose we suppose to make a show with, and poor Nancy had not seven shillings in the world;--so I was very glad to give her five guineas to take her down to Exeter, where she thinks of staying three or four weeks with Mrs. Burgess, in hopes, as I tell her, to fall in with the Doctor again. And I must say that Lucy's crossness not to take them along with them in the chaise is worse than all. Poor Mr. Edward! I cannot get him out of my head, but you must send for him to Barton, and Miss Marianne must try to comfort him." Mr. Dashwood's strains were more solemn. Mrs. Ferrars was the most unfortunate of women--poor Fanny had suffered agonies of sensibility--and he considered the existence of each, under such a blow, with grateful wonder. Robert's offence was unpardonable, but Lucy's was infinitely worse. Neither of them were ever again to be mentioned to Mrs. Ferrars; and even, if she might hereafter be induced to forgive her son, his wife should never be acknowledged as her daughter, nor be permitted to appear in her presence. The secrecy with which everything had been carried on between them, was rationally treated as enormously heightening the crime, because, had any suspicion of it occurred to the others, proper measures would have been taken to prevent the marriage; and he called on Elinor to join with him in regretting that Lucy's engagement with Edward had not rather been fulfilled, than that she should thus be the means of spreading misery farther in the family.-- He thus continued: "Mrs. Ferrars has never yet mentioned Edward's name, which does not surprise us; but, to our great astonishment, not a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shewn to her mother, might not be taken amiss; for we all know the tenderness of Mrs. Ferrars's heart, and that she wishes for nothing so much as to be on good terms with her children." This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother's pardon for Robert's ingratitude to HER, and breach of honour to ME?--I can make no submission--I am grown neither humble nor penitent by what has passed.--I am grown very happy; but that would not interest.--I know of no submission that IS proper for me to make." "You may certainly ask to be forgiven," said Elinor, "because you have offended;--and I should think you might NOW venture so far as to profess some concern for having ever formed the engagement which drew on you your mother's anger." He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in HER eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour.-- "And if they really DO interest themselves," said Marianne, in her new character of candour, "in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit." After a visit on Colonel Brandon's side of only three or four days, the two gentlemen quitted Barton together.-- They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on his journey to town.

Apparently, Edward had come to Barton to ask Elinor to marry him. He left the house so abruptly to get some fresh air, gained confidence, then returned immediately to accomplish his mission. Three hours later, everything is settled, and everyone is immensely happy. Yay! Edward is happier than they've ever seen him , and he's genuinely cheerful and open to everyone, especially Elinor. He explains what happened with his engagement to Lucy - they'd fallen in love as teenagers, but as grownups, they'd grown apart. Part of the problem was that he hadn't had a clear path to employment once he left school, and no companions or friends - really, the only person he was close to as a youth was Lucy, so he had no basis for comparison. That night, everyone is so excited that nobody can sleep. It's a good kind of excitement, though - that of pure joy and relief. Marianne can only express her joy through crying, and has no words for her feelings. Elinor was so excited that even she lost her composure for a moment, before she pulled it together and was able to tell him how much she loves him - still, she's far from the normal calm Elinor we're used to. Edward stays at the cottage for a week, and he and Elinor spend the whole time enjoying each other's company and planning for the future. Lucy's marriage to Robert is a topic of much discussion as well - how did it happen? Everyone is mystified. Edward and Elinor discuss the possibility of plotting on Lucy's part; they decide that she probably began with the best intentions of gaining Robert's good favor for her marriage to Edward, but things changed somewhere along the line. Edward tells Elinor all about his breakup with Lucy. She'd written him a rather awkward letter, after she and Robert were already married, and requested that he destroy all her letters. He was horrified by the badness of her writing, but pleased by the content - everyone agrees that all's well that ends well. Mrs. Ferrars has even got her comeuppance, since the very daughter-in-law she hoped to eliminate by disowning Edward has cropped up again with Robert. Edward hasn't been in contact with his family since this all happened, and he's not sure what is going to happen. Elinor realizes that Lucy had meant to deceive the Dashwoods and hurt Elinor in particular by leading Thomas to believe that she had married Edward, not Robert. It's clear that Lucy is not actually a nice girl, but clearly something of an evil one. He wishes he'd known about it before his mother found out about everything - he would have broken up with Lucy had he known her real nature. He can't imagine why Lucy stuck with him for so long - why would she have stayed with him, even when he was disowned? Elinor figures that Lucy probably thought that she could gain from the association anyway, and that she'd assumed that in the end his family would give in. Elinor teases him for spending so much time at Norland with her when he was otherwise engaged with Lucy, but she doesn't mean it. He earnestly defends himself, saying that he thought he was safe from falling in love with Elinor if he was engaged already. Needless to say, he was wrong. Edward is glad that Colonel Brandon is coming to visit. He's excited to get to know his benefactor better; he used to resent Colonel Brandon because he though the Colonel was engaged to Elinor and he'd assumed that that's why he was offered the job at Delaford. Now that everything's cleared up, though, he's excited to make a new friend. As for money, Elinor has a thousand pounds of her own, and Edward has two thousand - combined with the Delaford living, that doesn't give them quite enough to live on. Edward hopes that his mother might change her mind toward him, but Elinor's not so sure. It seems to her that Robert's offensive marriage will just mean that Fanny will get more of the Ferrars fortune. A few days after Edward arrives, Colonel Brandon shows up. Mrs. Dashwood is overjoyed that everyone's together, but it means that they're out of room at the cottage, and Colonel Brandon has to stay at Barton Park. However, he comes to visit every day. He's been much revived by his three weeks at home, and is even more revived by Marianne's improvement in health. Mrs. Dashwood tells him all the surprising news about Lucy and Robert, and the Colonel is especially happy that he's helped Edward and Elinor out. Edward and Colonel Brandon become great friends quickly, not only because they're quite similar in personality, but also because they're in love with two sisters. Mrs. Jennings sends a letter from town relating the whole story of Lucy and Robert, which Elinor is now able to read with humor, not anxiety. John also writes, lamenting how unfortunate Mrs. Ferrars and Fanny are. Both Robert and Lucy are in her bad book, and even if she un-disowns Robert, she'll never forgive Lucy. Mrs. Ferrars hasn't said anything about Edward yet, but John thinks that Edward should write a conciliatory note to his mother - perhaps she will forgive him . Edward isn't sure what to do and doesn't want to write, as John suggests, a letter of "submission," so Elinor counsels him to write a letter asking for forgiveness, perhaps with a little humility thrown in there for good measure. Colonel Brandon and Edward leave together to visit Delaford, after which Edward will go to London.

That illustrious man and great national ornament, Mr Merdle, continued his shining course. It began to be widely understood that one who had done society the admirable service of making so much money out of it, could not be suffered to remain a commoner. A baronetcy was spoken of with confidence; a peerage was frequently mentioned. Rumour had it that Mr Merdle had set his golden face against a baronetcy; that he had plainly intimated to Lord Decimus that a baronetcy was not enough for him; that he had said, 'No--a Peerage, or plain Merdle.' This was reported to have plunged Lord Decimus as nigh to his noble chin in a slough of doubts as so lofty a person could be sunk. For the Barnacles, as a group of themselves in creation, had an idea that such distinctions belonged to them; and that when a soldier, sailor, or lawyer became ennobled, they let him in, as it were, by an act of condescension, at the family door, and immediately shut it again. Not only (said Rumour) had the troubled Decimus his own hereditary part in this impression, but he also knew of several Barnacle claims already on the file, which came into collision with that of the master spirit. Right or wrong, Rumour was very busy; and Lord Decimus, while he was, or was supposed to be, in stately excogitation of the difficulty, lent her some countenance by taking, on several public occasions, one of those elephantine trots of his through a jungle of overgrown sentences, waving Mr Merdle about on his trunk as Gigantic Enterprise, The Wealth of England, Elasticity, Credit, Capital, Prosperity, and all manner of blessings. So quietly did the mowing of the old scythe go on, that fully three months had passed unnoticed since the two English brothers had been laid in one tomb in the strangers' cemetery at Rome. Mr and Mrs Sparkler were established in their own house: a little mansion, rather of the Tite Barnacle class, quite a triumph of inconvenience, with a perpetual smell in it of the day before yesterday's soup and coach-horses, but extremely dear, as being exactly in the centre of the habitable globe. In this enviable abode (and envied it really was by many people), Mrs Sparkler had intended to proceed at once to the demolition of the Bosom, when active hostilities had been suspended by the arrival of the Courier with his tidings of death. Mrs Sparkler, who was not unfeeling, had received them with a violent burst of grief, which had lasted twelve hours; after which, she had arisen to see about her mourning, and to take every precaution that could ensure its being as becoming as Mrs Merdle's. A gloom was then cast over more than one distinguished family (according to the politest sources of intelligence), and the Courier went back again. Mr and Mrs Sparkler had been dining alone, with their gloom cast over them, and Mrs Sparkler reclined on a drawing-room sofa. It was a hot summer Sunday evening. The residence in the centre of the habitable globe, at all times stuffed and close as if it had an incurable cold in its head, was that evening particularly stifling. The bells of the churches had done their worst in the way of clanging among the unmelodious echoes of the streets, and the lighted windows of the churches had ceased to be yellow in the grey dusk, and had died out opaque black. Mrs Sparkler, lying on her sofa, looking through an open window at the opposite side of a narrow street over boxes of mignonette and flowers, was tired of the view. Mrs Sparkler, looking at another window where her husband stood in the balcony, was tired of that view. Mrs Sparkler, looking at herself in her mourning, was even tired of that view: though, naturally, not so tired of that as of the other two. 'It's like lying in a well,' said Mrs Sparkler, changing her position fretfully. 'Dear me, Edmund, if you have anything to say, why don't you say it?' Mr Sparkler might have replied with ingenuousness, 'My life, I have nothing to say.' But, as the repartee did not occur to him, he contented himself with coming in from the balcony and standing at the side of his wife's couch. 'Good gracious, Edmund!' said Mrs Sparkler more fretfully still, 'you are absolutely putting mignonette up your nose! Pray don't!' Mr Sparkler, in absence of mind--perhaps in a more literal absence of mind than is usually understood by the phrase--had smelt so hard at a sprig in his hand as to be on the verge of the offence in question. He smiled, said, 'I ask your pardon, my dear,' and threw it out of window. 'You make my head ache by remaining in that position, Edmund,' said Mrs Sparkler, raising her eyes to him after another minute; 'you look so aggravatingly large by this light. Do sit down.' 'Certainly, my dear,' said Mr Sparkler, and took a chair on the same spot. 'If I didn't know that the longest day was past,' said Fanny, yawning in a dreary manner, 'I should have felt certain this was the longest day. I never did experience such a day.' 'Is that your fan, my love?' asked Mr Sparkler, picking up one and presenting it. 'Edmund,' returned his wife, more wearily yet, 'don't ask weak questions, I entreat you not. Whose can it be but mine?' 'Yes, I thought it was yours,' said Mr Sparkler. 'Then you shouldn't ask,' retorted Fanny. After a little while she turned on her sofa and exclaimed, 'Dear me, dear me, there never was such a long day as this!' After another little while, she got up slowly, walked about, and came back again. 'My dear,' said Mr Sparkler, flashing with an original conception, 'I think you must have got the fidgets.' 'Oh, Fidgets!' repeated Mrs Sparkler. 'Don't.' 'My adorable girl,' urged Mr Sparkler, 'try your aromatic vinegar. I have often seen my mother try it, and it seemingly refreshed her. And she is, as I believe you are aware, a remarkably fine woman, with no non--' 'Good Gracious!' exclaimed Fanny, starting up again. 'It's beyond all patience! This is the most wearisome day that ever did dawn upon the world, I am certain.' Mr Sparkler looked meekly after her as she lounged about the room, and he appeared to be a little frightened. When she had tossed a few trifles about, and had looked down into the darkening street out of all the three windows, she returned to her sofa, and threw herself among its pillows. 'Now Edmund, come here! Come a little nearer, because I want to be able to touch you with my fan, that I may impress you very much with what I am going to say. That will do. Quite close enough. Oh, you _do_ look so big!' Mr Sparkler apologised for the circumstance, pleaded that he couldn't help it, and said that 'our fellows,' without more particularly indicating whose fellows, used to call him by the name of Quinbus Flestrin, Junior, or the Young Man Mountain. 'You ought to have told me so before,' Fanny complained. 'My dear,' returned Mr Sparkler, rather gratified, 'I didn't know It would interest you, or I would have made a point of telling you.' 'There! For goodness sake, don't talk,' said Fanny; 'I want to talk, myself. Edmund, we must not be alone any more. I must take such precautions as will prevent my being ever again reduced to the state of dreadful depression in which I am this evening.' 'My dear,' answered Mr Sparkler; 'being as you are well known to be, a remarkably fine woman with no--' 'Oh, good GRACIOUS!' cried Fanny. Mr Sparkler was so discomposed by the energy of this exclamation, accompanied with a flouncing up from the sofa and a flouncing down again, that a minute or two elapsed before he felt himself equal to saying in explanation: 'I mean, my dear, that everybody knows you are calculated to shine in society.' 'Calculated to shine in society,' retorted Fanny with great irritability; 'yes, indeed! And then what happens? I no sooner recover, in a visiting point of view, the shock of poor dear papa's death, and my poor uncle's--though I do not disguise from myself that the last was a happy release, for, if you are not presentable you had much better die--' 'You are not referring to me, my love, I hope?' Mr Sparkler humbly interrupted. 'Edmund, Edmund, you would wear out a Saint. Am I not expressly speaking of my poor uncle?' 'You looked with so much expression at myself, my dear girl,' said Mr Sparkler, 'that I felt a little uncomfortable. Thank you, my love.' 'Now you have put me out,' observed Fanny with a resigned toss of her fan, 'and I had better go to bed.' 'Don't do that, my love,' urged Mr Sparkler. 'Take time.' Fanny took a good deal of time: lying back with her eyes shut, and her eyebrows raised with a hopeless expression as if she had utterly given up all terrestrial affairs. At length, without the slightest notice, she opened her eyes again, and recommenced in a short, sharp manner: 'What happens then, I ask! What happens? Why, I find myself at the very period when I might shine most in society, and should most like for very momentous reasons to shine in society--I find myself in a situation which to a certain extent disqualifies me for going into society. It's too bad, really!' 'My dear,' said Mr Sparkler. 'I don't think it need keep you at home.' 'Edmund, you ridiculous creature,' returned Fanny, with great indignation; 'do you suppose that a woman in the bloom of youth and not wholly devoid of personal attractions, can put herself, at such a time, in competition as to figure with a woman in every other way her inferior? If you do suppose such a thing, your folly is boundless.' Mr Sparkler submitted that he had thought 'it might be got over.' 'Got over!' repeated Fanny, with immeasurable scorn. 'For a time,' Mr Sparkler submitted. Honouring the last feeble suggestion with no notice, Mrs Sparkler declared with bitterness that it really was too bad, and that positively it was enough to make one wish one was dead! 'However,' she said, when she had in some measure recovered from her sense of personal ill-usage; 'provoking as it is, and cruel as it seems, I suppose it must be submitted to.' 'Especially as it was to be expected,' said Mr Sparkler. 'Edmund,' returned his wife, 'if you have nothing more becoming to do than to attempt to insult the woman who has honoured you with her hand, when she finds herself in adversity, I think _you_ had better go to bed!' Mr Sparkler was much afflicted by the charge, and offered a most tender and earnest apology. His apology was accepted; but Mrs Sparkler requested him to go round to the other side of the sofa and sit in the window-curtain, to tone himself down. 'Now, Edmund,' she said, stretching out her fan, and touching him with it at arm's length, 'what I was going to say to you when you began as usual to prose and worry, is, that I shall guard against our being alone any more, and that when circumstances prevent my going out to my own satisfaction, I must arrange to have some people or other always here; for I really cannot, and will not, have another such day as this has been.' Mr Sparkler's sentiments as to the plan were, in brief, that it had no nonsense about it. He added, 'And besides, you know it's likely that you'll soon have your sister--' 'Dearest Amy, yes!' cried Mrs Sparkler with a sigh of affection. 'Darling little thing! Not, however, that Amy would do here alone.' Mr Sparkler was going to say 'No?' interrogatively, but he saw his danger and said it assentingly, 'No, Oh dear no; she wouldn't do here alone.' 'No, Edmund. For not only are the virtues of the precious child of that still character that they require a contrast--require life and movement around them to bring them out in their right colours and make one love them of all things; but she will require to be roused, on more accounts than one.' 'That's it,' said Mr Sparkler. 'Roused.' 'Pray don't, Edmund! Your habit of interrupting without having the least thing in the world to say, distracts one. You must be broken of it. Speaking of Amy;--my poor little pet was devotedly attached to poor papa, and no doubt will have lamented his loss exceedingly, and grieved very much. I have done so myself. I have felt it dreadfully. But Amy will no doubt have felt it even more, from having been on the spot the whole time, and having been with poor dear papa at the last; which I unhappily was not.' Here Fanny stopped to weep, and to say, 'Dear, dear, beloved papa! How truly gentlemanly he was! What a contrast to poor uncle!' 'From the effects of that trying time,' she pursued, 'my good little Mouse will have to be roused. Also, from the effects of this long attendance upon Edward in his illness; an attendance which is not yet over, which may even go on for some time longer, and which in the meanwhile unsettles us all by keeping poor dear papa's affairs from being wound up. Fortunately, however, the papers with his agents here being all sealed up and locked up, as he left them when he providentially came to England, the affairs are in that state of order that they can wait until my brother Edward recovers his health in Sicily, sufficiently to come over, and administer, or execute, or whatever it may be that will have to be done.' 'He couldn't have a better nurse to bring him round,' Mr Sparkler made bold to opine. 'For a wonder, I can agree with you,' returned his wife, languidly turning her eyelids a little in his direction (she held forth, in general, as if to the drawing-room furniture), 'and can adopt your words. He couldn't have a better nurse to bring him round. There are times when my dear child is a little wearing to an active mind; but, as a nurse, she is Perfection. Best of Amys!' Mr Sparkler, growing rash on his late success, observed that Edward had had, biggodd, a long bout of it, my dear girl. 'If Bout, Edmund,' returned Mrs Sparkler, 'is the slang term for indisposition, he has. If it is not, I am unable to give an opinion on the barbarous language you address to Edward's sister. That he contracted Malaria Fever somewhere, either by travelling day and night to Rome, where, after all, he arrived too late to see poor dear papa before his death--or under some other unwholesome circumstances--is indubitable, if that is what you mean. Likewise that his extremely careless life has made him a very bad subject for it indeed.' Mr Sparkler considered it a parallel case to that of some of our fellows in the West Indies with Yellow Jack. Mrs Sparkler closed her eyes again, and refused to have any consciousness of our fellows of the West Indies, or of Yellow Jack. 'So, Amy,' she pursued, when she reopened her eyelids, 'will require to be roused from the effects of many tedious and anxious weeks. And lastly, she will require to be roused from a low tendency which I know very well to be at the bottom of her heart. Don't ask me what it is, Edmund, because I must decline to tell you.' 'I am not going to, my dear,' said Mr Sparkler. 'I shall thus have much improvement to effect in my sweet child,' Mrs Sparkler continued, 'and cannot have her near me too soon. Amiable and dear little Twoshoes! As to the settlement of poor papa's affairs, my interest in that is not very selfish. Papa behaved very generously to me when I was married, and I have little or nothing to expect. Provided he had made no will that can come into force, leaving a legacy to Mrs General, I am contented. Dear papa, dear papa.' She wept again, but Mrs General was the best of restoratives. The name soon stimulated her to dry her eyes and say: 'It is a highly encouraging circumstance in Edward's illness, I am thankful to think, and gives one the greatest confidence in his sense not being impaired, or his proper spirit weakened--down to the time of poor dear papa's death at all events--that he paid off Mrs General instantly, and sent her out of the house. I applaud him for it. I could forgive him a great deal for doing, with such promptitude, so exactly what I would have done myself!' Mrs Sparkler was in the full glow of her gratification, when a double knock was heard at the door. A very odd knock. Low, as if to avoid making a noise and attracting attention. Long, as if the person knocking were preoccupied in mind, and forgot to leave off. 'Halloa!' said Mr Sparkler. 'Who's this?' 'Not Amy and Edward without notice and without a carriage!' said Mrs Sparkler. 'Look out.' The room was dark, but the street was lighter, because of its lamps. Mr Sparkler's head peeping over the balcony looked so very bulky and heavy that it seemed on the point of overbalancing him and flattening the unknown below. 'It's one fellow,' said Mr Sparkler. 'I can't see who--stop though!' On this second thought he went out into the balcony again and had another look. He came back as the door was opened, and announced that he believed he had identified 'his governor's tile.' He was not mistaken, for his governor, with his tile in his hand, was introduced immediately afterwards. 'Candles!' said Mrs Sparkler, with a word of excuse for the darkness. 'It's light enough for me,' said Mr Merdle. When the candles were brought in, Mr Merdle was discovered standing behind the door, picking his lips. 'I thought I'd give you a call,' he said. 'I am rather particularly occupied just now; and, as I happened to be out for a stroll, I thought I'd give you a call.' As he was in dinner dress, Fanny asked him where he had been dining? 'Well,' said Mr Merdle, 'I haven't been dining anywhere, particularly.' 'Of course you have dined?' said Fanny. 'Why--no, I haven't exactly dined,' said Mr Merdle. He had passed his hand over his yellow forehead and considered, as if he were not sure about it. Something to eat was proposed. 'No, thank you,' said Mr Merdle, 'I don't feel inclined for it. I was to have dined out along with Mrs Merdle. But as I didn't feel inclined for dinner, I let Mrs Merdle go by herself just as we were getting into the carriage, and thought I'd take a stroll instead.' Would he have tea or coffee? 'No, thank you,' said Mr Merdle. 'I looked in at the Club, and got a bottle of wine.' At this period of his visit, Mr Merdle took the chair which Edmund Sparkler had offered him, and which he had hitherto been pushing slowly about before him, like a dull man with a pair of skates on for the first time, who could not make up his mind to start. He now put his hat upon another chair beside him, and, looking down into it as if it were some twenty feet deep, said again: 'You see I thought I'd give you a call.' 'Flattering to us,' said Fanny, 'for you are not a calling man.' 'No--no,' returned Mr Merdle, who was by this time taking himself into custody under both coat-sleeves. 'No, I am not a calling man.' 'You have too much to do for that,' said Fanny. 'Having so much to do, Mr Merdle, loss of appetite is a serious thing with you, and you must have it seen to. You must not be ill.' 'Oh! I am very well,' replied Mr Merdle, after deliberating about it. 'I am as well as I usually am. I am well enough. I am as well as I want to be.' The master-mind of the age, true to its characteristic of being at all times a mind that had as little as possible to say for itself and great difficulty in saying it, became mute again. Mrs Sparkler began to wonder how long the master-mind meant to stay. 'I was speaking of poor papa when you came in, sir.' 'Aye! Quite a coincidence,' said Mr Merdle. Fanny did not see that; but felt it incumbent on her to continue talking. 'I was saying,' she pursued, 'that my brother's illness has occasioned a delay in examining and arranging papa's property.' 'Yes,' said Mr Merdle; 'yes. There has been a delay.' 'Not that it is of consequence,' said Fanny. 'Not,' assented Mr Merdle, after having examined the cornice of all that part of the room which was within his range: 'not that it is of any consequence.' 'My only anxiety is,' said Fanny, 'that Mrs General should not get anything.' '_She_ won't get anything,' said Mr Merdle. Fanny was delighted to hear him express the opinion. Mr Merdle, after taking another gaze into the depths of his hat as if he thought he saw something at the bottom, rubbed his hair and slowly appended to his last remark the confirmatory words, 'Oh dear no. No. Not she. Not likely.' As the topic seemed exhausted, and Mr Merdle too, Fanny inquired if he were going to take up Mrs Merdle and the carriage in his way home? 'No,' he answered; 'I shall go by the shortest way, and leave Mrs Merdle to--' here he looked all over the palms of both his hands as if he were telling his own fortune--'to take care of herself. I dare say she'll manage to do it.' 'Probably,' said Fanny. There was then a long silence; during which, Mrs Sparkler, lying back on her sofa again, shut her eyes and raised her eyebrows in her former retirement from mundane affairs. 'But, however,' said Mr Merdle, 'I am equally detaining you and myself. I thought I'd give you a call, you know.' 'Charmed, I am sure,' said Fanny. 'So I am off,' added Mr Merdle, getting up. 'Could you lend me a penknife?' It was an odd thing, Fanny smilingly observed, for her who could seldom prevail upon herself even to write a letter, to lend to a man of such vast business as Mr Merdle. 'Isn't it?' Mr Merdle acquiesced; 'but I want one; and I know you have got several little wedding keepsakes about, with scissors and tweezers and such things in them. You shall have it back to-morrow.' 'Edmund,' said Mrs Sparkler, 'open (now, very carefully, I beg and beseech, for you are so very awkward) the mother of pearl box on my little table there, and give Mr Merdle the mother of pearl penknife.' 'Thank you,' said Mr Merdle; 'but if you have got one with a darker handle, I think I should prefer one with a darker handle.' 'Tortoise-shell?' 'Thank you,' said Mr Merdle; 'yes. I think I should prefer tortoise-shell.' Edmund accordingly received instructions to open the tortoise-shell box, and give Mr Merdle the tortoise-shell knife. On his doing so, his wife said to the master-spirit graciously: 'I will forgive you, if you ink it.' 'I'll undertake not to ink it,' said Mr Merdle. The illustrious visitor then put out his coat-cuff, and for a moment entombed Mrs Sparkler's hand: wrist, bracelet, and all. Where his own hand had shrunk to, was not made manifest, but it was as remote from Mrs Sparkler's sense of touch as if he had been a highly meritorious Chelsea Veteran or Greenwich Pensioner. Thoroughly convinced, as he went out of the room, that it was the longest day that ever did come to an end at last, and that there never was a woman, not wholly devoid of personal attractions, so worn out by idiotic and lumpish people, Fanny passed into the balcony for a breath of air. Waters of vexation filled her eyes; and they had the effect of making the famous Mr Merdle, in going down the street, appear to leap, and waltz, and gyrate, as if he were possessed of several Devils.

Things are looking up for Merdle. Now he wants a title, and not just be a Baronet . The Barnacles are looking into it. Meanwhile Fanny and Sparkler are now in their new house. It's kind of a tiny, crappy house in the best possible location. Fanny is super bored. Her house is boring, her reflection is boring, the view out her windows is boring. And her husband? He's the most boring of all. They have nothing to talk about. And every time he opens his mouth to say anything, even to answer one of her questions, she immediately shuts him up. Ah, married life is grand. It turns out they've been stuck at home for some time. First there was the mourning period for Dorrit and Frederick Dorrit. Also, Fanny is preggers, which also limits her social life. Sparkler suggests that she could still party a little bit, but Fanny doesn't want her body compared with those who aren't pregnant. Finally Fanny suggests that they need to just have people over to their house all the time. All. The. Time. Because otherwise she is going to go crazy. Sparkler suggests Amy. Fanny is psyched at the idea of Amy coming, but obviously Amy alone won't be much fun. And besides, she is right now taking care of Tip, who is ill with malaria. Suddenly there is a tiny knock on the door. It's Merdle! He says repeatedly that he was out for a walk and decided to say hello. He is totally unable to make any conversation. He asks Fanny for a penknife . She offers him a mother-of-pearl one, but he prefers a tortoiseshell one instead. She asks him to try not to get ink on it. OK, then. He takes it and leaves. Fanny and Sparkler continuing their boring evening.

SCENE 4. France. Before Orleans Enter, on the walls, the MASTER-GUNNER OF ORLEANS and his BOY MASTER-GUNNER. Sirrah, thou know'st how Orleans is besieg'd, And how the English have the suburbs won. BOY. Father, I know; and oft have shot at them, Howe'er unfortunate I miss'd my aim. MASTER-GUNNER. But now thou shalt not. Be thou rul'd by me. Chief master-gunner am I of this town; Something I must do to procure me grace. The Prince's espials have informed me How the English, in the suburbs close intrench'd, Wont, through a secret grate of iron bars In yonder tower, to overpeer the city, And thence discover how with most advantage They may vex us with shot or with assault. To intercept this inconvenience, A piece of ordnance 'gainst it I have plac'd; And even these three days have I watch'd If I could see them. Now do thou watch, For I can stay no longer. If thou spy'st any, run and bring me word; And thou shalt find me at the Governor's. Exit BOY. Father, I warrant you; take you no care; I'll never trouble you, if I may spy them. Exit Enter SALISBURY and TALBOT on the turrets, with SIR WILLIAM GLANSDALE, SIR THOMAS GARGRAVE, and others SALISBURY. Talbot, my life, my joy, again return'd! How wert thou handled being prisoner? Or by what means got'st thou to be releas'd? Discourse, I prithee, on this turret's top. TALBOT. The Earl of Bedford had a prisoner Call'd the brave Lord Ponton de Santrailles; For him was I exchang'd and ransomed. But with a baser man of arms by far Once, in contempt, they would have barter'd me; Which I disdaining scorn'd, and craved death Rather than I would be so vile esteem'd. In fine, redeem'd I was as I desir'd. But, O! the treacherous Fastolfe wounds my heart Whom with my bare fists I would execute, If I now had him brought into my power. SALISBURY. Yet tell'st thou not how thou wert entertain'd. TALBOT. With scoffs, and scorns, and contumelious taunts, In open market-place produc'd they me To be a public spectacle to all; Here, said they, is the terror of the French, The scarecrow that affrights our children so. Then broke I from the officers that led me, And with my nails digg'd stones out of the ground To hurl at the beholders of my shame; My grisly countenance made others fly; None durst come near for fear of sudden death. In iron walls they deem'd me not secure; So great fear of my name 'mongst them was spread That they suppos'd I could rend bars of steel And spurn in pieces posts of adamant; Wherefore a guard of chosen shot I had That walk'd about me every minute-while; And if I did but stir out of my bed, Ready they were to shoot me to the heart. Enter the BOY with a linstock SALISBURY. I grieve to hear what torments you endur'd; But we will be reveng'd sufficiently. Now it is supper-time in Orleans: Here, through this grate, I count each one And view the Frenchmen how they fortify. Let us look in; the sight will much delight thee. Sir Thomas Gargrave and Sir William Glansdale, Let me have your express opinions Where is best place to make our batt'ry next. GARGRAVE. I think at the North Gate; for there stand lords. GLANSDALE. And I here, at the bulwark of the bridge. TALBOT. For aught I see, this city must be famish'd, Or with light skirmishes enfeebled. [Here they shoot and SALISBURY and GARGRAVE fall down] SALISBURY. O Lord, have mercy on us, wretched sinners! GARGRAVE. O Lord, have mercy on me, woeful man! TALBOT. What chance is this that suddenly hath cross'd us? Speak, Salisbury; at least, if thou canst speak. How far'st thou, mirror of all martial men? One of thy eyes and thy cheek's side struck off! Accursed tower! accursed fatal hand That hath contriv'd this woeful tragedy! In thirteen battles Salisbury o'ercame; Henry the Fifth he first train'd to the wars; Whilst any trump did sound or drum struck up, His sword did ne'er leave striking in the field. Yet liv'st thou, Salisbury? Though thy speech doth fail, One eye thou hast to look to heaven for grace; The sun with one eye vieweth all the world. Heaven, be thou gracious to none alive If Salisbury wants mercy at thy hands! Bear hence his body; I will help to bury it. Sir Thomas Gargrave, hast thou any life? Speak unto Talbot; nay, look up to him. Salisbury, cheer thy spirit with this comfort, Thou shalt not die whiles He beckons with his hand and smiles on me, As who should say 'When I am dead and gone, Remember to avenge me on the French.' Plantagenet, I will; and like thee, Nero, Play on the lute, beholding the towns burn. Wretched shall France be only in my name. [Here an alarum, and it thunders and lightens] What stir is this? What tumult's in the heavens? Whence cometh this alarum and the noise? Enter a MESSENGER MESSENGER. My lord, my lord, the French have gather'd head The Dauphin, with one Joan la Pucelle join'd, A holy prophetess new risen up, Is come with a great power to raise the siege. [Here SALISBURY lifteth himself up and groans] TALBOT. Hear, hear how dying Salisbury doth groan. It irks his heart he cannot be reveng'd. Frenchmen, I'll be a Salisbury to you. Pucelle or puzzel, dolphin or dogfish, Your hearts I'll stamp out with my horse's heels And make a quagmire of your mingled brains. Convey me Salisbury into his tent, And then we'll try what these dastard Frenchmen dare. Alarum. Exeunt

The action shifts to France. The French Master Gunner of Orleans tells his son that the English have occupied a tower, to which they gained entrance through a secret gate. From this tower they are planning their attack on Orleans. The Gunner has placed a cannon near the place to prevent any further incursions. He asks his son to keep watch and let him know if he sees any Englishmen there. The Boy agrees, but once his father is out of earshot, says he will avoid telling his father of any activity: he wants to claim any glory for himself

Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars's views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire; "are you still to be a great orator in spite of yourself?" "No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. YOUR competence and MY wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than THAT." Elinor laughed. "TWO thousand a year! ONE is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward--"but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness. "We are all unanimous in that wish, I suppose," said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you--and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books!--Thomson, Cowper, Scott--she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to shew you that I had not forgot our old disputes." "I love to be reminded of the past, Edward--whether it be melancholy or gay, I love to recall it--and you will never offend me by talking of former times. You are very right in supposing how my money would be spent--some of it, at least--my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life--your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than she was." "Nay, Edward," said Marianne, "you need not reproach me. You are not very gay yourself." "Why should you think so!" replied he, with a sigh. "But gaiety never was a part of MY character." "Nor do I think it a part of Marianne's," said Elinor; "I should hardly call her a lively girl--she is very earnest, very eager in all she does--sometimes talks a great deal and always with animation--but she is not often really merry." "I believe you are right," he replied, "and yet I have always set her down as a lively girl." "I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than they really are, and I can hardly tell why or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge." "But I thought it was right, Elinor," said Marianne, "to be guided wholly by the opinion of other people. I thought our judgments were given us merely to be subservient to those of neighbours. This has always been your doctrine, I am sure." "No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?" "You have not been able to bring your sister over to your plan of general civility," said Edward to Elinor. "Do you gain no ground?" "Quite the contrary," replied Elinor, looking expressively at Marianne. "My judgment," he returned, "is all on your side of the question; but I am afraid my practice is much more on your sister's. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural awkwardness. I have frequently thought that I must have been intended by nature to be fond of low company, I am so little at my ease among strangers of gentility!" "Marianne has not shyness to excuse any inattention of hers," said Elinor. "She knows her own worth too well for false shame," replied Edward. "Shyness is only the effect of a sense of inferiority in some way or other. If I could persuade myself that my manners were perfectly easy and graceful, I should not be shy." "But you would still be reserved," said Marianne, "and that is worse." Edward started--"Reserved! Am I reserved, Marianne?" "Yes, very." "I do not understand you," replied he, colouring. "Reserved!--how, in what manner? What am I to tell you? What can you suppose?" Elinor looked surprised at his emotion; but trying to laugh off the subject, she said to him, "Do not you know my sister well enough to understand what she means? Do not you know she calls every one reserved who does not talk as fast, and admire what she admires as rapturously as herself?" Edward made no answer. His gravity and thoughtfulness returned on him in their fullest extent--and he sat for some time silent and dull.

Mrs. Dashwood is pleasantly surprised by Edward's appearance - but not too surprised, since she takes it for granted that he's in love with Elinor. Under her affectionate gaze, he can't help but become more like his previous self, and Elinor is relieved that he's back to normal. Mrs. Dashwood asks a rather sensitive question - what are Mrs. Ferrars's plans for her eldest son? Are her expectations still too high? Edward tells them that he still doesn't have any ambition, except to live moderately and happily. Elinor and Marianne have another spat, this time about how much money one requires to live well - Elinor's estimated sum is about half of what her sister requires. Marianne describes her reasons for needing two thousand pounds a year, including horses for hunting - and they match up exactly with what she and Willoughby would require at his home, Combe Magna. Margaret comes up with a great solution - someone should come along and give them all a huge fortune each. Margaret and Mrs. Dashwood wonder what they would spend all the money on. Marianne looks as though she already knows. Edward guesses that Elinor would spend all of hers on fine art, and Marianne would buy tons of music and books. He teases the sisters easily, and Marianne seems to cheer up a bit. Elinor and Edward affectionately analyze Marianne's character . Marianne steps in to criticize how much stock Elinor puts in other people's opinions. Edward admits that he himself is perhaps a little too shy - Marianne comes out and says that he's too reserved. He's thrown off and is embarrassed by this claim.

The morning light was in no hurry to climb the prison wall and look in at the Snuggery windows; and when it did come, it would have been more welcome if it had come alone, instead of bringing a rush of rain with it. But the equinoctial gales were blowing out at sea, and the impartial south-west wind, in its flight, would not neglect even the narrow Marshalsea. While it roared through the steeple of St George's Church, and twirled all the cowls in the neighbourhood, it made a swoop to beat the Southwark smoke into the jail; and, plunging down the chimneys of the few early collegians who were yet lighting their fires, half suffocated them. Arthur Clennam would have been little disposed to linger in bed, though his bed had been in a more private situation, and less affected by the raking out of yesterday's fire, the kindling of to-day's under the collegiate boiler, the filling of that Spartan vessel at the pump, the sweeping and sawdusting of the common room, and other such preparations. Heartily glad to see the morning, though little rested by the night, he turned out as soon as he could distinguish objects about him, and paced the yard for two heavy hours before the gate was opened. The walls were so near to one another, and the wild clouds hurried over them so fast, that it gave him a sensation like the beginning of sea-sickness to look up at the gusty sky. The rain, carried aslant by flaws of wind, blackened that side of the central building which he had visited last night, but left a narrow dry trough under the lee of the wall, where he walked up and down among the waits of straw and dust and paper, the waste droppings of the pump, and the stray leaves of yesterday's greens. It was as haggard a view of life as a man need look upon. Nor was it relieved by any glimpse of the little creature who had brought him there. Perhaps she glided out of her doorway and in at that where her father lived, while his face was turned from both; but he saw nothing of her. It was too early for her brother; to have seen him once, was to have seen enough of him to know that he would be sluggish to leave whatever frowsy bed he occupied at night; so, as Arthur Clennam walked up and down, waiting for the gate to open, he cast about in his mind for future rather than for present means of pursuing his discoveries. At last the lodge-gate turned, and the turnkey, standing on the step, taking an early comb at his hair, was ready to let him out. With a joyful sense of release he passed through the lodge, and found himself again in the little outer court-yard where he had spoken to the brother last night. There was a string of people already straggling in, whom it was not difficult to identify as the nondescript messengers, go-betweens, and errand-bearers of the place. Some of them had been lounging in the rain until the gate should open; others, who had timed their arrival with greater nicety, were coming up now, and passing in with damp whitey-brown paper bags from the grocers, loaves of bread, lumps of butter, eggs, milk, and the like. The shabbiness of these attendants upon shabbiness, the poverty of these insolvent waiters upon insolvency, was a sight to see. Such threadbare coats and trousers, such fusty gowns and shawls, such squashed hats and bonnets, such boots and shoes, such umbrellas and walking-sticks, never were seen in Rag Fair. All of them wore the cast-off clothes of other men and women, were made up of patches and pieces of other people's individuality, and had no sartorial existence of their own proper. Their walk was the walk of a race apart. They had a peculiar way of doggedly slinking round the corner, as if they were eternally going to the pawnbroker's. When they coughed, they coughed like people accustomed to be forgotten on doorsteps and in draughty passages, waiting for answers to letters in faded ink, which gave the recipients of those manuscripts great mental disturbance and no satisfaction. As they eyed the stranger in passing, they eyed him with borrowing eyes--hungry, sharp, speculative as to his softness if they were accredited to him, and the likelihood of his standing something handsome. Mendicity on commission stooped in their high shoulders, shambled in their unsteady legs, buttoned and pinned and darned and dragged their clothes, frayed their button-holes, leaked out of their figures in dirty little ends of tape, and issued from their mouths in alcoholic breathings. As these people passed him standing still in the court-yard, and one of them turned back to inquire if he could assist him with his services, it came into Arthur Clennam's mind that he would speak to Little Dorrit again before he went away. She would have recovered her first surprise, and might feel easier with him. He asked this member of the fraternity (who had two red herrings in his hand, and a loaf and a blacking brush under his arm), where was the nearest place to get a cup of coffee at. The nondescript replied in encouraging terms, and brought him to a coffee-shop in the street within a stone's throw. 'Do you know Miss Dorrit?' asked the new client. The nondescript knew two Miss Dorrits; one who was born inside--That was the one! That was the one? The nondescript had known her many years. In regard of the other Miss Dorrit, the nondescript lodged in the same house with herself and uncle. This changed the client's half-formed design of remaining at the coffee-shop until the nondescript should bring him word that Dorrit had issued forth into the street. He entrusted the nondescript with a confidential message to her, importing that the visitor who had waited on her father last night, begged the favour of a few words with her at her uncle's lodging; he obtained from the same source full directions to the house, which was very near; dismissed the nondescript gratified with half-a-crown; and having hastily refreshed himself at the coffee-shop, repaired with all speed to the clarionet-player's dwelling. There were so many lodgers in this house that the doorpost seemed to be as full of bell-handles as a cathedral organ is of stops. Doubtful which might be the clarionet-stop, he was considering the point, when a shuttlecock flew out of the parlour window, and alighted on his hat. He then observed that in the parlour window was a blind with the inscription, MR CRIPPLES's ACADEMY; also in another line, EVENING TUITION; and behind the blind was a little white-faced boy, with a slice of bread-and-butter and a battledore. The window being accessible from the footway, he looked in over the blind, returned the shuttlecock, and put his question. 'Dorrit?' said the little white-faced boy (Master Cripples in fact). '_Mr_ Dorrit? Third bell and one knock.' The pupils of Mr Cripples appeared to have been making a copy-book of the street-door, it was so extensively scribbled over in pencil. The frequency of the inscriptions, 'Old Dorrit,' and 'Dirty Dick,' in combination, suggested intentions of personality on the part Of Mr Cripples's pupils. There was ample time to make these observations before the door was opened by the poor old man himself. 'Ha!' said he, very slowly remembering Arthur, 'you were shut in last night?' 'Yes, Mr Dorrit. I hope to meet your niece here presently.' 'Oh!' said he, pondering. 'Out of my brother's way? True. Would you come up-stairs and wait for her?' 'Thank you.' Turning himself as slowly as he turned in his mind whatever he heard or said, he led the way up the narrow stairs. The house was very close, and had an unwholesome smell. The little staircase windows looked in at the back windows of other houses as unwholesome as itself, with poles and lines thrust out of them, on which unsightly linen hung; as if the inhabitants were angling for clothes, and had had some wretched bites not worth attending to. In the back garret--a sickly room, with a turn-up bedstead in it, so hastily and recently turned up that the blankets were boiling over, as it were, and keeping the lid open--a half-finished breakfast of coffee and toast for two persons was jumbled down anyhow on a rickety table. There was no one there. The old man mumbling to himself, after some consideration, that Fanny had run away, went to the next room to fetch her back. The visitor, observing that she held the door on the inside, and that, when the uncle tried to open it, there was a sharp adjuration of 'Don't, stupid!' and an appearance of loose stocking and flannel, concluded that the young lady was in an undress. The uncle, without appearing to come to any conclusion, shuffled in again, sat down in his chair, and began warming his hands at the fire; not that it was cold, or that he had any waking idea whether it was or not. 'What did you think of my brother, sir?' he asked, when he by-and-by discovered what he was doing, left off, reached over to the chimney-piece, and took his clarionet case down. 'I was glad,' said Arthur, very much at a loss, for his thoughts were on the brother before him; 'to find him so well and cheerful.' 'Ha!' muttered the old man, 'yes, yes, yes, yes, yes!' Arthur wondered what he could possibly want with the clarionet case. He did not want it at all. He discovered, in due time, that it was not the little paper of snuff (which was also on the chimney-piece), put it back again, took down the snuff instead, and solaced himself with a pinch. He was as feeble, spare, and slow in his pinches as in everything else, but a certain little trickling of enjoyment of them played in the poor worn nerves about the corners of his eyes and mouth. 'Amy, Mr Clennam. What do you think of her?' 'I am much impressed, Mr Dorrit, by all that I have seen of her and thought of her.' 'My brother would have been quite lost without Amy,' he returned. 'We should all have been lost without Amy. She is a very good girl, Amy. She does her duty.' Arthur fancied that he heard in these praises a certain tone of custom, which he had heard from the father last night with an inward protest and feeling of antagonism. It was not that they stinted her praises, or were insensible to what she did for them; but that they were lazily habituated to her, as they were to all the rest of their condition. He fancied that although they had before them, every day, the means of comparison between her and one another and themselves, they regarded her as being in her necessary place; as holding a position towards them all which belonged to her, like her name or her age. He fancied that they viewed her, not as having risen away from the prison atmosphere, but as appertaining to it; as being vaguely what they had a right to expect, and nothing more. Her uncle resumed his breakfast, and was munching toast sopped in coffee, oblivious of his guest, when the third bell rang. That was Amy, he said, and went down to let her in; leaving the visitor with as vivid a picture on his mind of his begrimed hands, dirt-worn face, and decayed figure, as if he were still drooping in his chair. She came up after him, in the usual plain dress, and with the usual timid manner. Her lips were a little parted, as if her heart beat faster than usual. 'Mr Clennam, Amy,' said her uncle, 'has been expecting you some time.' 'I took the liberty of sending you a message.' 'I received the message, sir.' 'Are you going to my mother's this morning? I think not, for it is past your usual hour.' 'Not to-day, sir. I am not wanted to-day.' 'Will you allow Me to walk a little way in whatever direction you may be going? I can then speak to you as we walk, both without detaining you here, and without intruding longer here myself.' She looked embarrassed, but said, if he pleased. He made a pretence of having mislaid his walking-stick, to give her time to set the bedstead right, to answer her sister's impatient knock at the wall, and to say a word softly to her uncle. Then he found it, and they went down-stairs; she first, he following; the uncle standing at the stair-head, and probably forgetting them before they had reached the ground floor. Mr Cripples's pupils, who were by this time coming to school, desisted from their morning recreation of cuffing one another with bags and books, to stare with all the eyes they had at a stranger who had been to see Dirty Dick. They bore the trying spectacle in silence, until the mysterious visitor was at a safe distance; when they burst into pebbles and yells, and likewise into reviling dances, and in all respects buried the pipe of peace with so many savage ceremonies, that, if Mr Cripples had been the chief of the Cripplewayboo tribe with his war-paint on, they could scarcely have done greater justice to their education. In the midst of this homage, Mr Arthur Clennam offered his arm to Little Dorrit, and Little Dorrit took it. 'Will you go by the Iron Bridge,' said he, 'where there is an escape from the noise of the street?' Little Dorrit answered, if he pleased, and presently ventured to hope that he would 'not mind' Mr Cripples's boys, for she had herself received her education, such as it was, in Mr Cripples's evening academy. He returned, with the best will in the world, that Mr Cripples's boys were forgiven out of the bottom of his soul. Thus did Cripples unconsciously become a master of the ceremonies between them, and bring them more naturally together than Beau Nash might have done if they had lived in his golden days, and he had alighted from his coach and six for the purpose. The morning remained squally, and the streets were miserably muddy, but no rain fell as they walked towards the Iron Bridge. The little creature seemed so young in his eyes, that there were moments when he found himself thinking of her, if not speaking to her, as if she were a child. Perhaps he seemed as old in her eyes as she seemed young in his. 'I am sorry to hear you were so inconvenienced last night, sir, as to be locked in. It was very unfortunate.' It was nothing, he returned. He had had a very good bed. 'Oh yes!' she said quickly; 'she believed there were excellent beds at the coffee-house.' He noticed that the coffee-house was quite a majestic hotel to her, and that she treasured its reputation. 'I believe it is very expensive,' said Little Dorrit, 'but my father has told me that quite beautiful dinners may be got there. And wine,' she added timidly. 'Were you ever there?' 'Oh no! Only into the kitchen to fetch hot water.' To think of growing up with a kind of awe upon one as to the luxuries of that superb establishment, the Marshalsea Hotel! 'I asked you last night,' said Clennam, 'how you had become acquainted with my mother. Did you ever hear her name before she sent for you?' 'No, sir.' 'Do you think your father ever did?' 'No, sir.' He met her eyes raised to his with so much wonder in them (she was scared when the encounter took place, and shrunk away again), that he felt it necessary to say: 'I have a reason for asking, which I cannot very well explain; but you must, on no account, suppose it to be of a nature to cause you the least alarm or anxiety. Quite the reverse. And you think that at no time of your father's life was my name of Clennam ever familiar to him?' 'No, sir.' He felt, from the tone in which she spoke, that she was glancing up at him with those parted lips; therefore he looked before him, rather than make her heart beat quicker still by embarrassing her afresh. Thus they emerged upon the Iron Bridge, which was as quiet after the roaring streets as though it had been open country. The wind blew roughly, the wet squalls came rattling past them, skimming the pools on the road and pavement, and raining them down into the river. The clouds raced on furiously in the lead-coloured sky, the smoke and mist raced after them, the dark tide ran fierce and strong in the same direction. Little Dorrit seemed the least, the quietest, and weakest of Heaven's creatures. 'Let me put you in a coach,' said Clennam, very nearly adding 'my poor child.' She hurriedly declined, saying that wet or dry made little difference to her; she was used to go about in all weathers. He knew it to be so, and was touched with more pity; thinking of the slight figure at his side, making its nightly way through the damp dark boisterous streets to such a place of rest. 'You spoke so feelingly to me last night, sir, and I found afterwards that you had been so generous to my father, that I could not resist your message, if it was only to thank you; especially as I wished very much to say to you--' she hesitated and trembled, and tears rose in her eyes, but did not fall. 'To say to me--?' 'That I hope you will not misunderstand my father. Don't judge him, sir, as you would judge others outside the gates. He has been there so long! I never saw him outside, but I can understand that he must have grown different in some things since.' 'My thoughts will never be unjust or harsh towards him, believe me.' 'Not,' she said, with a prouder air, as the misgiving evidently crept upon her that she might seem to be abandoning him, 'not that he has anything to be ashamed of for himself, or that I have anything to be ashamed of for him. He only requires to be understood. I only ask for him that his life may be fairly remembered. All that he said was quite true. It all happened just as he related it. He is very much respected. Everybody who comes in, is glad to know him. He is more courted than anyone else. He is far more thought of than the Marshal is.' If ever pride were innocent, it was innocent in Little Dorrit when she grew boastful of her father. 'It is often said that his manners are a true gentleman's, and quite a study. I see none like them in that place, but he is admitted to be superior to all the rest. This is quite as much why they make him presents, as because they know him to be needy. He is not to be blamed for being in need, poor love. Who could be in prison a quarter of a century, and be prosperous!' What affection in her words, what compassion in her repressed tears, what a great soul of fidelity within her, how true the light that shed false brightness round him! 'If I have found it best to conceal where my home is, it is not because I am ashamed of him. God forbid! Nor am I so much ashamed of the place itself as might be supposed. People are not bad because they come there. I have known numbers of good, persevering, honest people come there through misfortune. They are almost all kind-hearted to one another. And it would be ungrateful indeed in me, to forget that I have had many quiet, comfortable hours there; that I had an excellent friend there when I was quite a baby, who was very very fond of me; that I have been taught there, and have worked there, and have slept soundly there. I think it would be almost cowardly and cruel not to have some little attachment for it, after all this.' She had relieved the faithful fulness of her heart, and modestly said, raising her eyes appealingly to her new friend's, 'I did not mean to say so much, nor have I ever but once spoken about this before. But it seems to set it more right than it was last night. I said I wished you had not followed me, sir. I don't wish it so much now, unless you should think--indeed I don't wish it at all, unless I should have spoken so confusedly, that--that you can scarcely understand me, which I am afraid may be the case.' He told her with perfect truth that it was not the case; and putting himself between her and the sharp wind and rain, sheltered her as well as he could. 'I feel permitted now,' he said, 'to ask you a little more concerning your father. Has he many creditors?' 'Oh! a great number.' 'I mean detaining creditors, who keep him where he is?' 'Oh yes! a great number.' 'Can you tell me--I can get the information, no doubt, elsewhere, if you cannot--who is the most influential of them?' Little Dorrit said, after considering a little, that she used to hear long ago of Mr Tite Barnacle as a man of great power. He was a commissioner, or a board, or a trustee, 'or something.' He lived in Grosvenor Square, she thought, or very near it. He was under Government--high in the Circumlocution Office. She appeared to have acquired, in her infancy, some awful impression of the might of this formidable Mr Tite Barnacle of Grosvenor Square, or very near it, and the Circumlocution Office, which quite crushed her when she mentioned him. 'It can do no harm,' thought Arthur, 'if I see this Mr Tite Barnacle.' The thought did not present itself so quietly but that her quickness intercepted it. 'Ah!' said Little Dorrit, shaking her head with the mild despair of a lifetime. 'Many people used to think once of getting my poor father out, but you don't know how hopeless it is.' She forgot to be shy at the moment, in honestly warning him away from the sunken wreck he had a dream of raising; and looked at him with eyes which assuredly, in association with her patient face, her fragile figure, her spare dress, and the wind and rain, did not turn him from his purpose of helping her. 'Even if it could be done,' said she--'and it never can be done now--where could father live, or how could he live? I have often thought that if such a change could come, it might be anything but a service to him now. People might not think so well of him outside as they do there. He might not be so gently dealt with outside as he is there. He might not be so fit himself for the life outside as he is for that.' Here for the first time she could not restrain her tears from falling; and the little thin hands he had watched when they were so busy, trembled as they clasped each other. 'It would be a new distress to him even to know that I earn a little money, and that Fanny earns a little money. He is so anxious about us, you see, feeling helplessly shut up there. Such a good, good father!' He let the little burst of feeling go by before he spoke. It was soon gone. She was not accustomed to think of herself, or to trouble any one with her emotions. He had but glanced away at the piles of city roofs and chimneys among which the smoke was rolling heavily, and at the wilderness of masts on the river, and the wilderness of steeples on the shore, indistinctly mixed together in the stormy haze, when she was again as quiet as if she had been plying her needle in his mother's room. 'You would be glad to have your brother set at liberty?' 'Oh very, very glad, sir!' 'Well, we will hope for him at least. You told me last night of a friend you had?' His name was Plornish, Little Dorrit said. And where did Plornish live? Plornish lived in Bleeding Heart Yard. He was 'only a plasterer,' Little Dorrit said, as a caution to him not to form high social expectations of Plornish. He lived at the last house in Bleeding Heart Yard, and his name was over a little gateway. Arthur took down the address and gave her his. He had now done all he sought to do for the present, except that he wished to leave her with a reliance upon him, and to have something like a promise from her that she would cherish it. 'There is one friend!' he said, putting up his pocketbook. 'As I take you back--you are going back?' 'Oh yes! going straight home.' '--As I take you back,' the word home jarred upon him, 'let me ask you to persuade yourself that you have another friend. I make no professions, and say no more.' 'You are truly kind to me, sir. I am sure I need no more.' They walked back through the miserable muddy streets, and among the poor, mean shops, and were jostled by the crowds of dirty hucksters usual to a poor neighbourhood. There was nothing, by the short way, that was pleasant to any of the five senses. Yet it was not a common passage through common rain, and mire, and noise, to Clennam, having this little, slender, careful creature on his arm. How young she seemed to him, or how old he to her; or what a secret either to the other, in that beginning of the destined interweaving of their stories, matters not here. He thought of her having been born and bred among these scenes, and shrinking through them now, familiar yet misplaced; he thought of her long acquaintance with the squalid needs of life, and of her innocence; of her solicitude for others, and her few years, and her childish aspect. They were come into the High Street, where the prison stood, when a voice cried, 'Little mother, little mother!' Little Dorrit stopping and looking back, an excited figure of a strange kind bounced against them (still crying 'little mother'), fell down, and scattered the contents of a large basket, filled with potatoes, in the mud. 'Oh, Maggy,' said Little Dorrit, 'what a clumsy child you are!' Maggy was not hurt, but picked herself up immediately, and then began to pick up the potatoes, in which both Little Dorrit and Arthur Clennam helped. Maggy picked up very few potatoes and a great quantity of mud; but they were all recovered, and deposited in the basket. Maggy then smeared her muddy face with her shawl, and presenting it to Mr Clennam as a type of purity, enabled him to see what she was like. She was about eight-and-twenty, with large bones, large features, large feet and hands, large eyes and no hair. Her large eyes were limpid and almost colourless; they seemed to be very little affected by light, and to stand unnaturally still. There was also that attentive listening expression in her face, which is seen in the faces of the blind; but she was not blind, having one tolerably serviceable eye. Her face was not exceedingly ugly, though it was only redeemed from being so by a smile; a good-humoured smile, and pleasant in itself, but rendered pitiable by being constantly there. A great white cap, with a quantity of opaque frilling that was always flapping about, apologised for Maggy's baldness, and made it so very difficult for her old black bonnet to retain its place upon her head, that it held on round her neck like a gipsy's baby. A commission of haberdashers could alone have reported what the rest of her poor dress was made of, but it had a strong general resemblance to seaweed, with here and there a gigantic tea-leaf. Her shawl looked particularly like a tea-leaf after long infusion. Arthur Clennam looked at Little Dorrit with the expression of one saying, 'May I ask who this is?' Little Dorrit, whose hand this Maggy, still calling her little mother, had begun to fondle, answered in words (they were under a gateway into which the majority of the potatoes had rolled). 'This is Maggy, sir.' 'Maggy, sir,' echoed the personage presented. 'Little mother!' 'She is the grand-daughter--' said Little Dorrit. 'Grand-daughter,' echoed Maggy. 'Of my old nurse, who has been dead a long time. Maggy, how old are you?' 'Ten, mother,' said Maggy. 'You can't think how good she is, sir,' said Little Dorrit, with infinite tenderness. 'Good _she_ is,' echoed Maggy, transferring the pronoun in a most expressive way from herself to her little mother. 'Or how clever,' said Little Dorrit. 'She goes on errands as well as any one.' Maggy laughed. 'And is as trustworthy as the Bank of England.' Maggy laughed. 'She earns her own living entirely. Entirely, sir!' said Little Dorrit, in a lower and triumphant tone. 'Really does!' 'What is her history?' asked Clennam. 'Think of that, Maggy?' said Little Dorrit, taking her two large hands and clapping them together. 'A gentleman from thousands of miles away, wanting to know your history!' '_My_ history?' cried Maggy. 'Little mother.' 'She means me,' said Little Dorrit, rather confused; 'she is very much attached to me. Her old grandmother was not so kind to her as she should have been; was she, Maggy?' Maggy shook her head, made a drinking vessel of her clenched left hand, drank out of it, and said, 'Gin.' Then beat an imaginary child, and said, 'Broom-handles and pokers.' 'When Maggy was ten years old,' said Little Dorrit, watching her face while she spoke, 'she had a bad fever, sir, and she has never grown any older ever since.' 'Ten years old,' said Maggy, nodding her head. 'But what a nice hospital! So comfortable, wasn't it? Oh so nice it was. Such a Ev'nly place!' 'She had never been at peace before, sir,' said Little Dorrit, turning towards Arthur for an instant and speaking low, 'and she always runs off upon that.' 'Such beds there is there!' cried Maggy. 'Such lemonades! Such oranges! Such d'licious broth and wine! Such Chicking! Oh, AIN'T it a delightful place to go and stop at!' 'So Maggy stopped there as long as she could,' said Little Dorrit, in her former tone of telling a child's story; the tone designed for Maggy's ear, 'and at last, when she could stop there no longer, she came out. Then, because she was never to be more than ten years old, however long she lived--' 'However long she lived,' echoed Maggy. '--And because she was very weak; indeed was so weak that when she began to laugh she couldn't stop herself--which was a great pity--' (Maggy mighty grave of a sudden.) '--Her grandmother did not know what to do with her, and for some years was very unkind to her indeed. At length, in course of time, Maggy began to take pains to improve herself, and to be very attentive and very industrious; and by degrees was allowed to come in and out as often as she liked, and got enough to do to support herself, and does support herself. And that,' said Little Dorrit, clapping the two great hands together again, 'is Maggy's history, as Maggy knows!' Ah! But Arthur would have known what was wanting to its completeness, though he had never heard of the words Little mother; though he had never seen the fondling of the small spare hand; though he had had no sight for the tears now standing in the colourless eyes; though he had had no hearing for the sob that checked the clumsy laugh. The dirty gateway with the wind and rain whistling through it, and the basket of muddy potatoes waiting to be spilt again or taken up, never seemed the common hole it really was, when he looked back to it by these lights. Never, never! They were very near the end of their walk, and they now came out of the gateway to finish it. Nothing would serve Maggy but that they must stop at a grocer's window, short of their destination, for her to show her learning. She could read after a sort; and picked out the fat figures in the tickets of prices, for the most part correctly. She also stumbled, with a large balance of success against her failures, through various philanthropic recommendations to Try our Mixture, Try our Family Black, Try our Orange-flavoured Pekoe, challenging competition at the head of Flowery Teas; and various cautions to the public against spurious establishments and adulterated articles. When he saw how pleasure brought a rosy tint into Little Dorrit's face when Maggy made a hit, he felt that he could have stood there making a library of the grocer's window until the rain and wind were tired. The court-yard received them at last, and there he said goodbye to Little Dorrit. Little as she had always looked, she looked less than ever when he saw her going into the Marshalsea lodge passage, the little mother attended by her big child. The cage door opened, and when the small bird, reared in captivity, had tamely fluttered in, he saw it shut again; and then he came away.

Arthur sleeps badly, wakes up early, and gets the heck out of Dodge - um, Marshalsea - as soon as possible. Then he decides to speak to Little Dorrit again and leaves her a message saying to meet him at her uncle Frederick's house. He waits in Frederick Dorrit's disgusting little room just outside the prison and realizes that the family takes Little Dorrit and all her various services totally for granted. Finally she arrives, and they go out for a walk. First Arthur tries to get some more info about his mom, but Little Dorrit had never heard of her before going to work at the Clennam house. Little Dorrit also tells him about Plornish, a plasterer she met while he was in Marshalsea and who is now her friend. Then Arthur starts to get fatherly type feelings about her, trying to protect her. Little Dorrit is onto him, though, and busts out with a speech about not feeling sorry for her and not judging her dad too harshly for how he has turned out because "He has been there so long! I never saw him outside, but I can understand that he must have grown different in some things since" . So basically there's a whole lot of denial, enabling, and general awfulness going on. Get these people into family therapy, pronto! Arthur wonders if there's a way to get Dorrit out of prison, and Little Dorrit says she remembers some high-up government official named Tite Barnacle. But then she immediately freaks out at the idea that Arthur is going to try to fix things and tells him not to even bother trying. Odd, no? Almost like she likes the situation the way it is. In any case, they run into Maggie. Maggie is a 28-year-old mentally disabled lady who calls Little Dorrit her "little mother." Little Dorrit has taken her under her wing and taught her to read and write a bit, and Maggie is now able to earn her own living as an errand-runner. Arthur loves how proud Little Dorrit is of Maggie's accomplishments. Eventually he walks them back to the prison.

The Comic Muse, though able to look after her own interests, did not disdain the assistance of Mr. Vyse. His idea of bringing the Emersons to Windy Corner struck her as decidedly good, and she carried through the negotiations without a hitch. Sir Harry Otway signed the agreement, met Mr. Emerson, who was duly disillusioned. The Miss Alans were duly offended, and wrote a dignified letter to Lucy, whom they held responsible for the failure. Mr. Beebe planned pleasant moments for the new-comers, and told Mrs. Honeychurch that Freddy must call on them as soon as they arrived. Indeed, so ample was the Muse's equipment that she permitted Mr. Harris, never a very robust criminal, to droop his head, to be forgotten, and to die. Lucy--to descend from bright heaven to earth, whereon there are shadows because there are hills--Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least. Now that she was engaged, the Emersons would scarcely insult her and were welcome into the neighbourhood. And Cecil was welcome to bring whom he would into the neighbourhood. Therefore Cecil was welcome to bring the Emersons into the neighbourhood. But, as I say, this took a little thinking, and--so illogical are girls--the event remained rather greater and rather more dreadful than it should have done. She was glad that a visit to Mrs. Vyse now fell due; the tenants moved into Cissie Villa while she was safe in the London flat. "Cecil--Cecil darling," she whispered the evening she arrived, and crept into his arms. Cecil, too, became demonstrative. He saw that the needful fire had been kindled in Lucy. At last she longed for attention, as a woman should, and looked up to him because he was a man. "So you do love me, little thing?" he murmured. "Oh, Cecil, I do, I do! I don't know what I should do without you." Several days passed. Then she had a letter from Miss Bartlett. A coolness had sprung up between the two cousins, and they had not corresponded since they parted in August. The coolness dated from what Charlotte would call "the flight to Rome," and in Rome it had increased amazingly. For the companion who is merely uncongenial in the mediaeval world becomes exasperating in the classical. Charlotte, unselfish in the Forum, would have tried a sweeter temper than Lucy's, and once, in the Baths of Caracalla, they had doubted whether they could continue their tour. Lucy had said she would join the Vyses--Mrs. Vyse was an acquaintance of her mother, so there was no impropriety in the plan and Miss Bartlett had replied that she was quite used to being abandoned suddenly. Finally nothing happened; but the coolness remained, and, for Lucy, was even increased when she opened the letter and read as follows. It had been forwarded from Windy Corner. "Tunbridge Wells, "September. "Dearest Lucia, "I have news of you at last! Miss Lavish has been bicycling in your parts, but was not sure whether a call would be welcome. Puncturing her tire near Summer Street, and it being mended while she sat very woebegone in that pretty churchyard, she saw to her astonishment, a door open opposite and the younger Emerson man come out. He said his father had just taken the house. He SAID he did not know that you lived in the neighbourhood (?). He never suggested giving Eleanor a cup of tea. Dear Lucy, I am much worried, and I advise you to make a clean breast of his past behaviour to your mother, Freddy, and Mr. Vyse, who will forbid him to enter the house, etc. That was a great misfortune, and I dare say you have told them already. Mr. Vyse is so sensitive. I remember how I used to get on his nerves at Rome. I am very sorry about it all, and should not feel easy unless I warned you. "Believe me, "Your anxious and loving cousin, "Charlotte." Lucy was much annoyed, and replied as follows: "Beauchamp Mansions, S.W. "Dear Charlotte, "Many thanks for your warning. When Mr. Emerson forgot himself on the mountain, you made me promise not to tell mother, because you said she would blame you for not being always with me. I have kept that promise, and cannot possibly tell her now. I have said both to her and Cecil that I met the Emersons at Florence, and that they are respectable people--which I do think--and the reason that he offered Miss Lavish no tea was probably that he had none himself. She should have tried at the Rectory. I cannot begin making a fuss at this stage. You must see that it would be too absurd. If the Emersons heard I had complained of them, they would think themselves of importance, which is exactly what they are not. I like the old father, and look forward to seeing him again. As for the son, I am sorry for him when we meet, rather than for myself. They are known to Cecil, who is very well and spoke of you the other day. We expect to be married in January. "Miss Lavish cannot have told you much about me, for I am not at Windy Corner at all, but here. Please do not put 'Private' outside your envelope again. No one opens my letters. "Yours affectionately, "L. M. Honeychurch." Secrecy has this disadvantage: we lose the sense of proportion; we cannot tell whether our secret is important or not. Were Lucy and her cousin closeted with a great thing which would destroy Cecil's life if he discovered it, or with a little thing which he would laugh at? Miss Bartlett suggested the former. Perhaps she was right. It had become a great thing now. Left to herself, Lucy would have told her mother and her lover ingenuously, and it would have remained a little thing. "Emerson, not Harris"; it was only that a few weeks ago. She tried to tell Cecil even now when they were laughing about some beautiful lady who had smitten his heart at school. But her body behaved so ridiculously that she stopped. She and her secret stayed ten days longer in the deserted Metropolis visiting the scenes they were to know so well later on. It did her no harm, Cecil thought, to learn the framework of society, while society itself was absent on the golf-links or the moors. The weather was cool, and it did her no harm. In spite of the season, Mrs. Vyse managed to scrape together a dinner-party consisting entirely of the grandchildren of famous people. The food was poor, but the talk had a witty weariness that impressed the girl. One was tired of everything, it seemed. One launched into enthusiasms only to collapse gracefully, and pick oneself up amid sympathetic laughter. In this atmosphere the Pension Bertolini and Windy Corner appeared equally crude, and Lucy saw that her London career would estrange her a little from all that she had loved in the past. The grandchildren asked her to play the piano. She played Schumann. "Now some Beethoven" called Cecil, when the querulous beauty of the music had died. She shook her head and played Schumann again. The melody rose, unprofitably magical. It broke; it was resumed broken, not marching once from the cradle to the grave. The sadness of the incomplete--the sadness that is often Life, but should never be Art--throbbed in its disjected phrases, and made the nerves of the audience throb. Not thus had she played on the little draped piano at the Bertolini, and "Too much Schumann" was not the remark that Mr. Beebe had passed to himself when she returned. When the guests were gone, and Lucy had gone to bed, Mrs. Vyse paced up and down the drawing-room, discussing her little party with her son. Mrs. Vyse was a nice woman, but her personality, like many another's, had been swamped by London, for it needs a strong head to live among many people. The too vast orb of her fate had crushed her; and she had seen too many seasons, too many cities, too many men, for her abilities, and even with Cecil she was mechanical, and behaved as if he was not one son, but, so to speak, a filial crowd. "Make Lucy one of us," she said, looking round intelligently at the end of each sentence, and straining her lips apart until she spoke again. "Lucy is becoming wonderful--wonderful." "Her music always was wonderful." "Yes, but she is purging off the Honeychurch taint, most excellent Honeychurches, but you know what I mean. She is not always quoting servants, or asking one how the pudding is made." "Italy has done it." "Perhaps," she murmured, thinking of the museum that represented Italy to her. "It is just possible. Cecil, mind you marry her next January. She is one of us already." "But her music!" he exclaimed. "The style of her! How she kept to Schumann when, like an idiot, I wanted Beethoven. Schumann was right for this evening. Schumann was the thing. Do you know, mother, I shall have our children educated just like Lucy. Bring them up among honest country folks for freshness, send them to Italy for subtlety, and then--not till then--let them come to London. I don't believe in these London educations--" He broke off, remembering that he had had one himself, and concluded, "At all events, not for women." "Make her one of us," repeated Mrs. Vyse, and processed to bed. As she was dozing off, a cry--the cry of nightmare--rang from Lucy's room. Lucy could ring for the maid if she liked but Mrs. Vyse thought it kind to go herself. She found the girl sitting upright with her hand on her cheek. "I am so sorry, Mrs. Vyse--it is these dreams." "Bad dreams?" "Just dreams." The elder lady smiled and kissed her, saying very distinctly: "You should have heard us talking about you, dear. He admires you more than ever. Dream of that." Lucy returned the kiss, still covering one cheek with her hand. Mrs. Vyse recessed to bed. Cecil, whom the cry had not awoke, snored. Darkness enveloped the flat.

Chapter 11 is set in London at the apartment of Cecil's mother, Mrs. Vyse, where Lucy and Cecil have gone for a visit. While there, Lucy receives a letter from Charlotte expressing alarm about the arrival of George to Lucy's neighborhood and advising her to tell her mother and Cecil everything. The letter annoys Lucy, who does not intend to say anything about the incident in Italy. Mrs. Vyse holds a dinner party, inviting all the descendants of famous people, and Lucy plays the piano, choosing a sad and broken melody by Schumann rather than her triumphant Beethoven. Cecil and his mother discuss Lucy afterwards, both impressed by her style and her playing, Cecil commenting that the Schumann had been perfect for the occasion. Mrs. Vyse is shown as a good person whose true character has been stifled and crushed by London society, making her snobbish and weary. That night in Mrs. Vyse's home, Lucy has a nightmare and is comforted by Mrs. Vyse, who reassures her that Cecil cares for her

From this day natural philosophy, and particularly chemistry, in the most comprehensive sense of the term, became nearly my sole occupation. I read with ardour those works, so full of genius and discrimination, which modern inquirers have written on these subjects. I attended the lectures, and cultivated the acquaintance, of the men of science of the university; and I found even in M. Krempe a great deal of sound sense and real information, combined, it is true, with a repulsive physiognomy and manners, but not on that account the less valuable. In M. Waldman I found a true friend. His gentleness was never tinged by dogmatism; and his instructions were given with an air of frankness and good nature, that banished every idea of pedantry. It was, perhaps, the amiable character of this man that inclined me more to that branch of natural philosophy which he professed, than an intrinsic love for the science itself. But this state of mind had place only in the first steps towards knowledge: the more fully I entered into the science, the more exclusively I pursued it for its own sake. That application, which at first had been a matter of duty and resolution, now became so ardent and eager, that the stars often disappeared in the light of morning whilst I was yet engaged in my laboratory. As I applied so closely, it may be easily conceived that I improved rapidly. My ardour was indeed the astonishment of the students; and my proficiency, that of the masters. Professor Krempe often asked me, with a sly smile, how Cornelius Agrippa went on? whilst M. Waldman expressed the most heart-felt exultation in my progress. Two years passed in this manner, during which I paid no visit to Geneva, but was engaged, heart and soul, in the pursuit of some discoveries, which I hoped to make. None but those who have experienced them can conceive of the enticements of science. In other studies you go as far as others have gone before you, and there is nothing more to know; but in a scientific pursuit there is continual food for discovery and wonder. A mind of moderate capacity, which closely pursues one study, must infallibly arrive at great proficiency in that study; and I, who continually sought the attainment of one object of pursuit, and was solely wrapt up in this, improved so rapidly, that, at the end of two years, I made some discoveries in the improvement of some chemical instruments, which procured me great esteem and admiration at the university. When I had arrived at this point, and had become as well acquainted with the theory and practice of natural philosophy as depended on the lessons of any of the professors at Ingolstadt, my residence there being no longer conducive to my improvements, I thought of returning to my friends and my native town, when an incident happened that protracted my stay. One of the phenomena which had peculiarly attracted my attention was the structure of the human frame, and, indeed, any animal endued with life. Whence, I often asked myself, did the principle of life proceed? It was a bold question, and one which has ever been considered as a mystery; yet with how many things are we upon the brink of becoming acquainted, if cowardice or carelessness did not restrain our inquiries. I revolved these circumstances in my mind, and determined thenceforth to apply myself more particularly to those branches of natural philosophy which relate to physiology. Unless I had been animated by an almost supernatural enthusiasm, my application to this study would have been irksome, and almost intolerable. To examine the causes of life, we must first have recourse to death. I became acquainted with the science of anatomy: but this was not sufficient; I must also observe the natural decay and corruption of the human body. In my education my father had taken the greatest precautions that my mind should be impressed with no supernatural horrors. I do not ever remember to have trembled at a tale of superstition, or to have feared the apparition of a spirit. Darkness had no effect upon my fancy; and a church-yard was to me merely the receptacle of bodies deprived of life, which, from being the seat of beauty and strength, had become food for the worm. Now I was led to examine the cause and progress of this decay, and forced to spend days and nights in vaults and charnel houses. My attention was fixed upon every object the most insupportable to the delicacy of the human feelings. I saw how the fine form of man was degraded and wasted; I beheld the corruption of death succeed to the blooming cheek of life; I saw how the worm inherited the wonders of the eye and brain. I paused, examining and analysing all the minutiae of causation, as exemplified in the change from life to death, and death to life, until from the midst of this darkness a sudden light broke in upon me--a light so brilliant and wondrous, yet so simple, that while I became dizzy with the immensity of the prospect which it illustrated, I was surprised that among so many men of genius, who had directed their inquiries towards the same science, that I alone should be reserved to discover so astonishing a secret. Remember, I am not recording the vision of a madman. The sun does not more certainly shine in the heavens, than that which I now affirm is true. Some miracle might have produced it, yet the stages of the discovery were distinct and probable. After days and nights of incredible labour and fatigue, I succeeded in discovering the cause of generation and life; nay, more, I became myself capable of bestowing animation upon lifeless matter. The astonishment which I had at first experienced on this discovery soon gave place to delight and rapture. After so much time spent in painful labour, to arrive at once at the summit of my desires, was the most gratifying consummation of my toils. But this discovery was so great and overwhelming, that all the steps by which I had been progressively led to it were obliterated, and I beheld only the result. What had been the study and desire of the wisest men since the creation of the world, was now within my grasp. Not that, like a magic scene, it all opened upon me at once: the information I had obtained was of a nature rather to direct my endeavours so soon as I should point them towards the object of my search, than to exhibit that object already accomplished. I was like the Arabian who had been buried with the dead, and found a passage to life aided only by one glimmering, and seemingly ineffectual light. I see by your eagerness, and the wonder and hope which your eyes express, my friend, that you expect to be informed of the secret with which I am acquainted; that cannot be: listen patiently until the end of my story, and you will easily perceive why I am reserved upon that subject. I will not lead you on, unguarded and ardent as I then was, to your destruction and infallible misery. Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow. When I found so astonishing a power placed within my hands, I hesitated a long time concerning the manner in which I should employ it. Although I possessed the capacity of bestowing animation, yet to prepare a frame for the reception of it, with all its intricacies of fibres, muscles, and veins, still remained a work of inconceivable difficulty and labour. I doubted at first whether I should attempt the creation of a being like myself or one of simpler organization; but my imagination was too much exalted by my first success to permit me to doubt of my ability to give life to an animal as complex and wonderful as man. The materials at present within my command hardly appeared adequate to so arduous an undertaking; but I doubted not that I should ultimately succeed. I prepared myself for a multitude of reverses; my operations might be incessantly baffled, and at last my work be imperfect: yet, when I considered the improvement which every day takes place in science and mechanics, I was encouraged to hope my present attempts would at least lay the foundations of future success. Nor could I consider the magnitude and complexity of my plan as any argument of its impracticability. It was with these feelings that I began the creation of a human being. As the minuteness of the parts formed a great hindrance to my speed, I resolved, contrary to my first intention, to make the being of a gigantic stature; that is to say, about eight feet in height, and proportionably large. After having formed this determination, and having spent some months in successfully collecting and arranging my materials, I began. No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve their's. Pursuing these reflections, I thought, that if I could bestow animation upon lifeless matter, I might in process of time (although I now found it impossible) renew life where death had apparently devoted the body to corruption. These thoughts supported my spirits, while I pursued my undertaking with unremitting ardour. My cheek had grown pale with study, and my person had become emaciated with confinement. Sometimes, on the very brink of certainty, I failed; yet still I clung to the hope which the next day or the next hour might realize. One secret which I alone possessed was the hope to which I had dedicated myself; and the moon gazed on my midnight labours, while, with unrelaxed and breathless eagerness, I pursued nature to her hiding places. Who shall conceive the horrors of my secret toil, as I dabbled among the unhallowed damps of the grave, or tortured the living animal to animate the lifeless clay? My limbs now tremble, and my eyes swim with the remembrance; but then a resistless, and almost frantic impulse, urged me forward; I seemed to have lost all soul or sensation but for this one pursuit. It was indeed but a passing trance, that only made me feel with renewed acuteness so soon as, the unnatural stimulus ceasing to operate, I had returned to my old habits. I collected bones from charnel houses; and disturbed, with profane fingers, the tremendous secrets of the human frame. In a solitary chamber, or rather cell, at the top of the house, and separated from all the other apartments by a gallery and staircase, I kept my workshop of filthy creation; my eyeballs were starting from their sockets in attending to the details of my employment. The dissecting room and the slaughter-house furnished many of my materials; and often did my human nature turn with loathing from my occupation, whilst, still urged on by an eagerness which perpetually increased, I brought my work near to a conclusion. The summer months passed while I was thus engaged, heart and soul, in one pursuit. It was a most beautiful season; never did the fields bestow a more plentiful harvest, or the vines yield a more luxuriant vintage: but my eyes were insensible to the charms of nature. And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for so long a time. I knew my silence disquieted them; and I well remembered the words of my father: "I know that while you are pleased with yourself, you will think of us with affection, and we shall hear regularly from you. You must pardon me, if I regard any interruption in your correspondence as a proof that your other duties are equally neglected." I knew well therefore what would be my father's feelings; but I could not tear my thoughts from my employment, loathsome in itself, but which had taken an irresistible hold of my imagination. I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed. I then thought that my father would be unjust if he ascribed my neglect to vice, or faultiness on my part; but I am now convinced that he was justified in conceiving that I should not be altogether free from blame. A human being in perfection ought always to preserve a calm and peaceful mind, and never to allow passion or a transitory desire to disturb his tranquillity. I do not think that the pursuit of knowledge is an exception to this rule. If the study to which you apply yourself has a tendency to weaken your affections, and to destroy your taste for those simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind. If this rule were always observed; if no man allowed any pursuit whatsoever to interfere with the tranquillity of his domestic affections, Greece had not been enslaved; Caesar would have spared his country; America would have been discovered more gradually; and the empires of Mexico and Peru had not been destroyed. But I forget that I am moralizing in the most interesting part of my tale; and your looks remind me to proceed. My father made no reproach in his letters; and only took notice of my silence by inquiring into my occupations more particularly than before. Winter, spring, and summer, passed away during my labours; but I did not watch the blossom or the expanding leaves--sights which before always yielded me supreme delight, so deeply was I engrossed in my occupation. The leaves of that year had withered before my work drew near to a close; and now every day shewed me more plainly how well I had succeeded. But my enthusiasm was checked by my anxiety, and I appeared rather like one doomed by slavery to toil in the mines, or any other unwholesome trade, than an artist occupied by his favourite employment. Every night I was oppressed by a slow fever, and I became nervous to a most painful degree; a disease that I regretted the more because I had hitherto enjoyed most excellent health, and had always boasted of the firmness of my nerves. But I believed that exercise and amusement would soon drive away such symptoms; and I promised myself both of these, when my creation should be complete.

Victor has now started enthusiastically working on his studies. He reads a great deal, attends all lectures and meets the influential people at the university. He gets to know his professors a little better, so much so that he finds a true friend in Waldman. Waldman is the one who always encourages him in his experiments. Victor spends two years in the university without once visiting his family in Geneva. He has made progress. He is so engrossed in his experiments that he begins to venture into new fields. He searches for the origin of life. He studies the relevant branches of the sciences and finally succeeds in giving life to lifeless matter. He now begins to think in terms of creating an actual human being whom he could bring to life. He decides to "create" a human being of about eight feet in height and proportionately large. He starts working on it. At times, he does feel appalled at his own audacity but burning ambition gets the better of him as he continues working, regardless of all else, including letters from the family.

INCIDENT AT THE WINDOW IT chanced on Sunday, when Mr. Utterson was on his usual walk with Mr. Enfield, that their way lay once again through the by-street; and that when they came in front of the door, both stopped to gaze on it. "Well," said Enfield, "that story's at an end at least. We shall never see more of Mr. Hyde." "I hope not," said Utterson. "Did I ever tell you that I once saw him, and shared your feeling of repulsion?" "It was impossible to do the one without the other," returned Enfield. "And by the way, what an ass you must have thought me, not to know that this was a back way to Dr. Jekyll's! It was partly your own fault that I found it out, even when I did." "So you found it out, did you?" said Utterson. "But if that be so, we may step into the court and take a look at the windows. To tell you the truth, I am uneasy about poor Jekyll; and even outside, I feel as if the presence of a friend might do him good." 49) The court was very cool and a little damp, and full of premature twilight, although the sky, high up overhead, was still bright with sunset. The middle one of the three windows was half-way open; and sitting close beside it, taking the air with an infinite sadness of mien, like some disconsolate prisoner, Utterson saw Dr. Jekyll. "What! Jekyll!" he cried. "I trust you are better." "I am very low, Utterson," replied the doctor, drearily, "very low. It will not last long, thank God." "You stay too much indoors," said the lawyer. "You should be out, whipping up the circulation like Mr. Enfield and me. (This is my cousin--Mr. Enfield--Dr. Jekyll.) Come, now; get your hat and take a quick turn with us." "You are very good," sighed the other. "I should like to very much; but no, no, no, it is quite impossible; I dare not. But indeed, Utterson, I am very glad to see you; this is really a great pleasure; I would ask you and Mr. Enfield up, but the place is really not fit." "Why then," said the lawyer, good-naturedly, "the best thing we can do is to stay down here and speak with you from where we are." "That is just what I was about to venture to propose," returned the doctor with a smile. But the words were hardly uttered, before the smile was struck out of his face and succeeded 50) by an expression of such abject terror and despair, as froze the very blood of the two gentlemen below. They saw it but for a glimpse, for the window was instantly thrust down; but that glimpse had been sufficient, and they turned and left the court without a word. In silence, too, they traversed the by-street; and it was not until they had come into a neighbouring thoroughfare, where even upon a Sunday there were still some stirrings of life, that Mr. Utterson at last turned and looked at his companion. They were both pale; and there was an answering horror in their eyes. "God forgive us, God forgive us," said Mr. Utterson. But Mr. Enfield only nodded his head very seriously and walked on once more in silence. 51)

One Sunday, Enfield and Utterson are walking again when they come to the strange door at which the story began. Enfield, who has by now, of course, like the rest of London, heard all about Mr. Hyde, says that the story is at least at and end, and Utterson expresses the hope that it is. He tells him that he once saw Mr. Hyde and felt the same sense of revulsion as did Enfield, but does not say anything more of what he knows. Enfield reveals that he has learned that the door is, indeed, the back entrance of Jekyll's house, and he chastises Utterson for withholding the information. Utterson says that he is concerned about Dr. Jekyll and feels that the presence of a friend might help him. As they step into the courtyard, they look up and see Dr. Jekyll sitting at one of the windows, looking like "some disconsolate prisoner." Utterson tells him that he should not stay inside so much. Jekyll seems pleased to see his friends, but says that he cannot admit them up. He is happy, however, to talk to them from the window. Suddenly, his face changes, becoming so horrible and miserable that they are terrified. They have only a brief glimpse of it, however, before the window is shut. They both walk on, too terrified to talk. Only when they come to a busy part of the street does Utterson dares to look at his companion. "God forgive us," he says. Enfield nods his head seriously and they walk on in silence.

A Vanishing Gleam Mr. Tulliver, even between the fits of spasmodic rigidity which had recurred at intervals ever since he had been found fallen from his horse, was usually in so apathetic a condition that the exits and entrances into his room were not felt to be of great importance. He had lain so still, with his eyes closed, all this morning, that Maggie told her aunt Moss she must not expect her father to take any notice of them. They entered very quietly, and Mrs. Moss took her seat near the head of the bed, while Maggie sat in her old place on the bed, and put her hand on her father's without causing any change in his face. Mr. Glegg and Tom had also entered, treading softly, and were busy selecting the key of the old oak chest from the bunch which Tom had brought from his father's bureau. They succeeded in opening the chest,--which stood opposite the foot of Mr. Tulliver's bed,--and propping the lid with the iron holder, without much noise. "There's a tin box," whispered Mr. Glegg; "he'd most like put a small thing like a note in there. Lift it out, Tom; but I'll just lift up these deeds,--they're the deeds o' the house and mill, I suppose,--and see what there is under 'em." Mr. Glegg had lifted out the parchments, and had fortunately drawn back a little, when the iron holder gave way, and the heavy lid fell with a loud bang that resounded over the house. Perhaps there was something in that sound more than the mere fact of the strong vibration that produced the instantaneous effect on the frame of the prostrate man, and for the time completely shook off the obstruction of paralysis. The chest had belonged to his father and his father's father, and it had always been rather a solemn business to visit it. All long-known objects, even a mere window fastening or a particular door-latch, have sounds which are a sort of recognized voice to us,--a voice that will thrill and awaken, when it has been used to touch deep-lying fibres. In the same moment, when all the eyes in the room were turned upon him, he started up and looked at the chest, the parchments in Mr. Glegg's hand, and Tom holding the tin box, with a glance of perfect consciousness and recognition. "What are you going to do with those deeds?" he said, in his ordinary tone of sharp questioning whenever he was irritated. "Come here, Tom. What do you do, going to my chest?" Tom obeyed, with some trembling; it was the first time his father had recognized him. But instead of saying anything more to him, his father continued to look with a growing distinctness of suspicion at Mr. Glegg and the deeds. "What's been happening, then?" he said sharply. "What are you meddling with my deeds for? Is Wakem laying hold of everything? Why don't you tell me what you've been a-doing?" he added impatiently, as Mr. Glegg advanced to the foot of the bed before speaking. "No, no, friend Tulliver," said Mr. Glegg, in a soothing tone. "Nobody's getting hold of anything as yet. We only came to look and see what was in the chest. You've been ill, you know, and we've had to look after things a bit. But let's hope you'll soon be well enough to attend to everything yourself." Mr. Tulliver looked around him meditatively, at Tom, at Mr. Glegg, and at Maggie; then suddenly appearing aware that some one was seated by his side at the head of the bed he turned sharply round and saw his sister. "Eh, Gritty!" he said, in the half-sad, affectionate tone in which he had been wont to speak to her. "What! you're there, are you? How could you manage to leave the children?" "Oh, brother!" said good Mrs. Moss, too impulsive to be prudent, "I'm thankful I'm come now to see you yourself again; I thought you'd never know us any more." "What! have I had a stroke?" said Mr. Tulliver, anxiously, looking at Mr. Glegg. "A fall from your horse--shook you a bit,--that's all, I think," said Mr. Glegg. "But you'll soon get over it, let's hope." Mr. Tulliver fixed his eyes on the bed-clothes, and remained silent for two or three minutes. A new shadow came over his face. He looked up at Maggie first, and said in a lower tone, "You got the letter, then, my wench?" "Yes, father," she said, kissing him with a full heart. She felt as if her father were come back to her from the dead, and her yearning to show him how she had always loved him could be fulfilled. "Where's your mother?" he said, so preoccupied that he received the kiss as passively as some quiet animal might have received it. "She's downstairs with my aunts, father. Shall I fetch her?" "Ay, ay; poor Bessy!" and his eyes turned toward Tom as Maggie left the room. "You'll have to take care of 'em both if I die, you know, Tom. You'll be badly off, I doubt. But you must see and pay everybody. And mind,--there's fifty pound o' Luke's as I put into the business,--he gave me a bit at a time, and he's got nothing to show for it. You must pay him first thing." Uncle Glegg involuntarily shook his head, and looked more concerned than ever, but Tom said firmly: "Yes, father. And haven't you a note from my uncle Moss for three hundred pounds? We came to look for that. What do you wish to be done about it, father?" "Ah! I'm glad you thought o' that, my lad," said Mr. Tulliver. "I allays meant to be easy about that money, because o' your aunt. You mustn't mind losing the money, if they can't pay it,--and it's like enough they can't. The note's in that box, mind! I allays meant to be good to you, Gritty," said Mr. Tulliver, turning to his sister; "but you know you aggravated me when you would have Moss." At this moment Maggie re-entered with her mother, who came in much agitated by the news that her husband was quite himself again. "Well, Bessy," he said, as she kissed him, "you must forgive me if you're worse off than you ever expected to be. But it's the fault o' the law,--it's none o' mine," he added angrily. "It's the fault o' raskills. Tom, you mind this: if ever you've got the chance, you make Wakem smart. If you don't, you're a good-for-nothing son. You might horse-whip him, but he'd set the law on you,--the law's made to take care o' raskills." Mr. Tulliver was getting excited, and an alarming flush was on his face. Mr. Glegg wanted to say something soothing, but he was prevented by Mr. Tulliver's speaking again to his wife. "They'll make a shift to pay everything, Bessy," he said, "and yet leave you your furniture; and your sisters'll do something for you--and Tom'll grow up--though what he's to be I don't know--I've done what I could--I've given him a eddication--and there's the little wench, she'll get married--but it's a poor tale----" The sanative effect of the strong vibration was exhausted, and with the last words the poor man fell again, rigid and insensible. Though this was only a recurrence of what had happened before, it struck all present as if it had been death, not only from its contrast with the completeness of the revival, but because his words had all had reference to the possibility that his death was near. But with poor Tulliver death was not to be a leap; it was to be a long descent under thickening shadows. Mr. Turnbull was sent for; but when he heard what had passed, he said this complete restoration, though only temporary, was a hopeful sign, proving that there was no permanent lesion to prevent ultimate recovery. Among the threads of the past which the stricken man had gathered up, he had omitted the bill of sale; the flash of memory had only lit up prominent ideas, and he sank into forgetfulness again with half his humiliation unlearned. But Tom was clear upon two points,--that his uncle Moss's note must be destroyed; and that Luke's money must be paid, if in no other way, out of his own and Maggie's money now in the savings bank. There were subjects, you perceive, on which Tom was much quicker than on the niceties of classical construction, or the relations of a mathematical demonstration.

Mr. Glegg, Tom, and Maggie head upstairs to destroy the note saying that Mr. Moss owes Mr. Tulliver money. The note is in a chest in Mr. Tulliver's room. Mr. Glegg accidentally drops the chest, which wakes up Mr. Tulliver. Mr. Tulliver is aware of what's going on for the first time in days and begins questioning everyone. Mrs. Moss comes upstairs to check on her brother. Mr. Tulliver tells them to get his wife. Mr. Tulliver doesn't seem to realize the severity of his financial situation. He tells Tom to destroy the note and he also tells Tom to pay back the money owed to Luke, their mill employee. Mrs. Tulliver arrives and Mr. Tulliver apologizes to her and worries about his children's future. He starts drifting off again. The narrator hints that Mr. Tulliver's death will be a slow, long decline. Tom is determined to do what his father wishes.

'But next morning, at the first bend of the river shutting off the houses of Patusan, all this dropped out of my sight bodily, with its colour, its design, and its meaning, like a picture created by fancy on a canvas, upon which, after long contemplation, you turn your back for the last time. It remains in the memory motionless, unfaded, with its life arrested, in an unchanging light. There are the ambitions, the fears, the hate, the hopes, and they remain in my mind just as I had seen them--intense and as if for ever suspended in their expression. I had turned away from the picture and was going back to the world where events move, men change, light flickers, life flows in a clear stream, no matter whether over mud or over stones. I wasn't going to dive into it; I would have enough to do to keep my head above the surface. But as to what I was leaving behind, I cannot imagine any alteration. The immense and magnanimous Doramin and his little motherly witch of a wife, gazing together upon the land and nursing secretly their dreams of parental ambition; Tunku Allang, wizened and greatly perplexed; Dain Waris, intelligent and brave, with his faith in Jim, with his firm glance and his ironic friendliness; the girl, absorbed in her frightened, suspicious adoration; Tamb' Itam, surly and faithful; Cornelius, leaning his forehead against the fence under the moonlight--I am certain of them. They exist as if under an enchanter's wand. But the figure round which all these are grouped--that one lives, and I am not certain of him. No magician's wand can immobilise him under my eyes. He is one of us. 'Jim, as I've told you, accompanied me on the first stage of my journey back to the world he had renounced, and the way at times seemed to lead through the very heart of untouched wilderness. The empty reaches sparkled under the high sun; between the high walls of vegetation the heat drowsed upon the water, and the boat, impelled vigorously, cut her way through the air that seemed to have settled dense and warm under the shelter of lofty trees. 'The shadow of the impending separation had already put an immense space between us, and when we spoke it was with an effort, as if to force our low voices across a vast and increasing distance. The boat fairly flew; we sweltered side by side in the stagnant superheated air; the smell of mud, of mush, the primeval smell of fecund earth, seemed to sting our faces; till suddenly at a bend it was as if a great hand far away had lifted a heavy curtain, had flung open un immense portal. The light itself seemed to stir, the sky above our heads widened, a far-off murmur reached our ears, a freshness enveloped us, filled our lungs, quickened our thoughts, our blood, our regrets--and, straight ahead, the forests sank down against the dark-blue ridge of the sea. 'I breathed deeply, I revelled in the vastness of the opened horizon, in the different atmosphere that seemed to vibrate with the toil of life, with the energy of an impeccable world. This sky and this sea were open to me. The girl was right--there was a sign, a call in them--something to which I responded with every fibre of my being. I let my eyes roam through space, like a man released from bonds who stretches his cramped limbs, runs, leaps, responds to the inspiring elation of freedom. "This is glorious!" I cried, and then I looked at the sinner by my side. He sat with his head sunk on his breast and said "Yes," without raising his eyes, as if afraid to see writ large on the clear sky of the offing the reproach of his romantic conscience. 'I remember the smallest details of that afternoon. We landed on a bit of white beach. It was backed by a low cliff wooded on the brow, draped in creepers to the very foot. Below us the plain of the sea, of a serene and intense blue, stretched with a slight upward tilt to the thread-like horizon drawn at the height of our eyes. Great waves of glitter blew lightly along the pitted dark surface, as swift as feathers chased by the breeze. A chain of islands sat broken and massive facing the wide estuary, displayed in a sheet of pale glassy water reflecting faithfully the contour of the shore. High in the colourless sunshine a solitary bird, all black, hovered, dropping and soaring above the same spot with a slight rocking motion of the wings. A ragged, sooty bunch of flimsy mat hovels was perched over its own inverted image upon a crooked multitude of high piles the colour of ebony. A tiny black canoe put off from amongst them with two tiny men, all black, who toiled exceedingly, striking down at the pale water: and the canoe seemed to slide painfully on a mirror. This bunch of miserable hovels was the fishing village that boasted of the white lord's especial protection, and the two men crossing over were the old headman and his son-in-law. They landed and walked up to us on the white sand, lean, dark-brown as if dried in smoke, with ashy patches on the skin of their naked shoulders and breasts. Their heads were bound in dirty but carefully folded headkerchiefs, and the old man began at once to state a complaint, voluble, stretching a lank arm, screwing up at Jim his old bleared eyes confidently. The Rajah's people would not leave them alone; there had been some trouble about a lot of turtles' eggs his people had collected on the islets there--and leaning at arm's-length upon his paddle, he pointed with a brown skinny hand over the sea. Jim listened for a time without looking up, and at last told him gently to wait. He would hear him by-and-by. They withdrew obediently to some little distance, and sat on their heels, with their paddles lying before them on the sand; the silvery gleams in their eyes followed our movements patiently; and the immensity of the outspread sea, the stillness of the coast, passing north and south beyond the limits of my vision, made up one colossal Presence watching us four dwarfs isolated on a strip of glistening sand. '"The trouble is," remarked Jim moodily, "that for generations these beggars of fishermen in that village there had been considered as the Rajah's personal slaves--and the old rip can't get it into his head that . . ." 'He paused. "That you have changed all that," I said. '"Yes I've changed all that," he muttered in a gloomy voice. '"You have had your opportunity," I pursued. '"Have I?" he said. "Well, yes. I suppose so. Yes. I have got back my confidence in myself--a good name--yet sometimes I wish . . . No! I shall hold what I've got. Can't expect anything more." He flung his arm out towards the sea. "Not out there anyhow." He stamped his foot upon the sand. "This is my limit, because nothing less will do." 'We continued pacing the beach. "Yes, I've changed all that," he went on, with a sidelong glance at the two patient squatting fishermen; "but only try to think what it would be if I went away. Jove! can't you see it? Hell loose. No! To-morrow I shall go and take my chance of drinking that silly old Tunku Allang's coffee, and I shall make no end of fuss over these rotten turtles' eggs. No. I can't say--enough. Never. I must go on, go on for ever holding up my end, to feel sure that nothing can touch me. I must stick to their belief in me to feel safe and to--to" . . . He cast about for a word, seemed to look for it on the sea . . . "to keep in touch with" . . . His voice sank suddenly to a murmur . . . "with those whom, perhaps, I shall never see any more. With--with--you, for instance." 'I was profoundly humbled by his words. "For God's sake," I said, "don't set me up, my dear fellow; just look to yourself." I felt a gratitude, an affection, for that straggler whose eyes had singled me out, keeping my place in the ranks of an insignificant multitude. How little that was to boast of, after all! I turned my burning face away; under the low sun, glowing, darkened and crimson, like un ember snatched from the fire, the sea lay outspread, offering all its immense stillness to the approach of the fiery orb. Twice he was going to speak, but checked himself; at last, as if he had found a formula-- '"I shall be faithful," he said quietly. "I shall be faithful," he repeated, without looking at me, but for the first time letting his eyes wander upon the waters, whose blueness had changed to a gloomy purple under the fires of sunset. Ah! he was romantic, romantic. I recalled some words of Stein's. . . . "In the destructive element immerse! . . . To follow the dream, and again to follow the dream--and so--always--usque ad finem . . ." He was romantic, but none the less true. Who could tell what forms, what visions, what faces, what forgiveness he could see in the glow of the west! . . . A small boat, leaving the schooner, moved slowly, with a regular beat of two oars, towards the sandbank to take me off. "And then there's Jewel," he said, out of the great silence of earth, sky, and sea, which had mastered my very thoughts so that his voice made me start. "There's Jewel." "Yes," I murmured. "I need not tell you what she is to me," he pursued. "You've seen. In time she will come to understand . . ." "I hope so," I interrupted. "She trusts me, too," he mused, and then changed his tone. "When shall we meet next, I wonder?" he said. '"Never--unless you come out," I answered, avoiding his glance. He didn't seem to be surprised; he kept very quiet for a while. '"Good-bye, then," he said, after a pause. "Perhaps it's just as well." 'We shook hands, and I walked to the boat, which waited with her nose on the beach. The schooner, her mainsail set and jib-sheet to windward, curveted on the purple sea; there was a rosy tinge on her sails. "Will you be going home again soon?" asked Jim, just as I swung my leg over the gunwale. "In a year or so if I live," I said. The forefoot grated on the sand, the boat floated, the wet oars flashed and dipped once, twice. Jim, at the water's edge, raised his voice. "Tell them . . ." he began. I signed to the men to cease rowing, and waited in wonder. Tell who? The half-submerged sun faced him; I could see its red gleam in his eyes that looked dumbly at me. . . . "No--nothing," he said, and with a slight wave of his hand motioned the boat away. I did not look again at the shore till I had clambered on board the schooner. 'By that time the sun had set. The twilight lay over the east, and the coast, turned black, extended infinitely its sombre wall that seemed the very stronghold of the night; the western horizon was one great blaze of gold and crimson in which a big detached cloud floated dark and still, casting a slaty shadow on the water beneath, and I saw Jim on the beach watching the schooner fall off and gather headway. 'The two half-naked fishermen had arisen as soon as I had gone; they were no doubt pouring the plaint of their trifling, miserable, oppressed lives into the ears of the white lord, and no doubt he was listening to it, making it his own, for was it not a part of his luck--the luck "from the word Go"--the luck to which he had assured me he was so completely equal? They, too, I should think, were in luck, and I was sure their pertinacity would be equal to it. Their dark-skinned bodies vanished on the dark background long before I had lost sight of their protector. He was white from head to foot, and remained persistently visible with the stronghold of the night at his back, the sea at his feet, the opportunity by his side--still veiled. What do you say? Was it still veiled? I don't know. For me that white figure in the stillness of coast and sea seemed to stand at the heart of a vast enigma. The twilight was ebbing fast from the sky above his head, the strip of sand had sunk already under his feet, he himself appeared no bigger than a child--then only a speck, a tiny white speck, that seemed to catch all the light left in a darkened world. . . . And, suddenly, I lost him. . . .

After the world's worst vacation, Marlow splits from Patusan. Jim accompanies Marlow to the shore to see him off and starts to give Marlow a message to take back home to his family. But at the last moment he stops himself and opts to just say good-bye. As he describes how he watched Jim waving from shore, Marlow tells us that this is the last time he ever saw Jim. So ends the storytelling session on the verandah.

Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?"--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her the reason. It struck her that it was hopeless to look for chivalry in such a man. He would do her no harm by idle gossip; he was trustworthy, intelligent, and even kind; he might even have a high opinion of her. But he lacked chivalry; his thoughts, like his behaviour, would not be modified by awe. It was useless to say to him, "And would you--" and hope that he would complete the sentence for himself, averting his eyes from her nakedness like the knight in that beautiful picture. She had been in his arms, and he remembered it, just as he remembered the blood on the photographs that she had bought in Alinari's shop. It was not exactly that a man had died; something had happened to the living: they had come to a situation where character tells, and where childhood enters upon the branching paths of Youth. "Well, thank you so much," she repeated, "How quickly these accidents do happen, and then one returns to the old life!" "I don't." Anxiety moved her to question him. His answer was puzzling: "I shall probably want to live." "But why, Mr. Emerson? What do you mean?" "I shall want to live, I say." Leaning her elbows on the parapet, she contemplated the River Arno, whose roar was suggesting some unexpected melody to her ears.

Lucy goes out longing for adventure, hoping for something great. She buys some photographs of great artworks at a junk shop, but remains unsatisfied. She wanders into the Piazza Signoria; it is nearing twilight, and the world takes on an aura of unreality. Nearby, she sees two Italians arguing. One of them is struck lightly on the chest; he wanders toward Lucy, trying to say something, and blood trickles from his lips. The light strike was actually a stabbing. A crowd surrounds them and carries the man away. She sees George Emerson, and then the world seems to fall on top of Lucy; suddenly, she is with George Emerson, sitting on some steps some distance away. She fainted, and George has carried her here. She thanks George and asks him to fetch her photographs, which she dropped in the square; when he leaves to get them, she tries to sneak away. George calls to her and persuades her to sit down. The man who approached her is dead or dying. A crowd surrounds the man, down by the fountain, and George goes to investigate. George returns, and they talk of the murder. They walk back to the pension along the river, and George suddenly tosses something into the water. Lucy angrily demands to know what he threw away, suspecting that they might be her photographs. After some hesitation, George admits that they were. He threw them away because they were covered with blood. At George's request, they stop for a moment. He feels something incredible has happened, and he wants to figure it out. Leaning over a parapet, Lucy apologizes for her fainting and asks that he not tell anyone at the pension what happened. She realizes that he is not a chivalrous man, meaning he is a stranger to old-fashioned ideas of courtesy and propriety, but she also realizes that George is intelligent, trustworthy, and kind. She says that events like the murder happen, and that the witnesses go on living life as usual. George replies that he does not go on living life as usual. Now, he will want to live.

Chapter LVI. The Old Age of Athos. While these affairs were separating forever the four musketeers, formerly bound together in a manner that seemed indissoluble, Athos, left alone after the departure of Raoul, began to pay his tribute to that foretaste of death which is called the absence of those we love. Back in his house at Blois, no longer having even Grimaud to receive a poor smile as he passed through the parterre, Athos daily felt the decline of vigor of a nature which for so long a time had seemed impregnable. Age, which had been kept back by the presence of the beloved object, arrived with that _cortege_ of pains and inconveniences, which grows by geometrical accretion. Athos had no longer his son to induce him to walk firmly, with head erect, as a good example; he had no longer, in those brilliant eyes of the young man, an ever-ardent focus at which to kindle anew the fire of his looks. And then, must it be said, that nature, exquisite in tenderness and reserve, no longer finding anything to understand its feelings, gave itself up to grief with all the warmth of common natures when they yield to joy. The Comte de la Fere, who had remained a young man to his sixty-second year; the warrior who had preserved his strength in spite of fatigue; his freshness of mind in spite of misfortune, his mild serenity of soul and body in spite of Milady, in spite of Mazarin, in spite of La Valliere; Athos had become an old man in a week, from the moment at which he lost the comfort of his later youth. Still handsome, though bent, noble, but sad, he sought, since his solitude, the deeper glades where sunshine scarcely penetrated. He discontinued all the mighty exercises he had enjoyed through life, when Raoul was no longer with him. The servants, accustomed to see him stirring with the dawn at all seasons, were astonished to hear seven o'clock strike before their master quitted his bed. Athos remained in bed with a book under his pillow--but he did not sleep, neither did he read. Remaining in bed that he might no longer have to carry his body, he allowed his soul and spirit to wander from their envelope and return to his son, or to God. [6] His people were sometimes terrified to see him, for hours together, absorbed in silent reverie, mute and insensible; he no longer heard the timid step of the servant who came to the door of his chamber to watch the sleeping or waking of his master. It often occurred that he forgot the day had half passed away, that the hours for the two first meals were gone by. Then he was awakened. He rose, descended to his shady walk, then came out a little into the sun, as though to partake of its warmth for a minute in memory of his absent child. And then the dismal monotonous walk recommenced, until, exhausted, he regained the chamber and his bed, his domicile by choice. For several days the comte did not speak a single word. He refused to receive the visits that were paid him, and during the night he was seen to relight his lamp and pass long hours in writing, or examining parchments. Athos wrote one of these letters to Vannes, another to Fontainebleau; they remained without answers. We know why: Aramis had quitted France, and D'Artagnan was traveling from Nantes to Paris, from Paris to Pierrefonds. His _valet de chambre_ observed that he shortened his walk every day by several turns. The great alley of limes soon became too long for feet that used to traverse it formerly a hundred times a day. The comte walked feebly as far as the middle trees, seated himself upon a mossy bank that sloped towards a sidewalk, and there waited the return of his strength, or rather the return of night. Very shortly a hundred steps exhausted him. At length Athos refused to rise at all; he declined all nourishment, and his terrified people, although he did not complain, although he wore a smile upon his lips, although he continued to speak with his sweet voice--his people went to Blois in search of the ancient physician of the late Monsieur, and brought him to the Comte de la Fere in such a fashion that he could see the comte without being himself seen. For this purpose, they placed him in a closet adjoining the chamber of the patient, and implored him not to show himself, for fear of displeasing their master, who had not asked for a physician. The doctor obeyed. Athos was a sort of model for the gentlemen of the country; the Blaisois boasted of possessing this sacred relic of French glory. Athos was a great seigneur compared with such nobles as the king improvised by touching with his artificial scepter the patched-up trunks of the heraldic trees of the province. People respected Athos, we say, and they loved him. The physician could not bear to see his people weep, to see flock round him the poor of the canton, to whom Athos had so often given life and consolation by his kind words and his charities. He examined, therefore, from the depths of his hiding-place, the nature of that mysterious malady which bent and aged more mortally every day a man but lately so full of life and a desire to live. He remarked upon the cheeks of Athos the hectic hue of fever, which feeds upon itself; slow fever, pitiless, born in a fold of the heart, sheltering itself behind that rampart, growing from the suffering it engenders, at once cause and effect of a perilous situation. The comte spoke to nobody; he did not even talk to himself. His thought feared noise; it approached to that degree of over-excitement which borders upon ecstasy. Man thus absorbed, though he does not yet belong to God, already appertains no longer to the earth. The doctor remained for several hours studying this painful struggle of the will against superior power; he was terrified at seeing those eyes always fixed, ever directed on some invisible object; was terrified at the monotonous beating of that heart from which never a sigh arose to vary the melancholy state; for often pain becomes the hope of the physician. Half a day passed away thus. The doctor formed his resolution like a brave man; he issued suddenly from his place of retreat, and went straight up to Athos, who beheld him without evincing more surprise than if he had understood nothing of the apparition. "Monsieur le comte, I crave your pardon," said the doctor, coming up to the patient with open arms; "but I have a reproach to make you--you shall hear me." And he seated himself by the pillow of Athos, who had great trouble in rousing himself from his preoccupation. "What is the matter, doctor?" asked the comte, after a silence. "The matter is, you are ill, monsieur, and have had no advice." "I! ill!" said Athos, smiling. "Fever, consumption, weakness, decay, monsieur le comte!" "Weakness!" replied Athos; "is it possible? I do not get up." "Come, come! monsieur le comte, no subterfuges; you are a good Christian?" "I hope so," said Athos. "Is it your wish to kill yourself?" "Never, doctor." "Well! monsieur, you are in a fair way of doing so. Thus to remain is suicide. Get well! monsieur le comte, get well!" "Of what? Find the disease first. For my part, I never knew myself better; never did the sky appear more blue to me; never did I take more care of my flowers." "You have a hidden grief." "Concealed!--not at all; the absence of my son, doctor; that is my malady, and I do not conceal it." "Monsieur le comte, your son lives, he is strong, he has all the future before him--the future of men of merit, of his race; live for him--" "But I do live, doctor; oh! be satisfied of that," added he, with a melancholy smile; "for as long as Raoul lives, it will be plainly known, for as long as he lives, I shall live." "What do you say?" "A very simple thing. At this moment, doctor, I leave life suspended within me. A forgetful, dissipated, indifferent life would be beyond my strength, now I have no longer Raoul with me. You do not ask the lamp to burn when the match has not illumed the flame; do not ask me to live amidst noise and merriment. I vegetate, I prepare myself, I wait. Look, doctor; remember those soldiers we have so often seen together at the ports, where they were waiting to embark; lying down, indifferent, half on one element, half on the other; they were neither at the place where the sea was going to carry them, nor at the place the earth was going to lose them; baggage prepared, minds on the stretch, arms stacked--they waited. I repeat it, the word is the one which paints my present life. Lying down like the soldiers, my ear on the stretch for the report that may reach me, I wish to be ready to set out at the first summons. Who will make me that summons? life or death? God or Raoul? My baggage is packed, my soul is prepared, I await the signal--I wait, doctor, I wait!" The doctor knew the temper of that mind; he appreciated the strength of that body; he reflected for the moment, told himself that words were useless, remedies absurd, and left the chateau, exhorting Athos's servants not to quit him for a moment. The doctor being gone, Athos evinced neither anger nor vexation at having been disturbed. He did not even desire that all letters that came should be brought to him directly. He knew very well that every distraction which should arise would be a joy, a hope, which his servants would have paid with their blood to procure him. Sleep had become rare. By intense thinking, Athos forgot himself, for a few hours at most, in a reverie most profound, more obscure than other people would have called a dream. The momentary repose which this forgetfulness thus gave the body, still further fatigued the soul, for Athos lived a double life during these wanderings of his understanding. One night, he dreamt that Raoul was dressing himself in a tent, to go upon an expedition commanded by M. de Beaufort in person. The young man was sad; he clasped his cuirass slowly, and slowly he girded on his sword. "What is the matter?" asked his father, tenderly. "What afflicts me is the death of Porthos, ever so dear a friend," replied Raoul. "I suffer here the grief you soon will feel at home." And the vision disappeared with the slumber of Athos. At daybreak one of his servants entered his master's apartment, and gave him a letter which came from Spain. "The writing of Aramis," thought the comte; and he read. "Porthos is dead!" cried he, after the first lines. "Oh! Raoul, Raoul! thanks! thou keepest thy promise, thou warnest me!" And Athos, seized with a mortal sweat, fainted in his bed, without any other cause than weakness.

Back on his own estate, Athos has been preparing for his death. Since his son is gone, Athos has no incentive to lead a good example. He slowly begins sleeping in and cutting back on all his exercises. He stops speaking. He tries writing to his friends, but his letters go unanswered. Finally, his servants get so worried they go behind his back and get his old doctor to examine him. The doctor hides and observes Athos. At one point, he can bear it no longer and goes directly up to Athos and begs him to get well. The physician sees that Athos is slowly killing himself. Athos tells the doctor not to worry - he will remain alive as long as Raoul is alive. He tells the doctor that his soul is prepared; he is waiting for the signal that Raoul is dead. The doctor reflects, deciding there is nothing he can do to change Athos's mind. As he leaves he tells the servants to always keep an eye on him. Athos stops sleeping. Instead, he lets his mind wander in dreams. One night he communicates with Raoul, who is sad to hear of Porthos's death. The vision disappears and servants come running in with a letter from Aramis relating Porthos's death. Athos faints from weakness.

The Torn Nest Is Pierced by the Thorns There is something sustaining in the very agitation that accompanies the first shocks of trouble, just as an acute pain is often a stimulus, and produces an excitement which is transient strength. It is in the slow, changed life that follows; in the time when sorrow has become stale, and has no longer an emotive intensity that counteracts its pain; in the time when day follows day in dull, unexpectant sameness, and trial is a dreary routine,--it is then that despair threatens; it is then that the peremptory hunger of the soul is felt, and eye and ear are strained after some unlearned secret of our existence, which shall give to endurance the nature of satisfaction. This time of utmost need was come to Maggie, with her short span of thirteen years. To the usual precocity of the girl, she added that early experience of struggle, of conflict between the inward impulse and outward fact, which is the lot of every imaginative and passionate nature; and the years since she hammered the nails into her wooden Fetish among the worm-eaten shelves of the attic had been filled with so eager a life in the triple world of Reality, Books, and Waking Dreams, that Maggie was strangely old for her years in everything except in her entire want of that prudence and self-command which were the qualities that made Tom manly in the midst of his intellectual boyishness. And now her lot was beginning to have a still, sad monotony, which threw her more than ever on her inward self. Her father was able to attend to business again, his affairs were settled, and he was acting as Wakem's manager on the old spot. Tom went to and fro every morning and evening, and became more and more silent in the short intervals at home; what was there to say? One day was like another; and Tom's interest in life, driven back and crushed on every other side, was concentrating itself into the one channel of ambitious resistance to misfortune. The peculiarities of his father and mother were very irksome to him, now they were laid bare of all the softening accompaniments of an easy, prosperous home; for Tom had very clear, prosaic eyes, not apt to be dimmed by mists of feeling or imagination. Poor Mrs. Tulliver, it seemed, would never recover her old self, her placid household activity; how could she? The objects among which her mind had moved complacently were all gone,--all the little hopes and schemes and speculations, all the pleasant little cares about her treasures which had made the world quite comprehensible to her for a quarter of a century, since she had made her first purchase of the sugar-tongs, had been suddenly snatched away from her, and she remained bewildered in this empty life. Why that should have happened to her which had not happened to other women remained an insoluble question by which she expressed her perpetual ruminating comparison of the past with the present. It was piteous to see the comely woman getting thinner and more worn under a bodily as well as mental restlessness, which made her often wander about the empty house after her work was done, until Maggie, becoming alarmed about her, would seek her, and bring her down by telling her how it vexed Tom that she was injuring her health by never sitting down and resting herself. Yet amidst this helpless imbecility there was a touching trait of humble, self-devoting maternity, which made Maggie feel tenderly toward her poor mother amidst all the little wearing griefs caused by her mental feebleness. She would let Maggie do none of the work that was heaviest and most soiling to the hands, and was quite peevish when Maggie attempted to relieve her from her grate-brushing and scouring: "Let it alone, my dear; your hands 'ull get as hard as hard," she would say; "it's your mother's place to do that. I can't do the sewing--my eyes fail me." And she would still brush and carefully tend Maggie's hair, which she had become reconciled to, in spite of its refusal to curl, now it was so long and massy. Maggie was not her pet child, and, in general, would have been much better if she had been quite different; yet the womanly heart, so bruised in its small personal desires, found a future to rest on in the life of this young thing, and the mother pleased herself with wearing out her own hands to save the hands that had so much more life in them. But the constant presence of her mother's regretful bewilderment was less painful to Maggie than that of her father's sullen, incommunicative depression. As long as the paralysis was upon him, and it seemed as if he might always be in a childlike condition of dependence,--as long as he was still only half awakened to his trouble,--Maggie had felt the strong tide of pitying love almost as an inspiration, a new power, that would make the most difficult life easy for his sake; but now, instead of childlike dependence, there had come a taciturn, hard concentration of purpose, in strange contrast with his old vehement communicativeness and high spirit; and this lasted from day to day, and from week to week, the dull eye never brightening with any eagerness or any joy. It is something cruelly incomprehensible to youthful natures, this sombre sameness in middle-aged and elderly people, whose life has resulted in disappointment and discontent, to whose faces a smile becomes so strange that the sad lines all about the lips and brow seem to take no notice of it, and it hurries away again for want of a welcome. "Why will they not kindle up and be glad sometimes?" thinks young elasticity. "It would be so easy if they only liked to do it." And these leaden clouds that never part are apt to create impatience even in the filial affection that streams forth in nothing but tenderness and pity in the time of more obvious affliction. Mr. Tulliver lingered nowhere away from home; he hurried away from market, he refused all invitations to stay and chat, as in old times, in the houses where he called on business. He could not be reconciled with his lot. There was no attitude in which his pride did not feel its bruises; and in all behavior toward him, whether kind or cold, he detected an allusion to the change in his circumstances. Even the days on which Wakem came to ride round the land and inquire into the business were not so black to him as those market-days on which he had met several creditors who had accepted a composition from him. To save something toward the repayment of those creditors was the object toward which he was now bending all his thoughts and efforts; and under the influence of this all-compelling demand of his nature, the somewhat profuse man, who hated to be stinted or to stint any one else in his own house, was gradually metamorphosed into the keen-eyed grudger of morsels. Mrs. Tulliver could not economize enough to satisfy him, in their food and firing; and he would eat nothing himself but what was of the coarsest quality. Tom, though depressed and strongly repelled by his father's sullenness, and the dreariness of home, entered thoroughly into his father's feelings about paying the creditors; and the poor lad brought his first quarter's money, with a delicious sense of achievement, and gave it to his father to put into the tin box which held the savings. The little store of sovereigns in the tin box seemed to be the only sight that brought a faint beam of pleasure into the miller's eyes,--faint and transient, for it was soon dispelled by the thought that the time would be long--perhaps longer than his life,--before the narrow savings could remove the hateful incubus of debt. A deficit of more than five hundred pounds, with the accumulating interest, seemed a deep pit to fill with the savings from thirty shillings a-week, even when Tom's probable savings were to be added. On this one point there was entire community of feeling in the four widely differing beings who sat round the dying fire of sticks, which made a cheap warmth for them on the verge of bedtime. Mrs. Tulliver carried the proud integrity of the Dodsons in her blood, and had been brought up to think that to wrong people of their money, which was another phrase for debt, was a sort of moral pillory; it would have been wickedness, to her mind, to have run counter to her husband's desire to "do the right thing," and retrieve his name. She had a confused, dreamy notion that, if the creditors were all paid, her plate and linen ought to come back to her; but she had an inbred perception that while people owed money they were unable to pay, they couldn't rightly call anything their own. She murmured a little that Mr. Tulliver so peremptorily refused to receive anything in repayment from Mr. and Mrs. Moss; but to all his requirements of household economy she was submissive to the point of denying herself the cheapest indulgences of mere flavor; her only rebellion was to smuggle into the kitchen something that would make rather a better supper than usual for Tom. These narrow notions about debt, held by the old fashioned Tullivers, may perhaps excite a smile on the faces of many readers in these days of wide commercial views and wide philosophy, according to which everything rights itself without any trouble of ours. The fact that my tradesman is out of pocket by me is to be looked at through the serene certainty that somebody else's tradesman is in pocket by somebody else; and since there must be bad debts in the world, why, it is mere egoism not to like that we in particular should make them instead of our fellow-citizens. I am telling the history of very simple people, who had never had any illuminating doubts as to personal integrity and honor. Under all this grim melancholy and narrowing concentration of desire, Mr. Tulliver retained the feeling toward his "little wench" which made her presence a need to him, though it would not suffice to cheer him. She was still the desire of his eyes; but the sweet spring of fatherly love was now mingled with bitterness, like everything else. When Maggie laid down her work at night, it was her habit to get a low stool and sit by her father's knee, leaning her cheek against it. How she wished he would stroke her head, or give some sign that he was soothed by the sense that he had a daughter who loved him! But now she got no answer to her little caresses, either from her father or from Tom,--the two idols of her life. Tom was weary and abstracted in the short intervals when he was at home, and her father was bitterly preoccupied with the thought that the girl was growing up, was shooting up into a woman; and how was she to do well in life? She had a poor chance for marrying, down in the world as they were. And he hated the thought of her marrying poorly, as her aunt Gritty had done; _that_ would be a thing to make him turn in his grave,--the little wench so pulled down by children and toil, as her aunt Moss was. When uncultured minds, confined to a narrow range of personal experience, are under the pressure of continued misfortune, their inward life is apt to become a perpetually repeated round of sad and bitter thoughts; the same words, the same scenes, are revolved over and over again, the same mood accompanies them; the end of the year finds them as much what they were at the beginning as if they were machines set to a recurrent series of movements. The sameness of the days was broken by few visitors. Uncles and aunts paid only short visits now; of course, they could not stay to meals, and the constraint caused by Mr. Tulliver's savage silence, which seemed to add to the hollow resonance of the bare, uncarpeted room when the aunts were talking, heightened the unpleasantness of these family visits on all sides, and tended to make them rare. As for other acquaintances, there is a chill air surrounding those who are down in the world, and people are glad to get away from them, as from a cold room; human beings, mere men and women, without furniture, without anything to offer you, who have ceased to count as anybody, present an embarrassing negation of reasons for wishing to see them, or of subjects on which to converse with them. At that distant day, there was a dreary isolation in the civilized Christian society of these realms for families that had dropped below their original level, unless they belonged to a sectarian church, which gets some warmth of brotherhood by walling in the sacred fire.

We meet up with Maggie once again, who is in the middle of a major life crisis. She has a lot of inner turmoil and is torn between her own internal longings and the outward realities that limit her life. Mr. Tulliver is recovered and is back at work as the Mill's manager. Mr. Wakem is now his boss. Tom is working for Mr. Deane still and is exhausted. Mrs. Tulliver is depressed and bewildered and throws herself into mothering Maggie and Tom since she doesn't know what else to do. Maggie is most upset by her father's depression, though. The only thing her father takes a real interest in is counting the money that he keeps in a lock-box. Tom contributes most of his wages to the family fund. The Tullivers have a very strict view of debt and they live on the smallest budge possible in order to save up the money to pay off their debts quickly. Maggie is depressed because both her father and Tom ignore her and the whole household is chronically in a bad mood. The family has very few visitors and each day passes like the one before. It's a very bleak existence for the Tullivers.

For some reason or other, the house was crowded that night, and the fat Jew manager who met them at the door was beaming from ear to ear with an oily tremulous smile. He escorted them to their box with a sort of pompous humility, waving his fat jewelled hands and talking at the top of his voice. Dorian Gray loathed him more than ever. He felt as if he had come to look for Miranda and had been met by Caliban. Lord Henry, upon the other hand, rather liked him. At least he declared he did, and insisted on shaking him by the hand and assuring him that he was proud to meet a man who had discovered a real genius and gone bankrupt over a poet. Hallward amused himself with watching the faces in the pit. The heat was terribly oppressive, and the huge sunlight flamed like a monstrous dahlia with petals of yellow fire. The youths in the gallery had taken off their coats and waistcoats and hung them over the side. They talked to each other across the theatre and shared their oranges with the tawdry girls who sat beside them. Some women were laughing in the pit. Their voices were horribly shrill and discordant. The sound of the popping of corks came from the bar. "What a place to find one's divinity in!" said Lord Henry. "Yes!" answered Dorian Gray. "It was here I found her, and she is divine beyond all living things. When she acts, you will forget everything. These common rough people, with their coarse faces and brutal gestures, become quite different when she is on the stage. They sit silently and watch her. They weep and laugh as she wills them to do. She makes them as responsive as a violin. She spiritualizes them, and one feels that they are of the same flesh and blood as one's self." "The same flesh and blood as one's self! Oh, I hope not!" exclaimed Lord Henry, who was scanning the occupants of the gallery through his opera-glass. "Don't pay any attention to him, Dorian," said the painter. "I understand what you mean, and I believe in this girl. Any one you love must be marvellous, and any girl who has the effect you describe must be fine and noble. To spiritualize one's age--that is something worth doing. If this girl can give a soul to those who have lived without one, if she can create the sense of beauty in people whose lives have been sordid and ugly, if she can strip them of their selfishness and lend them tears for sorrows that are not their own, she is worthy of all your adoration, worthy of the adoration of the world. This marriage is quite right. I did not think so at first, but I admit it now. The gods made Sibyl Vane for you. Without her you would have been incomplete." "Thanks, Basil," answered Dorian Gray, pressing his hand. "I knew that you would understand me. Harry is so cynical, he terrifies me. But here is the orchestra. It is quite dreadful, but it only lasts for about five minutes. Then the curtain rises, and you will see the girl to whom I am going to give all my life, to whom I have given everything that is good in me." A quarter of an hour afterwards, amidst an extraordinary turmoil of applause, Sibyl Vane stepped on to the stage. Yes, she was certainly lovely to look at--one of the loveliest creatures, Lord Henry thought, that he had ever seen. There was something of the fawn in her shy grace and startled eyes. A faint blush, like the shadow of a rose in a mirror of silver, came to her cheeks as she glanced at the crowded enthusiastic house. She stepped back a few paces and her lips seemed to tremble. Basil Hallward leaped to his feet and began to applaud. Motionless, and as one in a dream, sat Dorian Gray, gazing at her. Lord Henry peered through his glasses, murmuring, "Charming! charming!" The scene was the hall of Capulet's house, and Romeo in his pilgrim's dress had entered with Mercutio and his other friends. The band, such as it was, struck up a few bars of music, and the dance began. Through the crowd of ungainly, shabbily dressed actors, Sibyl Vane moved like a creature from a finer world. Her body swayed, while she danced, as a plant sways in the water. The curves of her throat were the curves of a white lily. Her hands seemed to be made of cool ivory. Yet she was curiously listless. She showed no sign of joy when her eyes rested on Romeo. The few words she had to speak-- Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss-- with the brief dialogue that follows, were spoken in a thoroughly artificial manner. The voice was exquisite, but from the point of view of tone it was absolutely false. It was wrong in colour. It took away all the life from the verse. It made the passion unreal. Dorian Gray grew pale as he watched her. He was puzzled and anxious. Neither of his friends dared to say anything to him. She seemed to them to be absolutely incompetent. They were horribly disappointed. Yet they felt that the true test of any Juliet is the balcony scene of the second act. They waited for that. If she failed there, there was nothing in her. She looked charming as she came out in the moonlight. That could not be denied. But the staginess of her acting was unbearable, and grew worse as she went on. Her gestures became absurdly artificial. She overemphasized everything that she had to say. The beautiful passage-- Thou knowest the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night-- was declaimed with the painful precision of a schoolgirl who has been taught to recite by some second-rate professor of elocution. When she leaned over the balcony and came to those wonderful lines-- Although I joy in thee, I have no joy of this contract to-night: It is too rash, too unadvised, too sudden; Too like the lightning, which doth cease to be Ere one can say, "It lightens." Sweet, good-night! This bud of love by summer's ripening breath May prove a beauteous flower when next we meet-- she spoke the words as though they conveyed no meaning to her. It was not nervousness. Indeed, so far from being nervous, she was absolutely self-contained. It was simply bad art. She was a complete failure. Even the common uneducated audience of the pit and gallery lost their interest in the play. They got restless, and began to talk loudly and to whistle. The Jew manager, who was standing at the back of the dress-circle, stamped and swore with rage. The only person unmoved was the girl herself. When the second act was over, there came a storm of hisses, and Lord Henry got up from his chair and put on his coat. "She is quite beautiful, Dorian," he said, "but she can't act. Let us go." "I am going to see the play through," answered the lad, in a hard bitter voice. "I am awfully sorry that I have made you waste an evening, Harry. I apologize to you both." "My dear Dorian, I should think Miss Vane was ill," interrupted Hallward. "We will come some other night." "I wish she were ill," he rejoined. "But she seems to me to be simply callous and cold. She has entirely altered. Last night she was a great artist. This evening she is merely a commonplace mediocre actress." "Don't talk like that about any one you love, Dorian. Love is a more wonderful thing than art." "They are both simply forms of imitation," remarked Lord Henry. "But do let us go. Dorian, you must not stay here any longer. It is not good for one's morals to see bad acting. Besides, I don't suppose you will want your wife to act, so what does it matter if she plays Juliet like a wooden doll? She is very lovely, and if she knows as little about life as she does about acting, she will be a delightful experience. There are only two kinds of people who are really fascinating--people who know absolutely everything, and people who know absolutely nothing. Good heavens, my dear boy, don't look so tragic! The secret of remaining young is never to have an emotion that is unbecoming. Come to the club with Basil and myself. We will smoke cigarettes and drink to the beauty of Sibyl Vane. She is beautiful. What more can you want?" "Go away, Harry," cried the lad. "I want to be alone. Basil, you must go. Ah! can't you see that my heart is breaking?" The hot tears came to his eyes. His lips trembled, and rushing to the back of the box, he leaned up against the wall, hiding his face in his hands. "Let us go, Basil," said Lord Henry with a strange tenderness in his voice, and the two young men passed out together. A few moments afterwards the footlights flared up and the curtain rose on the third act. Dorian Gray went back to his seat. He looked pale, and proud, and indifferent. The play dragged on, and seemed interminable. Half of the audience went out, tramping in heavy boots and laughing. The whole thing was a _fiasco_. The last act was played to almost empty benches. The curtain went down on a titter and some groans. As soon as it was over, Dorian Gray rushed behind the scenes into the greenroom. The girl was standing there alone, with a look of triumph on her face. Her eyes were lit with an exquisite fire. There was a radiance about her. Her parted lips were smiling over some secret of their own. When he entered, she looked at him, and an expression of infinite joy came over her. "How badly I acted to-night, Dorian!" she cried. "Horribly!" he answered, gazing at her in amazement. "Horribly! It was dreadful. Are you ill? You have no idea what it was. You have no idea what I suffered." The girl smiled. "Dorian," she answered, lingering over his name with long-drawn music in her voice, as though it were sweeter than honey to the red petals of her mouth. "Dorian, you should have understood. But you understand now, don't you?" "Understand what?" he asked, angrily. "Why I was so bad to-night. Why I shall always be bad. Why I shall never act well again." He shrugged his shoulders. "You are ill, I suppose. When you are ill you shouldn't act. You make yourself ridiculous. My friends were bored. I was bored." She seemed not to listen to him. She was transfigured with joy. An ecstasy of happiness dominated her. "Dorian, Dorian," she cried, "before I knew you, acting was the one reality of my life. It was only in the theatre that I lived. I thought that it was all true. I was Rosalind one night and Portia the other. The joy of Beatrice was my joy, and the sorrows of Cordelia were mine also. I believed in everything. The common people who acted with me seemed to me to be godlike. The painted scenes were my world. I knew nothing but shadows, and I thought them real. You came--oh, my beautiful love!--and you freed my soul from prison. You taught me what reality really is. To-night, for the first time in my life, I saw through the hollowness, the sham, the silliness of the empty pageant in which I had always played. To-night, for the first time, I became conscious that the Romeo was hideous, and old, and painted, that the moonlight in the orchard was false, that the scenery was vulgar, and that the words I had to speak were unreal, were not my words, were not what I wanted to say. You had brought me something higher, something of which all art is but a reflection. You had made me understand what love really is. My love! My love! Prince Charming! Prince of life! I have grown sick of shadows. You are more to me than all art can ever be. What have I to do with the puppets of a play? When I came on to-night, I could not understand how it was that everything had gone from me. I thought that I was going to be wonderful. I found that I could do nothing. Suddenly it dawned on my soul what it all meant. The knowledge was exquisite to me. I heard them hissing, and I smiled. What could they know of love such as ours? Take me away, Dorian--take me away with you, where we can be quite alone. I hate the stage. I might mimic a passion that I do not feel, but I cannot mimic one that burns me like fire. Oh, Dorian, Dorian, you understand now what it signifies? Even if I could do it, it would be profanation for me to play at being in love. You have made me see that." He flung himself down on the sofa and turned away his face. "You have killed my love," he muttered. She looked at him in wonder and laughed. He made no answer. She came across to him, and with her little fingers stroked his hair. She knelt down and pressed his hands to her lips. He drew them away, and a shudder ran through him. Then he leaped up and went to the door. "Yes," he cried, "you have killed my love. You used to stir my imagination. Now you don't even stir my curiosity. You simply produce no effect. I loved you because you were marvellous, because you had genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art. You have thrown it all away. You are shallow and stupid. My God! how mad I was to love you! What a fool I have been! You are nothing to me now. I will never see you again. I will never think of you. I will never mention your name. You don't know what you were to me, once. Why, once ... Oh, I can't bear to think of it! I wish I had never laid eyes upon you! You have spoiled the romance of my life. How little you can know of love, if you say it mars your art! Without your art, you are nothing. I would have made you famous, splendid, magnificent. The world would have worshipped you, and you would have borne my name. What are you now? A third-rate actress with a pretty face." The girl grew white, and trembled. She clenched her hands together, and her voice seemed to catch in her throat. "You are not serious, Dorian?" she murmured. "You are acting." "Acting! I leave that to you. You do it so well," he answered bitterly. She rose from her knees and, with a piteous expression of pain in her face, came across the room to him. She put her hand upon his arm and looked into his eyes. He thrust her back. "Don't touch me!" he cried. A low moan broke from her, and she flung herself at his feet and lay there like a trampled flower. "Dorian, Dorian, don't leave me!" she whispered. "I am so sorry I didn't act well. I was thinking of you all the time. But I will try--indeed, I will try. It came so suddenly across me, my love for you. I think I should never have known it if you had not kissed me--if we had not kissed each other. Kiss me again, my love. Don't go away from me. I couldn't bear it. Oh! don't go away from me. My brother ... No; never mind. He didn't mean it. He was in jest.... But you, oh! can't you forgive me for to-night? I will work so hard and try to improve. Don't be cruel to me, because I love you better than anything in the world. After all, it is only once that I have not pleased you. But you are quite right, Dorian. I should have shown myself more of an artist. It was foolish of me, and yet I couldn't help it. Oh, don't leave me, don't leave me." A fit of passionate sobbing choked her. She crouched on the floor like a wounded thing, and Dorian Gray, with his beautiful eyes, looked down at her, and his chiselled lips curled in exquisite disdain. There is always something ridiculous about the emotions of people whom one has ceased to love. Sibyl Vane seemed to him to be absurdly melodramatic. Her tears and sobs annoyed him. "I am going," he said at last in his calm clear voice. "I don't wish to be unkind, but I can't see you again. You have disappointed me." She wept silently, and made no answer, but crept nearer. Her little hands stretched blindly out, and appeared to be seeking for him. He turned on his heel and left the room. In a few moments he was out of the theatre. Where he went to he hardly knew. He remembered wandering through dimly lit streets, past gaunt, black-shadowed archways and evil-looking houses. Women with hoarse voices and harsh laughter had called after him. Drunkards had reeled by, cursing and chattering to themselves like monstrous apes. He had seen grotesque children huddled upon door-steps, and heard shrieks and oaths from gloomy courts. As the dawn was just breaking, he found himself close to Covent Garden. The darkness lifted, and, flushed with faint fires, the sky hollowed itself into a perfect pearl. Huge carts filled with nodding lilies rumbled slowly down the polished empty street. The air was heavy with the perfume of the flowers, and their beauty seemed to bring him an anodyne for his pain. He followed into the market and watched the men unloading their waggons. A white-smocked carter offered him some cherries. He thanked him, wondered why he refused to accept any money for them, and began to eat them listlessly. They had been plucked at midnight, and the coldness of the moon had entered into them. A long line of boys carrying crates of striped tulips, and of yellow and red roses, defiled in front of him, threading their way through the huge, jade-green piles of vegetables. Under the portico, with its grey, sun-bleached pillars, loitered a troop of draggled bareheaded girls, waiting for the auction to be over. Others crowded round the swinging doors of the coffee-house in the piazza. The heavy cart-horses slipped and stamped upon the rough stones, shaking their bells and trappings. Some of the drivers were lying asleep on a pile of sacks. Iris-necked and pink-footed, the pigeons ran about picking up seeds. After a little while, he hailed a hansom and drove home. For a few moments he loitered upon the doorstep, looking round at the silent square, with its blank, close-shuttered windows and its staring blinds. The sky was pure opal now, and the roofs of the houses glistened like silver against it. From some chimney opposite a thin wreath of smoke was rising. It curled, a violet riband, through the nacre-coloured air. In the huge gilt Venetian lantern, spoil of some Doge's barge, that hung from the ceiling of the great, oak-panelled hall of entrance, lights were still burning from three flickering jets: thin blue petals of flame they seemed, rimmed with white fire. He turned them out and, having thrown his hat and cape on the table, passed through the library towards the door of his bedroom, a large octagonal chamber on the ground floor that, in his new-born feeling for luxury, he had just had decorated for himself and hung with some curious Renaissance tapestries that had been discovered stored in a disused attic at Selby Royal. As he was turning the handle of the door, his eye fell upon the portrait Basil Hallward had painted of him. He started back as if in surprise. Then he went on into his own room, looking somewhat puzzled. After he had taken the button-hole out of his coat, he seemed to hesitate. Finally, he came back, went over to the picture, and examined it. In the dim arrested light that struggled through the cream-coloured silk blinds, the face appeared to him to be a little changed. The expression looked different. One would have said that there was a touch of cruelty in the mouth. It was certainly strange. He turned round and, walking to the window, drew up the blind. The bright dawn flooded the room and swept the fantastic shadows into dusky corners, where they lay shuddering. But the strange expression that he had noticed in the face of the portrait seemed to linger there, to be more intensified even. The quivering ardent sunlight showed him the lines of cruelty round the mouth as clearly as if he had been looking into a mirror after he had done some dreadful thing. He winced and, taking up from the table an oval glass framed in ivory Cupids, one of Lord Henry's many presents to him, glanced hurriedly into its polished depths. No line like that warped his red lips. What did it mean? He rubbed his eyes, and came close to the picture, and examined it again. There were no signs of any change when he looked into the actual painting, and yet there was no doubt that the whole expression had altered. It was not a mere fancy of his own. The thing was horribly apparent. He threw himself into a chair and began to think. Suddenly there flashed across his mind what he had said in Basil Hallward's studio the day the picture had been finished. Yes, he remembered it perfectly. He had uttered a mad wish that he himself might remain young, and the portrait grow old; that his own beauty might be untarnished, and the face on the canvas bear the burden of his passions and his sins; that the painted image might be seared with the lines of suffering and thought, and that he might keep all the delicate bloom and loveliness of his then just conscious boyhood. Surely his wish had not been fulfilled? Such things were impossible. It seemed monstrous even to think of them. And, yet, there was the picture before him, with the touch of cruelty in the mouth. Cruelty! Had he been cruel? It was the girl's fault, not his. He had dreamed of her as a great artist, had given his love to her because he had thought her great. Then she had disappointed him. She had been shallow and unworthy. And, yet, a feeling of infinite regret came over him, as he thought of her lying at his feet sobbing like a little child. He remembered with what callousness he had watched her. Why had he been made like that? Why had such a soul been given to him? But he had suffered also. During the three terrible hours that the play had lasted, he had lived centuries of pain, aeon upon aeon of torture. His life was well worth hers. She had marred him for a moment, if he had wounded her for an age. Besides, women were better suited to bear sorrow than men. They lived on their emotions. They only thought of their emotions. When they took lovers, it was merely to have some one with whom they could have scenes. Lord Henry had told him that, and Lord Henry knew what women were. Why should he trouble about Sibyl Vane? She was nothing to him now. But the picture? What was he to say of that? It held the secret of his life, and told his story. It had taught him to love his own beauty. Would it teach him to loathe his own soul? Would he ever look at it again? No; it was merely an illusion wrought on the troubled senses. The horrible night that he had passed had left phantoms behind it. Suddenly there had fallen upon his brain that tiny scarlet speck that makes men mad. The picture had not changed. It was folly to think so. Yet it was watching him, with its beautiful marred face and its cruel smile. Its bright hair gleamed in the early sunlight. Its blue eyes met his own. A sense of infinite pity, not for himself, but for the painted image of himself, came over him. It had altered already, and would alter more. Its gold would wither into grey. Its red and white roses would die. For every sin that he committed, a stain would fleck and wreck its fairness. But he would not sin. The picture, changed or unchanged, would be to him the visible emblem of conscience. He would resist temptation. He would not see Lord Henry any more--would not, at any rate, listen to those subtle poisonous theories that in Basil Hallward's garden had first stirred within him the passion for impossible things. He would go back to Sibyl Vane, make her amends, marry her, try to love her again. Yes, it was his duty to do so. She must have suffered more than he had. Poor child! He had been selfish and cruel to her. The fascination that she had exercised over him would return. They would be happy together. His life with her would be beautiful and pure. He got up from his chair and drew a large screen right in front of the portrait, shuddering as he glanced at it. "How horrible!" he murmured to himself, and he walked across to the window and opened it. When he stepped out on to the grass, he drew a deep breath. The fresh morning air seemed to drive away all his sombre passions. He thought only of Sibyl. A faint echo of his love came back to him. He repeated her name over and over again. The birds that were singing in the dew-drenched garden seemed to be telling the flowers about her.

The theater is crowded when the men arrive. Dorian continues to wax eloquent about Sibyl's beauty, and Basil assures Dorian that he will support the marriage wholeheartedly since Dorian is so obviously in love. When the play begins, however, Sibyl is terrible, and her acting only worsens as the evening wears on. Unable to understand the change that has come over his beloved, Dorian is heartbroken. Basil and Lord Henry leave him, and he makes his way backstage to find Sibyl, who is quite happy despite her dreadful performance. She explains that before she met Dorian and experienced true love, she was able to inhabit other characters and feel their emotions easily, which made possible her success as an actress. Now, however, these pretend emotions no longer interest her, since they pale in relation to her real feelings for Dorian. She realizes that "the words I had to speak were unreal, were not my words, were not what I wanted to say. As a result, she declares that her career on the stage is over. Dorian, horrified by this decision, realizes that he was in love not with her but with her acting. He spurns her cruelly and tells her that he wishes never to see her again. After a night spent wandering the streets of London, Dorian returns to his home. There, he looks at Basil's portrait of him and notices the painting has changed--a faint sneer has appeared at the corner of his likeness's mouth. He is astonished. Remembering his wish that the painting would bear the burden and marks of age and lifestyle for him, Dorian is suddenly overcome with shame about his behavior toward Sibyl. He pulls a screen in front of the portrait and goes to bed, resolving to make amends with Sibyl in the morning

SCENE 4. A room in DOCTOR CAIUS'S house. [Enter MISTRESS QUICKLY, and SIMPLE.] QUICKLY. What, John Rugby! [Enter RUGBY.] I pray thee go to the casement, and see if you can see my master, Master Doctor Caius, coming: if he do, i' faith, and find anybody in the house, here will be an old abusing of God's patience and the King's English. RUGBY. I'll go watch. QUICKLY. Go; and we'll have a posset for't soon at night, in faith, at the latter end of a sea-coal fire. [Exit RUGBY.] An honest, willing, kind fellow, as ever servant shall come in house withal; and, I warrant you, no tell-tale nor no breed-bate; his worst fault is that he is given to prayer; he is something peevish that way; but nobody but has his fault; but let that pass. Peter Simple you say your name is? SIMPLE. Ay, for fault of a better. QUICKLY. And Master Slender's your master? SIMPLE. Ay, forsooth. QUICKLY. Does he not wear a great round beard, like a glover's paring-knife? SIMPLE. No, forsooth; he hath but a little whey face, with a little yellow beard--a cane-coloured beard. QUICKLY. A softly-sprighted man, is he not? SIMPLE. Ay, forsooth; but he is as tall a man of his hands as any is between this and his head; he hath fought with a warrener. QUICKLY. How say you?--O! I should remember him. Does he not hold up his head, as it were, and strut in his gait? SIMPLE. Yes, indeed, does he. QUICKLY. Well, heaven send Anne Page no worse fortune! Tell Master Parson Evans I will do what I can for your master: Anne is a good girl, and I wish-- [Re-enter RUGBY.] RUGBY. Out, alas! here comes my master. QUICKLY. We shall all be shent. Run in here, good young man; go into this closet. [Shuts SIMPLE in the closet.] He will not stay long. What, John Rugby! John! what, John, I say! Go, John, go inquire for my master; I doubt he be not well that he comes not home. [Exit Rugby.] [Sings.] And down, down, adown-a, &c. [Enter DOCTOR CAIUS.] CAIUS. Vat is you sing? I do not like des toys. Pray you, go and vetch me in my closet une boitine verde--a box, a green-a box: do intend vat I speak? a green-a box. QUICKLY. Ay, forsooth, I'll fetch it you. [Aside] I am glad he went not in himself: if he had found the young man, he would have been horn-mad. CAIUS. Fe, fe, fe fe! ma foi, il fait fort chaud. Je m'en vais a la cour-- la grande affaire. QUICKLY. Is it this, sir? CAIUS. Oui; mettez le au mon pocket: depechez, quickly--Vere is dat knave, Rugby? QUICKLY. What, John Rugby? John! [Re-enter Rugby.] RUGBY. Here, sir. CAIUS. You are John Rugby, and you are Jack Rugby: come, take-a your rapier, and come after my heel to de court. RUGBY. 'Tis ready, sir, here in the porch. CAIUS. By my trot, I tarry too long--Od's me! Qu'ay j'oublie? Dere is some simples in my closet dat I vill not for the varld I shall leave behind. QUICKLY. [Aside.] Ay me, he'll find the young man there, and be mad! CAIUS. O diable, diable! vat is in my closet?--Villainy! larron! [Pulling SIMPLE out.] Rugby, my rapier! QUICKLY. Good master, be content. CAIUS. Verefore shall I be content-a? QUICKLY. The young man is an honest man. CAIUS. What shall de honest man do in my closet? dere is no honest man dat shall come in my closet. QUICKLY. I beseech you, be not so phlegmatic. Hear the truth of it: he came of an errand to me from Parson Hugh. CAIUS. Vell. SIMPLE. Ay, forsooth, to desire her to-- QUICKLY. Peace, I pray you. CAIUS. Peace-a your tongue!--Speak-a your tale. SIMPLE. To desire this honest gentlewoman, your maid, to speak a good word to Mistress Anne Page for my master, in the way of marriage. QUICKLY. This is all, indeed, la! but I'll ne'er put my finger in the fire, and need not. CAIUS. Sir Hugh send-a you?--Rugby, baillez me some paper: tarry you a little-a while. [Writes.] QUICKLY. I am glad he is so quiet: if he had been throughly moved, you should have heard him so loud and so melancholy. But notwithstanding, man, I'll do you your master what good I can; and the very yea and the no is, the French doctor, my master--I may call him my master, look you, for I keep his house; and I wash, wring, brew, bake, scour, dress meat and drink, make the beds, and do all myself-- SIMPLE. 'Tis a great charge to come under one body's hand. QUICKLY. Are you avis'd o' that? You shall find it a great charge; and to be up early and down late; but notwithstanding,--to tell you in your ear,--I would have no words of it--my master himself is in love with Mistress Anne Page; but notwithstanding that, I know Anne's mind, that's neither here nor there. CAIUS. You jack'nape; give-a dis letter to Sir Hugh; by gar, it is a shallenge: I will cut his troat in de Park; and I will teach a scurvy jack-a-nape priest to meddle or make. You may be gone; it is not good you tarry here: by gar, I will cut all his two stones; by gar, he shall not have a stone to throw at his dog. [Exit SIMPLE.] QUICKLY. Alas, he speaks but for his friend. CAIUS. It is no matter-a ver dat:--do not you tell-a me dat I shall have Anne Page for myself? By gar, I vill kill de Jack priest; and I have appointed mine host of de Jartiere to measure our weapon. By gar, I vill myself have Anne Page. QUICKLY. Sir, the maid loves you, and all shall be well. We must give folks leave to prate: what, the good-jer! CAIUS. Rugby, come to the court vit me. By gar, if I have not Anne Page, I shall turn your head out of my door. Follow my heels, Rugby. [Exeunt CAIUS and RUGBY.] QUICKLY. You shall have An fool's-head of your own. No, I know Anne's mind for that: never a woman in Windsor knows more of Anne's mind than I do; nor can do more than I do with her, I thank heaven. FENTON. [Within.] Who's within there? ho! QUICKLY. Who's there, I trow? Come near the house, I pray you. [Enter FENTON.] FENTON. How now, good woman! how dost thou? QUICKLY. The better, that it pleases your good worship to ask. FENTON. What news? how does pretty Mistress Anne? QUICKLY. In truth, sir, and she is pretty, and honest, and gentle; and one that is your friend, I can tell you that by the way; I praise heaven for it. FENTON. Shall I do any good, thinkest thou? Shall I not lose my suit? QUICKLY. Troth, sir, all is in His hands above; but notwithstanding, Master Fenton, I'll be sworn on a book she loves you. Have not your worship a wart above your eye? FENTON. Yes, marry, have I; what of that? QUICKLY. Well, thereby hangs a tale; good faith, it is such another Nan; but, I detest, an honest maid as ever broke bread. We had an hour's talk of that wart; I shall never laugh but in that maid's company;--but, indeed, she is given too much to allicholy and musing. But for you --well, go to. FENTON. Well, I shall see her to-day. Hold, there's money for thee; let me have thy voice in my behalf: if thou seest her before me, commend me. QUICKLY. Will I? i' faith, that we will; and I will tell your worship more of the wart the next time we have confidence; and of other wooers. FENTON. Well, farewell; I am in great haste now. QUICKLY. Farewell to your worship.--[Exit FENTON.] Truly, an honest gentleman; but Anne loves him not; for I know Anne's mind as well as another does. Out upon 't, what have I forgot? [Exit.]

Over at Doctor Caius's house, the servant Peter Simple has arrived with a letter for Mistress Quickly. Mistress Quickly asks a servant to go to the window and be on the lookout for Doctor Caius, since Caius will be crazy angry if he comes home and finds another guy in his house. After some discussion about how Slender is the kind of guy who "struts" around with his nose up in the air, Mistress Quickly Rugby runs into the room and is all "Look out! Doctor Caius is home!" Mistress Quickly stashes Peter Simple in the closet. Caius enters the room and asks Mistress Quickly to fetch his green box. From the closet. Quickly manages to grab the box without Doctor Caius seeing Peter Simple. Then Caius remembers that, hey, he also needs some medicine from the same closet. Before Mistress Quickly can stop him, he runs over, flings open the doors, and spots Peter Simple hiding in the closet. Before Caius can stab Peter Simple in the guts with his sword, Mistress Quickly intervenes and Simple explains that he was delivering a letter asking Mistress Quickly to put in a good word for Slender with Anne Page. Unfortunately, Simple's explanation doesn't help. It turns out that Caius also wants to marry Anne and Mistress Quickly has already promised to help him. Caius whips out a piece of paper and writes a note to Evans, in which he calls him a "scurvy jackanape priest" and threatens to cut out his '"two stones." Yeah, that probably means what you think it means. Mistress Quickly points out that Evans was asking on behalf of a friend, but Caius doesn't care. He'll kill the priest anyway. Caius threatens to throw Mistress Quickly out of his house if she doesn't get Anne Page to marry him. Then he storms out while Mistress Quickly mutters under her breath about Caius being an "ass-head." Hey, we didn't write it. Before we know it, a guy named Master Fenton shows up and we find out that, you guessed it, Mistress Quickly has also agreed to help him pursue Anne Page. Mistress Quickly may have a little too much on her plate, don't you think? Quickly tells Fenton what he wants to hear: that Anne is in love with him. Seriously, Fenton? Just the other day, you guys spent an hour talking about that sexy wart above your eye. Fenton gives Mistress Quickly a bunch of money for helping him and she promises to talk him up the next time she sees Anne. Fenton leaves. Alone on stage, Quickly confesses to the audience that Fenton's a nice guy but she knows for a fact that "Anne loves him not."

Anne had not wanted this visit to Uppercross, to learn that a removal from one set of people to another, though at a distance of only three miles, will often include a total change of conversation, opinion, and idea. She had never been staying there before, without being struck by it, or without wishing that other Elliots could have her advantage in seeing how unknown, or unconsidered there, were the affairs which at Kellynch Hall were treated as of such general publicity and pervading interest; yet, with all this experience, she believed she must now submit to feel that another lesson, in the art of knowing our own nothingness beyond our own circle, was become necessary for her; for certainly, coming as she did, with a heart full of the subject which had been completely occupying both houses in Kellynch for many weeks, she had expected rather more curiosity and sympathy than she found in the separate but very similar remark of Mr and Mrs Musgrove: "So, Miss Anne, Sir Walter and your sister are gone; and what part of Bath do you think they will settle in?" and this, without much waiting for an answer; or in the young ladies' addition of, "I hope we shall be in Bath in the winter; but remember, papa, if we do go, we must be in a good situation: none of your Queen Squares for us!" or in the anxious supplement from Mary, of--"Upon my word, I shall be pretty well off, when you are all gone away to be happy at Bath!" She could only resolve to avoid such self-delusion in future, and think with heightened gratitude of the extraordinary blessing of having one such truly sympathising friend as Lady Russell. The Mr Musgroves had their own game to guard, and to destroy, their own horses, dogs, and newspapers to engage them, and the females were fully occupied in all the other common subjects of housekeeping, neighbours, dress, dancing, and music. She acknowledged it to be very fitting, that every little social commonwealth should dictate its own matters of discourse; and hoped, ere long, to become a not unworthy member of the one she was now transplanted into. With the prospect of spending at least two months at Uppercross, it was highly incumbent on her to clothe her imagination, her memory, and all her ideas in as much of Uppercross as possible. She had no dread of these two months. Mary was not so repulsive and unsisterly as Elizabeth, nor so inaccessible to all influence of hers; neither was there anything among the other component parts of the cottage inimical to comfort. She was always on friendly terms with her brother-in-law; and in the children, who loved her nearly as well, and respected her a great deal more than their mother, she had an object of interest, amusement, and wholesome exertion. Charles Musgrove was civil and agreeable; in sense and temper he was undoubtedly superior to his wife, but not of powers, or conversation, or grace, to make the past, as they were connected together, at all a dangerous contemplation; though, at the same time, Anne could believe, with Lady Russell, that a more equal match might have greatly improved him; and that a woman of real understanding might have given more consequence to his character, and more usefulness, rationality, and elegance to his habits and pursuits. As it was, he did nothing with much zeal, but sport; and his time was otherwise trifled away, without benefit from books or anything else. He had very good spirits, which never seemed much affected by his wife's occasional lowness, bore with her unreasonableness sometimes to Anne's admiration, and upon the whole, though there was very often a little disagreement (in which she had sometimes more share than she wished, being appealed to by both parties), they might pass for a happy couple. They were always perfectly agreed in the want of more money, and a strong inclination for a handsome present from his father; but here, as on most topics, he had the superiority, for while Mary thought it a great shame that such a present was not made, he always contended for his father's having many other uses for his money, and a right to spend it as he liked. As to the management of their children, his theory was much better than his wife's, and his practice not so bad. "I could manage them very well, if it were not for Mary's interference," was what Anne often heard him say, and had a good deal of faith in; but when listening in turn to Mary's reproach of "Charles spoils the children so that I cannot get them into any order," she never had the smallest temptation to say, "Very true." One of the least agreeable circumstances of her residence there was her being treated with too much confidence by all parties, and being too much in the secret of the complaints of each house. Known to have some influence with her sister, she was continually requested, or at least receiving hints to exert it, beyond what was practicable. "I wish you could persuade Mary not to be always fancying herself ill," was Charles's language; and, in an unhappy mood, thus spoke Mary: "I do believe if Charles were to see me dying, he would not think there was anything the matter with me. I am sure, Anne, if you would, you might persuade him that I really am very ill--a great deal worse than I ever own." Mary's declaration was, "I hate sending the children to the Great House, though their grandmamma is always wanting to see them, for she humours and indulges them to such a degree, and gives them so much trash and sweet things, that they are sure to come back sick and cross for the rest of the day." And Mrs Musgrove took the first opportunity of being alone with Anne, to say, "Oh! Miss Anne, I cannot help wishing Mrs Charles had a little of your method with those children. They are quite different creatures with you! But to be sure, in general they are so spoilt! It is a pity you cannot put your sister in the way of managing them. They are as fine healthy children as ever were seen, poor little dears! without partiality; but Mrs Charles knows no more how they should be treated--! Bless me! how troublesome they are sometimes. I assure you, Miss Anne, it prevents my wishing to see them at our house so often as I otherwise should. I believe Mrs Charles is not quite pleased with my not inviting them oftener; but you know it is very bad to have children with one that one is obligated to be checking every moment; "don't do this," and "don't do that;" or that one can only keep in tolerable order by more cake than is good for them." She had this communication, moreover, from Mary. "Mrs Musgrove thinks all her servants so steady, that it would be high treason to call it in question; but I am sure, without exaggeration, that her upper house-maid and laundry-maid, instead of being in their business, are gadding about the village, all day long. I meet them wherever I go; and I declare, I never go twice into my nursery without seeing something of them. If Jemima were not the trustiest, steadiest creature in the world, it would be enough to spoil her; for she tells me, they are always tempting her to take a walk with them." And on Mrs Musgrove's side, it was, "I make a rule of never interfering in any of my daughter-in-law's concerns, for I know it would not do; but I shall tell you, Miss Anne, because you may be able to set things to rights, that I have no very good opinion of Mrs Charles's nursery-maid: I hear strange stories of her; she is always upon the gad; and from my own knowledge, I can declare, she is such a fine-dressing lady, that she is enough to ruin any servants she comes near. Mrs Charles quite swears by her, I know; but I just give you this hint, that you may be upon the watch; because, if you see anything amiss, you need not be afraid of mentioning it." Again, it was Mary's complaint, that Mrs Musgrove was very apt not to give her the precedence that was her due, when they dined at the Great House with other families; and she did not see any reason why she was to be considered so much at home as to lose her place. And one day when Anne was walking with only the Musgroves, one of them after talking of rank, people of rank, and jealousy of rank, said, "I have no scruple of observing to you, how nonsensical some persons are about their place, because all the world knows how easy and indifferent you are about it; but I wish anybody could give Mary a hint that it would be a great deal better if she were not so very tenacious, especially if she would not be always putting herself forward to take place of mamma. Nobody doubts her right to have precedence of mamma, but it would be more becoming in her not to be always insisting on it. It is not that mamma cares about it the least in the world, but I know it is taken notice of by many persons." How was Anne to set all these matters to rights? She could do little more than listen patiently, soften every grievance, and excuse each to the other; give them all hints of the forbearance necessary between such near neighbours, and make those hints broadest which were meant for her sister's benefit. In all other respects, her visit began and proceeded very well. Her own spirits improved by change of place and subject, by being removed three miles from Kellynch; Mary's ailments lessened by having a constant companion, and their daily intercourse with the other family, since there was neither superior affection, confidence, nor employment in the cottage, to be interrupted by it, was rather an advantage. It was certainly carried nearly as far as possible, for they met every morning, and hardly ever spent an evening asunder; but she believed they should not have done so well without the sight of Mr and Mrs Musgrove's respectable forms in the usual places, or without the talking, laughing, and singing of their daughters. She played a great deal better than either of the Miss Musgroves, but having no voice, no knowledge of the harp, and no fond parents, to sit by and fancy themselves delighted, her performance was little thought of, only out of civility, or to refresh the others, as she was well aware. She knew that when she played she was giving pleasure only to herself; but this was no new sensation. Excepting one short period of her life, she had never, since the age of fourteen, never since the loss of her dear mother, known the happiness of being listened to, or encouraged by any just appreciation or real taste. In music she had been always used to feel alone in the world; and Mr and Mrs Musgrove's fond partiality for their own daughters' performance, and total indifference to any other person's, gave her much more pleasure for their sakes, than mortification for her own. The party at the Great House was sometimes increased by other company. The neighbourhood was not large, but the Musgroves were visited by everybody, and had more dinner-parties, and more callers, more visitors by invitation and by chance, than any other family. They were more completely popular. The girls were wild for dancing; and the evenings ended, occasionally, in an unpremeditated little ball. There was a family of cousins within a walk of Uppercross, in less affluent circumstances, who depended on the Musgroves for all their pleasures: they would come at any time, and help play at anything, or dance anywhere; and Anne, very much preferring the office of musician to a more active post, played country dances to them by the hour together; a kindness which always recommended her musical powers to the notice of Mr and Mrs Musgrove more than anything else, and often drew this compliment;--"Well done, Miss Anne! very well done indeed! Lord bless me! how those little fingers of yours fly about!" So passed the first three weeks. Michaelmas came; and now Anne's heart must be in Kellynch again. A beloved home made over to others; all the precious rooms and furniture, groves, and prospects, beginning to own other eyes and other limbs! She could not think of much else on the 29th of September; and she had this sympathetic touch in the evening from Mary, who, on having occasion to note down the day of the month, exclaimed, "Dear me, is not this the day the Crofts were to come to Kellynch? I am glad I did not think of it before. How low it makes me!" The Crofts took possession with true naval alertness, and were to be visited. Mary deplored the necessity for herself. "Nobody knew how much she should suffer. She should put it off as long as she could;" but was not easy till she had talked Charles into driving her over on an early day, and was in a very animated, comfortable state of imaginary agitation, when she came back. Anne had very sincerely rejoiced in there being no means of her going. She wished, however to see the Crofts, and was glad to be within when the visit was returned. They came: the master of the house was not at home, but the two sisters were together; and as it chanced that Mrs Croft fell to the share of Anne, while the Admiral sat by Mary, and made himself very agreeable by his good-humoured notice of her little boys, she was well able to watch for a likeness, and if it failed her in the features, to catch it in the voice, or in the turn of sentiment and expression. Mrs Croft, though neither tall nor fat, had a squareness, uprightness, and vigour of form, which gave importance to her person. She had bright dark eyes, good teeth, and altogether an agreeable face; though her reddened and weather-beaten complexion, the consequence of her having been almost as much at sea as her husband, made her seem to have lived some years longer in the world than her real eight-and-thirty. Her manners were open, easy, and decided, like one who had no distrust of herself, and no doubts of what to do; without any approach to coarseness, however, or any want of good humour. Anne gave her credit, indeed, for feelings of great consideration towards herself, in all that related to Kellynch, and it pleased her: especially, as she had satisfied herself in the very first half minute, in the instant even of introduction, that there was not the smallest symptom of any knowledge or suspicion on Mrs Croft's side, to give a bias of any sort. She was quite easy on that head, and consequently full of strength and courage, till for a moment electrified by Mrs Croft's suddenly saying,-- "It was you, and not your sister, I find, that my brother had the pleasure of being acquainted with, when he was in this country." Anne hoped she had outlived the age of blushing; but the age of emotion she certainly had not. "Perhaps you may not have heard that he is married?" added Mrs Croft. She could now answer as she ought; and was happy to feel, when Mrs Croft's next words explained it to be Mr Wentworth of whom she spoke, that she had said nothing which might not do for either brother. She immediately felt how reasonable it was, that Mrs Croft should be thinking and speaking of Edward, and not of Frederick; and with shame at her own forgetfulness applied herself to the knowledge of their former neighbour's present state with proper interest. The rest was all tranquillity; till, just as they were moving, she heard the Admiral say to Mary-- "We are expecting a brother of Mrs Croft's here soon; I dare say you know him by name." He was cut short by the eager attacks of the little boys, clinging to him like an old friend, and declaring he should not go; and being too much engrossed by proposals of carrying them away in his coat pockets, &c., to have another moment for finishing or recollecting what he had begun, Anne was left to persuade herself, as well as she could, that the same brother must still be in question. She could not, however, reach such a degree of certainty, as not to be anxious to hear whether anything had been said on the subject at the other house, where the Crofts had previously been calling. The folks of the Great House were to spend the evening of this day at the Cottage; and it being now too late in the year for such visits to be made on foot, the coach was beginning to be listened for, when the youngest Miss Musgrove walked in. That she was coming to apologize, and that they should have to spend the evening by themselves, was the first black idea; and Mary was quite ready to be affronted, when Louisa made all right by saying, that she only came on foot, to leave more room for the harp, which was bringing in the carriage. "And I will tell you our reason," she added, "and all about it. I am come on to give you notice, that papa and mamma are out of spirits this evening, especially mamma; she is thinking so much of poor Richard! And we agreed it would be best to have the harp, for it seems to amuse her more than the piano-forte. I will tell you why she is out of spirits. When the Crofts called this morning, (they called here afterwards, did not they?), they happened to say, that her brother, Captain Wentworth, is just returned to England, or paid off, or something, and is coming to see them almost directly; and most unluckily it came into mamma's head, when they were gone, that Wentworth, or something very like it, was the name of poor Richard's captain at one time; I do not know when or where, but a great while before he died, poor fellow! And upon looking over his letters and things, she found it was so, and is perfectly sure that this must be the very man, and her head is quite full of it, and of poor Richard! So we must be as merry as we can, that she may not be dwelling upon such gloomy things." The real circumstances of this pathetic piece of family history were, that the Musgroves had had the ill fortune of a very troublesome, hopeless son; and the good fortune to lose him before he reached his twentieth year; that he had been sent to sea because he was stupid and unmanageable on shore; that he had been very little cared for at any time by his family, though quite as much as he deserved; seldom heard of, and scarcely at all regretted, when the intelligence of his death abroad had worked its way to Uppercross, two years before. He had, in fact, though his sisters were now doing all they could for him, by calling him "poor Richard," been nothing better than a thick-headed, unfeeling, unprofitable Dick Musgrove, who had never done anything to entitle himself to more than the abbreviation of his name, living or dead. He had been several years at sea, and had, in the course of those removals to which all midshipmen are liable, and especially such midshipmen as every captain wishes to get rid of, been six months on board Captain Frederick Wentworth's frigate, the Laconia; and from the Laconia he had, under the influence of his captain, written the only two letters which his father and mother had ever received from him during the whole of his absence; that is to say, the only two disinterested letters; all the rest had been mere applications for money. In each letter he had spoken well of his captain; but yet, so little were they in the habit of attending to such matters, so unobservant and incurious were they as to the names of men or ships, that it had made scarcely any impression at the time; and that Mrs Musgrove should have been suddenly struck, this very day, with a recollection of the name of Wentworth, as connected with her son, seemed one of those extraordinary bursts of mind which do sometimes occur. She had gone to her letters, and found it all as she supposed; and the re-perusal of these letters, after so long an interval, her poor son gone for ever, and all the strength of his faults forgotten, had affected her spirits exceedingly, and thrown her into greater grief for him than she had known on first hearing of his death. Mr Musgrove was, in a lesser degree, affected likewise; and when they reached the cottage, they were evidently in want, first, of being listened to anew on this subject, and afterwards, of all the relief which cheerful companions could give them. To hear them talking so much of Captain Wentworth, repeating his name so often, puzzling over past years, and at last ascertaining that it might, that it probably would, turn out to be the very same Captain Wentworth whom they recollected meeting, once or twice, after their coming back from Clifton--a very fine young man--but they could not say whether it was seven or eight years ago, was a new sort of trial to Anne's nerves. She found, however, that it was one to which she must inure herself. Since he actually was expected in the country, she must teach herself to be insensible on such points. And not only did it appear that he was expected, and speedily, but the Musgroves, in their warm gratitude for the kindness he had shewn poor Dick, and very high respect for his character, stamped as it was by poor Dick's having been six months under his care, and mentioning him in strong, though not perfectly well-spelt praise, as "a fine dashing felow, only two perticular about the schoolmaster," were bent on introducing themselves, and seeking his acquaintance, as soon as they could hear of his arrival. The resolution of doing so helped to form the comfort of their evening.

Chapter VI, pages 43-53 Anne and Mary are joined by Charles' sisters, Louisa and Henrietta, on a walk. Anne, whose heart is full of missing Kellynch, finds that Mary and the Musgroves are only interested in the fact that the Elliots are residing in Bath, which they find quite glamorous. They speak of going there themselves. Anne, who has no one to talk of her sadness with, is struck with "the art of knowing our own nothingness beyond our own circle. She realizes she will have to mourn Kellynch alone. Anne settles into Uppercross and finds herself the unwilling confidante of everyone in the place. Charles complains to her of Mary's lowness and her indulgence with their unruly children. Mary complains that Charles does not take her health seriously and that he spoils the children. She complains about that Mrs. Musgrove tries to take precedence over her titled daughter-in-law, while the Miss Musgroves complain to Anne that Mary gives herself airs and is being rude to her mother-in-law. Anne simply listens patiently. Anne finds her spirits improved by being among such a lively family as the Musgroves. She enjoys their entertainments and listens politely as the Musgrove girls play the pianoforte, which she can play far better than either of them. However, her talent is barely noticed by anyone; Anne does not take offence because "she had never, since the age of fourteen, never since the loss of her dear mother, known the happiness of being listened to, or encouraged by any just appreciation or real taste. In music she had been always used to feel alone in the world. Anne plays country dances while the others dance with some cousins who visit from nearby. After three weeks, Anne knows that the Crofts have moved into Kellynch-hall. When the Crofts come to pay their respects to the Musgroves, Anne gets to know Mrs. Croft, who happens to mention that she believes Anne once knew her brother. Anne tries not to blush to hear Mrs. Croft speak of Captain Wentworth. However, she soon discovers that Mrs. Croft means the clergyman, Mr. Edward Wentworth, the Elliot's former neighbor. As the Crofts prepare to end their visit, Anne hears Admiral Croft say that Mrs. Croft's brother is soon to visit them at Kellynch-hall. Anne wonders which brother he means and tries to persuade herself that he means Edward, not Frederick. That evening, Henrietta comes to Uppercross before the other Musgroves, who are to follow in a carriage, to say that Mrs. Musgrove has been low since the Crofts' visit that morning. Seeing Admiral Croft and hearing of the return of Frederick Wentworth from the war has reminded her of her own son, Richard, whose captain, she recalls, was named Wentworth. Richard, however, died two years before and will not be returning from the war. Although Mrs. Musgrove and the rest of the family remember Richard fondly, he was in fact "thick-headed, unfeeling, unprofitable Dick Musgrove, who had never done any thing to entitle himself to more than the abbreviation of his name, living or dead. Only under Captain Wentworth's influence did he write his family two actual letters; otherwise, he merely wrote to ask for money. When Mr. and Mrs. Musgrove arrive at Uppercross for the evening, they talk of having met Captain Wentworth once or twice. Anne realizes that she must steel herself to hear him discussed--and to probably see him in company--during her stay at Uppercross

Chapter V. A Sudden Catastrophe I may note that he had been called before Alyosha. But the usher of the court announced to the President that, owing to an attack of illness or some sort of fit, the witness could not appear at the moment, but was ready to give his evidence as soon as he recovered. But no one seemed to have heard it and it only came out later. His entrance was for the first moment almost unnoticed. The principal witnesses, especially the two rival ladies, had already been questioned. Curiosity was satisfied for the time; the public was feeling almost fatigued. Several more witnesses were still to be heard, who probably had little information to give after all that had been given. Time was passing. Ivan walked up with extraordinary slowness, looking at no one, and with his head bowed, as though plunged in gloomy thought. He was irreproachably dressed, but his face made a painful impression, on me at least: there was an earthy look in it, a look like a dying man's. His eyes were lusterless; he raised them and looked slowly round the court. Alyosha jumped up from his seat and moaned "Ah!" I remember that, but it was hardly noticed. The President began by informing him that he was a witness not on oath, that he might answer or refuse to answer, but that, of course, he must bear witness according to his conscience, and so on, and so on. Ivan listened and looked at him blankly, but his face gradually relaxed into a smile, and as soon as the President, looking at him in astonishment, finished, he laughed outright. "Well, and what else?" he asked in a loud voice. There was a hush in the court; there was a feeling of something strange. The President showed signs of uneasiness. "You ... are perhaps still unwell?" he began, looking everywhere for the usher. "Don't trouble yourself, your excellency, I am well enough and can tell you something interesting," Ivan answered with sudden calmness and respectfulness. "You have some special communication to make?" the President went on, still mistrustfully. Ivan looked down, waited a few seconds and, raising his head, answered, almost stammering: "No ... I haven't. I have nothing particular." They began asking him questions. He answered, as it were, reluctantly, with extreme brevity, with a sort of disgust which grew more and more marked, though he answered rationally. To many questions he answered that he did not know. He knew nothing of his father's money relations with Dmitri. "I wasn't interested in the subject," he added. Threats to murder his father he had heard from the prisoner. Of the money in the envelope he had heard from Smerdyakov. "The same thing over and over again," he interrupted suddenly, with a look of weariness. "I have nothing particular to tell the court." "I see you are unwell and understand your feelings," the President began. He turned to the prosecutor and the counsel for the defense to invite them to examine the witness, if necessary, when Ivan suddenly asked in an exhausted voice: "Let me go, your excellency, I feel very ill." And with these words, without waiting for permission, he turned to walk out of the court. But after taking four steps he stood still, as though he had reached a decision, smiled slowly, and went back. "I am like the peasant girl, your excellency ... you know. How does it go? 'I'll stand up if I like, and I won't if I don't.' They were trying to put on her sarafan to take her to church to be married, and she said, 'I'll stand up if I like, and I won't if I don't.'... It's in some book about the peasantry." "What do you mean by that?" the President asked severely. "Why, this," Ivan suddenly pulled out a roll of notes. "Here's the money ... the notes that lay in that envelope" (he nodded towards the table on which lay the material evidence), "for the sake of which our father was murdered. Where shall I put them? Mr. Superintendent, take them." The usher of the court took the whole roll and handed it to the President. "How could this money have come into your possession if it is the same money?" the President asked wonderingly. "I got them from Smerdyakov, from the murderer, yesterday.... I was with him just before he hanged himself. It was he, not my brother, killed our father. He murdered him and I incited him to do it ... Who doesn't desire his father's death?" "Are you in your right mind?" broke involuntarily from the President. "I should think I am in my right mind ... in the same nasty mind as all of you ... as all these ... ugly faces." He turned suddenly to the audience. "My father has been murdered and they pretend they are horrified," he snarled, with furious contempt. "They keep up the sham with one another. Liars! They all desire the death of their fathers. One reptile devours another.... If there hadn't been a murder, they'd have been angry and gone home ill-humored. It's a spectacle they want! _Panem et circenses_. Though I am one to talk! Have you any water? Give me a drink for Christ's sake!" He suddenly clutched his head. The usher at once approached him. Alyosha jumped up and cried, "He is ill. Don't believe him: he has brain fever." Katerina Ivanovna rose impulsively from her seat and, rigid with horror, gazed at Ivan. Mitya stood up and greedily looked at his brother and listened to him with a wild, strange smile. "Don't disturb yourselves. I am not mad, I am only a murderer," Ivan began again. "You can't expect eloquence from a murderer," he added suddenly for some reason and laughed a queer laugh. The prosecutor bent over to the President in obvious dismay. The two other judges communicated in agitated whispers. Fetyukovitch pricked up his ears as he listened: the hall was hushed in expectation. The President seemed suddenly to recollect himself. "Witness, your words are incomprehensible and impossible here. Calm yourself, if you can, and tell your story ... if you really have something to tell. How can you confirm your statement ... if indeed you are not delirious?" "That's just it. I have no proof. That cur Smerdyakov won't send you proofs from the other world ... in an envelope. You think of nothing but envelopes--one is enough. I've no witnesses ... except one, perhaps," he smiled thoughtfully. "Who is your witness?" "He has a tail, your excellency, and that would be irregular! _Le diable n'existe point!_ Don't pay attention: he is a paltry, pitiful devil," he added suddenly. He ceased laughing and spoke as it were, confidentially. "He is here somewhere, no doubt--under that table with the material evidence on it, perhaps. Where should he sit if not there? You see, listen to me. I told him I don't want to keep quiet, and he talked about the geological cataclysm ... idiocy! Come, release the monster ... he's been singing a hymn. That's because his heart is light! It's like a drunken man in the street bawling how 'Vanka went to Petersburg,' and I would give a quadrillion quadrillions for two seconds of joy. You don't know me! Oh, how stupid all this business is! Come, take me instead of him! I didn't come for nothing.... Why, why is everything so stupid?..." And he began slowly, and as it were reflectively, looking round him again. But the court was all excitement by now. Alyosha rushed towards him, but the court usher had already seized Ivan by the arm. "What are you about?" he cried, staring into the man's face, and suddenly seizing him by the shoulders, he flung him violently to the floor. But the police were on the spot and he was seized. He screamed furiously. And all the time he was being removed, he yelled and screamed something incoherent. The whole court was thrown into confusion. I don't remember everything as it happened. I was excited myself and could not follow. I only know that afterwards, when everything was quiet again and every one understood what had happened, the court usher came in for a reprimand, though he very reasonably explained that the witness had been quite well, that the doctor had seen him an hour ago, when he had a slight attack of giddiness, but that, until he had come into the court, he had talked quite consecutively, so that nothing could have been foreseen--that he had, in fact, insisted on giving evidence. But before every one had completely regained their composure and recovered from this scene, it was followed by another. Katerina Ivanovna had an attack of hysterics. She sobbed, shrieking loudly, but refused to leave the court, struggled, and besought them not to remove her. Suddenly she cried to the President: "There is more evidence I must give at once ... at once! Here is a document, a letter ... take it, read it quickly, quickly! It's a letter from that monster ... that man there, there!" she pointed to Mitya. "It was he killed his father, you will see that directly. He wrote to me how he would kill his father! But the other one is ill, he is ill, he is delirious!" she kept crying out, beside herself. The court usher took the document she held out to the President, and she, dropping into her chair, hiding her face in her hands, began convulsively and noiselessly sobbing, shaking all over, and stifling every sound for fear she should be ejected from the court. The document she had handed up was that letter Mitya had written at the "Metropolis" tavern, which Ivan had spoken of as a "mathematical proof." Alas! its mathematical conclusiveness was recognized, and had it not been for that letter, Mitya might have escaped his doom or, at least, that doom would have been less terrible. It was, I repeat, difficult to notice every detail. What followed is still confused to my mind. The President must, I suppose, have at once passed on the document to the judges, the jury, and the lawyers on both sides. I only remember how they began examining the witness. On being gently asked by the President whether she had recovered sufficiently, Katerina Ivanovna exclaimed impetuously: "I am ready, I am ready! I am quite equal to answering you," she added, evidently still afraid that she would somehow be prevented from giving evidence. She was asked to explain in detail what this letter was and under what circumstances she received it. "I received it the day before the crime was committed, but he wrote it the day before that, at the tavern--that is, two days before he committed the crime. Look, it is written on some sort of bill!" she cried breathlessly. "He hated me at that time, because he had behaved contemptibly and was running after that creature ... and because he owed me that three thousand.... Oh! he was humiliated by that three thousand on account of his own meanness! This is how it happened about that three thousand. I beg you, I beseech you, to hear me. Three weeks before he murdered his father, he came to me one morning. I knew he was in want of money, and what he wanted it for. Yes, yes--to win that creature and carry her off. I knew then that he had been false to me and meant to abandon me, and it was I, I, who gave him that money, who offered it to him on the pretext of his sending it to my sister in Moscow. And as I gave it him, I looked him in the face and said that he could send it when he liked, 'in a month's time would do.' How, how could he have failed to understand that I was practically telling him to his face, 'You want money to be false to me with your creature, so here's the money for you. I give it to you myself. Take it, if you have so little honor as to take it!' I wanted to prove what he was, and what happened? He took it, he took it, and squandered it with that creature in one night.... But he knew, he knew that I knew all about it. I assure you he understood, too, that I gave him that money to test him, to see whether he was so lost to all sense of honor as to take it from me. I looked into his eyes and he looked into mine, and he understood it all and he took it--he carried off my money!" "That's true, Katya," Mitya roared suddenly, "I looked into your eyes and I knew that you were dishonoring me, and yet I took your money. Despise me as a scoundrel, despise me, all of you! I've deserved it!" "Prisoner," cried the President, "another word and I will order you to be removed." "That money was a torment to him," Katya went on with impulsive haste. "He wanted to repay it me. He wanted to, that's true; but he needed money for that creature, too. So he murdered his father, but he didn't repay me, and went off with her to that village where he was arrested. There, again, he squandered the money he had stolen after the murder of his father. And a day before the murder he wrote me this letter. He was drunk when he wrote it. I saw it at once, at the time. He wrote it from spite, and feeling certain, positively certain, that I should never show it to any one, even if he did kill him, or else he wouldn't have written it. For he knew I shouldn't want to revenge myself and ruin him! But read it, read it attentively--more attentively, please--and you will see that he had described it all in his letter, all beforehand, how he would kill his father and where his money was kept. Look, please, don't overlook that, there's one phrase there, 'I shall kill him as soon as Ivan has gone away.' So he thought it all out beforehand how he would kill him," Katerina Ivanovna pointed out to the court with venomous and malignant triumph. Oh! it was clear she had studied every line of that letter and detected every meaning underlining it. "If he hadn't been drunk, he wouldn't have written to me; but, look, everything is written there beforehand, just as he committed the murder after. A complete program of it!" she exclaimed frantically. She was reckless now of all consequences to herself, though, no doubt, she had foreseen them even a month ago, for even then, perhaps, shaking with anger, she had pondered whether to show it at the trial or not. Now she had taken the fatal plunge. I remember that the letter was read aloud by the clerk, directly afterwards, I believe. It made an overwhelming impression. They asked Mitya whether he admitted having written the letter. "It's mine, mine!" cried Mitya. "I shouldn't have written it, if I hadn't been drunk!... We've hated each other for many things, Katya, but I swear, I swear I loved you even while I hated you, and you didn't love me!" He sank back on his seat, wringing his hands in despair. The prosecutor and counsel for the defense began cross-examining her, chiefly to ascertain what had induced her to conceal such a document and to give her evidence in quite a different tone and spirit just before. "Yes, yes. I was telling lies just now. I was lying against my honor and my conscience, but I wanted to save him, for he has hated and despised me so!" Katya cried madly. "Oh, he has despised me horribly, he has always despised me, and do you know, he has despised me from the very moment that I bowed down to him for that money. I saw that.... I felt it at once at the time, but for a long time I wouldn't believe it. How often I have read it in his eyes, 'You came of yourself, though.' Oh, he didn't understand, he had no idea why I ran to him, he can suspect nothing but baseness, he judged me by himself, he thought every one was like himself!" Katya hissed furiously, in a perfect frenzy. "And he only wanted to marry me, because I'd inherited a fortune, because of that, because of that! I always suspected it was because of that! Oh, he is a brute! He was always convinced that I should be trembling with shame all my life before him, because I went to him then, and that he had a right to despise me for ever for it, and so to be superior to me--that's why he wanted to marry me! That's so, that's all so! I tried to conquer him by my love--a love that knew no bounds. I even tried to forgive his faithlessness; but he understood nothing, nothing! How could he understand indeed? He is a monster! I only received that letter the next evening: it was brought me from the tavern--and only that morning, only that morning I wanted to forgive him everything, everything--even his treachery!" The President and the prosecutor, of course, tried to calm her. I can't help thinking that they felt ashamed of taking advantage of her hysteria and of listening to such avowals. I remember hearing them say to her, "We understand how hard it is for you; be sure we are able to feel for you," and so on, and so on. And yet they dragged the evidence out of the raving, hysterical woman. She described at last with extraordinary clearness, which is so often seen, though only for a moment, in such over-wrought states, how Ivan had been nearly driven out of his mind during the last two months trying to save "the monster and murderer," his brother. "He tortured himself," she exclaimed, "he was always trying to minimize his brother's guilt and confessing to me that he, too, had never loved his father, and perhaps desired his death himself. Oh, he has a tender, over- tender conscience! He tormented himself with his conscience! He told me everything, everything! He came every day and talked to me as his only friend. I have the honor to be his only friend!" she cried suddenly with a sort of defiance, and her eyes flashed. "He had been twice to see Smerdyakov. One day he came to me and said, 'If it was not my brother, but Smerdyakov committed the murder' (for the legend was circulating everywhere that Smerdyakov had done it), 'perhaps I too am guilty, for Smerdyakov knew I didn't like my father and perhaps believed that I desired my father's death.' Then I brought out that letter and showed it him. He was entirely convinced that his brother had done it, and he was overwhelmed by it. He couldn't endure the thought that his own brother was a parricide! Only a week ago I saw that it was making him ill. During the last few days he has talked incoherently in my presence. I saw his mind was giving way. He walked about, raving; he was seen muttering in the streets. The doctor from Moscow, at my request, examined him the day before yesterday and told me that he was on the eve of brain fever--and all on his account, on account of this monster! And last night he learnt that Smerdyakov was dead! It was such a shock that it drove him out of his mind ... and all through this monster, all for the sake of saving the monster!" Oh, of course, such an outpouring, such an avowal is only possible once in a lifetime--at the hour of death, for instance, on the way to the scaffold! But it was in Katya's character, and it was such a moment in her life. It was the same impetuous Katya who had thrown herself on the mercy of a young profligate to save her father; the same Katya who had just before, in her pride and chastity, sacrificed herself and her maidenly modesty before all these people, telling of Mitya's generous conduct, in the hope of softening his fate a little. And now, again, she sacrificed herself; but this time it was for another, and perhaps only now--perhaps only at this moment--she felt and knew how dear that other was to her! She had sacrificed herself in terror for him, conceiving all of a sudden that he had ruined himself by his confession that it was he who had committed the murder, not his brother, she had sacrificed herself to save him, to save his good name, his reputation! And yet one terrible doubt occurred to one--was she lying in her description of her former relations with Mitya?--that was the question. No, she had not intentionally slandered him when she cried that Mitya despised her for her bowing down to him! She believed it herself. She had been firmly convinced, perhaps ever since that bow, that the simple-hearted Mitya, who even then adored her, was laughing at her and despising her. She had loved him with an hysterical, "lacerated" love only from pride, from wounded pride, and that love was not like love, but more like revenge. Oh! perhaps that lacerated love would have grown into real love, perhaps Katya longed for nothing more than that, but Mitya's faithlessness had wounded her to the bottom of her heart, and her heart could not forgive him. The moment of revenge had come upon her suddenly, and all that had been accumulating so long and so painfully in the offended woman's breast burst out all at once and unexpectedly. She betrayed Mitya, but she betrayed herself, too. And no sooner had she given full expression to her feelings than the tension of course was over and she was overwhelmed with shame. Hysterics began again: she fell on the floor, sobbing and screaming. She was carried out. At that moment Grushenka, with a wail, rushed towards Mitya before they had time to prevent her. "Mitya," she wailed, "your serpent has destroyed you! There, she has shown you what she is!" she shouted to the judges, shaking with anger. At a signal from the President they seized her and tried to remove her from the court. She wouldn't allow it. She fought and struggled to get back to Mitya. Mitya uttered a cry and struggled to get to her. He was overpowered. Yes, I think the ladies who came to see the spectacle must have been satisfied--the show had been a varied one. Then I remember the Moscow doctor appeared on the scene. I believe the President had previously sent the court usher to arrange for medical aid for Ivan. The doctor announced to the court that the sick man was suffering from a dangerous attack of brain fever, and that he must be at once removed. In answer to questions from the prosecutor and the counsel for the defense he said that the patient had come to him of his own accord the day before yesterday and that he had warned him that he had such an attack coming on, but he had not consented to be looked after. "He was certainly not in a normal state of mind: he told me himself that he saw visions when he was awake, that he met several persons in the street, who were dead, and that Satan visited him every evening," said the doctor, in conclusion. Having given his evidence, the celebrated doctor withdrew. The letter produced by Katerina Ivanovna was added to the material proofs. After some deliberation, the judges decided to proceed with the trial and to enter both the unexpected pieces of evidence (given by Ivan and Katerina Ivanovna) on the protocol. But I will not detail the evidence of the other witnesses, who only repeated and confirmed what had been said before, though all with their characteristic peculiarities. I repeat, all was brought together in the prosecutor's speech, which I shall quote immediately. Every one was excited, every one was electrified by the late catastrophe, and all were awaiting the speeches for the prosecution and the defense with intense impatience. Fetyukovitch was obviously shaken by Katerina Ivanovna's evidence. But the prosecutor was triumphant. When all the evidence had been taken, the court was adjourned for almost an hour. I believe it was just eight o'clock when the President returned to his seat and our prosecutor, Ippolit Kirillovitch, began his speech.

The narrator tells us that Ivan was originally supposed to testify before Alyosha, but his testimony was delayed because of his illness. Ivan doesn't seem much better now as he walks to the stand, and for some reason, Alyosha jumps up at this point and says, "Aaah, I remember it." No one notices Alyosha. Ivan answers a couple of questions vaguely, and the judge says that it's OK for him to go home if he's sick. He steps off the stand, then returns. Suddenly he pulls out a wad of bills and announces that Smerdyakov is the murderer. Katerina interrupts his testimony and tells everyone to ignore him. But Ivan keeps raving and has to be hauled away by the marshal. Hysterical, Katerina rushes to the stand and waves around the incriminating letter Dmitri had written her. Like Ivan, she seems to be on the brink of a nervous breakdown as she furiously explains the story behind the document. She is whisked away to be attended by the famous doctor from Moscow, who's also treating Ivan. Grushenka denounces Katerina's actions and has to be taken out of the courtroom as well. Dmitri has to be restrained, and his defense lawyer isn't too thrilled about the new evidence. At 8 o'clock in the evening, Kirillovich begins the closing statement for the prosecution.

From the foregoing events of the winter-time let us press on to an October day, more than eight months subsequent to the parting of Clare and Tess. We discover the latter in changed conditions; instead of a bride with boxes and trunks which others bore, we see her a lonely woman with a basket and a bundle in her own porterage, as at an earlier time when she was no bride; instead of the ample means that were projected by her husband for her comfort through this probationary period, she can produce only a flattened purse. After again leaving Marlott, her home, she had got through the spring and summer without any great stress upon her physical powers, the time being mainly spent in rendering light irregular service at dairy-work near Port-Bredy to the west of the Blackmoor Valley, equally remote from her native place and from Talbothays. She preferred this to living on his allowance. Mentally she remained in utter stagnation, a condition which the mechanical occupation rather fostered than checked. Her consciousness was at that other dairy, at that other season, in the presence of the tender lover who had confronted her there--he who, the moment she had grasped him to keep for her own, had disappeared like a shape in a vision. The dairy-work lasted only till the milk began to lessen, for she had not met with a second regular engagement as at Talbothays, but had done duty as a supernumerary only. However, as harvest was now beginning, she had simply to remove from the pasture to the stubble to find plenty of further occupation, and this continued till harvest was done. Of the five-and-twenty pounds which had remained to her of Clare's allowance, after deducting the other half of the fifty as a contribution to her parents for the trouble and expense to which she had put them, she had as yet spent but little. But there now followed an unfortunate interval of wet weather, during which she was obliged to fall back upon her sovereigns. She could not bear to let them go. Angel had put them into her hand, had obtained them bright and new from his bank for her; his touch had consecrated them to souvenirs of himself--they appeared to have had as yet no other history than such as was created by his and her own experiences--and to disperse them was like giving away relics. But she had to do it, and one by one they left her hands. She had been compelled to send her mother her address from time to time, but she concealed her circumstances. When her money had almost gone a letter from her mother reached her. Joan stated that they were in dreadful difficulty; the autumn rains had gone through the thatch of the house, which required entire renewal; but this could not be done because the previous thatching had never been paid for. New rafters and a new ceiling upstairs also were required, which, with the previous bill, would amount to a sum of twenty pounds. As her husband was a man of means, and had doubtless returned by this time, could she not send them the money? Tess had thirty pounds coming to her almost immediately from Angel's bankers, and, the case being so deplorable, as soon as the sum was received she sent the twenty as requested. Part of the remainder she was obliged to expend in winter clothing, leaving only a nominal sum for the whole inclement season at hand. When the last pound had gone, a remark of Angel's that whenever she required further resources she was to apply to his father, remained to be considered. But the more Tess thought of the step, the more reluctant was she to take it. The same delicacy, pride, false shame, whatever it may be called, on Clare's account, which had led her to hide from her own parents the prolongation of the estrangement, hindered her owning to his that she was in want after the fair allowance he had left her. They probably despised her already; how much more they would despise her in the character of a mendicant! The consequence was that by no effort could the parson's daughter-in-law bring herself to let him know her state. Her reluctance to communicate with her husband's parents might, she thought, lessen with the lapse of time; but with her own the reverse obtained. On her leaving their house after the short visit subsequent to her marriage they were under the impression that she was ultimately going to join her husband; and from that time to the present she had done nothing to disturb their belief that she was awaiting his return in comfort, hoping against hope that his journey to Brazil would result in a short stay only, after which he would come to fetch her, or that he would write for her to join him; in any case that they would soon present a united front to their families and the world. This hope she still fostered. To let her parents know that she was a deserted wife, dependent, now that she had relieved their necessities, on her own hands for a living, after the _eclat_ of a marriage which was to nullify the collapse of the first attempt, would be too much indeed. The set of brilliants returned to her mind. Where Clare had deposited them she did not know, and it mattered little, if it were true that she could only use and not sell them. Even were they absolutely hers it would be passing mean to enrich herself by a legal title to them which was not essentially hers at all. Meanwhile her husband's days had been by no means free from trial. At this moment he was lying ill of fever in the clay lands near Curitiba in Brazil, having been drenched with thunder-storms and persecuted by other hardships, in common with all the English farmers and farm-labourers who, just at this time, were deluded into going thither by the promises of the Brazilian Government, and by the baseless assumption that those frames which, ploughing and sowing on English uplands, had resisted all the weathers to whose moods they had been born, could resist equally well all the weathers by which they were surprised on Brazilian plains. To return. Thus it happened that when the last of Tess's sovereigns had been spent she was unprovided with others to take their place, while on account of the season she found it increasingly difficult to get employment. Not being aware of the rarity of intelligence, energy, health, and willingness in any sphere of life, she refrained from seeking an indoor occupation; fearing towns, large houses, people of means and social sophistication, and of manners other than rural. From that direction of gentility Black Care had come. Society might be better than she supposed from her slight experience of it. But she had no proof of this, and her instinct in the circumstances was to avoid its purlieus. The small dairies to the west, beyond Port-Bredy, in which she had served as supernumerary milkmaid during the spring and summer required no further aid. Room would probably have been made for her at Talbothays, if only out of sheer compassion; but comfortable as her life had been there, she could not go back. The anti-climax would be too intolerable; and her return might bring reproach upon her idolized husband. She could not have borne their pity, and their whispered remarks to one another upon her strange situation; though she would almost have faced a knowledge of her circumstances by every individual there, so long as her story had remained isolated in the mind of each. It was the interchange of ideas about her that made her sensitiveness wince. Tess could not account for this distinction; she simply knew that she felt it. She was now on her way to an upland farm in the centre of the county, to which she had been recommended by a wandering letter which had reached her from Marian. Marian had somehow heard that Tess was separated from her husband--probably through Izz Huett--and the good-natured and now tippling girl, deeming Tess in trouble, had hastened to notify to her former friend that she herself had gone to this upland spot after leaving the dairy, and would like to see her there, where there was room for other hands, if it was really true that she worked again as of old. With the shortening of the days all hope of obtaining her husband's forgiveness began to leave her; and there was something of the habitude of the wild animal in the unreflecting instinct with which she rambled on--disconnecting herself by littles from her eventful past at every step, obliterating her identity, giving no thought to accidents or contingencies which might make a quick discovery of her whereabouts by others of importance to her own happiness, if not to theirs. Among the difficulties of her lonely position not the least was the attention she excited by her appearance, a certain bearing of distinction, which she had caught from Clare, being superadded to her natural attractiveness. Whilst the clothes lasted which had been prepared for her marriage, these casual glances of interest caused her no inconvenience, but as soon as she was compelled to don the wrapper of a fieldwoman, rude words were addressed to her more than once; but nothing occurred to cause her bodily fear till a particular November afternoon. She had preferred the country west of the River Brit to the upland farm for which she was now bound, because, for one thing, it was nearer to the home of her husband's father; and to hover about that region unrecognized, with the notion that she might decide to call at the Vicarage some day, gave her pleasure. But having once decided to try the higher and drier levels, she pressed back eastward, marching afoot towards the village of Chalk-Newton, where she meant to pass the night. The lane was long and unvaried, and, owing to the rapid shortening of the days, dusk came upon her before she was aware. She had reached the top of a hill down which the lane stretched its serpentine length in glimpses, when she heard footsteps behind her back, and in a few moments she was overtaken by a man. He stepped up alongside Tess and said-- "Good night, my pretty maid": to which she civilly replied. The light still remaining in the sky lit up her face, though the landscape was nearly dark. The man turned and stared hard at her. "Why, surely, it is the young wench who was at Trantridge awhile-- young Squire d'Urberville's friend? I was there at that time, though I don't live there now." She recognized in him the well-to-do boor whom Angel had knocked down at the inn for addressing her coarsely. A spasm of anguish shot through her, and she returned him no answer. "Be honest enough to own it, and that what I said in the town was true, though your fancy-man was so up about it--hey, my sly one? You ought to beg my pardon for that blow of his, considering." Still no answer came from Tess. There seemed only one escape for her hunted soul. She suddenly took to her heels with the speed of the wind, and, without looking behind her, ran along the road till she came to a gate which opened directly into a plantation. Into this she plunged, and did not pause till she was deep enough in its shade to be safe against any possibility of discovery. Under foot the leaves were dry, and the foliage of some holly bushes which grew among the deciduous trees was dense enough to keep off draughts. She scraped together the dead leaves till she had formed them into a large heap, making a sort of nest in the middle. Into this Tess crept. Such sleep as she got was naturally fitful; she fancied she heard strange noises, but persuaded herself that they were caused by the breeze. She thought of her husband in some vague warm clime on the other side of the globe, while she was here in the cold. Was there another such a wretched being as she in the world? Tess asked herself; and, thinking of her wasted life, said, "All is vanity." She repeated the words mechanically, till she reflected that this was a most inadequate thought for modern days. Solomon had thought as far as that more than two thousand years ago; she herself, though not in the van of thinkers, had got much further. If all were only vanity, who would mind it? All was, alas, worse than vanity--injustice, punishment, exaction, death. The wife of Angel Clare put her hand to her brow, and felt its curve, and the edges of her eye-sockets perceptible under the soft skin, and thought as she did so that a time would come when that bone would be bare. "I wish it were now," she said. In the midst of these whimsical fancies she heard a new strange sound among the leaves. It might be the wind; yet there was scarcely any wind. Sometimes it was a palpitation, sometimes a flutter; sometimes it was a sort of gasp or gurgle. Soon she was certain that the noises came from wild creatures of some kind, the more so when, originating in the boughs overhead, they were followed by the fall of a heavy body upon the ground. Had she been ensconced here under other and more pleasant conditions she would have become alarmed; but, outside humanity, she had at present no fear. Day at length broke in the sky. When it had been day aloft for some little while it became day in the wood. Directly the assuring and prosaic light of the world's active hours had grown strong, she crept from under her hillock of leaves, and looked around boldly. Then she perceived what had been going on to disturb her. The plantation wherein she had taken shelter ran down at this spot into a peak, which ended it hitherward, outside the hedge being arable ground. Under the trees several pheasants lay about, their rich plumage dabbled with blood; some were dead, some feebly twitching a wing, some staring up at the sky, some pulsating quickly, some contorted, some stretched out--all of them writhing in agony, except the fortunate ones whose tortures had ended during the night by the inability of nature to bear more. Tess guessed at once the meaning of this. The birds had been driven down into this corner the day before by some shooting-party; and while those that had dropped dead under the shot, or had died before nightfall, had been searched for and carried off, many badly wounded birds had escaped and hidden themselves away, or risen among the thick boughs, where they had maintained their position till they grew weaker with loss of blood in the night-time, when they had fallen one by one as she had heard them. She had occasionally caught glimpses of these men in girlhood, looking over hedges, or peeping through bushes, and pointing their guns, strangely accoutred, a bloodthirsty light in their eyes. She had been told that, rough and brutal as they seemed just then, they were not like this all the year round, but were, in fact, quite civil persons save during certain weeks of autumn and winter, when, like the inhabitants of the Malay Peninsula, they ran amuck, and made it their purpose to destroy life--in this case harmless feathered creatures, brought into being by artificial means solely to gratify these propensities--at once so unmannerly and so unchivalrous towards their weaker fellows in Nature's teeming family. With the impulse of a soul who could feel for kindred sufferers as much as for herself, Tess's first thought was to put the still living birds out of their torture, and to this end with her own hands she broke the necks of as many as she could find, leaving them to lie where she had found them till the game-keepers should come--as they probably would come--to look for them a second time. "Poor darlings--to suppose myself the most miserable being on earth in the sight o' such misery as yours!" she exclaimed, her tears running down as she killed the birds tenderly. "And not a twinge of bodily pain about me! I be not mangled, and I be not bleeding, and I have two hands to feed and clothe me." She was ashamed of herself for her gloom of the night, based on nothing more tangible than a sense of condemnation under an arbitrary law of society which had no foundation in Nature.

Eight months later--it's now October. Tess has spent the summer working at a dairy on the far side of Blackmoor Vale, and since the busy time at the dairy is over, working at the harvest. She prefers to keep busy, rather than to live on the money Angel gave her, because she hates the idea of giving to strangers the money he handed her. And working keeps her mind occupied. But, after the harvest, there's a long run of wet weather, so Tess has trouble finding fieldwork. She starts spending the twenty-five pounds that her husband had left her . That money is almost gone when she gets a letter from her mother asking for twenty pounds to pay for a new roof. Tess has just received the additional thirty pounds from Angel, so she sends the twenty pounds to her mother immediately. Tess is too proud to write to Angel's father for help, and she doesn't let her own parents know that Angel hasn't returned to her. She doesn't even want to go back to her friends at the Talbothays Dairy, because she doesn't want them to talk about her, or to think badly of Angel for deserting her. So she works and lives alone. Things aren't going great for Angel, either--at this moment, he's sick with a bad fever in Brazil. But to return to Tess: Tess is on her way to a farm to the north, where Marian is working. Marian had sent her a letter, saying that it wasn't a bad place to work--if it were really true that Tess was separated from Angel, and was working for a living like she used to. Being a pretty young woman on her own was never a problem while she was wearing the fancier clothes that she'd gotten just before the marriage, but once she starts wearing common field clothes again, her prettiness attracts unwanted attention. One night it's particularly bad. She's on a lonely stretch of road, and a man catches sight of her, recognizing her from Trantridge. In fact, it's the same man who had recognized her in town the week before the wedding, when Angel punched him in the face. Tess panics and runs through the fields. She makes a nest for herself under a hedge, and tries to sleep there. She thinks she's the most miserable being in the world as she lies there shivering. During the night, she's awoken by gasping sounds and the noise of small thumps. When she wakes, she realizes what it was--there must have been a hunting party the day before, and some of the birds that were only wounded hid themselves in the trees overhead. But during the night, they fell one by one from the loss of blood. Some of the birds are still lying on the ground, half-alive. Tess pities them, and puts them out of their misery. She's ashamed of her despair the night before--at least she's better off than those poor birds.

Candide, driven from terrestrial paradise, walked a long while without knowing where, weeping, raising his eyes to heaven, turning them often towards the most magnificent of castles which imprisoned the purest of noble young ladies. He lay down to sleep without supper, in the middle of a field between two furrows. The snow fell in large flakes. Next day Candide, all benumbed, dragged himself towards the neighbouring town which was called Waldberghofftrarbk-dikdorff, having no money, dying of hunger and fatigue, he stopped sorrowfully at the door of an inn. Two men dressed in blue observed him. "Comrade," said one, "here is a well-built young fellow, and of proper height." They went up to Candide and very civilly invited him to dinner. "Gentlemen," replied Candide, with a most engaging modesty, "you do me great honour, but I have not wherewithal to pay my share." "Oh, sir," said one of the blues to him, "people of your appearance and of your merit never pay anything: are you not five feet five inches high?" "Yes, sir, that is my height," answered he, making a low bow. "Come, sir, seat yourself; not only will we pay your reckoning, but we will never suffer such a man as you to want money; men are only born to assist one another." "You are right," said Candide; "this is what I was always taught by Mr. Pangloss, and I see plainly that all is for the best." They begged of him to accept a few crowns. He took them, and wished to give them his note; they refused; they seated themselves at table. "Love you not deeply?" "Oh yes," answered he; "I deeply love Miss Cunegonde." "No," said one of the gentlemen, "we ask you if you do not deeply love the King of the Bulgarians?" "Not at all," said he; "for I have never seen him." "What! he is the best of kings, and we must drink his health." "Oh! very willingly, gentlemen," and he drank. "That is enough," they tell him. "Now you are the help, the support, the defender, the hero of the Bulgarians. Your fortune is made, and your glory is assured." Instantly they fettered him, and carried him away to the regiment. There he was made to wheel about to the right, and to the left, to draw his rammer, to return his rammer, to present, to fire, to march, and they gave him thirty blows with a cudgel. The next day he did his exercise a little less badly, and he received but twenty blows. The day following they gave him only ten, and he was regarded by his comrades as a prodigy. Candide, all stupefied, could not yet very well realise how he was a hero. He resolved one fine day in spring to go for a walk, marching straight before him, believing that it was a privilege of the human as well as of the animal species to make use of their legs as they pleased. He had advanced two leagues when he was overtaken by four others, heroes of six feet, who bound him and carried him to a dungeon. He was asked which he would like the best, to be whipped six-and-thirty times through all the regiment, or to receive at once twelve balls of lead in his brain. He vainly said that human will is free, and that he chose neither the one nor the other. He was forced to make a choice; he determined, in virtue of that gift of God called liberty, to run the gauntlet six-and-thirty times. He bore this twice. The regiment was composed of two thousand men; that composed for him four thousand strokes, which laid bare all his muscles and nerves, from the nape of his neck quite down to his rump. As they were going to proceed to a third whipping, Candide, able to bear no more, begged as a favour that they would be so good as to shoot him. He obtained this favour; they bandaged his eyes, and bade him kneel down. The King of the Bulgarians passed at this moment and ascertained the nature of the crime. As he had great talent, he understood from all that he learnt of Candide that he was a young metaphysician, extremely ignorant of the things of this world, and he accorded him his pardon with a clemency which will bring him praise in all the journals, and throughout all ages. An able surgeon cured Candide in three weeks by means of emollients taught by Dioscorides. He had already a little skin, and was able to march when the King of the Bulgarians gave battle to the King of the Abares.

In the second chapter, Candide finds himself "ejected from the earthly paradise" to which he had grown accustomed. Drifting to a neighboring village, and now very cold and hungry, he stumbles across two recruiting officers of Frederick the Great standing outside a tavern. The two men seem enamored by Candide's height of five feet, five inches, and offer to buy him a meal. Trusting their kindness, Candide is reminded of Pangloss' philosophy, that all is for the best; he thinks that perhaps being exiled from the castle , may ultimately lead him to a better end after all. Soon, however, these newfound "friends" bind Candide with chains, and force him into the army, where he is beaten daily. At one point, Candide is at the point of being killed when the King of the Bulgars passes and grants his pardon

There was some hauling to be done at the lower end of the wood-lot, and Ethan was out early the next day. The winter morning was as clear as crystal. The sunrise burned red in a pure sky, the shadows on the rim of the wood-lot were darkly blue, and beyond the white and scintillating fields patches of far-off forest hung like smoke. It was in the early morning stillness, when his muscles were swinging to their familiar task and his lungs expanding with long draughts of mountain air, that Ethan did his clearest thinking. He and Zeena had not exchanged a word after the door of their room had closed on them. She had measured out some drops from a medicine-bottle on a chair by the bed and, after swallowing them, and wrapping her head in a piece of yellow flannel, had lain down with her face turned away. Ethan undressed hurriedly and blew out the light so that he should not see her when he took his place at her side. As he lay there he could hear Mattie moving about in her room, and her candle, sending its small ray across the landing, drew a scarcely perceptible line of light under his door. He kept his eyes fixed on the light till it vanished. Then the room grew perfectly black, and not a sound was audible but Zeena's asthmatic breathing. Ethan felt confusedly that there were many things he ought to think about, but through his tingling veins and tired brain only one sensation throbbed: the warmth of Mattie's shoulder against his. Why had he not kissed her when he held her there? A few hours earlier he would not have asked himself the question. Even a few minutes earlier, when they had stood alone outside the house, he would not have dared to think of kissing her. But since he had seen her lips in the lamplight he felt that they were his. Now, in the bright morning air, her face was still before him. It was part of the sun's red and of the pure glitter on the snow. How the girl had changed since she had come to Starkfield! He remembered what a colourless slip of a thing she had looked the day he had met her at the station. And all the first winter, how she had shivered with cold when the northerly gales shook the thin clapboards and the snow beat like hail against the loose-hung windows! He had been afraid that she would hate the hard life, the cold and loneliness; but not a sign of discontent escaped her. Zeena took the view that Mattie was bound to make the best of Starkfield since she hadn't any other place to go to; but this did not strike Ethan as conclusive. Zeena, at any rate, did not apply the principle in her own case. He felt all the more sorry for the girl because misfortune had, in a sense, indentured her to them. Mattie Silver was the daughter of a cousin of Zenobia Frome's, who had inflamed his clan with mingled sentiments of envy and admiration by descending from the hills to Connecticut, where he had married a Stamford girl and succeeded to her father's thriving "drug" business. Unhappily Orin Silver, a man of far-reaching aims, had died too soon to prove that the end justifies the means. His accounts revealed merely what the means had been; and these were such that it was fortunate for his wife and daughter that his books were examined only after his impressive funeral. His wife died of the disclosure, and Mattie, at twenty, was left alone to make her way on the fifty dollars obtained from the sale of her piano. For this purpose her equipment, though varied, was inadequate. She could trim a hat, make molasses candy, recite "Curfew shall not ring to-night," and play "The Lost Chord" and a pot-pourri from "Carmen." When she tried to extend the field of her activities in the direction of stenography and book-keeping her health broke down, and six months on her feet behind the counter of a department store did not tend to restore it. Her nearest relations had been induced to place their savings in her father's hands, and though, after his death, they ungrudgingly acquitted themselves of the Christian duty of returning good for evil by giving his daughter all the advice at their disposal, they could hardly be expected to supplement it by material aid. But when Zenobia's doctor recommended her looking about for some one to help her with the house-work the clan instantly saw the chance of exacting a compensation from Mattie. Zenobia, though doubtful of the girl's efficiency, was tempted by the freedom to find fault without much risk of losing her; and so Mattie came to Starkfield. Zenobia's fault-finding was of the silent kind, but not the less penetrating for that. During the first months Ethan alternately burned with the desire to see Mattie defy her and trembled with fear of the result. Then the situation grew less strained. The pure air, and the long summer hours in the open, gave back life and elasticity to Mattie, and Zeena, with more leisure to devote to her complex ailments, grew less watchful of the girl's omissions; so that Ethan, struggling on under the burden of his barren farm and failing saw-mill, could at least imagine that peace reigned in his house. There was really, even now, no tangible evidence to the contrary; but since the previous night a vague dread had hung on his sky-line. It was formed of Zeena's obstinate silence, of Mattie's sudden look of warning, of the memory of just such fleeting imperceptible signs as those which told him, on certain stainless mornings, that before night there would be rain. His dread was so strong that, man-like, he sought to postpone certainty. The hauling was not over till mid-day, and as the lumber was to be delivered to Andrew Hale, the Starkfield builder, it was really easier for Ethan to send Jotham Powell, the hired man, back to the farm on foot, and drive the load down to the village himself. He had scrambled up on the logs, and was sitting astride of them, close over his shaggy grays, when, coming between him and their streaming necks, he had a vision of the warning look that Mattie had given him the night before. "If there's going to be any trouble I want to be there," was his vague reflection, as he threw to Jotham the unexpected order to unhitch the team and lead them back to the barn. It was a slow trudge home through the heavy fields, and when the two men entered the kitchen Mattie was lifting the coffee from the stove and Zeena was already at the table. Her husband stopped short at sight of her. Instead of her usual calico wrapper and knitted shawl she wore her best dress of brown merino, and above her thin strands of hair, which still preserved the tight undulations of the crimping-pins, rose a hard perpendicular bonnet, as to which Ethan's clearest notion was that he had to pay five dollars for it at the Bettsbridge Emporium. On the floor beside her stood his old valise and a bandbox wrapped in newspapers. "Why, where are you going, Zeena?" he exclaimed. "I've got my shooting pains so bad that I'm going over to Bettsbridge to spend the night with Aunt Martha Pierce and see that new doctor," she answered in a matter-of-fact tone, as if she had said she was going into the store-room to take a look at the preserves, or up to the attic to go over the blankets. In spite of her sedentary habits such abrupt decisions were not without precedent in Zeena's history. Twice or thrice before she had suddenly packed Ethan's valise and started off to Bettsbridge, or even Springfield, to seek the advice of some new doctor, and her husband had grown to dread these expeditions because of their cost. Zeena always came back laden with expensive remedies, and her last visit to Springfield had been commemorated by her paying twenty dollars for an electric battery of which she had never been able to learn the use. But for the moment his sense of relief was so great as to preclude all other feelings. He had now no doubt that Zeena had spoken the truth in saying, the night before, that she had sat up because she felt "too mean" to sleep: her abrupt resolve to seek medical advice showed that, as usual, she was wholly absorbed in her health. As if expecting a protest, she continued plaintively; "If you're too busy with the hauling I presume you can let Jotham Powell drive me over with the sorrel in time to ketch the train at the Flats." Her husband hardly heard what she was saying. During the winter months there was no stage between Starkfield and Bettsbridge, and the trains which stopped at Corbury Flats were slow and infrequent. A rapid calculation showed Ethan that Zeena could not be back at the farm before the following evening.... "If I'd supposed you'd 'a' made any objection to Jotham Powell's driving me over--" she began again, as though his silence had implied refusal. On the brink of departure she was always seized with a flux of words. "All I know is," she continued, "I can't go on the way I am much longer. The pains are clear away down to my ankles now, or I'd 'a' walked in to Starkfield on my own feet, sooner'n put you out, and asked Michael Eady to let me ride over on his wagon to the Flats, when he sends to meet the train that brings his groceries. I'd 'a' had two hours to wait in the station, but I'd sooner 'a' done it, even with this cold, than to have you say--" "Of course Jotham'll drive you over," Ethan roused himself to answer. He became suddenly conscious that he was looking at Mattie while Zeena talked to him, and with an effort he turned his eyes to his wife. She sat opposite the window, and the pale light reflected from the banks of snow made her face look more than usually drawn and bloodless, sharpened the three parallel creases between ear and cheek, and drew querulous lines from her thin nose to the corners of her mouth. Though she was but seven years her husband's senior, and he was only twenty-eight, she was already an old woman. Ethan tried to say something befitting the occasion, but there was only one thought in his mind: the fact that, for the first time since Mattie had come to live with them, Zeena was to be away for a night. He wondered if the girl were thinking of it too.... He knew that Zeena must be wondering why he did not offer to drive her to the Flats and let Jotham Powell take the lumber to Starkfield, and at first he could not think of a pretext for not doing so; then he said: "I'd take you over myself, only I've got to collect the cash for the lumber." As soon as the words were spoken he regretted them, not only because they were untrue--there being no prospect of his receiving cash payment from Hale--but also because he knew from experience the imprudence of letting Zeena think he was in funds on the eve of one of her therapeutic excursions. At the moment, however, his one desire was to avoid the long drive with her behind the ancient sorrel who never went out of a walk. Zeena made no reply: she did not seem to hear what he had said. She had already pushed her plate aside, and was measuring out a draught from a large bottle at her elbow. "It ain't done me a speck of good, but I guess I might as well use it up," she remarked; adding, as she pushed the empty bottle toward Mattie: "If you can get the taste out it'll do for pickles."

While hauling lumber early the next morning, Ethan reflects on the events of the previous night and circumstances that brought Mattie to Starkfield. Ethan went to bed, blowing out the candle before he crawled in so as to avoid looking at his wife. Under the door, he could see just a flicker of the light from Mattie's candle, all the way on the other side of the landing. He watched the light until it went out. He wished that he had kissed Mattie while they had been out on their walk. Mattie's father was Zeena's cousin. He had left the hills and traveled to Connecticut, but he died too young to make his fortune. His wife died soon after, leaving Mattie to fend for herself. She had no real skills, and the difficulties of working for a living disagreed with her health. When Zeena's doctor recommended that Zeena find a housekeeper, the family arranged to have Mattie stay at the Frome farm. Although life there has been harder than her old life in Conneticut, Mattie has been cheerful and happy. However, she has little talent for housekeeping, and her ineffectiveness vexes Zeena. When he finishes hauling the lumber, Ethan thinks about the tension in his house. He worries that trouble will come up between Mattie and Zeena, so he decides to return home rather than deliver the lumber. He arrives home to find his wife dressed for travel: she has decided to go to Bettsbridge to see a new doctor. She will spend the night with her aunt; for the first time since Mattie arrived, Mattie and Ethan are going to be in the house overnight without Zeena. Ethan, anxious to avoid a long ride with Zeena, decides to have Jotham Powell, the hired man, use the sorrel to drive Zeena to the station. Ethan will use the other horses to haul lumber.

SCENE III. Another part of the field. [Alarum. Enter Cassius and Titinius.] CASSIUS. O, look, Titinius, look, the villains fly! Myself have to mine own turn'd enemy: This ensign here of mine was turning back; I slew the coward, and did take it from him. TITINIUS. O Cassius, Brutus gave the word too early; Who, having some advantage on Octavius, Took it too eagerly: his soldiers fell to spoil, Whilst we by Antony are all enclosed. [Enter Pindarus.] PINDARUS. Fly further off, my lord, fly further off; Mark Antony is in your tents, my lord: Fly, therefore, noble Cassius, fly far' off. CASSIUS. This hill is far enough.--Look, look, Titinius; Are those my tents where I perceive the fire? TITINIUS. They are, my lord. CASSIUS. Titinius, if thou lovest me, Mount thou my horse and hide thy spurs in him, Till he have brought thee up to yonder troops And here again; that I may rest assured Whether yond troops are friend or enemy. TITINIUS. I will be here again, even with a thought. [Exit.] CASSIUS. Go, Pindarus, get higher on that hill: My sight was ever thick: regard Titinius, And tell me what thou notest about the field.-- [Pindarus goes up.] This day I breathed first: time is come round, And where I did begin, there shall I end; My life is run his compass.--Sirrah, what news? PINDARUS. [Above.] O my lord! CASSIUS. What news? PINDARUS. [Above.] Titinius is enclosed round about With horsemen, that make to him on the spur: Yet he spurs on. Now they are almost on him.-- Now, Titinius!--Now some 'light. O, he 'lights too: He's ta'en; [Shout.] and, hark! they shout for joy. CASSIUS. Come down; behold no more.-- O, coward that I am, to live so long, To see my best friend ta'en before my face! [Pindarus descends.] Come hither, sirrah: In Parthia did I take thee prisoner; And then I swore thee, saving of thy life, That whatsoever I did bid thee do, Thou shouldst attempt it. Come now, keep thine oath; Now be a freeman; and with this good sword, That ran through Caesar's bowels, search this bosom. Stand not to answer: here, take thou the hilts; And when my face is cover'd, as 'tis now, Guide thou the sword.--Caesar, thou art revenged, Even with the sword that kill'd thee. [Dies.] PINDARUS. So, I am free, yet would not so have been, Durst I have done my will.--O Cassius! Far from this country Pindarus shall run, Where never Roman shall take note of him. [Exit.] [Re-enter Titinius with Messala.] MESSALA. It is but change, Titinius; for Octavius Is overthrown by noble Brutus' power, As Cassius' legions are by Antony. TITINIUS. These tidings would well comfort Cassius. MESSALA. Where did you leave him? TITINIUS. All disconsolate, With Pindarus his bondman, on this hill. MESSALA. Is not that he that lies upon the ground? TITINIUS. He lies not like the living. O my heart! MESSALA. Is not that he? TITINIUS. No, this was he, Messala, But Cassius is no more.--O setting Sun, As in thy red rays thou dost sink to night, So in his red blood Cassius' day is set, The sun of Rome is set! Our day is gone; Clouds, dews, and dangers come; our deeds are done! Mistrust of my success hath done this deed. MESSALA. Mistrust of good success hath done this deed. O hateful Error, Melancholy's child! Why dost thou show to the apt thoughts of men The things that are not? O Error, soon conceived, Thou never comest unto a happy birth, But kill'st the mother that engender'd thee! TITINIUS. What, Pindarus! where art thou, Pindarus? MESSALA. Seek him, Titinius, whilst I go to meet The noble Brutus, thrusting this report Into his ears: I may say, thrusting it; For piercing steel and darts envenomed Shall be as welcome to the ears of Brutus As tidings of this sight. TITINIUS. Hie you, Messala, And I will seek for Pindarus the while.-- [Exit Messala.] Why didst thou send me forth, brave Cassius? Did I not meet thy friends? And did not they Put on my brows this wreath of victory, And bid me give it thee? Didst thou not hear their shouts? Alas, thou hast misconstrued every thing! But, hold thee, take this garland on thy brow; Thy Brutus bid me give it thee, and I Will do his bidding.--Brutus, come apace, And see how I regarded Caius Cassius.-- By your leave, gods: this is a Roman's part: Come, Cassius' sword, and find Titinius' heart. [Dies.] [Alarum. Re-enter Messala, with Brutus, young Cato, Strato, Volumnius, and Lucilius.] BRUTUS. Where, where, Messala, doth his body lie? MESSALA. Lo, yonder, and Titinius mourning it. BRUTUS. Titinius' face is upward. CATO. He is slain. BRUTUS. O Julius Caesar, thou art mighty yet! Thy spirit walks abroad, and turns our swords In our own proper entrails. [Low alarums.] CATO. Brave Titinius! Look whether he have not crown'd dead Cassius! BRUTUS. Are yet two Romans living such as these?-- The last of all the Romans, fare thee well! It is impossible that ever Rome Should breed thy fellow.--Friends, I owe more tears To this dead man than you shall see me pay.-- I shall find time, Cassius, I shall find time.-- Come therefore, and to Thassos send his body: His funerals shall not be in our camp, Lest it discomfort us.--Lucilius, come;-- And come, young Cato;--let us to the field.-- Labeo and Flavius, set our battles on:-- 'Tis three o'clock; and Romans, yet ere night We shall try fortune in a second fight. [Exeunt.]

Cassius and Titinius watch the battle from another part of the field. When Cassius' standard-bearer tried to run away, Cassius killed him and took up the flag himself. This guy is merciless! Titinius doesn't comment on this behavior but points out that Brutus came down on Octavius's army too early. Though they were initially weaker, Octavius's men now appear to be overtaking Brutus's, and Antony is enclosing Cassius's. The situation is looking pretty dire for Cassius and Brutus. Pindarus comes to Cassius and Titinius with the news that Antony has invaded Cassius's tents. He tries to get Cassius to run away, but Cassius is distracted by a set of fire in the distance. Cassius sends Titinius off on horseback to see whether the troops are friends or enemies. He also sends Pindarus higher up the hill to watch and report on Titinius' progress. Cassius notes to himself that his birthday is a good day to die, his life having come full circle. Cassius is resigned to his fate, but he still fights on. Pindarus reports on Titinius play by play. A horde of horsemen has surrounded Titinius. Now they've overtaken him. And now they're shouting with joy. It looks like the worst has happened. Cassius calls for Pindarus to stop watching. He laments that he's such a coward to have sent his best friend Titinius to his death. Pindarus returns to Cassius' side, and Cassius speaks to him. Cassius reminds Pindarus how he took him prisoner at Parthia and spared his life on the condition that he do whatever Cassius asked him to. Cassius then tells Pindarus how to make himself a free man: he should kill him with the very blade he used to kill Caesar. Pindarus stabs Cassius, who dies declaring that Caesar is avenged by the same sword that killed him. Pindarus, now hovering around Cassius' body, claims that this wasn't the way he wanted to gain his freedom, and that if he had his own will , he wouldn't have done it. He declares that he'll run far away so no Roman will ever see him again. Messala then enters the scene with Titinius , announcing the new state of the battle: they're basically even on both sides. Brutus has overtaken Octavius' forces, while Antony's forces have beaten Cassius' men. The men are stoked to tell Cassius that all isn't lost, but then they see his dead body, which is in no condition to accept good news. Messala is more Action Jackson than super-sleuth; he goes off unhappily to inform Brutus of Cassius' death. Meanwhile, Titinius is left to find Pindarus. While he looks around, Titinius realizes that Cassius must have misunderstood what had happened on the hilltop. It doesn't matter where Pindarus is, and Titinius doesn't even look for him. Instead, Titinius explains what actually happened in the scene that Cassius killed himself over. Titinius was indeed overtaken, but by friends of Brutus and Cassius on horseback. The shouts Pindarus heard were shouts of joy for Cassius' side. They overtook Titinius to put a wreath of victory on his head, which Brutus then wanted the rider to give to Cassius. Titinius still has the doomed crown, which, in a dramatic moment, he places on dead Cassius' head. Titinius then cries, "By your leave, gods! - this is a Roman's part," and proceeds to stab himself with Cassius' sword. Titinius dies beside his friend. Messala and Brutus arrive just in time to find that Titinius has played Ultimate Mourning and killed himself. Brutus cries out, "Julius Caesar, thou art mighty yet!" Brutus laments that two of Rome's bravest men should lie here this way. He prophetically calls Cassius "the last of all the Romans," meaning the last of the old school Romans that prefer death to subjugation. Brutus says he knows he ought to cry over Cassius, but now is not the time for crying. In the meantime, they decide not to hold the funerals in the camp, as funerals are no way to boost troop morale. Still, it's only 3 o'clock, which means there's time to try their luck against the enemy again, in the hopes something might be accomplished before dinnertime. Brutus gathers his remaining friends for the fight.

Though Mrs. Jennings was in the habit of spending a large portion of the year at the houses of her children and friends, she was not without a settled habitation of her own. Since the death of her husband, who had traded with success in a less elegant part of the town, she had resided every winter in a house in one of the streets near Portman Square. Towards this home, she began on the approach of January to turn her thoughts, and thither she one day abruptly, and very unexpectedly by them, asked the elder Misses Dashwood to accompany her. Elinor, without observing the varying complexion of her sister, and the animated look which spoke no indifference to the plan, immediately gave a grateful but absolute denial for both, in which she believed herself to be speaking their united inclinations. The reason alleged was their determined resolution of not leaving their mother at that time of the year. Mrs. Jennings received the refusal with some surprise, and repeated her invitation immediately. "Oh, Lord! I am sure your mother can spare you very well, and I DO beg you will favour me with your company, for I've quite set my heart upon it. Don't fancy that you will be any inconvenience to me, for I shan't put myself at all out of my way for you. It will only be sending Betty by the coach, and I hope I can afford THAT. We three shall be able to go very well in my chaise; and when we are in town, if you do not like to go wherever I do, well and good, you may always go with one of my daughters. I am sure your mother will not object to it; for I have had such good luck in getting my own children off my hands that she will think me a very fit person to have the charge of you; and if I don't get one of you at least well married before I have done with you, it shall not be my fault. I shall speak a good word for you to all the young men, you may depend upon it." "I have a notion," said Sir John, "that Miss Marianne would not object to such a scheme, if her elder sister would come into it. It is very hard indeed that she should not have a little pleasure, because Miss Dashwood does not wish it. So I would advise you two, to set off for town, when you are tired of Barton, without saying a word to Miss Dashwood about it." "Nay," cried Mrs. Jennings, "I am sure I shall be monstrous glad of Miss Marianne's company, whether Miss Dashwood will go or not, only the more the merrier say I, and I thought it would be more comfortable for them to be together; because, if they got tired of me, they might talk to one another, and laugh at my old ways behind my back. But one or the other, if not both of them, I must have. Lord bless me! how do you think I can live poking by myself, I who have been always used till this winter to have Charlotte with me. Come, Miss Marianne, let us strike hands upon the bargain, and if Miss Dashwood will change her mind by and bye, why so much the better." "I thank you, ma'am, sincerely thank you," said Marianne, with warmth: "your invitation has insured my gratitude for ever, and it would give me such happiness, yes, almost the greatest happiness I am capable of, to be able to accept it. But my mother, my dearest, kindest mother,--I feel the justice of what Elinor has urged, and if she were to be made less happy, less comfortable by our absence--Oh! no, nothing should tempt me to leave her. It should not, must not be a struggle." Mrs. Jennings repeated her assurance that Mrs. Dashwood could spare them perfectly well; and Elinor, who now understood her sister, and saw to what indifference to almost every thing else she was carried by her eagerness to be with Willoughby again, made no farther direct opposition to the plan, and merely referred it to her mother's decision, from whom however she scarcely expected to receive any support in her endeavour to prevent a visit, which she could not approve of for Marianne, and which on her own account she had particular reasons to avoid. Whatever Marianne was desirous of, her mother would be eager to promote--she could not expect to influence the latter to cautiousness of conduct in an affair respecting which she had never been able to inspire her with distrust; and she dared not explain the motive of her own disinclination for going to London. That Marianne, fastidious as she was, thoroughly acquainted with Mrs. Jennings' manners, and invariably disgusted by them, should overlook every inconvenience of that kind, should disregard whatever must be most wounding to her irritable feelings, in her pursuit of one object, was such a proof, so strong, so full, of the importance of that object to her, as Elinor, in spite of all that had passed, was not prepared to witness. On being informed of the invitation, Mrs. Dashwood, persuaded that such an excursion would be productive of much amusement to both her daughters, and perceiving through all her affectionate attention to herself, how much the heart of Marianne was in it, would not hear of their declining the offer upon HER account; insisted on their both accepting it directly; and then began to foresee, with her usual cheerfulness, a variety of advantages that would accrue to them all, from this separation. "I am delighted with the plan," she cried, "it is exactly what I could wish. Margaret and I shall be as much benefited by it as yourselves. When you and the Middletons are gone, we shall go on so quietly and happily together with our books and our music! You will find Margaret so improved when you come back again! I have a little plan of alteration for your bedrooms too, which may now be performed without any inconvenience to any one. It is very right that you SHOULD go to town; I would have every young woman of your condition in life acquainted with the manners and amusements of London. You will be under the care of a motherly good sort of woman, of whose kindness to you I can have no doubt. And in all probability you will see your brother, and whatever may be his faults, or the faults of his wife, when I consider whose son he is, I cannot bear to have you so wholly estranged from each other." "Though with your usual anxiety for our happiness," said Elinor, "you have been obviating every impediment to the present scheme which occurred to you, there is still one objection which, in my opinion, cannot be so easily removed." Marianne's countenance sunk. "And what," said Mrs. Dashwood, "is my dear prudent Elinor going to suggest? What formidable obstacle is she now to bring forward? Do let me hear a word about the expense of it." "My objection is this; though I think very well of Mrs. Jennings's heart, she is not a woman whose society can afford us pleasure, or whose protection will give us consequence." "That is very true," replied her mother, "but of her society, separately from that of other people, you will scarcely have any thing at all, and you will almost always appear in public with Lady Middleton." "If Elinor is frightened away by her dislike of Mrs. Jennings," said Marianne, "at least it need not prevent MY accepting her invitation. I have no such scruples, and I am sure I could put up with every unpleasantness of that kind with very little effort." Elinor could not help smiling at this display of indifference towards the manners of a person, to whom she had often had difficulty in persuading Marianne to behave with tolerable politeness; and resolved within herself, that if her sister persisted in going, she would go likewise, as she did not think it proper that Marianne should be left to the sole guidance of her own judgment, or that Mrs. Jennings should be abandoned to the mercy of Marianne for all the comfort of her domestic hours. To this determination she was the more easily reconciled, by recollecting that Edward Ferrars, by Lucy's account, was not to be in town before February; and that their visit, without any unreasonable abridgement, might be previously finished. "I will have you BOTH go," said Mrs. Dashwood; "these objections are nonsensical. You will have much pleasure in being in London, and especially in being together; and if Elinor would ever condescend to anticipate enjoyment, she would foresee it there from a variety of sources; she would, perhaps, expect some from improving her acquaintance with her sister-in-law's family." Elinor had often wished for an opportunity of attempting to weaken her mother's dependence on the attachment of Edward and herself, that the shock might be less when the whole truth were revealed, and now on this attack, though almost hopeless of success, she forced herself to begin her design by saying, as calmly as she could, "I like Edward Ferrars very much, and shall always be glad to see him; but as to the rest of the family, it is a matter of perfect indifference to me, whether I am ever known to them or not." Mrs. Dashwood smiled, and said nothing. Marianne lifted up her eyes in astonishment, and Elinor conjectured that she might as well have held her tongue. After very little farther discourse, it was finally settled that the invitation should be fully accepted. Mrs. Jennings received the information with a great deal of joy, and many assurances of kindness and care; nor was it a matter of pleasure merely to her. Sir John was delighted; for to a man, whose prevailing anxiety was the dread of being alone, the acquisition of two, to the number of inhabitants in London, was something. Even Lady Middleton took the trouble of being delighted, which was putting herself rather out of her way; and as for the Miss Steeles, especially Lucy, they had never been so happy in their lives as this intelligence made them. Elinor submitted to the arrangement which counteracted her wishes with less reluctance than she had expected to feel. With regard to herself, it was now a matter of unconcern whether she went to town or not, and when she saw her mother so thoroughly pleased with the plan, and her sister exhilarated by it in look, voice, and manner, restored to all her usual animation, and elevated to more than her usual gaiety, she could not be dissatisfied with the cause, and would hardly allow herself to distrust the consequence. Marianne's joy was almost a degree beyond happiness, so great was the perturbation of her spirits and her impatience to be gone. Her unwillingness to quit her mother was her only restorative to calmness; and at the moment of parting her grief on that score was excessive. Her mother's affliction was hardly less, and Elinor was the only one of the three, who seemed to consider the separation as any thing short of eternal. Their departure took place in the first week in January. The Middletons were to follow in about a week. The Miss Steeles kept their station at the park, and were to quit it only with the rest of the family. Elinor could not find herself in the carriage with Mrs. Jennings, and beginning a journey to London under her protection, and as her guest, without wondering at her own situation, so short had their acquaintance with that lady been, so wholly unsuited were they in age and disposition, and so many had been her objections against such a measure only a few days before! But these objections had all, with that happy ardour of youth which Marianne and her mother equally shared, been overcome or overlooked; and Elinor, in spite of every occasional doubt of Willoughby's constancy, could not witness the rapture of delightful expectation which filled the whole soul and beamed in the eyes of Marianne, without feeling how blank was her own prospect, how cheerless her own state of mind in the comparison, and how gladly she would engage in the solicitude of Marianne's situation to have the same animating object in view, the same possibility of hope. A short, a very short time however must now decide what Willoughby's intentions were; in all probability he was already in town. Marianne's eagerness to be gone declared her dependence on finding him there; and Elinor was resolved not only upon gaining every new light as to his character which her own observation or the intelligence of others could give her, but likewise upon watching his behaviour to her sister with such zealous attention, as to ascertain what he was and what he meant, before many meetings had taken place. Should the result of her observations be unfavourable, she was determined at all events to open the eyes of her sister; should it be otherwise, her exertions would be of a different nature--she must then learn to avoid every selfish comparison, and banish every regret which might lessen her satisfaction in the happiness of Marianne. They were three days on their journey, and Marianne's behaviour as they travelled was a happy specimen of what future complaisance and companionableness to Mrs. Jennings might be expected to be. She sat in silence almost all the way, wrapt in her own meditations, and scarcely ever voluntarily speaking, except when any object of picturesque beauty within their view drew from her an exclamation of delight exclusively addressed to her sister. To atone for this conduct therefore, Elinor took immediate possession of the post of civility which she had assigned herself, behaved with the greatest attention to Mrs. Jennings, talked with her, laughed with her, and listened to her whenever she could; and Mrs. Jennings on her side treated them both with all possible kindness, was solicitous on every occasion for their ease and enjoyment, and only disturbed that she could not make them choose their own dinners at the inn, nor extort a confession of their preferring salmon to cod, or boiled fowls to veal cutlets. They reached town by three o'clock the third day, glad to be released, after such a journey, from the confinement of a carriage, and ready to enjoy all the luxury of a good fire. The house was handsome, and handsomely fitted up, and the young ladies were immediately put in possession of a very comfortable apartment. It had formerly been Charlotte's, and over the mantelpiece still hung a landscape in coloured silks of her performance, in proof of her having spent seven years at a great school in town to some effect. As dinner was not to be ready in less than two hours from their arrival, Elinor determined to employ the interval in writing to her mother, and sat down for that purpose. In a few moments Marianne did the same. "I am writing home, Marianne," said Elinor; "had not you better defer your letter for a day or two?" "I am NOT going to write to my mother," replied Marianne, hastily, and as if wishing to avoid any farther inquiry. Elinor said no more; it immediately struck her that she must then be writing to Willoughby; and the conclusion which as instantly followed was, that, however mysteriously they might wish to conduct the affair, they must be engaged. This conviction, though not entirely satisfactory, gave her pleasure, and she continued her letter with greater alacrity. Marianne's was finished in a very few minutes; in length it could be no more than a note; it was then folded up, sealed, and directed with eager rapidity. Elinor thought she could distinguish a large W in the direction; and no sooner was it complete than Marianne, ringing the bell, requested the footman who answered it to get that letter conveyed for her to the two-penny post. This decided the matter at once. Her spirits still continued very high; but there was a flutter in them which prevented their giving much pleasure to her sister, and this agitation increased as the evening drew on. She could scarcely eat any dinner, and when they afterwards returned to the drawing room, seemed anxiously listening to the sound of every carriage. It was a great satisfaction to Elinor that Mrs. Jennings, by being much engaged in her own room, could see little of what was passing. The tea things were brought in, and already had Marianne been disappointed more than once by a rap at a neighbouring door, when a loud one was suddenly heard which could not be mistaken for one at any other house, Elinor felt secure of its announcing Willoughby's approach, and Marianne, starting up, moved towards the door. Every thing was silent; this could not be borne many seconds; she opened the door, advanced a few steps towards the stairs, and after listening half a minute, returned into the room in all the agitation which a conviction of having heard him would naturally produce; in the ecstasy of her feelings at that instant she could not help exclaiming, "Oh, Elinor, it is Willoughby, indeed it is!" and seemed almost ready to throw herself into his arms, when Colonel Brandon appeared. It was too great a shock to be borne with calmness, and she immediately left the room. Elinor was disappointed too; but at the same time her regard for Colonel Brandon ensured his welcome with her; and she felt particularly hurt that a man so partial to her sister should perceive that she experienced nothing but grief and disappointment in seeing him. She instantly saw that it was not unnoticed by him, that he even observed Marianne as she quitted the room, with such astonishment and concern, as hardly left him the recollection of what civility demanded towards herself. "Is your sister ill?" said he. Elinor answered in some distress that she was, and then talked of head-aches, low spirits, and over fatigues; and of every thing to which she could decently attribute her sister's behaviour. He heard her with the most earnest attention, but seeming to recollect himself, said no more on the subject, and began directly to speak of his pleasure at seeing them in London, making the usual inquiries about their journey, and the friends they had left behind. In this calm kind of way, with very little interest on either side, they continued to talk, both of them out of spirits, and the thoughts of both engaged elsewhere. Elinor wished very much to ask whether Willoughby were then in town, but she was afraid of giving him pain by any enquiry after his rival; and at length, by way of saying something, she asked if he had been in London ever since she had seen him last. "Yes," he replied, with some embarrassment, "almost ever since; I have been once or twice at Delaford for a few days, but it has never been in my power to return to Barton." This, and the manner in which it was said, immediately brought back to her remembrance all the circumstances of his quitting that place, with the uneasiness and suspicions they had caused to Mrs. Jennings, and she was fearful that her question had implied much more curiosity on the subject than she had ever felt. Mrs. Jennings soon came in. "Oh! Colonel," said she, with her usual noisy cheerfulness, "I am monstrous glad to see you--sorry I could not come before--beg your pardon, but I have been forced to look about me a little, and settle my matters; for it is a long while since I have been at home, and you know one has always a world of little odd things to do after one has been away for any time; and then I have had Cartwright to settle with-- Lord, I have been as busy as a bee ever since dinner! But pray, Colonel, how came you to conjure out that I should be in town today?" "I had the pleasure of hearing it at Mr. Palmer's, where I have been dining." "Oh, you did; well, and how do they all do at their house? How does Charlotte do? I warrant you she is a fine size by this time." "Mrs. Palmer appeared quite well, and I am commissioned to tell you, that you will certainly see her to-morrow." "Ay, to be sure, I thought as much. Well, Colonel, I have brought two young ladies with me, you see--that is, you see but one of them now, but there is another somewhere. Your friend, Miss Marianne, too--which you will not be sorry to hear. I do not know what you and Mr. Willoughby will do between you about her. Ay, it is a fine thing to be young and handsome. Well! I was young once, but I never was very handsome--worse luck for me. However, I got a very good husband, and I don't know what the greatest beauty can do more. Ah! poor man! he has been dead these eight years and better. But Colonel, where have you been to since we parted? And how does your business go on? Come, come, let's have no secrets among friends." He replied with his accustomary mildness to all her inquiries, but without satisfying her in any. Elinor now began to make the tea, and Marianne was obliged to appear again. After her entrance, Colonel Brandon became more thoughtful and silent than he had been before, and Mrs. Jennings could not prevail on him to stay long. No other visitor appeared that evening, and the ladies were unanimous in agreeing to go early to bed. Marianne rose the next morning with recovered spirits and happy looks. The disappointment of the evening before seemed forgotten in the expectation of what was to happen that day. They had not long finished their breakfast before Mrs. Palmer's barouche stopped at the door, and in a few minutes she came laughing into the room: so delighted to see them all, that it was hard to say whether she received most pleasure from meeting her mother or the Miss Dashwoods again. So surprised at their coming to town, though it was what she had rather expected all along; so angry at their accepting her mother's invitation after having declined her own, though at the same time she would never have forgiven them if they had not come! "Mr. Palmer will be so happy to see you," said she; "What do you think he said when he heard of your coming with Mama? I forget what it was now, but it was something so droll!" After an hour or two spent in what her mother called comfortable chat, or in other words, in every variety of inquiry concerning all their acquaintance on Mrs. Jennings's side, and in laughter without cause on Mrs. Palmer's, it was proposed by the latter that they should all accompany her to some shops where she had business that morning, to which Mrs. Jennings and Elinor readily consented, as having likewise some purchases to make themselves; and Marianne, though declining it at first was induced to go likewise. Wherever they went, she was evidently always on the watch. In Bond Street especially, where much of their business lay, her eyes were in constant inquiry; and in whatever shop the party were engaged, her mind was equally abstracted from every thing actually before them, from all that interested and occupied the others. Restless and dissatisfied every where, her sister could never obtain her opinion of any article of purchase, however it might equally concern them both: she received no pleasure from anything; was only impatient to be at home again, and could with difficulty govern her vexation at the tediousness of Mrs. Palmer, whose eye was caught by every thing pretty, expensive, or new; who was wild to buy all, could determine on none, and dawdled away her time in rapture and indecision. It was late in the morning before they returned home; and no sooner had they entered the house than Marianne flew eagerly up stairs, and when Elinor followed, she found her turning from the table with a sorrowful countenance, which declared that no Willoughby had been there. "Has no letter been left here for me since we went out?" said she to the footman who then entered with the parcels. She was answered in the negative. "Are you quite sure of it?" she replied. "Are you certain that no servant, no porter has left any letter or note?" The man replied that none had. "How very odd!" said she, in a low and disappointed voice, as she turned away to the window. "How odd, indeed!" repeated Elinor within herself, regarding her sister with uneasiness. "If she had not known him to be in town she would not have written to him, as she did; she would have written to Combe Magna; and if he is in town, how odd that he should neither come nor write! Oh! my dear mother, you must be wrong in permitting an engagement between a daughter so young, a man so little known, to be carried on in so doubtful, so mysterious a manner! I long to inquire; and how will MY interference be borne." She determined, after some consideration, that if appearances continued many days longer as unpleasant as they now were, she would represent in the strongest manner to her mother the necessity of some serious enquiry into the affair. Mrs. Palmer and two elderly ladies of Mrs. Jennings's intimate acquaintance, whom she had met and invited in the morning, dined with them. The former left them soon after tea to fulfill her evening engagements; and Elinor was obliged to assist in making a whist table for the others. Marianne was of no use on these occasions, as she would never learn the game; but though her time was therefore at her own disposal, the evening was by no means more productive of pleasure to her than to Elinor, for it was spent in all the anxiety of expectation and the pain of disappointment. She sometimes endeavoured for a few minutes to read; but the book was soon thrown aside, and she returned to the more interesting employment of walking backwards and forwards across the room, pausing for a moment whenever she came to the window, in hopes of distinguishing the long-expected rap.

When Mrs. Jennings invited Elinor and Marianne to stay with her in London, Elinor at first refused, but Marianne was so eager to go, hoping to see Willoughby, that Elinor finally assented. Their departure took place in the first week of January. During the three-day journey, Marianne "sat in silence . . . wrapt in her own meditations." However, Elinor made up for this rudeness by treating Mrs. Jennings with much solicitude, and the woman was kind and attentive to them in turn. As soon as they arrived, Elinor found Marianne writing to someone, and when she saw a large "W" on the envelope, she was sure it was to Willoughby. Elinor concluded from this that they must be engaged. When a visitor arrived, Marianne jumped up, certain it was her love. But it turned out to be Colonel Brandon, who had heard of their arrival through the Palmers. For Marianne, this "was too much of a shock to be borne with calmness," and she ran out of the room in tears, much to the Colonel's surprise. On the next day, Marianne was in high spirits again, obviously expecting a visit from Willoughby. Charlotte Palmer called and they all went out shopping. When they returned, Marianne was greatly upset to find that Willoughby had neither called nor written to her. "How very odd," she murmured. Elinor, observing her sister's behavior, was very uneasy. She determined that "if appearances continued many days longer as unpleasant as they now were she would represent in the strongest manner to her mother the necessity of some serious inquiry into the affair."

A touch on the lawyer's wrinkled hand as he stands in the dark room, irresolute, makes him start and say, "What's that?" "It's me," returns the old man of the house, whose breath is in his ear. "Can't you wake him?" "No." "What have you done with your candle?" "It's gone out. Here it is." Krook takes it, goes to the fire, stoops over the red embers, and tries to get a light. The dying ashes have no light to spare, and his endeavours are vain. Muttering, after an ineffectual call to his lodger, that he will go downstairs and bring a lighted candle from the shop, the old man departs. Mr. Tulkinghorn, for some new reason that he has, does not await his return in the room, but on the stairs outside. The welcome light soon shines upon the wall, as Krook comes slowly up with his green-eyed cat following at his heels. "Does the man generally sleep like this?" inquired the lawyer in a low voice. "Hi! I don't know," says Krook, shaking his head and lifting his eyebrows. "I know next to nothing of his habits except that he keeps himself very close." Thus whispering, they both go in together. As the light goes in, the great eyes in the shutters, darkening, seem to close. Not so the eyes upon the bed. "God save us!" exclaims Mr. Tulkinghorn. "He is dead!" Krook drops the heavy hand he has taken up so suddenly that the arm swings over the bedside. They look at one another for a moment. "Send for some doctor! Call for Miss Flite up the stairs, sir. Here's poison by the bed! Call out for Flite, will you?" says Krook, with his lean hands spread out above the body like a vampire's wings. Mr. Tulkinghorn hurries to the landing and calls, "Miss Flite! Flite! Make haste, here, whoever you are! Flite!" Krook follows him with his eyes, and while he is calling, finds opportunity to steal to the old portmanteau and steal back again. "Run, Flite, run! The nearest doctor! Run!" So Mr. Krook addresses a crazy little woman who is his female lodger, who appears and vanishes in a breath, who soon returns accompanied by a testy medical man brought from his dinner, with a broad, snuffy upper lip and a broad Scotch tongue. "Ey! Bless the hearts o' ye," says the medical man, looking up at them after a moment's examination. "He's just as dead as Phairy!" Mr. Tulkinghorn (standing by the old portmanteau) inquires if he has been dead any time. "Any time, sir?" says the medical gentleman. "It's probable he wull have been dead aboot three hours." "About that time, I should say," observes a dark young man on the other side of the bed. "Air you in the maydickle prayfession yourself, sir?" inquires the first. The dark young man says yes. "Then I'll just tak' my depairture," replies the other, "for I'm nae gude here!" With which remark he finishes his brief attendance and returns to finish his dinner. The dark young surgeon passes the candle across and across the face and carefully examines the law-writer, who has established his pretensions to his name by becoming indeed No one. "I knew this person by sight very well," says he. "He has purchased opium of me for the last year and a half. Was anybody present related to him?" glancing round upon the three bystanders. "I was his landlord," grimly answers Krook, taking the candle from the surgeon's outstretched hand. "He told me once I was the nearest relation he had." "He has died," says the surgeon, "of an over-dose of opium, there is no doubt. The room is strongly flavoured with it. There is enough here now," taking an old tea-pot from Mr. Krook, "to kill a dozen people." "Do you think he did it on purpose?" asks Krook. "Took the over-dose?" "Yes!" Krook almost smacks his lips with the unction of a horrible interest. "I can't say. I should think it unlikely, as he has been in the habit of taking so much. But nobody can tell. He was very poor, I suppose?" "I suppose he was. His room--don't look rich," says Krook, who might have changed eyes with his cat, as he casts his sharp glance around. "But I have never been in it since he had it, and he was too close to name his circumstances to me." "Did he owe you any rent?" "Six weeks." "He will never pay it!" says the young man, resuming his examination. "It is beyond a doubt that he is indeed as dead as Pharaoh; and to judge from his appearance and condition, I should think it a happy release. Yet he must have been a good figure when a youth, and I dare say, good-looking." He says this, not unfeelingly, while sitting on the bedstead's edge with his face towards that other face and his hand upon the region of the heart. "I recollect once thinking there was something in his manner, uncouth as it was, that denoted a fall in life. Was that so?" he continues, looking round. Krook replies, "You might as well ask me to describe the ladies whose heads of hair I have got in sacks downstairs. Than that he was my lodger for a year and a half and lived--or didn't live--by law-writing, I know no more of him." During this dialogue Mr. Tulkinghorn has stood aloof by the old portmanteau, with his hands behind him, equally removed, to all appearance, from all three kinds of interest exhibited near the bed--from the young surgeon's professional interest in death, noticeable as being quite apart from his remarks on the deceased as an individual; from the old man's unction; and the little crazy woman's awe. His imperturbable face has been as inexpressive as his rusty clothes. One could not even say he has been thinking all this while. He has shown neither patience nor impatience, nor attention nor abstraction. He has shown nothing but his shell. As easily might the tone of a delicate musical instrument be inferred from its case, as the tone of Mr. Tulkinghorn from his case. He now interposes, addressing the young surgeon in his unmoved, professional way. "I looked in here," he observes, "just before you, with the intention of giving this deceased man, whom I never saw alive, some employment at his trade of copying. I had heard of him from my stationer--Snagsby of Cook's Court. Since no one here knows anything about him, it might be as well to send for Snagsby. Ah!" to the little crazy woman, who has often seen him in court, and whom he has often seen, and who proposes, in frightened dumb-show, to go for the law-stationer. "Suppose you do!" While she is gone, the surgeon abandons his hopeless investigation and covers its subject with the patchwork counterpane. Mr. Krook and he interchange a word or two. Mr. Tulkinghorn says nothing, but stands, ever, near the old portmanteau. Mr. Snagsby arrives hastily in his grey coat and his black sleeves. "Dear me, dear me," he says; "and it has come to this, has it! Bless my soul!" "Can you give the person of the house any information about this unfortunate creature, Snagsby?" inquires Mr. Tulkinghorn. "He was in arrears with his rent, it seems. And he must be buried, you know." "Well, sir," says Mr. Snagsby, coughing his apologetic cough behind his hand, "I really don't know what advice I could offer, except sending for the beadle." "I don't speak of advice," returns Mr. Tulkinghorn. "I could advise--" "No one better, sir, I am sure," says Mr. Snagsby, with his deferential cough. "I speak of affording some clue to his connexions, or to where he came from, or to anything concerning him." "I assure you, sir," says Mr. Snagsby after prefacing his reply with his cough of general propitiation, "that I no more know where he came from than I know--" "Where he has gone to, perhaps," suggests the surgeon to help him out. A pause. Mr. Tulkinghorn looking at the law-stationer. Mr. Krook, with his mouth open, looking for somebody to speak next. "As to his connexions, sir," says Mr. Snagsby, "if a person was to say to me, 'Snagsby, here's twenty thousand pound down, ready for you in the Bank of England if you'll only name one of 'em,' I couldn't do it, sir! About a year and a half ago--to the best of my belief, at the time when he first came to lodge at the present rag and bottle shop--" "That was the time!" says Krook with a nod. "About a year and a half ago," says Mr. Snagsby, strengthened, "he came into our place one morning after breakfast, and finding my little woman (which I name Mrs. Snagsby when I use that appellation) in our shop, produced a specimen of his handwriting and gave her to understand that he was in want of copying work to do and was, not to put too fine a point upon it," a favourite apology for plain speaking with Mr. Snagsby, which he always offers with a sort of argumentative frankness, "hard up! My little woman is not in general partial to strangers, particular--not to put too fine a point upon it--when they want anything. But she was rather took by something about this person, whether by his being unshaved, or by his hair being in want of attention, or by what other ladies' reasons, I leave you to judge; and she accepted of the specimen, and likewise of the address. My little woman hasn't a good ear for names," proceeds Mr. Snagsby after consulting his cough of consideration behind his hand, "and she considered Nemo equally the same as Nimrod. In consequence of which, she got into a habit of saying to me at meals, 'Mr. Snagsby, you haven't found Nimrod any work yet!' or 'Mr. Snagsby, why didn't you give that eight and thirty Chancery folio in Jarndyce to Nimrod?' or such like. And that is the way he gradually fell into job-work at our place; and that is the most I know of him except that he was a quick hand, and a hand not sparing of night-work, and that if you gave him out, say, five and forty folio on the Wednesday night, you would have it brought in on the Thursday morning. All of which--" Mr. Snagsby concludes by politely motioning with his hat towards the bed, as much as to add, "I have no doubt my honourable friend would confirm if he were in a condition to do it." "Hadn't you better see," says Mr. Tulkinghorn to Krook, "whether he had any papers that may enlighten you? There will be an inquest, and you will be asked the question. You can read?" "No, I can't," returns the old man with a sudden grin. "Snagsby," says Mr. Tulkinghorn, "look over the room for him. He will get into some trouble or difficulty otherwise. Being here, I'll wait if you make haste, and then I can testify on his behalf, if it should ever be necessary, that all was fair and right. If you will hold the candle for Mr. Snagsby, my friend, he'll soon see whether there is anything to help you." "In the first place, here's an old portmanteau, sir," says Snagsby. Ah, to be sure, so there is! Mr. Tulkinghorn does not appear to have seen it before, though he is standing so close to it, and though there is very little else, heaven knows. The marine-store merchant holds the light, and the law-stationer conducts the search. The surgeon leans against the corner of the chimney-piece; Miss Flite peeps and trembles just within the door. The apt old scholar of the old school, with his dull black breeches tied with ribbons at the knees, his large black waistcoat, his long-sleeved black coat, and his wisp of limp white neckerchief tied in the bow the peerage knows so well, stands in exactly the same place and attitude. There are some worthless articles of clothing in the old portmanteau; there is a bundle of pawnbrokers' duplicates, those turnpike tickets on the road of poverty; there is a crumpled paper, smelling of opium, on which are scrawled rough memoranda--as, took, such a day, so many grains; took, such another day, so many more--begun some time ago, as if with the intention of being regularly continued, but soon left off. There are a few dirty scraps of newspapers, all referring to coroners' inquests; there is nothing else. They search the cupboard and the drawer of the ink-splashed table. There is not a morsel of an old letter or of any other writing in either. The young surgeon examines the dress on the law-writer. A knife and some odd halfpence are all he finds. Mr. Snagsby's suggestion is the practical suggestion after all, and the beadle must be called in. So the little crazy lodger goes for the beadle, and the rest come out of the room. "Don't leave the cat there!" says the surgeon; "that won't do!" Mr. Krook therefore drives her out before him, and she goes furtively downstairs, winding her lithe tail and licking her lips. "Good night!" says Mr. Tulkinghorn, and goes home to Allegory and meditation. By this time the news has got into the court. Groups of its inhabitants assemble to discuss the thing, and the outposts of the army of observation (principally boys) are pushed forward to Mr. Krook's window, which they closely invest. A policeman has already walked up to the room, and walked down again to the door, where he stands like a tower, only condescending to see the boys at his base occasionally; but whenever he does see them, they quail and fall back. Mrs. Perkins, who has not been for some weeks on speaking terms with Mrs. Piper in consequence for an unpleasantness originating in young Perkins' having "fetched" young Piper "a crack," renews her friendly intercourse on this auspicious occasion. The potboy at the corner, who is a privileged amateur, as possessing official knowledge of life and having to deal with drunken men occasionally, exchanges confidential communications with the policeman and has the appearance of an impregnable youth, unassailable by truncheons and unconfinable in station-houses. People talk across the court out of window, and bare-headed scouts come hurrying in from Chancery Lane to know what's the matter. The general feeling seems to be that it's a blessing Mr. Krook warn't made away with first, mingled with a little natural disappointment that he was not. In the midst of this sensation, the beadle arrives. The beadle, though generally understood in the neighbourhood to be a ridiculous institution, is not without a certain popularity for the moment, if it were only as a man who is going to see the body. The policeman considers him an imbecile civilian, a remnant of the barbarous watchmen times, but gives him admission as something that must be borne with until government shall abolish him. The sensation is heightened as the tidings spread from mouth to mouth that the beadle is on the ground and has gone in. By and by the beadle comes out, once more intensifying the sensation, which has rather languished in the interval. He is understood to be in want of witnesses for the inquest to-morrow who can tell the coroner and jury anything whatever respecting the deceased. Is immediately referred to innumerable people who can tell nothing whatever. Is made more imbecile by being constantly informed that Mrs. Green's son "was a law-writer his-self and knowed him better than anybody," which son of Mrs. Green's appears, on inquiry, to be at the present time aboard a vessel bound for China, three months out, but considered accessible by telegraph on application to the Lords of the Admiralty. Beadle goes into various shops and parlours, examining the inhabitants, always shutting the door first, and by exclusion, delay, and general idiotcy exasperating the public. Policeman seen to smile to potboy. Public loses interest and undergoes reaction. Taunts the beadle in shrill youthful voices with having boiled a boy, choruses fragments of a popular song to that effect and importing that the boy was made into soup for the workhouse. Policeman at last finds it necessary to support the law and seize a vocalist, who is released upon the flight of the rest on condition of his getting out of this then, come, and cutting it--a condition he immediately observes. So the sensation dies off for the time; and the unmoved policeman (to whom a little opium, more or less, is nothing), with his shining hat, stiff stock, inflexible great-coat, stout belt and bracelet, and all things fitting, pursues his lounging way with a heavy tread, beating the palms of his white gloves one against the other and stopping now and then at a street-corner to look casually about for anything between a lost child and a murder. Under cover of the night, the feeble-minded beadle comes flitting about Chancery Lane with his summonses, in which every juror's name is wrongly spelt, and nothing rightly spelt but the beadle's own name, which nobody can read or wants to know. The summonses served and his witnesses forewarned, the beadle goes to Mr. Krook's to keep a small appointment he has made with certain paupers, who, presently arriving, are conducted upstairs, where they leave the great eyes in the shutter something new to stare at, in that last shape which earthly lodgings take for No one--and for Every one. And all that night the coffin stands ready by the old portmanteau; and the lonely figure on the bed, whose path in life has lain through five and forty years, lies there with no more track behind him that any one can trace than a deserted infant. Next day the court is all alive--is like a fair, as Mrs. Perkins, more than reconciled to Mrs. Piper, says in amicable conversation with that excellent woman. The coroner is to sit in the first-floor room at the Sol's Arms, where the Harmonic Meetings take place twice a week and where the chair is filled by a gentleman of professional celebrity, faced by Little Swills, the comic vocalist, who hopes (according to the bill in the window) that his friends will rally round him and support first-rate talent. The Sol's Arms does a brisk stroke of business all the morning. Even children so require sustaining under the general excitement that a pieman who has established himself for the occasion at the corner of the court says his brandy-balls go off like smoke. What time the beadle, hovering between the door of Mr. Krook's establishment and the door of the Sol's Arms, shows the curiosity in his keeping to a few discreet spirits and accepts the compliment of a glass of ale or so in return. At the appointed hour arrives the coroner, for whom the jurymen are waiting and who is received with a salute of skittles from the good dry skittle-ground attached to the Sol's Arms. The coroner frequents more public-houses than any man alive. The smell of sawdust, beer, tobacco-smoke, and spirits is inseparable in his vocation from death in its most awful shapes. He is conducted by the beadle and the landlord to the Harmonic Meeting Room, where he puts his hat on the piano and takes a Windsor-chair at the head of a long table formed of several short tables put together and ornamented with glutinous rings in endless involutions, made by pots and glasses. As many of the jury as can crowd together at the table sit there. The rest get among the spittoons and pipes or lean against the piano. Over the coroner's head is a small iron garland, the pendant handle of a bell, which rather gives the majesty of the court the appearance of going to be hanged presently. Call over and swear the jury! While the ceremony is in progress, sensation is created by the entrance of a chubby little man in a large shirt-collar, with a moist eye and an inflamed nose, who modestly takes a position near the door as one of the general public, but seems familiar with the room too. A whisper circulates that this is Little Swills. It is considered not unlikely that he will get up an imitation of the coroner and make it the principal feature of the Harmonic Meeting in the evening. "Well, gentlemen--" the coroner begins. "Silence there, will you!" says the beadle. Not to the coroner, though it might appear so. "Well, gentlemen," resumes the coroner. "You are impanelled here to inquire into the death of a certain man. Evidence will be given before you as to the circumstances attending that death, and you will give your verdict according to the--skittles; they must be stopped, you know, beadle!--evidence, and not according to anything else. The first thing to be done is to view the body." "Make way there!" cries the beadle. So they go out in a loose procession, something after the manner of a straggling funeral, and make their inspection in Mr. Krook's back second floor, from which a few of the jurymen retire pale and precipitately. The beadle is very careful that two gentlemen not very neat about the cuffs and buttons (for whose accommodation he has provided a special little table near the coroner in the Harmonic Meeting Room) should see all that is to be seen. For they are the public chroniclers of such inquiries by the line; and he is not superior to the universal human infirmity, but hopes to read in print what "Mooney, the active and intelligent beadle of the district," said and did and even aspires to see the name of Mooney as familiarly and patronizingly mentioned as the name of the hangman is, according to the latest examples. Little Swills is waiting for the coroner and jury on their return. Mr. Tulkinghorn, also. Mr. Tulkinghorn is received with distinction and seated near the coroner between that high judicial officer, a bagatelle-board, and the coal-box. The inquiry proceeds. The jury learn how the subject of their inquiry died, and learn no more about him. "A very eminent solicitor is in attendance, gentlemen," says the coroner, "who, I am informed, was accidentally present when discovery of the death was made, but he could only repeat the evidence you have already heard from the surgeon, the landlord, the lodger, and the law-stationer, and it is not necessary to trouble him. Is anybody in attendance who knows anything more?" Mrs. Piper pushed forward by Mrs. Perkins. Mrs. Piper sworn. Anastasia Piper, gentlemen. Married woman. Now, Mrs. Piper, what have you got to say about this? Why, Mrs. Piper has a good deal to say, chiefly in parentheses and without punctuation, but not much to tell. Mrs. Piper lives in the court (which her husband is a cabinet-maker), and it has long been well beknown among the neighbours (counting from the day next but one before the half-baptizing of Alexander James Piper aged eighteen months and four days old on accounts of not being expected to live such was the sufferings gentlemen of that child in his gums) as the plaintive--so Mrs. Piper insists on calling the deceased--was reported to have sold himself. Thinks it was the plaintive's air in which that report originatinin. See the plaintive often and considered as his air was feariocious and not to be allowed to go about some children being timid (and if doubted hoping Mrs. Perkins may be brought forard for she is here and will do credit to her husband and herself and family). Has seen the plaintive wexed and worrited by the children (for children they will ever be and you cannot expect them specially if of playful dispositions to be Methoozellers which you was not yourself). On accounts of this and his dark looks has often dreamed as she see him take a pick-axe from his pocket and split Johnny's head (which the child knows not fear and has repeatually called after him close at his eels). Never however see the plaintive take a pick-axe or any other wepping far from it. Has seen him hurry away when run and called after as if not partial to children and never see him speak to neither child nor grown person at any time (excepting the boy that sweeps the crossing down the lane over the way round the corner which if he was here would tell you that he has been seen a-speaking to him frequent). Says the coroner, is that boy here? Says the beadle, no, sir, he is not here. Says the coroner, go and fetch him then. In the absence of the active and intelligent, the coroner converses with Mr. Tulkinghorn. Oh! Here's the boy, gentlemen! Here he is, very muddy, very hoarse, very ragged. Now, boy! But stop a minute. Caution. This boy must be put through a few preliminary paces. Name, Jo. Nothing else that he knows on. Don't know that everybody has two names. Never heerd of sich a think. Don't know that Jo is short for a longer name. Thinks it long enough for HIM. HE don't find no fault with it. Spell it? No. HE can't spell it. No father, no mother, no friends. Never been to school. What's home? Knows a broom's a broom, and knows it's wicked to tell a lie. Don't recollect who told him about the broom or about the lie, but knows both. Can't exactly say what'll be done to him arter he's dead if he tells a lie to the gentlemen here, but believes it'll be something wery bad to punish him, and serve him right--and so he'll tell the truth. "This won't do, gentlemen!" says the coroner with a melancholy shake of the head. "Don't you think you can receive his evidence, sir?" asks an attentive juryman. "Out of the question," says the coroner. "You have heard the boy. 'Can't exactly say' won't do, you know. We can't take THAT in a court of justice, gentlemen. It's terrible depravity. Put the boy aside." Boy put aside, to the great edification of the audience, especially of Little Swills, the comic vocalist. Now. Is there any other witness? No other witness. Very well, gentlemen! Here's a man unknown, proved to have been in the habit of taking opium in large quantities for a year and a half, found dead of too much opium. If you think you have any evidence to lead you to the conclusion that he committed suicide, you will come to that conclusion. If you think it is a case of accidental death, you will find a verdict accordingly. Verdict accordingly. Accidental death. No doubt. Gentlemen, you are discharged. Good afternoon. While the coroner buttons his great-coat, Mr. Tulkinghorn and he give private audience to the rejected witness in a corner. That graceless creature only knows that the dead man (whom he recognized just now by his yellow face and black hair) was sometimes hooted and pursued about the streets. That one cold winter night when he, the boy, was shivering in a doorway near his crossing, the man turned to look at him, and came back, and having questioned him and found that he had not a friend in the world, said, "Neither have I. Not one!" and gave him the price of a supper and a night's lodging. That the man had often spoken to him since and asked him whether he slept sound at night, and how he bore cold and hunger, and whether he ever wished to die, and similar strange questions. That when the man had no money, he would say in passing, "I am as poor as you to-day, Jo," but that when he had any, he had always (as the boy most heartily believes) been glad to give him some. "He was wery good to me," says the boy, wiping his eyes with his wretched sleeve. "Wen I see him a-layin' so stritched out just now, I wished he could have heerd me tell him so. He wos wery good to me, he wos!" As he shuffles downstairs, Mr. Snagsby, lying in wait for him, puts a half-crown in his hand. "If you ever see me coming past your crossing with my little woman--I mean a lady--" says Mr. Snagsby with his finger on his nose, "don't allude to it!" For some little time the jurymen hang about the Sol's Arms colloquially. In the sequel, half-a-dozen are caught up in a cloud of pipe-smoke that pervades the parlour of the Sol's Arms; two stroll to Hampstead; and four engage to go half-price to the play at night, and top up with oysters. Little Swills is treated on several hands. Being asked what he thinks of the proceedings, characterizes them (his strength lying in a slangular direction) as "a rummy start." The landlord of the Sol's Arms, finding Little Swills so popular, commends him highly to the jurymen and public, observing that for a song in character he don't know his equal and that that man's character-wardrobe would fill a cart. Thus, gradually the Sol's Arms melts into the shadowy night and then flares out of it strong in gas. The Harmonic Meeting hour arriving, the gentleman of professional celebrity takes the chair, is faced (red-faced) by Little Swills; their friends rally round them and support first-rate talent. In the zenith of the evening, Little Swills says, "Gentlemen, if you'll permit me, I'll attempt a short description of a scene of real life that came off here to-day." Is much applauded and encouraged; goes out of the room as Swills; comes in as the coroner (not the least in the world like him); describes the inquest, with recreative intervals of piano-forte accompaniment, to the refrain: With his (the coroner's) tippy tol li doll, tippy tol lo doll, tippy tol li doll, Dee! The jingling piano at last is silent, and the Harmonic friends rally round their pillows. Then there is rest around the lonely figure, now laid in its last earthly habitation; and it is watched by the gaunt eyes in the shutters through some quiet hours of night. If this forlorn man could have been prophetically seen lying here by the mother at whose breast he nestled, a little child, with eyes upraised to her loving face, and soft hand scarcely knowing how to close upon the neck to which it crept, what an impossibility the vision would have seemed! Oh, if in brighter days the now-extinguished fire within him ever burned for one woman who held him in her heart, where is she, while these ashes are above the ground! It is anything but a night of rest at Mr. Snagsby's, in Cook's Court, where Guster murders sleep by going, as Mr. Snagsby himself allows--not to put too fine a point upon it--out of one fit into twenty. The occasion of this seizure is that Guster has a tender heart and a susceptible something that possibly might have been imagination, but for Tooting and her patron saint. Be it what it may, now, it was so direfully impressed at tea-time by Mr. Snagsby's account of the inquiry at which he had assisted that at supper-time she projected herself into the kitchen, preceded by a flying Dutch cheese, and fell into a fit of unusual duration, which she only came out of to go into another, and another, and so on through a chain of fits, with short intervals between, of which she has pathetically availed herself by consuming them in entreaties to Mrs. Snagsby not to give her warning "when she quite comes to," and also in appeals to the whole establishment to lay her down on the stones and go to bed. Hence, Mr. Snagsby, at last hearing the cock at the little dairy in Cursitor Street go into that disinterested ecstasy of his on the subject of daylight, says, drawing a long breath, though the most patient of men, "I thought you was dead, I am sure!" What question this enthusiastic fowl supposes he settles when he strains himself to such an extent, or why he should thus crow (so men crow on various triumphant public occasions, however) about what cannot be of any moment to him, is his affair. It is enough that daylight comes, morning comes, noon comes. Then the active and intelligent, who has got into the morning papers as such, comes with his pauper company to Mr. Krook's and bears off the body of our dear brother here departed to a hemmed-in churchyard, pestiferous and obscene, whence malignant diseases are communicated to the bodies of our dear brothers and sisters who have not departed, while our dear brothers and sisters who hang about official back-stairs--would to heaven they HAD departed!--are very complacent and agreeable. Into a beastly scrap of ground which a Turk would reject as a savage abomination and a Caffre would shudder at, they bring our dear brother here departed to receive Christian burial. With houses looking on, on every side, save where a reeking little tunnel of a court gives access to the iron gate--with every villainy of life in action close on death, and every poisonous element of death in action close on life--here they lower our dear brother down a foot or two, here sow him in corruption, to be raised in corruption: an avenging ghost at many a sick-bedside, a shameful testimony to future ages how civilization and barbarism walked this boastful island together. Come night, come darkness, for you cannot come too soon or stay too long by such a place as this! Come, straggling lights into the windows of the ugly houses; and you who do iniquity therein, do it at least with this dread scene shut out! Come, flame of gas, burning so sullenly above the iron gate, on which the poisoned air deposits its witch-ointment slimy to the touch! It is well that you should call to every passerby, "Look here!" With the night comes a slouching figure through the tunnel-court to the outside of the iron gate. It holds the gate with its hands and looks in between the bars, stands looking in for a little while. It then, with an old broom it carries, softly sweeps the step and makes the archway clean. It does so very busily and trimly, looks in again a little while, and so departs. Jo, is it thou? Well, well! Though a rejected witness, who "can't exactly say" what will be done to him in greater hands than men's, thou art not quite in outer darkness. There is something like a distant ray of light in thy muttered reason for this: "He wos wery good to me, he wos!"

OK, we'll stop beating around the bus - the dude is dead. An old woman named Miss Flite goes to fetch a doctor, and comes back with two. One takes a quick look, declares Nemo dead, and goes back to his dinner. The other, a surgeon, recognizes Nemo as a guy who's been buying opium from him for a year and a half now. Calm down, guys, he's not a drug dealer. Opium was a perfectly legal medication back then. The surgeon does a quick exam of the body and figures out that Nemo overdosed. Tulkinghorn goes out of his way to make sure everyone understands how marginally involved he is in this whole situation. He and Krook hover around the only piece of property in the room - a giant overcoat slung across a chair. Snagsby comes over and doesn't know anything about Nemo. Neither does Krook or Miss Flite. He's been living a totally isolated life. The gang decides to call the policeman and the beadle, so that the regular process of found-dead-body inquest can get started. Basically, at an inquest, a jury listens to some witnesses testifying about what they know about the dead guy, then decides how the death occurred. The whole neighborhood is watching the show. The beadle comes and goes. The policeman comes and goes. The policeman doesn't think too highly of the beadle, because the police are the community law enforcement of the future while beadles are a remnant of the days of night watchmen. The next day, the inquest happens. It's a circus of morons, mostly because no one who testifies knows anything about Nemo. The only person who did know him is a boy named Jo, a crossing sweeper. Jo is basically the old-timey version of one of those homeless kids who cleans car windshields in the hopes of getting some charity. Jo cleans horse crap and whatever else off the street and lives on whatever money passers-by give him. The beadle and the coroner try to swear Jo in, but he doesn't qualify as a witness. The reason? He can't give a thorough description of heaven and hell, and so - the argument goes - he doesn't understand enough why he can only tell the truth at the inquest. OK, everyone, all together now - UGH. The jury decides the death was accidental. Meanwhile Tulkinghorn has a private conversation with Jo. Jo tells him that Nemo was the only person who's ever been kind to him, always giving him money whenever he had some and talking to him about his life. Jo's refrain is "He wos wery good to me, he wos!" . The body is given a pauper's burial in the most disgusting and foul cemetery on earth. The night after the funeral, Jo comes to the gates of the cemetery and sweeps the stairs. So, so sad.

Gradually Rodolphe's fears took possession of her. At first, love had intoxicated her; and she had thought of nothing beyond. But now that he was indispensable to her life, she feared to lose anything of this, or even that it should be disturbed. When she came back from his house she looked all about her, anxiously watching every form that passed in the horizon, and every village window from which she could be seen. She listened for steps, cries, the noise of the ploughs, and she stopped short, white, and trembling more than the aspen leaves swaying overhead. One morning as she was thus returning, she suddenly thought she saw the long barrel of a carbine that seemed to be aimed at her. It stuck out sideways from the end of a small tub half-buried in the grass on the edge of a ditch. Emma, half-fainting with terror, nevertheless walked on, and a man stepped out of the tub like a Jack-in-the-box. He had gaiters buckled up to the knees, his cap pulled down over his eyes, trembling lips, and a red nose. It was Captain Binet lying in ambush for wild ducks. "You ought to have called out long ago!" he exclaimed; "When one sees a gun, one should always give warning." The tax-collector was thus trying to hide the fright he had had, for a prefectorial order having prohibited duckhunting except in boats, Monsieur Binet, despite his respect for the laws, was infringing them, and so he every moment expected to see the rural guard turn up. But this anxiety whetted his pleasure, and, all alone in his tub, he congratulated himself on his luck and on his cuteness. At sight of Emma he seemed relieved from a great weight, and at once entered upon a conversation. "It isn't warm; it's nipping." Emma answered nothing. He went on-- "And you're out so early?" "Yes," she said stammering; "I am just coming from the nurse where my child is." "Ah! very good! very good! For myself, I am here, just as you see me, since break of day; but the weather is so muggy, that unless one had the bird at the mouth of the gun--" "Good evening, Monsieur Binet," she interrupted him, turning on her heel. "Your servant, madame," he replied drily; and he went back into his tub. Emma regretted having left the tax-collector so abruptly. No doubt he would form unfavourable conjectures. The story about the nurse was the worst possible excuse, everyone at Yonville knowing that the little Bovary had been at home with her parents for a year. Besides, no one was living in this direction; this path led only to La Huchette. Binet, then, would guess whence she came, and he would not keep silence; he would talk, that was certain. She remained until evening racking her brain with every conceivable lying project, and had constantly before her eyes that imbecile with the game-bag. Charles after dinner, seeing her gloomy, proposed, by way of distraction, to take her to the chemist's, and the first person she caught sight of in the shop was the taxcollector again. He was standing in front of the counter, lit up by the gleams of the red bottle, and was saying-- "Please give me half an ounce of vitriol." "Justin," cried the druggist, "bring us the sulphuric acid." Then to Emma, who was going up to Madame Homais' room, "No, stay here; it isn't worth while going up; she is just coming down. Warm yourself at the stove in the meantime. Excuse me. Good-day, doctor," (for the chemist much enjoyed pronouncing the word "doctor," as if addressing another by it reflected on himself some of the grandeur that he found in it). "Now, take care not to upset the mortars! You'd better fetch some chairs from the little room; you know very well that the arm-chairs are not to be taken out of the drawing-room." And to put his arm-chair back in its place he was darting away from the counter, when Binet asked him for half an ounce of sugar acid. "Sugar acid!" said the chemist contemptuously, "don't know it; I'm ignorant of it! But perhaps you want oxalic acid. It is oxalic acid, isn't it?" Binet explained that he wanted a corrosive to make himself some copperwater with which to remove rust from his hunting things. Emma shuddered. The chemist began saying-- "Indeed the weather is not propitious on account of the damp." "Nevertheless," replied the tax-collector, with a sly look, "there are people who like it." She was stifling. "And give me--" "Will he never go?" thought she. "Half an ounce of resin and turpentine, four ounces of yellow wax, and three half ounces of animal charcoal, if you please, to clean the varnished leather of my togs." The druggist was beginning to cut the wax when Madame Homais appeared, Irma in her arms, Napoleon by her side, and Athalie following. She sat down on the velvet seat by the window, and the lad squatted down on a footstool, while his eldest sister hovered round the jujube box near her papa. The latter was filling funnels and corking phials, sticking on labels, making up parcels. Around him all were silent; only from time to time, were heard the weights jingling in the balance, and a few low words from the chemist giving directions to his pupil. "And how's the little woman?" suddenly asked Madame Homais. "Silence!" exclaimed her husband, who was writing down some figures in his waste-book. "Why didn't you bring her?" she went on in a low voice. "Hush! hush!" said Emma, pointing with her finger to the druggist. But Binet, quite absorbed in looking over his bill, had probably heard nothing. At last he went out. Then Emma, relieved, uttered a deep sigh. "How hard you are breathing!" said Madame Homais. "Well, you see, it's rather warm," she replied. So the next day they talked over how to arrange their rendezvous. Emma wanted to bribe her servant with a present, but it would be better to find some safe house at Yonville. Rodolphe promised to look for one. All through the winter, three or four times a week, in the dead of night he came to the garden. Emma had on purpose taken away the key of the gate, which Charles thought lost. To call her, Rodolphe threw a sprinkle of sand at the shutters. She jumped up with a start; but sometimes he had to wait, for Charles had a mania for chatting by the fireside, and he would not stop. She was wild with impatience; if her eyes could have done it, she would have hurled him out at the window. At last she would begin to undress, then take up a book, and go on reading very quietly as if the book amused her. But Charles, who was in bed, called to her to come too. "Come, now, Emma," he said, "it is time." "Yes, I am coming," she answered. Then, as the candles dazzled him; he turned to the wall and fell asleep. She escaped, smiling, palpitating, undressed. Rodolphe had a large cloak; he wrapped her in it, and putting his arm round her waist, he drew her without a word to the end of the garden. It was in the arbour, on the same seat of old sticks where formerly Leon had looked at her so amorously on the summer evenings. She never thought of him now. The stars shone through the leafless jasmine branches. Behind them they heard the river flowing, and now and again on the bank the rustling of the dry reeds. Masses of shadow here and there loomed out in the darkness, and sometimes, vibrating with one movement, they rose up and swayed like immense black waves pressing forward to engulf them. The cold of the nights made them clasp closer; the sighs of their lips seemed to them deeper; their eyes that they could hardly see, larger; and in the midst of the silence low words were spoken that fell on their souls sonorous, crystalline, and that reverberated in multiplied vibrations. When the night was rainy, they took refuge in the consulting-room between the cart-shed and the stable. She lighted one of the kitchen candles that she had hidden behind the books. Rodolphe settled down there as if at home. The sight of the library, of the bureau, of the whole apartment, in fine, excited his merriment, and he could not refrain from making jokes about Charles, which rather embarrassed Emma. She would have liked to see him more serious, and even on occasions more dramatic; as, for example, when she thought she heard a noise of approaching steps in the alley. "Someone is coming!" she said. He blew out the light. "Have you your pistols?" "Why?" "Why, to defend yourself," replied Emma. "From your husband? Oh, poor devil!" And Rodolphe finished his sentence with a gesture that said, "I could crush him with a flip of my finger." She was wonder-stricken at his bravery, although she felt in it a sort of indecency and a naive coarseness that scandalised her. Rodolphe reflected a good deal on the affair of the pistols. If she had spoken seriously, it was very ridiculous, he thought, even odious; for he had no reason to hate the good Charles, not being what is called devoured by jealousy; and on this subject Emma had taken a great vow that he did not think in the best of taste. Besides, she was growing very sentimental. She had insisted on exchanging miniatures; they had cut off handfuls of hair, and now she was asking for a ring--a real wedding-ring, in sign of an eternal union. She often spoke to him of the evening chimes, of the voices of nature. Then she talked to him of her mother--hers! and of his mother--his! Rodolphe had lost his twenty years ago. Emma none the less consoled him with caressing words as one would have done a lost child, and she sometimes even said to him, gazing at the moon-- "I am sure that above there together they approve of our love." But she was so pretty. He had possessed so few women of such ingenuousness. This love without debauchery was a new experience for him, and, drawing him out of his lazy habits, caressed at once his pride and his sensuality. Emma's enthusiasm, which his bourgeois good sense disdained, seemed to him in his heart of hearts charming, since it was lavished on him. Then, sure of being loved, he no longer kept up appearances, and insensibly his ways changed. He had no longer, as formerly, words so gentle that they made her cry, nor passionate caresses that made her mad, so that their great love, which engrossed her life, seemed to lessen beneath her like the water of a stream absorbed into its channel, and she could see the bed of it. She would not believe it; she redoubled in tenderness, and Rodolphe concealed his indifference less and less. She did not know if she regretted having yielded to him, or whether she did not wish, on the contrary, to enjoy him the more. The humiliation of feeling herself weak was turning to rancour, tempered by their voluptuous pleasures. It was not affection; it was like a continual seduction. He subjugated her; she almost feared him. Appearances, nevertheless, were calmer than ever, Rodolphe having succeeded in carrying out the adultery after his own fancy; and at the end of six months, when the spring-time came, they were to one another like a married couple, tranquilly keeping up a domestic flame. It was the time of year when old Rouault sent his turkey in remembrance of the setting of his leg. The present always arrived with a letter. Emma cut the string that tied it to the basket, and read the following lines:-- "My Dear Children--I hope this will find you well, and that this one will be as good as the others. For it seems to me a little more tender, if I may venture to say so, and heavier. But next time, for a change, I'll give you a turkeycock, unless you have a preference for some dabs; and send me back the hamper, if you please, with the two old ones. I have had an accident with my cart-sheds, whose covering flew off one windy night among the trees. The harvest has not been overgood either. Finally, I don't know when I shall come to see you. It is so difficult now to leave the house since I am alone, my poor Emma." Here there was a break in the lines, as if the old fellow had dropped his pen to dream a little while. "For myself, I am very well, except for a cold I caught the other day at the fair at Yvetot, where I had gone to hire a shepherd, having turned away mine because he was too dainty. How we are to be pitied with such a lot of thieves! Besides, he was also rude. I heard from a pedlar, who, travelling through your part of the country this winter, had a tooth drawn, that Bovary was as usual working hard. That doesn't surprise me; and he showed me his tooth; we had some coffee together. I asked him if he had seen you, and he said not, but that he had seen two horses in the stables, from which I conclude that business is looking up. So much the better, my dear children, and may God send you every imaginable happiness! It grieves me not yet to have seen my dear little grand-daughter, Berthe Bovary. I have planted an Orleans plum-tree for her in the garden under your room, and I won't have it touched unless it is to have jam made for her by and bye, that I will keep in the cupboard for her when she comes. "Good-bye, my dear children. I kiss you, my girl, you too, my son-in-law, and the little one on both cheeks. I am, with best compliments, your loving father. "Theodore Rouault." She held the coarse paper in her fingers for some minutes. The spelling mistakes were interwoven one with the other, and Emma followed the kindly thought that cackled right through it like a hen half hidden in the hedge of thorns. The writing had been dried with ashes from the hearth, for a little grey powder slipped from the letter on to her dress, and she almost thought she saw her father bending over the hearth to take up the tongs. How long since she had been with him, sitting on the footstool in the chimney-corner, where she used to burn the end of a bit of wood in the great flame of the sea-sedges! She remembered the summer evenings all full of sunshine. The colts neighed when anyone passed by, and galloped, galloped. Under her window there was a beehive, and sometimes the bees wheeling round in the light struck against her window like rebounding balls of gold. What happiness there had been at that time, what freedom, what hope! What an abundance of illusions! Nothing was left of them now. She had got rid of them all in her soul's life, in all her successive conditions of life, maidenhood, her marriage, and her love--thus constantly losing them all her life through, like a traveller who leaves something of his wealth at every inn along his road. But what then, made her so unhappy? What was the extraordinary catastrophe that had transformed her? And she raised her head, looking round as if to seek the cause of that which made her suffer. An April ray was dancing on the china of the whatnot; the fire burned; beneath her slippers she felt the softness of the carpet; the day was bright, the air warm, and she heard her child shouting with laughter. In fact, the little girl was just then rolling on the lawn in the midst of the grass that was being turned. She was lying flat on her stomach at the top of a rick. The servant was holding her by her skirt. Lestiboudois was raking by her side, and every time he came near she lent forward, beating the air with both her arms. "Bring her to me," said her mother, rushing to embrace her. "How I love you, my poor child! How I love you!" Then noticing that the tips of her ears were rather dirty, she rang at once for warm water, and washed her, changed her linen, her stockings, her shoes, asked a thousand questions about her health, as if on the return from a long journey, and finally, kissing her again and crying a little, she gave her back to the servant, who stood quite thunderstricken at this excess of tenderness. That evening Rodolphe found her more serious than usual. "That will pass over," he concluded; "it's a whim:" And he missed three rendezvous running. When he did come, she showed herself cold and almost contemptuous. "Ah! you're losing your time, my lady!" And he pretended not to notice her melancholy sighs, nor the handkerchief she took out. Then Emma repented. She even asked herself why she detested Charles; if it had not been better to have been able to love him? But he gave her no opportunities for such a revival of sentiment, so that she was much embarrassed by her desire for sacrifice, when the druggist came just in time to provide her with an opportunity.

Though Emma practices greater caution in her trips to La Huchette one morning she inadvertently surprises Monsieur Binet duck hunting. Although Emma does not know it Binet is hunting illegally so he is content to let the encounter be forgotten but Emma is nervous that he will see through her weak lies. That evening she and Charles go to the pharmacy and Emma is horrified to see Binet at the counter. After the close call Emma and Rodolphe change their meeting place to the arbor in the garden behind the Bovary's house. Over time Rodolphe begins to be annoyed by the intensity of Emma's devotion to him and her constant demands to reaffirm his love. One night, as they lay concealed in the small consulting room they hear someone approaching and Emma asks, in all seriousness, if Rodolphe has his pistols with which to defend her. Afterward he muses that he has nothing against the physician and observes that he is certainly not jealous or frightened of the man. Eventually, certain of her love, he stops making an effort to win her and she gleans that his passion is fading. Nevertheless she realizes that he holds complete power over her. After six months of liaisons their relationship becomes cold and formalized. When Emma's father sends a letter to the Bovary's with his annual turkey Emma is reminded of her lost youth and the romantic illusions that used to be dear to her. She reflects that she no longer has any illusions. She runs to her daughter and smothers her with affection. In her subsequent meetings with Rodolphe she is sullen and distant. Touched with remorse she begins to wonder why she doesn't love Charles. She is at a loss, however, to find something noble in her husband until one day the pharmacist provides an opportunity.

It had occurred to Ralph that, in the conditions, Isabel's parting with her friend might be of a slightly embarrassed nature, and he went down to the door of the hotel in advance of his cousin, who, after a slight delay, followed with the traces of an unaccepted remonstrance, as he thought, in her eyes. The two made the journey to Gardencourt in almost unbroken silence, and the servant who met them at the station had no better news to give them of Mr. Touchett--a fact which caused Ralph to congratulate himself afresh on Sir Matthew Hope's having promised to come down in the five o'clock train and spend the night. Mrs. Touchett, he learned, on reaching home, had been constantly with the old man and was with him at that moment; and this fact made Ralph say to himself that, after all, what his mother wanted was just easy occasion. The finer natures were those that shone at the larger times. Isabel went to her own room, noting throughout the house that perceptible hush which precedes a crisis. At the end of an hour, however, she came downstairs in search of her aunt, whom she wished to ask about Mr. Touchett. She went into the library, but Mrs. Touchett was not there, and as the weather, which had been damp and chill, was now altogether spoiled, it was not probable she had gone for her usual walk in the grounds. Isabel was on the point of ringing to send a question to her room, when this purpose quickly yielded to an unexpected sound--the sound of low music proceeding apparently from the saloon. She knew her aunt never touched the piano, and the musician was therefore probably Ralph, who played for his own amusement. That he should have resorted to this recreation at the present time indicated apparently that his anxiety about his father had been relieved; so that the girl took her way, almost with restored cheer, toward the source of the harmony. The drawing-room at Gardencourt was an apartment of great distances, and, as the piano was placed at the end of it furthest removed from the door at which she entered, her arrival was not noticed by the person seated before the instrument. This person was neither Ralph nor his mother; it was a lady whom Isabel immediately saw to be a stranger to herself, though her back was presented to the door. This back--an ample and well-dressed one--Isabel viewed for some moments with surprise. The lady was of course a visitor who had arrived during her absence and who had not been mentioned by either of the servants--one of them her aunt's maid--of whom she had had speech since her return. Isabel had already learned, however, with what treasures of reserve the function of receiving orders may be accompanied, and she was particularly conscious of having been treated with dryness by her aunt's maid, through whose hands she had slipped perhaps a little too mistrustfully and with an effect of plumage but the more lustrous. The advent of a guest was in itself far from disconcerting; she had not yet divested herself of a young faith that each new acquaintance would exert some momentous influence on her life. By the time she had made these reflexions she became aware that the lady at the piano played remarkably well. She was playing something of Schubert's--Isabel knew not what, but recognised Schubert--and she touched the piano with a discretion of her own. It showed skill, it showed feeling; Isabel sat down noiselessly on the nearest chair and waited till the end of the piece. When it was finished she felt a strong desire to thank the player, and rose from her seat to do so, while at the same time the stranger turned quickly round, as if but just aware of her presence. "That's very beautiful, and your playing makes it more beautiful still," said Isabel with all the young radiance with which she usually uttered a truthful rapture. "You don't think I disturbed Mr. Touchett then?" the musician answered as sweetly as this compliment deserved. "The house is so large and his room so far away that I thought I might venture, especially as I played just--just du bout des doigts." "She's a Frenchwoman," Isabel said to herself; "she says that as if she were French." And this supposition made the visitor more interesting to our speculative heroine. "I hope my uncle's doing well," Isabel added. "I should think that to hear such lovely music as that would really make him feel better." The lady smiled and discriminated. "I'm afraid there are moments in life when even Schubert has nothing to say to us. We must admit, however, that they are our worst." "I'm not in that state now then," said Isabel. "On the contrary I should be so glad if you would play something more." "If it will give you pleasure--delighted." And this obliging person took her place again and struck a few chords, while Isabel sat down nearer the instrument. Suddenly the new-comer stopped with her hands on the keys, half-turning and looking over her shoulder. She was forty years old and not pretty, though her expression charmed. "Pardon me," she said; "but are you the niece--the young American?" "I'm my aunt's niece," Isabel replied with simplicity. The lady at the piano sat still a moment longer, casting her air of interest over her shoulder. "That's very well; we're compatriots." And then she began to play. "Ah then she's not French," Isabel murmured; and as the opposite supposition had made her romantic it might have seemed that this revelation would have marked a drop. But such was not the fact; rarer even than to be French seemed it to be American on such interesting terms. The lady played in the same manner as before, softly and solemnly, and while she played the shadows deepened in the room. The autumn twilight gathered in, and from her place Isabel could see the rain, which had now begun in earnest, washing the cold-looking lawn and the wind shaking the great trees. At last, when the music had ceased, her companion got up and, coming nearer with a smile, before Isabel had time to thank her again, said: "I'm very glad you've come back; I've heard a great deal about you." Isabel thought her a very attractive person, but nevertheless spoke with a certain abruptness in reply to this speech. "From whom have you heard about me?" The stranger hesitated a single moment and then, "From your uncle," she answered. "I've been here three days, and the first day he let me come and pay him a visit in his room. Then he talked constantly of you." "As you didn't know me that must rather have bored you." "It made me want to know you. All the more that since then--your aunt being so much with Mr. Touchett--I've been quite alone and have got rather tired of my own society. I've not chosen a good moment for my visit." A servant had come in with lamps and was presently followed by another bearing the tea-tray. On the appearance of this repast Mrs. Touchett had apparently been notified, for she now arrived and addressed herself to the tea-pot. Her greeting to her niece did not differ materially from her manner of raising the lid of this receptacle in order to glance at the contents: in neither act was it becoming to make a show of avidity. Questioned about her husband she was unable to say he was better; but the local doctor was with him, and much light was expected from this gentleman's consultation with Sir Matthew Hope. "I suppose you two ladies have made acquaintance," she pursued. "If you haven't I recommend you to do so; for so long as we continue--Ralph and I--to cluster about Mr. Touchett's bed you're not likely to have much society but each other." "I know nothing about you but that you're a great musician," Isabel said to the visitor. "There's a good deal more than that to know," Mrs. Touchett affirmed in her little dry tone. "A very little of it, I am sure, will content Miss Archer!" the lady exclaimed with a light laugh. "I'm an old friend of your aunt's. I've lived much in Florence. I'm Madame Merle." She made this last announcement as if she were referring to a person of tolerably distinct identity. For Isabel, however, it represented little; she could only continue to feel that Madame Merle had as charming a manner as any she had ever encountered. "She's not a foreigner in spite of her name," said Mrs. Touchett. "She was born--I always forget where you were born." "It's hardly worth while then I should tell you." "On the contrary," said Mrs. Touchett, who rarely missed a logical point; "if I remembered your telling me would be quite superfluous." Madame Merle glanced at Isabel with a sort of world-wide smile, a thing that over-reached frontiers. "I was born under the shadow of the national banner." "She's too fond of mystery," said Mrs. Touchett; "that's her great fault." "Ah," exclaimed Madame Merle, "I've great faults, but I don't think that's one of then; it certainly isn't the greatest. I came into the world in the Brooklyn navy-yard. My father was a high officer in the United States Navy, and had a post--a post of responsibility--in that establishment at the time. I suppose I ought to love the sea, but I hate it. That's why I don't return to America. I love the land; the great thing is to love something." Isabel, as a dispassionate witness, had not been struck with the force of Mrs. Touchett's characterisation of her visitor, who had an expressive, communicative, responsive face, by no means of the sort which, to Isabel's mind, suggested a secretive disposition. It was a face that told of an amplitude of nature and of quick and free motions and, though it had no regular beauty, was in the highest degree engaging and attaching. Madame Merle was a tall, fair, smooth woman; everything in her person was round and replete, though without those accumulations which suggest heaviness. Her features were thick but in perfect proportion and harmony, and her complexion had a healthy clearness. Her grey eyes were small but full of light and incapable of stupidity--incapable, according to some people, even of tears; she had a liberal, full-rimmed mouth which when she smiled drew itself upward to the left side in a manner that most people thought very odd, some very affected and a few very graceful. Isabel inclined to range herself in the last category. Madame Merle had thick, fair hair, arranged somehow "classically" and as if she were a Bust, Isabel judged--a Juno or a Niobe; and large white hands, of a perfect shape, a shape so perfect that their possessor, preferring to leave them unadorned, wore no jewelled rings. Isabel had taken her at first, as we have seen, for a Frenchwoman; but extended observation might have ranked her as a German--a German of high degree, perhaps an Austrian, a baroness, a countess, a princess. It would never have been supposed she had come into the world in Brooklyn--though one could doubtless not have carried through any argument that the air of distinction marking her in so eminent a degree was inconsistent with such a birth. It was true that the national banner had floated immediately over her cradle, and the breezy freedom of the stars and stripes might have shed an influence upon the attitude she there took towards life. And yet she had evidently nothing of the fluttered, flapping quality of a morsel of bunting in the wind; her manner expressed the repose and confidence which come from a large experience. Experience, however, had not quenched her youth; it had simply made her sympathetic and supple. She was in a word a woman of strong impulses kept in admirable order. This commended itself to Isabel as an ideal combination. The girl made these reflexions while the three ladies sat at their tea, but that ceremony was interrupted before long by the arrival of the great doctor from London, who had been immediately ushered into the drawing-room. Mrs. Touchett took him off to the library for a private talk; and then Madame Merle and Isabel parted, to meet again at dinner. The idea of seeing more of this interesting woman did much to mitigate Isabel's sense of the sadness now settling on Gardencourt. When she came into the drawing-room before dinner she found the place empty; but in the course of a moment Ralph arrived. His anxiety about his father had been lightened; Sir Matthew Hope's view of his condition was less depressed than his own had been. The doctor recommended that the nurse alone should remain with the old man for the next three or four hours; so that Ralph, his mother and the great physician himself were free to dine at table. Mrs. Touchett and Sir Matthew appeared; Madame Merle was the last. Before she came Isabel spoke of her to Ralph, who was standing before the fireplace. "Pray who is this Madame Merle?" "The cleverest woman I know, not excepting yourself," said Ralph. "I thought she seemed very pleasant." "I was sure you'd think her very pleasant." "Is that why you invited her?" "I didn't invite her, and when we came back from London I didn't know she was here. No one invited her. She's a friend of my mother's, and just after you and I went to town my mother got a note from her. She had arrived in England (she usually lives abroad, though she has first and last spent a good deal of time here), and asked leave to come down for a few days. She's a woman who can make such proposals with perfect confidence; she's so welcome wherever she goes. And with my mother there could be no question of hesitating; she's the one person in the world whom my mother very much admires. If she were not herself (which she after all much prefers), she would like to be Madame Merle. It would indeed be a great change." "Well, she's very charming," said Isabel. "And she plays beautifully." "She does everything beautifully. She's complete." Isabel looked at her cousin a moment. "You don't like her." "On the contrary, I was once in love with her." "And she didn't care for you, and that's why you don't like her." "How can we have discussed such things? Monsieur Merle was then living." "Is he dead now?" "So she says." "Don't you believe her?" "Yes, because the statement agrees with the probabilities. The husband of Madame Merle would be likely to pass away." Isabel gazed at her cousin again. "I don't know what you mean. You mean something--that you don't mean. What was Monsieur Merle?" "The husband of Madame." "You're very odious. Has she any children?" "Not the least little child--fortunately." "Fortunately?" "I mean fortunately for the child. She'd be sure to spoil it." Isabel was apparently on the point of assuring her cousin for the third time that he was odious; but the discussion was interrupted by the arrival of the lady who was the topic of it. She came rustling in quickly, apologising for being late, fastening a bracelet, dressed in dark blue satin, which exposed a white bosom that was ineffectually covered by a curious silver necklace. Ralph offered her his arm with the exaggerated alertness of a man who was no longer a lover. Even if this had still been his condition, however, Ralph had other things to think about. The great doctor spent the night at Gardencourt and, returning to London on the morrow, after another consultation with Mr. Touchett's own medical adviser, concurred in Ralph's desire that he should see the patient again on the day following. On the day following Sir Matthew Hope reappeared at Gardencourt, and now took a less encouraging view of the old man, who had grown worse in the twenty-four hours. His feebleness was extreme, and to his son, who constantly sat by his bedside, it often seemed that his end must be at hand. The local doctor, a very sagacious man, in whom Ralph had secretly more confidence than in his distinguished colleague, was constantly in attendance, and Sir Matthew Hope came back several times. Mr. Touchett was much of the time unconscious; he slept a great deal; he rarely spoke. Isabel had a great desire to be useful to him and was allowed to watch with him at hours when his other attendants (of whom Mrs. Touchett was not the least regular) went to take rest. He never seemed to know her, and she always said to herself "Suppose he should die while I'm sitting here;" an idea which excited her and kept her awake. Once he opened his eyes for a while and fixed them upon her intelligently, but when she went to him, hoping he would recognise her, he closed them and relapsed into stupor. The day after this, however, he revived for a longer time; but on this occasion Ralph only was with him. The old man began to talk, much to his son's satisfaction, who assured him that they should presently have him sitting up. "No, my boy," said Mr. Touchett, "not unless you bury me in a sitting posture, as some of the ancients--was it the ancients?--used to do." "Ah, daddy, don't talk about that," Ralph murmured. "You mustn't deny that you're getting better." "There will be no need of my denying it if you don't say it," the old man answered. "Why should we prevaricate just at the last? We never prevaricated before. I've got to die some time, and it's better to die when one's sick than when one's well. I'm very sick--as sick as I shall ever be. I hope you don't want to prove that I shall ever be worse than this? That would be too bad. You don't? Well then." Having made this excellent point he became quiet; but the next time that Ralph was with him he again addressed himself to conversation. The nurse had gone to her supper and Ralph was alone in charge, having just relieved Mrs. Touchett, who had been on guard since dinner. The room was lighted only by the flickering fire, which of late had become necessary, and Ralph's tall shadow was projected over wall and ceiling with an outline constantly varying but always grotesque. "Who's that with me--is it my son?" the old man asked. "Yes, it's your son, daddy." "And is there no one else?" "No one else." Mr. Touchett said nothing for a while; and then, "I want to talk a little," he went on. "Won't it tire you?" Ralph demurred. "It won't matter if it does. I shall have a long rest. I want to talk about YOU." Ralph had drawn nearer to the bed; he sat leaning forward with his hand on his father's. "You had better select a brighter topic." "You were always bright; I used to be proud of your brightness. I should like so much to think you'd do something." "If you leave us," said Ralph, "I shall do nothing but miss you." "That's just what I don't want; it's what I want to talk about. You must get a new interest." "I don't want a new interest, daddy. I have more old ones than I know what to do with." The old man lay there looking at his son; his face was the face of the dying, but his eyes were the eyes of Daniel Touchett. He seemed to be reckoning over Ralph's interests. "Of course you have your mother," he said at last. "You'll take care of her." "My mother will always take care of herself," Ralph returned. "Well," said his father, "perhaps as she grows older she'll need a little help." "I shall not see that. She'll outlive me." "Very likely she will; but that's no reason--!" Mr. Touchett let his phrase die away in a helpless but not quite querulous sigh and remained silent again. "Don't trouble yourself about us," said his son, "My mother and I get on very well together, you know." "You get on by always being apart; that's not natural." "If you leave us we shall probably see more of each other." "Well," the old man observed with wandering irrelevance, "it can't be said that my death will make much difference in your mother's life." "It will probably make more than you think." "Well, she'll have more money," said Mr. Touchett. "I've left her a good wife's portion, just as if she had been a good wife." "She has been one, daddy, according to her own theory. She has never troubled you." "Ah, some troubles are pleasant," Mr. Touchett murmured. "Those you've given me for instance. But your mother has been less--less--what shall I call it? less out of the way since I've been ill. I presume she knows I've noticed it." "I shall certainly tell her so; I'm so glad you mention it." "It won't make any difference to her; she doesn't do it to please me. She does it to please--to please--" And he lay a while trying to think why she did it. "She does it because it suits her. But that's not what I want to talk about," he added. "It's about you. You'll be very well off." "Yes," said Ralph, "I know that. But I hope you've not forgotten the talk we had a year ago--when I told you exactly what money I should need and begged you to make some good use of the rest." "Yes, yes, I remember. I made a new will--in a few days. I suppose it was the first time such a thing had happened--a young man trying to get a will made against him." "It is not against me," said Ralph. "It would be against me to have a large property to take care of. It's impossible for a man in my state of health to spend much money, and enough is as good as a feast." "Well, you'll have enough--and something over. There will be more than enough for one--there will be enough for two." "That's too much," said Ralph. "Ah, don't say that. The best thing you can do; when I'm gone, will be to marry." Ralph had foreseen what his father was coming to, and this suggestion was by no means fresh. It had long been Mr. Touchett's most ingenious way of taking the cheerful view of his son's possible duration. Ralph had usually treated it facetiously; but present circumstances proscribed the facetious. He simply fell back in his chair and returned his father's appealing gaze. "If I, with a wife who hasn't been very fond of me, have had a very happy life," said the old man, carrying his ingenuity further still, "what a life mightn't you have if you should marry a person different from Mrs. Touchett. There are more different from her than there are like her." Ralph still said nothing; and after a pause his father resumed softly: "What do you think of your cousin?" At this Ralph started, meeting the question with a strained smile. "Do I understand you to propose that I should marry Isabel?" "Well, that's what it comes to in the end. Don't you like Isabel?" "Yes, very much." And Ralph got up from his chair and wandered over to the fire. He stood before it an instant and then he stooped and stirred it mechanically. "I like Isabel very much," he repeated. "Well," said his father, "I know she likes you. She has told me how much she likes you." "Did she remark that she would like to marry me?" "No, but she can't have anything against you. And she's the most charming young lady I've ever seen. And she would be good to you. I have thought a great deal about it." "So have I," said Ralph, coming back to the bedside again. "I don't mind telling you that." "You ARE in love with her then? I should think you would be. It's as if she came over on purpose." "No, I'm not in love with her; but I should be if--if certain things were different." "Ah, things are always different from what they might be," said the old man. "If you wait for them to change you'll never do anything. I don't know whether you know," he went on; "but I suppose there's no harm in my alluding to it at such an hour as this: there was some one wanted to marry Isabel the other day, and she wouldn't have him." "I know she refused Warburton: he told me himself." "Well, that proves there's a chance for somebody else." "Somebody else took his chance the other day in London--and got nothing by it." "Was it you?" Mr. Touchett eagerly asked. "No, it was an older friend; a poor gentleman who came over from America to see about it." "Well, I'm sorry for him, whoever he was. But it only proves what I say--that the way's open to you." "If it is, dear father, it's all the greater pity that I'm unable to tread it. I haven't many convictions; but I have three or four that I hold strongly. One is that people, on the whole, had better not marry their cousins. Another is that people in an advanced stage of pulmonary disorder had better not marry at all." The old man raised his weak hand and moved it to and fro before his face. "What do you mean by that? You look at things in a way that would make everything wrong. What sort of a cousin is a cousin that you had never seen for more than twenty years of her life? We're all each other's cousins, and if we stopped at that the human race would die out. It's just the same with your bad lung. You're a great deal better than you used to be. All you want is to lead a natural life. It is a great deal more natural to marry a pretty young lady that you're in love with than it is to remain single on false principles." "I'm not in love with Isabel," said Ralph. "You said just now that you would be if you didn't think it wrong. I want to prove to you that it isn't wrong." "It will only tire you, dear daddy," said Ralph, who marvelled at his father's tenacity and at his finding strength to insist. "Then where shall we all be?" "Where shall you be if I don't provide for you? You won't have anything to do with the bank, and you won't have me to take care of. You say you've so many interests; but I can't make them out." Ralph leaned back in his chair with folded arms; his eyes were fixed for some time in meditation. At last, with the air of a man fairly mustering courage, "I take a great interest in my cousin," he said, "but not the sort of interest you desire. I shall not live many years; but I hope I shall live long enough to see what she does with herself. She's entirely independent of me; I can exercise very little influence upon her life. But I should like to do something for her." "What should you like to do?" "I should like to put a little wind in her sails." "What do you mean by that?" "I should like to put it into her power to do some of the things she wants. She wants to see the world for instance. I should like to put money in her purse." "Ah, I'm glad you've thought of that," said the old man. "But I've thought of it too. I've left her a legacy--five thousand pounds." "That's capital; it's very kind of you. But I should like to do a little more." Something of that veiled acuteness with which it had been on Daniel Touchett's part the habit of a lifetime to listen to a financial proposition still lingered in the face in which the invalid had not obliterated the man of business. "I shall be happy to consider it," he said softly. "Isabel's poor then. My mother tells me that she has but a few hundred dollars a year. I should like to make her rich." "What do you mean by rich?" "I call people rich when they're able to meet the requirements of their imagination. Isabel has a great deal of imagination." "So have you, my son," said Mr. Touchett, listening very attentively but a little confusedly. "You tell me I shall have money enough for two. What I want is that you should kindly relieve me of my superfluity and make it over to Isabel. Divide my inheritance into two equal halves and give her the second." "To do what she likes with?" "Absolutely what she likes." "And without an equivalent?" "What equivalent could there be?" "The one I've already mentioned." "Her marrying--some one or other? It's just to do away with anything of that sort that I make my suggestion. If she has an easy income she'll never have to marry for a support. That's what I want cannily to prevent. She wishes to be free, and your bequest will make her free." "Well, you seem to have thought it out," said Mr. Touchett. "But I don't see why you appeal to me. The money will be yours, and you can easily give it to her yourself." Ralph openly stared. "Ah, dear father, I can't offer Isabel money!" The old man gave a groan. "Don't tell me you're not in love with her! Do you want me to have the credit of it?" "Entirely. I should like it simply to be a clause in your will, without the slightest reference to me." "Do you want me to make a new will then?" "A few words will do it; you can attend to it the next time you feel a little lively." "You must telegraph to Mr. Hilary then. I'll do nothing without my solicitor." "You shall see Mr. Hilary to-morrow." "He'll think we've quarrelled, you and I," said the old man. "Very probably; I shall like him to think it," said Ralph, smiling; "and, to carry out the idea, I give you notice that I shall be very sharp, quite horrid and strange, with you." The humour of this appeared to touch his father, who lay a little while taking it in. "I'll do anything you like," Mr. Touchett said at last; "but I'm not sure it's right. You say you want to put wind in her sails; but aren't you afraid of putting too much?" "I should like to see her going before the breeze!" Ralph answered. "You speak as if it were for your mere amusement." "So it is, a good deal." "Well, I don't think I understand," said Mr. Touchett with a sigh. "Young men are very different from what I was. When I cared for a girl--when I was young--I wanted to do more than look at her." "You've scruples that I shouldn't have had, and you've ideas that I shouldn't have had either. You say Isabel wants to be free, and that her being rich will keep her from marrying for money. Do you think that she's a girl to do that?" "By no means. But she has less money than she has ever had before. Her father then gave her everything, because he used to spend his capital. She has nothing but the crumbs of that feast to live on, and she doesn't really know how meagre they are--she has yet to learn it. My mother has told me all about it. Isabel will learn it when she's really thrown upon the world, and it would be very painful to me to think of her coming to the consciousness of a lot of wants she should be unable to satisfy." "I've left her five thousand pounds. She can satisfy a good many wants with that." "She can indeed. But she would probably spend it in two or three years." "You think she'd be extravagant then?" "Most certainly," said Ralph, smiling serenely. Poor Mr. Touchett's acuteness was rapidly giving place to pure confusion. "It would merely be a question of time then, her spending the larger sum?" "No--though at first I think she'd plunge into that pretty freely: she'd probably make over a part of it to each of her sisters. But after that she'd come to her senses, remember she has still a lifetime before her, and live within her means." "Well, you HAVE worked it out," said the old man helplessly. "You do take an interest in her, certainly." "You can't consistently say I go too far. You wished me to go further." "Well, I don't know," Mr. Touchett answered. "I don't think I enter into your spirit. It seems to me immoral." "Immoral, dear daddy?" "Well, I don't know that it's right to make everything so easy for a person." "It surely depends upon the person. When the person's good, your making things easy is all to the credit of virtue. To facilitate the execution of good impulses, what can be a nobler act?" This was a little difficult to follow, and Mr. Touchett considered it for a while. At last he said: "Isabel's a sweet young thing; but do you think she's so good as that?" "She's as good as her best opportunities," Ralph returned. "Well," Mr. Touchett declared, "she ought to get a great many opportunities for sixty thousand pounds." "I've no doubt she will." "Of course I'll do what you want," said the old man. "I only want to understand it a little." "Well, dear daddy, don't you understand it now?" his son caressingly asked. "If you don't we won't take any more trouble about it. We'll leave it alone." Mr. Touchett lay a long time still. Ralph supposed he had given up the attempt to follow. But at last, quite lucidly, he began again. "Tell me this first. Doesn't it occur to you that a young lady with sixty thousand pounds may fall a victim to the fortune-hunters?" "She'll hardly fall a victim to more than one." "Well, one's too many." "Decidedly. That's a risk, and it has entered into my calculation. I think it's appreciable, but I think it's small, and I'm prepared to take it." Poor Mr. Touchett's acuteness had passed into perplexity, and his perplexity now passed into admiration. "Well, you have gone into it!" he repeated. "But I don't see what good you're to get of it." Ralph leaned over his father's pillows and gently smoothed them; he was aware their talk had been unduly prolonged. "I shall get just the good I said a few moments ago I wished to put into Isabel's reach--that of having met the requirements of my imagination. But it's scandalous, the way I've taken advantage of you!"

Ralph and Isabel return to Gardencourt. Isabel, concerned about her uncle, seeks out her aunt. Isabel hears music playing and assumes it is Ralph playing the piano. To her surprise, she finds a lovely stranger playing Schubert on the piano. The stranger is Madame Merle, Mrs. Touchett's good friend. She is American, but rather elusive about her origins. She originally met Mrs. Touchett in Florence. Isabel asks Ralph about Madame Merle. Ralph says that she is complete in her perfection, and admits that he used to be in love with her. We're not sure just how serious he is, as usual. Although Mr. Touchett's health seemed to get better after Dr. Hope's arrival, it once again takes a turn for the worse. Mr. Touchett seems prepared to die, despite Ralph's pleas for him to think optimistically. Mr. Touchett insists that he and Ralph have a private talk. Mr. Touchett wants to make sure that Ralph will take care of himself and his mother after he dies. Mr. Touchett wants Ralph to marry Isabel, and hopes for a good life for his son, despite Ralph's own poor health. Ralph admits that he thinks very fondly of Isabel, but is not in love with her. Ralph instead asks his father to split his inheritance money in two and give one half to Isabel. The sum would be 60,000 pounds . Ralph wishes to give Isabel freedom from worrying about money. He knows she has a big imagination and wants to enable her to do whatever she'd like, without depending on a man. Mr. Touchett worries that this would give her too much freedom, and that gold diggers would pursue her. Ralph says he's not too worried about that happening. Mr. Touchett consents to Ralph's wishes, asking for his solicitor, Mr. Hilary, to be brought to Gardencourt the next day.

Mrs. Tulliver's Teraphim, or Household Gods When the coach set down Tom and Maggie, it was five hours since she had started from home, and she was thinking with some trembling that her father had perhaps missed her, and asked for "the little wench" in vain. She thought of no other change that might have happened. She hurried along the gravel-walk and entered the house before Tom; but in the entrance she was startled by a strong smell of tobacco. The parlor door was ajar; that was where the smell came from. It was very strange; could any visitor be smoking at a time like this? Was her mother there? If so, she must be told that Tom was come. Maggie, after this pause of surprise, was only in the act of opening the door when Tom came up, and they both looked into the parlor together. There was a coarse, dingy man, of whose face Tom had some vague recollection, sitting in his father's chair, smoking, with a jug and glass beside him. The truth flashed on Tom's mind in an instant. To "have the bailiff in the house," and "to be sold up," were phrases which he had been used to, even as a little boy; they were part of the disgrace and misery of "failing," of losing all one's money, and being ruined,--sinking into the condition of poor working people. It seemed only natural this should happen, since his father had lost all his property, and he thought of no more special cause for this particular form of misfortune than the loss of the lawsuit. But the immediate presence of this disgrace was so much keener an experience to Tom than the worst form of apprehension, that he felt at this moment as if his real trouble had only just begin; it was a touch on the irritated nerve compared with its spontaneous dull aching. "How do you do, sir?" said the man, taking the pipe out of his mouth, with rough, embarrassed civility. The two young startled faces made him a little uncomfortable. But Tom turned away hastily without speaking; the sight was too hateful. Maggie had not understood the appearance of this stranger, as Tom had. She followed him, whispering: "Who can it be, Tom? What is the matter?" Then, with a sudden undefined dread lest this stranger might have something to do with a change in her father, she rushed upstairs, checking herself at the bedroom door to throw off her bonnet, and enter on tiptoe. All was silent there; her father was lying, heedless of everything around him, with his eyes closed as when she had left him. A servant was there, but not her mother. "Where's my mother?" she whispered. The servant did not know. Maggie hastened out, and said to Tom; "Father is lying quiet; let us go and look for my mother. I wonder where she is." Mrs. Tulliver was not downstairs, not in any of the bedrooms. There was but one room below the attic which Maggie had left unsearched; it was the storeroom, where her mother kept all her linen and all the precious "best things" that were only unwrapped and brought out on special occasions. Tom, preceding Maggie, as they returned along the passage, opened the door of this room, and immediately said, "Mother!" Mrs. Tulliver was seated there with all her laid-up treasures. One of the linen chests was open; the silver teapot was unwrapped from its many folds of paper, and the best china was laid out on the top of the closed linen-chest; spoons and skewers and ladles were spread in rows on the shelves; and the poor woman was shaking her head and weeping, with a bitter tension of the mouth, over the mark, "Elizabeth Dodson," on the corner of some tablecloths she held in her lap. She dropped them, and started up as Tom spoke. "Oh, my boy, my boy!" she said, clasping him round the neck. "To think as I should live to see this day! We're ruined--everything's going to be sold up--to think as your father should ha' married me to bring me to this! We've got nothing--we shall be beggars--we must go to the workhouse----" She kissed him, then seated herself again, and took another tablecloth on her lap, unfolding it a little way to look at the pattern, while the children stood by in mute wretchedness, their minds quite filled for the moment with the words "beggars" and "workhouse." "To think o' these cloths as I spun myself," she went on, lifting things out and turning them over with an excitement all the more strange and piteous because the stout blond woman was usually so passive,--if she had been ruffled before, it was at the surface merely,--"and Job Haxey wove 'em, and brought the piece home on his back, as I remember standing at the door and seeing him come, before I ever thought o' marrying your father! And the pattern as I chose myself, and bleached so beautiful, and I marked 'em so as nobody ever saw such marking,--they must cut the cloth to get it out, for it's a particular stitch. And they're all to be sold, and go into strange people's houses, and perhaps be cut with the knives, and wore out before I'm dead. You'll never have one of 'em, my boy," she said, looking up at Tom with her eyes full of tears, "and I meant 'em for you. I wanted you to have all o' this pattern. Maggie could have had the large check--it never shows so well when the dishes are on it." Tom was touched to the quick, but there was an angry reaction immediately. His face flushed as he said: "But will my aunts let them be sold, mother? Do they know about it? They'll never let your linen go, will they? Haven't you sent to them?" "Yes, I sent Luke directly they'd put the bailies in, and your aunt Pullet's been--and, oh dear, oh dear, she cries so and says your father's disgraced my family and made it the talk o' the country; and she'll buy the spotted cloths for herself, because she's never had so many as she wanted o' that pattern, and they sha'n't go to strangers, but she's got more checks a'ready nor she can do with." (Here Mrs. Tulliver began to lay back the tablecloths in the chest, folding and stroking them automatically.) "And your uncle Glegg's been too, and he says things must be bought in for us to lie down on, but he must talk to your aunt; and they're all coming to consult. But I know they'll none of 'em take my chany," she added, turning toward the cups and saucers, "for they all found fault with 'em when I bought 'em, 'cause o' the small gold sprig all over 'em, between the flowers. But there's none of 'em got better chany, not even your aunt Pullet herself; and I bought it wi' my own money as I'd saved ever since I was turned fifteen; and the silver teapot, too,--your father never paid for 'em. And to think as he should ha' married me, and brought me to this." Mrs. Tulliver burst out crying afresh, and she sobbed with her handkerchief at her eyes a few moments, but then removing it, she said in a deprecating way, still half sobbing, as if she were called upon to speak before she could command her voice,-- "And I _did_ say to him times and times, 'Whativer you do, don't go to law,' and what more could I do? I've had to sit by while my own fortin's been spent, and what should ha' been my children's, too. You'll have niver a penny, my boy--but it isn't your poor mother's fault." She put out one arm toward Tom, looking up at him piteously with her helpless, childish blue eyes. The poor lad went to her and kissed her, and she clung to him. For the first time Tom thought of his father with some reproach. His natural inclination to blame, hitherto kept entirely in abeyance toward his father by the predisposition to think him always right, simply on the ground that he was Tom Tulliver's father, was turned into this new channel by his mother's plaints; and with his indignation against Wakem there began to mingle some indignation of another sort. Perhaps his father might have helped bringing them all down in the world, and making people talk of them with contempt, but no one should talk long of Tom Tulliver with contempt. The natural strength and firmness of his nature was beginning to assert itself, urged by the double stimulus of resentment against his aunts, and the sense that he must behave like a man and take care of his mother. "Don't fret, mother," he said tenderly. "I shall soon be able to get money; I'll get a situation of some sort." "Bless you, my boy!" said Mrs. Tulliver, a little soothed. Then, looking round sadly, "But I shouldn't ha' minded so much if we could ha' kept the things wi' my name on 'em." Maggie had witnessed this scene with gathering anger. The implied reproaches against her father--her father, who was lying there in a sort of living death--neutralized all her pity for griefs about tablecloths and china; and her anger on her father's account was heightened by some egoistic resentment at Tom's silent concurrence with her mother in shutting her out from the common calamity. She had become almost indifferent to her mother's habitual depreciation of her, but she was keenly alive to any sanction of it, however passive, that she might suspect in Tom. Poor Maggie was by no means made up of unalloyed devotedness, but put forth large claims for herself where she loved strongly. She burst out at last in an agitated, almost violent tone: "Mother, how can you talk so; as if you cared only for things with _your_ name on, and not for what has my father's name too; and to care about anything but dear father himself!--when he's lying there, and may never speak to us again. Tom, you ought to say so too; you ought not to let any one find fault with my father." Maggie, almost choked with mingled grief and anger, left the room, and took her old place on her father's bed. Her heart went out to him with a stronger movement than ever, at the thought that people would blame him. Maggie hated blame; she had been blamed all her life, and nothing had come of it but evil tempers. Her father had always defended and excused her, and her loving remembrance of his tenderness was a force within her that would enable her to do or bear anything for his sake. Tom was a little shocked at Maggie's outburst,--telling _him_ as well as his mother what it was right to do! She ought to have learned better than have those hectoring, assuming manners, by this time. But he presently went into his father's room, and the sight there touched him in a way that effaced the slighter impressions of the previous hour. When Maggie saw how he was moved, she went to him and put her arm round his neck as he sat by the bed, and the two children forgot everything else in the sense that they had one father and one sorrow.

When Tom and Maggie arrive home they find "a coarse, dingy man" in the parlor. Tom immediately realizes that this is the bailiff who has come to "sell them up." Maggie does not recognize him, but is afraid "lest this stranger might have something to do with a change in her father." She finds that Mr. Tulliver is quiet, so she and Tom go to look for their mother. They find her in the storeroom with her "best things." She is crying over her mark, "Elizabeth Dodson," on her tablecloths. Tom says his aunts would not let the things be sold, but Mrs. Tulliver says she has sent for them and they will buy for themselves only the things they want. She tells Tom he'll never have a penny, but it's not his "poor mother's fault." Tom says he will find "a situation" and get money for them. Mrs. Tulliver says she wouldn't mind so much "if we could ha' kept the things wi' my name on 'em." Maggie reproaches her mother for talking so and for caring about anything but Mr. Tulliver. She goes to her place by her father's bed.

Another Discovery I had not the courage to see any one that night. I had not even the courage to see myself, for I was afraid that my tears might a little reproach me. I went up to my room in the dark, and prayed in the dark, and lay down in the dark to sleep. I had no need of any light to read my guardian's letter by, for I knew it by heart. I took it from the place where I kept it, and repeated its contents by its own clear light of integrity and love, and went to sleep with it on my pillow. I was up very early in the morning and called Charley to come for a walk. We bought flowers for the breakfast-table, and came back and arranged them, and were as busy as possible. We were so early that I had a good time still for Charley's lesson before breakfast; Charley (who was not in the least improved in the old defective article of grammar) came through it with great applause; and we were altogether very notable. When my guardian appeared he said, "Why, little woman, you look fresher than your flowers!" And Mrs. Woodcourt repeated and translated a passage from the Mewlinnwillinwodd expressive of my being like a mountain with the sun upon it. This was all so pleasant that I hope it made me still more like the mountain than I had been before. After breakfast I waited my opportunity and peeped about a little until I saw my guardian in his own room--the room of last night--by himself. Then I made an excuse to go in with my housekeeping keys, shutting the door after me. "Well, Dame Durden?" said my guardian; the post had brought him several letters, and he was writing. "You want money?" "No, indeed, I have plenty in hand." "There never was such a Dame Durden," said my guardian, "for making money last." He had laid down his pen and leaned back in his chair looking at me. I have often spoken of his bright face, but I thought I had never seen it look so bright and good. There was a high happiness upon it which made me think, "He has been doing some great kindness this morning." "There never was," said my guardian, musing as he smiled upon me, "such a Dame Durden for making money last." He had never yet altered his old manner. I loved it and him so much that when I now went up to him and took my usual chair, which was always put at his side--for sometimes I read to him, and sometimes I talked to him, and sometimes I silently worked by him--I hardly liked to disturb it by laying my hand on his breast. But I found I did not disturb it at all. "Dear guardian," said I, "I want to speak to you. Have I been remiss in anything?" "Remiss in anything, my dear!" "Have I not been what I have meant to be since--I brought the answer to your letter, guardian?" "You have been everything I could desire, my love." "I am very glad indeed to hear that," I returned. "You know, you said to me, was this the mistress of Bleak House. And I said, yes." "Yes," said my guardian, nodding his head. He had put his arm about me as if there were something to protect me from and looked in my face, smiling. "Since then," said I, "we have never spoken on the subject except once." "And then I said Bleak House was thinning fast; and so it was, my dear." "And I said," I timidly reminded him, "but its mistress remained." He still held me in the same protecting manner and with the same bright goodness in his face. "Dear guardian," said I, "I know how you have felt all that has happened, and how considerate you have been. As so much time has passed, and as you spoke only this morning of my being so well again, perhaps you expect me to renew the subject. Perhaps I ought to do so. I will be the mistress of Bleak House when you please." "See," he returned gaily, "what a sympathy there must be between us! I have had nothing else, poor Rick excepted--it's a large exception--in my mind. When you came in, I was full of it. When shall we give Bleak House its mistress, little woman?" "When you please." "Next month?" "Next month, dear guardian." "The day on which I take the happiest and best step of my life--the day on which I shall be a man more exulting and more enviable than any other man in the world--the day on which I give Bleak House its little mistress--shall be next month then," said my guardian. I put my arms round his neck and kissed him just as I had done on the day when I brought my answer. A servant came to the door to announce Mr. Bucket, which was quite unnecessary, for Mr. Bucket was already looking in over the servant's shoulder. "Mr. Jarndyce and Miss Summerson," said he, rather out of breath, "with all apologies for intruding, WILL you allow me to order up a person that's on the stairs and that objects to being left there in case of becoming the subject of observations in his absence? Thank you. Be so good as chair that there member in this direction, will you?" said Mr. Bucket, beckoning over the banisters. This singular request produced an old man in a black skull-cap, unable to walk, who was carried up by a couple of bearers and deposited in the room near the door. Mr. Bucket immediately got rid of the bearers, mysteriously shut the door, and bolted it. "Now you see, Mr. Jarndyce," he then began, putting down his hat and opening his subject with a flourish of his well-remembered finger, "you know me, and Miss Summerson knows me. This gentleman likewise knows me, and his name is Smallweed. The discounting line is his line principally, and he's what you may call a dealer in bills. That's about what YOU are, you know, ain't you?" said Mr. Bucket, stopping a little to address the gentleman in question, who was exceedingly suspicious of him. He seemed about to dispute this designation of himself when he was seized with a violent fit of coughing. "Now, moral, you know!" said Mr. Bucket, improving the accident. "Don't you contradict when there ain't no occasion, and you won't be took in that way. Now, Mr. Jarndyce, I address myself to you. I've been negotiating with this gentleman on behalf of Sir Leicester Dedlock, Baronet, and one way and another I've been in and out and about his premises a deal. His premises are the premises formerly occupied by Krook, marine store dealer--a relation of this gentleman's that you saw in his lifetime if I don't mistake?" My guardian replied, "Yes." "Well! You are to understand," said Mr. Bucket, "that this gentleman he come into Krook's property, and a good deal of magpie property there was. Vast lots of waste-paper among the rest. Lord bless you, of no use to nobody!" The cunning of Mr. Bucket's eye and the masterly manner in which he contrived, without a look or a word against which his watchful auditor could protest, to let us know that he stated the case according to previous agreement and could say much more of Mr. Smallweed if he thought it advisable, deprived us of any merit in quite understanding him. His difficulty was increased by Mr. Smallweed's being deaf as well as suspicious and watching his face with the closest attention. "Among them odd heaps of old papers, this gentleman, when he comes into the property, naturally begins to rummage, don't you see?" said Mr. Bucket. "To which? Say that again," cried Mr. Smallweed in a shrill, sharp voice. "To rummage," repeated Mr. Bucket. "Being a prudent man and accustomed to take care of your own affairs, you begin to rummage among the papers as you have come into; don't you?" "Of course I do," cried Mr. Smallweed. "Of course you do," said Mr. Bucket conversationally, "and much to blame you would be if you didn't. And so you chance to find, you know," Mr. Bucket went on, stooping over him with an air of cheerful raillery which Mr. Smallweed by no means reciprocated, "and so you chance to find, you know, a paper with the signature of Jarndyce to it. Don't you?" Mr. Smallweed glanced with a troubled eye at us and grudgingly nodded assent. "And coming to look at that paper at your full leisure and convenience--all in good time, for you're not curious to read it, and why should you be?--what do you find it to be but a will, you see. That's the drollery of it," said Mr. Bucket with the same lively air of recalling a joke for the enjoyment of Mr. Smallweed, who still had the same crest-fallen appearance of not enjoying it at all; "what do you find it to be but a will?" "I don't know that it's good as a will or as anything else," snarled Mr. Smallweed. Mr. Bucket eyed the old man for a moment--he had slipped and shrunk down in his chair into a mere bundle--as if he were much disposed to pounce upon him; nevertheless, he continued to bend over him with the same agreeable air, keeping the corner of one of his eyes upon us. "Notwithstanding which," said Mr. Bucket, "you get a little doubtful and uncomfortable in your mind about it, having a very tender mind of your own." "Eh? What do you say I have got of my own?" asked Mr. Smallweed with his hand to his ear. "A very tender mind." "Ho! Well, go on," said Mr. Smallweed. "And as you've heard a good deal mentioned regarding a celebrated Chancery will case of the same name, and as you know what a card Krook was for buying all manner of old pieces of furniter, and books, and papers, and what not, and never liking to part with 'em, and always a-going to teach himself to read, you begin to think--and you never was more correct in your born days--'Ecod, if I don't look about me, I may get into trouble regarding this will.'" "Now, mind how you put it, Bucket," cried the old man anxiously with his hand at his ear. "Speak up; none of your brimstone tricks. Pick me up; I want to hear better. Oh, Lord, I am shaken to bits!" Mr. Bucket had certainly picked him up at a dart. However, as soon as he could be heard through Mr. Smallweed's coughing and his vicious ejaculations of "Oh, my bones! Oh, dear! I've no breath in my body! I'm worse than the chattering, clattering, brimstone pig at home!" Mr. Bucket proceeded in the same convivial manner as before. "So, as I happen to be in the habit of coming about your premises, you take me into your confidence, don't you?" I think it would be impossible to make an admission with more ill will and a worse grace than Mr. Smallweed displayed when he admitted this, rendering it perfectly evident that Mr. Bucket was the very last person he would have thought of taking into his confidence if he could by any possibility have kept him out of it. "And I go into the business with you--very pleasant we are over it; and I confirm you in your well-founded fears that you will get yourself into a most precious line if you don't come out with that there will," said Mr. Bucket emphatically; "and accordingly you arrange with me that it shall be delivered up to this present Mr. Jarndyce, on no conditions. If it should prove to be valuable, you trusting yourself to him for your reward; that's about where it is, ain't it?" "That's what was agreed," Mr. Smallweed assented with the same bad grace. "In consequence of which," said Mr. Bucket, dismissing his agreeable manner all at once and becoming strictly business-like, "you've got that will upon your person at the present time, and the only thing that remains for you to do is just to out with it!" Having given us one glance out of the watching corner of his eye, and having given his nose one triumphant rub with his forefinger, Mr. Bucket stood with his eyes fastened on his confidential friend and his hand stretched forth ready to take the paper and present it to my guardian. It was not produced without much reluctance and many declarations on the part of Mr. Smallweed that he was a poor industrious man and that he left it to Mr. Jarndyce's honour not to let him lose by his honesty. Little by little he very slowly took from a breast-pocket a stained, discoloured paper which was much singed upon the outside and a little burnt at the edges, as if it had long ago been thrown upon a fire and hastily snatched off again. Mr. Bucket lost no time in transferring this paper, with the dexterity of a conjuror, from Mr. Smallweed to Mr. Jarndyce. As he gave it to my guardian, he whispered behind his fingers, "Hadn't settled how to make their market of it. Quarrelled and hinted about it. I laid out twenty pound upon it. First the avaricious grandchildren split upon him on account of their objections to his living so unreasonably long, and then they split on one another. Lord! There ain't one of the family that wouldn't sell the other for a pound or two, except the old lady--and she's only out of it because she's too weak in her mind to drive a bargain." "Mr Bucket," said my guardian aloud, "whatever the worth of this paper may be to any one, my obligations are great to you; and if it be of any worth, I hold myself bound to see Mr. Smallweed remunerated accordingly." "Not according to your merits, you know," said Mr. Bucket in friendly explanation to Mr. Smallweed. "Don't you be afraid of that. According to its value." "That is what I mean," said my guardian. "You may observe, Mr. Bucket, that I abstain from examining this paper myself. The plain truth is, I have forsworn and abjured the whole business these many years, and my soul is sick of it. But Miss Summerson and I will immediately place the paper in the hands of my solicitor in the cause, and its existence shall be made known without delay to all other parties interested." "Mr. Jarndyce can't say fairer than that, you understand," observed Mr. Bucket to his fellow-visitor. "And it being now made clear to you that nobody's a-going to be wronged--which must be a great relief to YOUR mind--we may proceed with the ceremony of chairing you home again." He unbolted the door, called in the bearers, wished us good morning, and with a look full of meaning and a crook of his finger at parting went his way. We went our way too, which was to Lincoln's Inn, as quickly as possible. Mr. Kenge was disengaged, and we found him at his table in his dusty room with the inexpressive-looking books and the piles of papers. Chairs having been placed for us by Mr. Guppy, Mr. Kenge expressed the surprise and gratification he felt at the unusual sight of Mr. Jarndyce in his office. He turned over his double eye-glass as he spoke and was more Conversation Kenge than ever. "I hope," said Mr. Kenge, "that the genial influence of Miss Summerson," he bowed to me, "may have induced Mr. Jarndyce," he bowed to him, "to forego some little of his animosity towards a cause and towards a court which are--shall I say, which take their place in the stately vista of the pillars of our profession?" "I am inclined to think," returned my guardian, "that Miss Summerson has seen too much of the effects of the court and the cause to exert any influence in their favour. Nevertheless, they are a part of the occasion of my being here. Mr. Kenge, before I lay this paper on your desk and have done with it, let me tell you how it has come into my hands." He did so shortly and distinctly. "It could not, sir," said Mr. Kenge, "have been stated more plainly and to the purpose if it had been a case at law." "Did you ever know English law, or equity either, plain and to the purpose?" said my guardian. "Oh, fie!" said Mr. Kenge. At first he had not seemed to attach much importance to the paper, but when he saw it he appeared more interested, and when he had opened and read a little of it through his eye-glass, he became amazed. "Mr. Jarndyce," he said, looking off it, "you have perused this?" "Not I!" returned my guardian. "But, my dear sir," said Mr. Kenge, "it is a will of later date than any in the suit. It appears to be all in the testator's handwriting. It is duly executed and attested. And even if intended to be cancelled, as might possibly be supposed to be denoted by these marks of fire, it is NOT cancelled. Here it is, a perfect instrument!" "Well!" said my guardian. "What is that to me?" "Mr. Guppy!" cried Mr. Kenge, raising his voice. "I beg your pardon, Mr. Jarndyce." "Sir." "Mr. Vholes of Symond's Inn. My compliments. Jarndyce and Jarndyce. Glad to speak with him." Mr. Guppy disappeared. "You ask me what is this to you, Mr. Jarndyce. If you had perused this document, you would have seen that it reduces your interest considerably, though still leaving it a very handsome one, still leaving it a very handsome one," said Mr. Kenge, waving his hand persuasively and blandly. "You would further have seen that the interests of Mr. Richard Carstone and of Miss Ada Clare, now Mrs. Richard Carstone, are very materially advanced by it." "Kenge," said my guardian, "if all the flourishing wealth that the suit brought into this vile court of Chancery could fall to my two young cousins, I should be well contented. But do you ask ME to believe that any good is to come of Jarndyce and Jarndyce?" "Oh, really, Mr. Jarndyce! Prejudice, prejudice. My dear sir, this is a very great country, a very great country. Its system of equity is a very great system, a very great system. Really, really!" My guardian said no more, and Mr. Vholes arrived. He was modestly impressed by Mr. Kenge's professional eminence. "How do you do, Mr. Vholes? Will you be so good as to take a chair here by me and look over this paper?" Mr. Vholes did as he was asked and seemed to read it every word. He was not excited by it, but he was not excited by anything. When he had well examined it, he retired with Mr. Kenge into a window, and shading his mouth with his black glove, spoke to him at some length. I was not surprised to observe Mr. Kenge inclined to dispute what he said before he had said much, for I knew that no two people ever did agree about anything in Jarndyce and Jarndyce. But he seemed to get the better of Mr. Kenge too in a conversation that sounded as if it were almost composed of the words "Receiver-General," "Accountant-General," "report," "estate," and "costs." When they had finished, they came back to Mr. Kenge's table and spoke aloud. "Well! But this is a very remarkable document, Mr. Vholes," said Mr. Kenge. Mr. Vholes said, "Very much so." "And a very important document, Mr. Vholes," said Mr. Kenge. Again Mr. Vholes said, "Very much so." "And as you say, Mr. Vholes, when the cause is in the paper next term, this document will be an unexpected and interesting feature in it," said Mr. Kenge, looking loftily at my guardian. Mr. Vholes was gratified, as a smaller practitioner striving to keep respectable, to be confirmed in any opinion of his own by such an authority. "And when," asked my guardian, rising after a pause, during which Mr. Kenge had rattled his money and Mr. Vholes had picked his pimples, "when is next term?" "Next term, Mr. Jarndyce, will be next month," said Mr. Kenge. "Of course we shall at once proceed to do what is necessary with this document and to collect the necessary evidence concerning it; and of course you will receive our usual notification of the cause being in the paper." "To which I shall pay, of course, my usual attention." "Still bent, my dear sir," said Mr. Kenge, showing us through the outer office to the door, "still bent, even with your enlarged mind, on echoing a popular prejudice? We are a prosperous community, Mr. Jarndyce, a very prosperous community. We are a great country, Mr. Jarndyce, we are a very great country. This is a great system, Mr. Jarndyce, and would you wish a great country to have a little system? Now, really, really!" He said this at the stair-head, gently moving his right hand as if it were a silver trowel with which to spread the cement of his words on the structure of the system and consolidate it for a thousand ages.

Esther, Jarndyce, Bucket, Smallweed, Kenge, Vholes The next morning Esther feels guilty about the whole Woodcourt-love business and makes extra nice with Jarndyce. They even set a date for the wedding - next month. Except they never call it a wedding - they only ever call it Esther becoming mistress of Bleak House. It's pretty bizarre, actually. Then Bucket suddenly barges in the door, with Smallweed behind him. Bucket explains that he couldn't keep Smallweed from coming. It turns out that while rummaging through Krook's things, Smallweed has found yet another Jarndyce will. It's a good thing Bucket's been hanging around that shop, because otherwise the will would have gone to the highest bidder. As it is, Bucket got the whole Smallweed family to turn on each other and bought it for twenty pounds. Jarndyce tells Smallweed that he'll reward him for the find. They take the thing to Kenge to check it out and it turns out to be dated after all the other wills in the case! Kenge gets excited and calls over Vholes, who also agrees that this is quite a remarkable find. They explain that next month, when Court is back in session, this new will is going to be very important. Jarndyce isn't buying any of this.

The MAJOR, more blue-faced and staring--more over-ripe, as it were, than ever--and giving vent, every now and then, to one of the horse's coughs, not so much of necessity as in a spontaneous explosion of importance, walked arm-in-arm with Mr Dombey up the sunny side of the way, with his cheeks swelling over his tight stock, his legs majestically wide apart, and his great head wagging from side to side, as if he were remonstrating within himself for being such a captivating object. They had not walked many yards, before the Major encountered somebody he knew, nor many yards farther before the Major encountered somebody else he knew, but he merely shook his fingers at them as he passed, and led Mr Dombey on: pointing out the localities as they went, and enlivening the walk with any current scandal suggested by them. In this manner the Major and Mr Dombey were walking arm-in-arm, much to their own satisfaction, when they beheld advancing towards them, a wheeled chair, in which a lady was seated, indolently steering her carriage by a kind of rudder in front, while it was propelled by some unseen power in the rear. Although the lady was not young, she was very blooming in the face--quite rosy--and her dress and attitude were perfectly juvenile. Walking by the side of the chair, and carrying her gossamer parasol with a proud and weary air, as if so great an effort must be soon abandoned and the parasol dropped, sauntered a much younger lady, very handsome, very haughty, very wilful, who tossed her head and drooped her eyelids, as though, if there were anything in all the world worth looking into, save a mirror, it certainly was not the earth or sky. 'Why, what the devil have we here, Sir!' cried the Major, stopping as this little cavalcade drew near. 'My dearest Edith!' drawled the lady in the chair, 'Major Bagstock!' The Major no sooner heard the voice, than he relinquished Mr Dombey's arm, darted forward, took the hand of the lady in the chair and pressed it to his lips. With no less gallantry, the Major folded both his gloves upon his heart, and bowed low to the other lady. And now, the chair having stopped, the motive power became visible in the shape of a flushed page pushing behind, who seemed to have in part outgrown and in part out-pushed his strength, for when he stood upright he was tall, and wan, and thin, and his plight appeared the more forlorn from his having injured the shape of his hat, by butting at the carriage with his head to urge it forward, as is sometimes done by elephants in Oriental countries. 'Joe Bagstock,' said the Major to both ladies, 'is a proud and happy man for the rest of his life.' 'You false creature!' said the old lady in the chair, insipidly. 'Where do you come from? I can't bear you.' 'Then suffer old Joe to present a friend, Ma'am,' said the Major, promptly, 'as a reason for being tolerated. Mr Dombey, Mrs Skewton.' The lady in the chair was gracious. 'Mr Dombey, Mrs Granger.' The lady with the parasol was faintly conscious of Mr Dombey's taking off his hat, and bowing low. 'I am delighted, Sir,' said the Major, 'to have this opportunity.' The Major seemed in earnest, for he looked at all the three, and leered in his ugliest manner. 'Mrs Skewton, Dombey,' said the Major, 'makes havoc in the heart of old Josh.' Mr Dombey signified that he didn't wonder at it. 'You perfidious goblin,' said the lady in the chair, 'have done! How long have you been here, bad man?' 'One day,' replied the Major. 'And can you be a day, or even a minute,' returned the lady, slightly settling her false curls and false eyebrows with her fan, and showing her false teeth, set off by her false complexion, 'in the garden of what's-its-name.' 'Eden, I suppose, Mama,' interrupted the younger lady, scornfully. 'My dear Edith,' said the other, 'I cannot help it. I never can remember those frightful names--without having your whole Soul and Being inspired by the sight of Nature; by the perfume,' said Mrs Skewton, rustling a handkerchief that was faint and sickly with essences, 'of her artless breath, you creature!' The discrepancy between Mrs Skewton's fresh enthusiasm of words, and forlornly faded manner, was hardly less observable than that between her age, which was about seventy, and her dress, which would have been youthful for twenty-seven. Her attitude in the wheeled chair (which she never varied) was one in which she had been taken in a barouche, some fifty years before, by a then fashionable artist who had appended to his published sketch the name of Cleopatra: in consequence of a discovery made by the critics of the time, that it bore an exact resemblance to that Princess as she reclined on board her galley. Mrs Skewton was a beauty then, and bucks threw wine-glasses over their heads by dozens in her honour. The beauty and the barouche had both passed away, but she still preserved the attitude, and for this reason expressly, maintained the wheeled chair and the butting page: there being nothing whatever, except the attitude, to prevent her from walking. 'Mr Dombey is devoted to Nature, I trust?' said Mrs Skewton, settling her diamond brooch. And by the way, she chiefly lived upon the reputation of some diamonds, and her family connexions. 'My friend Dombey, Ma'am,' returned the Major, 'may be devoted to her in secret, but a man who is paramount in the greatest city in the universe--' 'No one can be a stranger,' said Mrs Skewton, 'to Mr Dombey's immense influence.' As Mr Dombey acknowledged the compliment with a bend of his head, the younger lady glancing at him, met his eyes. 'You reside here, Madam?' said Mr Dombey, addressing her. 'No, we have been to a great many places. To Harrogate and Scarborough, and into Devonshire. We have been visiting, and resting here and there. Mama likes change.' 'Edith of course does not,' said Mrs Skewton, with a ghastly archness. 'I have not found that there is any change in such places,' was the answer, delivered with supreme indifference. 'They libel me. There is only one change, Mr Dombey,' observed Mrs Skewton, with a mincing sigh, 'for which I really care, and that I fear I shall never be permitted to enjoy. People cannot spare one. But seclusion and contemplation are my what-his-name--' 'If you mean Paradise, Mama, you had better say so, to render yourself intelligible,' said the younger lady. 'My dearest Edith,' returned Mrs Skewton, 'you know that I am wholly dependent upon you for those odious names. I assure you, Mr Dombey, Nature intended me for an Arcadian. I am thrown away in society. Cows are my passion. What I have ever sighed for, has been to retreat to a Swiss farm, and live entirely surrounded by cows--and china.' This curious association of objects, suggesting a remembrance of the celebrated bull who got by mistake into a crockery shop, was received with perfect gravity by Mr Dombey, who intimated his opinion that Nature was, no doubt, a very respectable institution. 'What I want,' drawled Mrs Skewton, pinching her shrivelled throat, 'is heart.' It was frightfully true in one sense, if not in that in which she used the phrase. 'What I want, is frankness, confidence, less conventionality, and freer play of soul. We are so dreadfully artificial.' We were, indeed. 'In short,' said Mrs Skewton, 'I want Nature everywhere. It would be so extremely charming.' 'Nature is inviting us away now, Mama, if you are ready,' said the younger lady, curling her handsome lip. At this hint, the wan page, who had been surveying the party over the top of the chair, vanished behind it, as if the ground had swallowed him up. 'Stop a moment, Withers!' said Mrs Skewton, as the chair began to move; calling to the page with all the languid dignity with which she had called in days of yore to a coachman with a wig, cauliflower nosegay, and silk stockings. 'Where are you staying, abomination?' The Major was staying at the Royal Hotel, with his friend Dombey. 'You may come and see us any evening when you are good,' lisped Mrs Skewton. 'If Mr Dombey will honour us, we shall be happy. Withers, go on!' The Major again pressed to his blue lips the tips of the fingers that were disposed on the ledge of the wheeled chair with careful carelessness, after the Cleopatra model: and Mr Dombey bowed. The elder lady honoured them both with a very gracious smile and a girlish wave of her hand; the younger lady with the very slightest inclination of her head that common courtesy allowed. The last glimpse of the wrinkled face of the mother, with that patched colour on it which the sun made infinitely more haggard and dismal than any want of colour could have been, and of the proud beauty of the daughter with her graceful figure and erect deportment, engendered such an involuntary disposition on the part of both the Major and Mr Dombey to look after them, that they both turned at the same moment. The Page, nearly as much aslant as his own shadow, was toiling after the chair, uphill, like a slow battering-ram; the top of Cleopatra's bonnet was fluttering in exactly the same corner to the inch as before; and the Beauty, loitering by herself a little in advance, expressed in all her elegant form, from head to foot, the same supreme disregard of everything and everybody. 'I tell you what, Sir,' said the Major, as they resumed their walk again. 'If Joe Bagstock were a younger man, there's not a woman in the world whom he'd prefer for Mrs Bagstock to that woman. By George, Sir!' said the Major, 'she's superb!' 'Do you mean the daughter?' inquired Mr Dombey. 'Is Joey B. a turnip, Dombey,' said the Major, 'that he should mean the mother?' 'You were complimentary to the mother,' returned Mr Dombey. 'An ancient flame, Sir,' chuckled Major Bagstock. 'Devilish ancient. I humour her.' 'She impresses me as being perfectly genteel,' said Mr Dombey. 'Genteel, Sir,' said the Major, stopping short, and staring in his companion's face. 'The Honourable Mrs Skewton, Sir, is sister to the late Lord Feenix, and aunt to the present Lord. The family are not wealthy--they're poor, indeed--and she lives upon a small jointure; but if you come to blood, Sir!' The Major gave a flourish with his stick and walked on again, in despair of being able to say what you came to, if you came to that. 'You addressed the daughter, I observed,' said Mr Dombey, after a short pause, 'as Mrs Granger.' 'Edith Skewton, Sir,' returned the Major, stopping short again, and punching a mark in the ground with his cane, to represent her, 'married (at eighteen) Granger of Ours;' whom the Major indicated by another punch. 'Granger, Sir,' said the Major, tapping the last ideal portrait, and rolling his head emphatically, 'was Colonel of Ours; a de-vilish handsome fellow, Sir, of forty-one. He died, Sir, in the second year of his marriage.' The Major ran the representative of the deceased Granger through and through the body with his walking-stick, and went on again, carrying his stick over his shoulder. 'How long is this ago?' asked Mr Dombey, making another halt. 'Edith Granger, Sir,' replied the Major, shutting one eye, putting his head on one side, passing his cane into his left hand, and smoothing his shirt-frill with his right, 'is, at this present time, not quite thirty. And damme, Sir,' said the Major, shouldering his stick once more, and walking on again, 'she's a peerless woman!' 'Was there any family?' asked Mr Dombey presently. 'Yes, Sir,' said the Major. 'There was a boy.' Mr Dombey's eyes sought the ground, and a shade came over his face. 'Who was drowned, Sir,' pursued the Major. 'When a child of four or five years old.' 'Indeed?' said Mr Dombey, raising his head. 'By the upsetting of a boat in which his nurse had no business to have put him,' said the Major. 'That's his history. Edith Granger is Edith Granger still; but if tough old Joey B., Sir, were a little younger and a little richer, the name of that immortal paragon should be Bagstock.' The Major heaved his shoulders, and his cheeks, and laughed more like an over-fed Mephistopheles than ever, as he said the words. 'Provided the lady made no objection, I suppose?' said Mr Dombey coldly. 'By Gad, Sir,' said the Major, 'the Bagstock breed are not accustomed to that sort of obstacle. Though it's true enough that Edith might have married twenty times, but for being proud, Sir, proud.' Mr Dombey seemed, by his face, to think no worse of her for that. 'It's a great quality after all,' said the Major. 'By the Lord, it's a high quality! Dombey! You are proud yourself, and your friend, Old Joe, respects you for it, Sir.' With this tribute to the character of his ally, which seemed to be wrung from him by the force of circumstances and the irresistible tendency of their conversation, the Major closed the subject, and glided into a general exposition of the extent to which he had been beloved and doted on by splendid women and brilliant creatures. On the next day but one, Mr Dombey and the Major encountered the Honourable Mrs Skewton and her daughter in the Pump-room; on the day after, they met them again very near the place where they had met them first. After meeting them thus, three or four times in all, it became a point of mere civility to old acquaintances that the Major should go there one evening. Mr Dombey had not originally intended to pay visits, but on the Major announcing this intention, he said he would have the pleasure of accompanying him. So the Major told the Native to go round before dinner, and say, with his and Mr Dombey's compliments, that they would have the honour of visiting the ladies that same evening, if the ladies were alone. In answer to which message, the Native brought back a very small note with a very large quantity of scent about it, indited by the Honourable Mrs Skewton to Major Bagstock, and briefly saying, 'You are a shocking bear and I have a great mind not to forgive you, but if you are very good indeed,' which was underlined, 'you may come. Compliments (in which Edith unites) to Mr Dombey.' The Honourable Mrs Skewton and her daughter, Mrs Granger, resided, while at Leamington, in lodgings that were fashionable enough and dear enough, but rather limited in point of space and conveniences; so that the Honourable Mrs Skewton, being in bed, had her feet in the window and her head in the fireplace, while the Honourable Mrs Skewton's maid was quartered in a closet within the drawing-room, so extremely small, that, to avoid developing the whole of its accommodations, she was obliged to writhe in and out of the door like a beautiful serpent. Withers, the wan page, slept out of the house immediately under the tiles at a neighbouring milk-shop; and the wheeled chair, which was the stone of that young Sisyphus, passed the night in a shed belonging to the same dairy, where new-laid eggs were produced by the poultry connected with the establishment, who roosted on a broken donkey-cart, persuaded, to all appearance, that it grew there, and was a species of tree. Mr Dombey and the Major found Mrs Skewton arranged, as Cleopatra, among the cushions of a sofa: very airily dressed; and certainly not resembling Shakespeare's Cleopatra, whom age could not wither. On their way upstairs they had heard the sound of a harp, but it had ceased on their being announced, and Edith now stood beside it handsomer and haughtier than ever. It was a remarkable characteristic of this lady's beauty that it appeared to vaunt and assert itself without her aid, and against her will. She knew that she was beautiful: it was impossible that it could be otherwise: but she seemed with her own pride to defy her very self. Whether she held cheap attractions that could only call forth admiration that was worthless to her, or whether she designed to render them more precious to admirers by this usage of them, those to whom they were precious seldom paused to consider. 'I hope, Mrs Granger,' said Mr Dombey, advancing a step towards her, 'we are not the cause of your ceasing to play?' 'You! oh no!' 'Why do you not go on then, my dearest Edith?' said Cleopatra. 'I left off as I began--of my own fancy.' The exquisite indifference of her manner in saying this: an indifference quite removed from dulness or insensibility, for it was pointed with proud purpose: was well set off by the carelessness with which she drew her hand across the strings, and came from that part of the room. 'Do you know, Mr Dombey,' said her languishing mother, playing with a hand-screen, 'that occasionally my dearest Edith and myself actually almost differ--' 'Not quite, sometimes, Mama?' said Edith. 'Oh never quite, my darling! Fie, fie, it would break my heart,' returned her mother, making a faint attempt to pat her with the screen, which Edith made no movement to meet, '--about these old conventionalities of manner that are observed in little things? Why are we not more natural? Dear me! With all those yearnings, and gushings, and impulsive throbbings that we have implanted in our souls, and which are so very charming, why are we not more natural?' Mr Dombey said it was very true, very true. 'We could be more natural I suppose if we tried?' said Mrs Skewton. Mr Dombey thought it possible. 'Devil a bit, Ma'am,' said the Major. 'We couldn't afford it. Unless the world was peopled with J.B.'s--tough and blunt old Joes, Ma'am, plain red herrings with hard roes, Sir--we couldn't afford it. It wouldn't do.' 'You naughty Infidel,' said Mrs Skewton, 'be mute.' 'Cleopatra commands,' returned the Major, kissing his hand, 'and Antony Bagstock obeys.' 'The man has no sensitiveness,' said Mrs Skewton, cruelly holding up the hand-screen so as to shut the Major out. 'No sympathy. And what do we live for but sympathy! What else is so extremely charming! Without that gleam of sunshine on our cold cold earth,' said Mrs Skewton, arranging her lace tucker, and complacently observing the effect of her bare lean arm, looking upward from the wrist, 'how could we possibly bear it? In short, obdurate man!' glancing at the Major, round the screen, 'I would have my world all heart; and Faith is so excessively charming, that I won't allow you to disturb it, do you hear?' The Major replied that it was hard in Cleopatra to require the world to be all heart, and yet to appropriate to herself the hearts of all the world; which obliged Cleopatra to remind him that flattery was insupportable to her, and that if he had the boldness to address her in that strain any more, she would positively send him home. Withers the Wan, at this period, handing round the tea, Mr Dombey again addressed himself to Edith. 'There is not much company here, it would seem?' said Mr Dombey, in his own portentous gentlemanly way. 'I believe not. We see none.' 'Why really,' observed Mrs Skewton from her couch, 'there are no people here just now with whom we care to associate.' 'They have not enough heart,' said Edith, with a smile. The very twilight of a smile: so singularly were its light and darkness blended. 'My dearest Edith rallies me, you see!' said her mother, shaking her head: which shook a little of itself sometimes, as if the palsy twinkled now and then in opposition to the diamonds. 'Wicked one!' 'You have been here before, if I am not mistaken?' said Mr Dombey. Still to Edith. 'Oh, several times. I think we have been everywhere.' 'A beautiful country!' 'I suppose it is. Everybody says so.' 'Your cousin Feenix raves about it, Edith,' interposed her mother from her couch. The daughter slightly turned her graceful head, and raising her eyebrows by a hair's-breadth, as if her cousin Feenix were of all the mortal world the least to be regarded, turned her eyes again towards Mr Dombey. 'I hope, for the credit of my good taste, that I am tired of the neighbourhood,' she said. 'You have almost reason to be, Madam,' he replied, glancing at a variety of landscape drawings, of which he had already recognised several as representing neighbouring points of view, and which were strewn abundantly about the room, 'if these beautiful productions are from your hand.' She gave him no reply, but sat in a disdainful beauty, quite amazing. 'Have they that interest?' said Mr Dombey. 'Are they yours?' 'Yes.' 'And you play, I already know.' 'Yes.' 'And sing?' 'Yes.' She answered all these questions with a strange reluctance; and with that remarkable air of opposition to herself, already noticed as belonging to her beauty. Yet she was not embarrassed, but wholly self-possessed. Neither did she seem to wish to avoid the conversation, for she addressed her face, and--so far as she could--her manner also, to him; and continued to do so, when he was silent. 'You have many resources against weariness at least,' said Mr Dombey. 'Whatever their efficiency may be,' she returned, 'you know them all now. I have no more.' 'May I hope to prove them all?' said Mr Dombey, with solemn gallantry, laying down a drawing he had held, and motioning towards the harp. 'Oh certainly! If you desire it!' She rose as she spoke, and crossing by her mother's couch, and directing a stately look towards her, which was instantaneous in its duration, but inclusive (if anyone had seen it) of a multitude of expressions, among which that of the twilight smile, without the smile itself, overshadowed all the rest, went out of the room. The Major, who was quite forgiven by this time, had wheeled a little table up to Cleopatra, and was sitting down to play picquet with her. Mr Dombey, not knowing the game, sat down to watch them for his edification until Edith should return. 'We are going to have some music, Mr Dombey, I hope?' said Cleopatra. 'Mrs Granger has been kind enough to promise so,' said Mr Dombey. 'Ah! That's very nice. Do you propose, Major?' 'No, Ma'am,' said the Major. 'Couldn't do it.' 'You're a barbarous being,' replied the lady, 'and my hand's destroyed. You are fond of music, Mr Dombey?' 'Eminently so,' was Mr Dombey's answer. 'Yes. It's very nice,' said Cleopatra, looking at her cards. 'So much heart in it--undeveloped recollections of a previous state of existence--and all that--which is so truly charming. Do you know,' simpered Cleopatra, reversing the knave of clubs, who had come into her game with his heels uppermost, 'that if anything could tempt me to put a period to my life, it would be curiosity to find out what it's all about, and what it means; there are so many provoking mysteries, really, that are hidden from us. Major, you to play!' The Major played; and Mr Dombey, looking on for his instruction, would soon have been in a state of dire confusion, but that he gave no attention to the game whatever, and sat wondering instead when Edith would come back. She came at last, and sat down to her harp, and Mr Dombey rose and stood beside her, listening. He had little taste for music, and no knowledge of the strain she played, but he saw her bending over it, and perhaps he heard among the sounding strings some distant music of his own, that tamed the monster of the iron road, and made it less inexorable. Cleopatra had a sharp eye, verily, at picquet. It glistened like a bird's, and did not fix itself upon the game, but pierced the room from end to end, and gleamed on harp, performer, listener, everything. When the haughty beauty had concluded, she arose, and receiving Mr Dombey's thanks and compliments in exactly the same manner as before, went with scarcely any pause to the piano, and began there. Edith Granger, any song but that! Edith Granger, you are very handsome, and your touch upon the keys is brilliant, and your voice is deep and rich; but not the air that his neglected daughter sang to his dead son! Alas, he knows it not; and if he did, what air of hers would stir him, rigid man! Sleep, lonely Florence, sleep! Peace in thy dreams, although the night has turned dark, and the clouds are gathering, and threaten to discharge themselves in hail!

Shortly after arriving, Bagstock and Dombey run into Mrs. Skewton, an acquaintance of Bagstock's, and her young widowed daughter Mrs. Edith Granger. Bagstock explains that Edith lost both her first husband, and a young son, and, while very beautiful, has rejected many offers of a second marriage. They are not wealthy, but come from a good family

The Comic Muse, though able to look after her own interests, did not disdain the assistance of Mr. Vyse. His idea of bringing the Emersons to Windy Corner struck her as decidedly good, and she carried through the negotiations without a hitch. Sir Harry Otway signed the agreement, met Mr. Emerson, who was duly disillusioned. The Miss Alans were duly offended, and wrote a dignified letter to Lucy, whom they held responsible for the failure. Mr. Beebe planned pleasant moments for the new-comers, and told Mrs. Honeychurch that Freddy must call on them as soon as they arrived. Indeed, so ample was the Muse's equipment that she permitted Mr. Harris, never a very robust criminal, to droop his head, to be forgotten, and to die. Lucy--to descend from bright heaven to earth, whereon there are shadows because there are hills--Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least. Now that she was engaged, the Emersons would scarcely insult her and were welcome into the neighbourhood. And Cecil was welcome to bring whom he would into the neighbourhood. Therefore Cecil was welcome to bring the Emersons into the neighbourhood. But, as I say, this took a little thinking, and--so illogical are girls--the event remained rather greater and rather more dreadful than it should have done. She was glad that a visit to Mrs. Vyse now fell due; the tenants moved into Cissie Villa while she was safe in the London flat. "Cecil--Cecil darling," she whispered the evening she arrived, and crept into his arms. Cecil, too, became demonstrative. He saw that the needful fire had been kindled in Lucy. At last she longed for attention, as a woman should, and looked up to him because he was a man. "So you do love me, little thing?" he murmured. "Oh, Cecil, I do, I do! I don't know what I should do without you." Several days passed. Then she had a letter from Miss Bartlett. A coolness had sprung up between the two cousins, and they had not corresponded since they parted in August. The coolness dated from what Charlotte would call "the flight to Rome," and in Rome it had increased amazingly. For the companion who is merely uncongenial in the mediaeval world becomes exasperating in the classical. Charlotte, unselfish in the Forum, would have tried a sweeter temper than Lucy's, and once, in the Baths of Caracalla, they had doubted whether they could continue their tour. Lucy had said she would join the Vyses--Mrs. Vyse was an acquaintance of her mother, so there was no impropriety in the plan and Miss Bartlett had replied that she was quite used to being abandoned suddenly. Finally nothing happened; but the coolness remained, and, for Lucy, was even increased when she opened the letter and read as follows. It had been forwarded from Windy Corner. "Tunbridge Wells, "September. "Dearest Lucia, "I have news of you at last! Miss Lavish has been bicycling in your parts, but was not sure whether a call would be welcome. Puncturing her tire near Summer Street, and it being mended while she sat very woebegone in that pretty churchyard, she saw to her astonishment, a door open opposite and the younger Emerson man come out. He said his father had just taken the house. He SAID he did not know that you lived in the neighbourhood (?). He never suggested giving Eleanor a cup of tea. Dear Lucy, I am much worried, and I advise you to make a clean breast of his past behaviour to your mother, Freddy, and Mr. Vyse, who will forbid him to enter the house, etc. That was a great misfortune, and I dare say you have told them already. Mr. Vyse is so sensitive. I remember how I used to get on his nerves at Rome. I am very sorry about it all, and should not feel easy unless I warned you. "Believe me, "Your anxious and loving cousin, "Charlotte." Lucy was much annoyed, and replied as follows: "Beauchamp Mansions, S.W. "Dear Charlotte, "Many thanks for your warning. When Mr. Emerson forgot himself on the mountain, you made me promise not to tell mother, because you said she would blame you for not being always with me. I have kept that promise, and cannot possibly tell her now. I have said both to her and Cecil that I met the Emersons at Florence, and that they are respectable people--which I do think--and the reason that he offered Miss Lavish no tea was probably that he had none himself. She should have tried at the Rectory. I cannot begin making a fuss at this stage. You must see that it would be too absurd. If the Emersons heard I had complained of them, they would think themselves of importance, which is exactly what they are not. I like the old father, and look forward to seeing him again. As for the son, I am sorry for him when we meet, rather than for myself. They are known to Cecil, who is very well and spoke of you the other day. We expect to be married in January. "Miss Lavish cannot have told you much about me, for I am not at Windy Corner at all, but here. Please do not put 'Private' outside your envelope again. No one opens my letters. "Yours affectionately, "L. M. Honeychurch." Secrecy has this disadvantage: we lose the sense of proportion; we cannot tell whether our secret is important or not. Were Lucy and her cousin closeted with a great thing which would destroy Cecil's life if he discovered it, or with a little thing which he would laugh at? Miss Bartlett suggested the former. Perhaps she was right. It had become a great thing now. Left to herself, Lucy would have told her mother and her lover ingenuously, and it would have remained a little thing. "Emerson, not Harris"; it was only that a few weeks ago. She tried to tell Cecil even now when they were laughing about some beautiful lady who had smitten his heart at school. But her body behaved so ridiculously that she stopped. She and her secret stayed ten days longer in the deserted Metropolis visiting the scenes they were to know so well later on. It did her no harm, Cecil thought, to learn the framework of society, while society itself was absent on the golf-links or the moors. The weather was cool, and it did her no harm. In spite of the season, Mrs. Vyse managed to scrape together a dinner-party consisting entirely of the grandchildren of famous people. The food was poor, but the talk had a witty weariness that impressed the girl. One was tired of everything, it seemed. One launched into enthusiasms only to collapse gracefully, and pick oneself up amid sympathetic laughter. In this atmosphere the Pension Bertolini and Windy Corner appeared equally crude, and Lucy saw that her London career would estrange her a little from all that she had loved in the past. The grandchildren asked her to play the piano. She played Schumann. "Now some Beethoven" called Cecil, when the querulous beauty of the music had died. She shook her head and played Schumann again. The melody rose, unprofitably magical. It broke; it was resumed broken, not marching once from the cradle to the grave. The sadness of the incomplete--the sadness that is often Life, but should never be Art--throbbed in its disjected phrases, and made the nerves of the audience throb. Not thus had she played on the little draped piano at the Bertolini, and "Too much Schumann" was not the remark that Mr. Beebe had passed to himself when she returned. When the guests were gone, and Lucy had gone to bed, Mrs. Vyse paced up and down the drawing-room, discussing her little party with her son. Mrs. Vyse was a nice woman, but her personality, like many another's, had been swamped by London, for it needs a strong head to live among many people. The too vast orb of her fate had crushed her; and she had seen too many seasons, too many cities, too many men, for her abilities, and even with Cecil she was mechanical, and behaved as if he was not one son, but, so to speak, a filial crowd. "Make Lucy one of us," she said, looking round intelligently at the end of each sentence, and straining her lips apart until she spoke again. "Lucy is becoming wonderful--wonderful." "Her music always was wonderful." "Yes, but she is purging off the Honeychurch taint, most excellent Honeychurches, but you know what I mean. She is not always quoting servants, or asking one how the pudding is made." "Italy has done it." "Perhaps," she murmured, thinking of the museum that represented Italy to her. "It is just possible. Cecil, mind you marry her next January. She is one of us already." "But her music!" he exclaimed. "The style of her! How she kept to Schumann when, like an idiot, I wanted Beethoven. Schumann was right for this evening. Schumann was the thing. Do you know, mother, I shall have our children educated just like Lucy. Bring them up among honest country folks for freshness, send them to Italy for subtlety, and then--not till then--let them come to London. I don't believe in these London educations--" He broke off, remembering that he had had one himself, and concluded, "At all events, not for women." "Make her one of us," repeated Mrs. Vyse, and processed to bed. As she was dozing off, a cry--the cry of nightmare--rang from Lucy's room. Lucy could ring for the maid if she liked but Mrs. Vyse thought it kind to go herself. She found the girl sitting upright with her hand on her cheek. "I am so sorry, Mrs. Vyse--it is these dreams." "Bad dreams?" "Just dreams." The elder lady smiled and kissed her, saying very distinctly: "You should have heard us talking about you, dear. He admires you more than ever. Dream of that." Lucy returned the kiss, still covering one cheek with her hand. Mrs. Vyse recessed to bed. Cecil, whom the cry had not awoke, snored. Darkness enveloped the flat. It was a Saturday afternoon, gay and brilliant after abundant rains, and the spirit of youth dwelt in it, though the season was now autumn. All that was gracious triumphed. As the motorcars passed through Summer Street they raised only a little dust, and their stench was soon dispersed by the wind and replaced by the scent of the wet birches or of the pines. Mr. Beebe, at leisure for life's amenities, leant over his Rectory gate. Freddy leant by him, smoking a pendant pipe. "Suppose we go and hinder those new people opposite for a little." "M'm." "They might amuse you." Freddy, whom his fellow-creatures never amused, suggested that the new people might be feeling a bit busy, and so on, since they had only just moved in. "I suggested we should hinder them," said Mr. Beebe. "They are worth it." Unlatching the gate, he sauntered over the triangular green to Cissie Villa. "Hullo!" he cried, shouting in at the open door, through which much squalor was visible. A grave voice replied, "Hullo!" "I've brought someone to see you." "I'll be down in a minute." The passage was blocked by a wardrobe, which the removal men had failed to carry up the stairs. Mr. Beebe edged round it with difficulty. The sitting-room itself was blocked with books. "Are these people great readers?" Freddy whispered. "Are they that sort?" "I fancy they know how to read--a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um--um--Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch." "Mr. Beebe, look at that," said Freddy in awestruck tones. On the cornice of the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very," said Freddy, taking up a book. "She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe." Mr. Beebe ignored the remark. "Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George's face wanted washing. At all events he greeted him with, "How d'ye do? Come and have a bathe." "Oh, all right," said George, impassive. Mr. Beebe was highly entertained. "'How d'ye do? how d'ye do? Come and have a bathe,'" he chuckled. "That's the best conversational opening I've ever heard. But I'm afraid it will only act between men. Can you picture a lady who has been introduced to another lady by a third lady opening civilities with 'How do you do? Come and have a bathe'? And yet you will tell me that the sexes are equal." "I tell you that they shall be," said Mr. Emerson, who had been slowly descending the stairs. "Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same." "We are to raise ladies to our level?" the clergyman inquired. "The Garden of Eden," pursued Mr. Emerson, still descending, "which you place in the past, is really yet to come. We shall enter it when we no longer despise our bodies." Mr. Beebe disclaimed placing the Garden of Eden anywhere. "In this--not in other things--we men are ahead. We despise the body less than women do. But not until we are comrades shall we enter the garden." "I say, what about this bathe?" murmured Freddy, appalled at the mass of philosophy that was approaching him. "I believed in a return to Nature once. But how can we return to Nature when we have never been with her? To-day, I believe that we must discover Nature. After many conquests we shall attain simplicity. It is our heritage." "Let me introduce Mr. Honeychurch, whose sister you will remember at Florence." "How do you do? Very glad to see you, and that you are taking George for a bathe. Very glad to hear that your sister is going to marry. Marriage is a duty. I am sure that she will be happy, for we know Mr. Vyse, too. He has been most kind. He met us by chance in the National Gallery, and arranged everything about this delightful house. Though I hope I have not vexed Sir Harry Otway. I have met so few Liberal landowners, and I was anxious to compare his attitude towards the game laws with the Conservative attitude. Ah, this wind! You do well to bathe. Yours is a glorious country, Honeychurch!" "Not a bit!" mumbled Freddy. "I must--that is to say, I have to--have the pleasure of calling on you later on, my mother says, I hope." "CALL, my lad? Who taught us that drawing-room twaddle? Call on your grandmother! Listen to the wind among the pines! Yours is a glorious country." Mr. Beebe came to the rescue. "Mr. Emerson, he will call, I shall call; you or your son will return our calls before ten days have elapsed. I trust that you have realized about the ten days' interval. It does not count that I helped you with the stair-eyes yesterday. It does not count that they are going to bathe this afternoon." "Yes, go and bathe, George. Why do you dawdle talking? Bring them back to tea. Bring back some milk, cakes, honey. The change will do you good. George has been working very hard at his office. I can't believe he's well." George bowed his head, dusty and sombre, exhaling the peculiar smell of one who has handled furniture. "Do you really want this bathe?" Freddy asked him. "It is only a pond, don't you know. I dare say you are used to something better." "Yes--I have said 'Yes' already." Mr. Beebe felt bound to assist his young friend, and led the way out of the house and into the pine-woods. How glorious it was! For a little time the voice of old Mr. Emerson pursued them dispensing good wishes and philosophy. It ceased, and they only heard the fair wind blowing the bracken and the trees. Mr. Beebe, who could be silent, but who could not bear silence, was compelled to chatter, since the expedition looked like a failure, and neither of his companions would utter a word. He spoke of Florence. George attended gravely, assenting or dissenting with slight but determined gestures that were as inexplicable as the motions of the tree-tops above their heads. "And what a coincidence that you should meet Mr. Vyse! Did you realize that you would find all the Pension Bertolini down here?" "I did not. Miss Lavish told me." "When I was a young man, I always meant to write a 'History of Coincidence.'" No enthusiasm. "Though, as a matter of fact, coincidences are much rarer than we suppose. For example, it isn't purely coincidentally that you are here now, when one comes to reflect." To his relief, George began to talk. "It is. I have reflected. It is Fate. Everything is Fate. We are flung together by Fate, drawn apart by Fate--flung together, drawn apart. The twelve winds blow us--we settle nothing--" "You have not reflected at all," rapped the clergyman. "Let me give you a useful tip, Emerson: attribute nothing to Fate. Don't say, 'I didn't do this,' for you did it, ten to one. Now I'll cross-question you. Where did you first meet Miss Honeychurch and myself?" "Italy." "And where did you meet Mr. Vyse, who is going to marry Miss Honeychurch?" "National Gallery." "Looking at Italian art. There you are, and yet you talk of coincidence and Fate. You naturally seek out things Italian, and so do we and our friends. This narrows the field immeasurably we meet again in it." "It is Fate that I am here," persisted George. "But you can call it Italy if it makes you less unhappy." Mr. Beebe slid away from such heavy treatment of the subject. But he was infinitely tolerant of the young, and had no desire to snub George. "And so for this and for other reasons my 'History of Coincidence' is still to write." Silence. Wishing to round off the episode, he added; "We are all so glad that you have come." Silence. "Here we are!" called Freddy. "Oh, good!" exclaimed Mr. Beebe, mopping his brow. "In there's the pond. I wish it was bigger," he added apologetically. They climbed down a slippery bank of pine-needles. There lay the pond, set in its little alp of green--only a pond, but large enough to contain the human body, and pure enough to reflect the sky. On account of the rains, the waters had flooded the surrounding grass, which showed like a beautiful emerald path, tempting these feet towards the central pool. "It's distinctly successful, as ponds go," said Mr. Beebe. "No apologies are necessary for the pond." George sat down where the ground was dry, and drearily unlaced his boots. "Aren't those masses of willow-herb splendid? I love willow-herb in seed. What's the name of this aromatic plant?" No one knew, or seemed to care. "These abrupt changes of vegetation--this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle--heather, bracken, hurts, pines. Very charming, very charming." "Mr. Beebe, aren't you bathing?" called Freddy, as he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?" asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly. "Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the intrusion of man? "I may as well wash too"; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water. It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Gotterdammerung. But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit--for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him. Then all the forces of youth burst out. He smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool. "Race you round it, then," cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run--a memorable sight. They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming: "No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end." "A try! A try!" yelled Freddy, snatching up George's bundle and placing it beside an imaginary goal-post. "Socker rules," George retorted, scattering Freddy's bundle with a kick. "Goal!" "Goal!" "Pass!" "Take care my watch!" cried Mr. Beebe. Clothes flew in all directions. "Take care my hat! No, that's enough, Freddy. Dress now. No, I say!" But the two young men were delirious. Away they twinkled into the trees, Freddy with a clerical waistcoat under his arm, George with a wide-awake hat on his dripping hair. "That'll do!" shouted Mr. Beebe, remembering that after all he was in his own parish. Then his voice changed as if every pine-tree was a Rural Dean. "Hi! Steady on! I see people coming you fellows!" Yells, and widening circles over the dappled earth. "Hi! hi! LADIES!" Neither George nor Freddy was truly refined. Still, they did not hear Mr. Beebe's last warning or they would have avoided Mrs. Honeychurch, Cecil, and Lucy, who were walking down to call on old Mrs. Butterworth. Freddy dropped the waistcoat at their feet, and dashed into some bracken. George whooped in their faces, turned and scudded away down the path to the pond, still clad in Mr. Beebe's hat. "Gracious alive!" cried Mrs. Honeychurch. "Whoever were those unfortunate people? Oh, dears, look away! And poor Mr. Beebe, too! Whatever has happened?" "Come this way immediately," commanded Cecil, who always felt that he must lead women, though he knew not whither, and protect them, though he knew not against what. He led them now towards the bracken where Freddy sat concealed. "Oh, poor Mr. Beebe! Was that his waistcoat we left in the path? Cecil, Mr. Beebe's waistcoat--" "No business of ours," said Cecil, glancing at Lucy, who was all parasol and evidently 'minded.' "I fancy Mr. Beebe jumped back into the pond." "This way, please, Mrs. Honeychurch, this way." They followed him up the bank attempting the tense yet nonchalant expression that is suitable for ladies on such occasions. "Well, I can't help it," said a voice close ahead, and Freddy reared a freckled face and a pair of snowy shoulders out of the fronds. "I can't be trodden on, can I?" "Good gracious me, dear; so it's you! What miserable management! Why not have a comfortable bath at home, with hot and cold laid on?" "Look here, mother, a fellow must wash, and a fellow's got to dry, and if another fellow--" "Dear, no doubt you're right as usual, but you are in no position to argue. Come, Lucy." They turned. "Oh, look--don't look! Oh, poor Mr. Beebe! How unfortunate again--" For Mr. Beebe was just crawling out of the pond, on whose surface garments of an intimate nature did float; while George, the world-weary George, shouted to Freddy that he had hooked a fish. "And me, I've swallowed one," answered he of the bracken. "I've swallowed a pollywog. It wriggleth in my tummy. I shall die--Emerson you beast, you've got on my bags." "Hush, dears," said Mrs. Honeychurch, who found it impossible to remain shocked. "And do be sure you dry yourselves thoroughly first. All these colds come of not drying thoroughly." "Mother, do come away," said Lucy. "Oh for goodness' sake, do come." "Hullo!" cried George, so that again the ladies stopped. He regarded himself as dressed. Barefoot, bare-chested, radiant and personable against the shadowy woods, he called: "Hullo, Miss Honeychurch! Hullo!" "Bow, Lucy; better bow. Whoever is it? I shall bow." Miss Honeychurch bowed. That evening and all that night the water ran away. On the morrow the pool had shrunk to its old size and lost its glory. It had been a call to the blood and to the relaxed will, a passing benediction whose influence did not pass, a holiness, a spell, a momentary chalice for youth. How often had Lucy rehearsed this bow, this interview! But she had always rehearsed them indoors, and with certain accessories, which surely we have a right to assume. Who could foretell that she and George would meet in the rout of a civilization, amidst an army of coats and collars and boots that lay wounded over the sunlit earth? She had imagined a young Mr. Emerson, who might be shy or morbid or indifferent or furtively impudent. She was prepared for all of these. But she had never imagined one who would be happy and greet her with the shout of the morning star. Indoors herself, partaking of tea with old Mrs. Butterworth, she reflected that it is impossible to foretell the future with any degree of accuracy, that it is impossible to rehearse life. A fault in the scenery, a face in the audience, an irruption of the audience on to the stage, and all our carefully planned gestures mean nothing, or mean too much. "I will bow," she had thought. "I will not shake hands with him. That will be just the proper thing." She had bowed--but to whom? To gods, to heroes, to the nonsense of school-girls! She had bowed across the rubbish that cumbers the world. So ran her thoughts, while her faculties were busy with Cecil. It was another of those dreadful engagement calls. Mrs. Butterworth had wanted to see him, and he did not want to be seen. He did not want to hear about hydrangeas, why they change their colour at the seaside. He did not want to join the C. O. S. When cross he was always elaborate, and made long, clever answers where "Yes" or "No" would have done. Lucy soothed him and tinkered at the conversation in a way that promised well for their married peace. No one is perfect, and surely it is wiser to discover the imperfections before wedlock. Miss Bartlett, indeed, though not in word, had taught the girl that this our life contains nothing satisfactory. Lucy, though she disliked the teacher, regarded the teaching as profound, and applied it to her lover. "Lucy," said her mother, when they got home, "is anything the matter with Cecil?" The question was ominous; up till now Mrs. Honeychurch had behaved with charity and restraint. "No, I don't think so, mother; Cecil's all right." "Perhaps he's tired." Lucy compromised: perhaps Cecil was a little tired. "Because otherwise"--she pulled out her bonnet-pins with gathering displeasure--"because otherwise I cannot account for him." "I do think Mrs. Butterworth is rather tiresome, if you mean that." "Cecil has told you to think so. You were devoted to her as a little girl, and nothing will describe her goodness to you through the typhoid fever. No--it is just the same thing everywhere." "Let me just put your bonnet away, may I?" "Surely he could answer her civilly for one half-hour?" "Cecil has a very high standard for people," faltered Lucy, seeing trouble ahead. "It's part of his ideals--it is really that that makes him sometimes seem--" "Oh, rubbish! If high ideals make a young man rude, the sooner he gets rid of them the better," said Mrs. Honeychurch, handing her the bonnet. "Now, mother! I've seen you cross with Mrs. Butterworth yourself!" "Not in that way. At times I could wring her neck. But not in that way. No. It is the same with Cecil all over." "By-the-by--I never told you. I had a letter from Charlotte while I was away in London." This attempt to divert the conversation was too puerile, and Mrs. Honeychurch resented it. "Since Cecil came back from London, nothing appears to please him. Whenever I speak he winces;--I see him, Lucy; it is useless to contradict me. No doubt I am neither artistic nor literary nor intellectual nor musical, but I cannot help the drawing-room furniture; your father bought it and we must put up with it, will Cecil kindly remember." "I--I see what you mean, and certainly Cecil oughtn't to. But he does not mean to be uncivil--he once explained--it is the things that upset him--he is easily upset by ugly things--he is not uncivil to PEOPLE." "Is it a thing or a person when Freddy sings?" "You can't expect a really musical person to enjoy comic songs as we do." "Then why didn't he leave the room? Why sit wriggling and sneering and spoiling everyone's pleasure?" "We mustn't be unjust to people," faltered Lucy. Something had enfeebled her, and the case for Cecil, which she had mastered so perfectly in London, would not come forth in an effective form. The two civilizations had clashed--Cecil hinted that they might--and she was dazzled and bewildered, as though the radiance that lies behind all civilization had blinded her eyes. Good taste and bad taste were only catchwords, garments of diverse cut; and music itself dissolved to a whisper through pine-trees, where the song is not distinguishable from the comic song. She remained in much embarrassment, while Mrs. Honeychurch changed her frock for dinner; and every now and then she said a word, and made things no better. There was no concealing the fact, Cecil had meant to be supercilious, and he had succeeded. And Lucy--she knew not why--wished that the trouble could have come at any other time. "Go and dress, dear; you'll be late." "All right, mother--" "Don't say 'All right' and stop. Go." She obeyed, but loitered disconsolately at the landing window. It faced north, so there was little view, and no view of the sky. Now, as in the winter, the pine-trees hung close to her eyes. One connected the landing window with depression. No definite problem menaced her, but she sighed to herself, "Oh, dear, what shall I do, what shall I do?" It seemed to her that everyone else was behaving very badly. And she ought not to have mentioned Miss Bartlett's letter. She must be more careful; her mother was rather inquisitive, and might have asked what it was about. Oh, dear, what should she do?--and then Freddy came bounding upstairs, and joined the ranks of the ill-behaved. "I say, those are topping people." "My dear baby, how tiresome you've been! You have no business to take them bathing in the Sacred Lake; it's much too public. It was all right for you but most awkward for everyone else. Do be more careful. You forget the place is growing half suburban." "I say, is anything on to-morrow week?" "Not that I know of." "Then I want to ask the Emersons up to Sunday tennis." "Oh, I wouldn't do that, Freddy, I wouldn't do that with all this muddle." "What's wrong with the court? They won't mind a bump or two, and I've ordered new balls." "I meant it's better not. I really mean it." He seized her by the elbows and humorously danced her up and down the passage. She pretended not to mind, but she could have screamed with temper. Cecil glanced at them as he proceeded to his toilet and they impeded Mary with her brood of hot-water cans. Then Mrs. Honeychurch opened her door and said: "Lucy, what a noise you're making! I have something to say to you. Did you say you had had a letter from Charlotte?" and Freddy ran away. "Yes. I really can't stop. I must dress too." "How's Charlotte?" "All right." "Lucy!" The unfortunate girl returned. "You've a bad habit of hurrying away in the middle of one's sentences. Did Charlotte mention her boiler?" "Her WHAT?" "Don't you remember that her boiler was to be had out in October, and her bath cistern cleaned out, and all kinds of terrible to-doings?" "I can't remember all Charlotte's worries," said Lucy bitterly. "I shall have enough of my own, now that you are not pleased with Cecil." Mrs. Honeychurch might have flamed out. She did not. She said: "Come here, old lady--thank you for putting away my bonnet--kiss me." And, though nothing is perfect, Lucy felt for the moment that her mother and Windy Corner and the Weald in the declining sun were perfect. So the grittiness went out of life. It generally did at Windy Corner. At the last minute, when the social machine was clogged hopelessly, one member or other of the family poured in a drop of oil. Cecil despised their methods--perhaps rightly. At all events, they were not his own. Dinner was at half-past seven. Freddy gabbled the grace, and they drew up their heavy chairs and fell to. Fortunately, the men were hungry. Nothing untoward occurred until the pudding. Then Freddy said: "Lucy, what's Emerson like?" "I saw him in Florence," said Lucy, hoping that this would pass for a reply. "Is he the clever sort, or is he a decent chap?" "Ask Cecil; it is Cecil who brought him here." "He is the clever sort, like myself," said Cecil. Freddy looked at him doubtfully. "How well did you know them at the Bertolini?" asked Mrs. Honeychurch. "Oh, very slightly. I mean, Charlotte knew them even less than I did." "Oh, that reminds me--you never told me what Charlotte said in her letter." "One thing and another," said Lucy, wondering whether she would get through the meal without a lie. "Among other things, that an awful friend of hers had been bicycling through Summer Street, wondered if she'd come up and see us, and mercifully didn't." "Lucy, I do call the way you talk unkind." "She was a novelist," said Lucy craftily. The remark was a happy one, for nothing roused Mrs. Honeychurch so much as literature in the hands of females. She would abandon every topic to inveigh against those women who (instead of minding their houses and their children) seek notoriety by print. Her attitude was: "If books must be written, let them be written by men"; and she developed it at great length, while Cecil yawned and Freddy played at "This year, next year, now, never," with his plum-stones, and Lucy artfully fed the flames of her mother's wrath. But soon the conflagration died down, and the ghosts began to gather in the darkness. There were too many ghosts about. The original ghost--that touch of lips on her cheek--had surely been laid long ago; it could be nothing to her that a man had kissed her on a mountain once. But it had begotten a spectral family--Mr. Harris, Miss Bartlett's letter, Mr. Beebe's memories of violets--and one or other of these was bound to haunt her before Cecil's very eyes. It was Miss Bartlett who returned now, and with appalling vividness. "I have been thinking, Lucy, of that letter of Charlotte's. How is she?" "I tore the thing up." "Didn't she say how she was? How does she sound? Cheerful?" "Oh, yes I suppose so--no--not very cheerful, I suppose." "Then, depend upon it, it IS the boiler. I know myself how water preys upon one's mind. I would rather anything else--even a misfortune with the meat." Cecil laid his hand over his eyes. "So would I," asserted Freddy, backing his mother up--backing up the spirit of her remark rather than the substance. "And I have been thinking," she added rather nervously, "surely we could squeeze Charlotte in here next week, and give her a nice holiday while plumbers at Tunbridge Wells finish. I have not seen poor Charlotte for so long." It was more than her nerves could stand. And she could not protest violently after her mother's goodness to her upstairs. "Mother, no!" she pleaded. "It's impossible. We can't have Charlotte on the top of the other things; we're squeezed to death as it is. Freddy's got a friend coming Tuesday, there's Cecil, and you've promised to take in Minnie Beebe because of the diphtheria scare. It simply can't be done." "Nonsense! It can." "If Minnie sleeps in the bath. Not otherwise." "Minnie can sleep with you." "I won't have her." "Then, if you're so selfish, Mr. Floyd must share a room with Freddy." "Miss Bartlett, Miss Bartlett, Miss Bartlett," moaned Cecil, again laying his hand over his eyes. "It's impossible," repeated Lucy. "I don't want to make difficulties, but it really isn't fair on the maids to fill up the house so." Alas! "The truth is, dear, you don't like Charlotte." "No, I don't. And no more does Cecil. She gets on our nerves. You haven't seen her lately, and don't realize how tiresome she can be, though so good. So please, mother, don't worry us this last summer; but spoil us by not asking her to come." "Hear, hear!" said Cecil. Mrs. Honeychurch, with more gravity than usual, and with more feeling than she usually permitted herself, replied: "This isn't very kind of you two. You have each other and all these woods to walk in, so full of beautiful things; and poor Charlotte has only the water turned off and plumbers. You are young, dears, and however clever young people are, and however many books they read, they will never guess what it feels like to grow old." Cecil crumbled his bread. "I must say Cousin Charlotte was very kind to me that year I called on my bike," put in Freddy. "She thanked me for coming till I felt like such a fool, and fussed round no end to get an egg boiled for my tea just right." "I know, dear. She is kind to everyone, and yet Lucy makes this difficulty when we try to give her some little return." But Lucy hardened her heart. It was no good being kind to Miss Bartlett. She had tried herself too often and too recently. One might lay up treasure in heaven by the attempt, but one enriched neither Miss Bartlett nor any one else upon earth. She was reduced to saying: "I can't help it, mother. I don't like Charlotte. I admit it's horrid of me." "From your own account, you told her as much." "Well, she would leave Florence so stupidly. She flurried--" The ghosts were returning; they filled Italy, they were even usurping the places she had known as a child. The Sacred Lake would never be the same again, and, on Sunday week, something would even happen to Windy Corner. How would she fight against ghosts? For a moment the visible world faded away, and memories and emotions alone seemed real. "I suppose Miss Bartlett must come, since she boils eggs so well," said Cecil, who was in rather a happier frame of mind, thanks to the admirable cooking. "I didn't mean the egg was WELL boiled," corrected Freddy, "because in point of fact she forgot to take it off, and as a matter of fact I don't care for eggs. I only meant how jolly kind she seemed." Cecil frowned again. Oh, these Honeychurches! Eggs, boilers, hydrangeas, maids--of such were their lives compact. "May me and Lucy get down from our chairs?" he asked, with scarcely veiled insolence. "We don't want no dessert." Of course Miss Bartlett accepted. And, equally of course, she felt sure that she would prove a nuisance, and begged to be given an inferior spare room--something with no view, anything. Her love to Lucy. And, equally of course, George Emerson could come to tennis on the Sunday week. Lucy faced the situation bravely, though, like most of us, she only faced the situation that encompassed her. She never gazed inwards. If at times strange images rose from the depths, she put them down to nerves. When Cecil brought the Emersons to Summer Street, it had upset her nerves. Charlotte would burnish up past foolishness, and this might upset her nerves. She was nervous at night. When she talked to George--they met again almost immediately at the Rectory--his voice moved her deeply, and she wished to remain near him. How dreadful if she really wished to remain near him! Of course, the wish was due to nerves, which love to play such perverse tricks upon us. Once she had suffered from "things that came out of nothing and meant she didn't know what." Now Cecil had explained psychology to her one wet afternoon, and all the troubles of youth in an unknown world could be dismissed. It is obvious enough for the reader to conclude, "She loves young Emerson." A reader in Lucy's place would not find it obvious. Life is easy to chronicle, but bewildering to practice, and we welcome "nerves" or any other shibboleth that will cloak our personal desire. She loved Cecil; George made her nervous; will the reader explain to her that the phrases should have been reversed? But the external situation--she will face that bravely. The meeting at the Rectory had passed off well enough. Standing between Mr. Beebe and Cecil, she had made a few temperate allusions to Italy, and George had replied. She was anxious to show that she was not shy, and was glad that he did not seem shy either. "A nice fellow," said Mr. Beebe afterwards "He will work off his crudities in time. I rather mistrust young men who slip into life gracefully." Lucy said, "He seems in better spirits. He laughs more." "Yes," replied the clergyman. "He is waking up." That was all. But, as the week wore on, more of her defences fell, and she entertained an image that had physical beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. She was due at the South-Eastern station at Dorking, whither Mrs. Honeychurch drove to meet her. She arrived at the London and Brighton station, and had to hire a cab up. No one was at home except Freddy and his friend, who had to stop their tennis and to entertain her for a solid hour. Cecil and Lucy turned up at four o'clock, and these, with little Minnie Beebe, made a somewhat lugubrious sextette upon the upper lawn for tea. "I shall never forgive myself," said Miss Bartlett, who kept on rising from her seat, and had to be begged by the united company to remain. "I have upset everything. Bursting in on young people! But I insist on paying for my cab up. Grant that, at any rate." "Our visitors never do such dreadful things," said Lucy, while her brother, in whose memory the boiled egg had already grown unsubstantial, exclaimed in irritable tones: "Just what I've been trying to convince Cousin Charlotte of, Lucy, for the last half hour." "I do not feel myself an ordinary visitor," said Miss Bartlett, and looked at her frayed glove. "All right, if you'd really rather. Five shillings, and I gave a bob to the driver." Miss Bartlett looked in her purse. Only sovereigns and pennies. Could any one give her change? Freddy had half a quid and his friend had four half-crowns. Miss Bartlett accepted their moneys and then said: "But who am I to give the sovereign to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain.

Lucy goes to stay with Cecil's family in London, where she receives a letter from Charlotte, forwarded from Windy Corner. Charlotte has found out that the Emersons are moving to Summer Street. Lucy and Charlotte had a falling-out in Rome and have not been on such good terms since then. Charlotte wants Lucy to tell her mother and Cecil about what happened with her and George Emerson in the violets, but Lucy writes back reminding Charlotte that she herself made Lucy promise not to tell her mother. Cecil and his mother introduce Lucy to the London society that they know, and Lucy realizes that in this urbane, sophisticated world where everyone seems a little bored with everything, she will need to become somewhat estranged from her own past. She plays the piano for her hosts, but refuses to play Beethoven, Cecil's request, and instead plays mournful Schumann. Mrs. Vyse is thrilled with her and asks Cecil to make Lucy "one of us." Lucy has a bad dream that night from which she awakes with a shriek. Back at Summer Street, Mr. Beebe takes Freddy to call on the Emersons, who are moving into their new house. Their rooms are full of books written by the latest novelists and philosophers, which impresses Freddy. George appears and Freddy invites him for a swim in the forest pool. Mr. Emerson also arrives, speaking philosophically about a return to Nature. Mr. Beebe accompanies the young men into the woods, awkwardly and unsuccessfully trying to make conversation on such topics as Nature and Italy. George and Mr. Beebe briefly debate whether their lives are ruled by coincidence, as Mr. Beebe suggests, or Fate, as George heavily believes. At the pool, Freddy excitedly strips and jumps in, and George apathetically follows. Mr. Beebe is convinced to join them. They tentatively start a water fight, which escalates until they are running naked around the pool and tossing clothes everywhere. Suddenly Mrs. Honeychurch, Lucy, and Cecil are seen making their way down the path on the way to visit old Mrs. Butterworth, a neighbor. Cecil tries to take command, but everything is chaotic, with Freddy hiding in the bracken and Mr. Beebe in the pond. George, with only his pants on, greets Lucy, who bows. Cecil, Lucy, and Mrs. Honeychurch have tea with Mrs. Butterworth, where Lucy reflects that it is impossible to plan ahead for situations. She had been planning to bow when she met George, but the situation and his "shout of the morning star" made her bow seem inappropriate, a meaningless gesture. Cecil is cross with Mrs. Butterworth, whom he despises, while Lucy, aware from Charlotte's teaching that everyone has faults, tries to smooth over her fiance's curtness. After tea, Mrs. Honeychurch is upset with Cecil, who behaved rather rudely toward Ms. Butterworth. She doesn't think that Cecil's sophistication and fine upbringing justify his arrogant attitude. Lucy finds that her worlds are beginning to clash as she tries to defend Cecil against her mother. In the process, she mentions Charlotte's letter, which Mrs. Honeychurch asks about again at dinner, inquiring whether Charlotte's boiler has been repaired yet. Despite Lucy and Cecil's objections that they find her tiresome, Mrs. Honeychurch decides to invite Charlotte to Windy Corner. Cecil is insolent and disgusted by the entire conversation. Lucy feels that the ghosts surrounding her trip to Italy are returning. Though tormented by internal doubts as to what she should do, Lucy handles the external situation with courage. When she meets George at the Rectory, they both put aside shyness and speak of Italy. George seems to be in better spirits than he once was. The narrator of the story intercedes to explain that Lucy think she loves Cecil and is nervous about George, and doesn't realize that the reverse is actually true. Charlotte arrives, confusing everyone by showing up at the wrong train station, missing Mrs. Honeychurch who was waiting at a different station, and taking a cab to Windy Corners. Once she arrives, Lucy, Cecil, Freddy, Freddy's friend Mr. Floyd, and Minnie try to persuade her not to pay them back for the cab fare, which Freddy paid. A long protracted discussion results in which Freddy and Cecil try to trick Charlotte into paying less, but Minnie intercedes, and finally Lucy goes into the house to get change from a maid. Charlotte follows her and quickly begins asking whether Lucy has told Cecil about George. Lucy objects, saying that George won't present anyone any problems by being a "cad." She tries to excuse his kiss by saying that he was simply carried away in a moment of beauty, and acted irrationally, but that it amounts to nothing. Yet she makes a little slip in her explanation: when telling Charlotte that it makes a difference when you are overcome by someone beautiful, she identifies the person as a he and not a she.

Chapter XI. Another Reputation Ruined It was not much more than three-quarters of a mile from the town to the monastery. Alyosha walked quickly along the road, at that hour deserted. It was almost night, and too dark to see anything clearly at thirty paces ahead. There were cross-roads half-way. A figure came into sight under a solitary willow at the cross-roads. As soon as Alyosha reached the cross- roads the figure moved out and rushed at him, shouting savagely: "Your money or your life!" "So it's you, Mitya," cried Alyosha, in surprise, violently startled however. "Ha ha ha! You didn't expect me? I wondered where to wait for you. By her house? There are three ways from it, and I might have missed you. At last I thought of waiting here, for you had to pass here, there's no other way to the monastery. Come, tell me the truth. Crush me like a beetle. But what's the matter?" "Nothing, brother--it's the fright you gave me. Oh, Dmitri! Father's blood just now." (Alyosha began to cry, he had been on the verge of tears for a long time, and now something seemed to snap in his soul.) "You almost killed him--cursed him--and now--here--you're making jokes--'Your money or your life!' " "Well, what of that? It's not seemly--is that it? Not suitable in my position?" "No--I only--" "Stay. Look at the night. You see what a dark night, what clouds, what a wind has risen. I hid here under the willow waiting for you. And as God's above, I suddenly thought, why go on in misery any longer, what is there to wait for? Here I have a willow, a handkerchief, a shirt, I can twist them into a rope in a minute, and braces besides, and why go on burdening the earth, dishonoring it with my vile presence? And then I heard you coming--Heavens, it was as though something flew down to me suddenly. So there is a man, then, whom I love. Here he is, that man, my dear little brother, whom I love more than any one in the world, the only one I love in the world. And I loved you so much, so much at that moment that I thought, 'I'll fall on his neck at once.' Then a stupid idea struck me, to have a joke with you and scare you. I shouted, like a fool, 'Your money!' Forgive my foolery--it was only nonsense, and there's nothing unseemly in my soul.... Damn it all, tell me what's happened. What did she say? Strike me, crush me, don't spare me! Was she furious?" "No, not that.... There was nothing like that, Mitya. There--I found them both there." "Both? Whom?" "Grushenka at Katerina Ivanovna's." Dmitri was struck dumb. "Impossible!" he cried. "You're raving! Grushenka with her?" Alyosha described all that had happened from the moment he went in to Katerina Ivanovna's. He was ten minutes telling his story. He can't be said to have told it fluently and consecutively, but he seemed to make it clear, not omitting any word or action of significance, and vividly describing, often in one word, his own sensations. Dmitri listened in silence, gazing at him with a terrible fixed stare, but it was clear to Alyosha that he understood it all, and had grasped every point. But as the story went on, his face became not merely gloomy, but menacing. He scowled, he clenched his teeth, and his fixed stare became still more rigid, more concentrated, more terrible, when suddenly, with incredible rapidity, his wrathful, savage face changed, his tightly compressed lips parted, and Dmitri Fyodorovitch broke into uncontrolled, spontaneous laughter. He literally shook with laughter. For a long time he could not speak. "So she wouldn't kiss her hand! So she didn't kiss it; so she ran away!" he kept exclaiming with hysterical delight; insolent delight it might have been called, if it had not been so spontaneous. "So the other one called her tigress! And a tigress she is! So she ought to be flogged on a scaffold? Yes, yes, so she ought. That's just what I think; she ought to have been long ago. It's like this, brother, let her be punished, but I must get better first. I understand the queen of impudence. That's her all over! You saw her all over in that hand-kissing, the she-devil! She's magnificent in her own line! So she ran home? I'll go--ah--I'll run to her! Alyosha, don't blame me, I agree that hanging is too good for her." "But Katerina Ivanovna!" exclaimed Alyosha sorrowfully. "I see her, too! I see right through her, as I've never done before! It's a regular discovery of the four continents of the world, that is, of the five! What a thing to do! That's just like Katya, who was not afraid to face a coarse, unmannerly officer and risk a deadly insult on a generous impulse to save her father! But the pride, the recklessness, the defiance of fate, the unbounded defiance! You say that aunt tried to stop her? That aunt, you know, is overbearing, herself. She's the sister of the general's widow in Moscow, and even more stuck-up than she. But her husband was caught stealing government money. He lost everything, his estate and all, and the proud wife had to lower her colors, and hasn't raised them since. So she tried to prevent Katya, but she wouldn't listen to her! She thinks she can overcome everything, that everything will give way to her. She thought she could bewitch Grushenka if she liked, and she believed it herself: she plays a part to herself, and whose fault is it? Do you think she kissed Grushenka's hand first, on purpose, with a motive? No, she really was fascinated by Grushenka, that's to say, not by Grushenka, but by her own dream, her own delusion--because it was _her_ dream, _her_ delusion! Alyosha, darling, how did you escape from them, those women? Did you pick up your cassock and run? Ha ha ha!" "Brother, you don't seem to have noticed how you've insulted Katerina Ivanovna by telling Grushenka about that day. And she flung it in her face just now that she had gone to gentlemen in secret to sell her beauty! Brother, what could be worse than that insult?" What worried Alyosha more than anything was that, incredible as it seemed, his brother appeared pleased at Katerina Ivanovna's humiliation. "Bah!" Dmitri frowned fiercely, and struck his forehead with his hand. He only now realized it, though Alyosha had just told him of the insult, and Katerina Ivanovna's cry: "Your brother is a scoundrel!" "Yes, perhaps, I really did tell Grushenka about that 'fatal day,' as Katya calls it. Yes, I did tell her, I remember! It was that time at Mokroe. I was drunk, the gypsies were singing.... But I was sobbing. I was sobbing then, kneeling and praying to Katya's image, and Grushenka understood it. She understood it all then. I remember, she cried herself.... Damn it all! But it's bound to be so now.... Then she cried, but now 'the dagger in the heart'! That's how women are." He looked down and sank into thought. "Yes, I am a scoundrel, a thorough scoundrel!" he said suddenly, in a gloomy voice. "It doesn't matter whether I cried or not, I'm a scoundrel! Tell her I accept the name, if that's any comfort. Come, that's enough. Good-by. It's no use talking! It's not amusing. You go your way and I mine. And I don't want to see you again except as a last resource. Good- by, Alexey!" He warmly pressed Alyosha's hand, and still looking down, without raising his head, as though tearing himself away, turned rapidly towards the town. Alyosha looked after him, unable to believe he would go away so abruptly. "Stay, Alexey, one more confession to you alone!" cried Dmitri, suddenly turning back. "Look at me. Look at me well. You see here, here--there's terrible disgrace in store for me." (As he said "here," Dmitri struck his chest with his fist with a strange air, as though the dishonor lay precisely on his chest, in some spot, in a pocket, perhaps, or hanging round his neck.) "You know me now, a scoundrel, an avowed scoundrel, but let me tell you that I've never done anything before and never shall again, anything that can compare in baseness with the dishonor which I bear now at this very minute on my breast, here, here, which will come to pass, though I'm perfectly free to stop it. I can stop it or carry it through, note that. Well, let me tell you, I shall carry it through. I shan't stop it. I told you everything just now, but I didn't tell you this, because even I had not brass enough for it. I can still pull up; if I do, I can give back the full half of my lost honor to-morrow. But I shan't pull up. I shall carry out my base plan, and you can bear witness that I told you so beforehand. Darkness and destruction! No need to explain. You'll find out in due time. The filthy back-alley and the she- devil. Good-by. Don't pray for me, I'm not worth it. And there's no need, no need at all.... I don't need it! Away!" And he suddenly retreated, this time finally. Alyosha went towards the monastery. "What? I shall never see him again! What is he saying?" he wondered wildly. "Why, I shall certainly see him to-morrow. I shall look him up. I shall make a point of it. What does he mean?" ------------------------------------- He went round the monastery, and crossed the pine-wood to the hermitage. The door was opened to him, though no one was admitted at that hour. There was a tremor in his heart as he went into Father Zossima's cell. "Why, why, had he gone forth? Why had he sent him into the world? Here was peace. Here was holiness. But there was confusion, there was darkness in which one lost one's way and went astray at once...." In the cell he found the novice Porfiry and Father Paissy, who came every hour to inquire after Father Zossima. Alyosha learnt with alarm that he was getting worse and worse. Even his usual discourse with the brothers could not take place that day. As a rule every evening after service the monks flocked into Father Zossima's cell, and all confessed aloud their sins of the day, their sinful thoughts and temptations; even their disputes, if there had been any. Some confessed kneeling. The elder absolved, reconciled, exhorted, imposed penance, blessed, and dismissed them. It was against this general "confession" that the opponents of "elders" protested, maintaining that it was a profanation of the sacrament of confession, almost a sacrilege, though this was quite a different thing. They even represented to the diocesan authorities that such confessions attained no good object, but actually to a large extent led to sin and temptation. Many of the brothers disliked going to the elder, and went against their own will because every one went, and for fear they should be accused of pride and rebellious ideas. People said that some of the monks agreed beforehand, saying, "I'll confess I lost my temper with you this morning, and you confirm it," simply in order to have something to say. Alyosha knew that this actually happened sometimes. He knew, too, that there were among the monks some who deeply resented the fact that letters from relations were habitually taken to the elder, to be opened and read by him before those to whom they were addressed. It was assumed, of course, that all this was done freely, and in good faith, by way of voluntary submission and salutary guidance. But, in fact, there was sometimes no little insincerity, and much that was false and strained in this practice. Yet the older and more experienced of the monks adhered to their opinion, arguing that "for those who have come within these walls sincerely seeking salvation, such obedience and sacrifice will certainly be salutary and of great benefit; those, on the other hand, who find it irksome, and repine, are no true monks, and have made a mistake in entering the monastery--their proper place is in the world. Even in the temple one cannot be safe from sin and the devil. So it was no good taking it too much into account." "He is weaker, a drowsiness has come over him," Father Paissy whispered to Alyosha, as he blessed him. "It's difficult to rouse him. And he must not be roused. He waked up for five minutes, sent his blessing to the brothers, and begged their prayers for him at night. He intends to take the sacrament again in the morning. He remembered you, Alexey. He asked whether you had gone away, and was told that you were in the town. 'I blessed him for that work,' he said, 'his place is there, not here, for awhile.' Those were his words about you. He remembered you lovingly, with anxiety; do you understand how he honored you? But how is it that he has decided that you shall spend some time in the world? He must have foreseen something in your destiny! Understand, Alexey, that if you return to the world, it must be to do the duty laid upon you by your elder, and not for frivolous vanity and worldly pleasures." Father Paissy went out. Alyosha had no doubt that Father Zossima was dying, though he might live another day or two. Alyosha firmly and ardently resolved that in spite of his promises to his father, the Hohlakovs, and Katerina Ivanovna, he would not leave the monastery next day, but would remain with his elder to the end. His heart glowed with love, and he reproached himself bitterly for having been able for one instant to forget him whom he had left in the monastery on his deathbed, and whom he honored above every one in the world. He went into Father Zossima's bedroom, knelt down, and bowed to the ground before the elder, who slept quietly without stirring, with regular, hardly audible breathing and a peaceful face. Alyosha returned to the other room, where Father Zossima had received his guests in the morning. Taking off his boots, he lay down on the hard, narrow, leathern sofa, which he had long used as a bed, bringing nothing but a pillow. The mattress, about which his father had shouted to him that morning, he had long forgotten to lie on. He took off his cassock, which he used as a covering. But before going to bed, he fell on his knees and prayed a long time. In his fervent prayer he did not beseech God to lighten his darkness but only thirsted for the joyous emotion, which always visited his soul after the praise and adoration, of which his evening prayer usually consisted. That joy always brought him light untroubled sleep. As he was praying, he suddenly felt in his pocket the little pink note the servant had handed him as he left Katerina Ivanovna's. He was disturbed, but finished his prayer. Then, after some hesitation, he opened the envelope. In it was a letter to him, signed by Lise, the young daughter of Madame Hohlakov, who had laughed at him before the elder in the morning. "Alexey Fyodorovitch," she wrote, "I am writing to you without any one's knowledge, even mamma's, and I know how wrong it is. But I cannot live without telling you the feeling that has sprung up in my heart, and this no one but us two must know for a time. But how am I to say what I want so much to tell you? Paper, they say, does not blush, but I assure you it's not true and that it's blushing just as I am now, all over. Dear Alyosha, I love you, I've loved you from my childhood, since our Moscow days, when you were very different from what you are now, and I shall love you all my life. My heart has chosen you, to unite our lives, and pass them together till our old age. Of course, on condition that you will leave the monastery. As for our age we will wait for the time fixed by the law. By that time I shall certainly be quite strong, I shall be walking and dancing. There can be no doubt of that. "You see how I've thought of everything. There's only one thing I can't imagine: what you'll think of me when you read this. I'm always laughing and being naughty. I made you angry this morning, but I assure you before I took up my pen, I prayed before the Image of the Mother of God, and now I'm praying, and almost crying. "My secret is in your hands. When you come to-morrow, I don't know how I shall look at you. Ah, Alexey Fyodorovitch, what if I can't restrain myself like a silly and laugh when I look at you as I did to-day. You'll think I'm a nasty girl making fun of you, and you won't believe my letter. And so I beg you, dear one, if you've any pity for me, when you come to- morrow, don't look me straight in the face, for if I meet your eyes, it will be sure to make me laugh, especially as you'll be in that long gown. I feel cold all over when I think of it, so when you come, don't look at me at all for a time, look at mamma or at the window.... "Here I've written you a love-letter. Oh, dear, what have I done? Alyosha, don't despise me, and if I've done something very horrid and wounded you, forgive me. Now the secret of my reputation, ruined perhaps for ever, is in your hands. "I shall certainly cry to-day. Good-by till our meeting, our _awful_ meeting.--LISE. "P.S.--Alyosha! You must, must, must come!--LISE." Alyosha read the note in amazement, read it through twice, thought a little, and suddenly laughed a soft, sweet laugh. He started. That laugh seemed to him sinful. But a minute later he laughed again just as softly and happily. He slowly replaced the note in the envelope, crossed himself and lay down. The agitation in his heart passed at once. "God, have mercy upon all of them, have all these unhappy and turbulent souls in Thy keeping, and set them in the right path. All ways are Thine. Save them according to Thy wisdom. Thou art love. Thou wilt send joy to all!" Alyosha murmured, crossing himself, and falling into peaceful sleep.

One More Ruined Reputation As he returns to the monastery, Alyosha is again stopped by Dmitri, who laughs at the report of Grushenka's behavior. Suddenly remorseful, Dmitri then tells Alyosha that he is consumed by self-disgust. At the monastery that night, Alyosha learns that Zosima's health is rapidly deteriorating, and Zosima is near death. Alyosha decides to remain with Zosima, whom he loves like a father, instead of returning to help with his family's conflict. He reads Lise's letter, which contains a confession of her love for him. She writes that she hopes to marry Alyosha one day. Alyosha laughs happily, says a prayer for all his troubled loved ones, and, after such an eventful day, falls into a deep sleep.

Scene II. Leonato's orchard. [Enter Benedick and Margaret [meeting.] Bene. Pray thee, sweet Mistress Margaret, deserve well at my hands by helping me to the speech of Beatrice. Marg. Will you then write me a sonnet in praise of my beauty? Bene. In so high a style, Margaret, that no man living shall come over it; for in most comely truth thou deservest it. Marg. To have no man come over me? Why, shall I always keep below stairs? Bene. Thy wit is as quick as the greyhound's mouth--it catches. Marg. And yours as blunt as the fencer's foils, which hit but hurt not. Bene. A most manly wit, Margaret: it will not hurt a woman. And so I pray thee call Beatrice. I give thee the bucklers. Marg. Give us the swords; we have bucklers of our own. Bene. If you use them, Margaret, you must put in the pikes with a vice, and they are dangerous weapons for maids. Marg. Well, I will call Beatrice to you, who I think hath legs. Bene. And therefore will come. [Exit Margaret.] [Sings] The god of love, That sits above And knows me, and knows me, How pitiful I deserve-- I mean in singing; but in loving Leander the good swimmer, Troilus the first employer of panders, and a whole book full of these quondam carpet-mongers, whose names yet run smoothly in the even road of a blank verse--why, they were never so truly turn'd over and over as my poor self in love. Marry, I cannot show it in rhyme. I have tried. I can find out no rhyme to 'lady' but 'baby' --an innocent rhyme; for 'scorn,' 'horn'--a hard rhyme; for 'school', 'fool'--a babbling rhyme: very ominous endings! No, I was not born under a rhyming planet, nor cannot woo in festival terms. [Enter Beatrice.] Sweet Beatrice, wouldst thou come when I call'd thee? Beat. Yea, signior, and depart when you bid me. Bene. O, stay but till then! Beat. 'Then' is spoken. Fare you well now. And yet, ere I go, let me go with that I came for, which is, with knowing what hath pass'd between you and Claudio. Bene. Only foul words; and thereupon I will kiss thee. Beat. Foul words is but foul wind, and foul wind is but foul breath, and foul breath is noisome. Therefore I will depart unkiss'd. Bene. Thou hast frighted the word out of his right sense, so forcible is thy wit. But I must tell thee plainly, Claudio undergoes my challenge; and either I must shortly hear from him or I will subscribe him a coward. And I pray thee now tell me, for which of my bad parts didst thou first fall in love with me? Beat. For them all together, which maintain'd so politic a state of evil that they will not admit any good part to intermingle with them. But for which of my good parts did you first suffer love for me? Bene. Suffer love!--a good epithet. I do suffer love indeed, for I love thee against my will. Beat. In spite of your heart, I think. Alas, poor heart! If you spite it for my sake, I will spite it for yours, for I will never love that which my friend hates. Bene. Thou and I are too wise to woo peaceably. Beat. It appears not in this confession. There's not one wise man among twenty, that will praise himself. Bene. An old, an old instance, Beatrice, that liv'd in the time of good neighbours. If a man do not erect in this age his own tomb ere he dies, he shall live no longer in monument than the bell rings and the widow weeps. Beat. And how long is that, think you? Bene. Question: why, an hour in clamour and a quarter in rheum. Therefore is it most expedient for the wise, if Don Worm (his conscience) find no impediment to the contrary, to be the trumpet of his own virtues, as I am to myself. So much for praising myself, who, I myself will bear witness, is praiseworthy. And now tell me, how doth your cousin? Beat. Very ill. Bene. And how do you? Beat. Very ill too. Bene. Serve God, love me, and mend. There will I leave you too, for here comes one in haste. [Enter Ursula.] Urs. Madam, you must come to your uncle. Yonder's old coil at home. It is proved my Lady Hero hath been falsely accus'd, the Prince and Claudio mightily abus'd, and Don John is the author of all, who is fled and gone. Will you come presently? Beat. Will you go hear this news, signior? Bene. I will live in thy heart, die in thy lap, and be buried thy eyes; and moreover, I will go with thee to thy uncle's. [Exeunt.]

Benedick asks Margaret to tell Beatrice he has done as she asked and challenged Claudio to a duel. Margaret, in exchange, asks him to write some love poetry. Beatrice arrives and tells Benedick about the terrible state of young Hero. Ursula arrives with the news of Borachio's arrest and confession, and the truth about Hero. A relieved Benedick and Beatrice continue their verbal sparring, though with much affection.

At seven o'clock the next morning Jurgis was let out to get water to wash his cell--a duty which he performed faithfully, but which most of the prisoners were accustomed to shirk, until their cells became so filthy that the guards interposed. Then he had more "duffers and dope," and afterward was allowed three hours for exercise, in a long, cement-walked court roofed with glass. Here were all the inmates of the jail crowded together. At one side of the court was a place for visitors, cut off by two heavy wire screens, a foot apart, so that nothing could be passed in to the prisoners; here Jurgis watched anxiously, but there came no one to see him. Soon after he went back to his cell, a keeper opened the door to let in another prisoner. He was a dapper young fellow, with a light brown mustache and blue eyes, and a graceful figure. He nodded to Jurgis, and then, as the keeper closed the door upon him, began gazing critically about him. "Well, pal," he said, as his glance encountered Jurgis again, "good morning." "Good morning," said Jurgis. "A rum go for Christmas, eh?" added the other. Jurgis nodded. The newcomer went to the bunks and inspected the blankets; he lifted up the mattress, and then dropped it with an exclamation. "My God!" he said, "that's the worst yet." He glanced at Jurgis again. "Looks as if it hadn't been slept in last night. Couldn't stand it, eh?" "I didn't want to sleep last night," said Jurgis. "When did you come in?" "Yesterday." The other had another look around, and then wrinkled up his nose. "There's the devil of a stink in here," he said, suddenly. "What is it?" "It's me," said Jurgis. "You?" "Yes, me." "Didn't they make you wash?" "Yes, but this don't wash." "What is it?" "Fertilizer." "Fertilizer! The deuce! What are you?" "I work in the stockyards--at least I did until the other day. It's in my clothes." "That's a new one on me," said the newcomer. "I thought I'd been up against 'em all. What are you in for?" "I hit my boss." "Oh--that's it. What did he do?" "He--he treated me mean." "I see. You're what's called an honest workingman!" "What are you?" Jurgis asked. "I?" The other laughed. "They say I'm a cracksman," he said. "What's that?" asked Jurgis. "Safes, and such things," answered the other. "Oh," said Jurgis, wonderingly, and stared at the speaker in awe. "You mean you break into them--you--you--" "Yes," laughed the other, "that's what they say." He did not look to be over twenty-two or three, though, as Jurgis found afterward, he was thirty. He spoke like a man of education, like what the world calls a "gentleman." "Is that what you're here for?" Jurgis inquired. "No," was the answer. "I'm here for disorderly conduct. They were mad because they couldn't get any evidence. "What's your name?" the young fellow continued after a pause. "My name's Duane--Jack Duane. I've more than a dozen, but that's my company one." He seated himself on the floor with his back to the wall and his legs crossed, and went on talking easily; he soon put Jurgis on a friendly footing--he was evidently a man of the world, used to getting on, and not too proud to hold conversation with a mere laboring man. He drew Jurgis out, and heard all about his life all but the one unmentionable thing; and then he told stories about his own life. He was a great one for stories, not always of the choicest. Being sent to jail had apparently not disturbed his cheerfulness; he had "done time" twice before, it seemed, and he took it all with a frolic welcome. What with women and wine and the excitement of his vocation, a man could afford to rest now and then. Naturally, the aspect of prison life was changed for Jurgis by the arrival of a cell mate. He could not turn his face to the wall and sulk, he had to speak when he was spoken to; nor could he help being interested in the conversation of Duane--the first educated man with whom he had ever talked. How could he help listening with wonder while the other told of midnight ventures and perilous escapes, of feastings and orgies, of fortunes squandered in a night? The young fellow had an amused contempt for Jurgis, as a sort of working mule; he, too, had felt the world's injustice, but instead of bearing it patiently, he had struck back, and struck hard. He was striking all the time--there was war between him and society. He was a genial freebooter, living off the enemy, without fear or shame. He was not always victorious, but then defeat did not mean annihilation, and need not break his spirit. Withal he was a goodhearted fellow--too much so, it appeared. His story came out, not in the first day, nor the second, but in the long hours that dragged by, in which they had nothing to do but talk and nothing to talk of but themselves. Jack Duane was from the East; he was a college-bred man--had been studying electrical engineering. Then his father had met with misfortune in business and killed himself; and there had been his mother and a younger brother and sister. Also, there was an invention of Duane's; Jurgis could not understand it clearly, but it had to do with telegraphing, and it was a very important thing--there were fortunes in it, millions upon millions of dollars. And Duane had been robbed of it by a great company, and got tangled up in lawsuits and lost all his money. Then somebody had given him a tip on a horse race, and he had tried to retrieve his fortune with another person's money, and had to run away, and all the rest had come from that. The other asked him what had led him to safe-breaking--to Jurgis a wild and appalling occupation to think about. A man he had met, his cell mate had replied--one thing leads to another. Didn't he ever wonder about his family, Jurgis asked. Sometimes, the other answered, but not often--he didn't allow it. Thinking about it would make it no better. This wasn't a world in which a man had any business with a family; sooner or later Jurgis would find that out also, and give up the fight and shift for himself. Jurgis was so transparently what he pretended to be that his cell mate was as open with him as a child; it was pleasant to tell him adventures, he was so full of wonder and admiration, he was so new to the ways of the country. Duane did not even bother to keep back names and places--he told all his triumphs and his failures, his loves and his griefs. Also he introduced Jurgis to many of the other prisoners, nearly half of whom he knew by name. The crowd had already given Jurgis a name--they called him "the stinker." This was cruel, but they meant no harm by it, and he took it with a good-natured grin. Our friend had caught now and then a whiff from the sewers over which he lived, but this was the first time that he had ever been splashed by their filth. This jail was a Noah's ark of the city's crime--there were murderers, "hold-up men" and burglars, embezzlers, counterfeiters and forgers, bigamists, "shoplifters," "confidence men," petty thieves and pickpockets, gamblers and procurers, brawlers, beggars, tramps and drunkards; they were black and white, old and young, Americans and natives of every nation under the sun. There were hardened criminals and innocent men too poor to give bail; old men, and boys literally not yet in their teens. They were the drainage of the great festering ulcer of society; they were hideous to look upon, sickening to talk to. All life had turned to rottenness and stench in them--love was a beastliness, joy was a snare, and God was an imprecation. They strolled here and there about the courtyard, and Jurgis listened to them. He was ignorant and they were wise; they had been everywhere and tried everything. They could tell the whole hateful story of it, set forth the inner soul of a city in which justice and honor, women's bodies and men's souls, were for sale in the marketplace, and human beings writhed and fought and fell upon each other like wolves in a pit; in which lusts were raging fires, and men were fuel, and humanity was festering and stewing and wallowing in its own corruption. Into this wild-beast tangle these men had been born without their consent, they had taken part in it because they could not help it; that they were in jail was no disgrace to them, for the game had never been fair, the dice were loaded. They were swindlers and thieves of pennies and dimes, and they had been trapped and put out of the way by the swindlers and thieves of millions of dollars. To most of this Jurgis tried not to listen. They frightened him with their savage mockery; and all the while his heart was far away, where his loved ones were calling. Now and then in the midst of it his thoughts would take flight; and then the tears would come into his eyes--and he would be called back by the jeering laughter of his companions. He spent a week in this company, and during all that time he had no word from his home. He paid one of his fifteen cents for a postal card, and his companion wrote a note to the family, telling them where he was and when he would be tried. There came no answer to it, however, and at last, the day before New Year's, Jurgis bade good-by to Jack Duane. The latter gave him his address, or rather the address of his mistress, and made Jurgis promise to look him up. "Maybe I could help you out of a hole some day," he said, and added that he was sorry to have him go. Jurgis rode in the patrol wagon back to Justice Callahan's court for trial. One of the first things he made out as he entered the room was Teta Elzbieta and little Kotrina, looking pale and frightened, seated far in the rear. His heart began to pound, but he did not dare to try to signal to them, and neither did Elzbieta. He took his seat in the prisoners' pen and sat gazing at them in helpless agony. He saw that Ona was not with them, and was full of foreboding as to what that might mean. He spent half an hour brooding over this--and then suddenly he straightened up and the blood rushed into his face. A man had come in--Jurgis could not see his features for the bandages that swathed him, but he knew the burly figure. It was Connor! A trembling seized him, and his limbs bent as if for a spring. Then suddenly he felt a hand on his collar, and heard a voice behind him: "Sit down, you son of a--!" He subsided, but he never took his eyes off his enemy. The fellow was still alive, which was a disappointment, in one way; and yet it was pleasant to see him, all in penitential plasters. He and the company lawyer, who was with him, came and took seats within the judge's railing; and a minute later the clerk called Jurgis' name, and the policeman jerked him to his feet and led him before the bar, gripping him tightly by the arm, lest he should spring upon the boss. Jurgis listened while the man entered the witness chair, took the oath, and told his story. The wife of the prisoner had been employed in a department near him, and had been discharged for impudence to him. Half an hour later he had been violently attacked, knocked down, and almost choked to death. He had brought witnesses-- "They will probably not be necessary," observed the judge and he turned to Jurgis. "You admit attacking the plaintiff?" he asked. "Him?" inquired Jurgis, pointing at the boss. "Yes," said the judge. "I hit him, sir," said Jurgis. "Say 'your Honor,'" said the officer, pinching his arm hard. "Your Honor," said Jurgis, obediently. "You tried to choke him?" "Yes, sir, your Honor." "Ever been arrested before?" "No, sir, your Honor." "What have you to say for yourself?" Jurgis hesitated. What had he to say? In two years and a half he had learned to speak English for practical purposes, but these had never included the statement that some one had intimidated and seduced his wife. He tried once or twice, stammering and balking, to the annoyance of the judge, who was gasping from the odor of fertilizer. Finally, the prisoner made it understood that his vocabulary was inadequate, and there stepped up a dapper young man with waxed mustaches, bidding him speak in any language he knew. Jurgis began; supposing that he would be given time, he explained how the boss had taken advantage of his wife's position to make advances to her and had threatened her with the loss of her place. When the interpreter had translated this, the judge, whose calendar was crowded, and whose automobile was ordered for a certain hour, interrupted with the remark: "Oh, I see. Well, if he made love to your wife, why didn't she complain to the superintendent or leave the place?" Jurgis hesitated, somewhat taken aback; he began to explain that they were very poor--that work was hard to get-- "I see," said Justice Callahan; "so instead you thought you would knock him down." He turned to the plaintiff, inquiring, "Is there any truth in this story, Mr. Connor?" "Not a particle, your Honor," said the boss. "It is very unpleasant--they tell some such tale every time you have to discharge a woman--" "Yes, I know," said the judge. "I hear it often enough. The fellow seems to have handled you pretty roughly. Thirty days and costs. Next case." Jurgis had been listening in perplexity. It was only when the policeman who had him by the arm turned and started to lead him away that he realized that sentence had been passed. He gazed round him wildly. "Thirty days!" he panted and then he whirled upon the judge. "What will my family do?" he cried frantically. "I have a wife and baby, sir, and they have no money--my God, they will starve to death!" "You would have done well to think about them before you committed the assault," said the judge dryly, as he turned to look at the next prisoner. Jurgis would have spoken again, but the policeman had seized him by the collar and was twisting it, and a second policeman was making for him with evidently hostile intentions. So he let them lead him away. Far down the room he saw Elzbieta and Kotrina, risen from their seats, staring in fright; he made one effort to go to them, and then, brought back by another twist at his throat, he bowed his head and gave up the struggle. They thrust him into a cell room, where other prisoners were waiting; and as soon as court had adjourned they led him down with them into the "Black Maria," and drove him away. This time Jurgis was bound for the "Bridewell," a petty jail where Cook County prisoners serve their time. It was even filthier and more crowded than the county jail; all the smaller fry out of the latter had been sifted into it--the petty thieves and swindlers, the brawlers and vagrants. For his cell mate Jurgis had an Italian fruit seller who had refused to pay his graft to the policeman, and been arrested for carrying a large pocketknife; as he did not understand a word of English our friend was glad when he left. He gave place to a Norwegian sailor, who had lost half an ear in a drunken brawl, and who proved to be quarrelsome, cursing Jurgis because he moved in his bunk and caused the roaches to drop upon the lower one. It would have been quite intolerable, staying in a cell with this wild beast, but for the fact that all day long the prisoners were put at work breaking stone. Ten days of his thirty Jurgis spent thus, without hearing a word from his family; then one day a keeper came and informed him that there was a visitor to see him. Jurgis turned white, and so weak at the knees that he could hardly leave his cell. The man led him down the corridor and a flight of steps to the visitors' room, which was barred like a cell. Through the grating Jurgis could see some one sitting in a chair; and as he came into the room the person started up, and he saw that it was little Stanislovas. At the sight of some one from home the big fellow nearly went to pieces--he had to steady himself by a chair, and he put his other hand to his forehead, as if to clear away a mist. "Well?" he said, weakly. Little Stanislovas was also trembling, and all but too frightened to speak. "They--they sent me to tell you--" he said, with a gulp. "Well?" Jurgis repeated. He followed the boy's glance to where the keeper was standing watching them. "Never mind that," Jurgis cried, wildly. "How are they?" "Ona is very sick," Stanislovas said; "and we are almost starving. We can't get along; we thought you might be able to help us." Jurgis gripped the chair tighter; there were beads of perspiration on his forehead, and his hand shook. "I--can't help you," he said. "Ona lies in her room all day," the boy went on, breathlessly. "She won't eat anything, and she cries all the time. She won't tell what is the matter and she won't go to work at all. Then a long time ago the man came for the rent. He was very cross. He came again last week. He said he would turn us out of the house. And then Marija--" A sob choked Stanislovas, and he stopped. "What's the matter with Marija?" cried Jurgis. "She's cut her hand!" said the boy. "She's cut it bad, this time, worse than before. She can't work and it's all turning green, and the company doctor says she may--she may have to have it cut off. And Marija cries all the time--her money is nearly all gone, too, and we can't pay the rent and the interest on the house; and we have no coal and nothing more to eat, and the man at the store, he says--" The little fellow stopped again, beginning to whimper. "Go on!" the other panted in frenzy--"Go on!" "I--I will," sobbed Stanislovas. "It's so--so cold all the time. And last Sunday it snowed again--a deep, deep snow--and I couldn't--couldn't get to work." "God!" Jurgis half shouted, and he took a step toward the child. There was an old hatred between them because of the snow--ever since that dreadful morning when the boy had had his fingers frozen and Jurgis had had to beat him to send him to work. Now he clenched his hands, looking as if he would try to break through the grating. "You little villain," he cried, "you didn't try!" "I did--I did!" wailed Stanislovas, shrinking from him in terror. "I tried all day--two days. Elzbieta was with me, and she couldn't either. We couldn't walk at all, it was so deep. And we had nothing to eat, and oh, it was so cold! I tried, and then the third day Ona went with me--" "Ona!" "Yes. She tried to get to work, too. She had to. We were all starving. But she had lost her place--" Jurgis reeled, and gave a gasp. "She went back to that place?" he screamed. "She tried to," said Stanislovas, gazing at him in perplexity. "Why not, Jurgis?" The man breathed hard, three or four times. "Go--on," he panted, finally. "I went with her," said Stanislovas, "but Miss Henderson wouldn't take her back. And Connor saw her and cursed her. He was still bandaged up--why did you hit him, Jurgis?" (There was some fascinating mystery about this, the little fellow knew; but he could get no satisfaction.) Jurgis could not speak; he could only stare, his eyes starting out. "She has been trying to get other work," the boy went on; "but she's so weak she can't keep up. And my boss would not take me back, either--Ona says he knows Connor, and that's the reason; they've all got a grudge against us now. So I've got to go downtown and sell papers with the rest of the boys and Kotrina--" "Kotrina!" "Yes, she's been selling papers, too. She does best, because she's a girl. Only the cold is so bad--it's terrible coming home at night, Jurgis. Sometimes they can't come home at all--I'm going to try to find them tonight and sleep where they do, it's so late and it's such a long ways home. I've had to walk, and I didn't know where it was--I don't know how to get back, either. Only mother said I must come, because you would want to know, and maybe somebody would help your family when they had put you in jail so you couldn't work. And I walked all day to get here--and I only had a piece of bread for breakfast, Jurgis. Mother hasn't any work either, because the sausage department is shut down; and she goes and begs at houses with a basket, and people give her food. Only she didn't get much yesterday; it was too cold for her fingers, and today she was crying--" So little Stanislovas went on, sobbing as he talked; and Jurgis stood, gripping the table tightly, saying not a word, but feeling that his head would burst; it was like having weights piled upon him, one after another, crushing the life out of him. He struggled and fought within himself--as if in some terrible nightmare, in which a man suffers an agony, and cannot lift his hand, nor cry out, but feels that he is going mad, that his brain is on fire-- Just when it seemed to him that another turn of the screw would kill him, little Stanislovas stopped. "You cannot help us?" he said weakly. Jurgis shook his head. "They won't give you anything here?" He shook it again. "When are you coming out?" "Three weeks yet," Jurgis answered. And the boy gazed around him uncertainly. "Then I might as well go," he said. Jurgis nodded. Then, suddenly recollecting, he put his hand into his pocket and drew it out, shaking. "Here," he said, holding out the fourteen cents. "Take this to them." And Stanislovas took it, and after a little more hesitation, started for the door. "Good-by, Jurgis," he said, and the other noticed that he walked unsteadily as he passed out of sight. For a minute or so Jurgis stood clinging to his chair, reeling and swaying; then the keeper touched him on the arm, and he turned and went back to breaking stone.

Jurgis spends the morning hoping for visitors, but no one comes. Another prisoner is let into his cell a bit later on. The prisoner is a lively young guy who comments on the awful state of the mattress and the smell in the cell. Jurgis admits that the smell is coming from him - the reek of fertilizer doesn't wash off, and it's gotten into his clothes. The prisoner is surprised; he's never had a cellmate from the stockyards before. Jurgis explains that he's in jail because he hit his boss. His boss "treated mean" . The prisoner responds that he's a "cracksman" - someone who brakes into safes. But he's actually in jail for disturbing the peace, since the cops haven't found any evidence against him. Jurgis is astonished: the guy looks young, well put-together, and gentlemanly. The prisoner introduces himself as Jack Duane. Jurgis has never spoken to an educated man before, and he is interested in spite of himself. Jack Duane was a college kid studying electrical engineering when his father killed himself because of some business failure. Duane tried to help his mother and family by selling an invention of his, but he was cheated out of the patent by a big company and ended up losing everything. So Duane wound up skipping town, having learned that family is mostly a burden on a man. Jack Duane introduces Jurgis to all of his fellow prisoners. These criminals are outcasts, but they are also the products of a society that thrives on inequality and exploitation of other people. Jurgis doesn't hear from his family before his trial a week later. Jack Duane gives Jurgis an address where he can be reached, and promises he'll help Jurgis out one day if he can. When Jurgis arrives at the courtroom, he sees Teta Elzbieta and Kotrina but not Ona, and he doesn't know what her absence means. Connor walks into the room and Jurgis almost leaps for him again, but a cop holds him back. Connor testifies that he fired Jurgis's wife for rudeness, and half an hour later, Jurgis attacked him. Jurgis tries to explain through an interpreter that Connor sexually harassed and raped his wife. Judge Callahan cuts him off and won't listen; he asks why Jurgis's wife didn't complain if she didn't want to have sex with Connor. Judge Callahan turns to Connor and asks if this story is true. Connor says that it's not true at all. Judge Callahan believes Connor and sentences Jurgis to thirty days in jail plus costs. Jurgis is sent to a prison for smalltime offenders and spends his days breaking rocks. After ten days, he finally gets a visitor from his family. It's Stanislovas, and he comes bearing awful news: Ona is in bed and can't go to work. Marija has cut her hand badly and it's getting infected. The company doctor has told her she may have to have her hand amputated. They are starving, they can't get credit at the local store anymore, and they have missed the rent and interest payment for their house. The Sunday before, there was a heavy blizzard, and Stanislovas couldn't go to work. Jurgis accuses Stanislovas of not even trying to get to work because of his fear of the cold. Stanslovas promises that he did try, but neither he nor Elzbieta could walk through the snow. In desperation, Ona also tried to struggle through the snow to her old job, but Miss Henderson refuses to employ Ona any more. And Ona is so weak that she can't find anything else. Stanislovas's boss also won't take him back because Stanislovas's boss is friends with Connor. So Stanislovas and the two younger boys all go into the city to sell newspapers - along with Kotrina, who is new to the workforce. Teta Elzbieta has also lost her job, because the sausage factory has shut down for the slow season. So Teta Elzbieta has been begging from house to house. Jurgis cannot help them, and he cannot get out of prison for another three weeks. So Stanislovas has to walk away. Jurgis reels at all of this terrible news.

ACT I SCENE I MADAME PERNELLE and FLIPOTTE, her servant; ELMIRE, MARIANE, CLEANTE, DAMIS, DORINE MADAME PERNELLE Come, come, Flipotte, and let me get away. ELMIRE You hurry so, I hardly can attend you. MADAME PERNELLE Then don't, my daughter-in law. Stay where you are. I can dispense with your polite attentions. ELMIRE We're only paying what is due you, mother. Why must you go away in such a hurry? MADAME PERNELLE Because I can't endure your carryings-on, And no one takes the slightest pains to please me. I leave your house, I tell you, quite disgusted; You do the opposite of my instructions; You've no respect for anything; each one Must have his say; it's perfect pandemonium. DORINE If ... MADAME PERNELLE You're a servant wench, my girl, and much Too full of gab, and too impertinent And free with your advice on all occasions. DAMIS But ... MADAME PERNELLE You're a fool, my boy--f, o, o, l Just spells your name. Let grandma tell you that I've said a hundred times to my poor son, Your father, that you'd never come to good Or give him anything but plague and torment. MARIANE I think ... MADAME PERNELLE O dearie me, his little sister! You're all demureness, butter wouldn't melt In your mouth, one would think to look at you. Still waters, though, they say ... you know the proverb; And I don't like your doings on the sly. ELMIRE But, mother ... MADAME PERNELLE Daughter, by your leave, your conduct In everything is altogether wrong; You ought to set a good example for 'em; Their dear departed mother did much better. You are extravagant; and it offends me, To see you always decked out like a princess. A woman who would please her husband's eyes Alone, wants no such wealth of fineries. CLEANTE But, madam, after all ... MADAME PERNELLE Sir, as for you, The lady's brother, I esteem you highly, Love and respect you. But, sir, all the same, If I were in my son's, her husband's, place, I'd urgently entreat you not to come Within our doors. You preach a way of living That decent people cannot tolerate. I'm rather frank with you; but that's my way-- I don't mince matters, when I mean a thing. DAMIS Mr. Tartuffe, your friend, is mighty lucky ... MADAME PERNELLE He is a holy man, and must be heeded; I can't endure, with any show of patience, To hear a scatterbrains like you attack him. DAMIS What! Shall I let a bigot criticaster Come and usurp a tyrant's power here? And shall we never dare amuse ourselves Till this fine gentleman deigns to consent? DORINE If we must hark to him, and heed his maxims, There's not a thing we do but what's a crime; He censures everything, this zealous carper. MADAME PERNELLE And all he censures is well censured, too. He wants to guide you on the way to heaven; My son should train you all to love him well. DAMIS No, madam, look you, nothing--not my father Nor anything--can make me tolerate him. I should belie my feelings not to say so. His actions rouse my wrath at every turn; And I foresee that there must come of it An open rupture with this sneaking scoundrel. DORINE Besides, 'tis downright scandalous to see This unknown upstart master of the house-- This vagabond, who hadn't, when he came, Shoes to his feet, or clothing worth six farthings, And who so far forgets his place, as now To censure everything, and rule the roost! MADAME PERNELLE Eh! Mercy sakes alive! Things would go better If all were governed by his pious orders. DORINE He passes for a saint in your opinion. In fact, he's nothing but a hypocrite. MADAME PERNELLE Just listen to her tongue! DORINE I wouldn't trust him, Nor yet his Lawrence, without bonds and surety. MADAME PERNELLE I don't know what the servant's character May be; but I can guarantee the master A holy man. You hate him and reject him Because he tells home truths to all of you. 'Tis sin alone that moves his heart to anger, And heaven's interest is his only motive. DORINE Of course. But why, especially of late, Can he let nobody come near the house? Is heaven offended at a civil call That he should make so great a fuss about it? I'll tell you, if you like, just what I think; (Pointing to Elmire) Upon my word, he's jealous of our mistress. MADAME PERNELLE You hold your tongue, and think what you are saying. He's not alone in censuring these visits; The turmoil that attends your sort of people, Their carriages forever at the door, And all their noisy footmen, flocked together, Annoy the neighbourhood, and raise a scandal. I'd gladly think there's nothing really wrong; But it makes talk; and that's not as it should be. CLEANTE Eh! madam, can you hope to keep folk's tongues From wagging? It would be a grievous thing If, for the fear of idle talk about us, We had to sacrifice our friends. No, no; Even if we could bring ourselves to do it, Think you that everyone would then be silenced? Against backbiting there is no defence So let us try to live in innocence, To silly tattle pay no heed at all, And leave the gossips free to vent their gall. DORINE Our neighbour Daphne, and her little husband, Must be the ones who slander us, I'm thinking. Those whose own conduct's most ridiculous, Are always quickest to speak ill of others; They never fail to seize at once upon The slightest hint of any love affair, And spread the news of it with glee, and give it The character they'd have the world believe in. By others' actions, painted in their colours, They hope to justify their own; they think, In the false hope of some resemblance, either To make their own intrigues seem innocent, Or else to make their neighbours share the blame Which they are loaded with by everybody. MADAME PERNELLE These arguments are nothing to the purpose. Orante, we all know, lives a perfect life; Her thoughts are all of heaven; and I have heard That she condemns the company you keep. DORINE O admirable pattern! Virtuous dame! She lives the model of austerity; But age has brought this piety upon her, And she's a prude, now she can't help herself. As long as she could capture men's attentions She made the most of her advantages; But, now she sees her beauty vanishing, She wants to leave the world, that's leaving her, And in the specious veil of haughty virtue She'd hide the weakness of her worn-out charms. That is the way with all your old coquettes; They find it hard to see their lovers leave 'em; And thus abandoned, their forlorn estate Can find no occupation but a prude's. These pious dames, in their austerity, Must carp at everything, and pardon nothing. They loudly blame their neighbours' way of living, Not for religion's sake, but out of envy, Because they can't endure to see another Enjoy the pleasures age has weaned them from. MADAME PERNELLE (to Elmire) There! That's the kind of rigmarole to please you, Daughter-in-law. One never has a chance To get a word in edgewise, at your house, Because this lady holds the floor all day; But none the less, I mean to have my say, too. I tell you that my son did nothing wiser In all his life, than take this godly man Into his household; heaven sent him here, In your great need, to make you all repent; For your salvation, you must hearken to him; He censures nothing but deserves his censure. These visits, these assemblies, and these balls, Are all inventions of the evil spirit. You never hear a word of godliness At them--but idle cackle, nonsense, flimflam. Our neighbour often comes in for a share, The talk flies fast, and scandal fills the air; It makes a sober person's head go round, At these assemblies, just to hear the sound Of so much gab, with not a word to say; And as a learned man remarked one day Most aptly, 'tis the Tower of Babylon, Where all, beyond all limit, babble on. And just to tell you how this point came in ... (To Cleante) So! Now the gentlemen must snicker, must he? Go find fools like yourself to make you laugh And don't ... (To Elmire) Daughter, good-bye; not one word more. As for this house, I leave the half unsaid; But I shan't soon set foot in it again, (Cuffing Flipotte) Come, you! What makes you dream and stand agape, Hussy! I'll warm your ears in proper shape! March, trollop, march!

Madame Pernelle is ready to leave her son Orgon's house because she finds it appalling that no one pays any attention to her. She offers everyone her good advice, and everyone tends to contradict or ignore her. She tells her grandson, Damis, that he is a dunce; her granddaughter, who seems so shy and demure, is censured for being so secretive. She accuses her daughter-in-law, Elmire, of being too free with money, and she accuses Cleante, Elmire's brother, of being too worldly. The only person who has her approval is Tartuffe -- to her, the epitome of perfection. Damis and the maid Dorine both argue that Tartuffe is a bigot and a hypocrite, but Madame Pernelle is unconvinced; she thinks that the others don't like Tartuffe because this "good man reminds them of their sins and reveals their moral flaws." She also maintains that there are too many visitors who come and, upon leaving, gossip about the family. Dorine snaps that the old woman condemns out of jealousy; before Madame Pernelle grew old, she was a part of the world and now, fearing that the world is going to drop her, she spends her time criticizing it. Madame Pernelle will not tolerate such comments and upon leaving, reminds the company that they are lucky to have such a holy man as Tartuffe dwelling beneath their roof.

ACT II. SCENE I. Britain. Before CYMBELINE'S palace Enter CLOTEN and the two LORDS CLOTEN. Was there ever man had such luck! When I kiss'd the jack, upon an up-cast to be hit away! I had a hundred pound on't; and then a whoreson jackanapes must take me up for swearing, as if I borrowed mine oaths of him, and might not spend them at my pleasure. FIRST LORD. What got he by that? You have broke his pate with your bowl. SECOND LORD. [Aside] If his wit had been like him that broke it, it would have run all out. CLOTEN. When a gentleman is dispos'd to swear, it is not for any standers-by to curtail his oaths. Ha? SECOND LORD. No, my lord; [Aside] nor crop the ears of them. CLOTEN. Whoreson dog! I give him satisfaction? Would he had been one of my rank! SECOND LORD. [Aside] To have smell'd like a fool. CLOTEN. I am not vex'd more at anything in th' earth. A pox on't! I had rather not be so noble as I am; they dare not fight with me, because of the Queen my mother. Every jackslave hath his bellyful of fighting, and I must go up and down like a cock that nobody can match. SECOND LORD. [Aside] You are cock and capon too; and you crow, cock, with your comb on. CLOTEN. Sayest thou? SECOND LORD. It is not fit your lordship should undertake every companion that you give offence to. CLOTEN. No, I know that; but it is fit I should commit offence to my inferiors. SECOND LORD. Ay, it is fit for your lordship only. CLOTEN. Why, so I say. FIRST LORD. Did you hear of a stranger that's come to court to-night? CLOTEN. A stranger, and I not known on't? SECOND LORD. [Aside] He's a strange fellow himself, and knows it not. FIRST LORD. There's an Italian come, and, 'tis thought, one of Leonatus' friends. CLOTEN. Leonatus? A banish'd rascal; and he's another, whatsoever he be. Who told you of this stranger? FIRST LORD. One of your lordship's pages. CLOTEN. Is it fit I went to look upon him? Is there no derogation in't? SECOND LORD. You cannot derogate, my lord. CLOTEN. Not easily, I think. SECOND LORD. [Aside] You are a fool granted; therefore your issues, being foolish, do not derogate. CLOTEN. Come, I'll go see this Italian. What I have lost to-day at bowls I'll win to-night of him. Come, go. SECOND LORD. I'll attend your lordship. Exeunt CLOTEN and FIRST LORD That such a crafty devil as is his mother Should yield the world this ass! A woman that Bears all down with her brain; and this her son Cannot take two from twenty, for his heart, And leave eighteen. Alas, poor princess, Thou divine Imogen, what thou endur'st, Betwixt a father by thy step-dame govern'd, A mother hourly coining plots, a wooer More hateful than the foul expulsion is Of thy dear husband, than that horrid act Of the divorce he'd make! The heavens hold firm The walls of thy dear honour, keep unshak'd That temple, thy fair mind, that thou mayst stand T' enjoy thy banish'd lord and this great land! Exit SCENE II. Britain. IMOGEN'S bedchamber in CYMBELINE'S palace; a trunk in one corner Enter IMOGEN in her bed, and a LADY attending IMOGEN. Who's there? My woman? Helen? LADY. Please you, madam. IMOGEN. What hour is it? LADY. Almost midnight, madam. IMOGEN. I have read three hours then. Mine eyes are weak; Fold down the leaf where I have left. To bed. Take not away the taper, leave it burning; And if thou canst awake by four o' th' clock, I prithee call me. Sleep hath seiz'd me wholly. Exit LADY To your protection I commend me, gods. From fairies and the tempters of the night Guard me, beseech ye! [Sleeps. IACHIMO comes from the trunk] IACHIMO. The crickets sing, and man's o'er-labour'd sense Repairs itself by rest. Our Tarquin thus Did softly press the rushes ere he waken'd The chastity he wounded. Cytherea, How bravely thou becom'st thy bed! fresh lily, And whiter than the sheets! That I might touch! But kiss; one kiss! Rubies unparagon'd, How dearly they do't! 'Tis her breathing that Perfumes the chamber thus. The flame o' th' taper Bows toward her and would under-peep her lids To see th' enclosed lights, now canopied Under these windows white and azure, lac'd With blue of heaven's own tinct. But my design To note the chamber. I will write all down: Such and such pictures; there the window; such Th' adornment of her bed; the arras, figures- Why, such and such; and the contents o' th' story. Ah, but some natural notes about her body Above ten thousand meaner movables Would testify, t' enrich mine inventory. O sleep, thou ape of death, lie dull upon her! And be her sense but as a monument, Thus in a chapel lying! Come off, come off; [Taking off her bracelet] As slippery as the Gordian knot was hard! 'Tis mine; and this will witness outwardly, As strongly as the conscience does within, To th' madding of her lord. On her left breast A mole cinque-spotted, like the crimson drops I' th' bottom of a cowslip. Here's a voucher Stronger than ever law could make; this secret Will force him think I have pick'd the lock and ta'en The treasure of her honour. No more. To what end? Why should I write this down that's riveted, Screw'd to my memory? She hath been reading late The tale of Tereus; here the leaf's turn'd down Where Philomel gave up. I have enough. To th' trunk again, and shut the spring of it. Swift, swift, you dragons of the night, that dawning May bare the raven's eye! I lodge in fear; Though this a heavenly angel, hell is here. [Clock strikes] One, two, three. Time, time! Exit into the trunk SCENE III. CYMBELINE'S palace. An ante-chamber adjoining IMOGEN'S apartments Enter CLOTEN and LORDS FIRST LORD. Your lordship is the most patient man in loss, the most coldest that ever turn'd up ace. CLOTEN. It would make any man cold to lose. FIRST LORD. But not every man patient after the noble temper of your lordship. You are most hot and furious when you win. CLOTEN. Winning will put any man into courage. If I could get this foolish Imogen, I should have gold enough. It's almost morning, is't not? FIRST LORD. Day, my lord. CLOTEN. I would this music would come. I am advised to give her music a mornings; they say it will penetrate. Enter musicians Come on, tune. If you can penetrate her with your fingering, so. We'll try with tongue too. If none will do, let her remain; but I'll never give o'er. First, a very excellent good-conceited thing; after, a wonderful sweet air, with admirable rich words to it- and then let her consider. SONG Hark, hark! the lark at heaven's gate sings, And Phoebus 'gins arise, His steeds to water at those springs On chalic'd flow'rs that lies; And winking Mary-buds begin To ope their golden eyes. With everything that pretty bin, My lady sweet, arise; Arise, arise! So, get you gone. If this penetrate, I will consider your music the better; if it do not, it is a vice in her ears which horsehairs and calves' guts, nor the voice of unpaved eunuch to boot, can never amend. Exeunt musicians Enter CYMBELINE and QUEEN SECOND LORD. Here comes the King. CLOTEN. I am glad I was up so late, for that's the reason I was up so early. He cannot choose but take this service I have done fatherly.- Good morrow to your Majesty and to my gracious mother. CYMBELINE. Attend you here the door of our stern daughter? Will she not forth? CLOTEN. I have assail'd her with musics, but she vouchsafes no notice. CYMBELINE. The exile of her minion is too new; She hath not yet forgot him; some more time Must wear the print of his remembrance out, And then she's yours. QUEEN. You are most bound to th' King, Who lets go by no vantages that may Prefer you to his daughter. Frame yourself To orderly soliciting, and be friended With aptness of the season; make denials Increase your services; so seem as if You were inspir'd to do those duties which You tender to her; that you in all obey her, Save when command to your dismission tends, And therein you are senseless. CLOTEN. Senseless? Not so. Enter a MESSENGER MESSENGER. So like you, sir, ambassadors from Rome; The one is Caius Lucius. CYMBELINE. A worthy fellow, Albeit he comes on angry purpose now; But that's no fault of his. We must receive him According to the honour of his sender; And towards himself, his goodness forespent on us, We must extend our notice. Our dear son, When you have given good morning to your mistress, Attend the Queen and us; we shall have need T' employ you towards this Roman. Come, our queen. Exeunt all but CLOTEN CLOTEN. If she be up, I'll speak with her; if not, Let her lie still and dream. By your leave, ho! [Knocks] I know her women are about her; what If I do line one of their hands? 'Tis gold Which buys admittance; oft it doth-yea, and makes Diana's rangers false themselves, yield up Their deer to th' stand o' th' stealer; and 'tis gold Which makes the true man kill'd and saves the thief; Nay, sometime hangs both thief and true man. What Can it not do and undo? I will make One of her women lawyer to me, for I yet not understand the case myself. By your leave. [Knocks] Enter a LADY LADY. Who's there that knocks? CLOTEN. A gentleman. LADY. No more? CLOTEN. Yes, and a gentlewoman's son. LADY. That's more Than some whose tailors are as dear as yours Can justly boast of. What's your lordship's pleasure? CLOTEN. Your lady's person; is she ready? LADY. Ay, To keep her chamber. CLOTEN. There is gold for you; sell me your good report. LADY. How? My good name? or to report of you What I shall think is good? The Princess! Enter IMOGEN CLOTEN. Good morrow, fairest sister. Your sweet hand. Exit LADY IMOGEN. Good morrow, sir. You lay out too much pains For purchasing but trouble. The thanks I give Is telling you that I am poor of thanks, And scarce can spare them. CLOTEN. Still I swear I love you. IMOGEN. If you but said so, 'twere as deep with me. If you swear still, your recompense is still That I regard it not. CLOTEN. This is no answer. IMOGEN. But that you shall not say I yield, being silent, I would not speak. I pray you spare me. Faith, I shall unfold equal discourtesy To your best kindness; one of your great knowing Should learn, being taught, forbearance. CLOTEN. To leave you in your madness 'twere my sin; I will not. IMOGEN. Fools are not mad folks. CLOTEN. Do you call me fool? IMOGEN. As I am mad, I do; If you'll be patient, I'll no more be mad; That cures us both. I am much sorry, sir, You put me to forget a lady's manners By being so verbal; and learn now, for all, That I, which know my heart, do here pronounce, By th' very truth of it, I care not for you, And am so near the lack of charity To accuse myself I hate you; which I had rather You felt than make't my boast. CLOTEN. You sin against Obedience, which you owe your father. For The contract you pretend with that base wretch, One bred of alms and foster'd with cold dishes, With scraps o' th' court- it is no contract, none. And though it be allowed in meaner parties- Yet who than he more mean?- to knit their souls- On whom there is no more dependency But brats and beggary- in self-figur'd knot, Yet you are curb'd from that enlargement by The consequence o' th' crown, and must not foil The precious note of it with a base slave, A hilding for a livery, a squire's cloth, A pantler- not so eminent! IMOGEN. Profane fellow! Wert thou the son of Jupiter, and no more But what thou art besides, thou wert too base To be his groom. Thou wert dignified enough, Even to the point of envy, if 'twere made Comparative for your virtues to be styl'd The under-hangman of his kingdom, and hated For being preferr'd so well. CLOTEN. The south fog rot him! IMOGEN. He never can meet more mischance than come To be but nam'd of thee. His mean'st garment That ever hath but clipp'd his body is dearer In my respect than all the hairs above thee, Were they all made such men. How now, Pisanio! Enter PISANIO CLOTEN. 'His garments'! Now the devil- IMOGEN. To Dorothy my woman hie thee presently. CLOTEN. 'His garment'! IMOGEN. I am sprited with a fool; Frighted, and ang'red worse. Go bid my woman Search for a jewel that too casually Hath left mine arm. It was thy master's; shrew me, If I would lose it for a revenue Of any king's in Europe! I do think I saw't this morning; confident I am Last night 'twas on mine arm; I kiss'd it. I hope it be not gone to tell my lord That I kiss aught but he. PISANIO. 'Twill not be lost. IMOGEN. I hope so. Go and search. Exit PISANIO CLOTEN. You have abus'd me. 'His meanest garment'! IMOGEN. Ay, I said so, sir. If you will make 't an action, call witness to 't. CLOTEN. I will inform your father. IMOGEN. Your mother too. She's my good lady and will conceive, I hope, But the worst of me. So I leave you, sir, To th' worst of discontent. Exit CLOTEN. I'll be reveng'd. 'His mean'st garment'! Well. Exit SCENE IV. Rome. PHILARIO'S house Enter POSTHUMUS and PHILARIO POSTHUMUS. Fear it not, sir; I would I were so sure To win the King as I am bold her honour Will remain hers. PHILARIO. What means do you make to him? POSTHUMUS. Not any; but abide the change of time, Quake in the present winter's state, and wish That warmer days would come. In these fear'd hopes I barely gratify your love; they failing, I must die much your debtor. PHILARIO. Your very goodness and your company O'erpays all I can do. By this your king Hath heard of great Augustus. Caius Lucius Will do's commission throughly; and I think He'll grant the tribute, send th' arrearages, Or look upon our Romans, whose remembrance Is yet fresh in their grief. POSTHUMUS. I do believe Statist though I am none, nor like to be, That this will prove a war; and you shall hear The legions now in Gallia sooner landed In our not-fearing Britain than have tidings Of any penny tribute paid. Our countrymen Are men more order'd than when Julius Caesar Smil'd at their lack of skill, but found their courage Worthy his frowning at. Their discipline, Now mingled with their courages, will make known To their approvers they are people such That mend upon the world. Enter IACHIMO PHILARIO. See! Iachimo! POSTHUMUS. The swiftest harts have posted you by land, And winds of all the comers kiss'd your sails, To make your vessel nimble. PHILARIO. Welcome, sir. POSTHUMUS. I hope the briefness of your answer made The speediness of your return. IACHIMO. Your lady Is one of the fairest that I have look'd upon. POSTHUMUS. And therewithal the best; or let her beauty Look through a casement to allure false hearts, And be false with them. IACHIMO. Here are letters for you. POSTHUMUS. Their tenour good, I trust. IACHIMO. 'Tis very like. PHILARIO. Was Caius Lucius in the Britain court When you were there? IACHIMO. He was expected then, But not approach'd. POSTHUMUS. All is well yet. Sparkles this stone as it was wont, or is't not Too dull for your good wearing? IACHIMO. If I have lost it, I should have lost the worth of it in gold. I'll make a journey twice as far t' enjoy A second night of such sweet shortness which Was mine in Britain; for the ring is won. POSTHUMUS. The stone's too hard to come by. IACHIMO. Not a whit, Your lady being so easy. POSTHUMUS. Make not, sir, Your loss your sport. I hope you know that we Must not continue friends. IACHIMO. Good sir, we must, If you keep covenant. Had I not brought The knowledge of your mistress home, I grant We were to question farther; but I now Profess myself the winner of her honour, Together with your ring; and not the wronger Of her or you, having proceeded but By both your wills. POSTHUMUS. If you can make't apparent That you have tasted her in bed, my hand And ring is yours. If not, the foul opinion You had of her pure honour gains or loses Your sword or mine, or masterless leaves both To who shall find them. IACHIMO. Sir, my circumstances, Being so near the truth as I will make them, Must first induce you to believe- whose strength I will confirm with oath; which I doubt not You'll give me leave to spare when you shall find You need it not. POSTHUMUS. Proceed. IACHIMO. First, her bedchamber, Where I confess I slept not, but profess Had that was well worth watching-it was hang'd With tapestry of silk and silver; the story, Proud Cleopatra when she met her Roman And Cydnus swell'd above the banks, or for The press of boats or pride. A piece of work So bravely done, so rich, that it did strive In workmanship and value; which I wonder'd Could be so rarely and exactly wrought, Since the true life on't was- POSTHUMUS. This is true; And this you might have heard of here, by me Or by some other. IACHIMO. More particulars Must justify my knowledge. POSTHUMUS. So they must, Or do your honour injury. IACHIMO. The chimney Is south the chamber, and the chimneypiece Chaste Dian bathing. Never saw I figures So likely to report themselves. The cutter Was as another nature, dumb; outwent her, Motion and breath left out. POSTHUMUS. This is a thing Which you might from relation likewise reap, Being, as it is, much spoke of. IACHIMO. The roof o' th' chamber With golden cherubins is fretted; her andirons- I had forgot them- were two winking Cupids Of silver, each on one foot standing, nicely Depending on their brands. POSTHUMUS. This is her honour! Let it be granted you have seen all this, and praise Be given to your remembrance; the description Of what is in her chamber nothing saves The wager you have laid. IACHIMO. Then, if you can, [Shows the bracelet] Be pale. I beg but leave to air this jewel. See! And now 'tis up again. It must be married To that your diamond; I'll keep them. POSTHUMUS. Jove! Once more let me behold it. Is it that Which I left with her? IACHIMO. Sir- I thank her- that. She stripp'd it from her arm; I see her yet; Her pretty action did outsell her gift, And yet enrich'd it too. She gave it me, and said She priz'd it once. POSTHUMUS. May be she pluck'd it off To send it me. IACHIMO. She writes so to you, doth she? POSTHUMUS. O, no, no, no! 'tis true. Here, take this too; [Gives the ring] It is a basilisk unto mine eye, Kills me to look on't. Let there be no honour Where there is beauty; truth where semblance; love Where there's another man. The vows of women Of no more bondage be to where they are made Than they are to their virtues, which is nothing. O, above measure false! PHILARIO. Have patience, sir, And take your ring again; 'tis not yet won. It may be probable she lost it, or Who knows if one her women, being corrupted Hath stol'n it from her? POSTHUMUS. Very true; And so I hope he came by't. Back my ring. Render to me some corporal sign about her, More evident than this; for this was stol'n. IACHIMO. By Jupiter, I had it from her arm! POSTHUMUS. Hark you, he swears; by Jupiter he swears. 'Tis true- nay, keep the ring, 'tis true. I am sure She would not lose it. Her attendants are All sworn and honourable- they induc'd to steal it! And by a stranger! No, he hath enjoy'd her. The cognizance of her incontinency Is this: she hath bought the name of whore thus dearly. There, take thy hire; and all the fiends of hell Divide themselves between you! PHILARIO. Sir, be patient; This is not strong enough to be believ'd Of one persuaded well of. POSTHUMUS. Never talk on't; She hath been colted by him. IACHIMO. If you seek For further satisfying, under her breast- Worthy the pressing- lies a mole, right proud Of that most delicate lodging. By my life, I kiss'd it; and it gave me present hunger To feed again, though full. You do remember This stain upon her? POSTHUMUS. Ay, and it doth confirm Another stain, as big as hell can hold, Were there no more but it. IACHIMO. Will you hear more? POSTHUMUS. Spare your arithmetic; never count the turns. Once, and a million! IACHIMO. I'll be sworn- POSTHUMUS. No swearing. If you will swear you have not done't, you lie; And I will kill thee if thou dost deny Thou'st made me cuckold. IACHIMO. I'll deny nothing. POSTHUMUS. O that I had her here to tear her limb-meal! I will go there and do't, i' th' court, before Her father. I'll do something- Exit PHILARIO. Quite besides The government of patience! You have won. Let's follow him and pervert the present wrath He hath against himself. IACHIMO. With all my heart. Exeunt SCENE V. Rome. Another room in PHILARIO'S house Enter POSTHUMUS POSTHUMUS. Is there no way for men to be, but women Must be half-workers? We are all bastards, And that most venerable man which I Did call my father was I know not where When I was stamp'd. Some coiner with his tools Made me a counterfeit; yet my mother seem'd The Dian of that time. So doth my wife The nonpareil of this. O, vengeance, vengeance! Me of my lawful pleasure she restrain'd, And pray'd me oft forbearance; did it with A pudency so rosy, the sweet view on't Might well have warm'd old Saturn; that I thought her As chaste as unsunn'd snow. O, all the devils! This yellow Iachimo in an hour- was't not? Or less!- at first? Perchance he spoke not, but, Like a full-acorn'd boar, a German one, Cried "O!' and mounted; found no opposition But what he look'd for should oppose and she Should from encounter guard. Could I find out The woman's part in me! For there's no motion That tends to vice in man but I affirm It is the woman's part. Be it lying, note it, The woman's; flattering, hers; deceiving, hers; Lust and rank thoughts, hers, hers; revenges, hers; Ambitions, covetings, change of prides, disdain, Nice longing, slanders, mutability, All faults that man may name, nay, that hell knows, Why, hers, in part or all; but rather all; For even to vice They are not constant, but are changing still One vice but of a minute old for one Not half so old as that. I'll write against them, Detest them, curse them. Yet 'tis greater skill In a true hate to pray they have their will: The very devils cannot plague them better. Exit

Cloten' second short scene - in which, once again, he demonstrates his buffoonery - opens Act Two, after which we are shown Imogen in her bedchamber, preparing for sleep. She says goodnight to her Lady-in-Waiting, then, after she has fallen fast asleep, Iachimo climbs out of the trunk that she agreed to keep in her room. He creeps around the room and jots down details both of the room's furnishings and of Imogen's intimate physical appearance, noting a mole on her left breast, with the intention of using these details to prove to Posthumus that he has spent the night with her. As further proof, he slips Posthumus's bracelet off of Imogen's wrist, then departs the room silently. Scene three returns to Cloten, who in his attempt to woo Imogen has hired a eunuch to sing a love song, to no avail. Cymbeline and the Queen enter and console him, only to be interrupted by the news that Caius Lucius, a Roman ambassador, has come to meet them. The King and Queen depart, leaving Cloten to again attempt to charm Imogen. His wooing, which Imogen immediately dismisses, soon dissolves into a bitter exchange of insults, as Cloten castigates Posthumus as a poor "pantling" unworthy of Imogen's love, and Imogen retorts that Cloten is not worth as much as Posthumus's "mean'st garment." She departs in high dudgeon, and Cloten obsesses over this comparison of his royal self to Posthumus's shabbiest clothing. In the meantime, back in Rome, Philario and Posthumus discuss the futility of the rake-like Iachimo ever winning the virtuous Imogen; that is, until Iachimo himself returns and insinuates that he has won the wager. Posthumus demands evidence, and Iachimo describes the furnishings and art in Imogen's bedroom. When these descriptions fail to satisfy him, Iachimo shows Posthumus the bracelet. This alarms Posthumus greatly, though Philario says that Iachimo might have gotten the bracelet a number of ways that didn't involve sleeping with Imogen. Finally, Iachimo pulls his trump card and describes the mole on Imogen's breast. This compelling piece of evidence convinces Posthumus of Imogen's infidelity. Enraged, he rushes off-stage with vengeance on his mind, returning to deliver a scathing, hate-filled soliloquy directed against all womankind.

IT happened that Mrs. Pomfret had had a slight quarrel with Mrs. Best, the housekeeper, on this Thursday morning--a fact which had two consequences highly convenient to Hetty. It caused Mrs. Pomfret to have tea sent up to her own room, and it inspired that exemplary lady's maid with so lively a recollection of former passages in Mrs. Best's conduct, and of dialogues in which Mrs. Best had decidedly the inferiority as an interlocutor with Mrs. Pomfret, that Hetty required no more presence of mind than was demanded for using her needle, and throwing in an occasional "yes" or "no." She would have wanted to put on her hat earlier than usual; only she had told Captain Donnithorne that she usually set out about eight o'clock, and if he SHOULD go to the Grove again expecting to see her, and she should be gone! Would he come? Her little butterfly soul fluttered incessantly between memory and dubious expectation. At last the minute-hand of the old-fashioned brazen-faced timepiece was on the last quarter to eight, and there was every reason for its being time to get ready for departure. Even Mrs. Pomfret's preoccupied mind did not prevent her from noticing what looked like a new flush of beauty in the little thing as she tied on her hat before the looking-glass. "That child gets prettier and prettier every day, I do believe," was her inward comment. "The more's the pity. She'll get neither a place nor a husband any the sooner for it. Sober well-to-do men don't like such pretty wives. When I was a girl, I was more admired than if I had been so very pretty. However, she's reason to be grateful to me for teaching her something to get her bread with, better than farm-house work. They always told me I was good-natured--and that's the truth, and to my hurt too, else there's them in this house that wouldn't be here now to lord it over me in the housekeeper's room." Hetty walked hastily across the short space of pleasure-ground which she had to traverse, dreading to meet Mr. Craig, to whom she could hardly have spoken civilly. How relieved she was when she had got safely under the oaks and among the fern of the Chase! Even then she was as ready to be startled as the deer that leaped away at her approach. She thought nothing of the evening light that lay gently in the grassy alleys between the fern, and made the beauty of their living green more visible than it had been in the overpowering flood of noon: she thought of nothing that was present. She only saw something that was possible: Mr. Arthur Donnithorne coming to meet her again along the Fir-tree Grove. That was the foreground of Hetty's picture; behind it lay a bright hazy something--days that were not to be as the other days of her life had been. It was as if she had been wooed by a river-god, who might any time take her to his wondrous halls below a watery heaven. There was no knowing what would come, since this strange entrancing delight had come. If a chest full of lace and satin and jewels had been sent her from some unknown source, how could she but have thought that her whole lot was going to change, and that to-morrow some still more bewildering joy would befall her? Hetty had never read a novel; if she had ever seen one, I think the words would have been too hard for her; how then could she find a shape for her expectations? They were as formless as the sweet languid odours of the garden at the Chase, which had floated past her as she walked by the gate. She is at another gate now--that leading into Fir-tree Grove. She enters the wood, where it is already twilight, and at every step she takes, the fear at her heart becomes colder. If he should not come! Oh, how dreary it was--the thought of going out at the other end of the wood, into the unsheltered road, without having seen him. She reaches the first turning towards the Hermitage, walking slowly--he is not there. She hates the leveret that runs across the path; she hates everything that is not what she longs for. She walks on, happy whenever she is coming to a bend in the road, for perhaps he is behind it. No. She is beginning to cry: her heart has swelled so, the tears stand in her eyes; she gives one great sob, while the corners of her mouth quiver, and the tears roll down. She doesn't know that there is another turning to the Hermitage, that she is close against it, and that Arthur Donnithorne is only a few yards from her, full of one thought, and a thought of which she only is the object. He is going to see Hetty again: that is the longing which has been growing through the last three hours to a feverish thirst. Not, of course, to speak in the caressing way into which he had unguardedly fallen before dinner, but to set things right with her by a kindness which would have the air of friendly civility, and prevent her from running away with wrong notions about their mutual relation. If Hetty had known he was there, she would not have cried; and it would have been better, for then Arthur would perhaps have behaved as wisely as he had intended. As it was, she started when he appeared at the end of the side-alley, and looked up at him with two great drops rolling down her cheeks. What else could he do but speak to her in a soft, soothing tone, as if she were a bright-eyed spaniel with a thorn in her foot? "Has something frightened you, Hetty? Have you seen anything in the wood? Don't be frightened--I'll take care of you now." Hetty was blushing so, she didn't know whether she was happy or miserable. To be crying again--what did gentlemen think of girls who cried in that way? She felt unable even to say "no," but could only look away from him and wipe the tears from her cheek. Not before a great drop had fallen on her rose-coloured strings--she knew that quite well. "Come, be cheerful again. Smile at me, and tell me what's the matter. Come, tell me." Hetty turned her head towards him, whispered, "I thought you wouldn't come," and slowly got courage to lift her eyes to him. That look was too much: he must have had eyes of Egyptian granite not to look too lovingly in return. "You little frightened bird! Little tearful rose! Silly pet! You won't cry again, now I'm with you, will you?" Ah, he doesn't know in the least what he is saying. This is not what he meant to say. His arm is stealing round the waist again; it is tightening its clasp; he is bending his face nearer and nearer to the round cheek; his lips are meeting those pouting child-lips, and for a long moment time has vanished. He may be a shepherd in Arcadia for aught he knows, he may be the first youth kissing the first maiden, he may be Eros himself, sipping the lips of Psyche--it is all one. There was no speaking for minutes after. They walked along with beating hearts till they came within sight of the gate at the end of the wood. Then they looked at each other, not quite as they had looked before, for in their eyes there was the memory of a kiss. But already something bitter had begun to mingle itself with the fountain of sweets: already Arthur was uncomfortable. He took his arm from Hetty's waist, and said, "Here we are, almost at the end of the Grove. I wonder how late it is," he added, pulling out his watch. "Twenty minutes past eight--but my watch is too fast. However, I'd better not go any further now. Trot along quickly with your little feet, and get home safely. Good-bye." He took her hand, and looked at her half-sadly, half with a constrained smile. Hetty's eyes seemed to beseech him not to go away yet; but he patted her cheek and said "Good-bye" again. She was obliged to turn away from him and go on. As for Arthur, he rushed back through the wood, as if he wanted to put a wide space between himself and Hetty. He would not go to the Hermitage again; he remembered how he had debated with himself there before dinner, and it had all come to nothing--worse than nothing. He walked right on into the Chase, glad to get out of the Grove, which surely was haunted by his evil genius. Those beeches and smooth limes--there was something enervating in the very sight of them; but the strong knotted old oaks had no bending languor in them--the sight of them would give a man some energy. Arthur lost himself among the narrow openings in the fern, winding about without seeking any issue, till the twilight deepened almost to night under the great boughs, and the hare looked black as it darted across his path. He was feeling much more strongly than he had done in the morning: it was as if his horse had wheeled round from a leap and dared to dispute his mastery. He was dissatisfied with himself, irritated, mortified. He no sooner fixed his mind on the probable consequences of giving way to the emotions which had stolen over him to-day--of continuing to notice Hetty, of allowing himself any opportunity for such slight caresses as he had been betrayed into already--than he refused to believe such a future possible for himself. To flirt with Hetty was a very different affair from flirting with a pretty girl of his own station: that was understood to be an amusement on both sides, or, if it became serious, there was no obstacle to marriage. But this little thing would be spoken ill of directly, if she happened to be seen walking with him; and then those excellent people, the Poysers, to whom a good name was as precious as if they had the best blood in the land in their veins--he should hate himself if he made a scandal of that sort, on the estate that was to be his own some day, and among tenants by whom he liked, above all, to be respected. He could no more believe that he should so fall in his own esteem than that he should break both his legs and go on crutches all the rest of his life. He couldn't imagine himself in that position; it was too odious, too unlike him. And even if no one knew anything about it, they might get too fond of each other, and then there could be nothing but the misery of parting, after all. No gentleman, out of a ballad, could marry a farmer's niece. There must be an end to the whole thing at once. It was too foolish. And yet he had been so determined this morning, before he went to Gawaine's; and while he was there something had taken hold of him and made him gallop back. It seemed he couldn't quite depend on his own resolution, as he had thought he could; he almost wished his arm would get painful again, and then he should think of nothing but the comfort it would be to get rid of the pain. There was no knowing what impulse might seize him to-morrow, in this confounded place, where there was nothing to occupy him imperiously through the livelong day. What could he do to secure himself from any more of this folly? There was but one resource. He would go and tell Irwine--tell him everything. The mere act of telling it would make it seem trivial; the temptation would vanish, as the charm of fond words vanishes when one repeats them to the indifferent. In every way it would help him to tell Irwine. He would ride to Broxton Rectory the first thing after breakfast to-morrow. Arthur had no sooner come to this determination than he began to think which of the paths would lead him home, and made as short a walk thither as he could. He felt sure he should sleep now: he had had enough to tire him, and there was no more need for him to think.

Hetty wonders fearfully whether the Captain will meet her again on her way home. The housekeeper notices her beauty and worries for her, thinking that a sensible man would not take her on either as a servant or as a wife. Hetty walks home, delighting in the expectation of meeting the Captain not only because she finds him attractive, but also because of what he could give her in the future. She begins to cry when she thinks that he is not there. When the Captain sees her, he forgets his resolve to behave coldly. He asks her if something has frightened her, and then, before he knows what he is doing, he puts his arms around her and kisses her. The Captain leaves her quickly, very upset with himself. He thinks that the trees in the grove hold some sort of evil sway over him. He reminds himself that flirting with Hetty is not as uncomplicated as flirting with someone of his own class. The Captain tries to think of a way to regain control over his own actions as he always has done before, and he decides to go confess to the vicar, with whom he has a close relationship

II. A Sight "You know the Old Bailey well, no doubt?" said one of the oldest of clerks to Jerry the messenger. "Ye-es, sir," returned Jerry, in something of a dogged manner. "I _do_ know the Bailey." "Just so. And you know Mr. Lorry." "I know Mr. Lorry, sir, much better than I know the Bailey. Much better," said Jerry, not unlike a reluctant witness at the establishment in question, "than I, as a honest tradesman, wish to know the Bailey." "Very well. Find the door where the witnesses go in, and show the door-keeper this note for Mr. Lorry. He will then let you in." "Into the court, sir?" "Into the court." Mr. Cruncher's eyes seemed to get a little closer to one another, and to interchange the inquiry, "What do you think of this?" "Am I to wait in the court, sir?" he asked, as the result of that conference. "I am going to tell you. The door-keeper will pass the note to Mr. Lorry, and do you make any gesture that will attract Mr. Lorry's attention, and show him where you stand. Then what you have to do, is, to remain there until he wants you." "Is that all, sir?" "That's all. He wishes to have a messenger at hand. This is to tell him you are there." As the ancient clerk deliberately folded and superscribed the note, Mr. Cruncher, after surveying him in silence until he came to the blotting-paper stage, remarked: "I suppose they'll be trying Forgeries this morning?" "Treason!" "That's quartering," said Jerry. "Barbarous!" "It is the law," remarked the ancient clerk, turning his surprised spectacles upon him. "It is the law." "It's hard in the law to spile a man, I think. It's hard enough to kill him, but it's wery hard to spile him, sir." "Not at all," retained the ancient clerk. "Speak well of the law. Take care of your chest and voice, my good friend, and leave the law to take care of itself. I give you that advice." "It's the damp, sir, what settles on my chest and voice," said Jerry. "I leave you to judge what a damp way of earning a living mine is." "Well, well," said the old clerk; "we all have our various ways of gaining a livelihood. Some of us have damp ways, and some of us have dry ways. Here is the letter. Go along." Jerry took the letter, and, remarking to himself with less internal deference than he made an outward show of, "You are a lean old one, too," made his bow, informed his son, in passing, of his destination, and went his way. They hanged at Tyburn, in those days, so the street outside Newgate had not obtained one infamous notoriety that has since attached to it. But, the gaol was a vile place, in which most kinds of debauchery and villainy were practised, and where dire diseases were bred, that came into court with the prisoners, and sometimes rushed straight from the dock at my Lord Chief Justice himself, and pulled him off the bench. It had more than once happened, that the Judge in the black cap pronounced his own doom as certainly as the prisoner's, and even died before him. For the rest, the Old Bailey was famous as a kind of deadly inn-yard, from which pale travellers set out continually, in carts and coaches, on a violent passage into the other world: traversing some two miles and a half of public street and road, and shaming few good citizens, if any. So powerful is use, and so desirable to be good use in the beginning. It was famous, too, for the pillory, a wise old institution, that inflicted a punishment of which no one could foresee the extent; also, for the whipping-post, another dear old institution, very humanising and softening to behold in action; also, for extensive transactions in blood-money, another fragment of ancestral wisdom, systematically leading to the most frightful mercenary crimes that could be committed under Heaven. Altogether, the Old Bailey, at that date, was a choice illustration of the precept, that "Whatever is is right;" an aphorism that would be as final as it is lazy, did it not include the troublesome consequence, that nothing that ever was, was wrong. Making his way through the tainted crowd, dispersed up and down this hideous scene of action, with the skill of a man accustomed to make his way quietly, the messenger found out the door he sought, and handed in his letter through a trap in it. For, people then paid to see the play at the Old Bailey, just as they paid to see the play in Bedlam--only the former entertainment was much the dearer. Therefore, all the Old Bailey doors were well guarded--except, indeed, the social doors by which the criminals got there, and those were always left wide open. After some delay and demur, the door grudgingly turned on its hinges a very little way, and allowed Mr. Jerry Cruncher to squeeze himself into court. "What's on?" he asked, in a whisper, of the man he found himself next to. "Nothing yet." "What's coming on?" "The Treason case." "The quartering one, eh?" "Ah!" returned the man, with a relish; "he'll be drawn on a hurdle to be half hanged, and then he'll be taken down and sliced before his own face, and then his inside will be taken out and burnt while he looks on, and then his head will be chopped off, and he'll be cut into quarters. That's the sentence." "If he's found Guilty, you mean to say?" Jerry added, by way of proviso. "Oh! they'll find him guilty," said the other. "Don't you be afraid of that." Mr. Cruncher's attention was here diverted to the door-keeper, whom he saw making his way to Mr. Lorry, with the note in his hand. Mr. Lorry sat at a table, among the gentlemen in wigs: not far from a wigged gentleman, the prisoner's counsel, who had a great bundle of papers before him: and nearly opposite another wigged gentleman with his hands in his pockets, whose whole attention, when Mr. Cruncher looked at him then or afterwards, seemed to be concentrated on the ceiling of the court. After some gruff coughing and rubbing of his chin and signing with his hand, Jerry attracted the notice of Mr. Lorry, who had stood up to look for him, and who quietly nodded and sat down again. "What's _he_ got to do with the case?" asked the man he had spoken with. "Blest if I know," said Jerry. "What have _you_ got to do with it, then, if a person may inquire?" "Blest if I know that either," said Jerry. The entrance of the Judge, and a consequent great stir and settling down in the court, stopped the dialogue. Presently, the dock became the central point of interest. Two gaolers, who had been standing there, went out, and the prisoner was brought in, and put to the bar. Everybody present, except the one wigged gentleman who looked at the ceiling, stared at him. All the human breath in the place, rolled at him, like a sea, or a wind, or a fire. Eager faces strained round pillars and corners, to get a sight of him; spectators in back rows stood up, not to miss a hair of him; people on the floor of the court, laid their hands on the shoulders of the people before them, to help themselves, at anybody's cost, to a view of him--stood a-tiptoe, got upon ledges, stood upon next to nothing, to see every inch of him. Conspicuous among these latter, like an animated bit of the spiked wall of Newgate, Jerry stood: aiming at the prisoner the beery breath of a whet he had taken as he came along, and discharging it to mingle with the waves of other beer, and gin, and tea, and coffee, and what not, that flowed at him, and already broke upon the great windows behind him in an impure mist and rain. The object of all this staring and blaring, was a young man of about five-and-twenty, well-grown and well-looking, with a sunburnt cheek and a dark eye. His condition was that of a young gentleman. He was plainly dressed in black, or very dark grey, and his hair, which was long and dark, was gathered in a ribbon at the back of his neck; more to be out of his way than for ornament. As an emotion of the mind will express itself through any covering of the body, so the paleness which his situation engendered came through the brown upon his cheek, showing the soul to be stronger than the sun. He was otherwise quite self-possessed, bowed to the Judge, and stood quiet. The sort of interest with which this man was stared and breathed at, was not a sort that elevated humanity. Had he stood in peril of a less horrible sentence--had there been a chance of any one of its savage details being spared--by just so much would he have lost in his fascination. The form that was to be doomed to be so shamefully mangled, was the sight; the immortal creature that was to be so butchered and torn asunder, yielded the sensation. Whatever gloss the various spectators put upon the interest, according to their several arts and powers of self-deceit, the interest was, at the root of it, Ogreish. Silence in the court! Charles Darnay had yesterday pleaded Not Guilty to an indictment denouncing him (with infinite jingle and jangle) for that he was a false traitor to our serene, illustrious, excellent, and so forth, prince, our Lord the King, by reason of his having, on divers occasions, and by divers means and ways, assisted Lewis, the French King, in his wars against our said serene, illustrious, excellent, and so forth; that was to say, by coming and going, between the dominions of our said serene, illustrious, excellent, and so forth, and those of the said French Lewis, and wickedly, falsely, traitorously, and otherwise evil-adverbiously, revealing to the said French Lewis what forces our said serene, illustrious, excellent, and so forth, had in preparation to send to Canada and North America. This much, Jerry, with his head becoming more and more spiky as the law terms bristled it, made out with huge satisfaction, and so arrived circuitously at the understanding that the aforesaid, and over and over again aforesaid, Charles Darnay, stood there before him upon his trial; that the jury were swearing in; and that Mr. Attorney-General was making ready to speak. The accused, who was (and who knew he was) being mentally hanged, beheaded, and quartered, by everybody there, neither flinched from the situation, nor assumed any theatrical air in it. He was quiet and attentive; watched the opening proceedings with a grave interest; and stood with his hands resting on the slab of wood before him, so composedly, that they had not displaced a leaf of the herbs with which it was strewn. The court was all bestrewn with herbs and sprinkled with vinegar, as a precaution against gaol air and gaol fever. Over the prisoner's head there was a mirror, to throw the light down upon him. Crowds of the wicked and the wretched had been reflected in it, and had passed from its surface and this earth's together. Haunted in a most ghastly manner that abominable place would have been, if the glass could ever have rendered back its reflections, as the ocean is one day to give up its dead. Some passing thought of the infamy and disgrace for which it had been reserved, may have struck the prisoner's mind. Be that as it may, a change in his position making him conscious of a bar of light across his face, he looked up; and when he saw the glass his face flushed, and his right hand pushed the herbs away. It happened, that the action turned his face to that side of the court which was on his left. About on a level with his eyes, there sat, in that corner of the Judge's bench, two persons upon whom his look immediately rested; so immediately, and so much to the changing of his aspect, that all the eyes that were turned upon him, turned to them. The spectators saw in the two figures, a young lady of little more than twenty, and a gentleman who was evidently her father; a man of a very remarkable appearance in respect of the absolute whiteness of his hair, and a certain indescribable intensity of face: not of an active kind, but pondering and self-communing. When this expression was upon him, he looked as if he were old; but when it was stirred and broken up--as it was now, in a moment, on his speaking to his daughter--he became a handsome man, not past the prime of life. His daughter had one of her hands drawn through his arm, as she sat by him, and the other pressed upon it. She had drawn close to him, in her dread of the scene, and in her pity for the prisoner. Her forehead had been strikingly expressive of an engrossing terror and compassion that saw nothing but the peril of the accused. This had been so very noticeable, so very powerfully and naturally shown, that starers who had had no pity for him were touched by her; and the whisper went about, "Who are they?" Jerry, the messenger, who had made his own observations, in his own manner, and who had been sucking the rust off his fingers in his absorption, stretched his neck to hear who they were. The crowd about him had pressed and passed the inquiry on to the nearest attendant, and from him it had been more slowly pressed and passed back; at last it got to Jerry: "Witnesses." "For which side?" "Against." "Against what side?" "The prisoner's." The Judge, whose eyes had gone in the general direction, recalled them, leaned back in his seat, and looked steadily at the man whose life was in his hand, as Mr. Attorney-General rose to spin the rope, grind the axe, and hammer the nails into the scaffold.

Jerry is told to take a note to Mr. Lorry at the Old Bailey law court and to stay there until Mr. Lorry needs him. After arriving at the Old Bailey and giving the doorkeeper the note to deliver to Mr. Lorry, Jerry makes his way into the crowded courtroom. The court is hearing a treason case, punishable by the grisly sentence of being drawn and quartered. The accused, Charles Darnay, stands quietly and calmly before the crowd until he catches sight of Lucie and Doctor Manette , who are witnesses against him. The spectators follow his eyes and are touched by Lucie's expression of fear and sympathy for Darnay.

SCENE 2. Near Saint Edmunds-bury. The French Camp. [Enter, in arms, LOUIS, SALISBURY, MELUN, PEMBROKE, BIGOT, and soldiers.] LOUIS. My Lord Melun, let this be copied out And keep it safe for our remembrance: Return the precedent to these lords again; That, having our fair order written down, Both they and we, perusing o'er these notes, May know wherefore we took the sacrament, And keep our faiths firm and inviolable. SALISBURY. Upon our sides it never shall be broken. And, noble Dauphin, albeit we swear A voluntary zeal and an unurg'd faith To your proceedings; yet, believe me, prince, I am not glad that such a sore of time Should seek a plaster by contemn'd revolt, And heal the inveterate canker of one wound By making many. O, it grieves my soul That I must draw this metal from my side To be a widow-maker! O, and there Where honourable rescue and defence Cries out upon the name of Salisbury! But such is the infection of the time, That, for the health and physic of our right, We cannot deal but with the very hand Of stern injustice and confused wrong.-- And is't not pity, O my grieved friends! That we, the sons and children of this isle, Were born to see so sad an hour as this; Wherein we step after a stranger-march Upon her gentle bosom, and fill up Her enemies' ranks--I must withdraw and weep Upon the spot of this enforc'd cause-- To grace the gentry of a land remote, And follow unacquainted colours here? What, here?--O nation, that thou couldst remove! That Neptune's arms, who clippeth thee about, Would bear thee from the knowledge of thyself, And grapple thee unto a pagan shore, Where these two Christian armies might combine The blood of malice in a vein of league, And not to spend it so unneighbourly! LOUIS. A noble temper dost thou show in this; And great affections wrestling in thy bosom Doth make an earthquake of nobility. O, what a noble combat hast thou fought Between compulsion and a brave respect! Let me wipe off this honourable dew That silverly doth progress on thy cheeks: My heart hath melted at a lady's tears, Being an ordinary inundation; But this effusion of such manly drops, This shower, blown up by tempest of the soul, Startles mine eyes and makes me more amaz'd Than had I seen the vaulty top of heaven Figur'd quite o'er with burning meteors. Lift up thy brow, renowned Salisbury, And with a great heart heave away this storm: Commend these waters to those baby eyes That never saw the giant world enrag'd, Nor met with fortune other than at feasts, Full of warm blood, of mirth, of gossiping. Come, come; for thou shalt thrust thy hand as deep Into the purse of rich prosperity As Louis himself:--so, nobles, shall you all, That knit your sinews to the strength of mine.-- And even there, methinks, an angel spake: Look, where the holy legate comes apace, To give us warrant from the hand of heaven And on our actions set the name of right With holy breath. [Enter PANDULPH, attended.] PANDULPH. Hail, noble prince of France! The next is this,--King John hath reconcil'd Himself to Rome; his spirit is come in, That so stood out against the holy church, The great metropolis and see of Rome: Therefore thy threatening colours now wind up, And tame the savage spirit of wild war, That, like a lion foster'd up at hand, It may lie gently at the foot of peace And be no further harmful than in show. LOUIS. Your grace shall pardon me, I will not back: I am too high-born to be propertied, To be a secondary at control, Or useful serving-man and instrument To any sovereign state throughout the world. Your breath first kindled the dead coal of wars Between this chastis'd kingdom and myself, And brought in matter that should feed this fire; And now 'tis far too huge to be blown out With that same weak wind which enkindled it. You taught me how to know the face of right, Acquainted me with interest to this land, Yea, thrust this enterprise into my heart; And come ye now to tell me John hath made His peace with Rome? What is that peace to me? I, by the honour of my marriage-bed, After young Arthur, claim this land for mine; And, now it is half-conquer'd, must I back Because that John hath made his peace with Rome? Am I Rome's slave? What penny hath Rome borne, What men provided, what munition sent, To underprop this action? Is't not I That undergo this charge? Who else but I, And such as to my claim are liable, Sweat in this business and maintain this war? Have I not heard these islanders shout out, 'Vive le roi!' as I have bank'd their towns? Have I not here the best cards for the game, To will this easy match, play'd for a crown? And shall I now give o'er the yielded set? No, no, on my soul, it never shall be said. PANDULPH. You look but on the outside of this work. LOUIS. Outside or inside, I will not return Till my attempt so much be glorified As to my ample hope was promised Before I drew this gallant head of war, And cull'd these fiery spirits from the world, To outlook conquest, and to will renown Even in the jaws of danger and of death.-- [Trumpet sounds.] What lusty trumpet thus doth summon us? [Enter the BASTARD, attended.] BASTARD. According to the fair play of the world, Let me have audience; I am sent to speak:-- My holy lord of Milan, from the king I come, to learn how you have dealt for him; And, as you answer, I do know the scope And warrant limited unto my tongue. PANDULPH. The Dauphin is too wilful-opposite, And will not temporize with my entreaties; He flatly says he'll not lay down his arms. BASTARD. By all the blood that ever fury breath'd, The youth says well.--Now hear our English king; For thus his royalty doth speak in me. He is prepar'd; and reason too he should: This apish and unmannerly approach, This harness'd masque and unadvised revel This unhair'd sauciness and boyish troops, The king doth smile at; and is well prepar'd To whip this dwarfish war, these pigmy arms, From out the circle of his territories. That hand which had the strength, even at your door, To cudgel you, and make you take the hatch; To dive, like buckets, in concealed wells; To crouch in litter of your stable planks; To lie, like pawns, lock'd up in chests and trunks; To hug with swine; to seek sweet safety out In vaults and prisons; and to thrill and shake Even at the crying of your nation's crow, Thinking this voice an armed Englishman;-- Shall that victorious hand be feebled here That in your chambers gave you chastisement? No: know the gallant monarch is in arms And like an eagle o'er his aery towers To souse annoyance that comes near his nest.-- And you degenerate, you ingrate revolts, You bloody Neroes, ripping up the womb Of your dear mother England, blush for shame; For your own ladies and pale-visag'd maids, Like Amazons, come tripping after drums,-- Their thimbles into armed gauntlets chang'd, Their needles to lances, and their gentle hearts To fierce and bloody inclination. LOUIS. There end thy brave, and turn thy face in peace; We grant thou canst outscold us: fare thee well; We hold our time too precious to be spent With such a brabbler. PANDULPH. Give me leave to speak. BASTARD. No, I will speak. LOUIS. We will attend to neither.-- Strike up the drums; and let the tongue of war, Plead for our interest and our being here. BASTARD. Indeed, your drums, being beaten, will cry out; And so shall you, being beaten: do but start And echo with the clamour of thy drum, And even at hand a drum is ready brac'd That shall reverberate all as loud as thine: Sound but another, and another shall, As loud as thine, rattle the welkin's ear, And mock the deep-mouth'd thunder: for at hand,-- Not trusting to this halting legate here, Whom he hath us'd rather for sport than need,-- Is warlike John; and in his forehead sits A bare-ribb'd death, whose office is this day To feast upon whole thousands of the French. LOUIS. Strike up our drums, to find this danger out. BASTARD. And thou shalt find it, Dauphin, do not doubt. [Exeunt.]

In St. Edmundsbury, England, Louis the Dauphin and his posse talk turkey. Louis is holding a piece of paper, a contract that has been signed by the French and English allies. The contract pledges their loyalty to each other, and their promise to fight against King John. Even though he has sworn loyalty to Louis and his cause, Salisbury isn't happy about it. Salisbury cries and gives a long speech about how bad he feels for being a traitor to King John. Louis tells him that it's okay; he totally respects Salisbury's feelings. Then there's a tender moment in which the Dauphin 1) wipes a "manly" tear from Salisbury's eye, 2) tells Salisbury how brave he is, and then 3) gently reminds Salisbury that crying is for babies. After the male bonding is over, Louis also promises that they will be able to get lots of plunder out of all of this. Just then, in walks Pandolf. Louis thinks this is a good sign: now he and his allies can get the Pope's blessing for their military expedition. But it turns out that Pandolf has come to put an end to the party. He tells everyone that King John is buddies with the Pope again, so they'd better call off their expedition. Louis is having none of it. He says that events have taken on their own momentum; Pandolf doesn't have the power to stop them now. Anyhow, he says, he paid for this military expedition himself, not the Pope. So the Church should just butt out. At this moment, the Bastard shows up. He asks Pandolf how things are going with his whole stopping-the-invasion-in-its-tracks thing. Pandolf says he's had no luck. The Bastard takes this as his cue: he makes a long speech threatening various horrible things in case the French invaders and English rebels don't turn back. Louis doesn't think much of this speech. Pandolf and the Bastard each try to make a last statement, but Louis tells them both that he won't listen. He tells his drummers to start beating a military march. The Bastard makes some more threats; then everybody heads off to their own people.

The Carnatic, setting sail from Hong Kong at half-past six on the 7th of November, directed her course at full steam towards Japan. She carried a large cargo and a well-filled cabin of passengers. Two state-rooms in the rear were, however, unoccupied--those which had been engaged by Phileas Fogg. The next day a passenger with a half-stupefied eye, staggering gait, and disordered hair, was seen to emerge from the second cabin, and to totter to a seat on deck. It was Passepartout; and what had happened to him was as follows: Shortly after Fix left the opium den, two waiters had lifted the unconscious Passepartout, and had carried him to the bed reserved for the smokers. Three hours later, pursued even in his dreams by a fixed idea, the poor fellow awoke, and struggled against the stupefying influence of the narcotic. The thought of a duty unfulfilled shook off his torpor, and he hurried from the abode of drunkenness. Staggering and holding himself up by keeping against the walls, falling down and creeping up again, and irresistibly impelled by a kind of instinct, he kept crying out, "The Carnatic! the Carnatic!" The steamer lay puffing alongside the quay, on the point of starting. Passepartout had but few steps to go; and, rushing upon the plank, he crossed it, and fell unconscious on the deck, just as the Carnatic was moving off. Several sailors, who were evidently accustomed to this sort of scene, carried the poor Frenchman down into the second cabin, and Passepartout did not wake until they were one hundred and fifty miles away from China. Thus he found himself the next morning on the deck of the Carnatic, and eagerly inhaling the exhilarating sea-breeze. The pure air sobered him. He began to collect his sense, which he found a difficult task; but at last he recalled the events of the evening before, Fix's revelation, and the opium-house. "It is evident," said he to himself, "that I have been abominably drunk! What will Mr. Fogg say? At least I have not missed the steamer, which is the most important thing." Then, as Fix occurred to him: "As for that rascal, I hope we are well rid of him, and that he has not dared, as he proposed, to follow us on board the Carnatic. A detective on the track of Mr. Fogg, accused of robbing the Bank of England! Pshaw! Mr. Fogg is no more a robber than I am a murderer." Should he divulge Fix's real errand to his master? Would it do to tell the part the detective was playing? Would it not be better to wait until Mr. Fogg reached London again, and then impart to him that an agent of the metropolitan police had been following him round the world, and have a good laugh over it? No doubt; at least, it was worth considering. The first thing to do was to find Mr. Fogg, and apologise for his singular behaviour. Passepartout got up and proceeded, as well as he could with the rolling of the steamer, to the after-deck. He saw no one who resembled either his master or Aouda. "Good!" muttered he; "Aouda has not got up yet, and Mr. Fogg has probably found some partners at whist." He descended to the saloon. Mr. Fogg was not there. Passepartout had only, however, to ask the purser the number of his master's state-room. The purser replied that he did not know any passenger by the name of Fogg. "I beg your pardon," said Passepartout persistently. "He is a tall gentleman, quiet, and not very talkative, and has with him a young lady--" "There is no young lady on board," interrupted the purser. "Here is a list of the passengers; you may see for yourself." Passepartout scanned the list, but his master's name was not upon it. All at once an idea struck him. "Ah! am I on the Carnatic?" "Yes." "On the way to Yokohama?" "Certainly." Passepartout had for an instant feared that he was on the wrong boat; but, though he was really on the Carnatic, his master was not there. He fell thunderstruck on a seat. He saw it all now. He remembered that the time of sailing had been changed, that he should have informed his master of that fact, and that he had not done so. It was his fault, then, that Mr. Fogg and Aouda had missed the steamer. Yes, but it was still more the fault of the traitor who, in order to separate him from his master, and detain the latter at Hong Kong, had inveigled him into getting drunk! He now saw the detective's trick; and at this moment Mr. Fogg was certainly ruined, his bet was lost, and he himself perhaps arrested and imprisoned! At this thought Passepartout tore his hair. Ah, if Fix ever came within his reach, what a settling of accounts there would be! After his first depression, Passepartout became calmer, and began to study his situation. It was certainly not an enviable one. He found himself on the way to Japan, and what should he do when he got there? His pocket was empty; he had not a solitary shilling, not so much as a penny. His passage had fortunately been paid for in advance; and he had five or six days in which to decide upon his future course. He fell to at meals with an appetite, and ate for Mr. Fogg, Aouda, and himself. He helped himself as generously as if Japan were a desert, where nothing to eat was to be looked for. At dawn on the 13th the Carnatic entered the port of Yokohama. This is an important port of call in the Pacific, where all the mail-steamers, and those carrying travellers between North America, China, Japan, and the Oriental islands put in. It is situated in the bay of Yeddo, and at but a short distance from that second capital of the Japanese Empire, and the residence of the Tycoon, the civil Emperor, before the Mikado, the spiritual Emperor, absorbed his office in his own. The Carnatic anchored at the quay near the custom-house, in the midst of a crowd of ships bearing the flags of all nations. Passepartout went timidly ashore on this so curious territory of the Sons of the Sun. He had nothing better to do than, taking chance for his guide, to wander aimlessly through the streets of Yokohama. He found himself at first in a thoroughly European quarter, the houses having low fronts, and being adorned with verandas, beneath which he caught glimpses of neat peristyles. This quarter occupied, with its streets, squares, docks, and warehouses, all the space between the "promontory of the Treaty" and the river. Here, as at Hong Kong and Calcutta, were mixed crowds of all races, Americans and English, Chinamen and Dutchmen, mostly merchants ready to buy or sell anything. The Frenchman felt himself as much alone among them as if he had dropped down in the midst of Hottentots. He had, at least, one resource,--to call on the French and English consuls at Yokohama for assistance. But he shrank from telling the story of his adventures, intimately connected as it was with that of his master; and, before doing so, he determined to exhaust all other means of aid. As chance did not favour him in the European quarter, he penetrated that inhabited by the native Japanese, determined, if necessary, to push on to Yeddo. The Japanese quarter of Yokohama is called Benten, after the goddess of the sea, who is worshipped on the islands round about. There Passepartout beheld beautiful fir and cedar groves, sacred gates of a singular architecture, bridges half hid in the midst of bamboos and reeds, temples shaded by immense cedar-trees, holy retreats where were sheltered Buddhist priests and sectaries of Confucius, and interminable streets, where a perfect harvest of rose-tinted and red-cheeked children, who looked as if they had been cut out of Japanese screens, and who were playing in the midst of short-legged poodles and yellowish cats, might have been gathered. The streets were crowded with people. Priests were passing in processions, beating their dreary tambourines; police and custom-house officers with pointed hats encrusted with lac and carrying two sabres hung to their waists; soldiers, clad in blue cotton with white stripes, and bearing guns; the Mikado's guards, enveloped in silken doubles, hauberks and coats of mail; and numbers of military folk of all ranks--for the military profession is as much respected in Japan as it is despised in China--went hither and thither in groups and pairs. Passepartout saw, too, begging friars, long-robed pilgrims, and simple civilians, with their warped and jet-black hair, big heads, long busts, slender legs, short stature, and complexions varying from copper-colour to a dead white, but never yellow, like the Chinese, from whom the Japanese widely differ. He did not fail to observe the curious equipages--carriages and palanquins, barrows supplied with sails, and litters made of bamboo; nor the women--whom he thought not especially handsome--who took little steps with their little feet, whereon they wore canvas shoes, straw sandals, and clogs of worked wood, and who displayed tight-looking eyes, flat chests, teeth fashionably blackened, and gowns crossed with silken scarfs, tied in an enormous knot behind an ornament which the modern Parisian ladies seem to have borrowed from the dames of Japan. Passepartout wandered for several hours in the midst of this motley crowd, looking in at the windows of the rich and curious shops, the jewellery establishments glittering with quaint Japanese ornaments, the restaurants decked with streamers and banners, the tea-houses, where the odorous beverage was being drunk with saki, a liquor concocted from the fermentation of rice, and the comfortable smoking-houses, where they were puffing, not opium, which is almost unknown in Japan, but a very fine, stringy tobacco. He went on till he found himself in the fields, in the midst of vast rice plantations. There he saw dazzling camellias expanding themselves, with flowers which were giving forth their last colours and perfumes, not on bushes, but on trees, and within bamboo enclosures, cherry, plum, and apple trees, which the Japanese cultivate rather for their blossoms than their fruit, and which queerly-fashioned, grinning scarecrows protected from the sparrows, pigeons, ravens, and other voracious birds. On the branches of the cedars were perched large eagles; amid the foliage of the weeping willows were herons, solemnly standing on one leg; and on every hand were crows, ducks, hawks, wild birds, and a multitude of cranes, which the Japanese consider sacred, and which to their minds symbolise long life and prosperity. As he was strolling along, Passepartout espied some violets among the shrubs. "Good!" said he; "I'll have some supper." But, on smelling them, he found that they were odourless. "No chance there," thought he. The worthy fellow had certainly taken good care to eat as hearty a breakfast as possible before leaving the Carnatic; but, as he had been walking about all day, the demands of hunger were becoming importunate. He observed that the butchers stalls contained neither mutton, goat, nor pork; and, knowing also that it is a sacrilege to kill cattle, which are preserved solely for farming, he made up his mind that meat was far from plentiful in Yokohama--nor was he mistaken; and, in default of butcher's meat, he could have wished for a quarter of wild boar or deer, a partridge, or some quails, some game or fish, which, with rice, the Japanese eat almost exclusively. But he found it necessary to keep up a stout heart, and to postpone the meal he craved till the following morning. Night came, and Passepartout re-entered the native quarter, where he wandered through the streets, lit by vari-coloured lanterns, looking on at the dancers, who were executing skilful steps and boundings, and the astrologers who stood in the open air with their telescopes. Then he came to the harbour, which was lit up by the resin torches of the fishermen, who were fishing from their boats. The streets at last became quiet, and the patrol, the officers of which, in their splendid costumes, and surrounded by their suites, Passepartout thought seemed like ambassadors, succeeded the bustling crowd. Each time a company passed, Passepartout chuckled, and said to himself: "Good! another Japanese embassy departing for Europe!"

"In which Passepartout finds out that, even at the antipodes, it is convenient to have some money in one's pocket" The Carnatic left Hong Kong for Japan with Passepartout aboard. He came to in his cabin after staggering to the boat in his drug stupor and collapsing. The next day he remembers the plot of Fix to drug him and follow his master. He considers once more whether to tell Fogg about Fix but thinks perhaps he will wait till they arrive in England and then have a laugh about it. When he goes to find his master on board, he is surprised that neither he nor Aouda are there. Finally he remembers that he did not deliver the message to Fogg that the departure time had changed. He berates himself for ruining his master and vows he will get Fix. Realizing he has no money when he gets to Japan, he eats enough for three people on the journey. Passepartout wanders around in Yokohama seeing all races of people, finally ending up in the Japanese quarter called Benten. Yokohama is a main traffic route in the Pacific, and surely he can find some help there while he looks for Fogg. He is hungry, but there is no food in sight for him, as he spends the night near the harbor.

THERE was a message brought, one day, from the worshipful Gervayse Pyncheon to young Matthew Maule, the carpenter, desiring his immediate presence at the House of the Seven Gables. "And what does your master want with me?" said the carpenter to Mr. Pyncheon's black servant. "Does the house need any repair? Well it may, by this time; and no blame to my father who built it, neither! I was reading the old Colonel's tombstone, no longer ago than last Sabbath; and, reckoning from that date, the house has stood seven-and-thirty years. No wonder if there should be a job to do on the roof." "Don't know what massa wants," answered Scipio. "The house is a berry good house, and old Colonel Pyncheon think so too, I reckon;--else why the old man haunt it so, and frighten a poor nigga, As he does?" "Well, well, friend Scipio; let your master know that I'm coming," said the carpenter with a laugh. "For a fair, workmanlike job, he'll find me his man. And so the house is haunted, is it? It will take a tighter workman than I am to keep the spirits out of the Seven Gables. Even if the Colonel would be quiet," he added, muttering to himself, "my old grandfather, the wizard, will be pretty sure to stick to the Pyncheons as long as their walls hold together." "What's that you mutter to yourself, Matthew Maule?" asked Scipio. "And what for do you look so black at me?" "No matter, darky," said the carpenter. "Do you think nobody is to look black but yourself? Go tell your master I'm coming; and if you happen to see Mistress Alice, his daughter, give Matthew Maule's humble respects to her. She has brought a fair face from Italy,--fair, and gentle, and proud,--has that same Alice Pyncheon!" "He talk of Mistress Alice!" cried Scipio, as he returned from his errand. "The low carpenter-man! He no business so much as to look at her a great way off!" This young Matthew Maule, the carpenter, it must be observed, was a person little understood, and not very generally liked, in the town where he resided; not that anything could be alleged against his integrity, or his skill and diligence in the handicraft which he exercised. The aversion (as it might justly be called) with which many persons regarded him was partly the result of his own character and deportment, and partly an inheritance. He was the grandson of a former Matthew Maule, one of the early settlers of the town, and who had been a famous and terrible wizard in his day. This old reprobate was one of the sufferers when Cotton Mather, and his brother ministers, and the learned judges, and other wise men, and Sir William Phipps, the sagacious governor, made such laudable efforts to weaken the great enemy of souls, by sending a multitude of his adherents up the rocky pathway of Gallows Hill. Since those days, no doubt, it had grown to be suspected that, in consequence of an unfortunate overdoing of a work praiseworthy in itself, the proceedings against the witches had proved far less acceptable to the Beneficent Father than to that very Arch Enemy whom they were intended to distress and utterly overwhelm. It is not the less certain, however, that awe and terror brooded over the memories of those who died for this horrible crime of witchcraft. Their graves, in the crevices of the rocks, were supposed to be incapable of retaining the occupants who had been so hastily thrust into them. Old Matthew Maule, especially, was known to have as little hesitation or difficulty in rising out of his grave as an ordinary man in getting out of bed, and was as often seen at midnight as living people at noonday. This pestilent wizard (in whom his just punishment seemed to have wrought no manner of amendment) had an inveterate habit of haunting a certain mansion, styled the House of the Seven Gables, against the owner of which he pretended to hold an unsettled claim for ground-rent. The ghost, it appears,--with the pertinacity which was one of his distinguishing characteristics while alive,--insisted that he was the rightful proprietor of the site upon which the house stood. His terms were, that either the aforesaid ground-rent, from the day when the cellar began to be dug, should be paid down, or the mansion itself given up; else he, the ghostly creditor, would have his finger in all the affairs of the Pyncheons, and make everything go wrong with them, though it should be a thousand years after his death. It was a wild story, perhaps, but seemed not altogether so incredible to those who could remember what an inflexibly obstinate old fellow this wizard Maule had been. Now, the wizard's grandson, the young Matthew Maule of our story, was popularly supposed to have inherited some of his ancestor's questionable traits. It is wonderful how many absurdities were promulgated in reference to the young man. He was fabled, for example, to have a strange power of getting into people's dreams, and regulating matters there according to his own fancy, pretty much like the stage-manager of a theatre. There was a great deal of talk among the neighbors, particularly the petticoated ones, about what they called the witchcraft of Maule's eye. Some said that he could look into people's minds; others, that, by the marvellous power of this eye, he could draw people into his own mind, or send them, if he pleased, to do errands to his grandfather, in the spiritual world; others, again, that it was what is termed an Evil Eye, and possessed the valuable faculty of blighting corn, and drying children into mummies with the heartburn. But, after all, what worked most to the young carpenter's disadvantage was, first, the reserve and sternness of his natural disposition, and next, the fact of his not being a church-communicant, and the suspicion of his holding heretical tenets in matters of religion and polity. After receiving Mr. Pyncheon's message, the carpenter merely tarried to finish a small job, which he happened to have in hand, and then took his way towards the House of the Seven Gables. This noted edifice, though its style might be getting a little out of fashion, was still as respectable a family residence as that of any gentleman in town. The present owner, Gervayse Pyncheon, was said to have contracted a dislike to the house, in consequence of a shock to his sensibility, in early childhood, from the sudden death of his grandfather. In the very act of running to climb Colonel Pyncheon's knee, the boy had discovered the old Puritan to be a corpse. On arriving at manhood, Mr. Pyncheon had visited England, where he married a lady of fortune, and had subsequently spent many years, partly in the mother country, and partly in various cities on the continent of Europe. During this period, the family mansion had been consigned to the charge of a kinsman, who was allowed to make it his home for the time being, in consideration of keeping the premises in thorough repair. So faithfully had this contract been fulfilled, that now, as the carpenter approached the house, his practised eye could detect nothing to criticise in its condition. The peaks of the seven gables rose up sharply; the shingled roof looked thoroughly water-tight; and the glittering plaster-work entirely covered the exterior walls, and sparkled in the October sun, as if it had been new only a week ago. The house had that pleasant aspect of life which is like the cheery expression of comfortable activity in the human countenance. You could see, at once, that there was the stir of a large family within it. A huge load of oak-wood was passing through the gateway, towards the outbuildings in the rear; the fat cook--or probably it might be the housekeeper--stood at the side door, bargaining for some turkeys and poultry which a countryman had brought for sale. Now and then a maid-servant, neatly dressed, and now the shining sable face of a slave, might be seen bustling across the windows, in the lower part of the house. At an open window of a room in the second story, hanging over some pots of beautiful and delicate flowers,--exotics, but which had never known a more genial sunshine than that of the New England autumn,--was the figure of a young lady, an exotic, like the flowers, and beautiful and delicate as they. Her presence imparted an indescribable grace and faint witchery to the whole edifice. In other respects, it was a substantial, jolly-looking mansion, and seemed fit to be the residence of a patriarch, who might establish his own headquarters in the front gable and assign one of the remainder to each of his six children, while the great chimney in the centre should symbolize the old fellow's hospitable heart, which kept them all warm, and made a great whole of the seven smaller ones. There was a vertical sundial on the front gable; and as the carpenter passed beneath it, he looked up and noted the hour. "Three o'clock!" said he to himself. "My father told me that dial was put up only an hour before the old Colonel's death. How truly it has kept time these seven-and-thirty years past! The shadow creeps and creeps, and is always looking over the shoulder of the sunshine!" It might have befitted a craftsman, like Matthew Maule, on being sent for to a gentleman's house, to go to the back door, where servants and work-people were usually admitted; or at least to the side entrance, where the better class of tradesmen made application. But the carpenter had a great deal of pride and stiffness in his nature; and, at this moment, moreover, his heart was bitter with the sense of hereditary wrong, because he considered the great Pyncheon House to be standing on soil which should have been his own. On this very site, beside a spring of delicious water, his grandfather had felled the pine-trees and built a cottage, in which children had been born to him; and it was only from a dead man's stiffened fingers that Colonel Pyncheon had wrested away the title-deeds. So young Maule went straight to the principal entrance, beneath a portal of carved oak, and gave such a peal of the iron knocker that you would have imagined the stern old wizard himself to be standing at the threshold. Black Scipio answered the summons in a prodigious, hurry; but showed the whites of his eyes in amazement on beholding only the carpenter. "Lord-a-mercy, what a great man he be, this carpenter fellow!" mumbled Scipio, down in his throat. "Anybody think he beat on the door with his biggest hammer!" "Here I am!" said Maule sternly. "Show me the way to your master's parlor." As he stept into the house, a note of sweet and melancholy music thrilled and vibrated along the passage-way, proceeding from one of the rooms above stairs. It was the harpsichord which Alice Pyncheon had brought with her from beyond the sea. The fair Alice bestowed most of her maiden leisure between flowers and music, although the former were apt to droop, and the melodies were often sad. She was of foreign education, and could not take kindly to the New England modes of life, in which nothing beautiful had ever been developed. As Mr. Pyncheon had been impatiently awaiting Maule's arrival, black Scipio, of course, lost no time in ushering the carpenter into his master's presence. The room in which this gentleman sat was a parlor of moderate size, looking out upon the garden of the house, and having its windows partly shadowed by the foliage of fruit-trees. It was Mr. Pyncheon's peculiar apartment, and was provided with furniture, in an elegant and costly style, principally from Paris; the floor (which was unusual at that day) being covered with a carpet, so skilfully and richly wrought that it seemed to glow as with living flowers. In one corner stood a marble woman, to whom her own beauty was the sole and sufficient garment. Some pictures--that looked old, and had a mellow tinge diffused through all their artful splendor--hung on the walls. Near the fireplace was a large and very beautiful cabinet of ebony, inlaid with ivory; a piece of antique furniture, which Mr. Pyncheon had bought in Venice, and which he used as the treasure-place for medals, ancient coins, and whatever small and valuable curiosities he had picked up on his travels. Through all this variety of decoration, however, the room showed its original characteristics; its low stud, its cross-beam, its chimney-piece, with the old-fashioned Dutch tiles; so that it was the emblem of a mind industriously stored with foreign ideas, and elaborated into artificial refinement, but neither larger, nor, in its proper self, more elegant than before. There were two objects that appeared rather out of place in this very handsomely furnished room. One was a large map, or surveyor's plan, of a tract of land, which looked as if it had been drawn a good many years ago, and was now dingy with smoke, and soiled, here and there, with the touch of fingers. The other was a portrait of a stern old man, in a Puritan garb, painted roughly, but with a bold effect, and a remarkably strong expression of character. At a small table, before a fire of English sea-coal, sat Mr. Pyncheon, sipping coffee, which had grown to be a very favorite beverage with him in France. He was a middle-aged and really handsome man, with a wig flowing down upon his shoulders; his coat was of blue velvet, with lace on the borders and at the button-holes; and the firelight glistened on the spacious breadth of his waistcoat, which was flowered all over with gold. On the entrance of Scipio, ushering in the carpenter, Mr. Pyncheon turned partly round, but resumed his former position, and proceeded deliberately to finish his cup of coffee, without immediate notice of the guest whom he had summoned to his presence. It was not that he intended any rudeness or improper neglect,--which, indeed, he would have blushed to be guilty of,--but it never occurred to him that a person in Maule's station had a claim on his courtesy, or would trouble himself about it one way or the other. The carpenter, however, stepped at once to the hearth, and turned himself about, so as to look Mr. Pyncheon in the face. "You sent for me," said he. "Be pleased to explain your business, that I may go back to my own affairs." "Ah! excuse me," said Mr. Pyncheon quietly. "I did not mean to tax your time without a recompense. Your name, I think, is Maule,--Thomas or Matthew Maule,--a son or grandson of the builder of this house?" "Matthew Maule," replied the carpenter,--"son of him who built the house,--grandson of the rightful proprietor of the soil." "I know the dispute to which you allude," observed Mr. Pyncheon with undisturbed equanimity. "I am well aware that my grandfather was compelled to resort to a suit at law, in order to establish his claim to the foundation-site of this edifice. We will not, if you please, renew the discussion. The matter was settled at the time, and by the competent authorities,--equitably, it is to be presumed,--and, at all events, irrevocably. Yet, singularly enough, there is an incidental reference to this very subject in what I am now about to say to you. And this same inveterate grudge,--excuse me, I mean no offence,--this irritability, which you have just shown, is not entirely aside from the matter." "If you can find anything for your purpose, Mr. Pyncheon," said the carpenter, "in a man's natural resentment for the wrongs done to his blood, you are welcome to it." "I take you at your word, Goodman Maule," said the owner of the Seven Gables, with a smile, "and will proceed to suggest a mode in which your hereditary resentments--justifiable or otherwise--may have had a bearing on my affairs. You have heard, I suppose, that the Pyncheon family, ever since my grandfather's days, have been prosecuting a still unsettled claim to a very large extent of territory at the Eastward?" "Often," replied Maule,--and it is said that a smile came over his face,--"very often,--from my father!" "This claim," continued Mr. Pyncheon, after pausing a moment, as if to consider what the carpenter's smile might mean, "appeared to be on the very verge of a settlement and full allowance, at the period of my grandfather's decease. It was well known, to those in his confidence, that he anticipated neither difficulty nor delay. Now, Colonel Pyncheon, I need hardly say, was a practical man, well acquainted with public and private business, and not at all the person to cherish ill-founded hopes, or to attempt the following out of an impracticable scheme. It is obvious to conclude, therefore, that he had grounds, not apparent to his heirs, for his confident anticipation of success in the matter of this Eastern claim. In a word, I believe,--and my legal advisers coincide in the belief, which, moreover, is authorized, to a certain extent, by the family traditions,--that my grandfather was in possession of some deed, or other document, essential to this claim, but which has since disappeared." "Very likely," said Matthew Maule,--and again, it is said, there was a dark smile on his face,--"but what can a poor carpenter have to do with the grand affairs of the Pyncheon family?" "Perhaps nothing," returned Mr. Pyncheon, "possibly much!" Here ensued a great many words between Matthew Maule and the proprietor of the Seven Gables, on the subject which the latter had thus broached. It seems (although Mr. Pyncheon had some hesitation in referring to stories so exceedingly absurd in their aspect) that the popular belief pointed to some mysterious connection and dependence, existing between the family of the Maules and these vast unrealized possessions of the Pyncheons. It was an ordinary saying that the old wizard, hanged though he was, had obtained the best end of the bargain in his contest with Colonel Pyncheon; inasmuch as he had got possession of the great Eastern claim, in exchange for an acre or two of garden-ground. A very aged woman, recently dead, had often used the metaphorical expression, in her fireside talk, that miles and miles of the Pyncheon lands had been shovelled into Maule's grave; which, by the bye, was but a very shallow nook, between two rocks, near the summit of Gallows Hill. Again, when the lawyers were making inquiry for the missing document, it was a by-word that it would never be found, unless in the wizard's skeleton hand. So much weight had the shrewd lawyers assigned to these fables, that (but Mr. Pyncheon did not see fit to inform the carpenter of the fact) they had secretly caused the wizard's grave to be searched. Nothing was discovered, however, except that, unaccountably, the right hand of the skeleton was gone. Now, what was unquestionably important, a portion of these popular rumors could be traced, though rather doubtfully and indistinctly, to chance words and obscure hints of the executed wizard's son, and the father of this present Matthew Maule. And here Mr. Pyncheon could bring an item of his own personal evidence into play. Though but a child at the time, he either remembered or fancied that Matthew's father had had some job to perform on the day before, or possibly the very morning of the Colonel's decease, in the private room where he and the carpenter were at this moment talking. Certain papers belonging to Colonel Pyncheon, as his grandson distinctly recollected, had been spread out on the table. Matthew Maule understood the insinuated suspicion. "My father," he said,--but still there was that dark smile, making a riddle of his countenance,--"my father was an honester man than the bloody old Colonel! Not to get his rights back again would he have carried off one of those papers!" "I shall not bandy words with you," observed the foreign-bred Mr. Pyncheon, with haughty composure. "Nor will it become me to resent any rudeness towards either my grandfather or myself. A gentleman, before seeking intercourse with a person of your station and habits, will first consider whether the urgency of the end may compensate for the disagreeableness of the means. It does so in the present instance." He then renewed the conversation, and made great pecuniary offers to the carpenter, in case the latter should give information leading to the discovery of the lost document, and the consequent success of the Eastern claim. For a long time Matthew Maule is said to have turned a cold ear to these propositions. At last, however, with a strange kind of laugh, he inquired whether Mr. Pyncheon would make over to him the old wizard's homestead-ground, together with the House of the Seven Gables, now standing on it, in requital of the documentary evidence so urgently required. The wild, chimney-corner legend (which, without copying all its extravagances, my narrative essentially follows) here gives an account of some very strange behavior on the part of Colonel Pyncheon's portrait. This picture, it must be understood, was supposed to be so intimately connected with the fate of the house, and so magically built into its walls, that, if once it should be removed, that very instant the whole edifice would come thundering down in a heap of dusty ruin. All through the foregoing conversation between Mr. Pyncheon and the carpenter, the portrait had been frowning, clenching its fist, and giving many such proofs of excessive discomposure, but without attracting the notice of either of the two colloquists. And finally, at Matthew Maule's audacious suggestion of a transfer of the seven-gabled structure, the ghostly portrait is averred to have lost all patience, and to have shown itself on the point of descending bodily from its frame. But such incredible incidents are merely to be mentioned aside. "Give up this house!" exclaimed Mr. Pyncheon, in amazement at the proposal. "Were I to do so, my grandfather would not rest quiet in his grave!" "He never has, if all stories are true," remarked the carpenter composedly. "But that matter concerns his grandson more than it does Matthew Maule. I have no other terms to propose." Impossible as he at first thought it to comply with Maule's conditions, still, on a second glance, Mr. Pyncheon was of opinion that they might at least be made matter of discussion. He himself had no personal attachment for the house, nor any pleasant associations connected with his childish residence in it. On the contrary, after seven-and-thirty years, the presence of his dead grandfather seemed still to pervade it, as on that morning when the affrighted boy had beheld him, with so ghastly an aspect, stiffening in his chair. His long abode in foreign parts, moreover, and familiarity with many of the castles and ancestral halls of England, and the marble palaces of Italy, had caused him to look contemptuously at the House of the Seven Gables, whether in point of splendor or convenience. It was a mansion exceedingly inadequate to the style of living which it would be incumbent on Mr. Pyncheon to support, after realizing his territorial rights. His steward might deign to occupy it, but never, certainly, the great landed proprietor himself. In the event of success, indeed, it was his purpose to return to England; nor, to say the truth, would he recently have quitted that more congenial home, had not his own fortune, as well as his deceased wife's, begun to give symptoms of exhaustion. The Eastern claim once fairly settled, and put upon the firm basis of actual possession, Mr. Pyncheon's property--to be measured by miles, not acres--would be worth an earldom, and would reasonably entitle him to solicit, or enable him to purchase, that elevated dignity from the British monarch. Lord Pyncheon!--or the Earl of Waldo!--how could such a magnate be expected to contract his grandeur within the pitiful compass of seven shingled gables? In short, on an enlarged view of the business, the carpenter's terms appeared so ridiculously easy that Mr. Pyncheon could scarcely forbear laughing in his face. He was quite ashamed, after the foregoing reflections, to propose any diminution of so moderate a recompense for the immense service to be rendered. "I consent to your proposition, Maule!" cried he. "Put me in possession of the document essential to establish my rights, and the House of the Seven Gables is your own!" According to some versions of the story, a regular contract to the above effect was drawn up by a lawyer, and signed and sealed in the presence of witnesses. Others say that Matthew Maule was contented with a private written agreement, in which Mr. Pyncheon pledged his honor and integrity to the fulfillment of the terms concluded upon. The gentleman then ordered wine, which he and the carpenter drank together, in confirmation of their bargain. During the whole preceding discussion and subsequent formalities, the old Puritan's portrait seems to have persisted in its shadowy gestures of disapproval; but without effect, except that, as Mr. Pyncheon set down the emptied glass, he thought he beheld his grandfather frown. "This sherry is too potent a wine for me; it has affected my brain already," he observed, after a somewhat startled look at the picture. "On returning to Europe, I shall confine myself to the more delicate vintages of Italy and France, the best of which will not bear transportation." "My Lord Pyncheon may drink what wine he will, and wherever he pleases," replied the carpenter, as if he had been privy to Mr. Pyncheon's ambitious projects. "But first, sir, if you desire tidings of this lost document, I must crave the favor of a little talk with your fair daughter Alice." "You are mad, Maule!" exclaimed Mr. Pyncheon haughtily; and now, at last, there was anger mixed up with his pride. "What can my daughter have to do with a business like this?" Indeed, at this new demand on the carpenter's part, the proprietor of the Seven Gables was even more thunder-struck than at the cool proposition to surrender his house. There was, at least, an assignable motive for the first stipulation; there appeared to be none whatever for the last. Nevertheless, Matthew Maule sturdily insisted on the young lady being summoned, and even gave her father to understand, in a mysterious kind of explanation,--which made the matter considerably darker than it looked before,--that the only chance of acquiring the requisite knowledge was through the clear, crystal medium of a pure and virgin intelligence, like that of the fair Alice. Not to encumber our story with Mr. Pyncheon's scruples, whether of conscience, pride, or fatherly affection, he at length ordered his daughter to be called. He well knew that she was in her chamber, and engaged in no occupation that could not readily be laid aside; for, as it happened, ever since Alice's name had been spoken, both her father and the carpenter had heard the sad and sweet music of her harpsichord, and the airier melancholy of her accompanying voice. So Alice Pyncheon was summoned, and appeared. A portrait of this young lady, painted by a Venetian artist, and left by her father in England, is said to have fallen into the hands of the present Duke of Devonshire, and to be now preserved at Chatsworth; not on account of any associations with the original, but for its value as a picture, and the high character of beauty in the countenance. If ever there was a lady born, and set apart from the world's vulgar mass by a certain gentle and cold stateliness, it was this very Alice Pyncheon. Yet there was the womanly mixture in her; the tenderness, or, at least, the tender capabilities. For the sake of that redeeming quality, a man of generous nature would have forgiven all her pride, and have been content, almost, to lie down in her path, and let Alice set her slender foot upon his heart. All that he would have required was simply the acknowledgment that he was indeed a man, and a fellow-being, moulded of the same elements as she. As Alice came into the room, her eyes fell upon the carpenter, who was standing near its centre, clad in green woollen jacket, a pair of loose breeches, open at the knees, and with a long pocket for his rule, the end of which protruded; it was as proper a mark of the artisan's calling as Mr. Pyncheon's full-dress sword of that gentleman's aristocratic pretensions. A glow of artistic approval brightened over Alice Pyncheon's face; she was struck with admiration--which she made no attempt to conceal--of the remarkable comeliness, strength, and energy of Maule's figure. But that admiring glance (which most other men, perhaps, would have cherished as a sweet recollection all through life) the carpenter never forgave. It must have been the devil himself that made Maule so subtile in his preception. "Does the girl look at me as if I were a brute beast?" thought he, setting his teeth. "She shall know whether I have a human spirit; and the worse for her, if it prove stronger than her own!" "My father, you sent for me," said Alice, in her sweet and harp-like voice. "But, if you have business with this young man, pray let me go again. You know I do not love this room, in spite of that Claude, with which you try to bring back sunny recollections." "Stay a moment, young lady, if you please!" said Matthew Maule. "My business with your father is over. With yourself, it is now to begin!" Alice looked towards her father, in surprise and inquiry. "Yes, Alice," said Mr. Pyncheon, with some disturbance and confusion. "This young man--his name is Matthew Maule--professes, so far as I can understand him, to be able to discover, through your means, a certain paper or parchment, which was missing long before your birth. The importance of the document in question renders it advisable to neglect no possible, even if improbable, method of regaining it. You will therefore oblige me, my dear Alice, by answering this person's inquiries, and complying with his lawful and reasonable requests, so far as they may appear to have the aforesaid object in view. As I shall remain in the room, you need apprehend no rude nor unbecoming deportment, on the young man's part; and, at your slightest wish, of course, the investigation, or whatever we may call it, shall immediately be broken off." "Mistress Alice Pyncheon," remarked Matthew Maule, with the utmost deference, but yet a half-hidden sarcasm in his look and tone, "will no doubt feel herself quite safe in her father's presence, and under his all-sufficient protection." "I certainly shall entertain no manner of apprehension, with my father at hand," said Alice with maidenly dignity. "Neither do I conceive that a lady, while true to herself, can have aught to fear from whomsoever, or in any circumstances!" Poor Alice! By what unhappy impulse did she thus put herself at once on terms of defiance against a strength which she could not estimate? "Then, Mistress Alice," said Matthew Maule, handing a chair,--gracefully enough, for a craftsman, "will it please you only to sit down, and do me the favor (though altogether beyond a poor carpenter's deserts) to fix your eyes on mine!" Alice complied, She was very proud. Setting aside all advantages of rank, this fair girl deemed herself conscious of a power--combined of beauty, high, unsullied purity, and the preservative force of womanhood--that could make her sphere impenetrable, unless betrayed by treachery within. She instinctively knew, it may be, that some sinister or evil potency was now striving to pass her barriers; nor would she decline the contest. So Alice put woman's might against man's might; a match not often equal on the part of woman. Her father meanwhile had turned away, and seemed absorbed in the contemplation of a landscape by Claude, where a shadowy and sun-streaked vista penetrated so remotely into an ancient wood, that it would have been no wonder if his fancy had lost itself in the picture's bewildering depths. But, in truth, the picture was no more to him at that moment than the blank wall against which it hung. His mind was haunted with the many and strange tales which he had heard, attributing mysterious if not supernatural endowments to these Maules, as well the grandson here present as his two immediate ancestors. Mr. Pyncheon's long residence abroad, and intercourse with men of wit and fashion,--courtiers, worldings, and free-thinkers,--had done much towards obliterating the grim Puritan superstitions, which no man of New England birth at that early period could entirely escape. But, on the other hand, had not a whole community believed Maule's grandfather to be a wizard? Had not the crime been proved? Had not the wizard died for it? Had he not bequeathed a legacy of hatred against the Pyncheons to this only grandson, who, as it appeared, was now about to exercise a subtle influence over the daughter of his enemy's house? Might not this influence be the same that was called witchcraft? Turning half around, he caught a glimpse of Maule's figure in the looking-glass. At some paces from Alice, with his arms uplifted in the air, the carpenter made a gesture as if directing downward a slow, ponderous, and invisible weight upon the maiden. "Stay, Maule!" exclaimed Mr. Pyncheon, stepping forward. "I forbid your proceeding further!" "Pray, my dear father, do not interrupt the young man," said Alice, without changing her position. "His efforts, I assure you, will prove very harmless." Again Mr. Pyncheon turned his eyes towards the Claude. It was then his daughter's will, in opposition to his own, that the experiment should be fully tried. Henceforth, therefore, he did but consent, not urge it. And was it not for her sake far more than for his own that he desired its success? That lost parchment once restored, the beautiful Alice Pyncheon, with the rich dowry which he could then bestow, might wed an English duke or a German reigning-prince, instead of some New England clergyman or lawyer! At the thought, the ambitious father almost consented, in his heart, that, if the devil's power were needed to the accomplishment of this great object, Maule might evoke him. Alice's own purity would be her safeguard. With his mind full of imaginary magnificence, Mr. Pyncheon heard a half-uttered exclamation from his daughter. It was very faint and low; so indistinct that there seemed but half a will to shape out the words, and too undefined a purport to be intelligible. Yet it was a call for help!--his conscience never doubted it;--and, little more than a whisper to his ear, it was a dismal shriek, and long reechoed so, in the region round his heart! But this time the father did not turn. After a further interval, Maule spoke. "Behold your daughter," said he. Mr. Pyncheon came hastily forward. The carpenter was standing erect in front of Alice's chair, and pointing his finger towards the maiden with an expression of triumphant power, the limits of which could not be defined, as, indeed, its scope stretched vaguely towards the unseen and the infinite. Alice sat in an attitude of profound repose, with the long brown lashes drooping over her eyes. "There she is!" said the carpenter. "Speak to her!" "Alice! My daughter!" exclaimed Mr. Pyncheon. "My own Alice!" She did not stir. "Louder!" said Maule, smiling. "Alice! Awake!" cried her father. "It troubles me to see you thus! Awake!" He spoke loudly, with terror in his voice, and close to that delicate ear which had always been so sensitive to every discord. But the sound evidently reached her not. It is indescribable what a sense of remote, dim, unattainable distance betwixt himself and Alice was impressed on the father by this impossibility of reaching her with his voice. "Best touch her!" said Matthew Maule "Shake the girl, and roughly, too! My hands are hardened with too much use of axe, saw, and plane,--else I might help you!" Mr. Pyncheon took her hand, and pressed it with the earnestness of startled emotion. He kissed her, with so great a heart-throb in the kiss, that he thought she must needs feel it. Then, in a gust of anger at her insensibility, he shook her maiden form with a violence which, the next moment, it affrighted him to remember. He withdrew his encircling arms, and Alice--whose figure, though flexible, had been wholly impassive--relapsed into the same attitude as before these attempts to arouse her. Maule having shifted his position, her face was turned towards him slightly, but with what seemed to be a reference of her very slumber to his guidance. Then it was a strange sight to behold how the man of conventionalities shook the powder out of his periwig; how the reserved and stately gentleman forgot his dignity; how the gold-embroidered waistcoat flickered and glistened in the firelight with the convulsion of rage, terror, and sorrow in the human heart that was beating under it. "Villain!" cried Mr. Pyncheon, shaking his clenched fist at Maule. "You and the fiend together have robbed me of my daughter. Give her back, spawn of the old wizard, or you shall climb Gallows Hill in your grandfather's footsteps!" "Softly, Mr. Pyncheon!" said the carpenter with scornful composure. "Softly, an' it please your worship, else you will spoil those rich lace-ruffles at your wrists! Is it my crime if you have sold your daughter for the mere hope of getting a sheet of yellow parchment into your clutch? There sits Mistress Alice quietly asleep. Now let Matthew Maule try whether she be as proud as the carpenter found her awhile since." He spoke, and Alice responded, with a soft, subdued, inward acquiescence, and a bending of her form towards him, like the flame of a torch when it indicates a gentle draught of air. He beckoned with his hand, and, rising from her chair,--blindly, but undoubtingly, as tending to her sure and inevitable centre,--the proud Alice approached him. He waved her back, and, retreating, Alice sank again into her seat. "She is mine!" said Matthew Maule. "Mine, by the right of the strongest spirit!" In the further progress of the legend, there is a long, grotesque, and occasionally awe-striking account of the carpenter's incantations (if so they are to be called), with a view of discovering the lost document. It appears to have been his object to convert the mind of Alice into a kind of telescopic medium, through which Mr. Pyncheon and himself might obtain a glimpse into the spiritual world. He succeeded, accordingly, in holding an imperfect sort of intercourse, at one remove, with the departed personages in whose custody the so much valued secret had been carried beyond the precincts of earth. During her trance, Alice described three figures as being present to her spiritualized perception. One was an aged, dignified, stern-looking gentleman, clad as for a solemn festival in grave and costly attire, but with a great blood-stain on his richly wrought band; the second, an aged man, meanly dressed, with a dark and malign countenance, and a broken halter about his neck; the third, a person not so advanced in life as the former two, but beyond the middle age, wearing a coarse woollen tunic and leather breeches, and with a carpenter's rule sticking out of his side pocket. These three visionary characters possessed a mutual knowledge of the missing document. One of them, in truth,--it was he with the blood-stain on his band,--seemed, unless his gestures were misunderstood, to hold the parchment in his immediate keeping, but was prevented by his two partners in the mystery from disburdening himself of the trust. Finally, when he showed a purpose of shouting forth the secret loudly enough to be heard from his own sphere into that of mortals, his companions struggled with him, and pressed their hands over his mouth; and forthwith--whether that he were choked by it, or that the secret itself was of a crimson hue--there was a fresh flow of blood upon his band. Upon this, the two meanly dressed figures mocked and jeered at the much-abashed old dignitary, and pointed their fingers at the stain. At this juncture, Maule turned to Mr. Pyncheon. "It will never be allowed," said he. "The custody of this secret, that would so enrich his heirs, makes part of your grandfather's retribution. He must choke with it until it is no longer of any value. And keep you the House of the Seven Gables! It is too dear bought an inheritance, and too heavy with the curse upon it, to be shifted yet awhile from the Colonel's posterity." Mr. Pyncheon tried to speak, but--what with fear and passion--could make only a gurgling murmur in his throat. The carpenter smiled. "Aha, worshipful sir!--so you have old Maule's blood to drink!" said he jeeringly. "Fiend in man's shape! why dost thou keep dominion over my child?" cried Mr. Pyncheon, when his choked utterance could make way. "Give me back my daughter. Then go thy ways; and may we never meet again!" "Your daughter!" said Matthew Maule. "Why, she is fairly mine! Nevertheless, not to be too hard with fair Mistress Alice, I will leave her in your keeping; but I do not warrant you that she shall never have occasion to remember Maule, the carpenter." He waved his hands with an upward motion; and, after a few repetitions of similar gestures, the beautiful Alice Pyncheon awoke from her strange trance. She awoke without the slightest recollection of her visionary experience; but as one losing herself in a momentary reverie, and returning to the consciousness of actual life, in almost as brief an interval as the down-sinking flame of the hearth should quiver again up the chimney. On recognizing Matthew Maule, she assumed an air of somewhat cold but gentle dignity, the rather, as there was a certain peculiar smile on the carpenter's visage that stirred the native pride of the fair Alice. So ended, for that time, the quest for the lost title-deed of the Pyncheon territory at the Eastward; nor, though often subsequently renewed, has it ever yet befallen a Pyncheon to set his eye upon that parchment. But, alas for the beautiful, the gentle, yet too haughty Alice! A power that she little dreamed of had laid its grasp upon her maiden soul. A will, most unlike her own, constrained her to do its grotesque and fantastic bidding. Her father as it proved, had martyred his poor child to an inordinate desire for measuring his land by miles instead of acres. And, therefore, while Alice Pyncheon lived, she was Maule's slave, in a bondage more humiliating, a thousand-fold, than that which binds its chain around the body. Seated by his humble fireside, Maule had but to wave his hand; and, wherever the proud lady chanced to be,--whether in her chamber, or entertaining her father's stately guests, or worshipping at church,--whatever her place or occupation, her spirit passed from beneath her own control, and bowed itself to Maule. "Alice, laugh!"--the carpenter, beside his hearth, would say; or perhaps intensely will it, without a spoken word. And, even were it prayer-time, or at a funeral, Alice must break into wild laughter. "Alice, be sad!"--and, at the instant, down would come her tears, quenching all the mirth of those around her like sudden rain upon a bonfire. "Alice, dance."--and dance she would, not in such court-like measures as she had learned abroad, but some high-paced jig, or hop-skip rigadoon, befitting the brisk lasses at a rustic merry-making. It seemed to be Maule's impulse, not to ruin Alice, nor to visit her with any black or gigantic mischief, which would have crowned her sorrows with the grace of tragedy, but to wreak a low, ungenerous scorn upon her. Thus all the dignity of life was lost. She felt herself too much abased, and longed to change natures with some worm! One evening, at a bridal party (but not her own; for, so lost from self-control, she would have deemed it sin to marry), poor Alice was beckoned forth by her unseen despot, and constrained, in her gossamer white dress and satin slippers, to hasten along the street to the mean dwelling of a laboring-man. There was laughter and good cheer within; for Matthew Maule, that night, was to wed the laborer's daughter, and had summoned proud Alice Pyncheon to wait upon his bride. And so she did; and when the twain were one, Alice awoke out of her enchanted sleep. Yet, no longer proud,--humbly, and with a smile all steeped in sadness,--she kissed Maule's wife, and went her way. It was an inclement night; the southeast wind drove the mingled snow and rain into her thinly sheltered bosom; her satin slippers were wet through and through, as she trod the muddy sidewalks. The next day a cold; soon, a settled cough; anon, a hectic cheek, a wasted form, that sat beside the harpsichord, and filled the house with music! Music in which a strain of the heavenly choristers was echoed! Oh; joy! For Alice had borne her last humiliation! Oh, greater joy! For Alice was penitent of her one earthly sin, and proud no more! The Pyncheons made a great funeral for Alice. The kith and kin were there, and the whole respectability of the town besides. But, last in the procession, came Matthew Maule, gnashing his teeth, as if he would have bitten his own heart in twain,--the darkest and wofullest man that ever walked behind a corpse! He meant to humble Alice, not to kill her; but he had taken a woman's delicate soul into his rude gripe, to play with--and she was dead!

Alice Pyncheon This chapter is the text of Holgrave's story about the Pyncheon curse, which he reads aloud to Phoebe. Gervayse Pyncheon, the grandson of Colonel Pyncheon, summons a carpenter named Matthew Maule, the grandson of the same Matthew Maule who placed the curse on the Pyncheon family. The younger Maule, a bitter and unpopular carpenter, knows the family legend well and has a deep hatred for the Pyncheons. Maule believes that the house of the seven gables is rightfully his and that the curse will never end until the house has been returned to the Maule family. Although he is only a laborer, Maule defiantly barges into the house through the front door and demands to know what Pyncheon wants. Pyncheon, now a middle-aged man, has not lived in the house for very long. He spent his younger years in Europe, where he got married and traveled the continent. Now that Gervayse has returned to New England, however, he is interested in the large area of land in Maine that Colonel Pyncheon was in the process of acquiring when he died. Gervayse believes that the Maule family may know where the missing deeds to the land are, since the current Matthew Maule's father, the first Maule's son, was working on the Pyncheon house when these deeds disappeared. The Pyncheons have searched thoroughly for the missing document, even digging up the grave of the first Matthew Maule to look for it, but have been unable to find it. The younger Maule turns a deaf ear to Gervayse's offers of money if he can produce the desired documentation, but he eventually agrees to help Gervayse in exchange for the house of the seven gables. After some deliberation, Gervayse decides that the exchange is worth it, and they have a celebratory drink. Before giving the information, Maule asks to see Gervayse's young daughter, Alice Pyncheon. Gervayse reluctantly agrees. When Alice enters, she admires the strength and artistry evident in the younger Maule, but he mistakes her glance for haughtiness. He makes her sit down and hypnotizes her. Gervayse has a premonition that Maule is doing something terrible, but Alice waves her father off, and this dismissal, combined with his greed, keep Gervayse from protesting. Maule uses Alice as a medium to contact the spirits of Colonel Pyncheon, the older Matthew Maule, and his own father. In Alice's vision, the two Maule spirits physically restrain the ghost of the Colonel from divulging the document's location, and he is so choked with his own secret that he begins to cough up blood. The younger Maule declares that the secret will not be revealed until the deed no longer has value. He tells Pyncheon to keep the house of the seven gables and glories in the fact that he now has control over Alice. Over the next few years, Maule uses his power to toy with Alice. Regardless of where she is, she is at his beck and call. He can make her happy or sad at the most inopportune times, or have her dance a vulgar jig anytime he pleases. Alice suffers greatly from this indignity, and she refuses to marry while her life is not her own. One night, she is summoned by Maule from a bridal party to a laborer's home, and trudges through the dark and snow wearing only a light evening gown. She arrives at the home, where Maule is marrying the laborer's daughter, and he uses his powers to force Alice to wait upon and serve his new bride. Alice wakes up from her trance once the ceremony is over and humbly kisses the new bride before heading back home. Inappropriately clad for the cold weather, however, Alice catches pneumonia and dies. The last marcher in the elaborate funeral procession is Matthew Maule, who is broken with guilt by the way his petty antics, which were only meant to humble, have cost the innocent girl her life

When they were gone, Elizabeth, as if intending to exasperate herself as much as possible against Mr. Darcy, chose for her employment the examination of all the letters which Jane had written to her since her being in Kent. They contained no actual complaint, nor was there any revival of past occurrences, or any communication of present suffering. But in all, and in almost every line of each, there was a want of that cheerfulness which had been used to characterize her style, and which, proceeding from the serenity of a mind at ease with itself, and kindly disposed towards every one, had been scarcely ever clouded. Elizabeth noticed every sentence conveying the idea of uneasiness, with an attention which it had hardly received on the first perusal. Mr. Darcy's shameful boast of what misery he had been able to inflict, gave her a keener sense of her sister's sufferings. It was some consolation to think that his visit to Rosings was to end on the day after the next, and a still greater, that in less than a fortnight she should herself be with Jane again, and enabled to contribute to the recovery of her spirits, by all that affection could do. She could not think of Darcy's leaving Kent, without remembering that his cousin was to go with him; but Colonel Fitzwilliam had made it clear that he had no intentions at all, and agreeable as he was, she did not mean to be unhappy about him. While settling this point, she was suddenly roused by the sound of the door bell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to enquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an enquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes he came towards her in an agitated manner, and thus began, "In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you." Elizabeth's astonishment was beyond expression. She stared, coloured, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt and had long felt for her, immediately followed. He spoke well, but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority--of its being a degradation--of the family obstacles which judgment had always opposed to inclination, were dwelt on with a warmth which seemed due to the consequence he was wounding, but was very unlikely to recommend his suit. In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience, when he should have done. He concluded with representing to her the strength of that attachment which, in spite of all his endeavours, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favourable answer. He _spoke_ of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and when he ceased, the colour rose into her cheeks, and she said, "In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could _feel_ gratitude, I would now thank you. But I cannot--I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to any one. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation." Mr. Darcy, who was leaning against the mantle-piece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips, till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, in a voice of forced calmness, he said, "And this is all the reply which I am to have the honour of expecting! I might, perhaps, wish to be informed why, with so little _endeavour_ at civility, I am thus rejected. But it is of small importance." "I might as well enquire," replied she, "why with so evident a design of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I _was_ uncivil? But I have other provocations. You know I have. Had not my own feelings decided against you, had they been indifferent, or had they even been favourable, do you think that any consideration would tempt me to accept the man, who has been the means of ruining, perhaps for ever, the happiness of a most beloved sister?" As she pronounced these words, Mr. Darcy changed colour; but the emotion was short, and he listened without attempting to interrupt her while she continued. "I have every reason in the world to think ill of you. No motive can excuse the unjust and ungenerous part you acted _there_. You dare not, you cannot deny that you have been the principal, if not the only means of dividing them from each other, of exposing one to the censure of the world for caprice and instability, the other to its derision for disappointed hopes, and involving them both in misery of the acutest kind." She paused, and saw with no slight indignation that he was listening with an air which proved him wholly unmoved by any feeling of remorse. He even looked at her with a smile of affected incredulity. "Can you deny that you have done it?" she repeated. With assumed tranquillity he then replied, "I have no wish of denying that I did every thing in my power to separate my friend from your sister, or that I rejoice in my success. Towards _him_ I have been kinder than towards myself." Elizabeth disdained the appearance of noticing this civil reflection, but its meaning did not escape, nor was it likely to conciliate her. "But it is not merely this affair," she continued, "on which my dislike is founded. Long before it had taken place, my opinion of you was decided. Your character was unfolded in the recital which I received many months ago from Mr. Wickham. On this subject, what can you have to say? In what imaginary act of friendship can you here defend yourself? or under what misrepresentation, can you here impose upon others?" "You take an eager interest in that gentleman's concerns," said Darcy in a less tranquil tone, and with a heightened colour. "Who that knows what his misfortunes have been, can help feeling an interest in him?" "His misfortunes!" repeated Darcy contemptuously; "yes, his misfortunes have been great indeed." "And of your infliction," cried Elizabeth with energy. "You have reduced him to his present state of poverty, comparative poverty. You have withheld the advantages, which you must know to have been designed for him. You have deprived the best years of his life, of that independence which was no less his due than his desert. You have done all this! and yet you can treat the mention of his misfortunes with contempt and ridicule." "And this," cried Darcy, as he walked with quick steps across the room, "is your opinion of me! This is the estimation in which you hold me! I thank you for explaining it so fully. My faults, according to this calculation, are heavy indeed! But perhaps," added he, stopping in his walk, and turning towards her, "these offences might have been overlooked, had not your pride been hurt by my honest confession of the scruples that had long prevented my forming any serious design. These bitter accusations might have been suppressed, had I with greater policy concealed my struggles, and flattered you into the belief of my being impelled by unqualified, unalloyed inclination; by reason, by reflection, by every thing. But disguise of every sort is my abhorrence. Nor am I ashamed of the feelings I related. They were natural and just. Could you expect me to rejoice in the inferiority of your connections? To congratulate myself on the hope of relations, whose condition in life is so decidedly beneath my own?" Elizabeth felt herself growing more angry every moment; yet she tried to the utmost to speak with composure when she said, "You are mistaken, Mr. Darcy, if you suppose that the mode of your declaration affected me in any other way, than as it spared me the concern which I might have felt in refusing you, had you behaved in a more gentleman-like manner." She saw him start at this, but he said nothing, and she continued, "You could not have made me the offer of your hand in any possible way that would have tempted me to accept it." Again his astonishment was obvious; and he looked at her with an expression of mingled incredulity and mortification. She went on. "From the very beginning, from the first moment I may almost say, of my acquaintance with you, your manners impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form that ground-work of disapprobation, on which succeeding events have built so immoveable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry." "You have said quite enough, madam. I perfectly comprehend your feelings, and have now only to be ashamed of what my own have been. Forgive me for having taken up so much of your time, and accept my best wishes for your health and happiness." And with these words he hastily left the room, and Elizabeth heard him the next moment open the front door and quit the house. The tumult of her mind was now painfully great. She knew not how to support herself, and from actual weakness sat down and cried for half an hour. Her astonishment, as she reflected on what had passed, was increased by every review of it. That she should receive an offer of marriage from Mr. Darcy! that he should have been in love with her for so many months! so much in love as to wish to marry her in spite of all the objections which had made him prevent his friend's marrying her sister, and which must appear at least with equal force in his own case, was almost incredible! it was gratifying to have inspired unconsciously so strong an affection. But his pride, his abominable pride, his shameless avowal of what he had done with respect to Jane, his unpardonable assurance in acknowledging, though he could not justify it, and the unfeeling manner in which he had mentioned Mr. Wickham, his cruelty towards whom he had not attempted to deny, soon overcame the pity which the consideration of his attachment had for a moment excited. She continued in very agitating reflections till the sound of Lady Catherine's carriage made her feel how unequal she was to encounter Charlotte's observation, and hurried her away to her room.

When the Company leaves, Elizabeth begins to reread Janes letters. Suddenly Darcy comes back in. After making perfunctory inquiries about her health, he declares his love for Elizabeth, who is thunderstruck and mute. Darcy speaks a good deal about his pride and makes Jane feel she is socially inferior to him. He acts like his proposal to her is a divine honor, which Elizabeth cannot turn down. Elizabeth, furious over his superior attitude, spares no words in refusing him. She accuses Darcy of separating Jane and Bingley, of treating Wickham horribly, and of acting in an arrogant manner. Darcy accepts these accusations without apology, but it hurts him when she says that his demeanor is not gentlemanly. When Darcy leaves the house, Elizabeth is so flustered great that she breaks into tears.

Scene II. A public road near Coventry. Enter Falstaff and Bardolph. Fal. Bardolph, get thee before to Coventry; fill me a bottle of sack. Our soldiers shall march through. We'll to Sutton Co'fil' to-night. Bard. Will you give me money, Captain? Fal. Lay out, lay out. Bard. This bottle makes an angel. Fal. An if it do, take it for thy labour; an if it make twenty, take them all; I'll answer the coinage. Bid my lieutenant Peto meet me at town's end. Bard. I will, Captain. Farewell. Exit. Fal. If I be not ashamed of my soldiers, I am a sous'd gurnet. I have misused the King's press damnably. I have got in exchange of a hundred and fifty soldiers, three hundred and odd pounds. I press me none but good householders, yeomen's sons; inquire me out contracted bachelors, such as had been ask'd twice on the banes- such a commodity of warm slaves as had as lieve hear the devil as a drum; such as fear the report of a caliver worse than a struck fowl or a hurt wild duck. I press'd me none but such toasts-and-butter, with hearts in their bellies no bigger than pins' heads, and they have bought out their services; and now my whole charge consists of ancients, corporals, lieutenants, gentlemen of companies- slaves as ragged as Lazarus in the painted cloth, where the glutton's dogs licked his sores; and such as indeed were never soldiers, but discarded unjust serving-men, younger sons to Younger brothers, revolted tapsters, and ostlers trade-fall'n; the cankers of a calm world and a long peace; ten times more dishonourable ragged than an old fac'd ancient; and such have I to fill up the rooms of them that have bought out their services that you would think that I had a hundred and fifty tattered Prodigals lately come from swine-keeping, from eating draff and husks. A mad fellow met me on the way, and told me I had unloaded all the gibbets and press'd the dead bodies. No eye hath seen such scarecrows. I'll not march through Coventry with them, that's flat. Nay, and the villains march wide betwixt the legs, as if they had gyves on; for indeed I had the most of them out of prison. There's but a shirt and a half in all my company; and the half-shirt is two napkins tack'd together and thrown over the shoulders like a herald's coat without sleeves; and the shirt, to say the truth, stol'n from my host at Saint Alban's, or the red-nose innkeeper of Daventry. But that's all one; they'll find linen enough on every hedge. Enter the Prince and the Lord of Westmoreland. Prince. How now, blown Jack? How now, quilt? Fal. What, Hal? How now, mad wag? What a devil dost thou in Warwickshire? My good Lord of Westmoreland, I cry you mercy. I thought your honour had already been at Shrewsbury. West. Faith, Sir John, 'tis more than time that I were there, and you too; but my powers are there already. The King, I can tell you, looks for us all. We must away all, to-night. Fal. Tut, never fear me. I am as vigilant as a cat to steal cream. Prince. I think, to steal cream indeed, for thy theft hath already made thee butter. But tell me, Jack, whose fellows are these that come after? Fal. Mine, Hal, mine. Prince. I did never see such pitiful rascals. Fal. Tut, tut! good enough to toss; food for powder, food for powder. They'll fill a pit as well as better. Tush, man, mortal men, mortal men. West. Ay, but, Sir John, methinks they are exceeding poor and bare- too beggarly. Fal. Faith, for their poverty, I know, not where they had that; and for their bareness, I am surd they never learn'd that of me. Prince. No, I'll be sworn, unless you call three fingers on the ribs bare. But, sirrah, make haste. Percy 's already in the field. Exit. Fal. What, is the King encamp'd? West. He is, Sir John. I fear we shall stay too long. [Exit.] Fal. Well, To the latter end of a fray and the beginning of a feast Fits a dull fighter and a keen guest. Exit.

Falstaff and Bardolph appear on a public road near Coventry, followed by a newly enlisted company of soldiers. Sir John orders Bardolph to replenish his supply of sack and to tell Peto to meet him at the town's end. He dislikes the idea of marching his men through the town in their rags and tatters. Abjectly impoverished, not one of them could pay him, as so many others had, for release from military service. In Falstaff's own words, "No eye hath seen such scarecrows" . Prince Hal and Westmoreland meet him on the road and comment on the poor creatures whom Falstaff leads. The knight remains undisturbed and is philosophical in the face of this criticism. And, for that matter, the prince seems amused rather than indignant. All are to make haste, says Hal, for Percy is already in the field.

Jane Fairfax was an orphan, the only child of Mrs. Bates's youngest daughter. The marriage of Lieut. Fairfax of the ----regiment of infantry, and Miss Jane Bates, had had its day of fame and pleasure, hope and interest; but nothing now remained of it, save the melancholy remembrance of him dying in action abroad--of his widow sinking under consumption and grief soon afterwards--and this girl. By birth she belonged to Highbury: and when at three years old, on losing her mother, she became the property, the charge, the consolation, the foundling of her grandmother and aunt, there had seemed every probability of her being permanently fixed there; of her being taught only what very limited means could command, and growing up with no advantages of connexion or improvement, to be engrafted on what nature had given her in a pleasing person, good understanding, and warm-hearted, well-meaning relations. But the compassionate feelings of a friend of her father gave a change to her destiny. This was Colonel Campbell, who had very highly regarded Fairfax, as an excellent officer and most deserving young man; and farther, had been indebted to him for such attentions, during a severe camp-fever, as he believed had saved his life. These were claims which he did not learn to overlook, though some years passed away from the death of poor Fairfax, before his own return to England put any thing in his power. When he did return, he sought out the child and took notice of her. He was a married man, with only one living child, a girl, about Jane's age: and Jane became their guest, paying them long visits and growing a favourite with all; and before she was nine years old, his daughter's great fondness for her, and his own wish of being a real friend, united to produce an offer from Colonel Campbell of undertaking the whole charge of her education. It was accepted; and from that period Jane had belonged to Colonel Campbell's family, and had lived with them entirely, only visiting her grandmother from time to time. The plan was that she should be brought up for educating others; the very few hundred pounds which she inherited from her father making independence impossible. To provide for her otherwise was out of Colonel Campbell's power; for though his income, by pay and appointments, was handsome, his fortune was moderate and must be all his daughter's; but, by giving her an education, he hoped to be supplying the means of respectable subsistence hereafter. Such was Jane Fairfax's history. She had fallen into good hands, known nothing but kindness from the Campbells, and been given an excellent education. Living constantly with right-minded and well-informed people, her heart and understanding had received every advantage of discipline and culture; and Colonel Campbell's residence being in London, every lighter talent had been done full justice to, by the attendance of first-rate masters. Her disposition and abilities were equally worthy of all that friendship could do; and at eighteen or nineteen she was, as far as such an early age can be qualified for the care of children, fully competent to the office of instruction herself; but she was too much beloved to be parted with. Neither father nor mother could promote, and the daughter could not endure it. The evil day was put off. It was easy to decide that she was still too young; and Jane remained with them, sharing, as another daughter, in all the rational pleasures of an elegant society, and a judicious mixture of home and amusement, with only the drawback of the future, the sobering suggestions of her own good understanding to remind her that all this might soon be over. The affection of the whole family, the warm attachment of Miss Campbell in particular, was the more honourable to each party from the circumstance of Jane's decided superiority both in beauty and acquirements. That nature had given it in feature could not be unseen by the young woman, nor could her higher powers of mind be unfelt by the parents. They continued together with unabated regard however, till the marriage of Miss Campbell, who by that chance, that luck which so often defies anticipation in matrimonial affairs, giving attraction to what is moderate rather than to what is superior, engaged the affections of Mr. Dixon, a young man, rich and agreeable, almost as soon as they were acquainted; and was eligibly and happily settled, while Jane Fairfax had yet her bread to earn. This event had very lately taken place; too lately for any thing to be yet attempted by her less fortunate friend towards entering on her path of duty; though she had now reached the age which her own judgment had fixed on for beginning. She had long resolved that one-and-twenty should be the period. With the fortitude of a devoted novitiate, she had resolved at one-and-twenty to complete the sacrifice, and retire from all the pleasures of life, of rational intercourse, equal society, peace and hope, to penance and mortification for ever. The good sense of Colonel and Mrs. Campbell could not oppose such a resolution, though their feelings did. As long as they lived, no exertions would be necessary, their home might be hers for ever; and for their own comfort they would have retained her wholly; but this would be selfishness:--what must be at last, had better be soon. Perhaps they began to feel it might have been kinder and wiser to have resisted the temptation of any delay, and spared her from a taste of such enjoyments of ease and leisure as must now be relinquished. Still, however, affection was glad to catch at any reasonable excuse for not hurrying on the wretched moment. She had never been quite well since the time of their daughter's marriage; and till she should have completely recovered her usual strength, they must forbid her engaging in duties, which, so far from being compatible with a weakened frame and varying spirits, seemed, under the most favourable circumstances, to require something more than human perfection of body and mind to be discharged with tolerable comfort. With regard to her not accompanying them to Ireland, her account to her aunt contained nothing but truth, though there might be some truths not told. It was her own choice to give the time of their absence to Highbury; to spend, perhaps, her last months of perfect liberty with those kind relations to whom she was so very dear: and the Campbells, whatever might be their motive or motives, whether single, or double, or treble, gave the arrangement their ready sanction, and said, that they depended more on a few months spent in her native air, for the recovery of her health, than on any thing else. Certain it was that she was to come; and that Highbury, instead of welcoming that perfect novelty which had been so long promised it--Mr. Frank Churchill--must put up for the present with Jane Fairfax, who could bring only the freshness of a two years' absence. Emma was sorry;--to have to pay civilities to a person she did not like through three long months!--to be always doing more than she wished, and less than she ought! Why she did not like Jane Fairfax might be a difficult question to answer; Mr. Knightley had once told her it was because she saw in her the really accomplished young woman, which she wanted to be thought herself; and though the accusation had been eagerly refuted at the time, there were moments of self-examination in which her conscience could not quite acquit her. But "she could never get acquainted with her: she did not know how it was, but there was such coldness and reserve--such apparent indifference whether she pleased or not--and then, her aunt was such an eternal talker!--and she was made such a fuss with by every body!--and it had been always imagined that they were to be so intimate--because their ages were the same, every body had supposed they must be so fond of each other." These were her reasons--she had no better. It was a dislike so little just--every imputed fault was so magnified by fancy, that she never saw Jane Fairfax the first time after any considerable absence, without feeling that she had injured her; and now, when the due visit was paid, on her arrival, after a two years' interval, she was particularly struck with the very appearance and manners, which for those two whole years she had been depreciating. Jane Fairfax was very elegant, remarkably elegant; and she had herself the highest value for elegance. Her height was pretty, just such as almost every body would think tall, and nobody could think very tall; her figure particularly graceful; her size a most becoming medium, between fat and thin, though a slight appearance of ill-health seemed to point out the likeliest evil of the two. Emma could not but feel all this; and then, her face--her features--there was more beauty in them altogether than she had remembered; it was not regular, but it was very pleasing beauty. Her eyes, a deep grey, with dark eye-lashes and eyebrows, had never been denied their praise; but the skin, which she had been used to cavil at, as wanting colour, had a clearness and delicacy which really needed no fuller bloom. It was a style of beauty, of which elegance was the reigning character, and as such, she must, in honour, by all her principles, admire it:--elegance, which, whether of person or of mind, she saw so little in Highbury. There, not to be vulgar, was distinction, and merit. In short, she sat, during the first visit, looking at Jane Fairfax with twofold complacency; the sense of pleasure and the sense of rendering justice, and was determining that she would dislike her no longer. When she took in her history, indeed, her situation, as well as her beauty; when she considered what all this elegance was destined to, what she was going to sink from, how she was going to live, it seemed impossible to feel any thing but compassion and respect; especially, if to every well-known particular entitling her to interest, were added the highly probable circumstance of an attachment to Mr. Dixon, which she had so naturally started to herself. In that case, nothing could be more pitiable or more honourable than the sacrifices she had resolved on. Emma was very willing now to acquit her of having seduced Mr. Dixon's actions from his wife, or of any thing mischievous which her imagination had suggested at first. If it were love, it might be simple, single, successless love on her side alone. She might have been unconsciously sucking in the sad poison, while a sharer of his conversation with her friend; and from the best, the purest of motives, might now be denying herself this visit to Ireland, and resolving to divide herself effectually from him and his connexions by soon beginning her career of laborious duty. Upon the whole, Emma left her with such softened, charitable feelings, as made her look around in walking home, and lament that Highbury afforded no young man worthy of giving her independence; nobody that she could wish to scheme about for her. These were charming feelings--but not lasting. Before she had committed herself by any public profession of eternal friendship for Jane Fairfax, or done more towards a recantation of past prejudices and errors, than saying to Mr. Knightley, "She certainly is handsome; she is better than handsome!" Jane had spent an evening at Hartfield with her grandmother and aunt, and every thing was relapsing much into its usual state. Former provocations reappeared. The aunt was as tiresome as ever; more tiresome, because anxiety for her health was now added to admiration of her powers; and they had to listen to the description of exactly how little bread and butter she ate for breakfast, and how small a slice of mutton for dinner, as well as to see exhibitions of new caps and new workbags for her mother and herself; and Jane's offences rose again. They had music; Emma was obliged to play; and the thanks and praise which necessarily followed appeared to her an affectation of candour, an air of greatness, meaning only to shew off in higher style her own very superior performance. She was, besides, which was the worst of all, so cold, so cautious! There was no getting at her real opinion. Wrapt up in a cloak of politeness, she seemed determined to hazard nothing. She was disgustingly, was suspiciously reserved. If any thing could be more, where all was most, she was more reserved on the subject of Weymouth and the Dixons than any thing. She seemed bent on giving no real insight into Mr. Dixon's character, or her own value for his company, or opinion of the suitableness of the match. It was all general approbation and smoothness; nothing delineated or distinguished. It did her no service however. Her caution was thrown away. Emma saw its artifice, and returned to her first surmises. There probably _was_ something more to conceal than her own preference; Mr. Dixon, perhaps, had been very near changing one friend for the other, or been fixed only to Miss Campbell, for the sake of the future twelve thousand pounds. The like reserve prevailed on other topics. She and Mr. Frank Churchill had been at Weymouth at the same time. It was known that they were a little acquainted; but not a syllable of real information could Emma procure as to what he truly was. "Was he handsome?"--"She believed he was reckoned a very fine young man." "Was he agreeable?"--"He was generally thought so." "Did he appear a sensible young man; a young man of information?"--"At a watering-place, or in a common London acquaintance, it was difficult to decide on such points. Manners were all that could be safely judged of, under a much longer knowledge than they had yet had of Mr. Churchill. She believed every body found his manners pleasing." Emma could not forgive her.

Our narrator gives us all the dirt on Jane Fairfax. Her parents died when she was a baby, but a friend of her father's offered to raise her. He's got a daughter that's Jane's age. Jane is, apparently, perfect. She's prettier, smarter, and all-around better than her friend Miss Campbell. For some reason, however, Miss Campbell and Jane love each other like sisters. Of course, as you've probably figured out by now, in this novel pretty girls don't get too far on their looks alone. Jane's poor. Miss Campbell is rich. Miss Campbell gets engaged; Jane has to find a job as a governess. The Campbells love Jane like a daughter, but they can't give her any of their money. Why not? This means that Jane has to go out into the wide, wide world. The Campbells put it off as long as possible, but Jane decides that, once she turns 21, she's cutting the cord. Fortunately, right after she turns 21, she gets sick. And that brings us up to speed with Jane. Now back to Emma: Emma sort of hates Jane . In other words, Emma's pretty smart - she knows that Jane is more accomplished than she is. To make matters worse, Mr. Knightley constantly tells Emma that Jane is better than she is. Even if you didn't hate Jane before, wouldn't you hate her now? Despite her past history, Emma decides to start afresh. Emma visits Jane and is pleasantly surprised at how pretty and elegant she is . Before long, however, things are back to normal. It starts when Jane comes to Hartfield with her aunts. The combination of Miss Bates' chatter and Jane's refusal to dish on Frank Churchill makes Emma think Jane insufferable. And unbearable. And lots of other nasty words we won't mention here.

I came to myself in darkness, in great pain, bound hand and foot, and deafened by many unfamiliar noises. There sounded in my ears a roaring of water as of a huge mill-dam, the thrashing of heavy sprays, the thundering of the sails, and the shrill cries of seamen. The whole world now heaved giddily up, and now rushed giddily downward; and so sick and hurt was I in body, and my mind so much confounded, that it took me a long while, chasing my thoughts up and down, and ever stunned again by a fresh stab of pain, to realise that I must be lying somewhere bound in the belly of that unlucky ship, and that the wind must have strengthened to a gale. With the clear perception of my plight, there fell upon me a blackness of despair, a horror of remorse at my own folly, and a passion of anger at my uncle, that once more bereft me of my senses. When I returned again to life, the same uproar, the same confused and violent movements, shook and deafened me; and presently, to my other pains and distresses, there was added the sickness of an unused landsman on the sea. In that time of my adventurous youth, I suffered many hardships; but none that was so crushing to my mind and body, or lit by so few hopes, as these first hours aboard the brig. I heard a gun fire, and supposed the storm had proved too strong for us, and we were firing signals of distress. The thought of deliverance, even by death in the deep sea, was welcome to me. Yet it was no such matter; but (as I was afterwards told) a common habit of the captain's, which I here set down to show that even the worst man may have his kindlier side. We were then passing, it appeared, within some miles of Dysart, where the brig was built, and where old Mrs. Hoseason, the captain's mother, had come some years before to live; and whether outward or inward bound, the Covenant was never suffered to go by that place by day, without a gun fired and colours shown. I had no measure of time; day and night were alike in that ill-smelling cavern of the ship's bowels where I lay; and the misery of my situation drew out the hours to double. How long, therefore, I lay waiting to hear the ship split upon some rock, or to feel her reel head foremost into the depths of the sea, I have not the means of computation. But sleep at length stole from me the consciousness of sorrow. I was awakened by the light of a hand-lantern shining in my face. A small man of about thirty, with green eyes and a tangle of fair hair, stood looking down at me. "Well," said he, "how goes it?" I answered by a sob; and my visitor then felt my pulse and temples, and set himself to wash and dress the wound upon my scalp. "Ay," said he, "a sore dunt*. What, man? Cheer up! The world's no done; you've made a bad start of it but you'll make a better. Have you had any meat?" * Stroke. I said I could not look at it: and thereupon he gave me some brandy and water in a tin pannikin, and left me once more to myself. The next time he came to see me, I was lying betwixt sleep and waking, my eyes wide open in the darkness, the sickness quite departed, but succeeded by a horrid giddiness and swimming that was almost worse to bear. I ached, besides, in every limb, and the cords that bound me seemed to be of fire. The smell of the hole in which I lay seemed to have become a part of me; and during the long interval since his last visit I had suffered tortures of fear, now from the scurrying of the ship's rats, that sometimes pattered on my very face, and now from the dismal imaginings that haunt the bed of fever. The glimmer of the lantern, as a trap opened, shone in like the heaven's sunlight; and though it only showed me the strong, dark beams of the ship that was my prison, I could have cried aloud for gladness. The man with the green eyes was the first to descend the ladder, and I noticed that he came somewhat unsteadily. He was followed by the captain. Neither said a word; but the first set to and examined me, and dressed my wound as before, while Hoseason looked me in my face with an odd, black look. "Now, sir, you see for yourself," said the first: "a high fever, no appetite, no light, no meat: you see for yourself what that means." "I am no conjurer, Mr. Riach," said the captain. "Give me leave, sir," said Riach; "you've a good head upon your shoulders, and a good Scotch tongue to ask with; but I will leave you no manner of excuse; I want that boy taken out of this hole and put in the forecastle." "What ye may want, sir, is a matter of concern to nobody but yoursel'," returned the captain; "but I can tell ye that which is to be. Here he is; here he shall bide." "Admitting that you have been paid in a proportion," said the other, "I will crave leave humbly to say that I have not. Paid I am, and none too much, to be the second officer of this old tub, and you ken very well if I do my best to earn it. But I was paid for nothing more." "If ye could hold back your hand from the tin-pan, Mr. Riach, I would have no complaint to make of ye," returned the skipper; "and instead of asking riddles, I make bold to say that ye would keep your breath to cool your porridge. We'll be required on deck," he added, in a sharper note, and set one foot upon the ladder. But Mr. Riach caught him by the sleeve. "Admitting that you have been paid to do a murder----" he began. Hoseason turned upon him with a flash. "What's that?" he cried. "What kind of talk is that?" "It seems it is the talk that you can understand," said Mr. Riach, looking him steadily in the face. "Mr. Riach, I have sailed with ye three cruises," replied the captain. "In all that time, sir, ye should have learned to know me: I'm a stiff man, and a dour man; but for what ye say the now--fie, fie!--it comes from a bad heart and a black conscience. If ye say the lad will die----" "Ay, will he!" said Mr. Riach. "Well, sir, is not that enough?" said Hoseason. "Flit him where ye please!" Thereupon the captain ascended the ladder; and I, who had lain silent throughout this strange conversation, beheld Mr. Riach turn after him and bow as low as to his knees in what was plainly a spirit of derision. Even in my then state of sickness, I perceived two things: that the mate was touched with liquor, as the captain hinted, and that (drunk or sober) he was like to prove a valuable friend. Five minutes afterwards my bonds were cut, I was hoisted on a man's back, carried up to the forecastle, and laid in a bunk on some sea-blankets; where the first thing that I did was to lose my senses. It was a blessed thing indeed to open my eyes again upon the daylight, and to find myself in the society of men. The forecastle was a roomy place enough, set all about with berths, in which the men of the watch below were seated smoking, or lying down asleep. The day being calm and the wind fair, the scuttle was open, and not only the good daylight, but from time to time (as the ship rolled) a dusty beam of sunlight shone in, and dazzled and delighted me. I had no sooner moved, moreover, than one of the men brought me a drink of something healing which Mr. Riach had prepared, and bade me lie still and I should soon be well again. There were no bones broken, he explained: "A clour* on the head was naething. Man," said he, "it was me that gave it ye!" * Blow. Here I lay for the space of many days a close prisoner, and not only got my health again, but came to know my companions. They were a rough lot indeed, as sailors mostly are: being men rooted out of all the kindly parts of life, and condemned to toss together on the rough seas, with masters no less cruel. There were some among them that had sailed with the pirates and seen things it would be a shame even to speak of; some were men that had run from the king's ships, and went with a halter round their necks, of which they made no secret; and all, as the saying goes, were "at a word and a blow" with their best friends. Yet I had not been many days shut up with them before I began to be ashamed of my first judgment, when I had drawn away from them at the Ferry pier, as though they had been unclean beasts. No class of man is altogether bad, but each has its own faults and virtues; and these shipmates of mine were no exception to the rule. Rough they were, sure enough; and bad, I suppose; but they had many virtues. They were kind when it occurred to them, simple even beyond the simplicity of a country lad like me, and had some glimmerings of honesty. There was one man, of maybe forty, that would sit on my berthside for hours and tell me of his wife and child. He was a fisher that had lost his boat, and thus been driven to the deep-sea voyaging. Well, it is years ago now: but I have never forgotten him. His wife (who was "young by him," as he often told me) waited in vain to see her man return; he would never again make the fire for her in the morning, nor yet keep the bairn when she was sick. Indeed, many of these poor fellows (as the event proved) were upon their last cruise; the deep seas and cannibal fish received them; and it is a thankless business to speak ill of the dead. Among other good deeds that they did, they returned my money, which had been shared among them; and though it was about a third short, I was very glad to get it, and hoped great good from it in the land I was going to. The ship was bound for the Carolinas; and you must not suppose that I was going to that place merely as an exile. The trade was even then much depressed; since that, and with the rebellion of the colonies and the formation of the United States, it has, of course, come to an end; but in those days of my youth, white men were still sold into slavery on the plantations, and that was the destiny to which my wicked uncle had condemned me. The cabin-boy Ransome (from whom I had first heard of these atrocities) came in at times from the round-house, where he berthed and served, now nursing a bruised limb in silent agony, now raving against the cruelty of Mr. Shuan. It made my heart bleed; but the men had a great respect for the chief mate, who was, as they said, "the only seaman of the whole jing-bang, and none such a bad man when he was sober." Indeed, I found there was a strange peculiarity about our two mates: that Mr. Riach was sullen, unkind, and harsh when he was sober, and Mr. Shuan would not hurt a fly except when he was drinking. I asked about the captain; but I was told drink made no difference upon that man of iron. I did my best in the small time allowed me to make some thing like a man, or rather I should say something like a boy, of the poor creature, Ransome. But his mind was scarce truly human. He could remember nothing of the time before he came to sea; only that his father had made clocks, and had a starling in the parlour, which could whistle "The North Countrie;" all else had been blotted out in these years of hardship and cruelties. He had a strange notion of the dry land, picked up from sailor's stories: that it was a place where lads were put to some kind of slavery called a trade, and where apprentices were continually lashed and clapped into foul prisons. In a town, he thought every second person a decoy, and every third house a place in which seamen would be drugged and murdered. To be sure, I would tell him how kindly I had myself been used upon that dry land he was so much afraid of, and how well fed and carefully taught both by my friends and my parents: and if he had been recently hurt, he would weep bitterly and swear to run away; but if he was in his usual crackbrain humour, or (still more) if he had had a glass of spirits in the roundhouse, he would deride the notion. It was Mr. Riach (Heaven forgive him!) who gave the boy drink; and it was, doubtless, kindly meant; but besides that it was ruin to his health, it was the pitifullest thing in life to see this unhappy, unfriended creature staggering, and dancing, and talking he knew not what. Some of the men laughed, but not all; others would grow as black as thunder (thinking, perhaps, of their own childhood or their own children) and bid him stop that nonsense, and think what he was doing. As for me, I felt ashamed to look at him, and the poor child still comes about me in my dreams. All this time, you should know, the Covenant was meeting continual head-winds and tumbling up and down against head-seas, so that the scuttle was almost constantly shut, and the forecastle lighted only by a swinging lantern on a beam. There was constant labour for all hands; the sails had to be made and shortened every hour; the strain told on the men's temper; there was a growl of quarrelling all day long from berth to berth; and as I was never allowed to set my foot on deck, you can picture to yourselves how weary of my life I grew to be, and how impatient for a change. And a change I was to get, as you shall hear; but I must first tell of a conversation I had with Mr. Riach, which put a little heart in me to bear my troubles. Getting him in a favourable stage of drink (for indeed he never looked near me when he was sober), I pledged him to secrecy, and told him my whole story. He declared it was like a ballad; that he would do his best to help me; that I should have paper, pen, and ink, and write one line to Mr. Campbell and another to Mr. Rankeillor; and that if I had told the truth, ten to one he would be able (with their help) to pull me through and set me in my rights. "And in the meantime," says he, "keep your heart up. You're not the only one, I'll tell you that. There's many a man hoeing tobacco over-seas that should be mounting his horse at his own door at home; many and many! And life is all a variorum, at the best. Look at me: I'm a laird's son and more than half a doctor, and here I am, man-Jack to Hoseason!" I thought it would be civil to ask him for his story. He whistled loud. "Never had one," said he. "I like fun, that's all." And he skipped out of the forecastle.

When Davie regains consciousness, he finds himself tied up and in pain in a dark room. The intense rocking of the ship convinces Davie that they are in a storm. He is so afraid for his future and so angry at his uncle that he faints again. When Davie comes to a second time, seasickness is added to his list of troubles. This, Davie tells us, is pretty much the worst moment in his life, these miserable first hours on the Covenant. Davie hears gunfire. He finds out afterwards that these shots have come from the town of Dysart, which the Covenant was passing. The captain Mr. Hoseason's mother lived in Dysart, and whenever the Covenant passed, she fired shots and raised a flag in her son's honor. Davie has no idea how long he spent in "that ill-smelling cavern of the ship's bowels" before he falls asleep a third time. Davie wakes up to a light shining on his face from a lantern held by a guy in his thirties, with green eyes and light hair. The stranger asks Davie how he is. Davie starts to cry. The stranger cleans the injury on Davie's head and tells him to cheer up. He offers Davie food, gives him a bit of brandy and water, then leaves. When the stranger returns a bit later, Davie is wandering in the head with a bad fever. The stranger is accompanied this time by Captain Hoseason. The stranger tells Hoseason that Davie is ill, and he needs to be brought up above deck. The captain says tough - Davie's not going anywhere. The stranger - whose name, we now learn, is Mr. Riach - tells Captain Hoseason that he was hired to be the ship's second mate. He hasn't been paid for anything more, and he won't help in committing murder. Captain Hoseason is angry that Riach could suspect him of such a thing. He tells Riach to take Davie wherever he pleases, if he thinks Davie will die otherwise. Davie notices two things: Riach is a little drunk, and he seems like he'll be a good friend to him. Riach frees Davie and carries him up to a bunk in the forecastle, where Davie falls asleep yet again. When Davie wakes up, he's glad to see the sun at last. He's also no longer alone: there are sailors all around. Davie spends many days in the bunk recuperating. He also gets to know the Covenant's sailors. While they're kind of rough -- and several of them are out-and-out criminals - he feels guilty about how judgmental he was when he first saw them at the Queen's Ferry. The sailors aren't so bad, but what is pretty bad is the fate awaiting Davie: his uncle has sold him to a plantation in the Carolinas. This practice of selling the labor of European immigrants to colonial American employers was pretty common in the eighteenth century. It's often called "indentured servitude," and it differs from the slavery of African Americans primarily in that indentured servants usually had term limits - three to seven years -- before the worker could go free. Davie also meets up with his old buddy, the cabin boy Ransome. Ransome tells Davie that Riach is mean when he's sober, and Shuan is fine except when he's drunk. Ransome is also quite a drinker. It turns out that Riach, trying to be nice, is the one who supplies Ransome with the alcohol that seems to be ruining his mind. As a background to all of these conversations, Davie tells us that he's not allowed to leave the forecastle, so he's getting pretty bored. He does manage to catch one lucky break: he runs into Riach when he's at just the right stage of drunkenness and tells Riach his life story. Riach promises to write a letter to Campbell and Rankeillor for help. Riach also reassures Davie that he's not alone in his changing fortunes: Riach himself is the son of a lord and "more than half a doctor" and here he is, serving Captain Hoseason. His reason for these changes in his life? "I like fun, that's all." .

Meanwhile a middle-aged man was dreaming a dream of great beauty concerning the writer of the above letter. He was Richard Phillotson, who had recently removed from the mixed village school at Lumsdon near Christminster, to undertake a large boys' school in his native town of Shaston, which stood on a hill sixty miles to the south-west as the crow flies. A glance at the place and its accessories was almost enough to reveal that the schoolmaster's plans and dreams so long indulged in had been abandoned for some new dream with which neither the Church nor literature had much in common. Essentially an unpractical man, he was now bent on making and saving money for a practical purpose--that of keeping a wife, who, if she chose, might conduct one of the girls' schools adjoining his own; for which purpose he had advised her to go into training, since she would not marry him offhand. About the time that Jude was removing from Marygreen to Melchester, and entering on adventures at the latter place with Sue, the schoolmaster was settling down in the new school-house at Shaston. All the furniture being fixed, the books shelved, and the nails driven, he had begun to sit in his parlour during the dark winter nights and re-attempt some of his old studies--one branch of which had included Roman-Britannic antiquities--an unremunerative labour for a national school-master but a subject, that, after his abandonment of the university scheme, had interested him as being a comparatively unworked mine; practicable to those who, like himself, had lived in lonely spots where these remains were abundant, and were seen to compel inferences in startling contrast to accepted views on the civilization of that time. A resumption of this investigation was the outward and apparent hobby of Phillotson at present--his ostensible reason for going alone into fields where causeways, dykes, and tumuli abounded, or shutting himself up in his house with a few urns, tiles, and mosaics he had collected, instead of calling round upon his new neighbours, who for their part had showed themselves willing enough to be friendly with him. But it was not the real, or the whole, reason, after all. Thus on a particular evening in the month, when it had grown quite late--to near midnight, indeed--and the light of his lamp, shining from his window at a salient angle of the hill-top town over infinite miles of valley westward, announced as by words a place and person given over to study, he was not exactly studying. The interior of the room--the books, the furniture, the schoolmaster's loose coat, his attitude at the table, even the flickering of the fire, bespoke the same dignified tale of undistracted research--more than creditable to a man who had had no advantages beyond those of his own making. And yet the tale, true enough till latterly, was not true now. What he was regarding was not history. They were historic notes, written in a bold womanly hand at his dictation some months before, and it was the clerical rendering of word after word that absorbed him. He presently took from a drawer a carefully tied bundle of letters, few, very few, as correspondence counts nowadays. Each was in its envelope just as it had arrived, and the handwriting was of the same womanly character as the historic notes. He unfolded them one by one and read them musingly. At first sight there seemed in these small documents to be absolutely nothing to muse over. They were straightforward, frank letters, signed "Sue B--"; just such ones as would be written during short absences, with no other thought than their speedy destruction, and chiefly concerning books in reading and other experiences of a training school, forgotten doubtless by the writer with the passing of the day of their inditing. In one of them--quite a recent note--the young woman said that she had received his considerate letter, and that it was honourable and generous of him to say he would not come to see her oftener than she desired (the school being such an awkward place for callers, and because of her strong wish that her engagement to him should not be known, which it would infallibly be if he visited her often). Over these phrases the school-master pored. What precise shade of satisfaction was to be gathered from a woman's gratitude that the man who loved her had not been often to see her? The problem occupied him, distracted him. He opened another drawer, and found therein an envelope, from which he drew a photograph of Sue as a child, long before he had known her, standing under trellis-work with a little basket in her hand. There was another of her as a young woman, her dark eyes and hair making a very distinct and attractive picture of her, which just disclosed, too, the thoughtfulness that lay behind her lighter moods. It was a duplicate of the one she had given Jude, and would have given to any man. Phillotson brought it half-way to his lips, but withdrew it in doubt at her perplexing phrases: ultimately kissing the dead pasteboard with all the passionateness, and more than all the devotion, of a young man of eighteen. The schoolmaster's was an unhealthy-looking, old-fashioned face, rendered more old-fashioned by his style of shaving. A certain gentlemanliness had been imparted to it by nature, suggesting an inherent wish to do rightly by all. His speech was a little slow, but his tones were sincere enough to make his hesitation no defect. His greying hair was curly, and radiated from a point in the middle of his crown. There were four lines across his forehead, and he only wore spectacles when reading at night. It was almost certainly a renunciation forced upon him by his academic purpose, rather than a distaste for women, which had hitherto kept him from closing with one of the sex in matrimony. Such silent proceedings as those of this evening were repeated many and oft times when he was not under the eye of the boys, whose quick and penetrating regard would frequently become almost intolerable to the self-conscious master in his present anxious care for Sue, making him, in the grey hours of morning, dread to meet anew the gimlet glances, lest they should read what the dream within him was. He had honourably acquiesced in Sue's announced wish that he was not often to visit her at the training school; but at length, his patience being sorely tried, he set out one Saturday afternoon to pay her an unexpected call. There the news of her departure--expulsion as it might almost have been considered--was flashed upon him without warning or mitigation as he stood at the door expecting in a few minutes to behold her face; and when he turned away he could hardly see the road before him. Sue had, in fact, never written a line to her suitor on the subject, although it was fourteen days old. A short reflection told him that this proved nothing, a natural delicacy being as ample a reason for silence as any degree of blameworthiness. They had informed him at the school where she was living, and having no immediate anxiety about her comfort, his thoughts took the direction of a burning indignation against the training school committee. In his bewilderment Phillotson entered the adjacent cathedral, just now in a direly dismantled state by reason of the repairs. He sat down on a block of freestone, regardless of the dusty imprint it made on his breeches; and his listless eyes following the movements of the workmen he presently became aware that the reputed culprit, Sue's lover Jude, was one amongst them. Jude had never spoken to his former hero since the meeting by the model of Jerusalem. Having inadvertently witnessed Phillotson's tentative courtship of Sue in the lane there had grown up in the younger man's mind a curious dislike to think of the elder, to meet him, to communicate in any way with him; and since Phillotson's success in obtaining at least her promise had become known to Jude, he had frankly recognized that he did not wish to see or hear of his senior any more, learn anything of his pursuits, or even imagine again what excellencies might appertain to his character. On this very day of the schoolmaster's visit Jude was expecting Sue, as she had promised; and when therefore he saw the schoolmaster in the nave of the building, saw, moreover, that he was coming to speak to him, he felt no little embarrassment; which Phillotson's own embarrassment prevented his observing. Jude joined him, and they both withdrew from the other workmen to the spot where Phillotson had been sitting. Jude offered him a piece of sackcloth for a cushion, and told him it was dangerous to sit on the bare block. "Yes; yes," said Phillotson abstractedly, as he reseated himself, his eyes resting on the ground as if he were trying to remember where he was. "I won't keep you long. It was merely that I have heard that you have seen my little friend Sue recently. It occurred to me to speak to you on that account. I merely want to ask--about her." "I think I know what!" Jude hurriedly said. "About her escaping from the training school, and her coming to me?" "Yes." "Well"--Jude for a moment felt an unprincipled and fiendish wish to annihilate his rival at all cost. By the exercise of that treachery which love for the same woman renders possible to men the most honourable in every other relation of life, he could send off Phillotson in agony and defeat by saying that the scandal was true, and that Sue had irretrievably committed herself with him. But his action did not respond for a moment to his animal instinct; and what he said was, "I am glad of your kindness in coming to talk plainly to me about it. You know what they say?--that I ought to marry her." "What!" "And I wish with all my soul I could!" Phillotson trembled, and his naturally pale face acquired a corpselike sharpness in its lines. "I had no idea that it was of this nature! God forbid!" "No, no!" said Jude aghast. "I thought you understood? I mean that were I in a position to marry her, or someone, and settle down, instead of living in lodgings here and there, I should be glad!" What he had really meant was simply that he loved her. "But--since this painful matter has been opened up--what really happened?" asked Phillotson, with the firmness of a man who felt that a sharp smart now was better than a long agony of suspense hereafter. "Cases arise, and this is one, when even ungenerous questions must be put to make false assumptions impossible, and to kill scandal." Jude explained readily; giving the whole series of adventures, including the night at the shepherd's, her wet arrival at his lodging, her indisposition from her immersion, their vigil of discussion, and his seeing her off next morning. "Well now," said Phillotson at the conclusion, "I take it as your final word, and I know I can believe you, that the suspicion which led to her rustication is an absolutely baseless one?" "It is," said Jude solemnly. "Absolutely. So help me God!" The schoolmaster rose. Each of the twain felt that the interview could not comfortably merge in a friendly discussion of their recent experiences, after the manner of friends; and when Jude had taken him round, and shown him some features of the renovation which the old cathedral was undergoing, Phillotson bade the young man good-day and went away. This visit took place about eleven o'clock in the morning; but no Sue appeared. When Jude went to his dinner at one he saw his beloved ahead of him in the street leading up from the North Gate, walking as if no way looking for him. Speedily overtaking her he remarked that he had asked her to come to him at the cathedral, and she had promised. "I have been to get my things from the college," she said--an observation which he was expected to take as an answer, though it was not one. Finding her to be in this evasive mood he felt inclined to give her the information so long withheld. "You have not seen Mr. Phillotson to-day?" he ventured to inquire. "I have not. But I am not going to be cross-examined about him; and if you ask anything more I won't answer!" "It is very odd that--" He stopped, regarding her. "What?" "That you are often not so nice in your real presence as you are in your letters!" "Does it really seem so to you?" said she, smiling with quick curiosity. "Well, that's strange; but I feel just the same about you, Jude. When you are gone away I seem such a coldhearted--" As she knew his sentiment towards her Jude saw that they were getting upon dangerous ground. It was now, he thought, that he must speak as an honest man. But he did not speak, and she continued: "It was that which made me write and say--I didn't mind your loving me--if you wanted to, much!" The exultation he might have felt at what that implied, or seemed to imply, was nullified by his intention, and he rested rigid till he began: "I have never told you--" "Yes you have," murmured she. "I mean, I have never told you my history--all of it." "But I guess it. I know nearly." Jude looked up. Could she possibly know of that morning performance of his with Arabella; which in a few months had ceased to be a marriage more completely than by death? He saw that she did not. "I can't quite tell you here in the street," he went on with a gloomy tongue. "And you had better not come to my lodgings. Let us go in here." The building by which they stood was the market-house; it was the only place available; and they entered, the market being over, and the stalls and areas empty. He would have preferred a more congenial spot, but, as usually happens, in place of a romantic field or solemn aisle for his tale, it was told while they walked up and down over a floor littered with rotten cabbage-leaves, and amid all the usual squalors of decayed vegetable matter and unsaleable refuse. He began and finished his brief narrative, which merely led up to the information that he had married a wife some years earlier, and that his wife was living still. Almost before her countenance had time to change she hurried out the words, "Why didn't you tell me before!" "I couldn't. It seemed so cruel to tell it." "To yourself, Jude. So it was better to be cruel to me!" "No, dear darling!" cried Jude passionately. He tried to take her hand, but she withdrew it. Their old relations of confidence seemed suddenly to have ended, and the antagonisms of sex to sex were left without any counter-poising predilections. She was his comrade, friend, unconscious sweetheart no longer; and her eyes regarded him in estranged silence. "I was ashamed of the episode in my life which brought about the marriage," he continued. "I can't explain it precisely now. I could have done it if you had taken it differently!" "But how can I?" she burst out. "Here I have been saying, or writing, that--that you might love me, or something of the sort!--just out of charity--and all the time--oh, it is perfectly damnable how things are!" she said, stamping her foot in a nervous quiver. "You take me wrong, Sue! I never thought you cared for me at all, till quite lately; so I felt it did not matter! Do you care for me, Sue?--you know how I mean?--I don't like 'out of charity' at all!" It was a question which in the circumstances Sue did not choose to answer. "I suppose she--your wife--is--a very pretty woman, even if she's wicked?" she asked quickly. "She's pretty enough, as far as that goes." "Prettier than I am, no doubt!" "You are not the least alike. And I have never seen her for years... But she's sure to come back--they always do!" "How strange of you to stay apart from her like this!" said Sue, her trembling lip and lumpy throat belying her irony. "You, such a religious man. How will the demi-gods in your Pantheon--I mean those legendary persons you call saints--intercede for you after this? Now if I had done such a thing it would have been different, and not remarkable, for I at least don't regard marriage as a sacrament. Your theories are not so advanced as your practice!" "Sue, you are terribly cutting when you like to be--a perfect Voltaire! But you must treat me as you will!" When she saw how wretched he was she softened, and trying to blink away her sympathetic tears said with all the winning reproachfulness of a heart-hurt woman: "Ah--you should have told me before you gave me that idea that you wanted to be allowed to love me! I had no feeling before that moment at the railway-station, except--" For once Sue was as miserable as he, in her attempts to keep herself free from emotion, and her less than half-success. "Don't cry, dear!" he implored. "I am--not crying--because I meant to--love you; but because of your want of--confidence!" They were quite screened from the market-square without, and he could not help putting out his arm towards her waist. His momentary desire was the means of her rallying. "No, no!" she said, drawing back stringently, and wiping her eyes. "Of course not! It would be hypocrisy to pretend that it would be meant as from my cousin; and it can't be in any other way." They moved on a dozen paces, and she showed herself recovered. It was distracting to Jude, and his heart would have ached less had she appeared anyhow but as she did appear; essentially large-minded and generous on reflection, despite a previous exercise of those narrow womanly humours on impulse that were necessary to give her sex. "I don't blame you for what you couldn't help," she said, smiling. "How should I be so foolish? I do blame you a little bit for not telling me before. But, after all, it doesn't matter. We should have had to keep apart, you see, even if this had not been in your life." "No, we shouldn't, Sue! This is the only obstacle." "You forget that I must have loved you, and wanted to be your wife, even if there had been no obstacle," said Sue, with a gentle seriousness which did not reveal her mind. "And then we are cousins, and it is bad for cousins to marry. And--I am engaged to somebody else. As to our going on together as we were going, in a sort of friendly way, the people round us would have made it unable to continue. Their views of the relations of man and woman are limited, as is proved by their expelling me from the school. Their philosophy only recognizes relations based on animal desire. The wide field of strong attachment where desire plays, at least, only a secondary part, is ignored by them--the part of--who is it?--Venus Urania." Her being able to talk learnedly showed that she was mistress of herself again; and before they parted she had almost regained her vivacious glance, her reciprocity of tone, her gay manner, and her second-thought attitude of critical largeness towards others of her age and sex. He could speak more freely now. "There were several reasons against my telling you rashly. One was what I have said; another, that it was always impressed upon me that I ought not to marry--that I belonged to an odd and peculiar family--the wrong breed for marriage." "Ah--who used to say that to you?" "My great-aunt. She said it always ended badly with us Fawleys." "That's strange. My father used to say the same to me!" They stood possessed by the same thought, ugly enough, even as an assumption: that a union between them, had such been possible, would have meant a terrible intensification of unfitness--two bitters in one dish. "Oh, but there can't be anything in it!" she said with nervous lightness. "Our family have been unlucky of late years in choosing mates--that's all." And then they pretended to persuade themselves that all that had happened was of no consequence, and that they could still be cousins and friends and warm correspondents, and have happy genial times when they met, even if they met less frequently than before. Their parting was in good friendship, and yet Jude's last look into her eyes was tinged with inquiry, for he felt that he did not even now quite know her mind. Tidings from Sue a day or two after passed across Jude like a withering blast. Before reading the letter he was led to suspect that its contents were of a somewhat serious kind by catching sight of the signature--which was in her full name, never used in her correspondence with him since her first note: MY DEAR JUDE,--I have something to tell you which perhaps you will not be surprised to hear, though certainly it may strike you as being accelerated (as the railway companies say of their trains). Mr. Phillotson and I are to be married quite soon--in three or four weeks. We had intended, as you know, to wait till I had gone through my course of training and obtained my certificate, so as to assist him, if necessary, in the teaching. But he generously says he does not see any object in waiting, now I am not at the training school. It is so good of him, because the awkwardness of my situation has really come about by my fault in getting expelled. Wish me joy. Remember I say you are to, and you mustn't refuse!--Your affectionate cousin, SUSANNA FLORENCE MARY BRIDEHEAD. Jude staggered under the news; could eat no breakfast; and kept on drinking tea because his mouth was so dry. Then presently he went back to his work and laughed the usual bitter laugh of a man so confronted. Everything seemed turning to satire. And yet, what could the poor girl do? he asked himself, and felt worse than shedding tears. "O Susanna Florence Mary!" he said as he worked. "You don't know what marriage means!" Could it be possible that his announcement of his own marriage had pricked her on to this, just as his visit to her when in liquor may have pricked her on to her engagement? To be sure, there seemed to exist these other and sufficient reasons, practical and social, for her decision; but Sue was not a very practical or calculating person; and he was compelled to think that a pique at having his secret sprung upon her had moved her to give way to Phillotson's probable representations, that the best course to prove how unfounded were the suspicions of the school authorities would be to marry him off-hand, as in fulfilment of an ordinary engagement. Sue had, in fact, been placed in an awkward corner. Poor Sue! He determined to play the Spartan; to make the best of it, and support her; but he could not write the requested good wishes for a day or two. Meanwhile there came another note from his impatient little dear: Jude, will you give me away? I have nobody else who could do it so conveniently as you, being the only married relation I have here on the spot, even if my father were friendly enough to be willing, which he isn't. I hope you won't think it a trouble? I have been looking at the marriage service in the prayer-book, and it seems to me very humiliating that a giver-away should be required at all. According to the ceremony as there printed, my bridegroom chooses me of his own will and pleasure; but I don't choose him. Somebody GIVES me to him, like a she-ass or she-goat, or any other domestic animal. Bless your exalted views of woman, O churchman! But I forget: I am no longer privileged to tease you.--Ever, SUSANNA FLORENCE MARY BRIDEHEAD. Jude screwed himself up to heroic key; and replied: MY DEAR SUE,--Of course I wish you joy! And also of course I will give you away. What I suggest is that, as you have no house of your own, you do not marry from your school friend's, but from mine. It would be more proper, I think, since I am, as you say, the person nearest related to you in this part of the world. I don't see why you sign your letter in such a new and terribly formal way? Surely you care a bit about me still!--Ever your affectionate, JUDE. What had jarred on him even more than the signature was a little sting he had been silent on--the phrase "married relation"--What an idiot it made him seem as her lover! If Sue had written that in satire, he could hardly forgive her; if in suffering--ah, that was another thing! His offer of his lodging must have commended itself to Phillotson at any rate, for the schoolmaster sent him a line of warm thanks, accepting the convenience. Sue also thanked him. Jude immediately moved into more commodious quarters, as much to escape the espionage of the suspicious landlady who had been one cause of Sue's unpleasant experience as for the sake of room. Then Sue wrote to tell him the day fixed for the wedding; and Jude decided, after inquiry, that she should come into residence on the following Saturday, which would allow of a ten days' stay in the city prior to the ceremony, sufficiently representing a nominal residence of fifteen. She arrived by the ten o'clock train on the day aforesaid, Jude not going to meet her at the station, by her special request, that he should not lose a morning's work and pay, she said (if this were her true reason). But so well by this time did he know Sue that the remembrance of their mutual sensitiveness at emotional crises might, he thought, have weighed with her in this. When he came home to dinner she had taken possession of her apartment. She lived in the same house with him, but on a different floor, and they saw each other little, an occasional supper being the only meal they took together, when Sue's manner was something like that of a scared child. What she felt he did not know; their conversation was mechanical, though she did not look pale or ill. Phillotson came frequently, but mostly when Jude was absent. On the morning of the wedding, when Jude had given himself a holiday, Sue and her cousin had breakfast together for the first and last time during this curious interval; in his room--the parlour--which he had hired for the period of Sue's residence. Seeing, as women do, how helpless he was in making the place comfortable, she bustled about. "What's the matter, Jude?" she said suddenly. He was leaning with his elbows on the table and his chin on his hands, looking into a futurity which seemed to be sketched out on the tablecloth. "Oh--nothing!" "You are 'father', you know. That's what they call the man who gives you away." Jude could have said "Phillotson's age entitles him to be called that!" But he would not annoy her by such a cheap retort. She talked incessantly, as if she dreaded his indulgence in reflection, and before the meal was over both he and she wished they had not put such confidence in their new view of things, and had taken breakfast apart. What oppressed Jude was the thought that, having done a wrong thing of this sort himself, he was aiding and abetting the woman he loved in doing a like wrong thing, instead of imploring and warning her against it. It was on his tongue to say, "You have quite made up your mind?" After breakfast they went out on an errand together moved by a mutual thought that it was the last opportunity they would have of indulging in unceremonious companionship. By the irony of fate, and the curious trick in Sue's nature of tempting Providence at critical times, she took his arm as they walked through the muddy street--a thing she had never done before in her life--and on turning the corner they found themselves close to a grey perpendicular church with a low-pitched roof--the church of St. Thomas. "That's the church," said Jude. "Where I am going to be married?" "Yes." "Indeed!" she exclaimed with curiosity. "How I should like to go in and see what the spot is like where I am so soon to kneel and do it." Again he said to himself, "She does not realize what marriage means!" He passively acquiesced in her wish to go in, and they entered by the western door. The only person inside the gloomy building was a charwoman cleaning. Sue still held Jude's arm, almost as if she loved him. Cruelly sweet, indeed, she had been to him that morning; but his thoughts of a penance in store for her were tempered by an ache: ... I can find no way How a blow should fall, such as falls on men, Nor prove too much for your womanhood! They strolled undemonstratively up the nave towards the altar railing, which they stood against in silence, turning then and walking down the nave again, her hand still on his arm, precisely like a couple just married. The too suggestive incident, entirely of her making, nearly broke down Jude. "I like to do things like this," she said in the delicate voice of an epicure in emotions, which left no doubt that she spoke the truth. "I know you do!" said Jude. "They are interesting, because they have probably never been done before. I shall walk down the church like this with my husband in about two hours, shan't I!" "No doubt you will!" "Was it like this when you were married?" "Good God, Sue--don't be so awfully merciless! ... There, dear one, I didn't mean it!" "Ah--you are vexed!" she said regretfully, as she blinked away an access of eye moisture. "And I promised never to vex you! ... I suppose I ought not to have asked you to bring me in here. Oh, I oughtn't! I see it now. My curiosity to hunt up a new sensation always leads me into these scrapes. Forgive me! ... You will, won't you, Jude?" The appeal was so remorseful that Jude's eyes were even wetter than hers as he pressed her hand for Yes. "Now we'll hurry away, and I won't do it any more!" she continued humbly; and they came out of the building, Sue intending to go on to the station to meet Phillotson. But the first person they encountered on entering the main street was the schoolmaster himself, whose train had arrived sooner than Sue expected. There was nothing really to demur to in her leaning on Jude's arm; but she withdrew her hand, and Jude thought that Phillotson had looked surprised. "We have been doing such a funny thing!" said she, smiling candidly. "We've been to the church, rehearsing as it were. Haven't we, Jude?" "How?" said Phillotson curiously. Jude inwardly deplored what he thought to be unnecessary frankness; but she had gone too far not to explain all, which she accordingly did, telling him how they had marched up to the altar. Seeing how puzzled Phillotson seemed, Jude said as cheerfully as he could, "I am going to buy her another little present. Will you both come to the shop with me?" "No," said Sue, "I'll go on to the house with him"; and requesting her lover not to be a long time she departed with the schoolmaster. Jude soon joined them at his rooms, and shortly after they prepared for the ceremony. Phillotson's hair was brushed to a painful extent, and his shirt collar appeared stiffer than it had been for the previous twenty years. Beyond this he looked dignified and thoughtful, and altogether a man of whom it was not unsafe to predict that he would make a kind and considerate husband. That he adored Sue was obvious; and she could almost be seen to feel that she was undeserving his adoration. Although the distance was so short he had hired a fly from the Red Lion, and six or seven women and children had gathered by the door when they came out. The schoolmaster and Sue were unknown, though Jude was getting to be recognized as a citizen; and the couple were judged to be some relations of his from a distance, nobody supposing Sue to have been a recent pupil at the training school. In the carriage Jude took from his pocket his extra little wedding-present, which turned out to be two or three yards of white tulle, which he threw over her bonnet and all, as a veil. "It looks so odd over a bonnet," she said. "I'll take the bonnet off." "Oh no--let it stay," said Phillotson. And she obeyed. When they had passed up the church and were standing in their places Jude found that the antecedent visit had certainly taken off the edge of this performance, but by the time they were half-way on with the service he wished from his heart that he had not undertaken the business of giving her away. How could Sue have had the temerity to ask him to do it--a cruelty possibly to herself as well as to him? Women were different from men in such matters. Was it that they were, instead of more sensitive, as reputed, more callous, and less romantic; or were they more heroic? Or was Sue simply so perverse that she wilfully gave herself and him pain for the odd and mournful luxury of practising long-suffering in her own person, and of being touched with tender pity for him at having made him practise it? He could perceive that her face was nervously set, and when they reached the trying ordeal of Jude giving her to Phillotson she could hardly command herself; rather, however, as it seemed, from her knowledge of what her cousin must feel, whom she need not have had there at all, than from self-consideration. Possibly she would go on inflicting such pains again and again, and grieving for the sufferer again and again, in all her colossal inconsistency. Phillotson seemed not to notice, to be surrounded by a mist which prevented his seeing the emotions of others. As soon as they had signed their names and come away, and the suspense was over, Jude felt relieved. The meal at his lodging was a very simple affair, and at two o'clock they went off. In crossing the pavement to the fly she looked back; and there was a frightened light in her eyes. Could it be that Sue had acted with such unusual foolishness as to plunge into she knew not what for the sake of asserting her independence of him, of retaliating on him for his secrecy? Perhaps Sue was thus venturesome with men because she was childishly ignorant of that side of their natures which wore out women's hearts and lives. When her foot was on the carriage-step she turned round, saying that she had forgotten something. Jude and the landlady offered to get it. "No," she said, running back. "It is my handkerchief. I know where I left it." Jude followed her back. She had found it, and came holding it in her hand. She looked into his eyes with her own tearful ones, and her lips suddenly parted as if she were going to avow something. But she went on; and whatever she had meant to say remained unspoken.

In his new position at Shaston Phillotson, though pursuing his work at the school as well as his interest in antiquities, thinks mostly of Sue: saving money to support his future marriage, rereading her letters, looking at photographs of her. Though for a while he has honored Sue's desire that he not visit her frequently at the training college in Melchester, he grows impatient and pays her a visit only to discover she has been expelled. Entering the nearby cathedral, he encounters Jude and from him discovers the truth about the alleged scandal as well as something of Jude's feelings for Sue. When Jude meets Sue, finding her evasive about whether she has seen Phillotson, he tells her of his marriage to Arabella. Sue is angry because he has thought of himself first in concealing his marriage and has caused her to allow him to love her, and she asks him how he can reconcile this with his religious beliefs. To Jude's insistence that his marriage is the only obstacle between them, she names several, among which is that she would have to love him. As a reason for not telling her of Arabella, Jude mentions the family's lucklessness in marriage, which momentarily frightens them both. They part, pretending they can still be friends. When Sue writes to Jude that she is going to marry Phillotson soon, Jude wonders if his revealing his marriage to Arabella has hastened her decision, as he feels his visiting her drunk hurried her engagement. Even more upsetting is a second letter asking Jude to give her away at the ceremony, with its mention of him as her nearest "married relation." At Jude's suggestion Sue comes to stay with him so as to marry from his house, and their behavior toward each other is strained. Certain that she is making a mistake in marrying Phillotson, Jude allows Sue to go into the church a few hours before the wedding to see the place where she is to be married, an odd request that she herself acknowledges is characteristic of her. This and, later, the wedding are painful to Jude, and he wonders if she has willfully wanted him to be present. After the wedding and a meal at Jude's lodgings, when the newly married couple are ready to leave Sue hurries back into the house for her handkerchief. She looks at Jude as if to speak but says nothing and hurries out.

ACT V. SCENE I. Plains near Rome Enter LUCIUS with an army of GOTHS with drums and colours LUCIUS. Approved warriors and my faithful friends, I have received letters from great Rome Which signifies what hate they bear their Emperor And how desirous of our sight they are. Therefore, great lords, be, as your titles witness, Imperious and impatient of your wrongs; And wherein Rome hath done you any scath, Let him make treble satisfaction. FIRST GOTH. Brave slip, sprung from the great Andronicus, Whose name was once our terror, now our comfort, Whose high exploits and honourable deeds Ingrateful Rome requites with foul contempt, Be bold in us: we'll follow where thou lead'st, Like stinging bees in hottest summer's day, Led by their master to the flow'red fields, And be aveng'd on cursed Tamora. ALL THE GOTHS. And as he saith, so say we all with him. LUCIUS. I humbly thank him, and I thank you all. But who comes here, led by a lusty Goth? Enter a GOTH, leading AARON with his CHILD in his arms SECOND GOTH. Renowned Lucius, from our troops I stray'd To gaze upon a ruinous monastery; And as I earnestly did fix mine eye Upon the wasted building, suddenly I heard a child cry underneath a wall. I made unto the noise, when soon I heard The crying babe controll'd with this discourse: 'Peace, tawny slave, half me and half thy dam! Did not thy hue bewray whose brat thou art, Had nature lent thee but thy mother's look, Villain, thou mightst have been an emperor; But where the bull and cow are both milk-white, They never do beget a coal-black calf. Peace, villain, peace!'- even thus he rates the babe- 'For I must bear thee to a trusty Goth, Who, when he knows thou art the Empress' babe, Will hold thee dearly for thy mother's sake.' With this, my weapon drawn, I rush'd upon him, Surpris'd him suddenly, and brought him hither To use as you think needful of the man. LUCIUS. O worthy Goth, this is the incarnate devil That robb'd Andronicus of his good hand; This is the pearl that pleas'd your Empress' eye; And here's the base fruit of her burning lust. Say, wall-ey'd slave, whither wouldst thou convey This growing image of thy fiend-like face? Why dost not speak? What, deaf? Not a word? A halter, soldiers! Hang him on this tree, And by his side his fruit of bastardy. AARON. Touch not the boy, he is of royal blood. LUCIUS. Too like the sire for ever being good. First hang the child, that he may see it sprawl- A sight to vex the father's soul withal. Get me a ladder. [A ladder brought, which AARON is made to climb] AARON. Lucius, save the child, And bear it from me to the Empress. If thou do this, I'll show thee wondrous things That highly may advantage thee to hear; If thou wilt not, befall what may befall, I'll speak no more but 'Vengeance rot you all!' LUCIUS. Say on; an if it please me which thou speak'st, Thy child shall live, and I will see it nourish'd. AARON. An if it please thee! Why, assure thee, Lucius, 'Twill vex thy soul to hear what I shall speak; For I must talk of murders, rapes, and massacres, Acts of black night, abominable deeds, Complots of mischief, treason, villainies, Ruthful to hear, yet piteously perform'd; And this shall all be buried in my death, Unless thou swear to me my child shall live. LUCIUS. Tell on thy mind; I say thy child shall live. AARON. Swear that he shall, and then I will begin. LUCIUS. Who should I swear by? Thou believest no god; That granted, how canst thou believe an oath? AARON. What if I do not? as indeed I do not; Yet, for I know thou art religious And hast a thing within thee called conscience, With twenty popish tricks and ceremonies Which I have seen thee careful to observe, Therefore I urge thy oath. For that I know An idiot holds his bauble for a god, And keeps the oath which by that god he swears, To that I'll urge him. Therefore thou shalt vow By that same god- what god soe'er it be That thou adorest and hast in reverence- To save my boy, to nourish and bring him up; Or else I will discover nought to thee. LUCIUS. Even by my god I swear to thee I will. AARON. First know thou, I begot him on the Empress. LUCIUS. O most insatiate and luxurious woman! AARON. Tut, Lucius, this was but a deed of charity To that which thou shalt hear of me anon. 'Twas her two sons that murdered Bassianus; They cut thy sister's tongue, and ravish'd her, And cut her hands, and trimm'd her as thou sawest. LUCIUS. O detestable villain! Call'st thou that trimming? AARON. Why, she was wash'd, and cut, and trimm'd, and 'twas Trim sport for them which had the doing of it. LUCIUS. O barbarous beastly villains like thyself! AARON. Indeed, I was their tutor to instruct them. That codding spirit had they from their mother, As sure a card as ever won the set; That bloody mind, I think, they learn'd of me, As true a dog as ever fought at head. Well, let my deeds be witness of my worth. I train'd thy brethren to that guileful hole Where the dead corpse of Bassianus lay; I wrote the letter that thy father found, And hid the gold within that letter mention'd, Confederate with the Queen and her two sons; And what not done, that thou hast cause to rue, Wherein I had no stroke of mischief in it? I play'd the cheater for thy father's hand, And, when I had it, drew myself apart And almost broke my heart with extreme laughter. I pried me through the crevice of a wall, When, for his hand, he had his two sons' heads; Beheld his tears, and laugh'd so heartily That both mine eyes were rainy like to his; And when I told the Empress of this sport, She swooned almost at my pleasing tale, And for my tidings gave me twenty kisses. GOTH. What, canst thou say all this and never blush? AARON. Ay, like a black dog, as the saying is. LUCIUS. Art thou not sorry for these heinous deeds? AARON. Ay, that I had not done a thousand more. Even now I curse the day- and yet, I think, Few come within the compass of my curse- Wherein I did not some notorious ill; As kill a man, or else devise his death; Ravish a maid, or plot the way to do it; Accuse some innocent, and forswear myself; Set deadly enmity between two friends; Make poor men's cattle break their necks; Set fire on barns and hay-stacks in the night, And bid the owners quench them with their tears. Oft have I digg'd up dead men from their graves, And set them upright at their dear friends' door Even when their sorrows almost was forgot, And on their skins, as on the bark of trees, Have with my knife carved in Roman letters 'Let not your sorrow die, though I am dead.' Tut, I have done a thousand dreadful things As willingly as one would kill a fly; And nothing grieves me heartily indeed But that I cannot do ten thousand more. LUCIUS. Bring down the devil, for he must not die So sweet a death as hanging presently. AARON. If there be devils, would I were a devil, To live and burn in everlasting fire, So I might have your company in hell But to torment you with my bitter tongue! LUCIUS. Sirs, stop his mouth, and let him speak no more. Enter AEMILIUS GOTH. My lord, there is a messenger from Rome Desires to be admitted to your presence. LUCIUS. Let him come near. Welcome, Aemilius. What's the news from Rome? AEMILIUS. Lord Lucius, and you Princes of the Goths, The Roman Emperor greets you all by me; And, for he understands you are in arms, He craves a parley at your father's house, Willing you to demand your hostages, And they shall be immediately deliver'd. FIRST GOTH. What says our general? LUCIUS. Aemilius, let the Emperor give his pledges Unto my father and my uncle Marcus. And we will come. March away. Exeunt SCENE II. Rome. Before TITUS' house Enter TAMORA, and her two sons, DEMETRIUS and CHIRON, disguised TAMORA. Thus, in this strange and sad habiliment, I will encounter with Andronicus, And say I am Revenge, sent from below To join with him and right his heinous wrongs. Knock at his study, where they say he keeps To ruminate strange plots of dire revenge; Tell him Revenge is come to join with him, And work confusion on his enemies. They knock and TITUS opens his study door, above TITUS. Who doth molest my contemplation? Is it your trick to make me ope the door, That so my sad decrees may fly away And all my study be to no effect? You are deceiv'd; for what I mean to do See here in bloody lines I have set down; And what is written shall be executed. TAMORA. Titus, I am come to talk with thee. TITUS. No, not a word. How can I grace my talk, Wanting a hand to give it that accord? Thou hast the odds of me; therefore no more. TAMORA. If thou didst know me, thou wouldst talk with me. TITUS. I am not mad, I know thee well enough: Witness this wretched stump, witness these crimson lines; Witness these trenches made by grief and care; Witness the tiring day and heavy night; Witness all sorrow that I know thee well For our proud Empress, mighty Tamora. Is not thy coming for my other hand? TAMORA. Know thou, sad man, I am not Tamora: She is thy enemy and I thy friend. I am Revenge, sent from th' infernal kingdom To ease the gnawing vulture of thy mind By working wreakful vengeance on thy foes. Come down and welcome me to this world's light; Confer with me of murder and of death; There's not a hollow cave or lurking-place, No vast obscurity or misty vale, Where bloody murder or detested rape Can couch for fear but I will find them out; And in their ears tell them my dreadful name- Revenge, which makes the foul offender quake. TITUS. Art thou Revenge? and art thou sent to me To be a torment to mine enemies? TAMORA. I am; therefore come down and welcome me. TITUS. Do me some service ere I come to thee. Lo, by thy side where Rape and Murder stands; Now give some surance that thou art Revenge- Stab them, or tear them on thy chariot wheels; And then I'll come and be thy waggoner And whirl along with thee about the globes. Provide thee two proper palfreys, black as jet, To hale thy vengeful waggon swift away, And find out murderers in their guilty caves; And when thy car is loaden with their heads, I will dismount, and by thy waggon wheel Trot, like a servile footman, all day long, Even from Hyperion's rising in the east Until his very downfall in the sea. And day by day I'll do this heavy task, So thou destroy Rapine and Murder there. TAMORA. These are my ministers, and come with me. TITUS. Are they thy ministers? What are they call'd? TAMORA. Rape and Murder; therefore called so 'Cause they take vengeance of such kind of men. TITUS. Good Lord, how like the Empress' sons they are! And you the Empress! But we worldly men Have miserable, mad, mistaking eyes. O sweet Revenge, now do I come to thee; And, if one arm's embracement will content thee, I will embrace thee in it by and by. TAMORA. This closing with him fits his lunacy. Whate'er I forge to feed his brain-sick humours, Do you uphold and maintain in your speeches, For now he firmly takes me for Revenge; And, being credulous in this mad thought, I'll make him send for Lucius his son, And whilst I at a banquet hold him sure, I'll find some cunning practice out of hand To scatter and disperse the giddy Goths, Or, at the least, make them his enemies. See, here he comes, and I must ply my theme. Enter TITUS, below TITUS. Long have I been forlorn, and all for thee. Welcome, dread Fury, to my woeful house. Rapine and Murder, you are welcome too. How like the Empress and her sons you are! Well are you fitted, had you but a Moor. Could not all hell afford you such a devil? For well I wot the Empress never wags But in her company there is a Moor; And, would you represent our queen aright, It were convenient you had such a devil. But welcome as you are. What shall we do? TAMORA. What wouldst thou have us do, Andronicus? DEMETRIUS. Show me a murderer, I'll deal with him. CHIRON. Show me a villain that hath done a rape, And I am sent to be reveng'd on him. TAMORA. Show me a thousand that hath done thee wrong, And I will be revenged on them all. TITUS. Look round about the wicked streets of Rome, And when thou find'st a man that's like thyself, Good Murder, stab him; he's a murderer. Go thou with him, and when it is thy hap To find another that is like to thee, Good Rapine, stab him; he is a ravisher. Go thou with them; and in the Emperor's court There is a queen, attended by a Moor; Well shalt thou know her by thine own proportion, For up and down she doth resemble thee. I pray thee, do on them some violent death; They have been violent to me and mine. TAMORA. Well hast thou lesson'd us; this shall we do. But would it please thee, good Andronicus, To send for Lucius, thy thrice-valiant son, Who leads towards Rome a band of warlike Goths, And bid him come and banquet at thy house; When he is here, even at thy solemn feast, I will bring in the Empress and her sons, The Emperor himself, and all thy foes; And at thy mercy shall they stoop and kneel, And on them shalt thou ease thy angry heart. What says Andronicus to this device? TITUS. Marcus, my brother! 'Tis sad Titus calls. Enter MARCUS Go, gentle Marcus, to thy nephew Lucius; Thou shalt inquire him out among the Goths. Bid him repair to me, and bring with him Some of the chiefest princes of the Goths; Bid him encamp his soldiers where they are. Tell him the Emperor and the Empress too Feast at my house, and he shall feast with them. This do thou for my love; and so let him, As he regards his aged father's life. MARCUS. This will I do, and soon return again. Exit TAMORA. Now will I hence about thy business, And take my ministers along with me. TITUS. Nay, nay, let Rape and Murder stay with me, Or else I'll call my brother back again, And cleave to no revenge but Lucius. TAMORA. [Aside to her sons] What say you, boys? Will you abide with him, Whiles I go tell my lord the Emperor How I have govern'd our determin'd jest? Yield to his humour, smooth and speak him fair, And tarry with him till I turn again. TITUS. [Aside] I knew them all, though they suppos'd me mad, And will o'er reach them in their own devices, A pair of cursed hell-hounds and their dam. DEMETRIUS. Madam, depart at pleasure; leave us here. TAMORA. Farewell, Andronicus, Revenge now goes To lay a complot to betray thy foes. TITUS. I know thou dost; and, sweet Revenge, farewell. Exit TAMORA CHIRON. Tell us, old man, how shall we be employ'd? TITUS. Tut, I have work enough for you to do. Publius, come hither, Caius, and Valentine. Enter PUBLIUS, CAIUS, and VALENTINE PUBLIUS. What is your will? TITUS. Know you these two? PUBLIUS. The Empress' sons, I take them: Chiron, Demetrius. TITUS. Fie, Publius, fie! thou art too much deceiv'd. The one is Murder, and Rape is the other's name; And therefore bind them, gentle Publius- Caius and Valentine, lay hands on them. Oft have you heard me wish for such an hour, And now I find it; therefore bind them sure, And stop their mouths if they begin to cry. Exit [They lay hold on CHIRON and DEMETRIUS] CHIRON. Villains, forbear! we are the Empress' sons. PUBLIUS. And therefore do we what we are commanded. Stop close their mouths, let them not speak a word. Is he sure bound? Look that you bind them fast. Re-enter TITUS ANDRONICUS with a knife, and LAVINIA, with a basin TITUS. Come, come, Lavinia; look, thy foes are bound. Sirs, stop their mouths, let them not speak to me; But let them hear what fearful words I utter. O villains, Chiron and Demetrius! Here stands the spring whom you have stain'd with mud; This goodly summer with your winter mix'd. You kill'd her husband; and for that vile fault Two of her brothers were condemn'd to death, My hand cut off and made a merry jest; Both her sweet hands, her tongue, and that more dear Than hands or tongue, her spotless chastity, Inhuman traitors, you constrain'd and forc'd. What would you say, if I should let you speak? Villains, for shame you could not beg for grace. Hark, wretches! how I mean to martyr you. This one hand yet is left to cut your throats, Whiles that Lavinia 'tween her stumps doth hold The basin that receives your guilty blood. You know your mother means to feast with me, And calls herself Revenge, and thinks me mad. Hark, villains! I will grind your bones to dust, And with your blood and it I'll make a paste; And of the paste a coffin I will rear, And make two pasties of your shameful heads; And bid that strumpet, your unhallowed dam, Like to the earth, swallow her own increase. This is the feast that I have bid her to, And this the banquet she shall surfeit on; For worse than Philomel you us'd my daughter, And worse than Progne I will be reveng'd. And now prepare your throats. Lavinia, come, Receive the blood; and when that they are dead, Let me go grind their bones to powder small, And with this hateful liquor temper it; And in that paste let their vile heads be bak'd. Come, come, be every one officious To make this banquet, which I wish may prove More stern and bloody than the Centaurs' feast. [He cuts their throats] So. Now bring them in, for I will play the cook, And see them ready against their mother comes. Exeunt, bearing the dead bodies SCENE III. The court of TITUS' house Enter Lucius, MARCUS, and the GOTHS, with AARON prisoner, and his CHILD in the arms of an attendant LUCIUS. Uncle Marcus, since 'tis my father's mind That I repair to Rome, I am content. FIRST GOTH. And ours with thine, befall what fortune will. LUCIUS. Good uncle, take you in this barbarous Moor, This ravenous tiger, this accursed devil; Let him receive no sust'nance, fetter him, Till he be brought unto the Empress' face For testimony of her foul proceedings. And see the ambush of our friends be strong; I fear the Emperor means no good to us. AARON. Some devil whisper curses in my ear, And prompt me that my tongue may utter forth The venomous malice of my swelling heart! LUCIUS. Away, inhuman dog, unhallowed slave! Sirs, help our uncle to convey him in. Exeunt GOTHS with AARON. Flourish within The trumpets show the Emperor is at hand. Sound trumpets. Enter SATURNINUS and TAMORA, with AEMILIUS, TRIBUNES, SENATORS, and others SATURNINUS. What, hath the firmament more suns than one? LUCIUS. What boots it thee to call thyself a sun? MARCUS. Rome's Emperor, and nephew, break the parle; These quarrels must be quietly debated. The feast is ready which the careful Titus Hath ordain'd to an honourable end, For peace, for love, for league, and good to Rome. Please you, therefore, draw nigh and take your places. SATURNINUS. Marcus, we will. [A table brought in. The company sit down] Trumpets sounding, enter TITUS like a cook, placing the dishes, and LAVINIA with a veil over her face; also YOUNG LUCIUS, and others TITUS. Welcome, my lord; welcome, dread Queen; Welcome, ye warlike Goths; welcome, Lucius; And welcome all. Although the cheer be poor, 'Twill fill your stomachs; please you eat of it. SATURNINUS. Why art thou thus attir'd, Andronicus? TITUS. Because I would be sure to have all well To entertain your Highness and your Empress. TAMORA. We are beholding to you, good Andronicus. TITUS. An if your Highness knew my heart, you were. My lord the Emperor, resolve me this: Was it well done of rash Virginius To slay his daughter with his own right hand, Because she was enforc'd, stain'd, and deflower'd? SATURNINUS. It was, Andronicus. TITUS. Your reason, mighty lord. SATURNINUS. Because the girl should not survive her shame, And by her presence still renew his sorrows. TITUS. A reason mighty, strong, and effectual; A pattern, precedent, and lively warrant For me, most wretched, to perform the like. Die, die, Lavinia, and thy shame with thee; [He kills her] And with thy shame thy father's sorrow die! SATURNINUS. What hast thou done, unnatural and unkind? TITUS. Kill'd her for whom my tears have made me blind. I am as woeful as Virginius was, And have a thousand times more cause than he To do this outrage; and it now is done. SATURNINUS. What, was she ravish'd? Tell who did the deed. TITUS. Will't please you eat? Will't please your Highness feed? TAMORA. Why hast thou slain thine only daughter thus? TITUS. Not I; 'twas Chiron and Demetrius. They ravish'd her, and cut away her tongue; And they, 'twas they, that did her all this wrong. SATURNINUS. Go, fetch them hither to us presently. TITUS. Why, there they are, both baked in this pie, Whereof their mother daintily hath fed, Eating the flesh that she herself hath bred. 'Tis true, 'tis true: witness my knife's sharp point. [He stabs the EMPRESS] SATURNINUS. Die, frantic wretch, for this accursed deed! [He stabs TITUS] LUCIUS. Can the son's eye behold his father bleed? There's meed for meed, death for a deadly deed. [He stabs SATURNINUS. A great tumult. LUCIUS, MARCUS, and their friends go up into the balcony] MARCUS. You sad-fac'd men, people and sons of Rome, By uproars sever'd, as a flight of fowl Scatter'd by winds and high tempestuous gusts? O, let me teach you how to knit again This scattered corn into one mutual sheaf, These broken limbs again into one body; Lest Rome herself be bane unto herself, And she whom mighty kingdoms curtsy to, Like a forlorn and desperate castaway, Do shameful execution on herself. But if my frosty signs and chaps of age, Grave witnesses of true experience, Cannot induce you to attend my words, [To Lucius] Speak, Rome's dear friend, as erst our ancestor, When with his solemn tongue he did discourse To love-sick Dido's sad attending ear The story of that baleful burning night, When subtle Greeks surpris'd King Priam's Troy. Tell us what Sinon hath bewitch'd our ears, Or who hath brought the fatal engine in That gives our Troy, our Rome, the civil wound. My heart is not compact of flint nor steel; Nor can I utter all our bitter grief, But floods of tears will drown my oratory And break my utt'rance, even in the time When it should move ye to attend me most, And force you to commiseration. Here's Rome's young Captain, let him tell the tale; While I stand by and weep to hear him speak. LUCIUS. Then, gracious auditory, be it known to you That Chiron and the damn'd Demetrius Were they that murd'red our Emperor's brother; And they it were that ravished our sister. For their fell faults our brothers were beheaded, Our father's tears despis'd, and basely cozen'd Of that true hand that fought Rome's quarrel out And sent her enemies unto the grave. Lastly, myself unkindly banished, The gates shut on me, and turn'd weeping out, To beg relief among Rome's enemies; Who drown'd their enmity in my true tears, And op'd their arms to embrace me as a friend. I am the turned forth, be it known to you, That have preserv'd her welfare in my blood And from her bosom took the enemy's point, Sheathing the steel in my advent'rous body. Alas! you know I am no vaunter, I; My scars can witness, dumb although they are, That my report is just and full of truth. But, soft! methinks I do digress too much, Citing my worthless praise. O, pardon me! For when no friends are by, men praise themselves. MARCUS. Now is my turn to speak. Behold the child. [Pointing to the CHILD in an attendant's arms] Of this was Tamora delivered, The issue of an irreligious Moor, Chief architect and plotter of these woes. The villain is alive in Titus' house, Damn'd as he is, to witness this is true. Now judge what cause had Titus to revenge These wrongs unspeakable, past patience, Or more than any living man could bear. Now have you heard the truth: what say you, Romans? Have we done aught amiss, show us wherein, And, from the place where you behold us pleading, The poor remainder of Andronici Will, hand in hand, all headlong hurl ourselves, And on the ragged stones beat forth our souls, And make a mutual closure of our house. Speak, Romans, speak; and if you say we shall, Lo, hand in hand, Lucius and I will fall. AEMILIUS. Come, come, thou reverend man of Rome, And bring our Emperor gently in thy hand, Lucius our Emperor; for well I know The common voice do cry it shall be so. ALL. Lucius, all hail, Rome's royal Emperor! MARCUS. Go, go into old Titus' sorrowful house, And hither hale that misbelieving Moor To be adjudg'd some direful slaught'ring death, As punishment for his most wicked life. Exeunt some attendants. LUCIUS, MARCUS, and the others descend ALL. Lucius, all hail, Rome's gracious governor! LUCIUS. Thanks, gentle Romans! May I govern so To heal Rome's harms and wipe away her woe! But, gentle people, give me aim awhile, For nature puts me to a heavy task. Stand all aloof; but, uncle, draw you near To shed obsequious tears upon this trunk. O, take this warm kiss on thy pale cold lips. [Kisses TITUS] These sorrowful drops upon thy blood-stain'd face, The last true duties of thy noble son! MARCUS. Tear for tear and loving kiss for kiss Thy brother Marcus tenders on thy lips. O, were the sum of these that I should pay Countless and infinite, yet would I pay them! LUCIUS. Come hither, boy; come, come, come, and learn of us To melt in showers. Thy grandsire lov'd thee well; Many a time he danc'd thee on his knee, Sung thee asleep, his loving breast thy pillow; Many a story hath he told to thee, And bid thee bear his pretty tales in mind And talk of them when he was dead and gone. MARCUS. How many thousand times hath these poor lips, When they were living, warm'd themselves on thine! O, now, sweet boy, give them their latest kiss! Bid him farewell; commit him to the grave; Do them that kindness, and take leave of them. BOY. O grandsire, grandsire! ev'n with all my heart Would I were dead, so you did live again! O Lord, I cannot speak to him for weeping; My tears will choke me, if I ope my mouth. Re-enter attendants with AARON A ROMAN. You sad Andronici, have done with woes; Give sentence on the execrable wretch That hath been breeder of these dire events. LUCIUS. Set him breast-deep in earth, and famish him; There let him stand and rave and cry for food. If any one relieves or pities him, For the offence he dies. This is our doom. Some stay to see him fast'ned in the earth. AARON. Ah, why should wrath be mute and fury dumb? I am no baby, I, that with base prayers I should repent the evils I have done; Ten thousand worse than ever yet I did Would I perform, if I might have my will. If one good deed in all my life I did, I do repent it from my very soul. LUCIUS. Some loving friends convey the Emperor hence, And give him burial in his father's grave. My father and Lavinia shall forthwith Be closed in our household's monument. As for that ravenous tiger, Tamora, No funeral rite, nor man in mourning weed, No mournful bell shall ring her burial; But throw her forth to beasts and birds to prey. Her life was beastly and devoid of pity, And being dead, let birds on her take pity. Exeunt

Act Five opens outside the walls of Rome, where Lucius stands before his army of Goths. He announces that the Roman public desires the deposition of their emperor, and a Goth leader assures him that they too want to take revenge on Tamora. Another Goth enters leading Aaron and his child and says that the infant is the product of an adulterous affair between Tamora and the Moor. Lucius, remembering Aaron's plot to divest Titus of his hand, orders Aaron and the child to be hanged. Aaron says that he will confess to his many crimes in exchange for his child's life. Lucius agrees, and Aaron confesses to his affair with Tamora and his role in Lavinia's rape and mutilation, and admits to having masterminded the plot to execute Titus' sons. He goes on to admit to many other heinous crimes, causing Lucius to have him gagged and sentenced to a slow death. Aemilius then enters and tells Lucius that Saturninus wishes to see him at Titus' house for a parley. Tamora, meanwhile, sets in motion her plot to destroy Titus. Accompanied by her sons, who are disguised as Rape and Murder, she comes to his house in the guise of the goddess Revenge. Titus immediately recognizes her, but she refuses to admit to her true identity. She talks Titus into joining her, while he all the while remarks how alike she and her companions are to the empress and her sons. He even instructs his visitors to kill Tamora and her sons, whom he says they will know by their similarity to themselves. Tamora then tells Titus to summon Lucius to the parley at his house, and Titus instructs Marcus to do as she bids. When Tamora and her sons ready themselves to leave, Titus insists that Rape and Murder stay with him. They do so, assuming that they'll be able to continue the charade. As soon as Tamora leaves, however, Titus has Publius bind and gag her sons. He goes into the house for a knife and returns with Lavinia, who is holding a basin. Titus tells the rapists that he is going to slaughter them and bake their flesh and blood into a meat pie, which he will then serve at the parley banquet. He cuts their throats, and the baking begins. Marcus and Lucius, meanwhile, make their way to the parley, where they meet Saturninus and his queen. Titus, dressed in cook's garb, sets up a table and serves his meat pies. As Saturninus eats, Titus asks him about the tale of Virginius and his daughter, who was violated and then slain. Saturninus agrees that Virginius was right to kill his daughter because she had been raped. Upon hearing this, Titus kills Lavinia. When Saturninus and Tamora ask why he would do such a thing, he tells them that Chiron and Demetrius raped and mutilated her. They ask for the boys to be fetched, but Titus declares that they are already dead and have been baked into the pies that sit on the table before them. He then kills Tamora, after which Saturninus stabs Titus, and Lucius slays Saturninus. After the bloodshed has finished, Marcus and Lucius explain to the Roman elites the sad history of the Andronici: how Lavinia was raped and Bassianus killed, how Titus' sons were wrongfully executed and his hand needlessly chopped off, how Aaron and Tamora conceived a child, and so on. The Romans all agree that Titus' revenge was justified, and unanimously elect Lucius the next emperor of Rome. The remaining Andronici pay homage to Titus, and Lucius orders that Aaron the Moor be buried chest-deep in the ground and starved to death. He orders funeral rites for Titus and Saturninus, but declares that Tamora will not receive a proper burial: instead, she will be devoured by birds and wild beasts.

Noah Claypole ran along the streets at his swiftest pace, and paused not once for breath, until he reached the workhouse-gate. Having rested here, for a minute or so, to collect a good burst of sobs and an imposing show of tears and terror, he knocked loudly at the wicket; and presented such a rueful face to the aged pauper who opened it, that even he, who saw nothing but rueful faces about him at the best of times, started back in astonishment. 'Why, what's the matter with the boy!' said the old pauper. 'Mr. Bumble! Mr. Bumble!' cried Noah, with well-affected dismay: and in tones so loud and agitated, that they not only caught the ear of Mr. Bumble himself, who happened to be hard by, but alarmed him so much that he rushed into the yard without his cocked hat,--which is a very curious and remarkable circumstance: as showing that even a beadle, acted upon a sudden and powerful impulse, may be afflicted with a momentary visitation of loss of self-possession, and forgetfulness of personal dignity. 'Oh, Mr. Bumble, sir!' said Noah: 'Oliver, sir,--Oliver has--' 'What? What?' interposed Mr. Bumble: with a gleam of pleasure in his metallic eyes. 'Not run away; he hasn't run away, has he, Noah?' 'No, sir, no. Not run away, sir, but he's turned wicious,' replied Noah. 'He tried to murder me, sir; and then he tried to murder Charlotte; and then missis. Oh! what dreadful pain it is! Such agony, please, sir!' And here, Noah writhed and twisted his body into an extensive variety of eel-like positions; thereby giving Mr. Bumble to understand that, from the violent and sanguinary onset of Oliver Twist, he had sustained severe internal injury and damage, from which he was at that moment suffering the acutest torture. When Noah saw that the intelligence he communicated perfectly paralysed Mr. Bumble, he imparted additional effect thereunto, by bewailing his dreadful wounds ten times louder than before; and when he observed a gentleman in a white waistcoat crossing the yard, he was more tragic in his lamentations than ever: rightly conceiving it highly expedient to attract the notice, and rouse the indignation, of the gentleman aforesaid. The gentleman's notice was very soon attracted; for he had not walked three paces, when he turned angrily round, and inquired what that young cur was howling for, and why Mr. Bumble did not favour him with something which would render the series of vocular exclamations so designated, an involuntary process? 'It's a poor boy from the free-school, sir,' replied Mr. Bumble, 'who has been nearly murdered--all but murdered, sir,--by young Twist.' 'By Jove!' exclaimed the gentleman in the white waistcoat, stopping short. 'I knew it! I felt a strange presentiment from the very first, that that audacious young savage would come to be hung!' 'He has likewise attempted, sir, to murder the female servant,' said Mr. Bumble, with a face of ashy paleness. 'And his missis,' interposed Mr. Claypole. 'And his master, too, I think you said, Noah?' added Mr. Bumble. 'No! he's out, or he would have murdered him,' replied Noah. 'He said he wanted to.' 'Ah! Said he wanted to, did he, my boy?' inquired the gentleman in the white waistcoat. 'Yes, sir,' replied Noah. 'And please, sir, missis wants to know whether Mr. Bumble can spare time to step up there, directly, and flog him--'cause master's out.' 'Certainly, my boy; certainly,' said the gentleman in the white waistcoat: smiling benignly, and patting Noah's head, which was about three inches higher than his own. 'You're a good boy--a very good boy. Here's a penny for you. Bumble, just step up to Sowerberry's with your cane, and see what's best to be done. Don't spare him, Bumble.' 'No, I will not, sir,' replied the beadle. And the cocked hat and cane having been, by this time, adjusted to their owner's satisfaction, Mr. Bumble and Noah Claypole betook themselves with all speed to the undertaker's shop. Here the position of affairs had not at all improved. Sowerberry had not yet returned, and Oliver continued to kick, with undiminished vigour, at the cellar-door. The accounts of his ferocity as related by Mrs. Sowerberry and Charlotte, were of so startling a nature, that Mr. Bumble judged it prudent to parley, before opening the door. With this view he gave a kick at the outside, by way of prelude; and, then, applying his mouth to the keyhole, said, in a deep and impressive tone: 'Oliver!' 'Come; you let me out!' replied Oliver, from the inside. 'Do you know this here voice, Oliver?' said Mr. Bumble. 'Yes,' replied Oliver. 'Ain't you afraid of it, sir? Ain't you a-trembling while I speak, sir?' said Mr. Bumble. 'No!' replied Oliver, boldly. An answer so different from the one he had expected to elicit, and was in the habit of receiving, staggered Mr. Bumble not a little. He stepped back from the keyhole; drew himself up to his full height; and looked from one to another of the three bystanders, in mute astonishment. 'Oh, you know, Mr. Bumble, he must be mad,' said Mrs. Sowerberry. 'No boy in half his senses could venture to speak so to you.' 'It's not Madness, ma'am,' replied Mr. Bumble, after a few moments of deep meditation. 'It's Meat.' 'What?' exclaimed Mrs. Sowerberry. 'Meat, ma'am, meat,' replied Bumble, with stern emphasis. 'You've over-fed him, ma'am. You've raised a artificial soul and spirit in him, ma'am unbecoming a person of his condition: as the board, Mrs. Sowerberry, who are practical philosophers, will tell you. What have paupers to do with soul or spirit? It's quite enough that we let 'em have live bodies. If you had kept the boy on gruel, ma'am, this would never have happened.' 'Dear, dear!' ejaculated Mrs. Sowerberry, piously raising her eyes to the kitchen ceiling: 'this comes of being liberal!' The liberality of Mrs. Sowerberry to Oliver, had consisted of a profuse bestowal upon him of all the dirty odds and ends which nobody else would eat; so there was a great deal of meekness and self-devotion in her voluntarily remaining under Mr. Bumble's heavy accusation. Of which, to do her justice, she was wholly innocent, in thought, word, or deed. 'Ah!' said Mr. Bumble, when the lady brought her eyes down to earth again; 'the only thing that can be done now, that I know of, is to leave him in the cellar for a day or so, till he's a little starved down; and then to take him out, and keep him on gruel all through the apprenticeship. He comes of a bad family. Excitable natures, Mrs. Sowerberry! Both the nurse and doctor said, that that mother of his made her way here, against difficulties and pain that would have killed any well-disposed woman, weeks before.' At this point of Mr. Bumble's discourse, Oliver, just hearing enough to know that some allusion was being made to his mother, recommenced kicking, with a violence that rendered every other sound inaudible. Sowerberry returned at this juncture. Oliver's offence having been explained to him, with such exaggerations as the ladies thought best calculated to rouse his ire, he unlocked the cellar-door in a twinkling, and dragged his rebellious apprentice out, by the collar. Oliver's clothes had been torn in the beating he had received; his face was bruised and scratched; and his hair scattered over his forehead. The angry flush had not disappeared, however; and when he was pulled out of his prison, he scowled boldly on Noah, and looked quite undismayed. 'Now, you are a nice young fellow, ain't you?' said Sowerberry; giving Oliver a shake, and a box on the ear. 'He called my mother names,' replied Oliver. 'Well, and what if he did, you little ungrateful wretch?' said Mrs. Sowerberry. 'She deserved what he said, and worse.' 'She didn't' said Oliver. 'She did,' said Mrs. Sowerberry. 'It's a lie!' said Oliver. Mrs. Sowerberry burst into a flood of tears. This flood of tears left Mr. Sowerberry no alternative. If he had hesitated for one instant to punish Oliver most severely, it must be quite clear to every experienced reader that he would have been, according to all precedents in disputes of matrimony established, a brute, an unnatural husband, an insulting creature, a base imitation of a man, and various other agreeable characters too numerous for recital within the limits of this chapter. To do him justice, he was, as far as his power went--it was not very extensive--kindly disposed towards the boy; perhaps, because it was his interest to be so; perhaps, because his wife disliked him. The flood of tears, however, left him no resource; so he at once gave him a drubbing, which satisfied even Mrs. Sowerberry herself, and rendered Mr. Bumble's subsequent application of the parochial cane, rather unnecessary. For the rest of the day, he was shut up in the back kitchen, in company with a pump and a slice of bread; and at night, Mrs. Sowerberry, after making various remarks outside the door, by no means complimentary to the memory of his mother, looked into the room, and, amidst the jeers and pointings of Noah and Charlotte, ordered him upstairs to his dismal bed. It was not until he was left alone in the silence and stillness of the gloomy workshop of the undertaker, that Oliver gave way to the feelings which the day's treatment may be supposed likely to have awakened in a mere child. He had listened to their taunts with a look of contempt; he had borne the lash without a cry: for he felt that pride swelling in his heart which would have kept down a shriek to the last, though they had roasted him alive. But now, when there were none to see or hear him, he fell upon his knees on the floor; and, hiding his face in his hands, wept such tears as, God send for the credit of our nature, few so young may ever have cause to pour out before him! For a long time, Oliver remained motionless in this attitude. The candle was burning low in the socket when he rose to his feet. Having gazed cautiously round him, and listened intently, he gently undid the fastenings of the door, and looked abroad. It was a cold, dark night. The stars seemed, to the boy's eyes, farther from the earth than he had ever seen them before; there was no wind; and the sombre shadows thrown by the trees upon the ground, looked sepulchral and death-like, from being so still. He softly reclosed the door. Having availed himself of the expiring light of the candle to tie up in a handkerchief the few articles of wearing apparel he had, sat himself down upon a bench, to wait for morning. With the first ray of light that struggled through the crevices in the shutters, Oliver arose, and again unbarred the door. One timid look around--one moment's pause of hesitation--he had closed it behind him, and was in the open street. He looked to the right and to the left, uncertain whither to fly. He remembered to have seen the waggons, as they went out, toiling up the hill. He took the same route; and arriving at a footpath across the fields: which he knew, after some distance, led out again into the road; struck into it, and walked quickly on. Along this same footpath, Oliver well-remembered he had trotted beside Mr. Bumble, when he first carried him to the workhouse from the farm. His way lay directly in front of the cottage. His heart beat quickly when he bethought himself of this; and he half resolved to turn back. He had come a long way though, and should lose a great deal of time by doing so. Besides, it was so early that there was very little fear of his being seen; so he walked on. He reached the house. There was no appearance of its inmates stirring at that early hour. Oliver stopped, and peeped into the garden. A child was weeding one of the little beds; as he stopped, he raised his pale face and disclosed the features of one of his former companions. Oliver felt glad to see him, before he went; for, though younger than himself, he had been his little friend and playmate. They had been beaten, and starved, and shut up together, many and many a time. 'Hush, Dick!' said Oliver, as the boy ran to the gate, and thrust his thin arm between the rails to greet him. 'Is any one up?' 'Nobody but me,' replied the child. 'You musn't say you saw me, Dick,' said Oliver. 'I am running away. They beat and ill-use me, Dick; and I am going to seek my fortune, some long way off. I don't know where. How pale you are!' 'I heard the doctor tell them I was dying,' replied the child with a faint smile. 'I am very glad to see you, dear; but don't stop, don't stop!' 'Yes, yes, I will, to say good-b'ye to you,' replied Oliver. 'I shall see you again, Dick. I know I shall! You will be well and happy!' 'I hope so,' replied the child. 'After I am dead, but not before. I know the doctor must be right, Oliver, because I dream so much of Heaven, and Angels, and kind faces that I never see when I am awake. Kiss me,' said the child, climbing up the low gate, and flinging his little arms round Oliver's neck. 'Good-b'ye, dear! God bless you!' The blessing was from a young child's lips, but it was the first that Oliver had ever heard invoked upon his head; and through the struggles and sufferings, and troubles and changes, of his after life, he never once forgot it.

Noah found Mr. Bumble and told him that Oliver had tried to murder him, Charlotte, and Mrs. Sowerberry. Mr. Bumble and the man in white waistcoat were horrified, and Noah exclaimed that Oliver had intended to murder Mr. Sowerberry also. Mr. Bumble went with Noah to thrash Oliver and when they arrived, Mrs. Sowerberry had locked Oliver in the cellar. Mr. Bumble spoke sharply to Oliver and told Mrs. Sowerberry that she had been feeding the boy to liberally and that he should be kept on gruel for the rest of his apprenticeship. Mr. Bumble then stated that Oliver had come from a bad family, which angered Oliver again. Mr. Sowerberry arrives home asks Oliver what happened. Oliver tells him that Noah said bad things about his mother, and Mrs. Sowerberry began insulting her again. She then burst into tears because Oliver was talking back to her, and this forced Mr. Sowerberry to punish Oliver severely. They then sent him to bed, and early the next morning he rose and left the house. On his way towards London he stopped by the house of Mrs. Mann and saw his friend Dick, who appeared to be dying, out in the garden. The boys embrace, talk, and say their farewells to each other, and Oliver heads towards the city intent on running away from the Sowerberrys

NOTHING can be more uniform and undiversified than the life of the Typees; one tranquil day of ease and happiness follows another in quiet succession; and with these unsophisicated savages the history of a day is the history of a life. I will, therefore, as briefly as I can, describe one of our days in the valley. To begin with the morning. We were not very early risers--the sun would be shooting his golden spikes above the Happar mountain, ere I threw aside my tappa robe, and girding my long tunic about my waist, sallied out with Fayaway and Kory-Kory, and the rest of the household, and bent my steps towards the stream. Here we found congregated all those who dwelt in our section of the valley; and here we bathed with them. The fresh morning air and the cool flowing waters put both soul and body in a glow, and after a half-hour employed in this recreation, we sauntered back to the house--Tinor and Marheyo gathering dry sticks by the way for fire-wood; some of the young men laying the cocoanut trees under contribution as they passed beneath them; while Kory-Kory played his outlandish pranks for my particular diversion, and Fayaway and I, not arm in arm to be sure, but sometimes hand in hand, strolled along, with feelings of perfect charity for all the world, and especial good-will towards each other. Our morning meal was soon prepared. The islanders are somewhat abstemious at this repast; reserving the more powerful efforts of their appetite to a later period of the day. For my own part, with the assistance of my valet, who, as I have before stated, always officiated as spoon on these occasions, I ate sparingly from one of Tinor's trenchers, of poee-poee; which was devoted exclusively for my own use, being mixed with the milky meat of ripe cocoanut. A section of a roasted bread-fruit, a small cake of 'Amar', or a mess of 'Cokoo,' two or three bananas, or a mammee-apple; an annuee, or some other agreeable and nutritious fruit served from day to day to diversify the meal, which was finished by tossing off the liquid contents of a young cocoanut or two. While partaking of this simple repast, the inmates of Marheyo's house, after the style of the ancient Romans, reclined in sociable groups upon the divan of mats, and digestion was promoted by cheerful conversation. After the morning meal was concluded, pipes were lighted; and among them my own especial pipe, a present from the noble Mehevi. The islanders, who only smoke a whiff or two at a time, and at long intervals, and who keep their pipes going from hand to hand continually, regarded my systematic smoking of four or five pipefuls of tobacco in succession, as something quite wonderful. When two or three pipes had circulated freely, the company gradually broke up. Marheyo went to the little hut he was forever building. Tinor began to inspect her rolls of tappa, or employed her busy fingers in plaiting grass-mats. The girls anointed themselves with their fragrant oils, dressed their hair, or looked over their curious finery, and compared together their ivory trinkets, fashioned out of boar's tusks or whale's teeth. The young men and warriors produced their spears, paddles, canoe-gear, battle-clubs, and war-conchs, and occupied themselves in carving, all sorts of figures upon them with pointed bits of shell or flint, and adorning them, especially the war-conchs, with tassels of braided bark and tufts of human hair. Some, immediately after eating, threw themselves once more upon the inviting mats, and resumed the employment of the previous night, sleeping as soundly as if they had not closed their eyes for a week. Others sallied out into the groves, for the purpose of gathering fruit or fibres of bark and leaves; the last two being in constant requisition, and applied to a hundred uses. A few, perhaps, among the girls, would slip into the woods after flowers, or repair to the stream will; small calabashes and cocoanut shells, in order to polish them by friction with a smooth stone in the water. In truth these innocent people seemed to be at no loss for something to occupy their time; and it would be no light task to enumerate all their employments, or rather pleasures. My own mornings I spent in a variety of ways. Sometimes I rambled about from house to house, sure of receiving a cordial welcome wherever I went; or from grove to grove, and from one shady place to another, in company with Kory-Kory and Fayaway, and a rabble rout of merry young idlers. Sometimes I was too indolent for exercise, and accepting one of the many invitations I was continually receiving, stretched myself out on the mats of some hospitable dwelling, and occupied myself pleasantly either in watching the proceedings of those around me or taking part in them myself. Whenever I chose to do the latter, the delight of the islanders was boundless; and there was always a throng of competitors for the honour of instructing me in any particular craft. I soon became quite an accomplished hand at making tappa--could braid a grass sling as well as the best of them--and once, with my knife, carved the handle of a javelin so exquisitely, that I have no doubt, to this day, Karnoonoo, its owner, preserves it as a surprising specimen of my skill. As noon approached, all those who had wandered forth from our habitation, began to return; and when midday was fairly come scarcely a sound was to be heard in the valley: a deep sleep fell upon all. The luxurious siesta was hardly ever omitted, except by old Marheyo, who was so eccentric a character, that he seemed to be governed by no fixed principles whatever; but acting just according to the humour of the moment, slept, ate, or tinkered away at his little hut, without regard to the proprieties of time or place. Frequently he might have been seen taking a nap in the sun at noon-day, or a bath in the stream of mid-night. Once I beheld him perched eighty feet from the ground, in the tuft of a cocoanut tree, smoking; and often I saw him standing up to the waist in water, engaged in plucking out the stray hairs of his beard, using a piece of muscle-shell for tweezers. The noon-tide slumber lasted generally an hour and a half: very often longer; and after the sleepers had arisen from their mats they again had recourse to their pipes, and then made preparations for the most important meal of the day. I, however, like those gentlemen of leisure who breakfast at home and dine at their club, almost invariably, during my intervals of health, enjoyed the afternoon repast with the bachelor chiefs of the Ti, who were always rejoiced to see me, and lavishly spread before me all the good things which their larder afforded. Mehevi generally introduced among other dainties a baked pig, an article which I have every reason to suppose was provided for my sole gratification. The Ti was a right jovial place. It did my heart, as well as my body, good to visit it. Secure from female intrusion, there was no restraint upon the hilarity of the warriors, who, like the gentlemen of Europe after the cloth is drawn and the ladies retire, freely indulged their mirth. After spending a considerable portion of the afternoon at the Ti, I usually found myself, as the cool of the evening came on, either sailing on the little lake with Fayaway, or bathing in the waters of the stream with a number of the savages, who, at this hour, always repaired thither. As the shadows of night approached Marheyo's household were once more assembled under his roof: tapers were lit, long curious chants were raised, interminable stories were told (for which one present was little the wiser), and all sorts of social festivities served to while away the time. The young girls very often danced by moonlight in front of their dwellings. There are a great variety of these dances, in which, however, I never saw the men take part. They all consist of active, romping, mischievous evolutions, in which every limb is brought into requisition. Indeed, the Marquesan girls dance all over, as it were; not only do their feet dance, but their arms, hands, fingers, ay, their very eyes, seem to dance in their heads. The damsels wear nothing but flowers and their compendious gala tunics; and when they plume themselves for the dance, they look like a band of olive-coloured Sylphides on the point of taking wing. In good sooth, they so sway their floating forms, arch their necks, toss aloft their naked arms, and glide, and swim, and whirl, that it was almost too much for a quiet, sober-minded, modest young man like myself. Unless some particular festivity was going forward, the inmates of Marheyo's house retired to their mats rather early in the evening; but not for the night, since, after slumbering lightly for a while, they rose again, relit their tapers, partook of the third and last meal of the day, at which poee-poee alone was eaten, and then, after inhaling a narcotic whiff from a pipe of tobacco, disposed themselves for the great business of night, sleep. With the Marquesans it might almost most be styled the great business of life, for they pass a large portion of their time in the arms of Somnus. The native strength of their constitution is no way shown more emphatically than in the quantity of sleep they can endure. To many of them, indeed, life is little else than an often interrupted and luxurious nap.

In order to best describe Typee life, the narrator profiles a typical day. Usually, they wake late, after the sun is up. Then they rise and bathe in a nearby refreshing stream. A light breakfast is enjoyed and then pipes are smoked. After breakfast, people tend to whatever they like. Tinor inspects her cloth and food supplies; Marheyo works on his hut; the girls adorn their hair and skin with oils. The narrator usually wanders with Kory-Kory or else sits inside. Then they enjoy a midday nap. Usually in the afternoon, the narrator goes to the Ti, where Mehevi and the other chiefs gather. Since women are not allowed in the Ti, it resembles a happy bachelor pad where the best food can be found and where the men sit around smoking and talking. After night falls, a light evening meal of "poee-poee," cooked breadfruit, is eaten. Native girls often dance around their huts under the moonlight. Everyone then sleeps. In general, life with the Typees resembles a continual gentle slumber, with activities in between

I was soon introduced into the presence of the magistrate, an old benevolent man, with calm and mild manners. He looked upon me, however, with some degree of severity; and then, turning towards my conductors, he asked who appeared as witnesses on this occasion. About half a dozen men came forward; and one being selected by the magistrate, he deposed, that he had been out fishing the night before with his son and brother-in-law, Daniel Nugent, when, about ten o'clock, they observed a strong northerly blast rising, and they accordingly put in for port. It was a very dark night, as the moon had not yet risen; they did not land at the harbour, but, as they had been accustomed, at a creek about two miles below. He walked on first, carrying a part of the fishing tackle, and his companions followed him at some distance. As he was proceeding along the sands, he struck his foot against something, and fell all his length on the ground. His companions came up to assist him; and, by the light of their lantern, they found that he had fallen on the body of a man, who was to all appearance dead. Their first supposition was, that it was the corpse of some person who had been drowned, and was thrown on shore by the waves; but, upon examination, they found that the clothes were not wet, and even that the body was not then cold. They instantly carried it to the cottage of an old woman near the spot, and endeavoured, but in vain, to restore it to life. He appeared to be a handsome young man, about five and twenty years of age. He had apparently been strangled; for there was no sign of any violence, except the black mark of fingers on his neck. The first part of this deposition did not in the least interest me; but when the mark of the fingers was mentioned, I remembered the murder of my brother, and felt myself extremely agitated; my limbs trembled, and a mist came over my eyes, which obliged me to lean on a chair for support. The magistrate observed me with a keen eye, and of course drew an unfavourable augury from my manner. The son confirmed his father's account: but when Daniel Nugent was called, he swore positively that, just before the fall of his companion, he saw a boat, with a single man in it, at a short distance from the shore; and, as far as he could judge by the light of a few stars, it was the same boat in which I had just landed. A woman deposed, that she lived near the beach, and was standing at the door of her cottage, waiting for the return of the fishermen, about an hour before she heard of the discovery of the body, when she saw a boat, with only one man in it, push off from that part of the shore where the corpse was afterwards found. Another woman confirmed the account of the fishermen having brought the body into her house; it was not cold. They put it into a bed, and rubbed it; and Daniel went to the town for an apothecary, but life was quite gone. Several other men were examined concerning my landing; and they agreed, that, with the strong north wind that had arisen during the night, it was very probable that I had beaten about for many hours, and had been obliged to return nearly to the same spot from which I had departed. Besides, they observed that it appeared that I had brought the body from another place, and it was likely, that as I did not appear to know the shore, I might have put into the harbour ignorant of the distance of the town of ---- from the place where I had deposited the corpse. Mr. Kirwin, on hearing this evidence, desired that I should be taken into the room where the body lay for interment that it might be observed what effect the sight of it would produce upon me. This idea was probably suggested by the extreme agitation I had exhibited when the mode of the murder had been described. I was accordingly conducted, by the magistrate and several other persons, to the inn. I could not help being struck by the strange coincidences that had taken place during this eventful night; but, knowing that I had been conversing with several persons in the island I had inhabited about the time that the body had been found, I was perfectly tranquil as to the consequences of the affair. I entered the room where the corpse lay, and was led up to the coffin. How can I describe my sensations on beholding it? I feel yet parched with horror, nor can I reflect on that terrible moment without shuddering and agony, that faintly reminds me of the anguish of the recognition. The trial, the presence of the magistrate and witnesses, passed like a dream from my memory, when I saw the lifeless form of Henry Clerval stretched before me. I gasped for breath; and, throwing myself on the body, I exclaimed, "Have my murderous machinations deprived you also, my dearest Henry, of life? Two I have already destroyed; other victims await their destiny: but you, Clerval, my friend, my benefactor"---- The human frame could no longer support the agonizing suffering that I endured, and I was carried out of the room in strong convulsions. A fever succeeded to this. I lay for two months on the point of death: my ravings, as I afterwards heard, were frightful; I called myself the murderer of William, of Justine, and of Clerval. Sometimes I entreated my attendants to assist me in the destruction of the fiend by whom I was tormented; and, at others, I felt the fingers of the monster already grasping my neck, and screamed aloud with agony and terror. Fortunately, as I spoke my native language, Mr. Kirwin alone understood me; but my gestures and bitter cries were sufficient to affright the other witnesses. Why did I not die? More miserable than man ever was before, why did I not sink into forgetfulness and rest? Death snatches away many blooming children, the only hopes of their doating parents: how many brides and youthful lovers have been one day in the bloom of health and hope, and the next a prey for worms and the decay of the tomb! Of what materials was I made, that I could thus resist so many shocks, which, like the turning of the wheel, continually renewed the torture. But I was doomed to live; and, in two months, found myself as awaking from a dream, in a prison, stretched on a wretched bed, surrounded by gaolers, turnkeys, bolts, and all the miserable apparatus of a dungeon. It was morning, I remember, when I thus awoke to understanding: I had forgotten the particulars of what had happened, and only felt as if some great misfortune had suddenly overwhelmed me; but when I looked around, and saw the barred windows, and the squalidness of the room in which I was, all flashed across my memory, and I groaned bitterly. This sound disturbed an old woman who was sleeping in a chair beside me. She was a hired nurse, the wife of one of the turnkeys, and her countenance expressed all those bad qualities which often characterize that class. The lines of her face were hard and rude, like that of persons accustomed to see without sympathizing in sights of misery. Her tone expressed her entire indifference; she addressed me in English, and the voice struck me as one that I had heard during my sufferings: "Are you better now, Sir?" said she. I replied in the same language, with a feeble voice, "I believe I am; but if it be all true, if indeed I did not dream, I am sorry that I am still alive to feel this misery and horror." "For that matter," replied the old woman, "if you mean about the gentleman you murdered, I believe that it were better for you if you were dead, for I fancy it will go hard with you; but you will be hung when the next sessions come on. However, that's none of my business, I am sent to nurse you, and get you well; I do my duty with a safe conscience, it were well if every body did the same." I turned with loathing from the woman who could utter so unfeeling a speech to a person just saved, on the very edge of death; but I felt languid, and unable to reflect on all that had passed. The whole series of my life appeared to me as a dream; I sometimes doubted if indeed it were all true, for it never presented itself to my mind with the force of reality. As the images that floated before me became more distinct, I grew feverish; a darkness pressed around me; no one was near me who soothed me with the gentle voice of love; no dear hand supported me. The physician came and prescribed medicines, and the old woman prepared them for me; but utter carelessness was visible in the first, and the expression of brutality was strongly marked in the visage of the second. Who could be interested in the fate of a murderer, but the hangman who would gain his fee? These were my first reflections; but I soon learned that Mr. Kirwin had shewn me extreme kindness. He had caused the best room in the prison to be prepared for me (wretched indeed was the best); and it was he who had provided a physician and a nurse. It is true, he seldom came to see me; for, although he ardently desired to relieve the sufferings of every human creature, he did not wish to be present at the agonies and miserable ravings of a murderer. He came, therefore, sometimes to see that I was not neglected; but his visits were short, and at long intervals. One day, when I was gradually recovering, I was seated in a chair, my eyes half open, and my cheeks livid like those in death, I was overcome by gloom and misery, and often reflected I had better seek death than remain miserably pent up only to be let loose in a world replete with wretchedness. At one time I considered whether I should not declare myself guilty, and suffer the penalty of the law, less innocent than poor Justine had been. Such were my thoughts, when the door of my apartment was opened, and Mr. Kirwin entered. His countenance expressed sympathy and compassion; he drew a chair close to mine, and addressed me in French-- "I fear that this place is very shocking to you; can I do any thing to make you more comfortable?" "I thank you; but all that you mention is nothing to me: on the whole earth there is no comfort which I am capable of receiving." "I know that the sympathy of a stranger can be but of little relief to one borne down as you are by so strange a misfortune. But you will, I hope, soon quit this melancholy abode; for, doubtless, evidence can easily be brought to free you from the criminal charge." "That is my least concern: I am, by a course of strange events, become the most miserable of mortals. Persecuted and tortured as I am and have been, can death be any evil to me?" "Nothing indeed could be more unfortunate and agonizing than the strange chances that have lately occurred. You were thrown, by some surprising accident, on this shore, renowned for its hospitality: seized immediately, and charged with murder. The first sight that was presented to your eyes was the body of your friend, murdered in so unaccountable a manner, and placed, as it were, by some fiend across your path." As Mr. Kirwin said this, notwithstanding the agitation I endured on this retrospect of my sufferings, I also felt considerable surprise at the knowledge he seemed to possess concerning me. I suppose some astonishment was exhibited in my countenance; for Mr. Kirwin hastened to say-- "It was not until a day or two after your illness that I thought of examining your dress, that I might discover some trace by which I could send to your relations an account of your misfortune and illness. I found several letters, and, among others, one which I discovered from its commencement to be from your father. I instantly wrote to Geneva: nearly two months have elapsed since the departure of my letter.--But you are ill; even now you tremble: you are unfit for agitation of any kind." "This suspense is a thousand times worse than the most horrible event: tell me what new scene of death has been acted, and whose murder I am now to lament." "Your family is perfectly well," said Mr. Kirwin, with gentleness; "and some one, a friend, is come to visit you." I know not by what chain of thought the idea presented itself, but it instantly darted into my mind that the murderer had come to mock at my misery, and taunt me with the death of Clerval, as a new incitement for me to comply with his hellish desires. I put my hand before my eyes, and cried out in agony-- "Oh! take him away! I cannot see him; for God's sake, do not let him enter!" Mr. Kirwin regarded me with a troubled countenance. He could not help regarding my exclamation as a presumption of my guilt, and said, in rather a severe tone-- "I should have thought, young man, that the presence of your father would have been welcome, instead of inspiring such violent repugnance." "My father!" cried I, while every feature and every muscle was relaxed from anguish to pleasure. "Is my father, indeed, come? How kind, how very kind. But where is he, why does he not hasten to me?" My change of manner surprised and pleased the magistrate; perhaps he thought that my former exclamation was a momentary return of delirium, and now he instantly resumed his former benevolence. He rose, and quitted the room with my nurse, and in a moment my father entered it. Nothing, at this moment, could have given me greater pleasure than the arrival of my father. I stretched out my hand to him, and cried-- "Are you then safe--and Elizabeth--and Ernest?" My father calmed me with assurances of their welfare, and endeavoured, by dwelling on these subjects so interesting to my heart, to raise my desponding spirits; but he soon felt that a prison cannot be the abode of cheerfulness. "What a place is this that you inhabit, my son!" said he, looking mournfully at the barred windows, and wretched appearance of the room. "You travelled to seek happiness, but a fatality seems to pursue you. And poor Clerval--" The name of my unfortunate and murdered friend was an agitation too great to be endured in my weak state; I shed tears. "Alas! yes, my father," replied I; "some destiny of the most horrible kind hangs over me, and I must live to fulfil it, or surely I should have died on the coffin of Henry." We were not allowed to converse for any length of time, for the precarious state of my health rendered every precaution necessary that could insure tranquillity. Mr. Kirwin came in, and insisted that my strength should not be exhausted by too much exertion. But the appearance of my father was to me like that of my good angel, and I gradually recovered my health. As my sickness quitted me, I was absorbed by a gloomy and black melancholy, that nothing could dissipate. The image of Clerval was for ever before me, ghastly and murdered. More than once the agitation into which these reflections threw me made my friends dread a dangerous relapse. Alas! why did they preserve so miserable and detested a life? It was surely that I might fulfil my destiny, which is now drawing to a close. Soon, oh, very soon, will death extinguish these throbbings, and relieve me from the mighty weight of anguish that bears me to the dust; and, in executing the award of justice, I shall also sink to rest. Then the appearance of death was distant, although the wish was ever present to my thoughts; and I often sat for hours motionless and speechless, wishing for some mighty revolution that might bury me and my destroyer in its ruins. The season of the assizes approached. I had already been three months in prison; and although I was still weak, and in continual danger of a relapse, I was obliged to travel nearly a hundred miles to the county-town, where the court was held. Mr. Kirwin charged himself with every care of collecting witnesses, and arranging my defence. I was spared the disgrace of appearing publicly as a criminal, as the case was not brought before the court that decides on life and death. The grand jury rejected the bill, on its being proved that I was on the Orkney Islands at the hour the body of my friend was found, and a fortnight after my removal I was liberated from prison. My father was enraptured on finding me freed from the vexations of a criminal charge, that I was again allowed to breathe the fresh atmosphere, and allowed to return to my native country. I did not participate in these feelings; for to me the walls of a dungeon or a palace were alike hateful. The cup of life was poisoned for ever; and although the sun shone upon me, as upon the happy and gay of heart, I saw around me nothing but a dense and frightful darkness, penetrated by no light but the glimmer of two eyes that glared upon me. Sometimes they were the expressive eyes of Henry, languishing in death, the dark orbs nearly covered by the lids, and the long black lashes that fringed them; sometimes it was the watery clouded eyes of the monster, as I first saw them in my chamber at Ingolstadt. My father tried to awaken in me the feelings of affection. He talked of Geneva, which I should soon visit--of Elizabeth, and Ernest; but these words only drew deep groans from me. Sometimes, indeed, I felt a wish for happiness; and thought, with melancholy delight, of my beloved cousin; or longed, with a devouring _maladie du pays_, to see once more the blue lake and rapid Rhone, that had been so dear to me in early childhood: but my general state of feeling was a torpor, in which a prison was as welcome a residence as the divinest scene in nature; and these fits were seldom interrupted, but by paroxysms of anguish and despair. At these moments I often endeavoured to put an end to the existence I loathed; and it required unceasing attendance and vigilance to restrain me from committing some dreadful act of violence. I remember, as I quitted the prison, I heard one of the men say, "He may be innocent of the murder, but he has certainly a bad conscience." These words struck me. A bad conscience! yes, surely I had one. William, Justine, and Clerval, had died through my infernal machinations; "And whose death," cried I, "is to finish the tragedy? Ah! my father, do not remain in this wretched country; take me where I may forget myself, my existence, and all the world." My father easily acceded to my desire; and, after having taken leave of Mr. Kirwin, we hastened to Dublin. I felt as if I was relieved from a heavy weight, when the packet sailed with a fair wind from Ireland, and I had quitted for ever the country which had been to me the scene of so much misery. It was midnight. My father slept in the cabin; and I lay on the deck, looking at the stars, and listening to the dashing of the waves. I hailed the darkness that shut Ireland from my sight, and my pulse beat with a feverish joy, when I reflected that I should soon see Geneva. The past appeared to me in the light of a frightful dream; yet the vessel in which I was, the wind that blew me from the detested shore of Ireland, and the sea which surrounded me, told me too forcibly that I was deceived by no vision, and that Clerval, my friend and dearest companion, had fallen a victim to me and the monster of my creation. I repassed, in my memory, my whole life; my quiet happiness while residing with my family in Geneva, the death of my mother, and my departure for Ingolstadt. I remembered shuddering at the mad enthusiasm that hurried me on to the creation of my hideous enemy, and I called to mind the night during which he first lived. I was unable to pursue the train of thought; a thousand feelings pressed upon me, and I wept bitterly. Ever since my recovery from the fever I had been in the custom of taking every night a small quantity of laudanum; for it was by means of this drug only that I was enabled to gain the rest necessary for the preservation of life. Oppressed by the recollection of my various misfortunes, I now took a double dose, and soon slept profoundly. But sleep did not afford me respite from thought and misery; my dreams presented a thousand objects that scared me. Towards morning I was possessed by a kind of night-mare; I felt the fiend's grasp in my neck, and could not free myself from it; groans and cries rung in my ears. My father, who was watching over me, perceiving my restlessness, awoke me, and pointed to the port of Holyhead, which we were now entering.

Victor is charged with murder and the case is supported by circumstantial evidence. The witnesses, a man, his son and brother-in-law, were out fishing. They had landed at a creek and the main witness had stumbled upon the body of a man. They tried everything to restore his life but failed. The corpse apparently had finger marks on his neck. This information reminds Victor of William's death. The main witness gives additional information, saying that he saw a single man out in a boat that night. The people conclude that Victor was trying to leave the scene of the crime, but that the wind had steered his boat back to the land. Victor is told to identify the body, and he is shocked to find that it is Henry's. He breaks into convulsions and takes to bed for over two months. Mr. Kirwin, the magistrate, has in the meanwhile contacted Victor's family, and his father arrives to see him. Thanks to Mr. Kirwin's efforts, Victor is spared criminal charges and allowed to return home. They sail on a vessel bound for Havre-de-Grace. Victor tries to sleep but has a nightmare. He is now taking laudanum every night in order to be able to rest.

The trees began softly to sing a hymn of twilight. The sun sank until slanted bronze rays struck the forest. There was a lull in the noises of insects as if they had bowed their beaks and were making a devotional pause. There was silence save for the chanted chorus of the trees. Then, upon this stillness, there suddenly broke a tremendous clangor of sounds. A crimson roar came from the distance. The youth stopped. He was transfixed by this terrific medley of all noises. It was as if worlds were being rended. There was the ripping sound of musketry and the breaking crash of the artillery. His mind flew in all directions. He conceived the two armies to be at each other panther fashion. He listened for a time. Then he began to run in the direction of the battle. He saw that it was an ironical thing for him to be running thus toward that which he had been at such pains to avoid. But he said, in substance, to himself that if the earth and the moon were about to clash, many persons would doubtless plan to get upon the roofs to witness the collision. As he ran, he became aware that the forest had stopped its music, as if at last becoming capable of hearing the foreign sounds. The trees hushed and stood motionless. Everything seemed to be listening to the crackle and clatter and earshaking thunder. The chorus pealed over the still earth. It suddenly occurred to the youth that the fight in which he had been was, after all, but perfunctory popping. In the hearing of this present din he was doubtful if he had seen real battle scenes. This uproar explained a celestial battle; it was tumbling hordes a-struggle in the air. Reflecting, he saw a sort of a humor in the point of view of himself and his fellows during the late encounter. They had taken themselves and the enemy very seriously and had imagined that they were deciding the war. Individuals must have supposed that they were cutting the letters of their names deep into everlasting tablets of brass, or enshrining their reputations forever in the hearts of their countrymen, while, as to fact, the affair would appear in printed reports under a meek and immaterial title. But he saw that it was good, else, he said, in battle every one would surely run save forlorn hopes and their ilk. He went rapidly on. He wished to come to the edge of the forest that he might peer out. As he hastened, there passed through his mind pictures of stupendous conflicts. His accumulated thought upon such subjects was used to form scenes. The noise was as the voice of an eloquent being, describing. Sometimes the brambles formed chains and tried to hold him back. Trees, confronting him, stretched out their arms and forbade him to pass. After its previous hostility this new resistance of the forest filled him with a fine bitterness. It seemed that Nature could not be quite ready to kill him. But he obstinately took roundabout ways, and presently he was where he could see long gray walls of vapor where lay battle lines. The voices of cannon shook him. The musketry sounded in long irregular surges that played havoc with his ears. He stood regardant for a moment. His eyes had an awestruck expression. He gawked in the direction of the fight. Presently he proceeded again on his forward way. The battle was like the grinding of an immense and terrible machine to him. Its complexities and powers, its grim processes, fascinated him. He must go close and see it produce corpses. He came to a fence and clambered over it. On the far side, the ground was littered with clothes and guns. A newspaper, folded up, lay in the dirt. A dead soldier was stretched with his face hidden in his arm. Farther off there was a group of four or five corpses keeping mournful company. A hot sun had blazed upon the spot. In this place the youth felt that he was an invader. This forgotten part of the battle ground was owned by the dead men, and he hurried, in the vague apprehension that one of the swollen forms would rise and tell him to begone. He came finally to a road from which he could see in the distance dark and agitated bodies of troops, smoke-fringed. In the lane was a blood-stained crowd streaming to the rear. The wounded men were cursing, groaning, and wailing. In the air, always, was a mighty swell of sound that it seemed could sway the earth. With the courageous words of the artillery and the spiteful sentences of the musketry mingled red cheers. And from this region of noises came the steady current of the maimed. One of the wounded men had a shoeful of blood. He hopped like a schoolboy in a game. He was laughing hysterically. One was swearing that he had been shot in the arm through the commanding general's mismanagement of the army. One was marching with an air imitative of some sublime drum major. Upon his features was an unholy mixture of merriment and agony. As he marched he sang a bit of doggerel in a high and quavering voice: "Sing a song 'a vic'try, A pocketful 'a bullets, Five an' twenty dead men Baked in a--pie." Parts of the procession limped and staggered to this tune. Another had the gray seal of death already upon his face. His lips were curled in hard lines and his teeth were clinched. His hands were bloody from where he had pressed them upon his wound. He seemed to be awaiting the moment when he should pitch headlong. He stalked like the specter of a soldier, his eyes burning with the power of a stare into the unknown. There were some who proceeded sullenly, full of anger at their wounds, and ready to turn upon anything as an obscure cause. An officer was carried along by two privates. He was peevish. "Don't joggle so, Johnson, yeh fool," he cried. "Think m' leg is made of iron? If yeh can't carry me decent, put me down an' let some one else do it." He bellowed at the tottering crowd who blocked the quick march of his bearers. "Say, make way there, can't yeh? Make way, dickens take it all." They sulkily parted and went to the roadsides. As he was carried past they made pert remarks to him. When he raged in reply and threatened them, they told him to be damned. The shoulder of one of the tramping bearers knocked heavily against the spectral soldier who was staring into the unknown. The youth joined this crowd and marched along with it. The torn bodies expressed the awful machinery in which the men had been entangled. Orderlies and couriers occasionally broke through the throng in the roadway, scattering wounded men right and left, galloping on followed by howls. The melancholy march was continually disturbed by the messengers, and sometimes by bustling batteries that came swinging and thumping down upon them, the officers shouting orders to clear the way. There was a tattered man, fouled with dust, blood and powder stain from hair to shoes, who trudged quietly at the youth's side. He was listening with eagerness and much humility to the lurid descriptions of a bearded sergeant. His lean features wore an expression of awe and admiration. He was like a listener in a country store to wondrous tales told among the sugar barrels. He eyed the story-teller with unspeakable wonder. His mouth was agape in yokel fashion. The sergeant, taking note of this, gave pause to his elaborate history while he administered a sardonic comment. "Be keerful, honey, you 'll be a-ketchin' flies," he said. The tattered man shrank back abashed. After a time he began to sidle near to the youth, and in a different way try to make him a friend. His voice was gentle as a girl's voice and his eyes were pleading. The youth saw with surprise that the soldier had two wounds, one in the head, bound with a blood-soaked rag, and the other in the arm, making that member dangle like a broken bough. After they had walked together for some time the tattered man mustered sufficient courage to speak. "Was pretty good fight, wa'n't it?" he timidly said. The youth, deep in thought, glanced up at the bloody and grim figure with its lamblike eyes. "What?" "Was pretty good fight, wa'n't it? "Yes," said the youth shortly. He quickened his pace. But the other hobbled industriously after him. There was an air of apology in his manner, but he evidently thought that he needed only to talk for a time, and the youth would perceive that he was a good fellow. "Was pretty good fight, wa'n't it?" he began in a small voice, and then he achieved the fortitude to continue. "Dern me if I ever see fellers fight so. Laws, how they did fight! I knowed th' boys 'd like when they onct got square at it. Th' boys ain't had no fair chanct up t' now, but this time they showed what they was. I knowed it 'd turn out this way. Yeh can't lick them boys. No, sir! They're fighters, they be." He breathed a deep breath of humble admiration. He had looked at the youth for encouragement several times. He received none, but gradually he seemed to get absorbed in his subject. "I was talkin' 'cross pickets with a boy from Georgie, onct, an' that boy, he ses, 'Your fellers 'll all run like hell when they onct hearn a gun,' he ses. 'Mebbe they will,' I ses, 'but I don't b'lieve none of it,' I ses; 'an' b'jiminey,' I ses back t' 'um, 'mebbe your fellers 'll all run like hell when they onct hearn a gun,' I ses. He larfed. Well, they didn't run t' day, did they, hey? No, sir! They fit, an' fit, an' fit." His homely face was suffused with a light of love for the army which was to him all things beautiful and powerful. After a time he turned to the youth. "Where yeh hit, ol' boy?" he asked in a brotherly tone. The youth felt instant panic at this question, although at first its full import was not borne in upon him. "What?" he asked. "Where yeh hit?" repeated the tattered man. "Why," began the youth, "I--I--that is--why--I--" He turned away suddenly and slid through the crowd. His brow was heavily flushed, and his fingers were picking nervously at one of his buttons. He bent his head and fastened his eyes studiously upon the button as if it were a little problem. The tattered man looked after him in astonishment.

Henry continues on through the forest. He hears loud crashes and roars through the darkening sky. It seems as if the world is being rent asunder. Henry's mind is going in all directions at once. He feels that the two armies are going at each other in a panther-like fashion. He then runs, ironically, in the direction of the battle, more to witness the collision of the armies than to participate. As he runs, the forest becomes silent and still. Henry feels that the fight he had fled from was not a struggle, but instead a small skirmish. He doubts that he has seen a real battle. He feels silly for having taken the situation so seriously. He was not carving his name in the tablet of history. The noises still describe a large battle. The brambles of the forest grab him as he runs. Eventually he sees the long gray walls of the battle lines. He stands awestruck by the fight. He then proceeds along his way, but the complexity of the fight fascinates him and he decides to go close to the machine of war and see it produce corpses. He climbs a fence. Five corpses lie on the other side in a road. He scampers away, afraid to disturb them. He soon encounters a procession of wounded soldiers making their way down the road. They are cursing and moaning. One with a wound in his foot hops and laughs hysterically. One swears he has been shot because of the general's mismanagement. Another sings nonsense lyrics to old nursery rhymes. A tattered soldier, wounded in his head and arm, comes up to the youth. He wants to converse about the battle. Henry can barely say anything as the man babbles on. Soon the tattered man asks him where he has been hit. The question makes Henry panic. Embarrassed, he stutters to the man; then he turns his head away and picks at his uniform

This is not the time at which I am to enter on the state of my mind beneath its load of sorrow. I came to think that the Future was walled up before me, that the energy and action of my life were at an end, that I never could find any refuge but in the grave. I came to think so, I say, but not in the first shock of my grief. It slowly grew to that. If the events I go on to relate, had not thickened around me, in the beginning to confuse, and in the end to augment, my affliction, it is possible (though I think not probable), that I might have fallen at once into this condition. As it was, an interval occurred before I fully knew my own distress; an interval, in which I even supposed that its sharpest pangs were past; and when my mind could soothe itself by resting on all that was most innocent and beautiful, in the tender story that was closed for ever. When it was first proposed that I should go abroad, or how it came to be agreed among us that I was to seek the restoration of my peace in change and travel, I do not, even now, distinctly know. The spirit of Agnes so pervaded all we thought, and said, and did, in that time of sorrow, that I assume I may refer the project to her influence. But her influence was so quiet that I know no more. And now, indeed, I began to think that in my old association of her with the stained-glass window in the church, a prophetic foreshadowing of what she would be to me, in the calamity that was to happen in the fullness of time, had found a way into my mind. In all that sorrow, from the moment, never to be forgotten, when she stood before me with her upraised hand, she was like a sacred presence in my lonely house. When the Angel of Death alighted there, my child-wife fell asleep--they told me so when I could bear to hear it--on her bosom, with a smile. From my swoon, I first awoke to a consciousness of her compassionate tears, her words of hope and peace, her gentle face bending down as from a purer region nearer Heaven, over my undisciplined heart, and softening its pain. Let me go on. I was to go abroad. That seemed to have been determined among us from the first. The ground now covering all that could perish of my departed wife, I waited only for what Mr. Micawber called the 'final pulverization of Heep'; and for the departure of the emigrants. At the request of Traddles, most affectionate and devoted of friends in my trouble, we returned to Canterbury: I mean my aunt, Agnes, and I. We proceeded by appointment straight to Mr. Micawber's house; where, and at Mr. Wickfield's, my friend had been labouring ever since our explosive meeting. When poor Mrs. Micawber saw me come in, in my black clothes, she was sensibly affected. There was a great deal of good in Mrs. Micawber's heart, which had not been dunned out of it in all those many years. 'Well, Mr. and Mrs. Micawber,' was my aunt's first salutation after we were seated. 'Pray, have you thought about that emigration proposal of mine?' 'My dear madam,' returned Mr. Micawber, 'perhaps I cannot better express the conclusion at which Mrs. Micawber, your humble servant, and I may add our children, have jointly and severally arrived, than by borrowing the language of an illustrious poet, to reply that our Boat is on the shore, and our Bark is on the sea.' 'That's right,' said my aunt. 'I augur all sort of good from your sensible decision.' 'Madam, you do us a great deal of honour,' he rejoined. He then referred to a memorandum. 'With respect to the pecuniary assistance enabling us to launch our frail canoe on the ocean of enterprise, I have reconsidered that important business-point; and would beg to propose my notes of hand--drawn, it is needless to stipulate, on stamps of the amounts respectively required by the various Acts of Parliament applying to such securities--at eighteen, twenty-four, and thirty months. The proposition I originally submitted, was twelve, eighteen, and twenty-four; but I am apprehensive that such an arrangement might not allow sufficient time for the requisite amount of--Something--to turn up. We might not,' said Mr. Micawber, looking round the room as if it represented several hundred acres of highly cultivated land, 'on the first responsibility becoming due, have been successful in our harvest, or we might not have got our harvest in. Labour, I believe, is sometimes difficult to obtain in that portion of our colonial possessions where it will be our lot to combat with the teeming soil.' 'Arrange it in any way you please, sir,' said my aunt. 'Madam,' he replied, 'Mrs. Micawber and myself are deeply sensible of the very considerate kindness of our friends and patrons. What I wish is, to be perfectly business-like, and perfectly punctual. Turning over, as we are about to turn over, an entirely new leaf; and falling back, as we are now in the act of falling back, for a Spring of no common magnitude; it is important to my sense of self-respect, besides being an example to my son, that these arrangements should be concluded as between man and man.' I don't know that Mr. Micawber attached any meaning to this last phrase; I don't know that anybody ever does, or did; but he appeared to relish it uncommonly, and repeated, with an impressive cough, 'as between man and man'. 'I propose,' said Mr. Micawber, 'Bills--a convenience to the mercantile world, for which, I believe, we are originally indebted to the Jews, who appear to me to have had a devilish deal too much to do with them ever since--because they are negotiable. But if a Bond, or any other description of security, would be preferred, I should be happy to execute any such instrument. As between man and man.' My aunt observed, that in a case where both parties were willing to agree to anything, she took it for granted there would be no difficulty in settling this point. Mr. Micawber was of her opinion. 'In reference to our domestic preparations, madam,' said Mr. Micawber, with some pride, 'for meeting the destiny to which we are now understood to be self-devoted, I beg to report them. My eldest daughter attends at five every morning in a neighbouring establishment, to acquire the process--if process it may be called--of milking cows. My younger children are instructed to observe, as closely as circumstances will permit, the habits of the pigs and poultry maintained in the poorer parts of this city: a pursuit from which they have, on two occasions, been brought home, within an inch of being run over. I have myself directed some attention, during the past week, to the art of baking; and my son Wilkins has issued forth with a walking-stick and driven cattle, when permitted, by the rugged hirelings who had them in charge, to render any voluntary service in that direction--which I regret to say, for the credit of our nature, was not often; he being generally warned, with imprecations, to desist.' 'All very right indeed,' said my aunt, encouragingly. 'Mrs. Micawber has been busy, too, I have no doubt.' 'My dear madam,' returned Mrs. Micawber, with her business-like air. 'I am free to confess that I have not been actively engaged in pursuits immediately connected with cultivation or with stock, though well aware that both will claim my attention on a foreign shore. Such opportunities as I have been enabled to alienate from my domestic duties, I have devoted to corresponding at some length with my family. For I own it seems to me, my dear Mr. Copperfield,' said Mrs. Micawber, who always fell back on me, I suppose from old habit, to whomsoever else she might address her discourse at starting, 'that the time is come when the past should be buried in oblivion; when my family should take Mr. Micawber by the hand, and Mr. Micawber should take my family by the hand; when the lion should lie down with the lamb, and my family be on terms with Mr. Micawber.' I said I thought so too. 'This, at least, is the light, my dear Mr. Copperfield,' pursued Mrs. Micawber, 'in which I view the subject. When I lived at home with my papa and mama, my papa was accustomed to ask, when any point was under discussion in our limited circle, "In what light does my Emma view the subject?" That my papa was too partial, I know; still, on such a point as the frigid coldness which has ever subsisted between Mr. Micawber and my family, I necessarily have formed an opinion, delusive though it may be.' 'No doubt. Of course you have, ma'am,' said my aunt. 'Precisely so,' assented Mrs. Micawber. 'Now, I may be wrong in my conclusions; it is very likely that I am, but my individual impression is, that the gulf between my family and Mr. Micawber may be traced to an apprehension, on the part of my family, that Mr. Micawber would require pecuniary accommodation. I cannot help thinking,' said Mrs. Micawber, with an air of deep sagacity, 'that there are members of my family who have been apprehensive that Mr. Micawber would solicit them for their names.---I do not mean to be conferred in Baptism upon our children, but to be inscribed on Bills of Exchange, and negotiated in the Money Market.' The look of penetration with which Mrs. Micawber announced this discovery, as if no one had ever thought of it before, seemed rather to astonish my aunt; who abruptly replied, 'Well, ma'am, upon the whole, I shouldn't wonder if you were right!' 'Mr. Micawber being now on the eve of casting off the pecuniary shackles that have so long enthralled him,' said Mrs. Micawber, 'and of commencing a new career in a country where there is sufficient range for his abilities,--which, in my opinion, is exceedingly important; Mr. Micawber's abilities peculiarly requiring space,--it seems to me that my family should signalize the occasion by coming forward. What I could wish to see, would be a meeting between Mr. Micawber and my family at a festive entertainment, to be given at my family's expense; where Mr. Micawber's health and prosperity being proposed, by some leading member of my family, Mr. Micawber might have an opportunity of developing his views.' 'My dear,' said Mr. Micawber, with some heat, 'it may be better for me to state distinctly, at once, that if I were to develop my views to that assembled group, they would possibly be found of an offensive nature: my impression being that your family are, in the aggregate, impertinent Snobs; and, in detail, unmitigated Ruffians.' 'Micawber,' said Mrs. Micawber, shaking her head, 'no! You have never understood them, and they have never understood you.' Mr. Micawber coughed. 'They have never understood you, Micawber,' said his wife. 'They may be incapable of it. If so, that is their misfortune. I can pity their misfortune.' 'I am extremely sorry, my dear Emma,' said Mr. Micawber, relenting, 'to have been betrayed into any expressions that might, even remotely, have the appearance of being strong expressions. All I would say is, that I can go abroad without your family coming forward to favour me,--in short, with a parting Shove of their cold shoulders; and that, upon the whole, I would rather leave England with such impetus as I possess, than derive any acceleration of it from that quarter. At the same time, my dear, if they should condescend to reply to your communications--which our joint experience renders most improbable--far be it from me to be a barrier to your wishes.' The matter being thus amicably settled, Mr. Micawber gave Mrs. Micawber his arm, and glancing at the heap of books and papers lying before Traddles on the table, said they would leave us to ourselves; which they ceremoniously did. 'My dear Copperfield,' said Traddles, leaning back in his chair when they were gone, and looking at me with an affection that made his eyes red, and his hair all kinds of shapes, 'I don't make any excuse for troubling you with business, because I know you are deeply interested in it, and it may divert your thoughts. My dear boy, I hope you are not worn out?' 'I am quite myself,' said I, after a pause. 'We have more cause to think of my aunt than of anyone. You know how much she has done.' 'Surely, surely,' answered Traddles. 'Who can forget it!' 'But even that is not all,' said I. 'During the last fortnight, some new trouble has vexed her; and she has been in and out of London every day. Several times she has gone out early, and been absent until evening. Last night, Traddles, with this journey before her, it was almost midnight before she came home. You know what her consideration for others is. She will not tell me what has happened to distress her.' My aunt, very pale, and with deep lines in her face, sat immovable until I had finished; when some stray tears found their way to her cheeks, and she put her hand on mine. 'It's nothing, Trot; it's nothing. There will be no more of it. You shall know by and by. Now Agnes, my dear, let us attend to these affairs.' 'I must do Mr. Micawber the justice to say,' Traddles began, 'that although he would appear not to have worked to any good account for himself, he is a most untiring man when he works for other people. I never saw such a fellow. If he always goes on in the same way, he must be, virtually, about two hundred years old, at present. The heat into which he has been continually putting himself; and the distracted and impetuous manner in which he has been diving, day and night, among papers and books; to say nothing of the immense number of letters he has written me between this house and Mr. Wickfield's, and often across the table when he has been sitting opposite, and might much more easily have spoken; is quite extraordinary.' 'Letters!' cried my aunt. 'I believe he dreams in letters!' 'There's Mr. Dick, too,' said Traddles, 'has been doing wonders! As soon as he was released from overlooking Uriah Heep, whom he kept in such charge as I never saw exceeded, he began to devote himself to Mr. Wickfield. And really his anxiety to be of use in the investigations we have been making, and his real usefulness in extracting, and copying, and fetching, and carrying, have been quite stimulating to us.' 'Dick is a very remarkable man,' exclaimed my aunt; 'and I always said he was. Trot, you know it.' 'I am happy to say, Miss Wickfield,' pursued Traddles, at once with great delicacy and with great earnestness, 'that in your absence Mr. Wickfield has considerably improved. Relieved of the incubus that had fastened upon him for so long a time, and of the dreadful apprehensions under which he had lived, he is hardly the same person. At times, even his impaired power of concentrating his memory and attention on particular points of business, has recovered itself very much; and he has been able to assist us in making some things clear, that we should have found very difficult indeed, if not hopeless, without him. But what I have to do is to come to results; which are short enough; not to gossip on all the hopeful circumstances I have observed, or I shall never have done.' His natural manner and agreeable simplicity made it transparent that he said this to put us in good heart, and to enable Agnes to hear her father mentioned with greater confidence; but it was not the less pleasant for that. 'Now, let me see,' said Traddles, looking among the papers on the table. 'Having counted our funds, and reduced to order a great mass of unintentional confusion in the first place, and of wilful confusion and falsification in the second, we take it to be clear that Mr. Wickfield might now wind up his business, and his agency-trust, and exhibit no deficiency or defalcation whatever.' 'Oh, thank Heaven!' cried Agnes, fervently. 'But,' said Traddles, 'the surplus that would be left as his means of support--and I suppose the house to be sold, even in saying this--would be so small, not exceeding in all probability some hundreds of pounds, that perhaps, Miss Wickfield, it would be best to consider whether he might not retain his agency of the estate to which he has so long been receiver. His friends might advise him, you know; now he is free. You yourself, Miss Wickfield--Copperfield--I--' 'I have considered it, Trotwood,' said Agnes, looking to me, 'and I feel that it ought not to be, and must not be; even on the recommendation of a friend to whom I am so grateful, and owe so much.' 'I will not say that I recommend it,' observed Traddles. 'I think it right to suggest it. No more.' 'I am happy to hear you say so,' answered Agnes, steadily, 'for it gives me hope, almost assurance, that we think alike. Dear Mr. Traddles and dear Trotwood, papa once free with honour, what could I wish for! I have always aspired, if I could have released him from the toils in which he was held, to render back some little portion of the love and care I owe him, and to devote my life to him. It has been, for years, the utmost height of my hopes. To take our future on myself, will be the next great happiness--the next to his release from all trust and responsibility--that I can know.' 'Have you thought how, Agnes?' 'Often! I am not afraid, dear Trotwood. I am certain of success. So many people know me here, and think kindly of me, that I am certain. Don't mistrust me. Our wants are not many. If I rent the dear old house, and keep a school, I shall be useful and happy.' The calm fervour of her cheerful voice brought back so vividly, first the dear old house itself, and then my solitary home, that my heart was too full for speech. Traddles pretended for a little while to be busily looking among the papers. 'Next, Miss Trotwood,' said Traddles, 'that property of yours.' 'Well, sir,' sighed my aunt. 'All I have got to say about it is, that if it's gone, I can bear it; and if it's not gone, I shall be glad to get it back.' 'It was originally, I think, eight thousand pounds, Consols?' said Traddles. 'Right!' replied my aunt. 'I can't account for more than five,' said Traddles, with an air of perplexity. '--thousand, do you mean?' inquired my aunt, with uncommon composure, 'or pounds?' 'Five thousand pounds,' said Traddles. 'It was all there was,' returned my aunt. 'I sold three, myself. One, I paid for your articles, Trot, my dear; and the other two I have by me. When I lost the rest, I thought it wise to say nothing about that sum, but to keep it secretly for a rainy day. I wanted to see how you would come out of the trial, Trot; and you came out nobly--persevering, self-reliant, self-denying! So did Dick. Don't speak to me, for I find my nerves a little shaken!' Nobody would have thought so, to see her sitting upright, with her arms folded; but she had wonderful self-command. 'Then I am delighted to say,' cried Traddles, beaming with joy, 'that we have recovered the whole money!' 'Don't congratulate me, anybody!' exclaimed my aunt. 'How so, sir?' 'You believed it had been misappropriated by Mr. Wickfield?' said Traddles. 'Of course I did,' said my aunt, 'and was therefore easily silenced. Agnes, not a word!' 'And indeed,' said Traddles, 'it was sold, by virtue of the power of management he held from you; but I needn't say by whom sold, or on whose actual signature. It was afterwards pretended to Mr. Wickfield, by that rascal,--and proved, too, by figures,--that he had possessed himself of the money (on general instructions, he said) to keep other deficiencies and difficulties from the light. Mr. Wickfield, being so weak and helpless in his hands as to pay you, afterwards, several sums of interest on a pretended principal which he knew did not exist, made himself, unhappily, a party to the fraud.' 'And at last took the blame upon himself,' added my aunt; 'and wrote me a mad letter, charging himself with robbery, and wrong unheard of. Upon which I paid him a visit early one morning, called for a candle, burnt the letter, and told him if he ever could right me and himself, to do it; and if he couldn't, to keep his own counsel for his daughter's sake.---If anybody speaks to me, I'll leave the house!' We all remained quiet; Agnes covering her face. 'Well, my dear friend,' said my aunt, after a pause, 'and you have really extorted the money back from him?' 'Why, the fact is,' returned Traddles, 'Mr. Micawber had so completely hemmed him in, and was always ready with so many new points if an old one failed, that he could not escape from us. A most remarkable circumstance is, that I really don't think he grasped this sum even so much for the gratification of his avarice, which was inordinate, as in the hatred he felt for Copperfield. He said so to me, plainly. He said he would even have spent as much, to baulk or injure Copperfield.' 'Ha!' said my aunt, knitting her brows thoughtfully, and glancing at Agnes. 'And what's become of him?' 'I don't know. He left here,' said Traddles, 'with his mother, who had been clamouring, and beseeching, and disclosing, the whole time. They went away by one of the London night coaches, and I know no more about him; except that his malevolence to me at parting was audacious. He seemed to consider himself hardly less indebted to me, than to Mr. Micawber; which I consider (as I told him) quite a compliment.' 'Do you suppose he has any money, Traddles?' I asked. 'Oh dear, yes, I should think so,' he replied, shaking his head, seriously. 'I should say he must have pocketed a good deal, in one way or other. But, I think you would find, Copperfield, if you had an opportunity of observing his course, that money would never keep that man out of mischief. He is such an incarnate hypocrite, that whatever object he pursues, he must pursue crookedly. It's his only compensation for the outward restraints he puts upon himself. Always creeping along the ground to some small end or other, he will always magnify every object in the way; and consequently will hate and suspect everybody that comes, in the most innocent manner, between him and it. So the crooked courses will become crookeder, at any moment, for the least reason, or for none. It's only necessary to consider his history here,' said Traddles, 'to know that.' 'He's a monster of meanness!' said my aunt. 'Really I don't know about that,' observed Traddles thoughtfully. 'Many people can be very mean, when they give their minds to it.' 'And now, touching Mr. Micawber,' said my aunt. 'Well, really,' said Traddles, cheerfully, 'I must, once more, give Mr. Micawber high praise. But for his having been so patient and persevering for so long a time, we never could have hoped to do anything worth speaking of. And I think we ought to consider that Mr. Micawber did right, for right's sake, when we reflect what terms he might have made with Uriah Heep himself, for his silence.' 'I think so too,' said I. 'Now, what would you give him?' inquired my aunt. 'Oh! Before you come to that,' said Traddles, a little disconcerted, 'I am afraid I thought it discreet to omit (not being able to carry everything before me) two points, in making this lawless adjustment--for it's perfectly lawless from beginning to end--of a difficult affair. Those I.O.U.'s, and so forth, which Mr. Micawber gave him for the advances he had--' 'Well! They must be paid,' said my aunt. 'Yes, but I don't know when they may be proceeded on, or where they are,' rejoined Traddles, opening his eyes; 'and I anticipate, that, between this time and his departure, Mr. Micawber will be constantly arrested, or taken in execution.' 'Then he must be constantly set free again, and taken out of execution,' said my aunt. 'What's the amount altogether?' 'Why, Mr. Micawber has entered the transactions--he calls them transactions--with great form, in a book,' rejoined Traddles, smiling; 'and he makes the amount a hundred and three pounds, five.' 'Now, what shall we give him, that sum included?' said my aunt. 'Agnes, my dear, you and I can talk about division of it afterwards. What should it be? Five hundred pounds?' Upon this, Traddles and I both struck in at once. We both recommended a small sum in money, and the payment, without stipulation to Mr. Micawber, of the Uriah claims as they came in. We proposed that the family should have their passage and their outfit, and a hundred pounds; and that Mr. Micawber's arrangement for the repayment of the advances should be gravely entered into, as it might be wholesome for him to suppose himself under that responsibility. To this, I added the suggestion, that I should give some explanation of his character and history to Mr. Peggotty, who I knew could be relied on; and that to Mr. Peggotty should be quietly entrusted the discretion of advancing another hundred. I further proposed to interest Mr. Micawber in Mr. Peggotty, by confiding so much of Mr. Peggotty's story to him as I might feel justified in relating, or might think expedient; and to endeavour to bring each of them to bear upon the other, for the common advantage. We all entered warmly into these views; and I may mention at once, that the principals themselves did so, shortly afterwards, with perfect good will and harmony. Seeing that Traddles now glanced anxiously at my aunt again, I reminded him of the second and last point to which he had adverted. 'You and your aunt will excuse me, Copperfield, if I touch upon a painful theme, as I greatly fear I shall,' said Traddles, hesitating; 'but I think it necessary to bring it to your recollection. On the day of Mr. Micawber's memorable denunciation a threatening allusion was made by Uriah Heep to your aunt's--husband.' My aunt, retaining her stiff position, and apparent composure, assented with a nod. 'Perhaps,' observed Traddles, 'it was mere purposeless impertinence?' 'No,' returned my aunt. 'There was--pardon me--really such a person, and at all in his power?' hinted Traddles. 'Yes, my good friend,' said my aunt. Traddles, with a perceptible lengthening of his face, explained that he had not been able to approach this subject; that it had shared the fate of Mr. Micawber's liabilities, in not being comprehended in the terms he had made; that we were no longer of any authority with Uriah Heep; and that if he could do us, or any of us, any injury or annoyance, no doubt he would. My aunt remained quiet; until again some stray tears found their way to her cheeks. 'You are quite right,' she said. 'It was very thoughtful to mention it.' 'Can I--or Copperfield--do anything?' asked Traddles, gently. 'Nothing,' said my aunt. 'I thank you many times. Trot, my dear, a vain threat! Let us have Mr. and Mrs. Micawber back. And don't any of you speak to me!' With that she smoothed her dress, and sat, with her upright carriage, looking at the door. 'Well, Mr. and Mrs. Micawber!' said my aunt, when they entered. 'We have been discussing your emigration, with many apologies to you for keeping you out of the room so long; and I'll tell you what arrangements we propose.' These she explained to the unbounded satisfaction of the family,--children and all being then present,--and so much to the awakening of Mr. Micawber's punctual habits in the opening stage of all bill transactions, that he could not be dissuaded from immediately rushing out, in the highest spirits, to buy the stamps for his notes of hand. But, his joy received a sudden check; for within five minutes, he returned in the custody of a sheriff 's officer, informing us, in a flood of tears, that all was lost. We, being quite prepared for this event, which was of course a proceeding of Uriah Heep's, soon paid the money; and in five minutes more Mr. Micawber was seated at the table, filling up the stamps with an expression of perfect joy, which only that congenial employment, or the making of punch, could impart in full completeness to his shining face. To see him at work on the stamps, with the relish of an artist, touching them like pictures, looking at them sideways, taking weighty notes of dates and amounts in his pocket-book, and contemplating them when finished, with a high sense of their precious value, was a sight indeed. 'Now, the best thing you can do, sir, if you'll allow me to advise you,' said my aunt, after silently observing him, 'is to abjure that occupation for evermore.' 'Madam,' replied Mr. Micawber, 'it is my intention to register such a vow on the virgin page of the future. Mrs. Micawber will attest it. I trust,' said Mr. Micawber, solemnly, 'that my son Wilkins will ever bear in mind, that he had infinitely better put his fist in the fire, than use it to handle the serpents that have poisoned the life-blood of his unhappy parent!' Deeply affected, and changed in a moment to the image of despair, Mr. Micawber regarded the serpents with a look of gloomy abhorrence (in which his late admiration of them was not quite subdued), folded them up and put them in his pocket. This closed the proceedings of the evening. We were weary with sorrow and fatigue, and my aunt and I were to return to London on the morrow. It was arranged that the Micawbers should follow us, after effecting a sale of their goods to a broker; that Mr. Wickfield's affairs should be brought to a settlement, with all convenient speed, under the direction of Traddles; and that Agnes should also come to London, pending those arrangements. We passed the night at the old house, which, freed from the presence of the Heeps, seemed purged of a disease; and I lay in my old room, like a shipwrecked wanderer come home. We went back next day to my aunt's house--not to mine--and when she and I sat alone, as of old, before going to bed, she said: 'Trot, do you really wish to know what I have had upon my mind lately?' 'Indeed I do, aunt. If there ever was a time when I felt unwilling that you should have a sorrow or anxiety which I could not share, it is now.' 'You have had sorrow enough, child,' said my aunt, affectionately, 'without the addition of my little miseries. I could have no other motive, Trot, in keeping anything from you.' 'I know that well,' said I. 'But tell me now.' 'Would you ride with me a little way tomorrow morning?' asked my aunt. 'Of course.' 'At nine,' said she. 'I'll tell you then, my dear.' At nine, accordingly, we went out in a little chariot, and drove to London. We drove a long way through the streets, until we came to one of the large hospitals. Standing hard by the building was a plain hearse. The driver recognized my aunt, and, in obedience to a motion of her hand at the window, drove slowly off; we following. 'You understand it now, Trot,' said my aunt. 'He is gone!' 'Did he die in the hospital?' 'Yes.' She sat immovable beside me; but, again I saw the stray tears on her face. 'He was there once before,' said my aunt presently. 'He was ailing a long time--a shattered, broken man, these many years. When he knew his state in this last illness, he asked them to send for me. He was sorry then. Very sorry.' 'You went, I know, aunt.' 'I went. I was with him a good deal afterwards.' 'He died the night before we went to Canterbury?' said I. My aunt nodded. 'No one can harm him now,' she said. 'It was a vain threat.' We drove away, out of town, to the churchyard at Hornsey. 'Better here than in the streets,' said my aunt. 'He was born here.' We alighted; and followed the plain coffin to a corner I remember well, where the service was read consigning it to the dust. 'Six-and-thirty years ago, this day, my dear,' said my aunt, as we walked back to the chariot, 'I was married. God forgive us all!' We took our seats in silence; and so she sat beside me for a long time, holding my hand. At length she suddenly burst into tears, and said: 'He was a fine-looking man when I married him, Trot--and he was sadly changed!' It did not last long. After the relief of tears, she soon became composed, and even cheerful. Her nerves were a little shaken, she said, or she would not have given way to it. God forgive us all! So we rode back to her little cottage at Highgate, where we found the following short note, which had arrived by that morning's post from Mr. Micawber: 'Canterbury, 'Friday. 'My dear Madam, and Copperfield, 'The fair land of promise lately looming on the horizon is again enveloped in impenetrable mists, and for ever withdrawn from the eyes of a drifting wretch whose Doom is sealed! 'Another writ has been issued (in His Majesty's High Court of King's Bench at Westminster), in another cause of HEEP V. MICAWBER, and the defendant in that cause is the prey of the sheriff having legal jurisdiction in this bailiwick. 'Now's the day, and now's the hour, See the front of battle lower, See approach proud EDWARD'S power-- Chains and slavery! 'Consigned to which, and to a speedy end (for mental torture is not supportable beyond a certain point, and that point I feel I have attained), my course is run. Bless you, bless you! Some future traveller, visiting, from motives of curiosity, not unmingled, let us hope, with sympathy, the place of confinement allotted to debtors in this city, may, and I trust will, Ponder, as he traces on its wall, inscribed with a rusty nail, 'The obscure initials, 'W. M. 'P.S. I re-open this to say that our common friend, Mr. Thomas Traddles (who has not yet left us, and is looking extremely well), has paid the debt and costs, in the noble name of Miss Trotwood; and that myself and family are at the height of earthly bliss.'

Mr. Micawber's Transactions Mr. Micawber, who thinks the move to Australia may be exactly what his family needs, wants to be sure that he arranges the finances between him and Miss Betsey professionally. Mrs. Micawber is very concerned that Mr. Micawber should repair her relationship with her family before they leave. Agnes, Traddles, David, and Miss Betsey meet to discuss the Micawbers' finances. Traddles has discovered that he can recover all of Miss Betsey's money as well as Mr. Wickfield's. Agnes says she will rent out the house and run a school in order to keep herself and her father financially secure. David, meanwhile, decides he will go abroad. Traddles reports that Uriah has left town with his mother, and no one knows what has become of him. Arrangements are made to provide for the Micawbers' debts and raise enough money to get them to Australia. Two days later, Miss Betsey takes David to a hospital and to a funeral. She tells him that her husband has died, and that he will not be a threat to her anymore

SUMMER as it was, the east wind set poor Hepzibah's few remaining teeth chattering in her head, as she and Clifford faced it, on their way up Pyncheon Street, and towards the centre of the town. Not merely was it the shiver which this pitiless blast brought to her frame (although her feet and hands, especially, had never seemed so death-a-cold as now), but there was a moral sensation, mingling itself with the physical chill, and causing her to shake more in spirit than in body. The world's broad, bleak atmosphere was all so comfortless! Such, indeed, is the impression which it makes on every new adventurer, even if he plunge into it while the warmest tide of life is bubbling through his veins. What, then, must it have been to Hepzibah and Clifford,--so time-stricken as they were, yet so like children in their inexperience,--as they left the doorstep, and passed from beneath the wide shelter of the Pyncheon Elm! They were wandering all abroad, on precisely such a pilgrimage as a child often meditates, to the world's end, with perhaps a sixpence and a biscuit in his pocket. In Hepzibah's mind, there was the wretched consciousness of being adrift. She had lost the faculty of self-guidance; but, in view of the difficulties around her, felt it hardly worth an effort to regain it, and was, moreover, incapable of making one. As they proceeded on their strange expedition, she now and then cast a look sidelong at Clifford, and could not but observe that he was possessed and swayed by a powerful excitement. It was this, indeed, that gave him the control which he had at once, and so irresistibly, established over his movements. It not a little resembled the exhilaration of wine. Or, it might more fancifully be compared to a joyous piece of music, played with wild vivacity, but upon a disordered instrument. As the cracked jarring note might always be heard, and as it jarred loudest amidst the loftiest exultation of the melody, so was there a continual quake through Clifford, causing him most to quiver while he wore a triumphant smile, and seemed almost under a necessity to skip in his gait. They met few people abroad, even on passing from the retired neighborhood of the House of the Seven Gables into what was ordinarily the more thronged and busier portion of the town. Glistening sidewalks, with little pools of rain, here and there, along their unequal surface; umbrellas displayed ostentatiously in the shop-windows, as if the life of trade had concentrated itself in that one article; wet leaves of the horse-chestnut or elm-trees, torn off untimely by the blast and scattered along the public way; an unsightly, accumulation of mud in the middle of the street, which perversely grew the more unclean for its long and laborious washing,--these were the more definable points of a very sombre picture. In the way of movement and human life, there was the hasty rattle of a cab or coach, its driver protected by a waterproof cap over his head and shoulders; the forlorn figure of an old man, who seemed to have crept out of some subterranean sewer, and was stooping along the kennel, and poking the wet rubbish with a stick, in quest of rusty nails; a merchant or two, at the door of the post-office, together with an editor and a miscellaneous politician, awaiting a dilatory mail; a few visages of retired sea-captains at the window of an insurance office, looking out vacantly at the vacant street, blaspheming at the weather, and fretting at the dearth as well of public news as local gossip. What a treasure-trove to these venerable quidnuncs, could they have guessed the secret which Hepzibah and Clifford were carrying along with them! But their two figures attracted hardly so much notice as that of a young girl, who passed at the same instant, and happened to raise her skirt a trifle too high above her ankles. Had it been a sunny and cheerful day, they could hardly have gone through the streets without making themselves obnoxious to remark. Now, probably, they were felt to be in keeping with the dismal and bitter weather, and therefore did not stand out in strong relief, as if the sun were shining on them, but melted into the gray gloom and were forgotten as soon as gone. Poor Hepzibah! Could she have understood this fact, it would have brought her some little comfort; for, to all her other troubles,--strange to say!--there was added the womanish and old-maiden-like misery arising from a sense of unseemliness in her attire. Thus, she was fain to shrink deeper into herself, as it were, as if in the hope of making people suppose that here was only a cloak and hood, threadbare and woefully faded, taking an airing in the midst of the storm, without any wearer! As they went on, the feeling of indistinctness and unreality kept dimly hovering round about her, and so diffusing itself into her system that one of her hands was hardly palpable to the touch of the other. Any certainty would have been preferable to this. She whispered to herself, again and again, "Am I awake?--Am I awake?" and sometimes exposed her face to the chill spatter of the wind, for the sake of its rude assurance that she was. Whether it was Clifford's purpose, or only chance, had led them thither, they now found themselves passing beneath the arched entrance of a large structure of gray stone. Within, there was a spacious breadth, and an airy height from floor to roof, now partially filled with smoke and steam, which eddied voluminously upward and formed a mimic cloud-region over their heads. A train of cars was just ready for a start; the locomotive was fretting and fuming, like a steed impatient for a headlong rush; and the bell rang out its hasty peal, so well expressing the brief summons which life vouchsafes to us in its hurried career. Without question or delay,--with the irresistible decision, if not rather to be called recklessness, which had so strangely taken possession of him, and through him of Hepzibah,--Clifford impelled her towards the cars, and assisted her to enter. The signal was given; the engine puffed forth its short, quick breaths; the train began its movement; and, along with a hundred other passengers, these two unwonted travellers sped onward like the wind. At last, therefore, and after so long estrangement from everything that the world acted or enjoyed, they had been drawn into the great current of human life, and were swept away with it, as by the suction of fate itself. Still haunted with the idea that not one of the past incidents, inclusive of Judge Pyncheon's visit, could be real, the recluse of the Seven Gables murmured in her brother's ear,-- "Clifford! Clifford! Is not this a dream?" "A dream, Hepzibah!" repeated he, almost laughing in her face. "On the contrary, I have never been awake before!" Meanwhile, looking from the window, they could see the world racing past them. At one moment, they were rattling through a solitude; the next, a village had grown up around them; a few breaths more, and it had vanished, as if swallowed by an earthquake. The spires of meeting-houses seemed set adrift from their foundations; the broad-based hills glided away. Everything was unfixed from its age-long rest, and moving at whirlwind speed in a direction opposite to their own. Within the car there was the usual interior life of the railroad, offering little to the observation of other passengers, but full of novelty for this pair of strangely enfranchised prisoners. It was novelty enough, indeed, that there were fifty human beings in close relation with them, under one long and narrow roof, and drawn onward by the same mighty influence that had taken their two selves into its grasp. It seemed marvellous how all these people could remain so quietly in their seats, while so much noisy strength was at work in their behalf. Some, with tickets in their hats (long travellers these, before whom lay a hundred miles of railroad), had plunged into the English scenery and adventures of pamphlet novels, and were keeping company with dukes and earls. Others, whose briefer span forbade their devoting themselves to studies so abstruse, beguiled the little tedium of the way with penny-papers. A party of girls, and one young man, on opposite sides of the car, found huge amusement in a game of ball. They tossed it to and fro, with peals of laughter that might be measured by mile-lengths; for, faster than the nimble ball could fly, the merry players fled unconsciously along, leaving the trail of their mirth afar behind, and ending their game under another sky than had witnessed its commencement. Boys, with apples, cakes, candy, and rolls of variously tinctured lozenges,--merchandise that reminded Hepzibah of her deserted shop,--appeared at each momentary stopping-place, doing up their business in a hurry, or breaking it short off, lest the market should ravish them away with it. New people continually entered. Old acquaintances--for such they soon grew to be, in this rapid current of affairs--continually departed. Here and there, amid the rumble and the tumult, sat one asleep. Sleep; sport; business; graver or lighter study; and the common and inevitable movement onward! It was life itself! Clifford's naturally poignant sympathies were all aroused. He caught the color of what was passing about him, and threw it back more vividly than he received it, but mixed, nevertheless, with a lurid and portentous hue. Hepzibah, on the other hand, felt herself more apart from human kind than even in the seclusion which she had just quitted. "You are not happy, Hepzibah!" said Clifford apart, in a tone of approach. "You are thinking of that dismal old house, and of Cousin Jaffrey"--here came the quake through him,--"and of Cousin Jaffrey sitting there, all by himself! Take my advice,--follow my example,--and let such things slip aside. Here we are, in the world, Hepzibah!--in the midst of life!--in the throng of our fellow beings! Let you and I be happy! As happy as that youth and those pretty girls, at their game of ball!" "Happy--" thought Hepzibah, bitterly conscious, at the word, of her dull and heavy heart, with the frozen pain in it,--"happy. He is mad already; and, if I could once feel myself broad awake, I should go mad too!" If a fixed idea be madness, she was perhaps not remote from it. Fast and far as they had rattled and clattered along the iron track, they might just as well, as regarded Hepzibah's mental images, have been passing up and down Pyncheon Street. With miles and miles of varied scenery between, there was no scene for her save the seven old gable-peaks, with their moss, and the tuft of weeds in one of the angles, and the shop-window, and a customer shaking the door, and compelling the little bell to jingle fiercely, but without disturbing Judge Pyncheon! This one old house was everywhere! It transported its great, lumbering bulk with more than railroad speed, and set itself phlegmatically down on whatever spot she glanced at. The quality of Hepzibah's mind was too unmalleable to take new impressions so readily as Clifford's. He had a winged nature; she was rather of the vegetable kind, and could hardly be kept long alive, if drawn up by the roots. Thus it happened that the relation heretofore existing between her brother and herself was changed. At home, she was his guardian; here, Clifford had become hers, and seemed to comprehend whatever belonged to their new position with a singular rapidity of intelligence. He had been startled into manhood and intellectual vigor; or, at least, into a condition that resembled them, though it might be both diseased and transitory. The conductor now applied for their tickets; and Clifford, who had made himself the purse-bearer, put a bank-note into his hand, as he had observed others do. "For the lady and yourself?" asked the conductor. "And how far?" "As far as that will carry us," said Clifford. "It is no great matter. We are riding for pleasure merely." "You choose a strange day for it, sir!" remarked a gimlet-eyed old gentleman on the other side of the car, looking at Clifford and his companion, as if curious to make them out. "The best chance of pleasure, in an easterly rain, I take it, is in a man's own house, with a nice little fire in the chimney." "I cannot precisely agree with you," said Clifford, courteously bowing to the old gentleman, and at once taking up the clew of conversation which the latter had proffered. "It had just occurred to me, on the contrary, that this admirable invention of the railroad--with the vast and inevitable improvements to be looked for, both as to speed and convenience--is destined to do away with those stale ideas of home and fireside, and substitute something better." "In the name of common-sense," asked the old gentleman rather testily, "what can be better for a man than his own parlor and chimney-corner?" "These things have not the merit which many good people attribute to them," replied Clifford. "They may be said, in few and pithy words, to have ill served a poor purpose. My impression is, that our wonderfully increased and still increasing facilities of locomotion are destined to bring us around again to the nomadic state. You are aware, my dear sir,--you must have observed it in your own experience,--that all human progress is in a circle; or, to use a more accurate and beautiful figure, in an ascending spiral curve. While we fancy ourselves going straight forward, and attaining, at every step, an entirely new position of affairs, we do actually return to something long ago tried and abandoned, but which we now find etherealized, refined, and perfected to its ideal. The past is but a coarse and sensual prophecy of the present and the future. To apply this truth to the topic now under discussion. In the early epochs of our race, men dwelt in temporary huts, of bowers of branches, as easily constructed as a bird's-nest, and which they built,--if it should be called building, when such sweet homes of a summer solstice rather grew than were made with hands,--which Nature, we will say, assisted them to rear where fruit abounded, where fish and game were plentiful, or, most especially, where the sense of beauty was to be gratified by a lovelier shade than elsewhere, and a more exquisite arrangement of lake, wood, and hill. This life possessed a charm which, ever since man quitted it, has vanished from existence. And it typified something better than itself. It had its drawbacks; such as hunger and thirst, inclement weather, hot sunshine, and weary and foot-blistering marches over barren and ugly tracts, that lay between the sites desirable for their fertility and beauty. But in our ascending spiral, we escape all this. These railroads--could but the whistle be made musical, and the rumble and the jar got rid of--are positively the greatest blessing that the ages have wrought out for us. They give us wings; they annihilate the toil and dust of pilgrimage; they spiritualize travel! Transition being so facile, what can be any man's inducement to tarry in one spot? Why, therefore, should he build a more cumbrous habitation than can readily be carried off with him? Why should he make himself a prisoner for life in brick, and stone, and old worm-eaten timber, when he may just as easily dwell, in one sense, nowhere,--in a better sense, wherever the fit and beautiful shall offer him a home?" Clifford's countenance glowed, as he divulged this theory; a youthful character shone out from within, converting the wrinkles and pallid duskiness of age into an almost transparent mask. The merry girls let their ball drop upon the floor, and gazed at him. They said to themselves, perhaps, that, before his hair was gray and the crow's-feet tracked his temples, this now decaying man must have stamped the impress of his features on many a woman's heart. But, alas! no woman's eye had seen his face while it was beautiful. "I should scarcely call it an improved state of things," observed Clifford's new acquaintance, "to live everywhere and nowhere!" "Would you not?" exclaimed Clifford, with singular energy. "It is as clear to me as sunshine,--were there any in the sky,--that the greatest possible stumbling-blocks in the path of human happiness and improvement are these heaps of bricks and stones, consolidated with mortar, or hewn timber, fastened together with spike-nails, which men painfully contrive for their own torment, and call them house and home! The soul needs air; a wide sweep and frequent change of it. Morbid influences, in a thousand-fold variety, gather about hearths, and pollute the life of households. There is no such unwholesome atmosphere as that of an old home, rendered poisonous by one's defunct forefathers and relatives. I speak of what I know. There is a certain house within my familiar recollection,--one of those peaked-gable (there are seven of them), projecting-storied edifices, such as you occasionally see in our older towns,--a rusty, crazy, creaky, dry-rotted, dingy, dark, and miserable old dungeon, with an arched window over the porch, and a little shop-door on one side, and a great, melancholy elm before it! Now, sir, whenever my thoughts recur to this seven-gabled mansion (the fact is so very curious that I must needs mention it), immediately I have a vision or image of an elderly man, of remarkably stern countenance, sitting in an oaken elbow-chair, dead, stone-dead, with an ugly flow of blood upon his shirt-bosom! Dead, but with open eyes! He taints the whole house, as I remember it. I could never flourish there, nor be happy, nor do nor enjoy what God meant me to do and enjoy." His face darkened, and seemed to contract, and shrivel itself up, and wither into age. "Never, sir!" he repeated. "I could never draw cheerful breath there!" "I should think not," said the old gentleman, eyeing Clifford earnestly, and rather apprehensively. "I should conceive not, sir, with that notion in your head!" "Surely not," continued Clifford; "and it were a relief to me if that house could be torn down, or burnt up, and so the earth be rid of it, and grass be sown abundantly over its foundation. Not that I should ever visit its site again! for, sir, the farther I get away from it, the more does the joy, the lightsome freshness, the heart-leap, the intellectual dance, the youth, in short,--yes, my youth, my youth!--the more does it come back to me. No longer ago than this morning, I was old. I remember looking in the glass, and wondering at my own gray hair, and the wrinkles, many and deep, right across my brow, and the furrows down my cheeks, and the prodigious trampling of crow's-feet about my temples! It was too soon! I could not bear it! Age had no right to come! I had not lived! But now do I look old? If so, my aspect belies me strangely; for--a great weight being off my mind--I feel in the very heyday of my youth, with the world and my best days before me!" "I trust you may find it so," said the old gentleman, who seemed rather embarrassed, and desirous of avoiding the observation which Clifford's wild talk drew on them both. "You have my best wishes for it." "For Heaven's sake, dear Clifford, be quiet!" whispered his sister. "They think you mad." "Be quiet yourself, Hepzibah!" returned her brother. "No matter what they think! I am not mad. For the first time in thirty years my thoughts gush up and find words ready for them. I must talk, and I will!" He turned again towards the old gentleman, and renewed the conversation. "Yes, my dear sir," said he, "it is my firm belief and hope that these terms of roof and hearth-stone, which have so long been held to embody something sacred, are soon to pass out of men's daily use, and be forgotten. Just imagine, for a moment, how much of human evil will crumble away, with this one change! What we call real estate--the solid ground to build a house on--is the broad foundation on which nearly all the guilt of this world rests. A man will commit almost any wrong,--he will heap up an immense pile of wickedness, as hard as granite, and which will weigh as heavily upon his soul, to eternal ages,--only to build a great, gloomy, dark-chambered mansion, for himself to die in, and for his posterity to be miserable in. He lays his own dead corpse beneath the underpinning, as one may say, and hangs his frowning picture on the wall, and, after thus converting himself into an evil destiny, expects his remotest great-grandchildren to be happy there. I do not speak wildly. I have just such a house in my mind's eye!" "Then, sir," said the old gentleman, getting anxious to drop the subject, "you are not to blame for leaving it." "Within the lifetime of the child already born," Clifford went on, "all this will be done away. The world is growing too ethereal and spiritual to bear these enormities a great while longer. To me, though, for a considerable period of time, I have lived chiefly in retirement, and know less of such things than most men,--even to me, the harbingers of a better era are unmistakable. Mesmerism, now! Will that effect nothing, think you, towards purging away the grossness out of human life?" "All a humbug!" growled the old gentleman. "These rapping spirits, that little Phoebe told us of, the other day," said Clifford,--"what are these but the messengers of the spiritual world, knocking at the door of substance? And it shall be flung wide open!" "A humbug, again!" cried the old gentleman, growing more and more testy at these glimpses of Clifford's metaphysics. "I should like to rap with a good stick on the empty pates of the dolts who circulate such nonsense!" "Then there is electricity,--the demon, the angel, the mighty physical power, the all-pervading intelligence!" exclaimed Clifford. "Is that a humbug, too? Is it a fact--or have I dreamt it--that, by means of electricity, the world of matter has become a great nerve, vibrating thousands of miles in a breathless point of time? Rather, the round globe is a vast head, a brain, instinct with intelligence! Or, shall we say, it is itself a thought, nothing but thought, and no longer the substance which we deemed it!" "If you mean the telegraph," said the old gentleman, glancing his eye toward its wire, alongside the rail-track, "it is an excellent thing,--that is, of course, if the speculators in cotton and politics don't get possession of it. A great thing, indeed, sir, particularly as regards the detection of bank-robbers and murderers." "I don't quite like it, in that point of view," replied Clifford. "A bank-robber, and what you call a murderer, likewise, has his rights, which men of enlightened humanity and conscience should regard in so much the more liberal spirit, because the bulk of society is prone to controvert their existence. An almost spiritual medium, like the electric telegraph, should be consecrated to high, deep, joyful, and holy missions. Lovers, day by, day--hour by hour, if so often moved to do it,--might send their heart-throbs from Maine to Florida, with some such words as these 'I love you forever!'--'My heart runs over with love!'--'I love you more than I can!' and, again, at the next message 'I have lived an hour longer, and love you twice as much!' Or, when a good man has departed, his distant friend should be conscious of an electric thrill, as from the world of happy spirits, telling him 'Your dear friend is in bliss!' Or, to an absent husband, should come tidings thus 'An immortal being, of whom you are the father, has this moment come from God!' and immediately its little voice would seem to have reached so far, and to be echoing in his heart. But for these poor rogues, the bank-robbers,--who, after all, are about as honest as nine people in ten, except that they disregard certain formalities, and prefer to transact business at midnight rather than 'Change-hours,--and for these murderers, as you phrase it, who are often excusable in the motives of their deed, and deserve to be ranked among public benefactors, if we consider only its result,--for unfortunate individuals like these, I really cannot applaud the enlistment of an immaterial and miraculous power in the universal world-hunt at their heels!" "You can't, hey?" cried the old gentleman, with a hard look. "Positively, no!" answered Clifford. "It puts them too miserably at disadvantage. For example, sir, in a dark, low, cross-beamed, panelled room of an old house, let us suppose a dead man, sitting in an arm-chair, with a blood-stain on his shirt-bosom,--and let us add to our hypothesis another man, issuing from the house, which he feels to be over-filled with the dead man's presence,--and let us lastly imagine him fleeing, Heaven knows whither, at the speed of a hurricane, by railroad! Now, sir, if the fugitive alight in some distant town, and find all the people babbling about that self-same dead man, whom he has fled so far to avoid the sight and thought of, will you not allow that his natural rights have been infringed? He has been deprived of his city of refuge, and, in my humble opinion, has suffered infinite wrong!" "You are a strange man; Sir!" said the old gentleman, bringing his gimlet-eye to a point on Clifford, as if determined to bore right into him. "I can't see through you!" "No, I'll be bound you can't!" cried Clifford, laughing. "And yet, my dear sir, I am as transparent as the water of Maule's well! But come, Hepzibah! We have flown far enough for once. Let us alight, as the birds do, and perch ourselves on the nearest twig, and consult wither we shall fly next!" Just then, as it happened, the train reached a solitary way-station. Taking advantage of the brief pause, Clifford left the car, and drew Hepzibah along with him. A moment afterwards, the train--with all the life of its interior, amid which Clifford had made himself so conspicuous an object--was gliding away in the distance, and rapidly lessening to a point which, in another moment, vanished. The world had fled away from these two wanderers. They gazed drearily about them. At a little distance stood a wooden church, black with age, and in a dismal state of ruin and decay, with broken windows, a great rift through the main body of the edifice, and a rafter dangling from the top of the square tower. Farther off was a farm-house, in the old style, as venerably black as the church, with a roof sloping downward from the three-story peak, to within a man's height of the ground. It seemed uninhabited. There were the relics of a wood-pile, indeed, near the door, but with grass sprouting up among the chips and scattered logs. The small rain-drops came down aslant; the wind was not turbulent, but sullen, and full of chilly moisture. Clifford shivered from head to foot. The wild effervescence of his mood--which had so readily supplied thoughts, fantasies, and a strange aptitude of words, and impelled him to talk from the mere necessity of giving vent to this bubbling-up gush of ideas had entirely subsided. A powerful excitement had given him energy and vivacity. Its operation over, he forthwith began to sink. "You must take the lead now, Hepzibah!" murmured he, with a torpid and reluctant utterance. "Do with me as you will!" She knelt down upon the platform where they were standing and lifted her clasped hands to the sky. The dull, gray weight of clouds made it invisible; but it was no hour for disbelief,--no juncture this to question that there was a sky above, and an Almighty Father looking from it! "O God!"--ejaculated poor, gaunt Hepzibah,--then paused a moment, to consider what her prayer should be,--"O God,--our Father,--are we not thy children? Have mercy on us!"

Hepzibah and Clifford dash out through the summer rain and soon find themselves at a railroad station; they board a train and Clifford seems to be almost bubbling; Hepzibah, however, views the passengers about them as though they were figures in a dream. Clifford then strikes up a wild conversation with a gimlet-eyed old man across the aisle and speaks of the railroads' role in creating a new order of nomads; then he declares a need to tear down all houses -- particularly those with blood-stained corpses in them -- and goes on to rave further about the value of mesmerism, spiritualism, electricity, and the telegraph -- except when it is used to apprehend bank robbers and murderers. Repeatedly, Clifford describes a seven-gabled house "presided over" by a corpse. Suddenly Clifford wants off the train, and he and his prayerful sister alight at a way-station under gloomy clouds.

THE BLACK SPOT AGAIN The council of the buccaneers had lasted some time, when one of them re-entered the house, and with a repetition of the same salute, which had in my eyes an ironical air, begged for a moment's loan of the torch. Silver briefly agreed, and this emissary retired again, leaving us together in the dark. "There's a breeze coming, Jim," said Silver, who had by this time adopted quite a friendly and familiar tone. I turned to the loophole nearest me and looked out. The embers of the great fire had so far burned themselves out, and now glowed so low and duskily, that I understood why these conspirators desired a torch. About halfway down the slope to the stockade they were collected in a group; one held the light; another was on his knees in their midst, and I saw the blade of an open knife shine in his hand with varying colors, in the moon and torchlight. The rest were all somewhat stooping, as though watching the maneuvers of this last. I could just make out that he had a book as well as a knife in his hand; and was still wondering how anything so incongruous had come in their possession, when the kneeling figure rose once more to his feet, and the whole party began to move together toward the house. "Here they come," said I; and I returned to my former position, for it seemed beneath my dignity that they should find me watching them. "Well, let 'em come, lad--let 'em come," said Silver, cheerily. "I've still a shot in my locker." The door opened, and the five men, standing huddled together just inside, pushed one of their number forward. In any other circumstances it would have been comical to see his slow advance, hesitating as he set down each foot, but holding his closed right hand in front of him. "Step up, lad," cried Silver. "I won't eat you. Hand it over, lubber. I know the rules, I do; I won't hurt a depytation." Thus encouraged the buccaneer stepped forth more briskly, and having passed something to Silver, from hand to hand, slipped yet more smartly back again to his companions. The sea-cook looked at what had been given him. "The black spot! I thought so," he observed. "Where might you have got the paper? Why, hello! look here, now; this ain't lucky! You've gone and cut this out of a Bible. What fool's cut a Bible?" "Ah, there," said Morgan, "there! Wot did I say? No good'll come o' that, I said." "Well, you've about fixed it now, among you," continued Silver. "You'll all swing now, I reckon. What soft-headed lubber had a Bible?" "It was Dick," said one. "Dick, was it? Then Dick can get to prayers," said Silver. "He's seen his slice of luck, has Dick, and you may lay to that." But here the long man with the yellow eyes struck in. "Belay that talk, John Silver," he said. "This crew has tipped you the black spot in full council, as in dooty bound; just you turn it over, as in dooty bound, and see what's wrote there. Then you can talk." "Thanky, George," replied the sea-cook. "You always was brisk for business, and has the rules by heart, George, as I'm pleased to see. Well, what is it, anyway? Ah! 'Deposed'--that's it, is it? Very pretty wrote, to be sure; like print, I swear. Your hand o' write, George? Why, you was gettin' quite a leadin' man in this here crew. You'll be cap'n next, I shouldn't wonder. Just oblige me with that torch again, will you? this pipe don't draw." "Come, now," said George, "you don't fool this crew no more. You're a funny man, by your account; but you're over now, and you'll maybe step down off that barrel, and help vote." "I thought you said you knowed the rules," returned Silver, contemptuously. "Leastways, if you don't, I do; and I wait here--and I'm still your cap'n, mind--till you outs with your grievances, and I reply; in the meantime, your black spot ain't worth a biscuit. After that we'll see." "Oh," replied George, "you don't be under no kind of apprehension; _we're_ all square, we are. First, you've made a hash of this cruise--you'll be a bold man to say no to that. Second, you let the enemy out o' this here trap for nothing. Why did they want out? I dunno, but it's pretty plain they wanted it. Third, you wouldn't let us go at them upon the march. Oh, we see through you, John Silver; you want to play booty, that's what's wrong with you. And then, fourth, there's this here boy." "Is that all?" asked Silver, quietly. "Enough, too," retorted George. "We'll all swing and sun-dry for your bungling." "Well, now, look here, I'll answer these four p'ints; one after another I'll answer 'em. I made a hash o' this cruise, did I? Well, now, you all know what I wanted; and you all know, if that had been done, that we'd 'a' been aboard the _Hispaniola_ this night as ever was, every man of us alive, and fit, and full of good plum-duff, and the treasure in the hold of her, by thunder! Well, who crossed me? Who forced my hand, as was the lawful cap'n? Who tipped me the black spot the day we landed, and began this dance? Ah, it's a fine dance--I'm with you there--and looks mighty like a hornpipe in a rope's end at Execution Dock by London town, it does. But who done it? Why, it was Anderson, and Hands, and you, George Merry! And you're the last above board of that same meddling crew; and you have the Davy Jones insolence to up and stand for cap'n over me--you, that sunk the lot of us! By the powers! but this tops the stiffest yarn to nothing." Silver paused, and I could see by the faces of George and his late comrades that these words had not been said in vain. "That's for number one," cried the accused, wiping the sweat from his brow, for he had been talking with a vehemence that shook the house. "Why, I give you my word, I'm sick to speak to you. You've neither sense nor memory, and I leave it to fancy where your mothers was that let you come to sea. Sea! Gentlemen o' fortune! I reckon tailors is your trade." "Go on, John," said Morgan. "Speak up to the others." "Ah, the others!" returned John. "They're a nice lot, ain't they? You say this cruise is bungled. Ah! by gum, if you could understand how bad it's bungled, you would see! We're that near the gibbet that my neck's stiff with thinking on it. You've seen 'em, maybe, hanged in chains, birds about 'em, seamen p'inting 'em out as they go down with the tide. 'Who's that?' says one. 'That! Why, that's John Silver. I knowed him well,' says another. And you can hear the chains a-jangle as you go about and reach for the other buoy. Now, that's about where we are, every mother's son of us, thanks to him, and Hands, and Anderson, and other ruination fools of you. And if you want to know about number four, and that boy, why, shiver my timbers! isn't he a hostage? Are we a-going to waste a hostage? No, not us; he might be our last chance, and I shouldn't wonder. Kill that boy? not me, mates! And number three? Ah, well, there's a deal to say to number three. Maybe you don't count it nothing to have a real college doctor come to see you every day--you, John, with your head broke--or you, George Merry, that had the ague shakes upon you not six hours agone, and has your eyes the color of lemon peel to this same moment on the clock? And maybe, perhaps, you didn't know there was a consort coming, either? But there is, and not so long till then; and we'll see who'll be glad to have a hostage when it comes to that. And as for number two, and why I made a bargain--well, you come crawling on your knees to me to make it--on your knees you came, you was that downhearted--and you'd have starved, too, if I hadn't--but that's a trifle! you look there--that's why!" And he cast down upon the floor a paper that I instantly recognized--none other than the chart on yellow paper, with the three red crosses, that I had found in the oilcloth at the bottom of the captain's chest. Why the doctor had given it to him was more than I could fancy. But if it were inexplicable to me, the appearance of the chart was incredible to the surviving mutineers. They leaped upon it like cats upon a mouse. It went from hand to hand, one tearing it from another; and by the oaths and the cries and the childish laughter with which they accompanied their examination, you would have thought, not only they were fingering the very gold, but were at sea with it, besides, in safety. "Yes," said one, "that's Flint, sure enough. J. F., and a score below, with a close hitch to it, so he done ever." "Mighty pretty," said George. "But how are we to get away with it, and us no ship?" Silver suddenly sprang up, and supporting himself with a hand against the wall: "Now, I give you warning, George," he cried. "One more word of your sauce, and I'll call you down and fight you. How? Why, how do I know? You had ought to tell me that--you and the rest, that lost me my schooner, with your interference, burn you! But not you, you can't; you ain't got the invention of a cockroach. But civil you can speak, and shall, George Merry, you may lay to that." "That's fair enow," said the old man Morgan. "Fair! I reckon so," said the sea-cook. "You lost the ship; I found the treasure. Who's the better man at that? And now I resign, by thunder! Elect whom you please to be your cap'n now; I'm done with it." "Silver!" they cried. "Barbecue forever! Barbecue for cap'n!" "So that's the toon, is it?" cried the cook. "George, I reckon you'll have to wait another turn, friend, and lucky for you as I'm not a revengeful man. But that was never my way. And now, shipmates, this black spot? 'Tain't much good now, is it? Dick's crossed his luck and spoiled his Bible, and that's about all." "It'll do to kiss the book on still, won't it?" growled Dick, who was evidently uneasy at the curse he had brought upon himself. "A Bible with a bit cut out!" returned Silver, derisively. "Not it. It don't bind no more'n a ballad-book." "Don't it, though?" cried Dick, with a sort of joy. "Well, I reckon that's worth having, too." "Here, Jim--here's a cur'osity for you," said Silver, and he tossed me the paper. It was a round about the size of a crown piece. One side was blank, for it had been the last leaf; the other contained a verse or two of Revelation--these words among the rest, which struck sharply home upon my mind: "Without are dogs and murderers." The printed side had been blackened with wood ash, which already began to come off and soil my fingers; on the blank side had been written with the same material the one word "Deposed." I have that curiosity beside me at this moment; but not a trace of writing now remains beyond a single scratch, such as a man might make with his thumb-nail. That was the end of the night's business. Soon after, with a drink all round, we lay down to sleep, and the outside of Silver's vengeance was to put George Merry up for sentinel, and threaten him with death if he should prove unfaithful. It was long ere I could close an eye, and heaven knows I had matter enough for thought in the man whom I had slain that afternoon, in my own most perilous position, and, above all, in the remarkable game that I saw Silver now engaged upon--keeping the mutineers together with one hand, and grasping, with the other, after every means, possible and impossible, to make his peace and save his miserable life. He himself slept peacefully, and snored aloud; yet my heart was sore for him, wicked as he was, to think on the dark perils that environed, and the shameful gibbet that awaited him.

One of the buccaneers shows up later to borrow the light. Silver, by this time, has started talking to Jim in a friendly tone. Jim sees the group of buccaneers proceeding towards the stockade. Unlike Jim, Silver is hardly concerned. When the door opens, one of the men is pushed ahead to hand over a piece of paper to Silver. Its the Black Spot again. Silver condemns their act, as he recognizes the paper as having been cut out of a bible. He taunts Dick for doing this. At this, George is furious and asks Silver to do his part of his duty by reading it. He asks Silver to step down from his position for a common note. In the heated conversation that followed, Silver is accused of releasing the prisoners and saving the life of Jim. Now it is Silvers turn to lash out at their arguments and prove his superiority. He answers their arguments one by one. Firstly, he accuses Anderson, Hands, George and Davy Jones for crossing him. He goes on to tell them that they will be better off as tailors than sailors. As for Jim, he says he is a hostage and killing him would be a waste. He reminds them about the consort. He also reminds them that he was the one who bargained for food without which they would have been, by now, crawling on the floor. Much to their surprise, he then throws the original treasure map in front of them. The men are dumb founded. Silver gives a final warning to George and asks him to shut his mouth if he wants to live. To prove his supremacy once again, Silver asks who the Captain is. Silver throws the piece of paper to Jim. The paper contains two verses of the Bible. This is blackened with wood ash which soiled out as Jim took it in his hand. `Deposed was written on the blank side. Jim is unable to comprehend any thing. That ends the nights activity. Jim lies down admiring the remarkable tactics Silver used to control the mutineers and save his life.

Near Misenum. [Flourish. Enter POMPEY and MENAS at one side, with drum and trumpet; at the other, CAESAR, ANTONY, LEPIDUS, ENOBARBUS, MAECENAS, with Soldiers marching.] POMPEY. Your hostages I have, so have you mine; And we shall talk before we fight. CAESAR. Most meet That first we come to words; and therefore have we Our written purposes before us sent; Which, if thou hast consider'd, let us know If 'twill tie up thy discontented sword, And carry back to Sicily much tall youth That else must perish here. POMPEY. To you all three, The senators alone of this great world, Chief factors for the gods,--I do not know Wherefore my father should revengers want, Having a son and friends; since Julius Caesar, Who at Philippi the good Brutus ghosted, There saw you labouring for him. What was't That mov'd pale Cassius to conspire; and what Made the all-honour'd, honest Roman, Brutus, With the arm'd rest, courtiers of beauteous freedom, To drench the Capitol, but that they would Have one man but a man? And that is it Hath made me rig my navy; at whose burden The anger'd ocean foams; with which I meant To scourge the ingratitude that despiteful Rome Cast on my noble father. CAESAR. Take your time. ANTONY. Thou canst not fear us, Pompey, with thy sails; We'll speak with thee at sea: at land thou know'st How much we do o'er-count thee. POMPEY. At land, indeed, Thou dost o'er-count me of my father's house: But, since the cuckoo builds not for himself, Remain in't as thou mayst. LEPIDUS. Be pleas'd to tell us,-- For this is from the present,--how you take The offers we have sent you. CAESAR. There's the point. ANTONY. Which do not be entreated to, but weigh What it is worth embrac'd. CAESAR. And what may follow, To try a larger fortune. POMPEY. You have made me offer Of Sicily, Sardinia; and I must Rid all the sea of pirates; then to send Measures of wheat to Rome; this 'greed upon, To part with unhack'd edges and bear back Our targes undinted. CAESAR, ANTONY, and LEPIDUS. That's our offer. POMPEY. Know, then, I came before you here a man prepar'd To take this offer: but Mark Antony Put me to some impatience:--though I lose The praise of it by telling, you must know, When Caesar and your brother were at blows, Your mother came to Sicily, and did find Her welcome friendly. ANTONY. I have heard it, Pompey, And am well studied for a liberal thanks Which I do owe you. POMPEY. Let me have your hand: I did not think, sir, to have met you here. ANTONY. The beds i' the East are soft; and, thanks to you, That call'd me, timelier than my purpose, hither; For I have gained by it. CAESAR. Since I saw you last There is a change upon you. POMPEY. Well, I know not What counts harsh fortune casts upon my face; But in my bosom shall she never come To make my heart her vassal. LEPIDUS. Well met here. POMPEY. I hope so, Lepidus.--Thus we are agreed: I crave our composition may be written, And seal'd between us. CAESAR. That's the next to do. POMPEY. We'll feast each other ere we part; and let's Draw lots who shall begin. ANTONY. That will I, Pompey. POMPEY. No, Antony, take the lot: but, first Or last, your fine Egyptian cookery Shall have the fame. I have heard that Julius Caesar Grew fat with feasting there. ANTONY. You have heard much. POMPEY. I have fair meanings, sir. ANTONY. And fair words to them. POMPEY. Then so much have I heard; And I have heard Apollodorus carried,-- ENOBARBUS. No more of that:--he did so. POMPEY. What, I pray you? ENOBARBUS. A certain queen to Caesar in a mattress. POMPEY. I know thee now: how far'st thou, soldier? ENOBARBUS. Well; And well am like to do; for I perceive Four feasts are toward. POMPEY. Let me shake thy hand; I never hated thee: I have seen thee fight, When I have envied thy behaviour. ENOBARBUS. Sir, I never lov'd you much; but I ha' prais'd ye When you have well deserv'd ten times as much As I have said you did. POMPEY. Enjoy thy plainness; It nothing ill becomes thee.-- Aboard my galley I invite you all: Will you lead, lords? CAESAR, ANTONY, and LEPIDUS. Show's the way, sir. POMPEY. Come. [Exeunt all but ENOBARBUS and MENAS.] MENAS. [Aside.] Thy father, Pompey, would ne'er have made this treaty.-- You and I have known, sir. ENOBARBUS. At sea, I think. MENAS. We have, sir. ENOBARBUS. You have done well by water. MENAS. And you by land. ENOBARBUS. I will praise any man that will praise me; though it cannot be denied what I have done by land. MENAS. Nor what I have done by water. ENOBARBUS. Yes, something you can deny for your own safety: you have been a great thief by sea. MENAS. And you by land. ENOBARBUS. There I deny my land service. But give me your hand, Menas: if our eyes had authority, here they might take two thieves kissing. MENAS. All men's faces are true, whatsome'er their hands are. ENOBARBUS. But there is never a fair woman has a true face. MENAS. No slander; they steal hearts. ENOBARBUS. We came hither to fight with you. MENAS. For my part, I am sorry it is turn'd to a drinking. Pompey doth this day laugh away his fortune. ENOBARBUS. If he do, sure he cannot weep it back again. MENAS. You have said, sir. We look'd not for Mark Antony here: pray you, is he married to Cleopatra? ENOBARBUS. Caesar's sister is called Octavia. MENAS. True, sir; she was the wife of Caius Marcellus. ENOBARBUS. But she is now the wife of Marcus Antonius. MENAS. Pray you, sir? ENOBARBUS. 'Tis true. MENAS. Then is Caesar and he for ever knit together. ENOBARBUS. If I were bound to divine of this unity, I would not prophesy so. MENAS. I think the policy of that purpose made more in the marriage than the love of the parties. ENOBARBUS. I think so too. But you shall find the band that seems to tie their friendship together will be the very strangler of their amity: Octavia is of a holy, cold, and still conversation. MENAS. Who would not have his wife so? ENOBARBUS. Not he that himself is not so; which is Mark Antony. He will to his Egyptian dish again: then shall the sighs of Octavia blow the fire up in Caesar; and, as I said before, that which is the strength of their amity shall prove the immediate author of their variance. Antony will use his affection where it is: he married but his occasion here. MENAS. And thus it may be. Come, sir, will you aboard? I have a health for you. ENOBARBUS. I shall take it, sir: we have used our throats in Egypt. MENAS. Come, let's away. [Exeunt.]

Near Misenum. The triumvirate meets with Pompey. He tells them he wants to avenge his father against Rome. Antony points out that while at sea Pompey is powerful, by land the triumvirate is supreme. The triumvirate has made Pompey an offer: he can retain rule of Sicily and Sardinia, but he must rid the sea of pirates and send tribute to Rome. Pompey says that he would accept, if not for the ingratitude Antony has shown him. When Octavius and Antony's brother were at war, Antony's mother fled to Sicily and was generously received by Pompey. Antony thanks him, the two men shake, and Pompey accepts the triumvirate's offer. The tension is eased, and the men turn to talk of feasting together. Enobarbus pipes up, blunt as always, and Pompey recognizes him from past battles. Pompey and Enobarbus exchange compliments. All exit except Menas and Enobarbus. They exchange compliments, mixed with a bit of boasting. Menas confesses displeasure at Pompey's decision. Enobarbus, when asked about Cleopatra, informs Menas of Antony's marriage to Octavia. He predicts that Antony will return to Cleopatra, and that Antony and Caesar must eventually face off. They go to drink together

ACT IV. SCENE I. A dark Cave. In the middle, a Caldron Boiling. [Thunder. Enter the three Witches.] FIRST WITCH. Thrice the brinded cat hath mew'd. SECOND WITCH. Thrice; and once the hedge-pig whin'd. THIRD WITCH. Harpier cries:--"tis time, 'tis time. FIRST WITCH. Round about the caldron go; In the poison'd entrails throw.-- Toad, that under cold stone, Days and nights has thirty-one Swelter'd venom sleeping got, Boil thou first i' the charmed pot! ALL. Double, double, toil and trouble; Fire, burn; and caldron, bubble. SECOND WITCH. Fillet of a fenny snake, In the caldron boil and bake; Eye of newt, and toe of frog, Wool of bat, and tongue of dog, Adder's fork, and blind-worm's sting, Lizard's leg, and howlet's wing,-- For a charm of powerful trouble, Like a hell-broth boil and bubble. ALL. Double, double, toil and trouble; Fire, burn; and caldron, bubble. THIRD WITCH. Scale of dragon, tooth of wolf, Witch's mummy, maw and gulf Of the ravin'd salt-sea shark, Root of hemlock digg'd i' the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Sliver'd in the moon's eclipse, Nose of Turk, and Tartar's lips, Finger of birth-strangl'd babe Ditch-deliver'd by a drab,-- Make the gruel thick and slab: Add thereto a tiger's chaudron, For the ingredients of our caldron. ALL. Double, double, toil and trouble; Fire, burn; and caldron, bubble. SECOND WITCH. Cool it with a baboon's blood, Then the charm is firm and good. [Enter Hecate.] HECATE. O, well done! I commend your pains; And everyone shall share i' the gains. And now about the cauldron sing, Like elves and fairies in a ring, Enchanting all that you put in. Song. Black spirits and white, red spirits and gray; Mingle, mingle, mingle, you that mingle may. [Exit Hecate.] SECOND WITCH. By the pricking of my thumbs, Something wicked this way comes:-- Open, locks, whoever knocks! [Enter Macbeth.] MACBETH. How now, you secret, black, and midnight hags! What is't you do? ALL. A deed without a name. MACBETH. I conjure you, by that which you profess,-- Howe'er you come to know it,--answer me: Though you untie the winds, and let them fight Against the churches; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodg'd, and trees blown down; Though castles topple on their warders' heads; Though palaces and pyramids do slope Their heads to their foundations; though the treasure Of nature's germins tumble all together, Even till destruction sicken,--answer me To what I ask you. FIRST WITCH. Speak. SECOND WITCH. Demand. THIRD WITCH. We'll answer. FIRST WITCH. Say, if thou'dst rather hear it from our mouths, Or from our masters? MACBETH. Call 'em, let me see 'em. FIRST WITCH. Pour in sow's blood, that hath eaten Her nine farrow; grease that's sweaten From the murderer's gibbet throw Into the flame. ALL. Come, high or low; Thyself and office deftly show! [Thunder. An Apparition of an armed Head rises.] MACBETH. Tell me, thou unknown power,-- FIRST WITCH. He knows thy thought: Hear his speech, but say thou naught. APPARITION. Macbeth! Macbeth! Macbeth! Beware Macduff; Beware the Thane of Fife.--Dismiss me:--enough. [Descends.] MACBETH. Whate'er thou art, for thy good caution, thanks; Thou hast harp'd my fear aright:--but one word more,-- FIRST WITCH. He will not be commanded: here's another, More potent than the first. [Thunder. An Apparition of a bloody Child rises.] APPARITION.-- Macbeth! Macbeth! Macbeth! MACBETH. Had I three ears, I'd hear thee. APPARITION. Be bloody, bold, and resolute; laugh to scorn The power of man, for none of woman born Shall harm Macbeth. [Descends.] MACBETH. Then live, Macduff: what need I fear of thee? But yet I'll make assurance double sure, And take a bond of fate: thou shalt not live; That I may tell pale-hearted fear it lies, And sleep in spite of thunder.--What is this, [Thunder. An Apparition of a Child crowned, with a tree in his hand, rises.] That rises like the issue of a king, And wears upon his baby brow the round And top of sovereignty? ALL. Listen, but speak not to't. APPARITION. Be lion-mettled, proud; and take no care Who chafes, who frets, or where conspirers are: Macbeth shall never vanquish'd be, until Great Birnam wood to high Dunsinane hill Shall come against him. [Descends.] MACBETH. That will never be: Who can impress the forest; bid the tree Unfix his earth-bound root? Sweet bodements, good! Rebellion's head, rise never till the wood Of Birnam rise, and our high-plac'd Macbeth Shall live the lease of nature, pay his breath To time and mortal custom.--Yet my heart Throbs to know one thing: tell me,--if your art Can tell so much,--shall Banquo's issue ever Reign in this kingdom? ALL. Seek to know no more. MACBETH. I will be satisfied: deny me this, And an eternal curse fall on you! Let me know:-- Why sinks that cauldron? and what noise is this? [Hautboys.] FIRST WITCH. Show! SECOND WITCH. Show! THIRD WITCH. Show! ALL. Show his eyes, and grieve his heart; Come like shadows, so depart! [Eight kings appear, and pass over in order, the last with a glass in his hand; Banquo following.] MACBETH. Thou are too like the spirit of Banquo; down! Thy crown does sear mine eyeballs:--and thy hair, Thou other gold-bound brow, is like the first;-- A third is like the former.--Filthy hags! Why do you show me this?--A fourth!--Start, eyes! What, will the line stretch out to the crack of doom? Another yet!--A seventh!--I'll see no more:-- And yet the eighth appears, who bears a glass Which shows me many more; and some I see That twofold balls and treble sceptres carry: Horrible sight!--Now I see 'tis true; For the blood-bolter'd Banquo smiles upon me, And points at them for his.--What! is this so? FIRST WITCH. Ay, sir, all this is so:--but why Stands Macbeth thus amazedly?-- Come,sisters, cheer we up his sprites, And show the best of our delights; I'll charm the air to give a sound, While you perform your antic round; That this great king may kindly say, Our duties did his welcome pay. [Music. The Witches dance, and then vanish.] MACBETH. Where are they? Gone?--Let this pernicious hour Stand aye accursed in the calendar!-- Come in, without there! [Enter Lennox.] LENNOX. What's your grace's will? MACBETH. Saw you the weird sisters? LENNOX. No, my lord. MACBETH. Came they not by you? LENNOX. No indeed, my lord. MACBETH. Infected be the air whereon they ride; And damn'd all those that trust them!--I did hear The galloping of horse: who was't came by? LENNOX. 'Tis two or three, my lord, that bring you word Macduff is fled to England. MACBETH. Fled to England! LENNOX. Ay, my good lord. MACBETH. Time, thou anticipat'st my dread exploits: The flighty purpose never is o'ertook Unless the deed go with it: from this moment The very firstlings of my heart shall be The firstlings of my hand. And even now, To crown my thoughts with acts, be it thought and done: The castle of Macduff I will surprise; Seize upon Fife; give to the edge o' the sword His wife, his babes, and all unfortunate souls That trace him in his line. No boasting like a fool; This deed I'll do before this purpose cool: But no more sights!--Where are these gentlemen? Come, bring me where they are. [Exeunt.]

On a dark and stormy night, the three witches are hanging out in a cave roasting marshmallows and chanting spells around a boiling cauldron, into which they cast all sorts of nasty bits, from lizard's leg to the finger of stillborn baby. Hecate enters, pleased with the witches' more serious approach this time around. After Hecate exits, the Second With announces "something wicked this way comes." Not surprisingly, Macbeth promptly follows. Macbeth gives the witches some props for being able to control the weather and conjure crazy winds that batter churches, cause huge ocean waves to "swallow" ships, destroy crops, topple castles, and so on. Macbeth says he has some more questions about his future and he wants some answers from the weird sisters, pronto. The witches add some more ingredients to the cauldron, and then apparitions begin to appear, each addressing Macbeth. First, an armed head warns him to beware of Macduff. The second apparition is a bloody child who says that Macbeth won't be harmed by anyone who was "of woman born." Um, well...that's pretty much everyone, right? Including Macduff. So really Macbeth figures he has nothing to fear. He welcomes this good but figures he might as well have Macduff killed anyway--you know, just to be sure. The third apparition is a child wearing a crown and holding a tree in his hand. The child promises that Macbeth won't be conquered until Birnam Wood marches to Dunsinane. This seems about as unlikely as Macduff not being born of a woman. Given all of this, Macbeth feels safe that he won't be conquered in the upcoming war. But again, to be on the safe side, he still asks if Banquo's children will ever rule the kingdom. He is warned to ask no more questions. He demands to be answered anyway. Macbeth is not pleased when he's shown a line of eight kings, the last of which holds a mirror that reflects on many more such kings. One of the kings in the mirror happens to be holding two orbs. Time for a History Snack: King James I of England traced his lineage back to Banquo and, at his coronation ceremony in England James held two orbs . Quite a coincidence, don't you think? The apparitions disappear and the witches tease Macbeth for looking horrible when he saw his future destruction. The witches do yet another song and dance routine and they vanish. Enter Lennox to find a perplexed Macbeth. Lennox tells Macbeth the news that Macduff has definitely run away to England, presumably to get some help for a rebellion. Get your highlighter out because this next bit is important: Macbeth says that from now on, he's going to act immediately on whatever thought enters his mind: "From this moment / The very firstlings of my heart shall be / The firstlings of my hand." In other words, no more thinking and contemplating about the pros and cons of being bad - he's just going to do whatever the heck he feels like doing. Starting with... wiping out Macduff's entire family, especially his kids, since Macbeth doesn't ever want to see any little Macduffs running around.

Enter Lord Chamberlaine, reading this Letter. My Lord, the Horses your Lordship sent for, with all the care I had, I saw well chosen, ridden, and furnish'd. They were young and handsome, and of the best breed in the North. When they were ready to set out for London, a man of my Lord Cardinalls, by Commission, and maine power tooke 'em from me, with this reason: his maister would bee seru'd before a Subiect, if not before the King, which stop'd our mouthes Sir. I feare he will indeede; well, let him haue them; hee will haue all I thinke. Enter to the Lord Chamberlaine, the Dukes of Norfolke and Suffolke. Norf. Well met my Lord Chamberlaine Cham. Good day to both your Graces Suff. How is the King imployd? Cham. I left him priuate, Full of sad thoughts and troubles Norf. What's the cause? Cham. It seemes the Marriage with his Brothers Wife Ha's crept too neere his Conscience Suff. No, his Conscience Ha's crept too neere another Ladie Norf. Tis so; This is the Cardinals doing: The King-Cardinall, That blinde Priest, like the eldest Sonne of Fortune, Turnes what he list. The King will know him one day Suff. Pray God he doe, Hee'l neuer know himselfe else Norf. How holily he workes in all his businesse, And with what zeale? For now he has crackt the League Between vs & the Emperor (the Queens great Nephew) He diues into the Kings Soule, and there scatters Dangers, doubts, wringing of the Conscience, Feares, and despaires, and all these for his Marriage. And out of all these, to restore the King, He counsels a Diuorce, a losse of her That like a Iewell, ha's hung twenty yeares About his necke, yet neuer lost her lustre; Of her that loues him with that excellence, That Angels loue good men with: Euen of her, That when the greatest stroake of Fortune falls Will blesse the King: and is not this course pious? Cham. Heauen keep me from such councel: tis most true These newes are euery where, euery tongue speaks 'em, And euery true heart weepes for't. All that dare Looke into these affaires, see this maine end, The French Kings Sister. Heauen will one day open The Kings eyes, that so long haue slept vpon This bold bad man Suff. And free vs from his slauery Norf. We had need pray, And heartily, for our deliuerance; Or this imperious man will worke vs all From Princes into Pages: all mens honours Lie like one lumpe before him, to be fashion'd Into what pitch he please Suff. For me, my Lords, I loue him not, nor feare him, there's my Creede: As I am made without him, so Ile stand, If the King please: his Curses and his blessings Touch me alike: th'are breath I not beleeue in. I knew him, and I know him: so I leaue him To him that made him proud; the Pope Norf. Let's in; And with some other busines, put the King From these sad thoughts, that work too much vpon him: My Lord, youle beare vs company? Cham. Excuse me, The King ha's sent me otherwhere: Besides You'l finde a most vnfit time to disturbe him: Health to your Lordships Norfolke. Thankes my good Lord Chamberlaine. Exit Lord Chamberlaine, and the King drawes the Curtaine and sits reading pensiuely. Suff. How sad he lookes; sure he is much afflicted Kin. Who's there? Ha? Norff. Pray God he be not angry Kin. Who's there I say? How dare you thrust your selues Into my priuate Meditations? Who am I? Ha? Norff. A gracious King, that pardons all offences Malice ne're meant: Our breach of Duty this way, Is businesse of Estate; in which, we come To know your Royall pleasure Kin. Ye are too bold: Go too; Ile make ye know your times of businesse: Is this an howre for temporall affaires? Ha? Enter Wolsey and Campeius with a Commission. Who's there? my good Lord Cardinall? O my Wolsey, The quiet of my wounded Conscience; Thou art a cure fit for a King; you'r welcome Most learned Reuerend Sir, into our Kingdome, Vse vs, and it: My good Lord, haue great care, I be not found a Talker Wol. Sir, you cannot; I would your Grace would giue vs but an houre Of priuate conference Kin. We are busie; goe Norff. This Priest ha's no pride in him? Suff. Not to speake of: I would not be so sicke though for his place: But this cannot continue Norff. If it doe, Ile venture one; haue at him Suff. I another. Exeunt. Norfolke and Suffolke. Wol. Your Grace ha's giuen a President of wisedome Aboue all Princes, in committing freely Your scruple to the voyce of Christendome: Who can be angry now? What Enuy reach you? The Spaniard tide by blood and fauour to her, Must now confesse, if they haue any goodnesse, The Tryall, iust and Noble. All the Clerkes, (I meane the learned ones in Christian Kingdomes) Haue their free voyces. Rome (the Nurse of Iudgement) Inuited by your Noble selfe, hath sent One generall Tongue vnto vs. This good man, This iust and learned Priest, Cardnall Campeius, Whom once more, I present vnto your Highnesse Kin. And once more in mine armes I bid him welcome, And thanke the holy Conclaue for their loues, They haue sent me such a Man, I would haue wish'd for Cam. Your Grace must needs deserue all strangers loues, You are so Noble: To your Highnesse hand I tender my Commission; by whose vertue, The Court of Rome commanding. You my Lord Cardinall of Yorke, are ioyn'd with me their Seruant, In the vnpartiall iudging of this Businesse Kin. Two equall men: The Queene shall be acquainted Forthwith for what you come. Where's Gardiner? Wol. I know your Maiesty, ha's alwayes lou'd her So deare in heart, not to deny her that A Woman of lesse Place might aske by Law; Schollers allow'd freely to argue for her Kin. I, and the best she shall haue; and my fauour To him that does best, God forbid els: Cardinall, Prethee call Gardiner to me, my new Secretary. I find him a fit fellow. Enter Gardiner. Wol. Giue me your hand: much ioy & fauour to you; You are the Kings now Gard. But to be commanded For euer by your Grace, whose hand ha's rais'd me Kin. Come hither Gardiner. Walkes and whispers. Camp. My Lord of Yorke, was not one Doctor Pace In this mans place before him? Wol. Yes, he was Camp. Was he not held a learned man? Wol. Yes surely Camp. Beleeue me, there's an ill opinion spread then, Euen of your selfe Lord Cardinall Wol. How? of me? Camp. They will not sticke to say, you enuide him; And fearing he would rise (he was so vertuous) Kept him a forraigne man still, which so greeu'd him, That he ran mad, and dide Wol. Heau'ns peace be with him: That's Christian care enough: for liuing Murmurers, There's places of rebuke. He was a Foole; For he would needs be vertuous. That good Fellow, If I command him followes my appointment, I will haue none so neere els. Learne this Brother, We liue not to be grip'd by meaner persons Kin. Deliuer this with modesty to th' Queene. Exit Gardiner. The most conuenient place, that I can thinke of For such receipt of Learning, is Black-Fryers: There ye shall meete about this waighty busines. My Wolsey, see it furnish'd, O my Lord, Would it not grieue an able man to leaue So sweet a Bedfellow? But Conscience, Conscience; O 'tis a tender place, and I must leaue her. Exeunt.

Mail call: Lord Chamberlain reads a letter about his horses. It turns out Wolsey took a bunch of them, claiming they were for the king. Chamberlain might have wanted them and all, but he doesn't have them anymore. Lord Chamberlain thinks about this. He decides that Wolsey will end up taking everything he has and then some. He's also sure that Wolsey will take and take from the nobles until nothing is left. As Chamberlain is deep in thought, Suffolk and Norfolk come in and begin gossiping about the king. Norfolk has heard that Henry is worried that his marriage to Katherine hasn't been up to scratch; it seems that there's something questionable about its legality. If their marriage were illegal, then Henry would have to divorce Katherine--you know, to placate his conscience. Right. Suffolk thinks it's more likely that Henry just has a new honey and is trying to make an excuse to be with her. Yep, it was Wolsey's idea, Norfolk reports. Wolsey suggested to Henry that his first marriage should be annulled. Never mind that this would mean war with Spain, and never mind that Katherine has been a supportive and loving wife for twenty years: Katherine was previously married to Henry VII , so that might make the marriage illegal. Well, how convenient. Lord Chamberlain is shocked. He doesn't want to have anything to do with such a man, and he hopes Henry can see the real Wolsey soon, before it's too late. Chamberlain leaves, and Norfolk and Suffolk pay a little visit to Henry. He's reading, and he isn't happy that they've interrupted him in the middle of his private meditations. When Wolsey and Cardinal Campeius enter, Henry tells Suffolk and Norfolk to beat it. They do, but they whisper to each other as they're leaving that they don't trust Wolsey--or Campeius, either. Alone with Henry and Campeius, Wolsey makes a speech about how no one will get mad at Henry for leaving Katherine if the Pope says it's okay. Campeius seconds that. He's brought with him some papers declaring his judgment on the marriage. Henry orders for these papers to be read later on. The king's secretary, Gardiner, used to be Wolsey's secretary. If you're thinking this is no coincidence, then you're right: Wolsey arranged for his man to be on the inside track with the king. As Gardiner exits, Wolsey reminds the secretary how much he's helped him. Hint, hint. Gardiner picks up on Wolsey's not-so-subtle hint and confirms his loyalty to the cardinal over the king. Then Henry and Gardiner leave to have a chat. Meanwhile, Campeius and Wolsey discuss current events. Campeius reports that people all around town seem to have a bad vibe about Wolsey. Wolsey is surprised by this, but Campeius confirms that people think he had a hand in Buckingham's execution. Gasp. Wolsey pretends to be offended by all this--even though he totally did have something to do with it. Henry reenters with news that he will announce his split from Katherine at Blackfriars. He orders Gardiner to deliver a letter to Katherine. He's really down about leaving "so sweet a bedfellow" , but his conscience tells him he has to. We're pretty sure by conscience, he means Wolsey.

At last it came, the famous agricultural show. On the morning of the solemnity all the inhabitants at their doors were chatting over the preparations. The pediment of the town hall had been hung with garlands of ivy; a tent had been erected in a meadow for the banquet; and in the middle of the Place, in front of the church, a kind of bombarde was to announce the arrival of the prefect and the names of the successful farmers who had obtained prizes. The National Guard of Buchy (there was none at Yonville) had come to join the corps of firemen, of whom Binet was captain. On that day he wore a collar even higher than usual; and, tightly buttoned in his tunic, his figure was so stiff and motionless that the whole vital portion of his person seemed to have descended into his legs, which rose in a cadence of set steps with a single movement. As there was some rivalry between the tax-collector and the colonel, both, to show off their talents, drilled their men separately. One saw the red epaulettes and the black breastplates pass and re-pass alternately; there was no end to it, and it constantly began again. There had never been such a display of pomp. Several citizens had scoured their houses the evening before; tri-coloured flags hung from half-open windows; all the public-houses were full; and in the lovely weather the starched caps, the golden crosses, and the coloured neckerchiefs seemed whiter than snow, shone in the sun, and relieved with the motley colours the sombre monotony of the frock-coats and blue smocks. The neighbouring farmers' wives, when they got off their horses, pulled out the long pins that fastened around them their dresses, turned up for fear of mud; and the husbands, for their part, in order to save their hats, kept their handkerchiefs around them, holding one corner between their teeth. The crowd came into the main street from both ends of the village. People poured in from the lanes, the alleys, the houses; and from time to time one heard knockers banging against doors closing behind women with their gloves, who were going out to see the fete. What was most admired were two long lamp-stands covered with lanterns, that flanked a platform on which the authorities were to sit. Besides this there were against the four columns of the town hall four kinds of poles, each bearing a small standard of greenish cloth, embellished with inscriptions in gold letters. On one was written, "To Commerce"; on the other, "To Agriculture"; on the third, "To Industry"; and on the fourth, "To the Fine Arts." But the jubilation that brightened all faces seemed to darken that of Madame Lefrancois, the innkeeper. Standing on her kitchen-steps she muttered to herself, "What rubbish! what rubbish! With their canvas booth! Do they think the prefect will be glad to dine down there under a tent like a gipsy? They call all this fussing doing good to the place! Then it wasn't worth while sending to Neufchatel for the keeper of a cookshop! And for whom? For cowherds! tatterdemalions!" The druggist was passing. He had on a frock-coat, nankeen trousers, beaver shoes, and, for a wonder, a hat with a low crown. "Your servant! Excuse me, I am in a hurry." And as the fat widow asked where he was going-- "It seems odd to you, doesn't it, I who am always more cooped up in my laboratory than the man's rat in his cheese." "What cheese?" asked the landlady. "Oh, nothing! nothing!" Homais continued. "I merely wished to convey to you, Madame Lefrancois, that I usually live at home like a recluse. To-day, however, considering the circumstances, it is necessary--" "Oh, you're going down there!" she said contemptuously. "Yes, I am going," replied the druggist, astonished. "Am I not a member of the consulting commission?" Mere Lefrancois looked at him for a few moments, and ended by saying with a smile-- "That's another pair of shoes! But what does agriculture matter to you? Do you understand anything about it?" "Certainly I understand it, since I am a druggist--that is to say, a chemist. And the object of chemistry, Madame Lefrancois, being the knowledge of the reciprocal and molecular action of all natural bodies, it follows that agriculture is comprised within its domain. And, in fact, the composition of the manure, the fermentation of liquids, the analyses of gases, and the influence of miasmata, what, I ask you, is all this, if it isn't chemistry, pure and simple?" The landlady did not answer. Homais went on-- "Do you think that to be an agriculturist it is necessary to have tilled the earth or fattened fowls oneself? It is necessary rather to know the composition of the substances in question--the geological strata, the atmospheric actions, the quality of the soil, the minerals, the waters, the density of the different bodies, their capillarity, and what not. And one must be master of all the principles of hygiene in order to direct, criticize the construction of buildings, the feeding of animals, the diet of domestics. And, moreover, Madame Lefrancois, one must know botany, be able to distinguish between plants, you understand, which are the wholesome and those that are deleterious, which are unproductive and which nutritive, if it is well to pull them up here and re-sow them there, to propagate some, destroy others; in brief, one must keep pace with science by means of pamphlets and public papers, be always on the alert to find out improvements." The landlady never took her eyes off the "Cafe Francois" and the chemist went on-- "Would to God our agriculturists were chemists, or that at least they would pay more attention to the counsels of science. Thus lately I myself wrote a considerable tract, a memoir of over seventy-two pages, entitled, 'Cider, its Manufacture and its Effects, together with some New Reflections on the Subject,' that I sent to the Agricultural Society of Rouen, and which even procured me the honour of being received among its members--Section, Agriculture; Class, Pomological. Well, if my work had been given to the public--" But the druggist stopped, Madame Lefrancois seemed so preoccupied. "Just look at them!" she said. "It's past comprehension! Such a cookshop as that!" And with a shrug of the shoulders that stretched out over her breast the stitches of her knitted bodice, she pointed with both hands at her rival's inn, whence songs were heard issuing. "Well, it won't last long," she added. "It'll be over before a week." Homais drew back with stupefaction. She came down three steps and whispered in his ear-- "What! you didn't know it? There is to be an execution in next week. It's Lheureux who is selling him out; he has killed him with bills." "What a terrible catastrophe!" cried the druggist, who always found expressions in harmony with all imaginable circumstances. Then the landlady began telling him the story that she had heard from Theodore, Monsieur Guillaumin's servant, and although she detested Tellier, she blamed Lheureux. He was "a wheedler, a sneak." "There!" she said. "Look at him! he is in the market; he is bowing to Madame Bovary, who's got on a green bonnet. Why, she's taking Monsieur Boulanger's arm." "Madame Bovary!" exclaimed Homais. "I must go at once and pay her my respects. Perhaps she'll be very glad to have a seat in the enclosure under the peristyle." And, without heeding Madame Lefrancois, who was calling him back to tell him more about it, the druggist walked off rapidly with a smile on his lips, with straight knees, bowing copiously to right and left, and taking up much room with the large tails of his frock-coat that fluttered behind him in the wind. Rodolphe, having caught sight of him from afar, hurried on, but Madame Bovary lost her breath; so he walked more slowly, and, smiling at her, said in a rough tone-- "It's only to get away from that fat fellow, you know, the druggist." She pressed his elbow. "What's the meaning of that?" he asked himself. And he looked at her out of the corner of his eyes. Her profile was so calm that one could guess nothing from it. It stood out in the light from the oval of her bonnet, with pale ribbons on it like the leaves of weeds. Her eyes with their long curved lashes looked straight before her, and though wide open, they seemed slightly puckered by the cheek-bones, because of the blood pulsing gently under the delicate skin. A pink line ran along the partition between her nostrils. Her head was bent upon her shoulder, and the pearl tips of her white teeth were seen between her lips. "Is she making fun of me?" thought Rodolphe. Emma's gesture, however, had only been meant for a warning; for Monsieur Lheureux was accompanying them, and spoke now and again as if to enter into the conversation. "What a superb day! Everybody is out! The wind is east!" And neither Madame Bovary nor Rodolphe answered him, whilst at the slightest movement made by them he drew near, saying, "I beg your pardon!" and raised his hat. When they reached the farrier's house, instead of following the road up to the fence, Rodolphe suddenly turned down a path, drawing with him Madame Bovary. He called out-- "Good evening, Monsieur Lheureux! See you again presently." "How you got rid of him!" she said, laughing. "Why," he went on, "allow oneself to be intruded upon by others? And as to-day I have the happiness of being with you--" Emma blushed. He did not finish his sentence. Then he talked of the fine weather and of the pleasure of walking on the grass. A few daisies had sprung up again. "Here are some pretty Easter daisies," he said, "and enough of them to furnish oracles to all the amorous maids in the place." He added, "Shall I pick some? What do you think?" "Are you in love?" she asked, coughing a little. "H'm, h'm! who knows?" answered Rodolphe. The meadow began to fill, and the housewives hustled you with their great umbrellas, their baskets, and their babies. One had often to get out of the way of a long file of country folk, servant-maids with blue stockings, flat shoes, silver rings, and who smelt of milk, when one passed close to them. They walked along holding one another by the hand, and thus they spread over the whole field from the row of open trees to the banquet tent. But this was the examination time, and the farmers one after the other entered a kind of enclosure formed by a long cord supported on sticks. The beasts were there, their noses towards the cord, and making a confused line with their unequal rumps. Drowsy pigs were burrowing in the earth with their snouts, calves were bleating, lambs baaing; the cows, on knees folded in, were stretching their bellies on the grass, slowly chewing the cud, and blinking their heavy eyelids at the gnats that buzzed round them. Plough-men with bare arms were holding by the halter prancing stallions that neighed with dilated nostrils looking towards the mares. These stood quietly, stretching out their heads and flowing manes, while their foals rested in their shadow, or now and then came and sucked them. And above the long undulation of these crowded animals one saw some white mane rising in the wind like a wave, or some sharp horns sticking out, and the heads of men running about. Apart, outside the enclosure, a hundred paces off, was a large black bull, muzzled, with an iron ring in its nostrils, and who moved no more than if he had been in bronze. A child in rags was holding him by a rope. Between the two lines the committee-men were walking with heavy steps, examining each animal, then consulting one another in a low voice. One who seemed of more importance now and then took notes in a book as he walked along. This was the president of the jury, Monsieur Derozerays de la Panville. As soon as he recognised Rodolphe he came forward quickly, and smiling amiably, said-- "What! Monsieur Boulanger, you are deserting us?" Rodolphe protested that he was just coming. But when the president had disappeared-- "Ma foi!*" said he, "I shall not go. Your company is better than his." *Upon my word! And while poking fun at the show, Rodolphe, to move about more easily, showed the gendarme his blue card, and even stopped now and then in front of some fine beast, which Madame Bovary did not at all admire. He noticed this, and began jeering at the Yonville ladies and their dresses; then he apologised for the negligence of his own. He had that incongruity of common and elegant in which the habitually vulgar think they see the revelation of an eccentric existence, of the perturbations of sentiment, the tyrannies of art, and always a certain contempt for social conventions, that seduces or exasperates them. Thus his cambric shirt with plaited cuffs was blown out by the wind in the opening of his waistcoat of grey ticking, and his broad-striped trousers disclosed at the ankle nankeen boots with patent leather gaiters. These were so polished that they reflected the grass. He trampled on horses's dung with them, one hand in the pocket of his jacket and his straw hat on one side. "Besides," added he, "when one lives in the country--" "It's waste of time," said Emma. "That is true," replied Rodolphe. "To think that not one of these people is capable of understanding even the cut of a coat!" Then they talked about provincial mediocrity, of the lives it crushed, the illusions lost there. "And I too," said Rodolphe, "am drifting into depression." "You!" she said in astonishment; "I thought you very light-hearted." "Ah! yes. I seem so, because in the midst of the world I know how to wear the mask of a scoffer upon my face; and yet, how many a time at the sight of a cemetery by moonlight have I not asked myself whether it were not better to join those sleeping there!" "Oh! and your friends?" she said. "You do not think of them." "My friends! What friends? Have I any? Who cares for me?" And he accompanied the last words with a kind of whistling of the lips. But they were obliged to separate from each other because of a great pile of chairs that a man was carrying behind them. He was so overladen with them that one could only see the tips of his wooden shoes and the ends of his two outstretched arms. It was Lestiboudois, the gravedigger, who was carrying the church chairs about amongst the people. Alive to all that concerned his interests, he had hit upon this means of turning the show to account; and his idea was succeeding, for he no longer knew which way to turn. In fact, the villagers, who were hot, quarreled for these seats, whose straw smelt of incense, and they leant against the thick backs, stained with the wax of candles, with a certain veneration. Madame Bovary again took Rodolphe's arm; he went on as if speaking to himself-- "Yes, I have missed so many things. Always alone! Ah! if I had some aim in life, if I had met some love, if I had found someone! Oh, how I would have spent all the energy of which I am capable, surmounted everything, overcome everything!" "Yet it seems to me," said Emma, "that you are not to be pitied." "Ah! you think so?" said Rodolphe. "For, after all," she went on, "you are free--" she hesitated, "rich--" "Do not mock me," he replied. And she protested that she was not mocking him, when the report of a cannon resounded. Immediately all began hustling one another pell-mell towards the village. It was a false alarm. The prefect seemed not to be coming, and the members of the jury felt much embarrassed, not knowing if they ought to begin the meeting or still wait. At last at the end of the Place a large hired landau appeared, drawn by two thin horses, which a coachman in a white hat was whipping lustily. Binet had only just time to shout, "Present arms!" and the colonel to imitate him. All ran towards the enclosure; everyone pushed forward. A few even forgot their collars; but the equipage of the prefect seemed to anticipate the crowd, and the two yoked jades, trapesing in their harness, came up at a little trot in front of the peristyle of the town hall at the very moment when the National Guard and firemen deployed, beating drums and marking time. "Present!" shouted Binet. "Halt!" shouted the colonel. "Left about, march." And after presenting arms, during which the clang of the band, letting loose, rang out like a brass kettle rolling downstairs, all the guns were lowered. Then was seen stepping down from the carriage a gentleman in a short coat with silver braiding, with bald brow, and wearing a tuft of hair at the back of his head, of a sallow complexion and the most benign appearance. His eyes, very large and covered by heavy lids, were half-closed to look at the crowd, while at the same time he raised his sharp nose, and forced a smile upon his sunken mouth. He recognised the mayor by his scarf, and explained to him that the prefect was not able to come. He himself was a councillor at the prefecture; then he added a few apologies. Monsieur Tuvache answered them with compliments; the other confessed himself nervous; and they remained thus, face to face, their foreheads almost touching, with the members of the jury all round, the municipal council, the notable personages, the National Guard and the crowd. The councillor pressing his little cocked hat to his breast repeated his bows, while Tuvache, bent like a bow, also smiled, stammered, tried to say something, protested his devotion to the monarchy and the honour that was being done to Yonville. Hippolyte, the groom from the inn, took the head of the horses from the coachman, and, limping along with his club-foot, led them to the door of the "Lion d'Or", where a number of peasants collected to look at the carriage. The drum beat, the howitzer thundered, and the gentlemen one by one mounted the platform, where they sat down in red utrecht velvet arm-chairs that had been lent by Madame Tuvache. All these people looked alike. Their fair flabby faces, somewhat tanned by the sun, were the colour of sweet cider, and their puffy whiskers emerged from stiff collars, kept up by white cravats with broad bows. All the waist-coats were of velvet, double-breasted; all the watches had, at the end of a long ribbon, an oval cornelian seal; everyone rested his two hands on his thighs, carefully stretching the stride of their trousers, whose unsponged glossy cloth shone more brilliantly than the leather of their heavy boots. The ladies of the company stood at the back under the vestibule between the pillars while the common herd was opposite, standing up or sitting on chairs. As a matter of fact, Lestiboudois had brought thither all those that he had moved from the field, and he even kept running back every minute to fetch others from the church. He caused such confusion with this piece of business that one had great difficulty in getting to the small steps of the platform. "I think," said Monsieur Lheureux to the chemist, who was passing to his place, "that they ought to have put up two Venetian masts with something rather severe and rich for ornaments; it would have been a very pretty effect." "To be sure," replied Homais; "but what can you expect? The mayor took everything on his own shoulders. He hasn't much taste. Poor Tuvache! and he is even completely destitute of what is called the genius of art." Rodolphe, meanwhile, with Madame Bovary, had gone up to the first floor of the town hall, to the "council-room," and, as it was empty, he declared that they could enjoy the sight there more comfortably. He fetched three stools from the round table under the bust of the monarch, and having carried them to one of the windows, they sat down by each other. There was commotion on the platform, long whisperings, much parleying. At last the councillor got up. They knew now that his name was Lieuvain, and in the crowd the name was passed from one to the other. After he had collated a few pages, and bent over them to see better, he began-- "Gentlemen! May I be permitted first of all (before addressing you on the object of our meeting to-day, and this sentiment will, I am sure, be shared by you all), may I be permitted, I say, to pay a tribute to the higher administration, to the government to the monarch, gentle men, our sovereign, to that beloved king, to whom no branch of public or private prosperity is a matter of indifference, and who directs with a hand at once so firm and wise the chariot of the state amid the incessant perils of a stormy sea, knowing, moreover, how to make peace respected as well as war, industry, commerce, agriculture, and the fine arts?" "I ought," said Rodolphe, "to get back a little further." "Why?" said Emma. But at this moment the voice of the councillor rose to an extraordinary pitch. He declaimed-- "This is no longer the time, gentlemen, when civil discord ensanguined our public places, when the landlord, the business-man, the working-man himself, falling asleep at night, lying down to peaceful sleep, trembled lest he should be awakened suddenly by the noise of incendiary tocsins, when the most subversive doctrines audaciously sapped foundations." "Well, someone down there might see me," Rodolphe resumed, "then I should have to invent excuses for a fortnight; and with my bad reputation--" "Oh, you are slandering yourself," said Emma. "No! It is dreadful, I assure you." "But, gentlemen," continued the councillor, "if, banishing from my memory the remembrance of these sad pictures, I carry my eyes back to the actual situation of our dear country, what do I see there? Everywhere commerce and the arts are flourishing; everywhere new means of communication, like so many new arteries in the body of the state, establish within it new relations. Our great industrial centres have recovered all their activity; religion, more consolidated, smiles in all hearts; our ports are full, confidence is born again, and France breathes once more!" "Besides," added Rodolphe, "perhaps from the world's point of view they are right." "How so?" she asked. "What!" said he. "Do you not know that there are souls constantly tormented? They need by turns to dream and to act, the purest passions and the most turbulent joys, and thus they fling themselves into all sorts of fantasies, of follies." Then she looked at him as one looks at a traveller who has voyaged over strange lands, and went on-- "We have not even this distraction, we poor women!" "A sad distraction, for happiness isn't found in it." "But is it ever found?" she asked. "Yes; one day it comes," he answered. "And this is what you have understood," said the councillor. "You, farmers, agricultural labourers! you pacific pioneers of a work that belongs wholly to civilization! you, men of progress and morality, you have understood, I say, that political storms are even more redoubtable than atmospheric disturbances!" "It comes one day," repeated Rodolphe, "one day suddenly, and when one is despairing of it. Then the horizon expands; it is as if a voice cried, 'It is here!' You feel the need of confiding the whole of your life, of giving everything, sacrificing everything to this being. There is no need for explanations; they understand one another. They have seen each other in dreams!" (And he looked at her.) "In fine, here it is, this treasure so sought after, here before you. It glitters, it flashes; yet one still doubts, one does not believe it; one remains dazzled, as if one went out from darkness into light." And as he ended Rodolphe suited the action to the word. He passed his hand over his face, like a man seized with giddiness. Then he let it fall on Emma's. She took hers away. "And who would be surprised at it, gentlemen? He only who is so blind, so plunged (I do not fear to say it), so plunged in the prejudices of another age as still to misunderstand the spirit of agricultural populations. Where, indeed, is to be found more patriotism than in the country, greater devotion to the public welfare, more intelligence, in a word? And, gentlemen, I do not mean that superficial intelligence, vain ornament of idle minds, but rather that profound and balanced intelligence that applies itself above all else to useful objects, thus contributing to the good of all, to the common amelioration and to the support of the state, born of respect for law and the practice of duty--" "Ah! again!" said Rodolphe. "Always 'duty.' I am sick of the word. They are a lot of old blockheads in flannel vests and of old women with foot-warmers and rosaries who constantly drone into our ears 'Duty, duty!' Ah! by Jove! one's duty is to feel what is great, cherish the beautiful, and not accept all the conventions of society with the ignominy that it imposes upon us." "Yet--yet--" objected Madame Bovary. "No, no! Why cry out against the passions? Are they not the one beautiful thing on the earth, the source of heroism, of enthusiasm, of poetry, music, the arts, of everything, in a word?" "But one must," said Emma, "to some extent bow to the opinion of the world and accept its moral code." "Ah! but there are two," he replied. "The small, the conventional, that of men, that which constantly changes, that brays out so loudly, that makes such a commotion here below, of the earth earthly, like the mass of imbeciles you see down there. But the other, the eternal, that is about us and above, like the landscape that surrounds us, and the blue heavens that give us light." Monsieur Lieuvain had just wiped his mouth with a pocket-handkerchief. He continued-- "And what should I do here gentlemen, pointing out to you the uses of agriculture? Who supplies our wants? Who provides our means of subsistence? Is it not the agriculturist? The agriculturist, gentlemen, who, sowing with laborious hand the fertile furrows of the country, brings forth the corn, which, being ground, is made into a powder by means of ingenious machinery, comes out thence under the name of flour, and from there, transported to our cities, is soon delivered at the baker's, who makes it into food for poor and rich alike. Again, is it not the agriculturist who fattens, for our clothes, his abundant flocks in the pastures? For how should we clothe ourselves, how nourish ourselves, without the agriculturist? And, gentlemen, is it even necessary to go so far for examples? Who has not frequently reflected on all the momentous things that we get out of that modest animal, the ornament of poultry-yards, that provides us at once with a soft pillow for our bed, with succulent flesh for our tables, and eggs? But I should never end if I were to enumerate one after the other all the different products which the earth, well cultivated, like a generous mother, lavishes upon her children. Here it is the vine, elsewhere the apple tree for cider, there colza, farther on cheeses and flax. Gentlemen, let us not forget flax, which has made such great strides of late years, and to which I will more particularly call your attention." He had no need to call it, for all the mouths of the multitude were wide open, as if to drink in his words. Tuvache by his side listened to him with staring eyes. Monsieur Derozerays from time to time softly closed his eyelids, and farther on the chemist, with his son Napoleon between his knees, put his hand behind his ear in order not to lose a syllable. The chins of the other members of the jury went slowly up and down in their waistcoats in sign of approval. The firemen at the foot of the platform rested on their bayonets; and Binet, motionless, stood with out-turned elbows, the point of his sabre in the air. Perhaps he could hear, but certainly he could see nothing, because of the visor of his helmet, that fell down on his nose. His lieutenant, the youngest son of Monsieur Tuvache, had a bigger one, for his was enormous, and shook on his head, and from it an end of his cotton scarf peeped out. He smiled beneath it with a perfectly infantine sweetness, and his pale little face, whence drops were running, wore an expression of enjoyment and sleepiness. The square as far as the houses was crowded with people. One saw folk leaning on their elbows at all the windows, others standing at doors, and Justin, in front of the chemist's shop, seemed quite transfixed by the sight of what he was looking at. In spite of the silence Monsieur Lieuvain's voice was lost in the air. It reached you in fragments of phrases, and interrupted here and there by the creaking of chairs in the crowd; then you suddenly heard the long bellowing of an ox, or else the bleating of the lambs, who answered one another at street corners. In fact, the cowherds and shepherds had driven their beasts thus far, and these lowed from time to time, while with their tongues they tore down some scrap of foliage that hung above their mouths. Rodolphe had drawn nearer to Emma, and said to her in a low voice, speaking rapidly-- "Does not this conspiracy of the world revolt you? Is there a single sentiment it does not condemn? The noblest instincts, the purest sympathies are persecuted, slandered; and if at length two poor souls do meet, all is so organised that they cannot blend together. Yet they will make the attempt; they will flutter their wings; they will call upon each other. Oh! no matter. Sooner or later, in six months, ten years, they will come together, will love; for fate has decreed it, and they are born one for the other." His arms were folded across his knees, and thus lifting his face towards Emma, close by her, he looked fixedly at her. She noticed in his eyes small golden lines radiating from black pupils; she even smelt the perfume of the pomade that made his hair glossy. Then a faintness came over her; she recalled the Viscount who had waltzed with her at Vaubyessard, and his beard exhaled like this air an odour of vanilla and citron, and mechanically she half-closed her eyes the better to breathe it in. But in making this movement, as she leant back in her chair, she saw in the distance, right on the line of the horizon, the old diligence, the "Hirondelle," that was slowly descending the hill of Leux, dragging after it a long trail of dust. It was in this yellow carriage that Leon had so often come back to her, and by this route down there that he had gone for ever. She fancied she saw him opposite at his windows; then all grew confused; clouds gathered; it seemed to her that she was again turning in the waltz under the light of the lustres on the arm of the Viscount, and that Leon was not far away, that he was coming; and yet all the time she was conscious of the scent of Rodolphe's head by her side. This sweetness of sensation pierced through her old desires, and these, like grains of sand under a gust of wind, eddied to and fro in the subtle breath of the perfume which suffused her soul. She opened wide her nostrils several times to drink in the freshness of the ivy round the capitals. She took off her gloves, she wiped her hands, then fanned her face with her handkerchief, while athwart the throbbing of her temples she heard the murmur of the crowd and the voice of the councillor intoning his phrases. He said--"Continue, persevere; listen neither to the suggestions of routine, nor to the over-hasty councils of a rash empiricism. "Apply yourselves, above all, to the amelioration of the soil, to good manures, to the development of the equine, bovine, ovine, and porcine races. Let these shows be to you pacific arenas, where the victor in leaving it will hold forth a hand to the vanquished, and will fraternise with him in the hope of better success. And you, aged servants, humble domestics, whose hard labour no Government up to this day has taken into consideration, come hither to receive the reward of your silent virtues, and be assured that the state henceforward has its eye upon you; that it encourages you, protects you; that it will accede to your just demands, and alleviate as much as in it lies the burden of your painful sacrifices." Monsieur Lieuvain then sat down; Monsieur Derozerays got up, beginning another speech. His was not perhaps so florid as that of the councillor, but it recommended itself by a more direct style, that is to say, by more special knowledge and more elevated considerations. Thus the praise of the Government took up less space in it; religion and agriculture more. He showed in it the relations of these two, and how they had always contributed to civilisation. Rodolphe with Madame Bovary was talking dreams, presentiments, magnetism. Going back to the cradle of society, the orator painted those fierce times when men lived on acorns in the heart of woods. Then they had left off the skins of beasts, had put on cloth, tilled the soil, planted the vine. Was this a good, and in this discovery was there not more of injury than of gain? Monsieur Derozerays set himself this problem. From magnetism little by little Rodolphe had come to affinities, and while the president was citing Cincinnatus and his plough, Diocletian, planting his cabbages, and the Emperors of China inaugurating the year by the sowing of seed, the young man was explaining to the young woman that these irresistible attractions find their cause in some previous state of existence. "Thus we," he said, "why did we come to know one another? What chance willed it? It was because across the infinite, like two streams that flow but to unite; our special bents of mind had driven us towards each other." And he seized her hand; she did not withdraw it. "For good farming generally!" cried the president. "Just now, for example, when I went to your house." "To Monsieur Bizat of Quincampoix." "Did I know I should accompany you?" "Seventy francs." "A hundred times I wished to go; and I followed you--I remained." "Manures!" "And I shall remain to-night, to-morrow, all other days, all my life!" "To Monsieur Caron of Argueil, a gold medal!" "For I have never in the society of any other person found so complete a charm." "To Monsieur Bain of Givry-Saint-Martin." "And I shall carry away with me the remembrance of you." "For a merino ram!" "But you will forget me; I shall pass away like a shadow." "To Monsieur Belot of Notre-Dame." "Oh, no! I shall be something in your thought, in your life, shall I not?" "Porcine race; prizes--equal, to Messrs. Leherisse and Cullembourg, sixty francs!" Rodolphe was pressing her hand, and he felt it all warm and quivering like a captive dove that wants to fly away; but, whether she was trying to take it away or whether she was answering his pressure; she made a movement with her fingers. He exclaimed-- "Oh, I thank you! You do not repulse me! You are good! You understand that I am yours! Let me look at you; let me contemplate you!" A gust of wind that blew in at the window ruffled the cloth on the table, and in the square below all the great caps of the peasant women were uplifted by it like the wings of white butterflies fluttering. "Use of oil-cakes," continued the president. He was hurrying on: "Flemish manure-flax-growing-drainage-long leases-domestic service." Rodolphe was no longer speaking. They looked at one another. A supreme desire made their dry lips tremble, and wearily, without an effort, their fingers intertwined. "Catherine Nicaise Elizabeth Leroux, of Sassetot-la-Guerriere, for fifty-four years of service at the same farm, a silver medal--value, twenty-five francs!" "Where is Catherine Leroux?" repeated the councillor. She did not present herself, and one could hear voices whispering-- "Go up!" "Don't be afraid!" "Oh, how stupid she is!" "Well, is she there?" cried Tuvache. "Yes; here she is." "Then let her come up!" Then there came forward on the platform a little old woman with timid bearing, who seemed to shrink within her poor clothes. On her feet she wore heavy wooden clogs, and from her hips hung a large blue apron. Her pale face framed in a borderless cap was more wrinkled than a withered russet apple. And from the sleeves of her red jacket looked out two large hands with knotty joints, the dust of barns, the potash of washing the grease of wools had so encrusted, roughened, hardened these that they seemed dirty, although they had been rinsed in clear water; and by dint of long service they remained half open, as if to bear humble witness for themselves of so much suffering endured. Something of monastic rigidity dignified her face. Nothing of sadness or of emotion weakened that pale look. In her constant living with animals she had caught their dumbness and their calm. It was the first time that she found herself in the midst of so large a company, and inwardly scared by the flags, the drums, the gentlemen in frock-coats, and the order of the councillor, she stood motionless, not knowing whether to advance or run away, nor why the crowd was pushing her and the jury were smiling at her. Thus stood before these radiant bourgeois this half-century of servitude. "Approach, venerable Catherine Nicaise Elizabeth Leroux!" said the councillor, who had taken the list of prize-winners from the president; and, looking at the piece of paper and the old woman by turns, he repeated in a fatherly tone--"Approach! approach!" "Are you deaf?" said Tuvache, fidgeting in his armchair; and he began shouting in her ear, "Fifty-four years of service. A silver medal! Twenty-five francs! For you!" Then, when she had her medal, she looked at it, and a smile of beatitude spread over her face; and as she walked away they could hear her muttering "I'll give it to our cure up home, to say some masses for me!" "What fanaticism!" exclaimed the chemist, leaning across to the notary. The meeting was over, the crowd dispersed, and now that the speeches had been read, each one fell back into his place again, and everything into the old grooves; the masters bullied the servants, and these struck the animals, indolent victors, going back to the stalls, a green-crown on their horns. The National Guards, however, had gone up to the first floor of the town hall with buns spitted on their bayonets, and the drummer of the battalion carried a basket with bottles. Madame Bovary took Rodolphe's arm; he saw her home; they separated at her door; then he walked about alone in the meadow while he waited for the time of the banquet. The feast was long, noisy, ill served; the guests were so crowded that they could hardly move their elbows; and the narrow planks used for forms almost broke down under their weight. They ate hugely. Each one stuffed himself on his own account. Sweat stood on every brow, and a whitish steam, like the vapour of a stream on an autumn morning, floated above the table between the hanging lamps. Rodolphe, leaning against the calico of the tent was thinking so earnestly of Emma that he heard nothing. Behind him on the grass the servants were piling up the dirty plates, his neighbours were talking; he did not answer them; they filled his glass, and there was silence in his thoughts in spite of the growing noise. He was dreaming of what she had said, of the line of her lips; her face, as in a magic mirror, shone on the plates of the shakos, the folds of her gown fell along the walls, and days of love unrolled to all infinity before him in the vistas of the future. He saw her again in the evening during the fireworks, but she was with her husband, Madame Homais, and the druggist, who was worrying about the danger of stray rockets, and every moment he left the company to go and give some advice to Binet. The pyrotechnic pieces sent to Monsieur Tuvache had, through an excess of caution, been shut up in his cellar, and so the damp powder would not light, and the principal set piece, that was to represent a dragon biting his tail, failed completely. Now and then a meagre Roman-candle went off; then the gaping crowd sent up a shout that mingled with the cry of the women, whose waists were being squeezed in the darkness. Emma silently nestled against Charles's shoulder; then, raising her chin, she watched the luminous rays of the rockets against the dark sky. Rodolphe gazed at her in the light of the burning lanterns. They went out one by one. The stars shone out. A few crops of rain began to fall. She knotted her fichu round her bare head. At this moment the councillor's carriage came out from the inn. His coachman, who was drunk, suddenly dozed off, and one could see from the distance, above the hood, between the two lanterns, the mass of his body, that swayed from right to left with the giving of the traces. "Truly," said the druggist, "one ought to proceed most rigorously against drunkenness! I should like to see written up weekly at the door of the town hall on a board ad hoc* the names of all those who during the week got intoxicated on alcohol. Besides, with regard to statistics, one would thus have, as it were, public records that one could refer to in case of need. But excuse me!" *Specifically for that. And he once more ran off to the captain. The latter was going back to see his lathe again. "Perhaps you would not do ill," Homais said to him, "to send one of your men, or to go yourself--" "Leave me alone!" answered the tax-collector. "It's all right!" "Do not be uneasy," said the druggist, when he returned to his friends. "Monsieur Binet has assured me that all precautions have been taken. No sparks have fallen; the pumps are full. Let us go to rest." "Ma foi! I want it," said Madame Homais, yawning at large. "But never mind; we've had a beautiful day for our fete." Rodolphe repeated in a low voice, and with a tender look, "Oh, yes! very beautiful!" And having bowed to one another, they separated. Two days later, in the "Final de Rouen," there was a long article on the show. Homais had composed it with verve the very next morning. "Why these festoons, these flowers, these garlands? Whither hurries this crowd like the waves of a furious sea under the torrents of a tropical sun pouring its heat upon our heads?" Then he spoke of the condition of the peasants. Certainly the Government was doing much, but not enough. "Courage!" he cried to it; "a thousand reforms are indispensable; let us accomplish them!" Then touching on the entry of the councillor, he did not forget "the martial air of our militia;" nor "our most merry village maidens;" nor the "bald-headed old men like patriarchs who were there, and of whom some, the remnants of our phalanxes, still felt their hearts beat at the manly sound of the drums." He cited himself among the first of the members of the jury, and he even called attention in a note to the fact that Monsieur Homais, chemist, had sent a memoir on cider to the agricultural society. When he came to the distribution of the prizes, he painted the joy of the prize-winners in dithyrambic strophes. "The father embraced the son, the brother the brother, the husband his consort. More than one showed his humble medal with pride; and no doubt when he got home to his good housewife, he hung it up weeping on the modest walls of his cot. "About six o'clock a banquet prepared in the meadow of Monsieur Leigeard brought together the principal personages of the fete. The greatest cordiality reigned here. Divers toasts were proposed: Monsieur Lieuvain, the King; Monsieur Tuvache, the Prefect; Monsieur Derozerays, Agriculture; Monsieur Homais, Industry and the Fine Arts, those twin sisters; Monsieur Leplichey, Progress. In the evening some brilliant fireworks on a sudden illumined the air. One would have called it a veritable kaleidoscope, a real operatic scene; and for a moment our little locality might have thought itself transported into the midst of a dream of the 'Thousand and One Nights.' Let us state that no untoward event disturbed this family meeting." And he added "Only the absence of the clergy was remarked. No doubt the priests understand progress in another fashion. Just as you please, messieurs the followers of Loyola!"

It's a big day for little Yonville - the town fair. Everyone in the town is up early to set up for it. Binet, who doubles as the captain of the fire brigade, is all gussied up. The whole town is looking its best. The only person who's not too thrilled about all of this is Madame Lefrancois. Homais stops to chat with her, and she cheers up a little when she finds out that he's on the fair advisory committee . Homais keeps talking, but his audience is not listening. We follow Madame Lefrancois' gaze and see what has put her in such a foul mood - the town's other tavern, her rival, is full of singing people. These good days won't last too long, though; she tells Homais that she heard that Tellier, the barkeep, was in such great debt to Monsieur Lheureux that the tavern was going to be shut down the following week. From the perspective of these gossiping neighbors, we see Emma and Rodolphe a little ways off, talking to Monsieur Lheureux. Rodolphe is obviously planning on making his move already - unlike Leon, he's a pretty smooth operator. Homais goes over to say hello, but Rodolphe manages to avoid him. He regards Emma as they walk along - he's pleased with what he sees. Monsieur Lheureux attempts to follow them and maintain their conversation, but they get rid of him quickly. Rodolphe immediately launches his attack and starts flirting openly with Emma once they're alone. The townspeople are assembled for various agricultural competitions. Rodolphe is supposed to participate in the judging, but he has other things on his mind. He turns all his attention to Emma, who responds eagerly to him. He knows exactly what buttons to push - they talk about the frustrations of provincial life, the loneliness of existence...basically, all of Emma's favorite subjects. Their conversation is interrupted by the entrance of the fire brigade and the start of the awards ceremony. A government official, Monsieur Lieuvain, arrives to dole out the prizes; he gives a long, long, loooong speech about the government, the country. While this is going on, Emma and Rodolphe continue their intimate conversation. Rodolphe claims that the only true duty is to enjoy what's beautiful about life, and reject the conventions of society. Emma feebly tries to argue that society's moral standards are important, but Rodolphe shoots her down promptly. He's the clear winner here; Emma is toast. Monsieur Lieuvain, in the meanwhile, just keeps talking and talking. He's full of governmental rhetoric, but he's basically not talking about anything. Despite this fact, the whole town is enraptured by him. Rodolphe quickly wins Emma over. All of her feelings about Leon, the Viscount at the ball, and her loneliness come rushing back, and re-focus on Rodolphe. She's smitten. Finally, Monsieur Lieuvain wraps up his speech. Another speech begins, and Rodolphe continues to woo Emma all the while. Agricultural prizes are given for things as diverse as pigs, liquid manure , and drainage. Simultaneously , Rodolphe declares his love for Emma. The prizes, and the wooing, conclude with the awarding of a prize for long service, which is awarded to a confused little old woman. Flaubert describes this woman, Catherine Leroux, with rather excruciating detail; she's obviously been broken down by years of hard work. She says that she will give her prize money to the priest, which offends Homais. Following this ludicrous ceremony, a big feast begins. The townspeople, in a frenzy of communal gluttony, all stuff themselves. Rodolphe isn't interested in the food - he's thinking of Emma and of the pleasure he'll get from her in the future. Emma is off with Charles and the Homais family. The grand finale of the festival is a display of fireworks - unfortunately, they're too damp, and they barely go off. The evening ends rather anti-climactically, and everyone drifts back home. Homais proceeds to write an enthusiastic, over-the-top article about the fiesta, and publish it in a Rouen paper.

XV. Knitting There had been earlier drinking than usual in the wine-shop of Monsieur Defarge. As early as six o'clock in the morning, sallow faces peeping through its barred windows had descried other faces within, bending over measures of wine. Monsieur Defarge sold a very thin wine at the best of times, but it would seem to have been an unusually thin wine that he sold at this time. A sour wine, moreover, or a souring, for its influence on the mood of those who drank it was to make them gloomy. No vivacious Bacchanalian flame leaped out of the pressed grape of Monsieur Defarge: but, a smouldering fire that burnt in the dark, lay hidden in the dregs of it. This had been the third morning in succession, on which there had been early drinking at the wine-shop of Monsieur Defarge. It had begun on Monday, and here was Wednesday come. There had been more of early brooding than drinking; for, many men had listened and whispered and slunk about there from the time of the opening of the door, who could not have laid a piece of money on the counter to save their souls. These were to the full as interested in the place, however, as if they could have commanded whole barrels of wine; and they glided from seat to seat, and from corner to corner, swallowing talk in lieu of drink, with greedy looks. Notwithstanding an unusual flow of company, the master of the wine-shop was not visible. He was not missed; for, nobody who crossed the threshold looked for him, nobody asked for him, nobody wondered to see only Madame Defarge in her seat, presiding over the distribution of wine, with a bowl of battered small coins before her, as much defaced and beaten out of their original impress as the small coinage of humanity from whose ragged pockets they had come. A suspended interest and a prevalent absence of mind, were perhaps observed by the spies who looked in at the wine-shop, as they looked in at every place, high and low, from the king's palace to the criminal's gaol. Games at cards languished, players at dominoes musingly built towers with them, drinkers drew figures on the tables with spilt drops of wine, Madame Defarge herself picked out the pattern on her sleeve with her toothpick, and saw and heard something inaudible and invisible a long way off. Thus, Saint Antoine in this vinous feature of his, until midday. It was high noontide, when two dusty men passed through his streets and under his swinging lamps: of whom, one was Monsieur Defarge: the other a mender of roads in a blue cap. All adust and athirst, the two entered the wine-shop. Their arrival had lighted a kind of fire in the breast of Saint Antoine, fast spreading as they came along, which stirred and flickered in flames of faces at most doors and windows. Yet, no one had followed them, and no man spoke when they entered the wine-shop, though the eyes of every man there were turned upon them. "Good day, gentlemen!" said Monsieur Defarge. It may have been a signal for loosening the general tongue. It elicited an answering chorus of "Good day!" "It is bad weather, gentlemen," said Defarge, shaking his head. Upon which, every man looked at his neighbour, and then all cast down their eyes and sat silent. Except one man, who got up and went out. "My wife," said Defarge aloud, addressing Madame Defarge: "I have travelled certain leagues with this good mender of roads, called Jacques. I met him--by accident--a day and half's journey out of Paris. He is a good child, this mender of roads, called Jacques. Give him to drink, my wife!" A second man got up and went out. Madame Defarge set wine before the mender of roads called Jacques, who doffed his blue cap to the company, and drank. In the breast of his blouse he carried some coarse dark bread; he ate of this between whiles, and sat munching and drinking near Madame Defarge's counter. A third man got up and went out. Defarge refreshed himself with a draught of wine--but, he took less than was given to the stranger, as being himself a man to whom it was no rarity--and stood waiting until the countryman had made his breakfast. He looked at no one present, and no one now looked at him; not even Madame Defarge, who had taken up her knitting, and was at work. "Have you finished your repast, friend?" he asked, in due season. "Yes, thank you." "Come, then! You shall see the apartment that I told you you could occupy. It will suit you to a marvel." Out of the wine-shop into the street, out of the street into a courtyard, out of the courtyard up a steep staircase, out of the staircase into a garret--formerly the garret where a white-haired man sat on a low bench, stooping forward and very busy, making shoes. No white-haired man was there now; but, the three men were there who had gone out of the wine-shop singly. And between them and the white-haired man afar off, was the one small link, that they had once looked in at him through the chinks in the wall. Defarge closed the door carefully, and spoke in a subdued voice: "Jacques One, Jacques Two, Jacques Three! This is the witness encountered by appointment, by me, Jacques Four. He will tell you all. Speak, Jacques Five!" The mender of roads, blue cap in hand, wiped his swarthy forehead with it, and said, "Where shall I commence, monsieur?" "Commence," was Monsieur Defarge's not unreasonable reply, "at the commencement." "I saw him then, messieurs," began the mender of roads, "a year ago this running summer, underneath the carriage of the Marquis, hanging by the chain. Behold the manner of it. I leaving my work on the road, the sun going to bed, the carriage of the Marquis slowly ascending the hill, he hanging by the chain--like this." Again the mender of roads went through the whole performance; in which he ought to have been perfect by that time, seeing that it had been the infallible resource and indispensable entertainment of his village during a whole year. Jacques One struck in, and asked if he had ever seen the man before? "Never," answered the mender of roads, recovering his perpendicular. Jacques Three demanded how he afterwards recognised him then? "By his tall figure," said the mender of roads, softly, and with his finger at his nose. "When Monsieur the Marquis demands that evening, 'Say, what is he like?' I make response, 'Tall as a spectre.'" "You should have said, short as a dwarf," returned Jacques Two. "But what did I know? The deed was not then accomplished, neither did he confide in me. Observe! Under those circumstances even, I do not offer my testimony. Monsieur the Marquis indicates me with his finger, standing near our little fountain, and says, 'To me! Bring that rascal!' My faith, messieurs, I offer nothing." "He is right there, Jacques," murmured Defarge, to him who had interrupted. "Go on!" "Good!" said the mender of roads, with an air of mystery. "The tall man is lost, and he is sought--how many months? Nine, ten, eleven?" "No matter, the number," said Defarge. "He is well hidden, but at last he is unluckily found. Go on!" "I am again at work upon the hill-side, and the sun is again about to go to bed. I am collecting my tools to descend to my cottage down in the village below, where it is already dark, when I raise my eyes, and see coming over the hill six soldiers. In the midst of them is a tall man with his arms bound--tied to his sides--like this!" With the aid of his indispensable cap, he represented a man with his elbows bound fast at his hips, with cords that were knotted behind him. "I stand aside, messieurs, by my heap of stones, to see the soldiers and their prisoner pass (for it is a solitary road, that, where any spectacle is well worth looking at), and at first, as they approach, I see no more than that they are six soldiers with a tall man bound, and that they are almost black to my sight--except on the side of the sun going to bed, where they have a red edge, messieurs. Also, I see that their long shadows are on the hollow ridge on the opposite side of the road, and are on the hill above it, and are like the shadows of giants. Also, I see that they are covered with dust, and that the dust moves with them as they come, tramp, tramp! But when they advance quite near to me, I recognise the tall man, and he recognises me. Ah, but he would be well content to precipitate himself over the hill-side once again, as on the evening when he and I first encountered, close to the same spot!" He described it as if he were there, and it was evident that he saw it vividly; perhaps he had not seen much in his life. "I do not show the soldiers that I recognise the tall man; he does not show the soldiers that he recognises me; we do it, and we know it, with our eyes. 'Come on!' says the chief of that company, pointing to the village, 'bring him fast to his tomb!' and they bring him faster. I follow. His arms are swelled because of being bound so tight, his wooden shoes are large and clumsy, and he is lame. Because he is lame, and consequently slow, they drive him with their guns--like this!" He imitated the action of a man's being impelled forward by the butt-ends of muskets. "As they descend the hill like madmen running a race, he falls. They laugh and pick him up again. His face is bleeding and covered with dust, but he cannot touch it; thereupon they laugh again. They bring him into the village; all the village runs to look; they take him past the mill, and up to the prison; all the village sees the prison gate open in the darkness of the night, and swallow him--like this!" He opened his mouth as wide as he could, and shut it with a sounding snap of his teeth. Observant of his unwillingness to mar the effect by opening it again, Defarge said, "Go on, Jacques." "All the village," pursued the mender of roads, on tiptoe and in a low voice, "withdraws; all the village whispers by the fountain; all the village sleeps; all the village dreams of that unhappy one, within the locks and bars of the prison on the crag, and never to come out of it, except to perish. In the morning, with my tools upon my shoulder, eating my morsel of black bread as I go, I make a circuit by the prison, on my way to my work. There I see him, high up, behind the bars of a lofty iron cage, bloody and dusty as last night, looking through. He has no hand free, to wave to me; I dare not call to him; he regards me like a dead man." Defarge and the three glanced darkly at one another. The looks of all of them were dark, repressed, and revengeful, as they listened to the countryman's story; the manner of all of them, while it was secret, was authoritative too. They had the air of a rough tribunal; Jacques One and Two sitting on the old pallet-bed, each with his chin resting on his hand, and his eyes intent on the road-mender; Jacques Three, equally intent, on one knee behind them, with his agitated hand always gliding over the network of fine nerves about his mouth and nose; Defarge standing between them and the narrator, whom he had stationed in the light of the window, by turns looking from him to them, and from them to him. "Go on, Jacques," said Defarge. "He remains up there in his iron cage some days. The village looks at him by stealth, for it is afraid. But it always looks up, from a distance, at the prison on the crag; and in the evening, when the work of the day is achieved and it assembles to gossip at the fountain, all faces are turned towards the prison. Formerly, they were turned towards the posting-house; now, they are turned towards the prison. They whisper at the fountain, that although condemned to death he will not be executed; they say that petitions have been presented in Paris, showing that he was enraged and made mad by the death of his child; they say that a petition has been presented to the King himself. What do I know? It is possible. Perhaps yes, perhaps no." "Listen then, Jacques," Number One of that name sternly interposed. "Know that a petition was presented to the King and Queen. All here, yourself excepted, saw the King take it, in his carriage in the street, sitting beside the Queen. It is Defarge whom you see here, who, at the hazard of his life, darted out before the horses, with the petition in his hand." "And once again listen, Jacques!" said the kneeling Number Three: his fingers ever wandering over and over those fine nerves, with a strikingly greedy air, as if he hungered for something--that was neither food nor drink; "the guard, horse and foot, surrounded the petitioner, and struck him blows. You hear?" "I hear, messieurs." "Go on then," said Defarge. "Again; on the other hand, they whisper at the fountain," resumed the countryman, "that he is brought down into our country to be executed on the spot, and that he will very certainly be executed. They even whisper that because he has slain Monseigneur, and because Monseigneur was the father of his tenants--serfs--what you will--he will be executed as a parricide. One old man says at the fountain, that his right hand, armed with the knife, will be burnt off before his face; that, into wounds which will be made in his arms, his breast, and his legs, there will be poured boiling oil, melted lead, hot resin, wax, and sulphur; finally, that he will be torn limb from limb by four strong horses. That old man says, all this was actually done to a prisoner who made an attempt on the life of the late King, Louis Fifteen. But how do I know if he lies? I am not a scholar." "Listen once again then, Jacques!" said the man with the restless hand and the craving air. "The name of that prisoner was Damiens, and it was all done in open day, in the open streets of this city of Paris; and nothing was more noticed in the vast concourse that saw it done, than the crowd of ladies of quality and fashion, who were full of eager attention to the last--to the last, Jacques, prolonged until nightfall, when he had lost two legs and an arm, and still breathed! And it was done--why, how old are you?" "Thirty-five," said the mender of roads, who looked sixty. "It was done when you were more than ten years old; you might have seen it." "Enough!" said Defarge, with grim impatience. "Long live the Devil! Go on." "Well! Some whisper this, some whisper that; they speak of nothing else; even the fountain appears to fall to that tune. At length, on Sunday night when all the village is asleep, come soldiers, winding down from the prison, and their guns ring on the stones of the little street. Workmen dig, workmen hammer, soldiers laugh and sing; in the morning, by the fountain, there is raised a gallows forty feet high, poisoning the water." The mender of roads looked _through_ rather than _at_ the low ceiling, and pointed as if he saw the gallows somewhere in the sky. "All work is stopped, all assemble there, nobody leads the cows out, the cows are there with the rest. At midday, the roll of drums. Soldiers have marched into the prison in the night, and he is in the midst of many soldiers. He is bound as before, and in his mouth there is a gag--tied so, with a tight string, making him look almost as if he laughed." He suggested it, by creasing his face with his two thumbs, from the corners of his mouth to his ears. "On the top of the gallows is fixed the knife, blade upwards, with its point in the air. He is hanged there forty feet high--and is left hanging, poisoning the water." They looked at one another, as he used his blue cap to wipe his face, on which the perspiration had started afresh while he recalled the spectacle. "It is frightful, messieurs. How can the women and the children draw water! Who can gossip of an evening, under that shadow! Under it, have I said? When I left the village, Monday evening as the sun was going to bed, and looked back from the hill, the shadow struck across the church, across the mill, across the prison--seemed to strike across the earth, messieurs, to where the sky rests upon it!" The hungry man gnawed one of his fingers as he looked at the other three, and his finger quivered with the craving that was on him. "That's all, messieurs. I left at sunset (as I had been warned to do), and I walked on, that night and half next day, until I met (as I was warned I should) this comrade. With him, I came on, now riding and now walking, through the rest of yesterday and through last night. And here you see me!" After a gloomy silence, the first Jacques said, "Good! You have acted and recounted faithfully. Will you wait for us a little, outside the door?" "Very willingly," said the mender of roads. Whom Defarge escorted to the top of the stairs, and, leaving seated there, returned. The three had risen, and their heads were together when he came back to the garret. "How say you, Jacques?" demanded Number One. "To be registered?" "To be registered, as doomed to destruction," returned Defarge. "Magnificent!" croaked the man with the craving. "The chateau, and all the race?" inquired the first. "The chateau and all the race," returned Defarge. "Extermination." The hungry man repeated, in a rapturous croak, "Magnificent!" and began gnawing another finger. "Are you sure," asked Jacques Two, of Defarge, "that no embarrassment can arise from our manner of keeping the register? Without doubt it is safe, for no one beyond ourselves can decipher it; but shall we always be able to decipher it--or, I ought to say, will she?" "Jacques," returned Defarge, drawing himself up, "if madame my wife undertook to keep the register in her memory alone, she would not lose a word of it--not a syllable of it. Knitted, in her own stitches and her own symbols, it will always be as plain to her as the sun. Confide in Madame Defarge. It would be easier for the weakest poltroon that lives, to erase himself from existence, than to erase one letter of his name or crimes from the knitted register of Madame Defarge." There was a murmur of confidence and approval, and then the man who hungered, asked: "Is this rustic to be sent back soon? I hope so. He is very simple; is he not a little dangerous?" "He knows nothing," said Defarge; "at least nothing more than would easily elevate himself to a gallows of the same height. I charge myself with him; let him remain with me; I will take care of him, and set him on his road. He wishes to see the fine world--the King, the Queen, and Court; let him see them on Sunday." "What?" exclaimed the hungry man, staring. "Is it a good sign, that he wishes to see Royalty and Nobility?" "Jacques," said Defarge; "judiciously show a cat milk, if you wish her to thirst for it. Judiciously show a dog his natural prey, if you wish him to bring it down one day." Nothing more was said, and the mender of roads, being found already dozing on the topmost stair, was advised to lay himself down on the pallet-bed and take some rest. He needed no persuasion, and was soon asleep. Worse quarters than Defarge's wine-shop, could easily have been found in Paris for a provincial slave of that degree. Saving for a mysterious dread of madame by which he was constantly haunted, his life was very new and agreeable. But, madame sat all day at her counter, so expressly unconscious of him, and so particularly determined not to perceive that his being there had any connection with anything below the surface, that he shook in his wooden shoes whenever his eye lighted on her. For, he contended with himself that it was impossible to foresee what that lady might pretend next; and he felt assured that if she should take it into her brightly ornamented head to pretend that she had seen him do a murder and afterwards flay the victim, she would infallibly go through with it until the play was played out. Therefore, when Sunday came, the mender of roads was not enchanted (though he said he was) to find that madame was to accompany monsieur and himself to Versailles. It was additionally disconcerting to have madame knitting all the way there, in a public conveyance; it was additionally disconcerting yet, to have madame in the crowd in the afternoon, still with her knitting in her hands as the crowd waited to see the carriage of the King and Queen. "You work hard, madame," said a man near her. "Yes," answered Madame Defarge; "I have a good deal to do." "What do you make, madame?" "Many things." "For instance--" "For instance," returned Madame Defarge, composedly, "shrouds." The man moved a little further away, as soon as he could, and the mender of roads fanned himself with his blue cap: feeling it mightily close and oppressive. If he needed a King and Queen to restore him, he was fortunate in having his remedy at hand; for, soon the large-faced King and the fair-faced Queen came in their golden coach, attended by the shining Bull's Eye of their Court, a glittering multitude of laughing ladies and fine lords; and in jewels and silks and powder and splendour and elegantly spurning figures and handsomely disdainful faces of both sexes, the mender of roads bathed himself, so much to his temporary intoxication, that he cried Long live the King, Long live the Queen, Long live everybody and everything! as if he had never heard of ubiquitous Jacques in his time. Then, there were gardens, courtyards, terraces, fountains, green banks, more King and Queen, more Bull's Eye, more lords and ladies, more Long live they all! until he absolutely wept with sentiment. During the whole of this scene, which lasted some three hours, he had plenty of shouting and weeping and sentimental company, and throughout Defarge held him by the collar, as if to restrain him from flying at the objects of his brief devotion and tearing them to pieces. "Bravo!" said Defarge, clapping him on the back when it was over, like a patron; "you are a good boy!" The mender of roads was now coming to himself, and was mistrustful of having made a mistake in his late demonstrations; but no. "You are the fellow we want," said Defarge, in his ear; "you make these fools believe that it will last for ever. Then, they are the more insolent, and it is the nearer ended." "Hey!" cried the mender of roads, reflectively; "that's true." "These fools know nothing. While they despise your breath, and would stop it for ever and ever, in you or in a hundred like you rather than in one of their own horses or dogs, they only know what your breath tells them. Let it deceive them, then, a little longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village--had a faint and bare existence there, as its people had--that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well--thousands of acres of land--a whole province of France--all France itself--lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it. The Defarges, husband and wife, came lumbering under the starlight, in their public vehicle, to that gate of Paris whereunto their journey naturally tended. There was the usual stoppage at the barrier guardhouse, and the usual lanterns came glancing forth for the usual examination and inquiry. Monsieur Defarge alighted; knowing one or two of the soldiery there, and one of the police. The latter he was intimate with, and affectionately embraced. When Saint Antoine had again enfolded the Defarges in his dusky wings, and they, having finally alighted near the Saint's boundaries, were picking their way on foot through the black mud and offal of his streets, Madame Defarge spoke to her husband: "Say then, my friend; what did Jacques of the police tell thee?" "Very little to-night, but all he knows. There is another spy commissioned for our quarter. There may be many more, for all that he can say, but he knows of one." "Eh well!" said Madame Defarge, raising her eyebrows with a cool business air. "It is necessary to register him. How do they call that man?" "He is English." "So much the better. His name?" "Barsad," said Defarge, making it French by pronunciation. But, he had been so careful to get it accurately, that he then spelt it with perfect correctness. "Barsad," repeated madame. "Good. Christian name?" "John." "John Barsad," repeated madame, after murmuring it once to herself. "Good. His appearance; is it known?" "Age, about forty years; height, about five feet nine; black hair; complexion dark; generally, rather handsome visage; eyes dark, face thin, long, and sallow; nose aquiline, but not straight, having a peculiar inclination towards the left cheek; expression, therefore, sinister." "Eh my faith. It is a portrait!" said madame, laughing. "He shall be registered to-morrow." They turned into the wine-shop, which was closed (for it was midnight), and where Madame Defarge immediately took her post at her desk, counted the small moneys that had been taken during her absence, examined the stock, went through the entries in the book, made other entries of her own, checked the serving man in every possible way, and finally dismissed him to bed. Then she turned out the contents of the bowl of money for the second time, and began knotting them up in her handkerchief, in a chain of separate knots, for safe keeping through the night. All this while, Defarge, with his pipe in his mouth, walked up and down, complacently admiring, but never interfering; in which condition, indeed, as to the business and his domestic affairs, he walked up and down through life. The night was hot, and the shop, close shut and surrounded by so foul a neighbourhood, was ill-smelling. Monsieur Defarge's olfactory sense was by no means delicate, but the stock of wine smelt much stronger than it ever tasted, and so did the stock of rum and brandy and aniseed. He whiffed the compound of scents away, as he put down his smoked-out pipe. "You are fatigued," said madame, raising her glance as she knotted the money. "There are only the usual odours." "I am a little tired," her husband acknowledged. "You are a little depressed, too," said madame, whose quick eyes had never been so intent on the accounts, but they had had a ray or two for him. "Oh, the men, the men!" "But my dear!" began Defarge. "But my dear!" repeated madame, nodding firmly; "but my dear! You are faint of heart to-night, my dear!" "Well, then," said Defarge, as if a thought were wrung out of his breast, "it _is_ a long time." "It is a long time," repeated his wife; "and when is it not a long time? Vengeance and retribution require a long time; it is the rule." "It does not take a long time to strike a man with Lightning," said Defarge. "How long," demanded madame, composedly, "does it take to make and store the lightning? Tell me." Defarge raised his head thoughtfully, as if there were something in that too. "It does not take a long time," said madame, "for an earthquake to swallow a town. Eh well! Tell me how long it takes to prepare the earthquake?" "A long time, I suppose," said Defarge. "But when it is ready, it takes place, and grinds to pieces everything before it. In the meantime, it is always preparing, though it is not seen or heard. That is your consolation. Keep it." She tied a knot with flashing eyes, as if it throttled a foe. "I tell thee," said madame, extending her right hand, for emphasis, "that although it is a long time on the road, it is on the road and coming. I tell thee it never retreats, and never stops. I tell thee it is always advancing. Look around and consider the lives of all the world that we know, consider the faces of all the world that we know, consider the rage and discontent to which the Jacquerie addresses itself with more and more of certainty every hour. Can such things last? Bah! I mock you." "My brave wife," returned Defarge, standing before her with his head a little bent, and his hands clasped at his back, like a docile and attentive pupil before his catechist, "I do not question all this. But it has lasted a long time, and it is possible--you know well, my wife, it is possible--that it may not come, during our lives." "Eh well! How then?" demanded madame, tying another knot, as if there were another enemy strangled. "Well!" said Defarge, with a half complaining and half apologetic shrug. "We shall not see the triumph." "We shall have helped it," returned madame, with her extended hand in strong action. "Nothing that we do, is done in vain. I believe, with all my soul, that we shall see the triumph. But even if not, even if I knew certainly not, show me the neck of an aristocrat and tyrant, and still I would--" Then madame, with her teeth set, tied a very terrible knot indeed. "Hold!" cried Defarge, reddening a little as if he felt charged with cowardice; "I too, my dear, will stop at nothing." "Yes! But it is your weakness that you sometimes need to see your victim and your opportunity, to sustain you. Sustain yourself without that. When the time comes, let loose a tiger and a devil; but wait for the time with the tiger and the devil chained--not shown--yet always ready." Madame enforced the conclusion of this piece of advice by striking her little counter with her chain of money as if she knocked its brains out, and then gathering the heavy handkerchief under her arm in a serene manner, and observing that it was time to go to bed. Next noontide saw the admirable woman in her usual place in the wine-shop, knitting away assiduously. A rose lay beside her, and if she now and then glanced at the flower, it was with no infraction of her usual preoccupied air. There were a few customers, drinking or not drinking, standing or seated, sprinkled about. The day was very hot, and heaps of flies, who were extending their inquisitive and adventurous perquisitions into all the glutinous little glasses near madame, fell dead at the bottom. Their decease made no impression on the other flies out promenading, who looked at them in the coolest manner (as if they themselves were elephants, or something as far removed), until they met the same fate. Curious to consider how heedless flies are!--perhaps they thought as much at Court that sunny summer day. A figure entering at the door threw a shadow on Madame Defarge which she felt to be a new one. She laid down her knitting, and began to pin her rose in her head-dress, before she looked at the figure. It was curious. The moment Madame Defarge took up the rose, the customers ceased talking, and began gradually to drop out of the wine-shop. "Good day, madame," said the new-comer. "Good day, monsieur." She said it aloud, but added to herself, as she resumed her knitting: "Hah! Good day, age about forty, height about five feet nine, black hair, generally rather handsome visage, complexion dark, eyes dark, thin, long and sallow face, aquiline nose but not straight, having a peculiar inclination towards the left cheek which imparts a sinister expression! Good day, one and all!" "Have the goodness to give me a little glass of old cognac, and a mouthful of cool fresh water, madame." Madame complied with a polite air. "Marvellous cognac this, madame!" It was the first time it had ever been so complimented, and Madame Defarge knew enough of its antecedents to know better. She said, however, that the cognac was flattered, and took up her knitting. The visitor watched her fingers for a few moments, and took the opportunity of observing the place in general. "You knit with great skill, madame." "I am accustomed to it." "A pretty pattern too!" "_You_ think so?" said madame, looking at him with a smile. "Decidedly. May one ask what it is for?" "Pastime," said madame, still looking at him with a smile while her fingers moved nimbly. "Not for use?" "That depends. I may find a use for it one day. If I do--Well," said madame, drawing a breath and nodding her head with a stern kind of coquetry, "I'll use it!" It was remarkable; but, the taste of Saint Antoine seemed to be decidedly opposed to a rose on the head-dress of Madame Defarge. Two men had entered separately, and had been about to order drink, when, catching sight of that novelty, they faltered, made a pretence of looking about as if for some friend who was not there, and went away. Nor, of those who had been there when this visitor entered, was there one left. They had all dropped off. The spy had kept his eyes open, but had been able to detect no sign. They had lounged away in a poverty-stricken, purposeless, accidental manner, quite natural and unimpeachable. "_John_," thought madame, checking off her work as her fingers knitted, and her eyes looked at the stranger. "Stay long enough, and I shall knit 'BARSAD' before you go." "You have a husband, madame?" "I have." "Children?" "No children." "Business seems bad?" "Business is very bad; the people are so poor." "Ah, the unfortunate, miserable people! So oppressed, too--as you say." "As _you_ say," madame retorted, correcting him, and deftly knitting an extra something into his name that boded him no good. "Pardon me; certainly it was I who said so, but you naturally think so. Of course." "_I_ think?" returned madame, in a high voice. "I and my husband have enough to do to keep this wine-shop open, without thinking. All we think, here, is how to live. That is the subject _we_ think of, and it gives us, from morning to night, enough to think about, without embarrassing our heads concerning others. _I_ think for others? No, no." The spy, who was there to pick up any crumbs he could find or make, did not allow his baffled state to express itself in his sinister face; but, stood with an air of gossiping gallantry, leaning his elbow on Madame Defarge's little counter, and occasionally sipping his cognac. "A bad business this, madame, of Gaspard's execution. Ah! the poor Gaspard!" With a sigh of great compassion. "My faith!" returned madame, coolly and lightly, "if people use knives for such purposes, they have to pay for it. He knew beforehand what the price of his luxury was; he has paid the price." "I believe," said the spy, dropping his soft voice to a tone that invited confidence, and expressing an injured revolutionary susceptibility in every muscle of his wicked face: "I believe there is much compassion and anger in this neighbourhood, touching the poor fellow? Between ourselves." "Is there?" asked madame, vacantly. "Is there not?" "--Here is my husband!" said Madame Defarge. As the keeper of the wine-shop entered at the door, the spy saluted him by touching his hat, and saying, with an engaging smile, "Good day, Jacques!" Defarge stopped short, and stared at him. "Good day, Jacques!" the spy repeated; with not quite so much confidence, or quite so easy a smile under the stare. "You deceive yourself, monsieur," returned the keeper of the wine-shop. "You mistake me for another. That is not my name. I am Ernest Defarge." "It is all the same," said the spy, airily, but discomfited too: "good day!" "Good day!" answered Defarge, drily. "I was saying to madame, with whom I had the pleasure of chatting when you entered, that they tell me there is--and no wonder!--much sympathy and anger in Saint Antoine, touching the unhappy fate of poor Gaspard." "No one has told me so," said Defarge, shaking his head. "I know nothing of it." Having said it, he passed behind the little counter, and stood with his hand on the back of his wife's chair, looking over that barrier at the person to whom they were both opposed, and whom either of them would have shot with the greatest satisfaction. The spy, well used to his business, did not change his unconscious attitude, but drained his little glass of cognac, took a sip of fresh water, and asked for another glass of cognac. Madame Defarge poured it out for him, took to her knitting again, and hummed a little song over it. "You seem to know this quarter well; that is to say, better than I do?" observed Defarge. "Not at all, but I hope to know it better. I am so profoundly interested in its miserable inhabitants." "Hah!" muttered Defarge. "The pleasure of conversing with you, Monsieur Defarge, recalls to me," pursued the spy, "that I have the honour of cherishing some interesting associations with your name." "Indeed!" said Defarge, with much indifference. "Yes, indeed. When Doctor Manette was released, you, his old domestic, had the charge of him, I know. He was delivered to you. You see I am informed of the circumstances?" "Such is the fact, certainly," said Defarge. He had had it conveyed to him, in an accidental touch of his wife's elbow as she knitted and warbled, that he would do best to answer, but always with brevity. "It was to you," said the spy, "that his daughter came; and it was from your care that his daughter took him, accompanied by a neat brown monsieur; how is he called?--in a little wig--Lorry--of the bank of Tellson and Company--over to England." "Such is the fact," repeated Defarge. "Very interesting remembrances!" said the spy. "I have known Doctor Manette and his daughter, in England." "Yes?" said Defarge. "You don't hear much about them now?" said the spy. "No," said Defarge. "In effect," madame struck in, looking up from her work and her little song, "we never hear about them. We received the news of their safe arrival, and perhaps another letter, or perhaps two; but, since then, they have gradually taken their road in life--we, ours--and we have held no correspondence." "Perfectly so, madame," replied the spy. "She is going to be married." "Going?" echoed madame. "She was pretty enough to have been married long ago. You English are cold, it seems to me." "Oh! You know I am English." "I perceive your tongue is," returned madame; "and what the tongue is, I suppose the man is." He did not take the identification as a compliment; but he made the best of it, and turned it off with a laugh. After sipping his cognac to the end, he added: "Yes, Miss Manette is going to be married. But not to an Englishman; to one who, like herself, is French by birth. And speaking of Gaspard (ah, poor Gaspard! It was cruel, cruel!), it is a curious thing that she is going to marry the nephew of Monsieur the Marquis, for whom Gaspard was exalted to that height of so many feet; in other words, the present Marquis. But he lives unknown in England, he is no Marquis there; he is Mr. Charles Darnay. D'Aulnais is the name of his mother's family." Madame Defarge knitted steadily, but the intelligence had a palpable effect upon her husband. Do what he would, behind the little counter, as to the striking of a light and the lighting of his pipe, he was troubled, and his hand was not trustworthy. The spy would have been no spy if he had failed to see it, or to record it in his mind. Having made, at least, this one hit, whatever it might prove to be worth, and no customers coming in to help him to any other, Mr. Barsad paid for what he had drunk, and took his leave: taking occasion to say, in a genteel manner, before he departed, that he looked forward to the pleasure of seeing Monsieur and Madame Defarge again. For some minutes after he had emerged into the outer presence of Saint Antoine, the husband and wife remained exactly as he had left them, lest he should come back. "Can it be true," said Defarge, in a low voice, looking down at his wife as he stood smoking with his hand on the back of her chair: "what he has said of Ma'amselle Manette?" "As he has said it," returned madame, lifting her eyebrows a little, "it is probably false. But it may be true." "If it is--" Defarge began, and stopped. "If it is?" repeated his wife. "--And if it does come, while we live to see it triumph--I hope, for her sake, Destiny will keep her husband out of France." "Her husband's destiny," said Madame Defarge, with her usual composure, "will take him where he is to go, and will lead him to the end that is to end him. That is all I know." "But it is very strange--now, at least, is it not very strange"--said Defarge, rather pleading with his wife to induce her to admit it, "that, after all our sympathy for Monsieur her father, and herself, her husband's name should be proscribed under your hand at this moment, by the side of that infernal dog's who has just left us?" "Stranger things than that will happen when it does come," answered madame. "I have them both here, of a certainty; and they are both here for their merits; that is enough." She rolled up her knitting when she had said those words, and presently took the rose out of the handkerchief that was wound about her head. Either Saint Antoine had an instinctive sense that the objectionable decoration was gone, or Saint Antoine was on the watch for its disappearance; howbeit, the Saint took courage to lounge in, very shortly afterwards, and the wine-shop recovered its habitual aspect. In the evening, at which season of all others Saint Antoine turned himself inside out, and sat on door-steps and window-ledges, and came to the corners of vile streets and courts, for a breath of air, Madame Defarge with her work in her hand was accustomed to pass from place to place and from group to group: a Missionary--there were many like her--such as the world will do well never to breed again. All the women knitted. They knitted worthless things; but, the mechanical work was a mechanical substitute for eating and drinking; the hands moved for the jaws and the digestive apparatus: if the bony fingers had been still, the stomachs would have been more famine-pinched. But, as the fingers went, the eyes went, and the thoughts. And as Madame Defarge moved on from group to group, all three went quicker and fiercer among every little knot of women that she had spoken with, and left behind. Her husband smoked at his door, looking after her with admiration. "A great woman," said he, "a strong woman, a grand woman, a frightfully grand woman!" Darkness closed around, and then came the ringing of church bells and the distant beating of the military drums in the Palace Courtyard, as the women sat knitting, knitting. Darkness encompassed them. Another darkness was closing in as surely, when the church bells, then ringing pleasantly in many an airy steeple over France, should be melted into thundering cannon; when the military drums should be beating to drown a wretched voice, that night all potent as the voice of Power and Plenty, Freedom and Life. So much was closing in about the women who sat knitting, knitting, that they their very selves were closing in around a structure yet unbuilt, where they were to sit knitting, knitting, counting dropping heads.

For three days in a row there has been more than the usual number of early drinkers in the Defarge's wine shop. Monsieur Defarge has been absent for several days but Madame Defarge tends to her customers, many of whom come not to drink but to whisper conspiracies. When known spies for the government enter the conversation ceases and Madame Defarge knits steadily. At noon on the third day Monsieur Defarge enters the shop with the mender of roads from the small village where the Marquis was murdered. All the men refer to each other as "JACQUES." While the mender of roads takes a thin meal of stale bread and wine, various men get up and leave the shop to go to the garret apartment. Eventually Defarge and the road mender join the others. The road mender says that a man the Parisians know to be Gaspard, father of the child run over by the Marquis' carriage, was captured by the soldiers of his village. He was beaten and placed in a cage suspended above the prison and for many days the people in the town witnessed his suffering but could do nothing to help him. The villagers heard that a petition had been presented to the King to spare the man's life but they didn't know if it was true. Two of the Jacques interrupt the story and explain to the road mender that Defarge himself hazarded his own life by stepping in front of the King's carriage and was beaten for presenting the petition. The mender of roads says that the people of the village whispered that in Paris prisoners were horribly tortured before being killed and another of the Jacques affirms this fact. One morning the village awoke to find a gallows erected next to their communal fountain. That afternoon Gaspard was hung and his body left to rot with the murder weapon decorating the gallows. His story finished, the road mender is asked to wait outside while Defarge and the various Jacques confer. They all agree to include the Marquis' entire family and his chateau on their list of those registered for destruction. Defarge assures the men that the authorities will not discover his wife's method of keeping the list, sewn as code into her knitting. Before the road mender returns to his village the Defarge's take him to see a royal procession. The road mender is overcome by the gallantry and reach pageantry of the aristocracy that he cries out his enthusiasm. Later the Defarges commend his zeal and remind him that it will be useful when the time comes to destroy the aristocracy. The road mender returns to his village wiser and for the first time in his simple life, empowered. The Defarge's return to the wine shop and Monsieur Defarge learns from a Jacques of the police that a new spy named John Barsad has started working the Saint Antoine district. As she shuts up the shop for the night Madame Defarge observes that her husband is depressed and he admits that he is sad that the revolution may not come in his lifetime. She reminds him that it could come at any moment and though it may not arrive while they live she is confident they have done much to help bring it to fruition. The next day a man Madame Defarge recognizes as the spy John Barsad comes into the shop and tries to bait her into revealing the district's sympathies for the executed Gaspard. As a signal to the others in the shop she places a flower in her hair and the shop quickly empties. As Barsad tries to bait her, Madame Defarge knits his name into the register. Monsieur Defarge joins them and the spy, knowing that Doctor Manette sheltered with the Defarge's, relates the news that Miss Manette is to marry the nephew of the murdered Marquis who is living under the name Darnay in England. Madame records this information in her register as well. After the spy leaves, Monsieur Defarge expresses his hope that destiny will keep Darnay out of France but his wife observes that fate will do what it will. That evening Monsieur Defarge admires the character of his wife as she goes throughout the street visiting the women.

Actus Quintus. Scena Prima. Enter Queene, and Ladies. Qu. This way the King will come: this is the way To Iulius C�sars ill-erected Tower: To whose flint Bosome, my condemned Lord Is doom'd a Prisoner, by prowd Bullingbrooke. Here let vs rest, if this rebellious Earth Haue any resting for her true Kings Queene. Enter Richard, and Guard. But soft, but see, or rather doe not see, My faire Rose wither: yet looke vp; behold, That you in pittie may dissolue to dew, And wash him fresh againe with true-loue Teares. Ah thou, the Modell where old Troy did stand, Thou Mappe of Honor, thou King Richards Tombe, And not King Richard: thou most beauteous Inne, Why should hard-fauor'd Griefe be lodg'd in thee, When Triumph is become an Ale-house Guest Rich. Ioyne not with griefe, faire Woman, do not so, To make my end too sudden: learne good Soule, To thinke our former State a happie Dreame, From which awak'd, the truth of what we are, Shewes vs but this. I am sworne Brother (Sweet) To grim Necessitie; and hee and I Will keepe a League till Death. High thee to France, And Cloyster thee in some Religious House: Our holy liues must winne a new Worlds Crowne, Which our prophane houres here haue stricken downe Qu. What, is my Richard both in shape and minde Transform'd, and weaken'd? Hath Bullingbrooke Depos'd thine Intellect? hath he beene in thy Heart? The Lyon dying, thrusteth forth his Paw, And wounds the Earth, if nothing else, with rage To be o're-powr'd: and wilt thou, Pupill-like, Take thy Correction mildly, kisse the Rodde, And fawne on Rage with base Humilitie, Which art a Lyon, and a King of Beasts? Rich. A King of Beasts indeed: if aught but Beasts, I had beene still a happy King of Men. Good (sometime Queene) prepare thee hence for France: Thinke I am dead, and that euen here thou tak'st, As from my Death-bed, my last liuing leaue. In Winters tedious Nights sit by the fire With good old folkes, and let them tell thee Tales Of wofull Ages, long agoe betide: And ere thou bid good-night, to quit their griefe, Tell thou the lamentable fall of me, And send the hearers weeping to their Beds: For why? the sencelesse Brands will sympathize The heauie accent of thy mouing Tongue, And in compassion, weepe the fire out: And some will mourne in ashes, some coale-black, For the deposing of a rightfull King. Enter Northumberland. North. My Lord, the mind of Bullingbrooke is chang'd. You must to Pomfret, not vnto the Tower. And Madame, there is order ta'ne for you: With all swift speed, you must away to France Rich. Northumberland, thou Ladder wherewithall The mounting Bullingbrooke ascends my Throne, The time shall not be many houres of age, More then it is, ere foule sinne, gathering head, Shall breake into corruption: thou shalt thinke, Though he diuide the Realme, and giue thee halfe, It is too little, helping him to all: He shall thinke, that thou which know'st the way To plant vnrightfull Kings, wilt know againe, Being ne're so little vrg'd another way, To pluck him headlong from the vsurped Throne. The Loue of wicked friends conuerts to Feare; That Feare, to Hate; and Hate turnes one, or both, To worthie Danger, and deserued Death North. My guilt be on my Head, and there an end: Take leaue, and part, for you must part forthwith Rich. Doubly diuorc'd? (bad men) ye violate A two-fold Marriage; 'twixt my Crowne, and me. And then betwixt me, and my marryed Wife. Let me vn-kisse the Oath 'twixt thee, and me; And yet not so, for with a Kisse 'twas made. Part vs, Northumberland: I, towards the North, Where shiuering Cold and Sicknesse pines the Clyme: My Queene to France: from whence, set forth in pompe, She came adorned hither like sweet May; Sent back like Hollowmas, or short'st of day Qu. And must we be diuided? must we part? Rich. I, hand from hand (my Loue) and heart fro[m] heart Qu. Banish vs both, and send the King with me North. That were some Loue, but little Pollicy Qu. Then whither he goes, thither let me goe Rich. So two together weeping, make one Woe. Weepe thou for me in France; I, for thee heere: Better farre off, then neere, be ne're the neere. Goe, count thy Way with Sighes; I, mine with Groanes Qu. So longest Way shall haue the longest Moanes Rich. Twice for one step Ile groane, y Way being short, And peece the Way out with a heauie heart. Come, come, in wooing Sorrow let's be briefe, Since wedding it, there is such length in Griefe: One Kisse shall stop our mouthes, and dumbely part; Thus giue I mine, and thus take I thy heart Qu. Giue me mine owne againe: 'twere no good part, To take on me to keepe, and kill thy heart. So, now I haue mine owne againe, be gone, That I may striue to kill it with a groane Rich. We make Woe wanton with this fond delay: Once more adieu; the rest, let Sorrow say. Exeunt.

This scene focuses on Richard's poetic farewell to his queen. Queen Isabel is waiting with her attendants for Richard on a street leading to the "ill-erected tower" of London. When Richard appears, the queen melancholically compares Richard to a "beauteous-inn" whose lodger is "hard-favor'd grief" as "triumph" has "become an ale-house guest" . Richard urges her not to give in to grief and to think of their glorious former state as a "happy dream." He tells her to go away to France and spend the rest of her life in a convent. The queen chides Richard for showing such meekness in adversity. She exclaims in amazement, "What! is my Richard both in shape and mind / Transform'd and weaken'd! Hath Bolingbroke depos'd / Thine intellect?" She tries in vain to rouse his drooping spirits. Richard has given way to despair and no one can help him. He bids her to prepare to leave for France and to think that he has died. Northumberland enters and disrupts their conversation to announce that Richard is to be taken to Pomfret, instead of the Tower of London, while Isabel must return to her native France. Richard denounces Northumberland for acting as the ladder through which "The mounting Bolingbroke ascends throne." He warns him that with the passage of time, "foul sin gathering head / Shall break into corruption." He cautions that the love of wicked friends changes to fear, which divides friends from each other. Richard foresees an era of discord caused by the animosity that is bound to erupt between Northumberland and Bolingbroke. Northumberland merely tells Richard that they must soon leave. Richard's moving parting with his queen follows. Northumberland turns down Isabel's plea to banish both of them and to send Richard with her to France. He also turns down her proposal to allow her to go with Richard to Pomfret. Richard then sorrowfully kisses his wife farewell and bids her to be brief in "wooing sorrow." The scene ends as they part to go their separate ways and the stage is left empty.

"My dearest Lucy,-- "I know you will be anxious to hear all that has happened since we parted at the railway station at Whitby. Well, my dear, I got to Hull all right, and caught the boat to Hamburg, and then the train on here. I feel that I can hardly recall anything of the journey, except that I knew I was coming to Jonathan, and, that as I should have to do some nursing, I had better get all the sleep I could.... I found my dear one, oh, so thin and pale and weak-looking. All the resolution has gone out of his dear eyes, and that quiet dignity which I told you was in his face has vanished. He is only a wreck of himself, and he does not remember anything that has happened to him for a long time past. At least, he wants me to believe so, and I shall never ask. He has had some terrible shock, and I fear it might tax his poor brain if he were to try to recall it. Sister Agatha, who is a good creature and a born nurse, tells me that he raved of dreadful things whilst he was off his head. I wanted her to tell me what they were; but she would only cross herself, and say she would never tell; that the ravings of the sick were the secrets of God, and that if a nurse through her vocation should hear them, she should respect her trust. She is a sweet, good soul, and the next day, when she saw I was troubled, she opened up the subject again, and after saying that she could never mention what my poor dear raved about, added: 'I can tell you this much, my dear: that it was not about anything which he has done wrong himself; and you, as his wife to be, have no cause to be concerned. He has not forgotten you or what he owes to you. His fear was of great and terrible things, which no mortal can treat of.' I do believe the dear soul thought I might be jealous lest my poor dear should have fallen in love with any other girl. The idea of _my_ being jealous about Jonathan! And yet, my dear, let me whisper, I felt a thrill of joy through me when I _knew_ that no other woman was a cause of trouble. I am now sitting by his bedside, where I can see his face while he sleeps. He is waking!... "When he woke he asked me for his coat, as he wanted to get something from the pocket; I asked Sister Agatha, and she brought all his things. I saw that amongst them was his note-book, and was going to ask him to let me look at it--for I knew then that I might find some clue to his trouble--but I suppose he must have seen my wish in my eyes, for he sent me over to the window, saying he wanted to be quite alone for a moment. Then he called me back, and when I came he had his hand over the note-book, and he said to me very solemnly:-- "'Wilhelmina'--I knew then that he was in deadly earnest, for he has never called me by that name since he asked me to marry him--'you know, dear, my ideas of the trust between husband and wife: there should be no secret, no concealment. I have had a great shock, and when I try to think of what it is I feel my head spin round, and I do not know if it was all real or the dreaming of a madman. You know I have had brain fever, and that is to be mad. The secret is here, and I do not want to know it. I want to take up my life here, with our marriage.' For, my dear, we had decided to be married as soon as the formalities are complete. 'Are you willing, Wilhelmina, to share my ignorance? Here is the book. Take it and keep it, read it if you will, but never let me know; unless, indeed, some solemn duty should come upon me to go back to the bitter hours, asleep or awake, sane or mad, recorded here.' He fell back exhausted, and I put the book under his pillow, and kissed him. I have asked Sister Agatha to beg the Superior to let our wedding be this afternoon, and am waiting her reply.... * * * * * "She has come and told me that the chaplain of the English mission church has been sent for. We are to be married in an hour, or as soon after as Jonathan awakes.... * * * * * "Lucy, the time has come and gone. I feel very solemn, but very, very happy. Jonathan woke a little after the hour, and all was ready, and he sat up in bed, propped up with pillows. He answered his 'I will' firmly and strongly. I could hardly speak; my heart was so full that even those words seemed to choke me. The dear sisters were so kind. Please God, I shall never, never forget them, nor the grave and sweet responsibilities I have taken upon me. I must tell you of my wedding present. When the chaplain and the sisters had left me alone with my husband--oh, Lucy, it is the first time I have written the words 'my husband'--left me alone with my husband, I took the book from under his pillow, and wrapped it up in white paper, and tied it with a little bit of pale blue ribbon which was round my neck, and sealed it over the knot with sealing-wax, and for my seal I used my wedding ring. Then I kissed it and showed it to my husband, and told him that I would keep it so, and then it would be an outward and visible sign for us all our lives that we trusted each other; that I would never open it unless it were for his own dear sake or for the sake of some stern duty. Then he took my hand in his, and oh, Lucy, it was the first time he took _his wife's_ hand, and said that it was the dearest thing in all the wide world, and that he would go through all the past again to win it, if need be. The poor dear meant to have said a part of the past, but he cannot think of time yet, and I shall not wonder if at first he mixes up not only the month, but the year. "Well, my dear, what could I say? I could only tell him that I was the happiest woman in all the wide world, and that I had nothing to give him except myself, my life, and my trust, and that with these went my love and duty for all the days of my life. And, my dear, when he kissed me, and drew me to him with his poor weak hands, it was like a very solemn pledge between us.... "Lucy dear, do you know why I tell you all this? It is not only because it is all sweet to me, but because you have been, and are, very dear to me. It was my privilege to be your friend and guide when you came from the schoolroom to prepare for the world of life. I want you to see now, and with the eyes of a very happy wife, whither duty has led me; so that in your own married life you too may be all happy as I am. My dear, please Almighty God, your life may be all it promises: a long day of sunshine, with no harsh wind, no forgetting duty, no distrust. I must not wish you no pain, for that can never be; but I do hope you will be _always_ as happy as I am _now_. Good-bye, my dear. I shall post this at once, and, perhaps, write you very soon again. I must stop, for Jonathan is waking--I must attend to my husband! "Your ever-loving "MINA HARKER." _Letter, Lucy Westenra to Mina Harker._ "_Whitby, 30 August._ "My dearest Mina,-- "Oceans of love and millions of kisses, and may you soon be in your own home with your husband. I wish you could be coming home soon enough to stay with us here. The strong air would soon restore Jonathan; it has quite restored me. I have an appetite like a cormorant, am full of life, and sleep well. You will be glad to know that I have quite given up walking in my sleep. I think I have not stirred out of my bed for a week, that is when I once got into it at night. Arthur says I am getting fat. By the way, I forgot to tell you that Arthur is here. We have such walks and drives, and rides, and rowing, and tennis, and fishing together; and I love him more than ever. He _tells_ me that he loves me more, but I doubt that, for at first he told me that he couldn't love me more than he did then. But this is nonsense. There he is, calling to me. So no more just at present from your loving "LUCY. "P. S.--Mother sends her love. She seems better, poor dear. "P. P. S.--We are to be married on 28 September." _Dr. Seward's Diary._ _20 August._--The case of Renfield grows even more interesting. He has now so far quieted that there are spells of cessation from his passion. For the first week after his attack he was perpetually violent. Then one night, just as the moon rose, he grew quiet, and kept murmuring to himself: "Now I can wait; now I can wait." The attendant came to tell me, so I ran down at once to have a look at him. He was still in the strait-waistcoat and in the padded room, but the suffused look had gone from his face, and his eyes had something of their old pleading--I might almost say, "cringing"--softness. I was satisfied with his present condition, and directed him to be relieved. The attendants hesitated, but finally carried out my wishes without protest. It was a strange thing that the patient had humour enough to see their distrust, for, coming close to me, he said in a whisper, all the while looking furtively at them:-- "They think I could hurt you! Fancy _me_ hurting _you_! The fools!" It was soothing, somehow, to the feelings to find myself dissociated even in the mind of this poor madman from the others; but all the same I do not follow his thought. Am I to take it that I have anything in common with him, so that we are, as it were, to stand together; or has he to gain from me some good so stupendous that my well-being is needful to him? I must find out later on. To-night he will not speak. Even the offer of a kitten or even a full-grown cat will not tempt him. He will only say: "I don't take any stock in cats. I have more to think of now, and I can wait; I can wait." After a while I left him. The attendant tells me that he was quiet until just before dawn, and that then he began to get uneasy, and at length violent, until at last he fell into a paroxysm which exhausted him so that he swooned into a sort of coma. * * * * * ... Three nights has the same thing happened--violent all day then quiet from moonrise to sunrise. I wish I could get some clue to the cause. It would almost seem as if there was some influence which came and went. Happy thought! We shall to-night play sane wits against mad ones. He escaped before without our help; to-night he shall escape with it. We shall give him a chance, and have the men ready to follow in case they are required.... * * * * * _23 August._--"The unexpected always happens." How well Disraeli knew life. Our bird when he found the cage open would not fly, so all our subtle arrangements were for nought. At any rate, we have proved one thing; that the spells of quietness last a reasonable time. We shall in future be able to ease his bonds for a few hours each day. I have given orders to the night attendant merely to shut him in the padded room, when once he is quiet, until an hour before sunrise. The poor soul's body will enjoy the relief even if his mind cannot appreciate it. Hark! The unexpected again! I am called; the patient has once more escaped. * * * * * _Later._--Another night adventure. Renfield artfully waited until the attendant was entering the room to inspect. Then he dashed out past him and flew down the passage. I sent word for the attendants to follow. Again he went into the grounds of the deserted house, and we found him in the same place, pressed against the old chapel door. When he saw me he became furious, and had not the attendants seized him in time, he would have tried to kill me. As we were holding him a strange thing happened. He suddenly redoubled his efforts, and then as suddenly grew calm. I looked round instinctively, but could see nothing. Then I caught the patient's eye and followed it, but could trace nothing as it looked into the moonlit sky except a big bat, which was flapping its silent and ghostly way to the west. Bats usually wheel and flit about, but this one seemed to go straight on, as if it knew where it was bound for or had some intention of its own. The patient grew calmer every instant, and presently said:-- "You needn't tie me; I shall go quietly!" Without trouble we came back to the house. I feel there is something ominous in his calm, and shall not forget this night.... _Lucy Westenra's Diary_ _Hillingham, 24 August._--I must imitate Mina, and keep writing things down. Then we can have long talks when we do meet. I wonder when it will be. I wish she were with me again, for I feel so unhappy. Last night I seemed to be dreaming again just as I was at Whitby. Perhaps it is the change of air, or getting home again. It is all dark and horrid to me, for I can remember nothing; but I am full of vague fear, and I feel so weak and worn out. When Arthur came to lunch he looked quite grieved when he saw me, and I hadn't the spirit to try to be cheerful. I wonder if I could sleep in mother's room to-night. I shall make an excuse and try. * * * * * _25 August._--Another bad night. Mother did not seem to take to my proposal. She seems not too well herself, and doubtless she fears to worry me. I tried to keep awake, and succeeded for a while; but when the clock struck twelve it waked me from a doze, so I must have been falling asleep. There was a sort of scratching or flapping at the window, but I did not mind it, and as I remember no more, I suppose I must then have fallen asleep. More bad dreams. I wish I could remember them. This morning I am horribly weak. My face is ghastly pale, and my throat pains me. It must be something wrong with my lungs, for I don't seem ever to get air enough. I shall try to cheer up when Arthur comes, or else I know he will be miserable to see me so. _Letter, Arthur Holmwood to Dr. Seward._ "_Albemarle Hotel, 31 August._ "My dear Jack,-- "I want you to do me a favour. Lucy is ill; that is, she has no special disease, but she looks awful, and is getting worse every day. I have asked her if there is any cause; I do not dare to ask her mother, for to disturb the poor lady's mind about her daughter in her present state of health would be fatal. Mrs. Westenra has confided to me that her doom is spoken--disease of the heart--though poor Lucy does not know it yet. I am sure that there is something preying on my dear girl's mind. I am almost distracted when I think of her; to look at her gives me a pang. I told her I should ask you to see her, and though she demurred at first--I know why, old fellow--she finally consented. It will be a painful task for you, I know, old friend, but it is for _her_ sake, and I must not hesitate to ask, or you to act. You are to come to lunch at Hillingham to-morrow, two o'clock, so as not to arouse any suspicion in Mrs. Westenra, and after lunch Lucy will take an opportunity of being alone with you. I shall come in for tea, and we can go away together; I am filled with anxiety, and want to consult with you alone as soon as I can after you have seen her. Do not fail! "ARTHUR." _Telegram, Arthur Holmwood to Seward._ "_1 September._ "Am summoned to see my father, who is worse. Am writing. Write me fully by to-night's post to Ring. Wire me if necessary." _Letter from Dr. Seward to Arthur Holmwood._ "_2 September._ "My dear old fellow,-- "With regard to Miss Westenra's health I hasten to let you know at once that in my opinion there is not any functional disturbance or any malady that I know of. At the same time, I am not by any means satisfied with her appearance; she is woefully different from what she was when I saw her last. Of course you must bear in mind that I did not have full opportunity of examination such as I should wish; our very friendship makes a little difficulty which not even medical science or custom can bridge over. I had better tell you exactly what happened, leaving you to draw, in a measure, your own conclusions. I shall then say what I have done and propose doing. "I found Miss Westenra in seemingly gay spirits. Her mother was present, and in a few seconds I made up my mind that she was trying all she knew to mislead her mother and prevent her from being anxious. I have no doubt she guesses, if she does not know, what need of caution there is. We lunched alone, and as we all exerted ourselves to be cheerful, we got, as some kind of reward for our labours, some real cheerfulness amongst us. Then Mrs. Westenra went to lie down, and Lucy was left with me. We went into her boudoir, and till we got there her gaiety remained, for the servants were coming and going. As soon as the door was closed, however, the mask fell from her face, and she sank down into a chair with a great sigh, and hid her eyes with her hand. When I saw that her high spirits had failed, I at once took advantage of her reaction to make a diagnosis. She said to me very sweetly:-- "'I cannot tell you how I loathe talking about myself.' I reminded her that a doctor's confidence was sacred, but that you were grievously anxious about her. She caught on to my meaning at once, and settled that matter in a word. 'Tell Arthur everything you choose. I do not care for myself, but all for him!' So I am quite free. "I could easily see that she is somewhat bloodless, but I could not see the usual anaemic signs, and by a chance I was actually able to test the quality of her blood, for in opening a window which was stiff a cord gave way, and she cut her hand slightly with broken glass. It was a slight matter in itself, but it gave me an evident chance, and I secured a few drops of the blood and have analysed them. The qualitative analysis gives a quite normal condition, and shows, I should infer, in itself a vigorous state of health. In other physical matters I was quite satisfied that there is no need for anxiety; but as there must be a cause somewhere, I have come to the conclusion that it must be something mental. She complains of difficulty in breathing satisfactorily at times, and of heavy, lethargic sleep, with dreams that frighten her, but regarding which she can remember nothing. She says that as a child she used to walk in her sleep, and that when in Whitby the habit came back, and that once she walked out in the night and went to East Cliff, where Miss Murray found her; but she assures me that of late the habit has not returned. I am in doubt, and so have done the best thing I know of; I have written to my old friend and master, Professor Van Helsing, of Amsterdam, who knows as much about obscure diseases as any one in the world. I have asked him to come over, and as you told me that all things were to be at your charge, I have mentioned to him who you are and your relations to Miss Westenra. This, my dear fellow, is in obedience to your wishes, for I am only too proud and happy to do anything I can for her. Van Helsing would, I know, do anything for me for a personal reason, so, no matter on what ground he comes, we must accept his wishes. He is a seemingly arbitrary man, but this is because he knows what he is talking about better than any one else. He is a philosopher and a metaphysician, and one of the most advanced scientists of his day; and he has, I believe, an absolutely open mind. This, with an iron nerve, a temper of the ice-brook, an indomitable resolution, self-command, and toleration exalted from virtues to blessings, and the kindliest and truest heart that beats--these form his equipment for the noble work that he is doing for mankind--work both in theory and practice, for his views are as wide as his all-embracing sympathy. I tell you these facts that you may know why I have such confidence in him. I have asked him to come at once. I shall see Miss Westenra to-morrow again. She is to meet me at the Stores, so that I may not alarm her mother by too early a repetition of my call. "Yours always, "JOHN SEWARD." _Letter, Abraham Van Helsing, M. D., D. Ph., D. Lit., etc., etc., to Dr. Seward._ "_2 September._ "My good Friend,-- "When I have received your letter I am already coming to you. By good fortune I can leave just at once, without wrong to any of those who have trusted me. Were fortune other, then it were bad for those who have trusted, for I come to my friend when he call me to aid those he holds dear. Tell your friend that when that time you suck from my wound so swiftly the poison of the gangrene from that knife that our other friend, too nervous, let slip, you did more for him when he wants my aids and you call for them than all his great fortune could do. But it is pleasure added to do for him, your friend; it is to you that I come. Have then rooms for me at the Great Eastern Hotel, so that I may be near to hand, and please it so arrange that we may see the young lady not too late on to-morrow, for it is likely that I may have to return here that night. But if need be I shall come again in three days, and stay longer if it must. Till then good-bye, my friend John. "VAN HELSING." _Letter, Dr. Seward to Hon. Arthur Holmwood._ "_3 September._ "My dear Art,-- "Van Helsing has come and gone. He came on with me to Hillingham, and found that, by Lucy's discretion, her mother was lunching out, so that we were alone with her. Van Helsing made a very careful examination of the patient. He is to report to me, and I shall advise you, for of course I was not present all the time. He is, I fear, much concerned, but says he must think. When I told him of our friendship and how you trust to me in the matter, he said: 'You must tell him all you think. Tell him what I think, if you can guess it, if you will. Nay, I am not jesting. This is no jest, but life and death, perhaps more.' I asked what he meant by that, for he was very serious. This was when we had come back to town, and he was having a cup of tea before starting on his return to Amsterdam. He would not give me any further clue. You must not be angry with me, Art, because his very reticence means that all his brains are working for her good. He will speak plainly enough when the time comes, be sure. So I told him I would simply write an account of our visit, just as if I were doing a descriptive special article for _The Daily Telegraph_. He seemed not to notice, but remarked that the smuts in London were not quite so bad as they used to be when he was a student here. I am to get his report to-morrow if he can possibly make it. In any case I am to have a letter. "Well, as to the visit. Lucy was more cheerful than on the day I first saw her, and certainly looked better. She had lost something of the ghastly look that so upset you, and her breathing was normal. She was very sweet to the professor (as she always is), and tried to make him feel at ease; though I could see that the poor girl was making a hard struggle for it. I believe Van Helsing saw it, too, for I saw the quick look under his bushy brows that I knew of old. Then he began to chat of all things except ourselves and diseases and with such an infinite geniality that I could see poor Lucy's pretense of animation merge into reality. Then, without any seeming change, he brought the conversation gently round to his visit, and suavely said:-- "'My dear young miss, I have the so great pleasure because you are so much beloved. That is much, my dear, ever were there that which I do not see. They told me you were down in the spirit, and that you were of a ghastly pale. To them I say: "Pouf!"' And he snapped his fingers at me and went on: 'But you and I shall show them how wrong they are. How can he'--and he pointed at me with the same look and gesture as that with which once he pointed me out to his class, on, or rather after, a particular occasion which he never fails to remind me of--'know anything of a young ladies? He has his madams to play with, and to bring them back to happiness, and to those that love them. It is much to do, and, oh, but there are rewards, in that we can bestow such happiness. But the young ladies! He has no wife nor daughter, and the young do not tell themselves to the young, but to the old, like me, who have known so many sorrows and the causes of them. So, my dear, we will send him away to smoke the cigarette in the garden, whiles you and I have little talk all to ourselves.' I took the hint, and strolled about, and presently the professor came to the window and called me in. He looked grave, but said: 'I have made careful examination, but there is no functional cause. With you I agree that there has been much blood lost; it has been, but is not. But the conditions of her are in no way anaemic. I have asked her to send me her maid, that I may ask just one or two question, that so I may not chance to miss nothing. I know well what she will say. And yet there is cause; there is always cause for everything. I must go back home and think. You must send to me the telegram every day; and if there be cause I shall come again. The disease--for not to be all well is a disease--interest me, and the sweet young dear, she interest me too. She charm me, and for her, if not for you or disease, I come.' "As I tell you, he would not say a word more, even when we were alone. And so now, Art, you know all I know. I shall keep stern watch. I trust your poor father is rallying. It must be a terrible thing to you, my dear old fellow, to be placed in such a position between two people who are both so dear to you. I know your idea of duty to your father, and you are right to stick to it; but, if need be, I shall send you word to come at once to Lucy; so do not be over-anxious unless you hear from me." _Dr. Seward's Diary._ _4 September._--Zooephagous patient still keeps up our interest in him. He had only one outburst and that was yesterday at an unusual time. Just before the stroke of noon he began to grow restless. The attendant knew the symptoms, and at once summoned aid. Fortunately the men came at a run, and were just in time, for at the stroke of noon he became so violent that it took all their strength to hold him. In about five minutes, however, he began to get more and more quiet, and finally sank into a sort of melancholy, in which state he has remained up to now. The attendant tells me that his screams whilst in the paroxysm were really appalling; I found my hands full when I got in, attending to some of the other patients who were frightened by him. Indeed, I can quite understand the effect, for the sounds disturbed even me, though I was some distance away. It is now after the dinner-hour of the asylum, and as yet my patient sits in a corner brooding, with a dull, sullen, woe-begone look in his face, which seems rather to indicate than to show something directly. I cannot quite understand it. * * * * * _Later._--Another change in my patient. At five o'clock I looked in on him, and found him seemingly as happy and contented as he used to be. He was catching flies and eating them, and was keeping note of his capture by making nail-marks on the edge of the door between the ridges of padding. When he saw me, he came over and apologised for his bad conduct, and asked me in a very humble, cringing way to be led back to his own room and to have his note-book again. I thought it well to humour him: so he is back in his room with the window open. He has the sugar of his tea spread out on the window-sill, and is reaping quite a harvest of flies. He is not now eating them, but putting them into a box, as of old, and is already examining the corners of his room to find a spider. I tried to get him to talk about the past few days, for any clue to his thoughts would be of immense help to me; but he would not rise. For a moment or two he looked very sad, and said in a sort of far-away voice, as though saying it rather to himself than to me:-- "All over! all over! He has deserted me. No hope for me now unless I do it for myself!" Then suddenly turning to me in a resolute way, he said: "Doctor, won't you be very good to me and let me have a little more sugar? I think it would be good for me." "And the flies?" I said. "Yes! The flies like it, too, and I like the flies; therefore I like it." And there are people who know so little as to think that madmen do not argue. I procured him a double supply, and left him as happy a man as, I suppose, any in the world. I wish I could fathom his mind. * * * * * _Midnight._--Another change in him. I had been to see Miss Westenra, whom I found much better, and had just returned, and was standing at our own gate looking at the sunset, when once more I heard him yelling. As his room is on this side of the house, I could hear it better than in the morning. It was a shock to me to turn from the wonderful smoky beauty of a sunset over London, with its lurid lights and inky shadows and all the marvellous tints that come on foul clouds even as on foul water, and to realise all the grim sternness of my own cold stone building, with its wealth of breathing misery, and my own desolate heart to endure it all. I reached him just as the sun was going down, and from his window saw the red disc sink. As it sank he became less and less frenzied; and just as it dipped he slid from the hands that held him, an inert mass, on the floor. It is wonderful, however, what intellectual recuperative power lunatics have, for within a few minutes he stood up quite calmly and looked around him. I signalled to the attendants not to hold him, for I was anxious to see what he would do. He went straight over to the window and brushed out the crumbs of sugar; then he took his fly-box, and emptied it outside, and threw away the box; then he shut the window, and crossing over, sat down on his bed. All this surprised me, so I asked him: "Are you not going to keep flies any more?" "No," said he; "I am sick of all that rubbish!" He certainly is a wonderfully interesting study. I wish I could get some glimpse of his mind or of the cause of his sudden passion. Stop; there may be a clue after all, if we can find why to-day his paroxysms came on at high noon and at sunset. Can it be that there is a malign influence of the sun at periods which affects certain natures--as at times the moon does others? We shall see. _Telegram, Seward, London, to Van Helsing, Amsterdam._ "_4 September._--Patient still better to-day." _Telegram, Seward, London, to Van Helsing, Amsterdam._ "_5 September._--Patient greatly improved. Good appetite; sleeps naturally; good spirits; colour coming back." _Telegram, Seward, London, to Van Helsing, Amsterdam._ "_6 September._--Terrible change for the worse. Come at once; do not lose an hour. I hold over telegram to Holmwood till have seen you."

The chapter opens with a letter from "Mina Harker" to Lucy, dated August 24 in Budapest. Since Mina's last name has changed, she has clearly married Jonathan already. She tells Lucy that she was shocked when she first arrived at how bad Jonathan was--the nuns tell her that he'd gone through some kind of shock that brought on the brain fever. When Mina spoke to Jonathan for the first time, he handed her his diary and told her that he wasn't sure whether his experiences had been real or not, but that she should keep his diary safe in case they ever needed it for anything. She can read it or not, as she chooses. Mina told him she wouldn't read it unless something happened. After that conversation, a priest came in and married them. Jonathan sat up in bed to say his vows since he still wasn't well enough to go to the church. The chapter continues with Lucy's response to Mina's letter, dated August 30, in Whitby. Lucy congratulates Mina and Jonathan and sends her assurances that she's getting better and stronger every day. Arthur is visiting her in Whitby and they go out fishing and horseback riding every day. She says that her mother, Mrs. Westenra, is getting better, too. Their wedding will take place on September 28. Renfield has calmed down and keeps saying that he can wait. Renfield escapes again, and once more goes back to the chapel of the big house next door. They catch him and bring him right back--this time he doesn't struggle. Lucy is back in London after their trip to Whitby. She feels very weak again and is having trouble sleeping. She's also having weird dreams. Lucy wants her mother to sleep in her bedroom with her, but her mom isn't interested . Lucy remembers hearing a kind of "flapping" noise at the window during the night, but doesn't know what it was from. Probably a bat. She says her face has gotten very pale and she has a sore throat. Arthur asks Dr. Seward to come and visit Lucy because she's sick and he's worried. The letter is followed by a telegram from Arthur to Seward saying that he has to leave Lucy to go see his father, whose illness has gotten worse. Seward tells Arthur that Lucy doesn't have any real official "disease," but that she's certainly not well. He also says that Lucy is trying to keep up appearances and hide her sickness from her mother. He runs a blood test on her , but there's nothing wrong with her blood. She just doesn't seem to have enough of it in her body for some reason. Dr. Seward says he's going to call in an old friend and colleague, Dr. Abraham Van Helsing, who is Dutch and lives in Amsterdam. Van Helsing is an expert in "obscure diseases" and might be able to diagnose Lucy. Van Helsing says he'll come as soon as possible--partly to help Seward's friend and partly to help Seward himself. Apparently Seward saved Van Helsing's life one time. Seward writes again to Arthur to tell him about Van Helsing's visit. He says that Van Helsing was concerned, but didn't make an immediate diagnosis--he said he had to think about it. Van Helsing saw Lucy by herself so that they could speak freely. As a result, Seward can't describe much about their visit. Van Helsing told Seward that he'd come again if needed. Renfield starts getting "restless" in the middle of the day. Later in the afternoon, he says that he has been abandoned and that he must "do it for self" . Then he asks Dr. Seward for more sugar to start collecting flies again. On September 4 and 5, Seward sends a telegram to Van Helsing in Amsterdam to tell him that Lucy has improved, but then on September 6, he sends another saying that she's worse and that he should come at once.

Actus Quartus. Scoena Prima. Enter Harrie Hotspurre, Worcester, and Dowglas. Hot. Well said, my Noble Scot, if speaking truth In this fine Age, were not thought flatterie, Such attribution should the Dowglas haue, As not a Souldiour of this seasons stampe, Should go so generall currant through the world. By heauen I cannot flatter: I defie The Tongues of Soothers. But a Brauer place In my hearts loue, hath no man then your Selfe. Nay, taske me to my word: approue me Lord Dow. Thou art the King of Honor: No man so potent breathes vpon the ground, But I will Beard him. Enter a Messenger. Hot. Do so, and 'tis well. What letters hast there? I can but thanke you Mess. These Letters come from your Father Hot. Letters from him? Why comes he not himselfe? Mes. He cannot come, my Lord, He is greeuous sicke Hot. How? haz he the leysure to be sicke now, In such a iustling time? Who leades his power? Vnder whose Gouernment come they along? Mess. His Letters beares his minde, not I his minde Wor. I prethee tell me, doth he keepe his Bed? Mess. He did, my Lord, foure dayes ere I set forth: And at the time of my departure thence, He was much fear'd by his Physician Wor. I would the state of time had first beene whole, Ere he by sicknesse had beene visited: His health was neuer better worth then now Hotsp. Sicke now? droope now? this sicknes doth infect The very Life-blood of our Enterprise, 'Tis catching hither, euen to our Campe. He writes me here, that inward sicknesse, And that his friends by deputation Could not so soone be drawne: nor did he thinke it meet, To lay so dangerous and deare a trust On any Soule remou'd, but on his owne. Yet doth he giue vs bold aduertisement, That with our small coniunction we should on, To see how Fortune is dispos'd to vs: For, as he writes, there is no quailing now, Because the King is certainely possest Of all our purposes. What say you to it? Wor. Your Fathers sicknesse is a mayme to vs Hotsp. A perillous Gash, a very Limme lopt off: And yet, in faith, it is not his present want Seemes more then we shall finde it. Were it good, to set the exact wealth of all our states All at one Cast? To set so rich a mayne On the nice hazard of one doubtfull houre, It were not good: for therein should we reade The very Bottome, and the Soule of Hope, The very List, the very vtmost Bound Of all our fortunes Dowg. Faith, and so wee should, Where now remaines a sweet reuersion. We may boldly spend, vpon the hope Of what is to come in: A comfort of retyrement liues in this Hotsp. A Randeuous, a Home to flye vnto, If that the Deuill and Mischance looke bigge Vpon the Maydenhead of our Affaires Wor. But yet I would your Father had beene here: The qualitie and Heire of our Attempt Brookes no diuision: It will be thought By some, that know not why he is away, That wisedome, loyaltie, and meere dislike Of our proceedings, kept the Earle from hence. And thinke, how such an apprehension May turne the tyde of fearefull Faction, And breede a kinde of question in our cause: For well you know, wee of the offring side, Must keepe aloofe from strict arbitrement, And stop all sight-holes, euery loope, from whence The eye of reason may prie in vpon vs: This absence of your Father drawes a Curtaine, That shewes the ignorant a kinde of feare, Before not dreamt of Hotsp. You strayne too farre. I rather of his absence make this vse: It lends a Lustre, and more great Opinion, A larger Dare to your great Enterprize, Then if the Earle were here: for men must thinke, If we without his helpe, can make a Head To push against the Kingdome; with his helpe, We shall o're-turne it topsie-turuy downe: Yet all goes well, yet all our ioynts are whole Dowg. As heart can thinke: There is not such a word spoke of in Scotland, At this Dreame of Feare. Enter Sir Richard Vernon. Hotsp. My Cousin Vernon, welcome by my Soule Vern. Pray God my newes be worth a welcome, Lord. The Earle of Westmerland, seuen thousand strong, Is marching hither-wards, with Prince Iohn Hotsp. No harme: what more? Vern. And further, I haue learn'd, The King himselfe in person hath set forth, Or hither-wards intended speedily, With strong and mightie preparation Hotsp. He shall be welcome too. Where is his Sonne, The nimble-footed Mad-Cap, Prince of Wales, And his Cumrades, that daft the World aside, And bid it passe? Vern. All furnisht, all in Armes, All plum'd like Estridges, that with the Winde Bayted like Eagles, hauing lately bath'd, Glittering in Golden Coates, like Images, As full of spirit as the Moneth of May, And gorgeous as the Sunne at Mid-summer, Wanton as youthfull Goates, wilde as young Bulls. I saw young Harry with his Beuer on, His Cushes on his thighes, gallantly arm'd, Rise from the ground like feathered Mercury, And vaulted with such ease into his Seat, As if an Angell dropt downe from the Clouds, To turne and winde a fierie Pegasus, And witch the World with Noble Horsemanship Hotsp. No more, no more, Worse then the Sunne in March: This prayse doth nourish Agues: let them come. They come like Sacrifices in their trimme, And to the fire-ey'd Maid of smoakie Warre, All hot, and bleeding, will wee offer them: The mayled Mars shall on his Altar sit Vp to the eares in blood. I am on fire, To heare this rich reprizall is so nigh, And yet not ours. Come, let me take my Horse, Who is to beare me like a Thunder-bolt, Against the bosome of the Prince of Wales. Harry to Harry, shall not Horse to Horse Meete, and ne're part, till one drop downe a Coarse? Oh, that Glendower were come Ver. There is more newes: I learned in Worcester, as I rode along, He cannot draw his Power this fourteene dayes Dowg. That's the worst Tidings that I heare of yet Wor. I by my faith, that beares a frosty sound Hotsp. What may the Kings whole Battaile reach vnto? Ver. To thirty thousand Hot. Forty let it be, My Father and Glendower being both away, The powres of vs, may serue so great a day. Come, let vs take a muster speedily: Doomesday is neere; dye all, dye merrily Dow. Talke not of dying, I am out of feare Of death, or deaths hand, for this one halfe yeare. Exeunt. Omnes. Scaena Secunda. Enter Falstaffe and Bardolph. Falst. Bardolph, get thee before to Couentry, fill me a Bottle of Sack, our Souldiers shall march through: wee'le to Sutton-cop-hill to Night Bard. Will you giue me Money, Captaine? Falst. Lay out, lay out Bard. This Bottle makes an Angell Falst. And if it doe, take it for thy labour: and if it make twentie, take them all, Ile answere the Coynage. Bid my Lieutenant Peto meete me at the Townes end Bard. I will Captaine: farewell. Enter. Falst. If I be not asham'd of my Souldiers, I am a sowc't-Gurnet: I haue mis-vs'd the Kings Presse damnably. I haue got, in exchange of a hundred and fiftie Souldiers, three hundred and odde Pounds. I presse me none but good House-holders, Yeomens Sonnes: enquire me out contracted Batchelers, such as had beene ask'd twice on the Banes: such a Commoditie of warme slaues, as had as lieue heare the Deuill, as a Drumme; such as feare the report of a Caliuer, worse then a struck-Foole, or a hurt wilde-Ducke. I prest me none but such Tostes and Butter, with Hearts in their Bellyes no bigger then Pinnes heads, and they haue bought out their seruices: And now, my whole Charge consists of Ancients, Corporals, Lieutenants, Gentlemen of Companies, Slaues as ragged a Lazarus in the painted Cloth, where the Gluttons Dogges licked his Sores; and such, as indeed were neuer Souldiers, but dis-carded vniust Seruingmen, younger Sonnes to younger Brothers, reuolted Tapsters and Ostlers, Trade-falne, the Cankers of a calme World, and long Peace, tenne times more dis-honorable ragged, then an old-fac'd Ancient; and such haue I to fill vp the roomes of them that haue bought out their seruices: that you would thinke, that I had a hundred and fiftie totter'd Prodigalls, lately come from Swine-keeping, from eating Draffe and Huskes. A mad fellow met me on the way, and told me, I had vnloaded all the Gibbets, and prest the dead bodyes. No eye hath seene such skar-Crowes: Ile not march through Couentry with them, that's flat. Nay, and the Villaines march wide betwixt the Legges, as if they had Gyues on; for indeede, I had the most of them out of Prison. There's not a Shirt and a halfe in all my Company: and the halfe Shirt is two Napkins tackt together, and throwne ouer the shoulders like a Heralds Coat, without sleeues: and the Shirt, to say the truth, stolne from my Host of S[aint]. Albones, or the Red-Nose Inne-keeper of Dauintry. But that's all one, they'le finde Linnen enough on euery Hedge. Enter the Prince, and the Lord of Westmerland. Prince. How now blowne Iack? how now Quilt? Falst. What Hal? How now mad Wag, what a Deuill do'st thou in Warwickshire? My good Lord of Westmerland, I cry you mercy, I thought your Honour had already beene at Shrewsbury West. 'Faith, Sir Iohn, 'tis more then time that I were there, and you too: but my Powers are there alreadie. The King, I can tell you, lookes for vs all: we must away all to Night Falst. Tut, neuer feare me, I am as vigilant as a Cat, to steale Creame Prince. I thinke to steale Creame indeed, for thy theft hath alreadie made thee Butter: but tell me, Iack, whose fellowes are these that come after? Falst. Mine, Hal, mine Prince. I did neuer see such pittifull Rascals Falst. Tut, tut, good enough to tosse: foode for Powder, foode for Powder: they'le fill a Pit, as well as better: tush man, mortall men, mortall men Westm. I, but Sir Iohn, me thinkes they are exceeding poore and bare, too beggarly Falst. Faith, for their pouertie, I know not where they had that; and for their barenesse, I am sure they neuer learn'd that of me Prince. No, Ile be sworne, vnlesse you call three fingers on the Ribbes bare. But sirra, make haste, Percy is already in the field Falst. What, is the King encamp'd? Westm. Hee is, Sir Iohn, I feare wee shall stay too long Falst. Well, to the latter end of a Fray, and the beginning of a Feast, fits a dull fighter, and a keene Guest. Exeunt. Scoena Tertia. Enter Hotspur, Worcester, Dowglas, and Vernon. Hotsp. Wee'le fight with him to Night Worc. It may not be Dowg. You giue him then aduantage Vern. Not a whit Hotsp. Why say you so? lookes he not for supply? Vern. So doe wee Hotsp. His is certaine, ours is doubtfull Worc. Good Cousin be aduis'd, stirre not to night Vern. Doe not, my Lord Dowg. You doe not counsaile well: You speake it out of feare, and cold heart Vern. Doe me no slander, Dowglas: by my Life, And I dare well maintaine it with my Life, If well-respected Honor bid me on, I hold as little counsaile with weake feare, As you, my Lord, or any Scot that this day liues. Let it be seene to morrow in the Battell, Which of vs feares Dowg. Yea, or to night Vern. Content Hotsp. To night, say I Vern. Come, come, it may not be. I wonder much, being me[n] of such great leading as you are That you fore-see not what impediments Drag backe our expedition: certaine Horse Of my Cousin Vernons are not yet come vp, Your Vnckle Worcesters Horse came but to day, And now their pride and mettall is asleepe, Their courage with hard labour tame and dull, That not a Horse is halfe the halfe of himselfe Hotsp. So are the Horses of the Enemie In generall iourney bated, and brought low: The better part of ours are full of rest Worc. The number of the King exceedeth ours: For Gods sake, Cousin, stay till all come in. The Trumpet sounds a Parley. Enter Sir Walter Blunt. Blunt. I come with gracious offers from the King, If you vouchsafe me hearing, and respect Hotsp. Welcome, Sir Walter Blunt: And would to God you were of our determination. Some of vs loue you well: and euen those some Enuie your great deseruings, and good name, Because you are not of our qualitie, But stand against vs like an Enemie Blunt. And Heauen defend, but still I should stand so, So long as out of Limit, and true Rule, You stand against anoynted Maiestie. But to my Charge. The King hath sent to know The nature of your Griefes, and whereupon You coniure from the Brest of Ciuill Peace, Such bold Hostilitie, teaching his dutious Land Audacious Crueltie. If that the King Haue any way your good Deserts forgot, Which he confesseth to be manifold, He bids you name your Griefes, and with all speed You shall haue your desires, with interest; And Pardon absolute for your selfe, and these, Herein mis-led, by your suggestion Hotsp. The King is kinde: And well wee know, the King Knowes at what time to promise, when to pay. My Father, my Vnckle, and my selfe, Did giue him that same Royaltie he weares: And when he was not sixe and twentie strong, Sicke in the Worlds regard, wretched, and low, A poore vnminded Out-law, sneaking home, My Father gaue him welcome to the shore: And when he heard him sweare, and vow to God, He came but to be Duke of Lancaster, To sue his Liuerie, and begge his Peace, With teares of Innocencie, and tearmes of Zeale; My Father, in kinde heart and pitty mou'd, Swore him assistance, and perform'd it too. Now, when the Lords and Barons of the Realme Perceiu'd Northumberland did leane to him, The more and lesse came in with Cap and Knee, Met him in Boroughs, Cities, Villages, Attended him on Bridges, stood in Lanes, Layd Gifts before him, proffer'd him their Oathes, Gaue him their Heires, as Pages followed him, Euen at the heeles, in golden multitudes. He presently, as Greatnesse knowes it selfe, Step me a little higher then his Vow Made to my Father, while his blood was poore, Vpon the naked shore at Rauenspurgh: And now (forsooth) takes on him to reforme Some certaine Edicts, and some strait Decrees, That lay too heauie on the Common-wealth; Cryes out vpon abuses, seemes to weepe Ouer his Countries Wrongs: and by this Face, This seeming Brow of Iustice, did he winne The hearts of all that hee did angle for. Proceeded further, cut me off the Heads Of all the Fauorites, that the absent King In deputation left behinde him heere, When hee was personall in the Irish Warre Blunt. Tut, I came not to hear this Hotsp. Then to the point. In short time after, hee depos'd the King. Soone after that, depriu'd him of his Life: And in the neck of that, task't the whole State. To make that worse, suffer'd his Kinsman March, Who is, if euery Owner were plac'd, Indeede his King, to be engag'd in Wales, There, without Ransome, to lye forfeited: Disgrac'd me in my happie Victories, Sought to intrap me by intelligence, Rated my Vnckle from the Councell-Boord, In rage dismiss'd my Father from the Court, Broke Oath on Oath, committed Wrong on Wrong, And in conclusion, droue vs to seeke out This Head of safetie; and withall, to prie Into his Title: the which wee finde Too indirect, for long continuance Blunt. Shall I returne this answer to the King? Hotsp. Not so, Sir Walter. Wee'le with-draw a while: Goe to the King, and let there be impawn'd Some suretie for a safe returne againe, And in the Morning early shall my Vnckle Bring him our purpose: and so farewell Blunt. I would you would accept of Grace and Loue Hotsp. And't may be, so wee shall Blunt. Pray Heauen you doe. Exeunt. Scena Quarta. Enter the Arch-Bishop of Yorke, and Sir Michell. Arch. Hie, good Sir Michell, beare this sealed Briefe With winged haste to the Lord Marshall, This to my Cousin Scroope, and all the rest To whom they are directed. If you knew how much they doe import, You would make haste Sir Mich. My good Lord, I guesse their tenor Arch. Like enough you doe. To morrow, good Sir Michell, is a day, Wherein the fortune of ten thousand men Must bide the touch. For Sir, at Shrewsbury, As I am truly giuen to vnderstand, The King, with mightie and quick-raysed Power, Meetes with Lord Harry: and I feare, Sir Michell, What with the sicknesse of Northumberland, Whose Power was in the first proportion; And what with Owen Glendowers absence thence, Who with them was rated firmely too, And comes not in, ouer-rul'd by Prophecies, I feare the Power of Percy is too weake, To wage an instant tryall with the King Sir Mich. Why, my good Lord, you need not feare, There is Dowglas, and Lord Mortimer Arch. No, Mortimer is not there Sir Mic. But there is Mordake, Vernon, Lord Harry Percy, And there is my Lord of Worcester, And a Head of gallant Warriors, Noble Gentlemen Arch. And so there is, but yet the King hath Drawne The speciall head of all the Land together: The Prince of Wales, Lord Iohn of Lancaster, The Noble Westmerland, and warlike Blunt; And many moe Corriuals, and deare men Of estimation, and command in Armes Sir M. Doubt not my Lord, he shall be well oppos'd Arch. I hope no lesse? Yet needfull 'tis to feare, And to preuent the worst, Sir Michell speed; For if Lord Percy thriue not, ere the King Dismisse his power, he meanes to visit vs: For he hath heard of our Confederacie, And, 'tis but Wisedome to make strong against him: Therefore make hast, I must go write againe To other Friends: and so farewell, Sir Michell. Exeunt.

Scene One At the rebel camp near Shrewsbury, a messenger brings Hotspur news that his father is sick. This bodes poorly for the rebels, since they need the full support of Northumberland to maintain their military force. Additionally, Northumberland is needed to help lead the troops into battle, since his persona is well known and provides inspiration to the men. Hotspur's cousin Vernon arrives with news that the king and young Hal are leading armies against the gathered forces. Hotspur is eager to meet Hal in battle, and comments that when they meet only one of them will survive. However, Vernon has even worse news in that Glyndwr is unable to assemble his army as fast as needed, and will be unlikely to join the rebels at Shrewsbury. Act Four, Scene Two Falstaff has assembled an array of troops who are mostly incompetent. In order to earn money for himself, he conscripted young lovers and men of some wealth who did not want to fight, and who were therefore willing to pay him a fee for being released from duty. The remainder of his infantry is mostly made up of former prisoners and other poor men. Hal arrives, and wonders at the "pitiful rascals" . He tells Falstaff to hurry up and meet the army at Shrewsbury, where the king has already set up camp. Falstaff comments that he will arrive at the end of the fray, yet at the beginning of the feast, implying he will reap the spoils of the war for himself. Act Four, Scene Three Hotspur and Douglas are arguing with Vernon and Worcester about when to lead the battle charge. They want to attack that night already, but Vernon counsels them to wait until the next morning for reinforcements to arrive. Sir Walter Blunt arrives as a messenger from King Henry. He begs the rebels to tell him what their grievance is, and says the king will make amends to them if their complaints are valid. Hotspur tells Blunt that Bolingbroke had only returned to England to reclaim his title to Lancaster, not to overthrow Richard II. Hotspur claims to recognize the claim to the throne made by the Earl of March. Blunt asks if that is the message he should take to Henry IV. Hotspur instead tells Blunt that his uncle Worcester will visit the king the next day, and that he will withdraw for a short while. Act Four, Scene Four The Archbishop of York is afraid that Hotspur will be unable to defeat King Henry. Since he is a part of the rebellion, the Archbishop is scared that Henry will come after him as soon as Hotspur loses. To protect himself, the Archbishop sends Sir Michael with letters to his close friends and noblemen, begging them for military support.

The Sunday of the next week was a wonderful day, and Chad Newsome had let his friend know in advance that he had provided for it. There had already been a question of his taking him to see the great Gloriani, who was at home on Sunday afternoons and at whose house, for the most part, fewer bores were to be met than elsewhere; but the project, through some accident, had not had instant effect, and now revived in happier conditions. Chad had made the point that the celebrated sculptor had a queer old garden, for which the weather--spring at last frank and fair--was propitious; and two or three of his other allusions had confirmed for Strether the expectation of something special. He had by this time, for all introductions and adventures, let himself recklessly go, cherishing the sense that whatever the young man showed him he was showing at least himself. He could have wished indeed, so far as this went, that Chad were less of a mere cicerone; for he was not without the impression--now that the vision of his game, his plan, his deep diplomacy, did recurrently assert itself--of his taking refuge from the realities of their intercourse in profusely dispensing, as our friend mentally phrased et panem et circenses. Our friend continued to feel rather smothered in flowers, though he made in his other moments the almost angry inference that this was only because of his odious ascetic suspicion of any form of beauty. He periodically assured himself--for his reactions were sharp--that he shouldn't reach the truth of anything till he had at least got rid of that. He had known beforehand that Madame de Vionnet and her daughter would probably be on view, an intimation to that effect having constituted the only reference again made by Chad to his good friends from the south. The effect of Strether's talk about them with Miss Gostrey had been quite to consecrate his reluctance to pry; something in the very air of Chad's silence--judged in the light of that talk--offered it to him as a reserve he could markedly match. It shrouded them about with he scarce knew what, a consideration, a distinction; he was in presence at any rate--so far as it placed him there--of ladies; and the one thing that was definite for him was that they themselves should be, to the extent of his responsibility, in presence of a gentleman. Was it because they were very beautiful, very clever, or even very good--was it for one of these reasons that Chad was, so to speak, nursing his effect? Did he wish to spring them, in the Woollett phrase, with a fuller force--to confound his critic, slight though as yet the criticism, with some form of merit exquisitely incalculable? The most the critic had at all events asked was whether the persons in question were French; and that enquiry had been but a proper comment on the sound of their name. "Yes. That is no!" had been Chad's reply; but he had immediately added that their English was the most charming in the world, so that if Strether were wanting an excuse for not getting on with them he wouldn't in the least find one. Never in fact had Strether--in the mood into which the place had quickly launched him--felt, for himself, less the need of an excuse. Those he might have found would have been, at the worst, all for the others, the people before him, in whose liberty to be as they were he was aware that he positively rejoiced. His fellow guests were multiplying, and these things, their liberty, their intensity, their variety, their conditions at large, were in fusion in the admirable medium of the scene. The place itself was a great impression--a small pavilion, clear-faced and sequestered, an effect of polished parquet, of fine white panel and spare sallow gilt, of decoration delicate and rare, in the heart of the Faubourg Saint-Germain and on the edge of a cluster of gardens attached to old noble houses. Far back from streets and unsuspected by crowds, reached by a long passage and a quiet court, it was as striking to the unprepared mind, he immediately saw, as a treasure dug up; giving him too, more than anything yet, the note of the range of the immeasurable town and sweeping away, as by a last brave brush, his usual landmarks and terms. It was in the garden, a spacious cherished remnant, out of which a dozen persons had already passed, that Chad's host presently met them while the tall bird-haunted trees, all of a twitter with the spring and the weather, and the high party-walls, on the other side of which grave hotels stood off for privacy, spoke of survival, transmission, association, a strong indifferent persistent order. The day was so soft that the little party had practically adjourned to the open air but the open air was in such conditions all a chamber of state. Strether had presently the sense of a great convent, a convent of missions, famous for he scarce knew what, a nursery of young priests, of scattered shade, of straight alleys and chapel-bells, that spread its mass in one quarter; he had the sense of names in the air, of ghosts at the windows, of signs and tokens, a whole range of expression, all about him, too thick for prompt discrimination. This assault of images became for a moment, in the address of the distinguished sculptor, almost formidable: Gloriani showed him, in such perfect confidence, on Chad's introduction of him, a fine worn handsome face, a face that was like an open letter in a foreign tongue. With his genius in his eyes, his manners on his lips, his long career behind him and his honours and rewards all round, the great artist, in the course of a single sustained look and a few words of delight at receiving him, affected our friend as a dazzling prodigy of type. Strether had seen in museums--in the Luxembourg as well as, more reverently, later on, in the New York of the billionaires--the work of his hand; knowing too that after an earlier time in his native Rome he had migrated, in mid-career, to Paris, where, with a personal lustre almost violent, he shone in a constellation: all of which was more than enough to crown him, for his guest, with the light, with the romance, of glory. Strether, in contact with that element as he had never yet so intimately been, had the consciousness of opening to it, for the happy instant, all the windows of his mind, of letting this rather grey interior drink in for once the sun of a clime not marked in his old geography. He was to remember again repeatedly the medal-like Italian face, in which every line was an artist's own, in which time told only as tone and consecration; and he was to recall in especial, as the penetrating radiance, as the communication of the illustrious spirit itself, the manner in which, while they stood briefly, in welcome and response, face to face, he was held by the sculptor's eyes. He wasn't soon to forget them, was to think of them, all unconscious, unintending, preoccupied though they were, as the source of the deepest intellectual sounding to which he had ever been exposed. He was in fact quite to cherish his vision of it, to play with it in idle hours; only speaking of it to no one and quite aware he couldn't have spoken without appearing to talk nonsense. Was what it had told him or what it had asked him the greater of the mysteries? Was it the most special flare, unequalled, supreme, of the aesthetic torch, lighting that wondrous world for ever, or was it above all the long straight shaft sunk by a personal acuteness that life had seasoned to steel? Nothing on earth could have been stranger and no one doubtless more surprised than the artist himself, but it was for all the world to Strether just then as if in the matter of his accepted duty he had positively been on trial. The deep human expertness in Gloriani's charming smile--oh the terrible life behind it!--was flashed upon him as a test of his stuff. Chad meanwhile, after having easily named his companion, had still more easily turned away and was already greeting other persons present. He was as easy, clever Chad, with the great artist as with his obscure compatriot, and as easy with every one else as with either: this fell into its place for Strether and made almost a new light, giving him, as a concatenation, something more he could enjoy. He liked Gloriani, but should never see him again; of that he was sufficiently sure. Chad accordingly, who was wonderful with both of them, was a kind of link for hopeless fancy, an implication of possibilities--oh if everything had been different! Strether noted at all events that he was thus on terms with illustrious spirits, and also that--yes, distinctly--he hadn't in the least swaggered about it. Our friend hadn't come there only for this figure of Abel Newsome's son, but that presence threatened to affect the observant mind as positively central. Gloriani indeed, remembering something and excusing himself, pursued Chad to speak to him, and Strether was left musing on many things. One of them was the question of whether, since he had been tested, he had passed. Did the artist drop him from having made out that he wouldn't do? He really felt just to-day that he might do better than usual. Hadn't he done well enough, so far as that went, in being exactly so dazzled? and in not having too, as he almost believed, wholly hidden from his host that he felt the latter's plummet? Suddenly, across the garden, he saw little Bilham approach, and it was a part of the fit that was on him that as their eyes met he guessed also HIS knowledge. If he had said to him on the instant what was uppermost he would have said: "HAVE I passed?--for of course I know one has to pass here." Little Bilham would have reassured him, have told him that he exaggerated, and have adduced happily enough the argument of little Bilham's own very presence; which, in truth, he could see, was as easy a one as Gloriani's own or as Chad's. He himself would perhaps then after a while cease to be frightened, would get the point of view for some of the faces--types tremendously alien, alien to Woollett--that he had already begun to take in. Who were they all, the dispersed groups and couples, the ladies even more unlike those of Woollett than the gentlemen?--this was the enquiry that, when his young friend had greeted him, he did find himself making. "Oh they're every one--all sorts and sizes; of course I mean within limits, though limits down perhaps rather more than limits up. There are always artists--he's beautiful and inimitable to the cher confrere; and then gros bonnets of many kinds--ambassadors, cabinet ministers, bankers, generals, what do I know? even Jews. Above all always some awfully nice women--and not too many; sometimes an actress, an artist, a great performer--but only when they're not monsters; and in particular the right femmes du monde. You can fancy his history on that side--I believe it's fabulous: they NEVER give him up. Yet he keeps them down: no one knows how he manages; it's too beautiful and bland. Never too many--and a mighty good thing too; just a perfect choice. But there are not in any way many bores; it has always been so; he has some secret. It's extraordinary. And you don't find it out. He's the same to every one. He doesn't ask questions.' "Ah doesn't he?" Strether laughed. Bilham met it with all his candour. "How then should I be here? "Oh for what you tell me. You're part of the perfect choice." Well, the young man took in the scene. "It seems rather good to-day." Strether followed the direction of his eyes. "Are they all, this time, femmes du monde?" Little Bilham showed his competence. "Pretty well." This was a category our friend had a feeling for; a light, romantic and mysterious, on the feminine element, in which he enjoyed for a little watching it. "Are there any Poles?" His companion considered. "I think I make out a 'Portuguee.' But I've seen Turks." Strether wondered, desiring justice. "They seem--all the women--very harmonious." "Oh in closer quarters they come out!" And then, while Strether was aware of fearing closer quarters, though giving himself again to the harmonies, "Well," little Bilham went on, "it IS at the worst rather good, you know. If you like it, you feel it, this way, that shows you're not in the least out But you always know things," he handsomely added, "immediately." Strether liked it and felt it only too much; so "I say, don't lay traps for me!" he rather helplessly murmured. "Well," his companion returned, "he's wonderfully kind to us." "To us Americans you mean?" "Oh no--he doesn't know anything about THAT. That's half the battle here--that you can never hear politics. We don't talk them. I mean to poor young wretches of all sorts. And yet it's always as charming as this; it's as if, by something in the air, our squalor didn't show. It puts us all back--into the last century." "I'm afraid," Strether said, amused, "that it puts me rather forward: oh ever so far!" "Into the next? But isn't that only," little Bilham asked, "because you're really of the century before?" "The century before the last? Thank you!" Strether laughed. "If I ask you about some of the ladies it can't be then that I may hope, as such a specimen of the rococo, to please them." "On the contrary they adore--we all adore here--the rococo, and where is there a better setting for it than the whole thing, the pavilion and the garden, together? There are lots of people with collections," little Bilham smiled as he glanced round. "You'll be secured!" It made Strether for a moment give himself again to contemplation. There were faces he scarce knew what to make of. Were they charming or were they only strange? He mightn't talk politics, yet he suspected a Pole or two. The upshot was the question at the back of his head from the moment his friend had joined him. "Have Madame de Vionnet and her daughter arrived?" "I haven't seen them yet, but Miss Gostrey has come. She's in the pavilion looking at objects. One can see SHE'S a collector," little Bilham added without offence. "Oh yes, she's a collector, and I knew she was to come. Is Madame de Vionnet a collector?" Strether went on. "Rather, I believe; almost celebrated." The young man met, on it, a little, his friend's eyes. "I happen to know--from Chad, whom I saw last night--that they've come back; but only yesterday. He wasn't sure--up to the last. This, accordingly," little Bilham went on, "will be--if they ARE here--their first appearance after their return." Strether, very quickly, turned these things over. "Chad told you last night? To me, on our way here, he said nothing about it." "But did you ask him?" Strether did him the justice. "I dare say not." "Well," said little Bilham, "you're not a person to whom it's easy to tell things you don't want to know. Though it is easy, I admit--it's quite beautiful," he benevolently added, "when you do want to." Strether looked at him with an indulgence that matched his intelligence. "Is that the deep reasoning on which--about these ladies--you've been yourself so silent?" Little Bilham considered the depth of his reasoning. "I haven't been silent. I spoke of them to you the other day, the day we sat together after Chad's tea-party." Strether came round to it. "They then are the virtuous attachment?" "I can only tell you that it's what they pass for. But isn't that enough? What more than a vain appearance does the wisest of us know? I commend you," the young man declared with a pleasant emphasis, "the vain appearance." Strether looked more widely round, and what he saw, from face to face, deepened the effect of his young friend's words. "Is it so good?" "Magnificent." Strether had a pause. "The husband's dead?" "Dear no. Alive." "Oh!" said Strether. After which, as his companion laughed: "How then can it be so good?" "You'll see for yourself. One does see." "Chad's in love with the daughter?" "That's what I mean." Strether wondered. "Then where's the difficulty?" "Why, aren't you and I--with our grander bolder ideas?" "Oh mine--!" Strether said rather strangely. But then as if to attenuate: "You mean they won't hear of Woollett?" Little Bilham smiled. "Isn't that just what you must see about?" It had brought them, as she caught the last words, into relation with Miss Barrace, whom Strether had already observed--as he had never before seen a lady at a party--moving about alone. Coming within sound of them she had already spoken, and she took again, through her long-handled glass, all her amused and amusing possession. "How much, poor Mr. Strether, you seem to have to see about! But you can't say," she gaily declared, "that I don't do what I can to help you. Mr. Waymarsh is placed. I've left him in the house with Miss Gostrey." "The way," little Bilham exclaimed, "Mr. Strether gets the ladies to work for him! He's just preparing to draw in another; to pounce--don't you see him?--on Madame de Vionnet." "Madame de Vionnet? Oh, oh, oh!" Miss Barrace cried in a wonderful crescendo. There was more in it, our friend made out, than met the ear. Was it after all a joke that he should be serious about anything? He envied Miss Barrace at any rate her power of not being. She seemed, with little cries and protests and quick recognitions, movements like the darts of some fine high-feathered free-pecking bird, to stand before life as before some full shop-window. You could fairly hear, as she selected and pointed, the tap of her tortoise-shell against the glass. "It's certain that we do need seeing about; only I'm glad it's not I who have to do it. One does, no doubt, begin that way; then suddenly one finds that one has given it up. It's too much, it's too difficult. You're wonderful, you people," she continued to Strether, "for not feeling those things--by which I mean impossibilities. You never feel them. You face them with a fortitude that makes it a lesson to watch you." "Ah but"--little Bilham put it with discouragement--"what do we achieve after all? We see about you and report--when we even go so far as reporting. But nothing's done." "Oh you, Mr. Bilham," she replied as with an impatient rap on the glass, "you're not worth sixpence! You come over to convert the savages--for I know you verily did, I remember you--and the savages simply convert YOU." "Not even!" the young man woefully confessed: "they haven't gone through that form. They've simply--the cannibals!--eaten me; converted me if you like, but converted me into food. I'm but the bleached bones of a Christian." "Well then there we are! Only"--and Miss Barrace appealed again to Strether--"don't let it discourage you. You'll break down soon enough, but you'll meanwhile have had your moments. Il faut en avoir. I always like to see you while you last. And I'll tell you who WILL last." "Waymarsh?"--he had already taken her up. She laughed out as at the alarm of it. "He'll resist even Miss Gostrey: so grand is it not to understand. He's wonderful." "He is indeed," Strether conceded. "He wouldn't tell me of this affair--only said he had an engagement; but with such a gloom, you must let me insist, as if it had been an engagement to be hanged. Then silently and secretly he turns up here with you. Do you call THAT 'lasting'?" "Oh I hope it's lasting!" Miss Barrace said. "But he only, at the best, bears with me. He doesn't understand--not one little scrap. He's delightful. He's wonderful," she repeated. "Michelangelesque!"--little Bilham completed her meaning. "He IS a success. Moses, on the ceiling, brought down to the floor; overwhelming, colossal, but somehow portable." "Certainly, if you mean by portable," she returned, "looking so well in one's carriage. He's too funny beside me in his comer; he looks like somebody, somebody foreign and famous, en exil; so that people wonder--it's very amusing--whom I'm taking about. I show him Paris, show him everything, and he never turns a hair. He's like the Indian chief one reads about, who, when he comes up to Washington to see the Great Father, stands wrapt in his blanket and gives no sign. I might be the Great Father--from the way he takes everything." She was delighted at this hit of her identity with that personage--it fitted so her character; she declared it was the title she meant henceforth to adopt. "And the way he sits, too, in the corner of my room, only looking at my visitors very hard and as if he wanted to start something! They wonder what he does want to start. But he's wonderful," Miss Barrace once more insisted. "He has never started anything yet." It presented him none the less, in truth, to her actual friends, who looked at each other in intelligence, with frank amusement on Bilham's part and a shade of sadness on Strether's. Strether's sadness sprang--for the image had its grandeur--from his thinking how little he himself was wrapt in his blanket, how little, in marble halls, all too oblivious of the Great Father, he resembled a really majestic aboriginal. But he had also another reflexion. "You've all of you here so much visual sense that you've somehow all 'run' to it. There are moments when it strikes one that you haven't any other." "Any moral," little Bilham explained, watching serenely, across the garden, the several femmes du monde. "But Miss Barrace has a moral distinction," he kindly continued; speaking as if for Strether's benefit not less than for her own. "HAVE you?" Strether, scarce knowing what he was about, asked of her almost eagerly. "Oh not a distinction"--she was mightily amused at his tone--"Mr. Bilham's too good. But I think I may say a sufficiency. Yes, a sufficiency. Have you supposed strange things of me?"--and she fixed him again, through all her tortoise-shell, with the droll interest of it. "You ARE all indeed wonderful. I should awfully disappoint you. I do take my stand on my sufficiency. But I know, I confess," she went on, "strange people. I don't know how it happens; I don't do it on purpose; it seems to be my doom--as if I were always one of their habits: it's wonderful! I dare say moreover," she pursued with an interested gravity, "that I do, that we all do here, run too much to mere eye. But how can it be helped? We're all looking at each other--and in the light of Paris one sees what things resemble. That's what the light of Paris seems always to show. It's the fault of the light of Paris--dear old light!" "Dear old Paris!" little Bilham echoed. "Everything, every one shows," Miss Barrace went on. "But for what they really are?" Strether asked. "Oh I like your Boston 'reallys'! But sometimes--yes." "Dear old Paris then!" Strether resignedly sighed while for a moment they looked at each other. Then he broke out: "Does Madame de Vionnet do that? I mean really show for what she is?" Her answer was prompt. "She's charming. She's perfect." "Then why did you a minute ago say 'Oh, oh, oh!' at her name?" She easily remembered. "Why just because--! She's wonderful." "Ah she too?"--Strether had almost a groan. But Miss Barrace had meanwhile perceived relief. "Why not put your question straight to the person who can answer it best?" "No," said little Bilham; "don't put any question; wait, rather--it will be much more fun--to judge for yourself. He has come to take you to her."

One week later, Strether goes with Chad to a party at the home of Gloriani, a famous sculptor, in order to meet Madame de Vionnet and her daughter, who will also be there. The home and garden impress Strether very strongly, and he feels under a formidable "assault of images." Gloriani, too, makes a deep impression on him; the sculptor's eyes seem to Strether "the source of the deepest intellectual sounding to which he had ever been exposed." It is in this atmosphere and among people "tremendously alien, alien to Woollett" that Strether asks Bilham if Madame de Vionnet and her daughter are "the virtuous attachment." Bilham acknowledges this and tells Strether that Madame de Vionnet's husband is not dead. Strether assumes, then, that it is the daughter whom Chad loves. Miss Barrace comes up to join the conversation, and they speak further about Madame de Vionnet and Paris. Chad then returns to take Strether to Madame de Vionnet.

SCENE 5. The same. A garden. [Enter LAUNCELOT and JESSICA.] LAUNCELOT. Yes, truly; for, look you, the sins of the father are to be laid upon the children; therefore, I promise you, I fear you. I was always plain with you, and so now I speak my agitation of the matter; therefore be of good cheer, for truly I think you are damn'd. There is but one hope in it that can do you any good, and that is but a kind of bastard hope neither. JESSICA. And what hope is that, I pray thee? LAUNCELOT. Marry, you may partly hope that your father got you not, that you are not the Jew's daughter. JESSICA. That were a kind of bastard hope indeed; so the sins of my mother should be visited upon me. LAUNCELOT. Truly then I fear you are damn'd both by father and mother; thus when I shun Scylla, your father, I fall into Charybdis, your mother; well, you are gone both ways. JESSICA. I shall be saved by my husband; he hath made me a Christian. LAUNCELOT. Truly, the more to blame he; we were Christians enow before, e'en as many as could well live one by another. This making of Christians will raise the price of hogs; if we grow all to be pork-eaters, we shall not shortly have a rasher on the coals for money. JESSICA. I'll tell my husband, Launcelot, what you say; here he comes. [Enter LORENZO.] LORENZO. I shall grow jealous of you shortly, Launcelot, if you thus get my wife into corners. JESSICA. Nay, you need nor fear us, Lorenzo; Launcelot and I are out; he tells me flatly there's no mercy for me in heaven, because I am a Jew's daughter; and he says you are no good member of the commonwealth, for in converting Jews to Christians you raise the price of pork. LORENZO. I shall answer that better to the commonwealth than you can the getting up of the negro's belly; the Moor is with child by you, Launcelot. LAUNCELOT. It is much that the Moor should be more than reason; but if she be less than an honest woman, she is indeed more than I took her for. LORENZO. How every fool can play upon the word! I think the best grace of wit will shortly turn into silence, and discourse grow commendable in none only but parrots. Go in, sirrah; bid them prepare for dinner. LAUNCELOT. That is done, sir; they have all stomachs. LORENZO. Goodly Lord, what a wit-snapper are you! Then bid them prepare dinner. LAUNCELOT. That is done too, sir, only 'cover' is the word. LORENZO. Will you cover, then, sir? LAUNCELOT. Not so, sir, neither; I know my duty. LORENZO. Yet more quarrelling with occasion! Wilt thou show the whole wealth of thy wit in an instant? I pray thee understand a plain man in his plain meaning: go to thy fellows, bid them cover the table, serve in the meat, and we will come in to dinner. LAUNCELOT. For the table, sir, it shall be served in; for the meat, sir, it shall be covered; for your coming in to dinner, sir, why, let it be as humours and conceits shall govern. [Exit.] LORENZO. O dear discretion, how his words are suited! The fool hath planted in his memory An army of good words; and I do know A many fools that stand in better place, Garnish'd like him, that for a tricksy word Defy the matter. How cheer'st thou, Jessica? And now, good sweet, say thy opinion, How dost thou like the Lord Bassanio's wife? JESSICA. Past all expressing. It is very meet The Lord Bassanio live an upright life, For, having such a blessing in his lady, He finds the joys of heaven here on earth; And if on earth he do not merit it, In reason he should never come to heaven. Why, if two gods should play some heavenly match, And on the wager lay two earthly women, And Portia one, there must be something else Pawn'd with the other; for the poor rude world Hath not her fellow. LORENZO. Even such a husband Hast thou of me as she is for a wife. JESSICA. Nay, but ask my opinion too of that. LORENZO. I will anon; first let us go to dinner. JESSICA. Nay, let me praise you while I have a stomach. LORENZO. No, pray thee, let it serve for table-talk; Then howsoe'er thou speak'st, 'mong other things I shall digest it. JESSICA. Well, I'll set you forth. [Exeunt.]

In a garden at Belmont, the jester Launcelot is teasing Jessica that he fears that she is damned because she is a Jew , but she reminds Launcelot that her husband Lorenzo has made her a Christian by marrying her. "The more to blame he," Launcelot jokes: "This making of Christians will raise the price of hogs." Lorenzo joins them then and pretends jealousy on finding his wife alone with Launcelot. He orders Launcelot to go inside and "bid them prepare for dinner." He suddenly turns to Jessica then and asks her, "How dost thou like the Lord Bassanio's wife?" Jessica praises Portia as being without equal on earth. Lorenzo jokingly responds, "Even such a husband / Hast thou of me as she is for a wife." Jessica is ready to comment to his teasing when he urges her to save her comments "for table-talk." So with loving jests, they go in to dinner.

SCENE IV. The same. A Room of state in the Palace. A banquet prepared. [Enter Macbeth, Lady Macbeth, Ross, Lennox, Lords, and Attendants.] MACBETH. You know your own degrees: sit down. At first And last the hearty welcome. LORDS. Thanks to your majesty. MACBETH. Ourself will mingle with society, And play the humble host. Our hostess keeps her state; but, in best time, We will require her welcome. LADY MACBETH. Pronounce it for me, sir, to all our friends; For my heart speaks they are welcome. MACBETH. See, they encounter thee with their hearts' thanks.-- Both sides are even: here I'll sit i' the midst: [Enter first Murderer to the door.] Be large in mirth; anon we'll drink a measure The table round.--There's blood upon thy face. MURDERER. 'Tis Banquo's then. MACBETH. 'Tis better thee without than he within. Is he despatch'd? MURDERER. My lord, his throat is cut; that I did for him. MACBETH. Thou art the best o' the cut-throats; yet he's good That did the like for Fleance: if thou didst it, Thou art the nonpareil. MURDERER. Most royal sir, Fleance is 'scap'd. MACBETH. Then comes my fit again: I had else been perfect; Whole as the marble, founded as the rock; As broad and general as the casing air: But now I am cabin'd, cribb'd, confin'd, bound in To saucy doubts and fears. But Banquo's safe? MURDERER. Ay, my good lord: safe in a ditch he bides, With twenty trenched gashes on his head; The least a death to nature. MACBETH. Thanks for that: There the grown serpent lies; the worm that's fled Hath nature that in time will venom breed, No teeth for the present.--Get thee gone; to-morrow We'll hear, ourselves, again. [Exit Murderer.] LADY MACBETH. My royal lord, You do not give the cheer: the feast is sold That is not often vouch'd, while 'tis a-making, 'Tis given with welcome; to feed were best at home; From thence the sauce to meat is ceremony; Meeting were bare without it. MACBETH. Sweet remembrancer!-- Now, good digestion wait on appetite, And health on both! LENNOX. May't please your highness sit. [The Ghost of Banquo rises, and sits in Macbeth's place.] MACBETH. Here had we now our country's honor roof'd, Were the grac'd person of our Banquo present; Who may I rather challenge for unkindness Than pity for mischance! ROSS. His absence, sir, Lays blame upon his promise. Please't your highness To grace us with your royal company? MACBETH. The table's full. LENNOX. Here is a place reserv'd, sir. MACBETH. Where? LENNOX. Here, my good lord. What is't that moves your highness? MACBETH. Which of you have done this? LORDS. What, my good lord? MACBETH. Thou canst not say I did it: never shake Thy gory locks at me. ROSS. Gentlemen, rise; his highness is not well. LADY MACBETH. Sit, worthy friends:--my lord is often thus, And hath been from his youth: pray you, keep seat; The fit is momentary; upon a thought He will again be well: if much you note him, You shall offend him, and extend his passion: Feed, and regard him not.--Are you a man? MACBETH. Ay, and a bold one, that dare look on that Which might appal the devil. LADY MACBETH. O proper stuff! This is the very painting of your fear: This is the air-drawn dagger which, you said, Led you to Duncan. O, these flaws, and starts,-- Impostors to true fear,--would well become A woman's story at a winter's fire, Authoriz'd by her grandam. Shame itself! Why do you make such faces? When all's done, You look but on a stool. MACBETH. Pr'ythee, see there! behold! look! lo! how say you?-- Why, what care I? If thou canst nod, speak too.-- If charnel houses and our graves must send Those that we bury back, our monuments Shall be the maws of kites. [Ghost disappears.] LADY MACBETH. What, quite unmann'd in folly? MACBETH. If I stand here, I saw him. LADY MACBETH. Fie, for shame! MACBETH. Blood hath been shed ere now, i' the olden time, Ere humane statute purg'd the gentle weal; Ay, and since too, murders have been perform'd Too terrible for the ear: the time has been, That, when the brains were out, the man would die, And there an end; but now they rise again, With twenty mortal murders on their crowns, And push us from our stools: this is more strange Than such a murder is. LADY MACBETH. My worthy lord, Your noble friends do lack you. MACBETH. I do forget:-- Do not muse at me, my most worthy friends; I have a strange infirmity, which is nothing To those that know me. Come, love and health to all; Then I'll sit down.--Give me some wine, fill full.-- I drink to the general joy o' the whole table, And to our dear friend Banquo, whom we miss: Would he were here! to all, and him, we thirst, And all to all. LORDS. Our duties, and the pledge. [Ghost rises again.] MACBETH. Avaunt! and quit my sight! let the earth hide thee! Thy bones are marrowless, thy blood is cold; Thou hast no speculation in those eyes Which thou dost glare with! LADY MACBETH. Think of this, good peers, But as a thing of custom: 'tis no other, Only it spoils the pleasure of the time. MACBETH. What man dare, I dare: Approach thou like the rugged Russian bear, The arm'd rhinoceros, or the Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble: or be alive again, And dare me to the desert with thy sword; If trembling I inhabit then, protest me The baby of a girl. Hence, horrible shadow! Unreal mockery, hence! [Ghost disappears.] Why, so;--being gone, I am a man again.--Pray you, sit still. LADY MACBETH. You have displaced the mirth, broke the good meeting, With most admir'd disorder. MACBETH. Can such things be, And overcome us like a summer's cloud, Without our special wonder? You make me strange Even to the disposition that I owe, When now I think you can behold such sights, And keep the natural ruby of your cheeks, When mine are blanch'd with fear. ROSS. What sights, my lord? LADY MACBETH. I pray you, speak not; he grows worse and worse; Question enrages him: at once, good-night:-- Stand not upon the order of your going, But go at once. LENNOX. Good-night; and better health Attend his majesty! LADY MACBETH. A kind good-night to all! [Exeunt all Lords and Atendants.] MACBETH. It will have blood; they say, blood will have blood: Stones have been known to move, and trees to speak; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.--What is the night? LADY MACBETH. Almost at odds with morning, which is which. MACBETH. How say'st thou, that Macduff denies his person At our great bidding? LADY MACBETH. Did you send to him, sir? MACBETH. I hear it by the way; but I will send: There's not a one of them but in his house I keep a servant fee'd. I will to-morrow, (And betimes I will) to the weird sisters: More shall they speak; for now I am bent to know, By the worst means, the worst. For mine own good, All causes shall give way: I am in blood Step't in so far that, should I wade no more, Returning were as tedious as go o'er: Strange things I have in head, that will to hand; Which must be acted ere they may be scann'd. LADY MACBETH. You lack the season of all natures, sleep. MACBETH. Come, we'll to sleep. My strange and self-abuse Is the initiate fear that wants hard use:-- We are yet but young in deed. [Exeunt.]

The banquet has begun and Macbeth warmly invites his guests to sit down and partake of the food. One of the murderers enters the room and tells Macbeth that Banquo is dead but Fleance still lives. Macbeth becomes angry and afraid. He orders the murderer to come back tomorrow to discuss the capture and murder of Fleance. Lady Macbeth urges her husband to come back to the table and be a merry host so that no suspicion is aroused. Macbeth asks the assembly why Banquo is not present, and the noblemen reply that he has broken his promise to attend the feast. At this point, Banquo's ghost enters the room and sits in Macbeth's place. Macbeth turns pale after seeing this apparition and shouts at it to leave. Since only he can see the ghost, the rest of the assembly thinks that Macbeth has gone mad. Lady Macbeth tries to cover up the situation by saying that her husband occasionally has such fits of delirium. She whispers to Macbeth that he should stop shouting lest the noblemen begin to suspect him of the crime. Macbeth, however, is surprised that his wife cannot see the ghost and madly points and gestures at the seemingly empty seat. Banquo's ghost leaves the banquet, but not after creating utter chaos in the castle. Lady Macbeth scolds her husband for disrupting the mirth of the banquet with all of his screaming. Alone after all of his guests have departed, Macbeth tells his wife that he fears for his life now that Banquo's ghost roams the area. In addition, he is troubled that Macduff did not attend the feast. Macbeth has spies in every nobleman's household except that of Macduff. He decides to visit the weird sisters the next day to hear more of their prophecies, whether good or bad

This wandering race, sever'd from other men, Boast yet their intercourse with human arts; The seas, the woods, the deserts, which they haunt, Find them acquainted with their secret treasures: And unregarded herbs, and flowers, and blossoms, Display undreamt-of powers when gather'd by them. --The Jew Our history must needs retrograde for the space of a few pages, to inform the reader of certain passages material to his understanding the rest of this important narrative. His own intelligence may indeed have easily anticipated that, when Ivanhoe sunk down, and seemed abandoned by all the world, it was the importunity of Rebecca which prevailed on her father to have the gallant young warrior transported from the lists to the house which for the time the Jews inhabited in the suburbs of Ashby. It would not have been difficult to have persuaded Isaac to this step in any other circumstances, for his disposition was kind and grateful. But he had also the prejudices and scrupulous timidity of his persecuted people, and those were to be conquered. "Holy Abraham!" he exclaimed, "he is a good youth, and my heart bleeds to see the gore trickle down his rich embroidered hacqueton, and his corslet of goodly price--but to carry him to our house!--damsel, hast thou well considered?--he is a Christian, and by our law we may not deal with the stranger and Gentile, save for the advantage of our commerce." "Speak not so, my dear father," replied Rebecca; "we may not indeed mix with them in banquet and in jollity; but in wounds and in misery, the Gentile becometh the Jew's brother." "I would I knew what the Rabbi Jacob Ben Tudela would opine on it," replied Isaac;--"nevertheless, the good youth must not bleed to death. Let Seth and Reuben bear him to Ashby." "Nay, let them place him in my litter," said Rebecca; "I will mount one of the palfreys." "That were to expose thee to the gaze of those dogs of Ishmael and of Edom," whispered Isaac, with a suspicious glance towards the crowd of knights and squires. But Rebecca was already busied in carrying her charitable purpose into effect, and listed not what he said, until Isaac, seizing the sleeve of her mantle, again exclaimed, in a hurried voice--"Beard of Aaron!--what if the youth perish!--if he die in our custody, shall we not be held guilty of his blood, and be torn to pieces by the multitude?" "He will not die, my father," said Rebecca, gently extricating herself from the grasp of Isaac "he will not die unless we abandon him; and if so, we are indeed answerable for his blood to God and to man." "Nay," said Isaac, releasing his hold, "it grieveth me as much to see the drops of his blood, as if they were so many golden byzants from mine own purse; and I well know, that the lessons of Miriam, daughter of the Rabbi Manasses of Byzantium whose soul is in Paradise, have made thee skilful in the art of healing, and that thou knowest the craft of herbs, and the force of elixirs. Therefore, do as thy mind giveth thee--thou art a good damsel, a blessing, and a crown, and a song of rejoicing unto me and unto my house, and unto the people of my fathers." The apprehensions of Isaac, however, were not ill founded; and the generous and grateful benevolence of his daughter exposed her, on her return to Ashby, to the unhallowed gaze of Brian de Bois-Guilbert. The Templar twice passed and repassed them on the road, fixing his bold and ardent look on the beautiful Jewess; and we have already seen the consequences of the admiration which her charms excited when accident threw her into the power of that unprincipled voluptuary. Rebecca lost no time in causing the patient to be transported to their temporary dwelling, and proceeded with her own hands to examine and to bind up his wounds. The youngest reader of romances and romantic ballads, must recollect how often the females, during the dark ages, as they are called, were initiated into the mysteries of surgery, and how frequently the gallant knight submitted the wounds of his person to her cure, whose eyes had yet more deeply penetrated his heart. But the Jews, both male and female, possessed and practised the medical science in all its branches, and the monarchs and powerful barons of the time frequently committed themselves to the charge of some experienced sage among this despised people, when wounded or in sickness. The aid of the Jewish physicians was not the less eagerly sought after, though a general belief prevailed among the Christians, that the Jewish Rabbins were deeply acquainted with the occult sciences, and particularly with the cabalistical art, which had its name and origin in the studies of the sages of Israel. Neither did the Rabbins disown such acquaintance with supernatural arts, which added nothing (for what could add aught?) to the hatred with which their nation was regarded, while it diminished the contempt with which that malevolence was mingled. A Jewish magician might be the subject of equal abhorrence with a Jewish usurer, but he could not be equally despised. It is besides probable, considering the wonderful cures they are said to have performed, that the Jews possessed some secrets of the healing art peculiar to themselves, and which, with the exclusive spirit arising out of their condition, they took great care to conceal from the Christians amongst whom they dwelt. The beautiful Rebecca had been heedfully brought up in all the knowledge proper to her nation, which her apt and powerful mind had retained, arranged, and enlarged, in the course of a progress beyond her years, her sex, and even the age in which she lived. Her knowledge of medicine and of the healing art had been acquired under an aged Jewess, the daughter of one of their most celebrated doctors, who loved Rebecca as her own child, and was believed to have communicated to her secrets, which had been left to herself by her sage father at the same time, and under the same circumstances. The fate of Miriam had indeed been to fall a sacrifice to the fanaticism of the times; but her secrets had survived in her apt pupil. Rebecca, thus endowed with knowledge as with beauty, was universally revered and admired by her own tribe, who almost regarded her as one of those gifted women mentioned in the sacred history. Her father himself, out of reverence for her talents, which involuntarily mingled itself with his unbounded affection, permitted the maiden a greater liberty than was usually indulged to those of her sex by the habits of her people, and was, as we have just seen, frequently guided by her opinion, even in preference to his own. When Ivanhoe reached the habitation of Isaac, he was still in a state of unconsciousness, owing to the profuse loss of blood which had taken place during his exertions in the lists. Rebecca examined the wound, and having applied to it such vulnerary remedies as her art prescribed, informed her father that if fever could be averted, of which the great bleeding rendered her little apprehensive, and if the healing balsam of Miriam retained its virtue, there was nothing to fear for his guest's life, and that he might with safety travel to York with them on the ensuing day. Isaac looked a little blank at this annunciation. His charity would willingly have stopped short at Ashby, or at most would have left the wounded Christian to be tended in the house where he was residing at present, with an assurance to the Hebrew to whom it belonged, that all expenses should be duly discharged. To this, however, Rebecca opposed many reasons, of which we shall only mention two that had peculiar weight with Isaac. The one was, that she would on no account put the phial of precious balsam into the hands of another physician even of her own tribe, lest that valuable mystery should be discovered; the other, that this wounded knight, Wilfred of Ivanhoe, was an intimate favourite of Richard Coeur-de-Lion, and that, in case the monarch should return, Isaac, who had supplied his brother John with treasure to prosecute his rebellious purposes, would stand in no small need of a powerful protector who enjoyed Richard's favour. "Thou art speaking but sooth, Rebecca," said Isaac, giving way to these weighty arguments--"it were an offending of Heaven to betray the secrets of the blessed Miriam; for the good which Heaven giveth, is not rashly to be squandered upon others, whether it be talents of gold and shekels of silver, or whether it be the secret mysteries of a wise physician--assuredly they should be preserved to those to whom Providence hath vouchsafed them. And him whom the Nazarenes of England call the Lion's Heart, assuredly it were better for me to fall into the hands of a strong lion of Idumea than into his, if he shall have got assurance of my dealing with his brother. Wherefore I will lend ear to thy counsel, and this youth shall journey with us unto York, and our house shall be as a home to him until his wounds shall be healed. And if he of the Lion Heart shall return to the land, as is now noised abroad, then shall this Wilfred of Ivanhoe be unto me as a wall of defence, when the king's displeasure shall burn high against thy father. And if he doth not return, this Wilfred may natheless repay us our charges when he shall gain treasure by the strength of his spear and of his sword, even as he did yesterday and this day also. For the youth is a good youth, and keepeth the day which he appointeth, and restoreth that which he borroweth, and succoureth the Israelite, even the child of my father's house, when he is encompassed by strong thieves and sons of Belial." It was not until evening was nearly closed that Ivanhoe was restored to consciousness of his situation. He awoke from a broken slumber, under the confused impressions which are naturally attendant on the recovery from a state of insensibility. He was unable for some time to recall exactly to memory the circumstances which had preceded his fall in the lists, or to make out any connected chain of the events in which he had been engaged upon the yesterday. A sense of wounds and injury, joined to great weakness and exhaustion, was mingled with the recollection of blows dealt and received, of steeds rushing upon each other, overthrowing and overthrown--of shouts and clashing of arms, and all the heady tumult of a confused fight. An effort to draw aside the curtain of his couch was in some degree successful, although rendered difficult by the pain of his wound. To his great surprise he found himself in a room magnificently furnished, but having cushions instead of chairs to rest upon, and in other respects partaking so much of Oriental costume, that he began to doubt whether he had not, during his sleep, been transported back again to the land of Palestine. The impression was increased, when, the tapestry being drawn aside, a female form, dressed in a rich habit, which partook more of the Eastern taste than that of Europe, glided through the door which it concealed, and was followed by a swarthy domestic. As the wounded knight was about to address this fair apparition, she imposed silence by placing her slender finger upon her ruby lips, while the attendant, approaching him, proceeded to uncover Ivanhoe's side, and the lovely Jewess satisfied herself that the bandage was in its place, and the wound doing well. She performed her task with a graceful and dignified simplicity and modesty, which might, even in more civilized days, have served to redeem it from whatever might seem repugnant to female delicacy. The idea of so young and beautiful a person engaged in attendance on a sick-bed, or in dressing the wound of one of a different sex, was melted away and lost in that of a beneficent being contributing her effectual aid to relieve pain, and to avert the stroke of death. Rebecca's few and brief directions were given in the Hebrew language to the old domestic; and he, who had been frequently her assistant in similar cases, obeyed them without reply. The accents of an unknown tongue, however harsh they might have sounded when uttered by another, had, coming from the beautiful Rebecca, the romantic and pleasing effect which fancy ascribes to the charms pronounced by some beneficent fairy, unintelligible, indeed, to the ear, but, from the sweetness of utterance, and benignity of aspect, which accompanied them, touching and affecting to the heart. Without making an attempt at further question, Ivanhoe suffered them in silence to take the measures they thought most proper for his recovery; and it was not until those were completed, and this kind physician about to retire, that his curiosity could no longer be suppressed.--"Gentle maiden," he began in the Arabian tongue, with which his Eastern travels had rendered him familiar, and which he thought most likely to be understood by the turban'd and caftan'd damsel who stood before him--"I pray you, gentle maiden, of your courtesy---" But here he was interrupted by his fair physician, a smile which she could scarce suppress dimpling for an instant a face, whose general expression was that of contemplative melancholy. "I am of England, Sir Knight, and speak the English tongue, although my dress and my lineage belong to another climate." "Noble damsel,"--again the Knight of Ivanhoe began; and again Rebecca hastened to interrupt him. "Bestow not on me, Sir Knight," she said, "the epithet of noble. It is well you should speedily know that your handmaiden is a poor Jewess, the daughter of that Isaac of York, to whom you were so lately a good and kind lord. It well becomes him, and those of his household, to render to you such careful tendance as your present state necessarily demands." I know not whether the fair Rowena would have been altogether satisfied with the species of emotion with which her devoted knight had hitherto gazed on the beautiful features, and fair form, and lustrous eyes, of the lovely Rebecca; eyes whose brilliancy was shaded, and, as it were, mellowed, by the fringe of her long silken eyelashes, and which a minstrel would have compared to the evening star darting its rays through a bower of jessamine. But Ivanhoe was too good a Catholic to retain the same class of feelings towards a Jewess. This Rebecca had foreseen, and for this very purpose she had hastened to mention her father's name and lineage; yet--for the fair and wise daughter of Isaac was not without a touch of female weakness--she could not but sigh internally when the glance of respectful admiration, not altogether unmixed with tenderness, with which Ivanhoe had hitherto regarded his unknown benefactress, was exchanged at once for a manner cold, composed, and collected, and fraught with no deeper feeling than that which expressed a grateful sense of courtesy received from an unexpected quarter, and from one of an inferior race. It was not that Ivanhoe's former carriage expressed more than that general devotional homage which youth always pays to beauty; yet it was mortifying that one word should operate as a spell to remove poor Rebecca, who could not be supposed altogether ignorant of her title to such homage, into a degraded class, to whom it could not be honourably rendered. But the gentleness and candour of Rebecca's nature imputed no fault to Ivanhoe for sharing in the universal prejudices of his age and religion. On the contrary the fair Jewess, though sensible her patient now regarded her as one of a race of reprobation, with whom it was disgraceful to hold any beyond the most necessary intercourse, ceased not to pay the same patient and devoted attention to his safety and convalescence. She informed him of the necessity they were under of removing to York, and of her father's resolution to transport him thither, and tend him in his own house until his health should be restored. Ivanhoe expressed great repugnance to this plan, which he grounded on unwillingness to give farther trouble to his benefactors. "Was there not," he said, "in Ashby, or near it, some Saxon franklin, or even some wealthy peasant, who would endure the burden of a wounded countryman's residence with him until he should be again able to bear his armour?--Was there no convent of Saxon endowment, where he could be received?--Or could he not be transported as far as Burton, where he was sure to find hospitality with Waltheoff, the Abbot of St Withold's, to whom he was related?" "Any, the worst of these harbourages," said Rebecca, with a melancholy smile, "would unquestionably be more fitting for your residence than the abode of a despised Jew; yet, Sir Knight, unless you would dismiss your physician, you cannot change your lodging. Our nation, as you well know, can cure wounds, though we deal not in inflicting them; and in our own family, in particular, are secrets which have been handed down since the days of Solomon, and of which you have already experienced the advantages. No Nazarene--I crave your forgiveness, Sir Knight--no Christian leech, within the four seas of Britain, could enable you to bear your corslet within a month." "And how soon wilt THOU enable me to brook it?" said Ivanhoe, impatiently. "Within eight days, if thou wilt be patient and conformable to my directions," replied Rebecca. "By Our Blessed Lady," said Wilfred, "if it be not a sin to name her here, it is no time for me or any true knight to be bedridden; and if thou accomplish thy promise, maiden, I will pay thee with my casque full of crowns, come by them as I may." "I will accomplish my promise," said Rebecca, "and thou shalt bear thine armour on the eighth day from hence, if thou will grant me but one boon in the stead of the silver thou dost promise me." "If it be within my power, and such as a true Christian knight may yield to one of thy people," replied Ivanhoe, "I will grant thy boon blithely and thankfully." "Nay," answered Rebecca, "I will but pray of thee to believe henceforward that a Jew may do good service to a Christian, without desiring other guerdon than the blessing of the Great Father who made both Jew and Gentile." "It were sin to doubt it, maiden," replied Ivanhoe; "and I repose myself on thy skill without further scruple or question, well trusting you will enable me to bear my corslet on the eighth day. And now, my kind leech, let me enquire of the news abroad. What of the noble Saxon Cedric and his household?--what of the lovely Lady--" He stopt, as if unwilling to speak Rowena's name in the house of a Jew--"Of her, I mean, who was named Queen of the tournament?" "And who was selected by you, Sir Knight, to hold that dignity, with judgment which was admired as much as your valour," replied Rebecca. The blood which Ivanhoe had lost did not prevent a flush from crossing his cheek, feeling that he had incautiously betrayed a deep interest in Rowena by the awkward attempt he had made to conceal it. "It was less of her I would speak," said he, "than of Prince John; and I would fain know somewhat of a faithful squire, and why he now attends me not?" "Let me use my authority as a leech," answered Rebecca, "and enjoin you to keep silence, and avoid agitating reflections, whilst I apprize you of what you desire to know. Prince John hath broken off the tournament, and set forward in all haste towards York, with the nobles, knights, and churchmen of his party, after collecting such sums as they could wring, by fair means or foul, from those who are esteemed the wealthy of the land. It is said he designs to assume his brother's crown." "Not without a blow struck in its defence," said Ivanhoe, raising himself upon the couch, "if there were but one true subject in England I will fight for Richard's title with the best of them--ay, one or two, in his just quarrel!" "But that you may be able to do so," said Rebecca touching his shoulder with her hand, "you must now observe my directions, and remain quiet." "True, maiden," said Ivanhoe, "as quiet as these disquieted times will permit--And of Cedric and his household?" "His steward came but brief while since," said the Jewess, "panting with haste, to ask my father for certain monies, the price of wool the growth of Cedric's flocks, and from him I learned that Cedric and Athelstane of Coningsburgh had left Prince John's lodging in high displeasure, and were about to set forth on their return homeward." "Went any lady with them to the banquet?" said Wilfred. "The Lady Rowena," said Rebecca, answering the question with more precision than it had been asked--"The Lady Rowena went not to the Prince's feast, and, as the steward reported to us, she is now on her journey back to Rotherwood, with her guardian Cedric. And touching your faithful squire Gurth---" "Ha!" exclaimed the knight, "knowest thou his name?--But thou dost," he immediately added, "and well thou mayst, for it was from thy hand, and, as I am now convinced, from thine own generosity of spirit, that he received but yesterday a hundred zecchins." "Speak not of that," said Rebecca, blushing deeply; "I see how easy it is for the tongue to betray what the heart would gladly conceal." "But this sum of gold," said Ivanhoe, gravely, "my honour is concerned in repaying it to your father." "Let it be as thou wilt," said Rebecca, "when eight days have passed away; but think not, and speak not now, of aught that may retard thy recovery." "Be it so, kind maiden," said Ivanhoe; "I were most ungrateful to dispute thy commands. But one word of the fate of poor Gurth, and I have done with questioning thee." "I grieve to tell thee, Sir Knight," answered the Jewess, "that he is in custody by the order of Cedric."--And then observing the distress which her communication gave to Wilfred, she instantly added, "But the steward Oswald said, that if nothing occurred to renew his master's displeasure against him, he was sure that Cedric would pardon Gurth, a faithful serf, and one who stood high in favour, and who had but committed this error out of the love which he bore to Cedric's son. And he said, moreover, that he and his comrades, and especially Wamba the Jester, were resolved to warn Gurth to make his escape by the way, in case Cedric's ire against him could not be mitigated." "Would to God they may keep their purpose!" said Ivanhoe; "but it seems as if I were destined to bring ruin on whomsoever hath shown kindness to me. My king, by whom I was honoured and distinguished, thou seest that the brother most indebted to him is raising his arms to grasp his crown;--my regard hath brought restraint and trouble on the fairest of her sex;--and now my father in his mood may slay this poor bondsman but for his love and loyal service to me!--Thou seest, maiden, what an ill-fated wretch thou dost labour to assist; be wise, and let me go, ere the misfortunes which track my footsteps like slot-hounds, shall involve thee also in their pursuit." "Nay," said Rebecca, "thy weakness and thy grief, Sir Knight, make thee miscalculate the purposes of Heaven. Thou hast been restored to thy country when it most needed the assistance of a strong hand and a true heart, and thou hast humbled the pride of thine enemies and those of thy king, when their horn was most highly exalted, and for the evil which thou hast sustained, seest thou not that Heaven has raised thee a helper and a physician, even among the most despised of the land?--Therefore, be of good courage, and trust that thou art preserved for some marvel which thine arm shall work before this people. Adieu--and having taken the medicine which I shall send thee by the hand of Reuben, compose thyself again to rest, that thou mayest be the more able to endure the journey on the succeeding day." Ivanhoe was convinced by the reasoning, and obeyed the directions, of Rebecca. The drought which Reuben administered was of a sedative and narcotic quality, and secured the patient sound and undisturbed slumbers. In the morning his kind physician found him entirely free from feverish symptoms, and fit to undergo the fatigue of a journey. He was deposited in the horse-litter which had brought him from the lists, and every precaution taken for his travelling with ease. In one circumstance only even the entreaties of Rebecca were unable to secure sufficient attention to the accommodation of the wounded knight. Isaac, like the enriched traveller of Juvenal's tenth satire, had ever the fear of robbery before his eyes, conscious that he would be alike accounted fair game by the marauding Norman noble, and by the Saxon outlaw. He therefore journeyed at a great rate, and made short halts, and shorter repasts, so that he passed by Cedric and Athelstane who had several hours the start of him, but who had been delayed by their protracted feasting at the convent of Saint Withold's. Yet such was the virtue of Miriam's balsam, or such the strength of Ivanhoe's constitution, that he did not sustain from the hurried journey that inconvenience which his kind physician had apprehended. In another point of view, however, the Jew's haste proved somewhat more than good speed. The rapidity with which he insisted on travelling, bred several disputes between him and the party whom he had hired to attend him as a guard. These men were Saxons, and not free by any means from the national love of ease and good living which the Normans stigmatized as laziness and gluttony. Reversing Shylock's position, they had accepted the employment in hopes of feeding upon the wealthy Jew, and were very much displeased when they found themselves disappointed, by the rapidity with which he insisted on their proceeding. They remonstrated also upon the risk of damage to their horses by these forced marches. Finally, there arose betwixt Isaac and his satellites a deadly feud, concerning the quantity of wine and ale to be allowed for consumption at each meal. And thus it happened, that when the alarm of danger approached, and that which Isaac feared was likely to come upon him, he was deserted by the discontented mercenaries on whose protection he had relied, without using the means necessary to secure their attachment. In this deplorable condition the Jew, with his daughter and her wounded patient, were found by Cedric, as has already been noticed, and soon afterwards fell into the power of De Bracy and his confederates. Little notice was at first taken of the horse-litter, and it might have remained behind but for the curiosity of De Bracy, who looked into it under the impression that it might contain the object of his enterprise, for Rowena had not unveiled herself. But De Bracy's astonishment was considerable, when he discovered that the litter contained a wounded man, who, conceiving himself to have fallen into the power of Saxon outlaws, with whom his name might be a protection for himself and his friends, frankly avowed himself to be Wilfred of Ivanhoe. The ideas of chivalrous honour, which, amidst his wildness and levity, never utterly abandoned De Bracy, prohibited him from doing the knight any injury in his defenceless condition, and equally interdicted his betraying him to Front-de-Boeuf, who would have had no scruples to put to death, under any circumstances, the rival claimant of the fief of Ivanhoe. On the other hand, to liberate a suitor preferred by the Lady Rowena, as the events of the tournament, and indeed Wilfred's previous banishment from his father's house, had made matter of notoriety, was a pitch far above the flight of De Bracy's generosity. A middle course betwixt good and evil was all which he found himself capable of adopting, and he commanded two of his own squires to keep close by the litter, and to suffer no one to approach it. If questioned, they were directed by their master to say, that the empty litter of the Lady Rowena was employed to transport one of their comrades who had been wounded in the scuffle. On arriving at Torquilstone, while the Knight Templar and the lord of that castle were each intent upon their own schemes, the one on the Jew's treasure, and the other on his daughter, De Bracy's squires conveyed Ivanhoe, still under the name of a wounded comrade, to a distant apartment. This explanation was accordingly returned by these men to Front-de-Boeuf, when he questioned them why they did not make for the battlements upon the alarm. "A wounded companion!" he replied in great wrath and astonishment. "No wonder that churls and yeomen wax so presumptuous as even to lay leaguer before castles, and that clowns and swineherds send defiances to nobles, since men-at-arms have turned sick men's nurses, and Free Companions are grown keepers of dying folk's curtains, when the castle is about to be assailed.--To the battlements, ye loitering villains!" he exclaimed, raising his stentorian voice till the arches around rung again, "to the battlements, or I will splinter your bones with this truncheon!" The men sulkily replied, "that they desired nothing better than to go to the battlements, providing Front-de-Boeuf would bear them out with their master, who had commanded them to tend the dying man." "The dying man, knaves!" rejoined the Baron; "I promise thee we shall all be dying men an we stand not to it the more stoutly. But I will relieve the guard upon this caitiff companion of yours.--Here, Urfried--hag--fiend of a Saxon witch--hearest me not?--tend me this bedridden fellow since he must needs be tended, whilst these knaves use their weapons.--Here be two arblasts, comrades, with windlaces and quarrells [34]--to the barbican with you, and see you drive each bolt through a Saxon brain." The men, who, like most of their description, were fond of enterprise and detested inaction, went joyfully to the scene of danger as they were commanded, and thus the charge of Ivanhoe was transferred to Urfried, or Ulrica. But she, whose brain was burning with remembrance of injuries and with hopes of vengeance, was readily induced to devolve upon Rebecca the care of her patient.

The narrative returns to the story of how Ivanhoe came to be in the litter transported by Isaac and Rebecca. After Ivanhoe is injured in the tournament, Rebecca persuades her father to allow Ivanhoe to be taken to the house in Ashby where they are staying. There she cares for his wounds, using her knowledge of medicine she learned from an old Jewess. She then persuades Isaac to let Ivanhoe travel with them to York. She tells him that Ivanhoe is in the favor of Richard the Lion-Hearted, and if Richard should return, Isaac will need a powerful advocate. This is because Isaac supplied Richard's brother Prince John with much of the money he needed for his rebellious plans. For the most part in these chapters, Scott is busy creating tension and suspense, setting up the situation for the climax of part two. But he also inserts touches of humor, notably in the challenge to the Normans issued by Wamba and Gurth. This also has a symbolic significance, since it shows that the ordinary Saxon people are capable of challenging the arrogant Normans

Chapter VI. Smerdyakov He did in fact find his father still at table. Though there was a dining- room in the house, the table was laid as usual in the drawing-room, which was the largest room, and furnished with old-fashioned ostentation. The furniture was white and very old, upholstered in old, red, silky material. In the spaces between the windows there were mirrors in elaborate white and gilt frames, of old-fashioned carving. On the walls, covered with white paper, which was torn in many places, there hung two large portraits--one of some prince who had been governor of the district thirty years before, and the other of some bishop, also long since dead. In the corner opposite the door there were several ikons, before which a lamp was lighted at nightfall ... not so much for devotional purposes as to light the room. Fyodor Pavlovitch used to go to bed very late, at three or four o'clock in the morning, and would wander about the room at night or sit in an arm-chair, thinking. This had become a habit with him. He often slept quite alone in the house, sending his servants to the lodge; but usually Smerdyakov remained, sleeping on a bench in the hall. When Alyosha came in, dinner was over, but coffee and preserves had been served. Fyodor Pavlovitch liked sweet things with brandy after dinner. Ivan was also at table, sipping coffee. The servants, Grigory and Smerdyakov, were standing by. Both the gentlemen and the servants seemed in singularly good spirits. Fyodor Pavlovitch was roaring with laughter. Before he entered the room, Alyosha heard the shrill laugh he knew so well, and could tell from the sound of it that his father had only reached the good-humored stage, and was far from being completely drunk. "Here he is! Here he is!" yelled Fyodor Pavlovitch, highly delighted at seeing Alyosha. "Join us. Sit down. Coffee is a lenten dish, but it's hot and good. I don't offer you brandy, you're keeping the fast. But would you like some? No; I'd better give you some of our famous liqueur. Smerdyakov, go to the cupboard, the second shelf on the right. Here are the keys. Look sharp!" Alyosha began refusing the liqueur. "Never mind. If you won't have it, we will," said Fyodor Pavlovitch, beaming. "But stay--have you dined?" "Yes," answered Alyosha, who had in truth only eaten a piece of bread and drunk a glass of kvas in the Father Superior's kitchen. "Though I should be pleased to have some hot coffee." "Bravo, my darling! He'll have some coffee. Does it want warming? No, it's boiling. It's capital coffee: Smerdyakov's making. My Smerdyakov's an artist at coffee and at fish patties, and at fish soup, too. You must come one day and have some fish soup. Let me know beforehand.... But, stay; didn't I tell you this morning to come home with your mattress and pillow and all? Have you brought your mattress? He he he!" "No, I haven't," said Alyosha, smiling, too. "Ah, but you were frightened, you were frightened this morning, weren't you? There, my darling, I couldn't do anything to vex you. Do you know, Ivan, I can't resist the way he looks one straight in the face and laughs? It makes me laugh all over. I'm so fond of him. Alyosha, let me give you my blessing--a father's blessing." Alyosha rose, but Fyodor Pavlovitch had already changed his mind. "No, no," he said. "I'll just make the sign of the cross over you, for now. Sit still. Now we've a treat for you, in your own line, too. It'll make you laugh. Balaam's ass has begun talking to us here--and how he talks! How he talks!" Balaam's ass, it appeared, was the valet, Smerdyakov. He was a young man of about four and twenty, remarkably unsociable and taciturn. Not that he was shy or bashful. On the contrary, he was conceited and seemed to despise everybody. But we must pause to say a few words about him now. He was brought up by Grigory and Marfa, but the boy grew up "with no sense of gratitude," as Grigory expressed it; he was an unfriendly boy, and seemed to look at the world mistrustfully. In his childhood he was very fond of hanging cats, and burying them with great ceremony. He used to dress up in a sheet as though it were a surplice, and sang, and waved some object over the dead cat as though it were a censer. All this he did on the sly, with the greatest secrecy. Grigory caught him once at this diversion and gave him a sound beating. He shrank into a corner and sulked there for a week. "He doesn't care for you or me, the monster," Grigory used to say to Marfa, "and he doesn't care for any one. Are you a human being?" he said, addressing the boy directly. "You're not a human being. You grew from the mildew in the bath-house.(2) That's what you are." Smerdyakov, it appeared afterwards, could never forgive him those words. Grigory taught him to read and write, and when he was twelve years old, began teaching him the Scriptures. But this teaching came to nothing. At the second or third lesson the boy suddenly grinned. "What's that for?" asked Grigory, looking at him threateningly from under his spectacles. "Oh, nothing. God created light on the first day, and the sun, moon, and stars on the fourth day. Where did the light come from on the first day?" Grigory was thunderstruck. The boy looked sarcastically at his teacher. There was something positively condescending in his expression. Grigory could not restrain himself. "I'll show you where!" he cried, and gave the boy a violent slap on the cheek. The boy took the slap without a word, but withdrew into his corner again for some days. A week later he had his first attack of the disease to which he was subject all the rest of his life--epilepsy. When Fyodor Pavlovitch heard of it, his attitude to the boy seemed changed at once. Till then he had taken no notice of him, though he never scolded him, and always gave him a copeck when he met him. Sometimes, when he was in good humor, he would send the boy something sweet from his table. But as soon as he heard of his illness, he showed an active interest in him, sent for a doctor, and tried remedies, but the disease turned out to be incurable. The fits occurred, on an average, once a month, but at various intervals. The fits varied too, in violence: some were light and some were very severe. Fyodor Pavlovitch strictly forbade Grigory to use corporal punishment to the boy, and began allowing him to come upstairs to him. He forbade him to be taught anything whatever for a time, too. One day when the boy was about fifteen, Fyodor Pavlovitch noticed him lingering by the bookcase, and reading the titles through the glass. Fyodor Pavlovitch had a fair number of books--over a hundred--but no one ever saw him reading. He at once gave Smerdyakov the key of the bookcase. "Come, read. You shall be my librarian. You'll be better sitting reading than hanging about the courtyard. Come, read this," and Fyodor Pavlovitch gave him _Evenings in a Cottage near Dikanka_. He read a little but didn't like it. He did not once smile, and ended by frowning. "Why? Isn't it funny?" asked Fyodor Pavlovitch. Smerdyakov did not speak. "Answer, stupid!" "It's all untrue," mumbled the boy, with a grin. "Then go to the devil! You have the soul of a lackey. Stay, here's Smaragdov's _Universal History_. That's all true. Read that." But Smerdyakov did not get through ten pages of Smaragdov. He thought it dull. So the bookcase was closed again. Shortly afterwards Marfa and Grigory reported to Fyodor Pavlovitch that Smerdyakov was gradually beginning to show an extraordinary fastidiousness. He would sit before his soup, take up his spoon and look into the soup, bend over it, examine it, take a spoonful and hold it to the light. "What is it? A beetle?" Grigory would ask. "A fly, perhaps," observed Marfa. The squeamish youth never answered, but he did the same with his bread, his meat, and everything he ate. He would hold a piece on his fork to the light, scrutinize it microscopically, and only after long deliberation decide to put it in his mouth. "Ach! What fine gentlemen's airs!" Grigory muttered, looking at him. When Fyodor Pavlovitch heard of this development in Smerdyakov he determined to make him his cook, and sent him to Moscow to be trained. He spent some years there and came back remarkably changed in appearance. He looked extraordinarily old for his age. His face had grown wrinkled, yellow, and strangely emasculate. In character he seemed almost exactly the same as before he went away. He was just as unsociable, and showed not the slightest inclination for any companionship. In Moscow, too, as we heard afterwards, he had always been silent. Moscow itself had little interest for him; he saw very little there, and took scarcely any notice of anything. He went once to the theater, but returned silent and displeased with it. On the other hand, he came back to us from Moscow well dressed, in a clean coat and clean linen. He brushed his clothes most scrupulously twice a day invariably, and was very fond of cleaning his smart calf boots with a special English polish, so that they shone like mirrors. He turned out a first-rate cook. Fyodor Pavlovitch paid him a salary, almost the whole of which Smerdyakov spent on clothes, pomade, perfumes, and such things. But he seemed to have as much contempt for the female sex as for men; he was discreet, almost unapproachable, with them. Fyodor Pavlovitch began to regard him rather differently. His fits were becoming more frequent, and on the days he was ill Marfa cooked, which did not suit Fyodor Pavlovitch at all. "Why are your fits getting worse?" asked Fyodor Pavlovitch, looking askance at his new cook. "Would you like to get married? Shall I find you a wife?" But Smerdyakov turned pale with anger, and made no reply. Fyodor Pavlovitch left him with an impatient gesture. The great thing was that he had absolute confidence in his honesty. It happened once, when Fyodor Pavlovitch was drunk, that he dropped in the muddy courtyard three hundred-rouble notes which he had only just received. He only missed them next day, and was just hastening to search his pockets when he saw the notes lying on the table. Where had they come from? Smerdyakov had picked them up and brought them in the day before. "Well, my lad, I've never met any one like you," Fyodor Pavlovitch said shortly, and gave him ten roubles. We may add that he not only believed in his honesty, but had, for some reason, a liking for him, although the young man looked as morosely at him as at every one and was always silent. He rarely spoke. If it had occurred to any one to wonder at the time what the young man was interested in, and what was in his mind, it would have been impossible to tell by looking at him. Yet he used sometimes to stop suddenly in the house, or even in the yard or street, and would stand still for ten minutes, lost in thought. A physiognomist studying his face would have said that there was no thought in it, no reflection, but only a sort of contemplation. There is a remarkable picture by the painter Kramskoy, called "Contemplation." There is a forest in winter, and on a roadway through the forest, in absolute solitude, stands a peasant in a torn kaftan and bark shoes. He stands, as it were, lost in thought. Yet he is not thinking; he is "contemplating." If any one touched him he would start and look at one as though awakening and bewildered. It's true he would come to himself immediately; but if he were asked what he had been thinking about, he would remember nothing. Yet probably he has, hidden within himself, the impression which had dominated him during the period of contemplation. Those impressions are dear to him and no doubt he hoards them imperceptibly, and even unconsciously. How and why, of course, he does not know either. He may suddenly, after hoarding impressions for many years, abandon everything and go off to Jerusalem on a pilgrimage for his soul's salvation, or perhaps he will suddenly set fire to his native village, and perhaps do both. There are a good many "contemplatives" among the peasantry. Well, Smerdyakov was probably one of them, and he probably was greedily hoarding up his impressions, hardly knowing why.

Smerdyakov Alyosha goes to his father's house, where he finds his father drinking. Ivan sits by Fyodor Pavlovich disapprovingly. Smerdyakov and Grigory are arguing, and Ivan and Fyodor Pavlovich are listening in on their argument. Smerdyakov is a sullen and gloomy young man who despises everyone in the house, including his adoptive parents. He works as a cook for Fyodor Pavlovich. Most of the household considers him a responsible person despite his churlish attitude, because once, when Fyodor Pavlovich lost 300 rubles in a drunken stupor, Smerdyakov found and returned the money to him

It was not till late next day that I spoke to Mrs. Grose; the rigor with which I kept my pupils in sight making it often difficult to meet her privately, and the more as we each felt the importance of not provoking--on the part of the servants quite as much as on that of the children--any suspicion of a secret flurry or that of a discussion of mysteries. I drew a great security in this particular from her mere smooth aspect. There was nothing in her fresh face to pass on to others my horrible confidences. She believed me, I was sure, absolutely: if she hadn't I don't know what would have become of me, for I couldn't have borne the business alone. But she was a magnificent monument to the blessing of a want of imagination, and if she could see in our little charges nothing but their beauty and amiability, their happiness and cleverness, she had no direct communication with the sources of my trouble. If they had been at all visibly blighted or battered, she would doubtless have grown, on tracing it back, haggard enough to match them; as matters stood, however, I could feel her, when she surveyed them, with her large white arms folded and the habit of serenity in all her look, thank the Lord's mercy that if they were ruined the pieces would still serve. Flights of fancy gave place, in her mind, to a steady fireside glow, and I had already begun to perceive how, with the development of the conviction that--as time went on without a public accident--our young things could, after all, look out for themselves, she addressed her greatest solicitude to the sad case presented by their instructress. That, for myself, was a sound simplification: I could engage that, to the world, my face should tell no tales, but it would have been, in the conditions, an immense added strain to find myself anxious about hers. At the hour I now speak of she had joined me, under pressure, on the terrace, where, with the lapse of the season, the afternoon sun was now agreeable; and we sat there together while, before us, at a distance, but within call if we wished, the children strolled to and fro in one of their most manageable moods. They moved slowly, in unison, below us, over the lawn, the boy, as they went, reading aloud from a storybook and passing his arm round his sister to keep her quite in touch. Mrs. Grose watched them with positive placidity; then I caught the suppressed intellectual creak with which she conscientiously turned to take from me a view of the back of the tapestry. I had made her a receptacle of lurid things, but there was an odd recognition of my superiority--my accomplishments and my function--in her patience under my pain. She offered her mind to my disclosures as, had I wished to mix a witch's broth and proposed it with assurance, she would have held out a large clean saucepan. This had become thoroughly her attitude by the time that, in my recital of the events of the night, I reached the point of what Miles had said to me when, after seeing him, at such a monstrous hour, almost on the very spot where he happened now to be, I had gone down to bring him in; choosing then, at the window, with a concentrated need of not alarming the house, rather that method than a signal more resonant. I had left her meanwhile in little doubt of my small hope of representing with success even to her actual sympathy my sense of the real splendor of the little inspiration with which, after I had got him into the house, the boy met my final articulate challenge. As soon as I appeared in the moonlight on the terrace, he had come to me as straight as possible; on which I had taken his hand without a word and led him, through the dark spaces, up the staircase where Quint had so hungrily hovered for him, along the lobby where I had listened and trembled, and so to his forsaken room. Not a sound, on the way, had passed between us, and I had wondered--oh, HOW I had wondered!--if he were groping about in his little mind for something plausible and not too grotesque. It would tax his invention, certainly, and I felt, this time, over his real embarrassment, a curious thrill of triumph. It was a sharp trap for the inscrutable! He couldn't play any longer at innocence; so how the deuce would he get out of it? There beat in me indeed, with the passionate throb of this question an equal dumb appeal as to how the deuce _I_ should. I was confronted at last, as never yet, with all the risk attached even now to sounding my own horrid note. I remember in fact that as we pushed into his little chamber, where the bed had not been slept in at all and the window, uncovered to the moonlight, made the place so clear that there was no need of striking a match--I remember how I suddenly dropped, sank upon the edge of the bed from the force of the idea that he must know how he really, as they say, "had" me. He could do what he liked, with all his cleverness to help him, so long as I should continue to defer to the old tradition of the criminality of those caretakers of the young who minister to superstitions and fears. He "had" me indeed, and in a cleft stick; for who would ever absolve me, who would consent that I should go unhung, if, by the faintest tremor of an overture, I were the first to introduce into our perfect intercourse an element so dire? No, no: it was useless to attempt to convey to Mrs. Grose, just as it is scarcely less so to attempt to suggest here, how, in our short, stiff brush in the dark, he fairly shook me with admiration. I was of course thoroughly kind and merciful; never, never yet had I placed on his little shoulders hands of such tenderness as those with which, while I rested against the bed, I held him there well under fire. I had no alternative but, in form at least, to put it to him. "You must tell me now--and all the truth. What did you go out for? What were you doing there?" I can still see his wonderful smile, the whites of his beautiful eyes, and the uncovering of his little teeth shine to me in the dusk. "If I tell you why, will you understand?" My heart, at this, leaped into my mouth. WOULD he tell me why? I found no sound on my lips to press it, and I was aware of replying only with a vague, repeated, grimacing nod. He was gentleness itself, and while I wagged my head at him he stood there more than ever a little fairy prince. It was his brightness indeed that gave me a respite. Would it be so great if he were really going to tell me? "Well," he said at last, "just exactly in order that you should do this." "Do what?" "Think me--for a change--BAD!" I shall never forget the sweetness and gaiety with which he brought out the word, nor how, on top of it, he bent forward and kissed me. It was practically the end of everything. I met his kiss and I had to make, while I folded him for a minute in my arms, the most stupendous effort not to cry. He had given exactly the account of himself that permitted least of my going behind it, and it was only with the effect of confirming my acceptance of it that, as I presently glanced about the room, I could say-- "Then you didn't undress at all?" He fairly glittered in the gloom. "Not at all. I sat up and read." "And when did you go down?" "At midnight. When I'm bad I AM bad!" "I see, I see--it's charming. But how could you be sure I would know it?" "Oh, I arranged that with Flora." His answers rang out with a readiness! "She was to get up and look out." "Which is what she did do." It was I who fell into the trap! "So she disturbed you, and, to see what she was looking at, you also looked--you saw." "While you," I concurred, "caught your death in the night air!" He literally bloomed so from this exploit that he could afford radiantly to assent. "How otherwise should I have been bad enough?" he asked. Then, after another embrace, the incident and our interview closed on my recognition of all the reserves of goodness that, for his joke, he had been able to draw upon.

Late the next day, the Governess meets up with Mrs. Grose to reveal what she saw the previous night. Their meetings have been made more difficult by the Governess's constant watch over the children, but the younger woman still draws comfort from them. She speaks rather condescendingly of Mrs. Grose's complete lack of imagination, which is apparently a good thing in this context - it saves her from worrying about the children as much as she could. Mrs. Grose listens as the Governess relates the event of the last night. Here goes... The Governess went out to fetch Miles after she saw him from the window. He came to her willingly, and she took him silently inside, back to his room. The Governess admits to feeling a little thrill of triumph at this moment; how could he possibly make up a plausible excuse for this action? The Governess was suddenly struck with the fear that perhaps Miles had her under his control; she felt a kind of admiration for him. With nothing else to do, the Governess asked Miles straight up what he was doing out on the lawn. He cunningly told her that he wanted to get her to think that he was a bad boy for once. He claims that he stayed up late reading, and went down to the lawn at midnight. He and Flora had planned earlier for the little girl to wake up so that the Governess would notice her at the window, and in turn notice Miles outside. He made it out to be a playful trap that the Governess walked right into. What are we to make of all this? We're not quite sure yet.

Small heart had Harriet for visiting. Only half an hour before her friend called for her at Mrs. Goddard's, her evil stars had led her to the very spot where, at that moment, a trunk, directed to _The Rev. Philip Elton, White-Hart, Bath_, was to be seen under the operation of being lifted into the butcher's cart, which was to convey it to where the coaches past; and every thing in this world, excepting that trunk and the direction, was consequently a blank. She went, however; and when they reached the farm, and she was to be put down, at the end of the broad, neat gravel walk, which led between espalier apple-trees to the front door, the sight of every thing which had given her so much pleasure the autumn before, was beginning to revive a little local agitation; and when they parted, Emma observed her to be looking around with a sort of fearful curiosity, which determined her not to allow the visit to exceed the proposed quarter of an hour. She went on herself, to give that portion of time to an old servant who was married, and settled in Donwell. The quarter of an hour brought her punctually to the white gate again; and Miss Smith receiving her summons, was with her without delay, and unattended by any alarming young man. She came solitarily down the gravel walk--a Miss Martin just appearing at the door, and parting with her seemingly with ceremonious civility. Harriet could not very soon give an intelligible account. She was feeling too much; but at last Emma collected from her enough to understand the sort of meeting, and the sort of pain it was creating. She had seen only Mrs. Martin and the two girls. They had received her doubtingly, if not coolly; and nothing beyond the merest commonplace had been talked almost all the time--till just at last, when Mrs. Martin's saying, all of a sudden, that she thought Miss Smith was grown, had brought on a more interesting subject, and a warmer manner. In that very room she had been measured last September, with her two friends. There were the pencilled marks and memorandums on the wainscot by the window. _He_ had done it. They all seemed to remember the day, the hour, the party, the occasion--to feel the same consciousness, the same regrets--to be ready to return to the same good understanding; and they were just growing again like themselves, (Harriet, as Emma must suspect, as ready as the best of them to be cordial and happy,) when the carriage reappeared, and all was over. The style of the visit, and the shortness of it, were then felt to be decisive. Fourteen minutes to be given to those with whom she had thankfully passed six weeks not six months ago!--Emma could not but picture it all, and feel how justly they might resent, how naturally Harriet must suffer. It was a bad business. She would have given a great deal, or endured a great deal, to have had the Martins in a higher rank of life. They were so deserving, that a _little_ higher should have been enough: but as it was, how could she have done otherwise?--Impossible!--She could not repent. They must be separated; but there was a great deal of pain in the process--so much to herself at this time, that she soon felt the necessity of a little consolation, and resolved on going home by way of Randalls to procure it. Her mind was quite sick of Mr. Elton and the Martins. The refreshment of Randalls was absolutely necessary. It was a good scheme; but on driving to the door they heard that neither "master nor mistress was at home;" they had both been out some time; the man believed they were gone to Hartfield. "This is too bad," cried Emma, as they turned away. "And now we shall just miss them; too provoking!--I do not know when I have been so disappointed." And she leaned back in the corner, to indulge her murmurs, or to reason them away; probably a little of both--such being the commonest process of a not ill-disposed mind. Presently the carriage stopt; she looked up; it was stopt by Mr. and Mrs. Weston, who were standing to speak to her. There was instant pleasure in the sight of them, and still greater pleasure was conveyed in sound--for Mr. Weston immediately accosted her with, "How d'ye do?--how d'ye do?--We have been sitting with your father--glad to see him so well. Frank comes to-morrow--I had a letter this morning--we see him to-morrow by dinner-time to a certainty--he is at Oxford to-day, and he comes for a whole fortnight; I knew it would be so. If he had come at Christmas he could not have staid three days; I was always glad he did not come at Christmas; now we are going to have just the right weather for him, fine, dry, settled weather. We shall enjoy him completely; every thing has turned out exactly as we could wish." There was no resisting such news, no possibility of avoiding the influence of such a happy face as Mr. Weston's, confirmed as it all was by the words and the countenance of his wife, fewer and quieter, but not less to the purpose. To know that _she_ thought his coming certain was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated. "I shall soon bring him over to Hartfield," said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;"--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:"--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that appropriated nothing. "Think of me to-morrow, my dear Emma, about four o'clock," was Mrs. Weston's parting injunction; spoken with some anxiety, and meant only for her. "Four o'clock!--depend upon it he will be here by three," was Mr. Weston's quick amendment; and so ended a most satisfactory meeting. Emma's spirits were mounted quite up to happiness; every thing wore a different air; James and his horses seemed not half so sluggish as before. When she looked at the hedges, she thought the elder at least must soon be coming out; and when she turned round to Harriet, she saw something like a look of spring, a tender smile even there. "Will Mr. Frank Churchill pass through Bath as well as Oxford?"--was a question, however, which did not augur much. But neither geography nor tranquillity could come all at once, and Emma was now in a humour to resolve that they should both come in time. The morning of the interesting day arrived, and Mrs. Weston's faithful pupil did not forget either at ten, or eleven, or twelve o'clock, that she was to think of her at four. "My dear, dear anxious friend,"--said she, in mental soliloquy, while walking downstairs from her own room, "always overcareful for every body's comfort but your own; I see you now in all your little fidgets, going again and again into his room, to be sure that all is right." The clock struck twelve as she passed through the hall. "'Tis twelve; I shall not forget to think of you four hours hence; and by this time to-morrow, perhaps, or a little later, I may be thinking of the possibility of their all calling here. I am sure they will bring him soon." She opened the parlour door, and saw two gentlemen sitting with her father--Mr. Weston and his son. They had been arrived only a few minutes, and Mr. Weston had scarcely finished his explanation of Frank's being a day before his time, and her father was yet in the midst of his very civil welcome and congratulations, when she appeared, to have her share of surprize, introduction, and pleasure. The Frank Churchill so long talked of, so high in interest, was actually before her--he was presented to her, and she did not think too much had been said in his praise; he was a _very_ good looking young man; height, air, address, all were unexceptionable, and his countenance had a great deal of the spirit and liveliness of his father's; he looked quick and sensible. She felt immediately that she should like him; and there was a well-bred ease of manner, and a readiness to talk, which convinced her that he came intending to be acquainted with her, and that acquainted they soon must be. He had reached Randalls the evening before. She was pleased with the eagerness to arrive which had made him alter his plan, and travel earlier, later, and quicker, that he might gain half a day. "I told you yesterday," cried Mr. Weston with exultation, "I told you all that he would be here before the time named. I remembered what I used to do myself. One cannot creep upon a journey; one cannot help getting on faster than one has planned; and the pleasure of coming in upon one's friends before the look-out begins, is worth a great deal more than any little exertion it needs." "It is a great pleasure where one can indulge in it," said the young man, "though there are not many houses that I should presume on so far; but in coming _home_ I felt I might do any thing." The word _home_ made his father look on him with fresh complacency. Emma was directly sure that he knew how to make himself agreeable; the conviction was strengthened by what followed. He was very much pleased with Randalls, thought it a most admirably arranged house, would hardly allow it even to be very small, admired the situation, the walk to Highbury, Highbury itself, Hartfield still more, and professed himself to have always felt the sort of interest in the country which none but one's _own_ country gives, and the greatest curiosity to visit it. That he should never have been able to indulge so amiable a feeling before, passed suspiciously through Emma's brain; but still, if it were a falsehood, it was a pleasant one, and pleasantly handled. His manner had no air of study or exaggeration. He did really look and speak as if in a state of no common enjoyment. Their subjects in general were such as belong to an opening acquaintance. On his side were the inquiries,--"Was she a horsewoman?--Pleasant rides?--Pleasant walks?--Had they a large neighbourhood?--Highbury, perhaps, afforded society enough?--There were several very pretty houses in and about it.--Balls--had they balls?--Was it a musical society?" But when satisfied on all these points, and their acquaintance proportionably advanced, he contrived to find an opportunity, while their two fathers were engaged with each other, of introducing his mother-in-law, and speaking of her with so much handsome praise, so much warm admiration, so much gratitude for the happiness she secured to his father, and her very kind reception of himself, as was an additional proof of his knowing how to please--and of his certainly thinking it worth while to try to please her. He did not advance a word of praise beyond what she knew to be thoroughly deserved by Mrs. Weston; but, undoubtedly he could know very little of the matter. He understood what would be welcome; he could be sure of little else. "His father's marriage," he said, "had been the wisest measure, every friend must rejoice in it; and the family from whom he had received such a blessing must be ever considered as having conferred the highest obligation on him." He got as near as he could to thanking her for Miss Taylor's merits, without seeming quite to forget that in the common course of things it was to be rather supposed that Miss Taylor had formed Miss Woodhouse's character, than Miss Woodhouse Miss Taylor's. And at last, as if resolved to qualify his opinion completely for travelling round to its object, he wound it all up with astonishment at the youth and beauty of her person. "Elegant, agreeable manners, I was prepared for," said he; "but I confess that, considering every thing, I had not expected more than a very tolerably well-looking woman of a certain age; I did not know that I was to find a pretty young woman in Mrs. Weston." "You cannot see too much perfection in Mrs. Weston for my feelings," said Emma; "were you to guess her to be _eighteen_, I should listen with pleasure; but _she_ would be ready to quarrel with you for using such words. Don't let her imagine that you have spoken of her as a pretty young woman." "I hope I should know better," he replied; "no, depend upon it, (with a gallant bow,) that in addressing Mrs. Weston I should understand whom I might praise without any danger of being thought extravagant in my terms." Emma wondered whether the same suspicion of what might be expected from their knowing each other, which had taken strong possession of her mind, had ever crossed his; and whether his compliments were to be considered as marks of acquiescence, or proofs of defiance. She must see more of him to understand his ways; at present she only felt they were agreeable. She had no doubt of what Mr. Weston was often thinking about. His quick eye she detected again and again glancing towards them with a happy expression; and even, when he might have determined not to look, she was confident that he was often listening. Her own father's perfect exemption from any thought of the kind, the entire deficiency in him of all such sort of penetration or suspicion, was a most comfortable circumstance. Happily he was not farther from approving matrimony than from foreseeing it.--Though always objecting to every marriage that was arranged, he never suffered beforehand from the apprehension of any; it seemed as if he could not think so ill of any two persons' understanding as to suppose they meant to marry till it were proved against them. She blessed the favouring blindness. He could now, without the drawback of a single unpleasant surmise, without a glance forward at any possible treachery in his guest, give way to all his natural kind-hearted civility in solicitous inquiries after Mr. Frank Churchill's accommodation on his journey, through the sad evils of sleeping two nights on the road, and express very genuine unmixed anxiety to know that he had certainly escaped catching cold--which, however, he could not allow him to feel quite assured of himself till after another night. A reasonable visit paid, Mr. Weston began to move.--"He must be going. He had business at the Crown about his hay, and a great many errands for Mrs. Weston at Ford's, but he need not hurry any body else." His son, too well bred to hear the hint, rose immediately also, saying, "As you are going farther on business, sir, I will take the opportunity of paying a visit, which must be paid some day or other, and therefore may as well be paid now. I have the honour of being acquainted with a neighbour of yours, (turning to Emma,) a lady residing in or near Highbury; a family of the name of Fairfax. I shall have no difficulty, I suppose, in finding the house; though Fairfax, I believe, is not the proper name--I should rather say Barnes, or Bates. Do you know any family of that name?" "To be sure we do," cried his father; "Mrs. Bates--we passed her house--I saw Miss Bates at the window. True, true, you are acquainted with Miss Fairfax; I remember you knew her at Weymouth, and a fine girl she is. Call upon her, by all means." "There is no necessity for my calling this morning," said the young man; "another day would do as well; but there was that degree of acquaintance at Weymouth which--" "Oh! go to-day, go to-day. Do not defer it. What is right to be done cannot be done too soon. And, besides, I must give you a hint, Frank; any want of attention to her _here_ should be carefully avoided. You saw her with the Campbells, when she was the equal of every body she mixed with, but here she is with a poor old grandmother, who has barely enough to live on. If you do not call early it will be a slight." The son looked convinced. "I have heard her speak of the acquaintance," said Emma; "she is a very elegant young woman." He agreed to it, but with so quiet a "Yes," as inclined her almost to doubt his real concurrence; and yet there must be a very distinct sort of elegance for the fashionable world, if Jane Fairfax could be thought only ordinarily gifted with it. "If you were never particularly struck by her manners before," said she, "I think you will to-day. You will see her to advantage; see her and hear her--no, I am afraid you will not hear her at all, for she has an aunt who never holds her tongue." "You are acquainted with Miss Jane Fairfax, sir, are you?" said Mr. Woodhouse, always the last to make his way in conversation; "then give me leave to assure you that you will find her a very agreeable young lady. She is staying here on a visit to her grandmama and aunt, very worthy people; I have known them all my life. They will be extremely glad to see you, I am sure; and one of my servants shall go with you to shew you the way." "My dear sir, upon no account in the world; my father can direct me." "But your father is not going so far; he is only going to the Crown, quite on the other side of the street, and there are a great many houses; you might be very much at a loss, and it is a very dirty walk, unless you keep on the footpath; but my coachman can tell you where you had best cross the street." Mr. Frank Churchill still declined it, looking as serious as he could, and his father gave his hearty support by calling out, "My good friend, this is quite unnecessary; Frank knows a puddle of water when he sees it, and as to Mrs. Bates's, he may get there from the Crown in a hop, step, and jump." They were permitted to go alone; and with a cordial nod from one, and a graceful bow from the other, the two gentlemen took leave. Emma remained very well pleased with this beginning of the acquaintance, and could now engage to think of them all at Randalls any hour of the day, with full confidence in their comfort.

When Emma calls for Harriet at the Abbey Farm, the excited girl tells Emma that she has visited with Martin's mother and two sisters. On the way home, Emma decides to stop at the Westons and is disappointed to find they are not home. As she turns to leave, the Westons arrive in their carriage. They inform Emma that Frank Churchill will be arriving the next day and staying for a fortnight. They assure Emma that they will bring Frank to Hartfield. The next day Mr. Weston and Frank call at Woodhouse. Emma finds Frank to be a very good-looking gentleman of well-bred manners; she is also impressed by his lively spirit. He praises Mrs. Weston for her pretty looks and elegant manners. Emma immediately likes Frank and imaginatively concludes that Frank also has an interest in her. She barely notices that he plans to call on Jane Fairfax next since he already knows her.

SCENE III MADAME PERNELLE, ORGON, ELMIRE, CLEANTE, MARIANE, DAMIS, DORINE MADAME PERNELLE What's this? I hear of fearful mysteries! ORGON Strange things indeed, for my own eyes to witness; You see how I'm requited for my kindness, I zealously receive a wretched beggar, I lodge him, entertain him like my brother, Load him with benefactions every day, Give him my daughter, give him all my fortune: And he meanwhile, the villain, rascal, wretch, Tries with black treason to suborn my wife, And not content with such a foul design, He dares to menace me with my own favours, And would make use of those advantages Which my too foolish kindness armed him with, To ruin me, to take my fortune from me, And leave me in the state I saved him from. DORINE Poor man! MADAME PERNELLE My son, I cannot possibly Believe he could intend so black a deed. ORGON What? MADAME PERNELLE Worthy men are still the sport of envy. ORGON Mother, what do you mean by such a speech? MADAME PERNELLE There are strange goings-on about your house, And everybody knows your people hate him. ORGON What's that to do with what I tell you now? MADAME PERNELLE I always said, my son, when you were little: That virtue here below is hated ever; The envious may die, but envy never. ORGON What's that fine speech to do with present facts? MADAME PERNELLE Be sure, they've forged a hundred silly lies ... ORGON I've told you once, I saw it all myself. MADAME PERNELLE For slanderers abound in calumnies ... ORGON Mother, you'd make me damn my soul. I tell you I saw with my own eyes his shamelessness. MADAME PERNELLE Their tongues for spitting venom never lack, There's nothing here below they'll not attack. ORGON Your speech has not a single grain of sense. I saw it, harkee, saw it, with these eyes I saw--d'ye know what saw means?--must I say it A hundred times, and din it in your ears? MADAME PERNELLE My dear, appearances are oft deceiving, And seeing shouldn't always be believing. ORGON I'll go mad. MADAME PERNELLE False suspicions may delude, And good to evil oft is misconstrued. ORGON Must I construe as Christian charity The wish to kiss my wife! MADAME PERNELLE You must, at least, Have just foundation for accusing people, And wait until you see a thing for sure. ORGON The devil! How could I see any surer? Should I have waited till, before my eyes, He ... No, you'll make me say things quite improper. MADAME PERNELLE In short, 'tis known too pure a zeal inflames him; And so, I cannot possibly conceive That he should try to do what's charged against him. ORGON If you were not my mother, I should say Such things! ... I know not what, I'm so enraged! DORINE (to Orgon) Fortune has paid you fair, to be so doubted; You flouted our report, now yours is flouted. CLEANTE We're wasting time here in the merest trifling, Which we should rather use in taking measures To guard ourselves against the scoundrel's threats. DAMIS You think his impudence could go far? ELMIRE For one, I can't believe it possible; Why, his ingratitude would be too patent. CLEANTE Don't trust to that; he'll find abundant warrant To give good colour to his acts against you; And for less cause than this, a strong cabal Can make one's life a labyrinth of troubles. I tell you once again: armed as he is You never should have pushed him quite so far. ORGON True; yet what could I do? The rascal's pride Made me lose all control of my resentment. CLEANTE I wish with all my heart that some pretence Of peace could be patched up between you two ELMIRE If I had known what weapons he was armed with, I never should have raised such an alarm, And my ... ORGON (to Dorine, seeing Mr. Loyal come in) Who's coming now? Go quick, find out. I'm in a fine state to receive a visit!

Madame Pernelle, Mariane, Elmire, and Dorine show up. Madame Pernelle can't believe the stuff she's been hearing. Orgon gets his mom up to speed on what's happened. He tells her how Tartuffe duped him, took his stuff, and tried to seduce his wife. Madame Pernelle still can't believe what she's hearing and she tells Orgon as much. Orgon is flabbergasted - he doesn't know how she can't see Tartuffe for what he is after hearing all that. Orgon and his mother argue for a while; she insists that Tartuffe is good, and that he, Orgon, doesn't have enough proof of his guilt. This is what some people call "getting a taste of your own medicine." Finally, Cleante tells them to cut it out. Tartuffe, they have to remember, is planning to take control of Orgon's estate. Damis and Elmire don't think that Tartuffe has the guts to follow through, but Cleante isn't so sure. He, Orgon, and Elmire are talking things through when...

When the chambermaid tapped at my door at eight o'clock, and informed me that my shaving-water was outside, I felt severely the having no occasion for it, and blushed in my bed. The suspicion that she laughed too, when she said it, preyed upon my mind all the time I was dressing; and gave me, I was conscious, a sneaking and guilty air when I passed her on the staircase, as I was going down to breakfast. I was so sensitively aware, indeed, of being younger than I could have wished, that for some time I could not make up my mind to pass her at all, under the ignoble circumstances of the case; but, hearing her there with a broom, stood peeping out of window at King Charles on horseback, surrounded by a maze of hackney-coaches, and looking anything but regal in a drizzling rain and a dark-brown fog, until I was admonished by the waiter that the gentleman was waiting for me. It was not in the coffee-room that I found Steerforth expecting me, but in a snug private apartment, red-curtained and Turkey-carpeted, where the fire burnt bright, and a fine hot breakfast was set forth on a table covered with a clean cloth; and a cheerful miniature of the room, the fire, the breakfast, Steerforth, and all, was shining in the little round mirror over the sideboard. I was rather bashful at first, Steerforth being so self-possessed, and elegant, and superior to me in all respects (age included); but his easy patronage soon put that to rights, and made me quite at home. I could not enough admire the change he had wrought in the Golden Cross; or compare the dull forlorn state I had held yesterday, with this morning's comfort and this morning's entertainment. As to the waiter's familiarity, it was quenched as if it had never been. He attended on us, as I may say, in sackcloth and ashes. 'Now, Copperfield,' said Steerforth, when we were alone, 'I should like to hear what you are doing, and where you are going, and all about you. I feel as if you were my property.' Glowing with pleasure to find that he had still this interest in me, I told him how my aunt had proposed the little expedition that I had before me, and whither it tended. 'As you are in no hurry, then,' said Steerforth, 'come home with me to Highgate, and stay a day or two. You will be pleased with my mother--she is a little vain and prosy about me, but that you can forgive her--and she will be pleased with you.' 'I should like to be as sure of that, as you are kind enough to say you are,' I answered, smiling. 'Oh!' said Steerforth, 'everyone who likes me, has a claim on her that is sure to be acknowledged.' 'Then I think I shall be a favourite,' said I. 'Good!' said Steerforth. 'Come and prove it. We will go and see the lions for an hour or two--it's something to have a fresh fellow like you to show them to, Copperfield--and then we'll journey out to Highgate by the coach.' I could hardly believe but that I was in a dream, and that I should wake presently in number forty-four, to the solitary box in the coffee-room and the familiar waiter again. After I had written to my aunt and told her of my fortunate meeting with my admired old schoolfellow, and my acceptance of his invitation, we went out in a hackney-chariot, and saw a Panorama and some other sights, and took a walk through the Museum, where I could not help observing how much Steerforth knew, on an infinite variety of subjects, and of how little account he seemed to make his knowledge. 'You'll take a high degree at college, Steerforth,' said I, 'if you have not done so already; and they will have good reason to be proud of you.' 'I take a degree!' cried Steerforth. 'Not I! my dear Daisy--will you mind my calling you Daisy?' 'Not at all!' said I. 'That's a good fellow! My dear Daisy,' said Steerforth, laughing. 'I have not the least desire or intention to distinguish myself in that way. I have done quite sufficient for my purpose. I find that I am heavy company enough for myself as I am.' 'But the fame--' I was beginning. 'You romantic Daisy!' said Steerforth, laughing still more heartily: 'why should I trouble myself, that a parcel of heavy-headed fellows may gape and hold up their hands? Let them do it at some other man. There's fame for him, and he's welcome to it.' I was abashed at having made so great a mistake, and was glad to change the subject. Fortunately it was not difficult to do, for Steerforth could always pass from one subject to another with a carelessness and lightness that were his own. Lunch succeeded to our sight-seeing, and the short winter day wore away so fast, that it was dusk when the stage-coach stopped with us at an old brick house at Highgate on the summit of the hill. An elderly lady, though not very far advanced in years, with a proud carriage and a handsome face, was in the doorway as we alighted; and greeting Steerforth as 'My dearest James,' folded him in her arms. To this lady he presented me as his mother, and she gave me a stately welcome. It was a genteel old-fashioned house, very quiet and orderly. From the windows of my room I saw all London lying in the distance like a great vapour, with here and there some lights twinkling through it. I had only time, in dressing, to glance at the solid furniture, the framed pieces of work (done, I supposed, by Steerforth's mother when she was a girl), and some pictures in crayons of ladies with powdered hair and bodices, coming and going on the walls, as the newly-kindled fire crackled and sputtered, when I was called to dinner. There was a second lady in the dining-room, of a slight short figure, dark, and not agreeable to look at, but with some appearance of good looks too, who attracted my attention: perhaps because I had not expected to see her; perhaps because I found myself sitting opposite to her; perhaps because of something really remarkable in her. She had black hair and eager black eyes, and was thin, and had a scar upon her lip. It was an old scar--I should rather call it seam, for it was not discoloured, and had healed years ago--which had once cut through her mouth, downward towards the chin, but was now barely visible across the table, except above and on her upper lip, the shape of which it had altered. I concluded in my own mind that she was about thirty years of age, and that she wished to be married. She was a little dilapidated--like a house--with having been so long to let; yet had, as I have said, an appearance of good looks. Her thinness seemed to be the effect of some wasting fire within her, which found a vent in her gaunt eyes. She was introduced as Miss Dartle, and both Steerforth and his mother called her Rosa. I found that she lived there, and had been for a long time Mrs. Steerforth's companion. It appeared to me that she never said anything she wanted to say, outright; but hinted it, and made a great deal more of it by this practice. For example, when Mrs. Steerforth observed, more in jest than earnest, that she feared her son led but a wild life at college, Miss Dartle put in thus: 'Oh, really? You know how ignorant I am, and that I only ask for information, but isn't it always so? I thought that kind of life was on all hands understood to be--eh?' 'It is education for a very grave profession, if you mean that, Rosa,' Mrs. Steerforth answered with some coldness. 'Oh! Yes! That's very true,' returned Miss Dartle. 'But isn't it, though?--I want to be put right, if I am wrong--isn't it, really?' 'Really what?' said Mrs. Steerforth. 'Oh! You mean it's not!' returned Miss Dartle. 'Well, I'm very glad to hear it! Now, I know what to do! That's the advantage of asking. I shall never allow people to talk before me about wastefulness and profligacy, and so forth, in connexion with that life, any more.' 'And you will be right,' said Mrs. Steerforth. 'My son's tutor is a conscientious gentleman; and if I had not implicit reliance on my son, I should have reliance on him.' 'Should you?' said Miss Dartle. 'Dear me! Conscientious, is he? Really conscientious, now?' 'Yes, I am convinced of it,' said Mrs. Steerforth. 'How very nice!' exclaimed Miss Dartle. 'What a comfort! Really conscientious? Then he's not--but of course he can't be, if he's really conscientious. Well, I shall be quite happy in my opinion of him, from this time. You can't think how it elevates him in my opinion, to know for certain that he's really conscientious!' Her own views of every question, and her correction of everything that was said to which she was opposed, Miss Dartle insinuated in the same way: sometimes, I could not conceal from myself, with great power, though in contradiction even of Steerforth. An instance happened before dinner was done. Mrs. Steerforth speaking to me about my intention of going down into Suffolk, I said at hazard how glad I should be, if Steerforth would only go there with me; and explaining to him that I was going to see my old nurse, and Mr. Peggotty's family, I reminded him of the boatman whom he had seen at school. 'Oh! That bluff fellow!' said Steerforth. 'He had a son with him, hadn't he?' 'No. That was his nephew,' I replied; 'whom he adopted, though, as a son. He has a very pretty little niece too, whom he adopted as a daughter. In short, his house--or rather his boat, for he lives in one, on dry land--is full of people who are objects of his generosity and kindness. You would be delighted to see that household.' 'Should I?' said Steerforth. 'Well, I think I should. I must see what can be done. It would be worth a journey (not to mention the pleasure of a journey with you, Daisy), to see that sort of people together, and to make one of 'em.' My heart leaped with a new hope of pleasure. But it was in reference to the tone in which he had spoken of 'that sort of people', that Miss Dartle, whose sparkling eyes had been watchful of us, now broke in again. 'Oh, but, really? Do tell me. Are they, though?' she said. 'Are they what? And are who what?' said Steerforth. 'That sort of people.---Are they really animals and clods, and beings of another order? I want to know SO much.' 'Why, there's a pretty wide separation between them and us,' said Steerforth, with indifference. 'They are not to be expected to be as sensitive as we are. Their delicacy is not to be shocked, or hurt easily. They are wonderfully virtuous, I dare say--some people contend for that, at least; and I am sure I don't want to contradict them--but they have not very fine natures, and they may be thankful that, like their coarse rough skins, they are not easily wounded.' 'Really!' said Miss Dartle. 'Well, I don't know, now, when I have been better pleased than to hear that. It's so consoling! It's such a delight to know that, when they suffer, they don't feel! Sometimes I have been quite uneasy for that sort of people; but now I shall just dismiss the idea of them, altogether. Live and learn. I had my doubts, I confess, but now they're cleared up. I didn't know, and now I do know, and that shows the advantage of asking--don't it?' I believed that Steerforth had said what he had, in jest, or to draw Miss Dartle out; and I expected him to say as much when she was gone, and we two were sitting before the fire. But he merely asked me what I thought of her. 'She is very clever, is she not?' I asked. 'Clever! She brings everything to a grindstone,' said Steerforth, and sharpens it, as she has sharpened her own face and figure these years past. She has worn herself away by constant sharpening. She is all edge.' 'What a remarkable scar that is upon her lip!' I said. Steerforth's face fell, and he paused a moment. 'Why, the fact is,' he returned, 'I did that.' 'By an unfortunate accident!' 'No. I was a young boy, and she exasperated me, and I threw a hammer at her. A promising young angel I must have been!' I was deeply sorry to have touched on such a painful theme, but that was useless now. 'She has borne the mark ever since, as you see,' said Steerforth; 'and she'll bear it to her grave, if she ever rests in one--though I can hardly believe she will ever rest anywhere. She was the motherless child of a sort of cousin of my father's. He died one day. My mother, who was then a widow, brought her here to be company to her. She has a couple of thousand pounds of her own, and saves the interest of it every year, to add to the principal. There's the history of Miss Rosa Dartle for you.' 'And I have no doubt she loves you like a brother?' said I. 'Humph!' retorted Steerforth, looking at the fire. 'Some brothers are not loved over much; and some love--but help yourself, Copperfield! We'll drink the daisies of the field, in compliment to you; and the lilies of the valley that toil not, neither do they spin, in compliment to me--the more shame for me!' A moody smile that had overspread his features cleared off as he said this merrily, and he was his own frank, winning self again. I could not help glancing at the scar with a painful interest when we went in to tea. It was not long before I observed that it was the most susceptible part of her face, and that, when she turned pale, that mark altered first, and became a dull, lead-coloured streak, lengthening out to its full extent, like a mark in invisible ink brought to the fire. There was a little altercation between her and Steerforth about a cast of the dice at back gammon--when I thought her, for one moment, in a storm of rage; and then I saw it start forth like the old writing on the wall. It was no matter of wonder to me to find Mrs. Steerforth devoted to her son. She seemed to be able to speak or think about nothing else. She showed me his picture as an infant, in a locket, with some of his baby-hair in it; she showed me his picture as he had been when I first knew him; and she wore at her breast his picture as he was now. All the letters he had ever written to her, she kept in a cabinet near her own chair by the fire; and she would have read me some of them, and I should have been very glad to hear them too, if he had not interposed, and coaxed her out of the design. 'It was at Mr. Creakle's, my son tells me, that you first became acquainted,' said Mrs. Steerforth, as she and I were talking at one table, while they played backgammon at another. 'Indeed, I recollect his speaking, at that time, of a pupil younger than himself who had taken his fancy there; but your name, as you may suppose, has not lived in my memory.' 'He was very generous and noble to me in those days, I assure you, ma'am,' said I, 'and I stood in need of such a friend. I should have been quite crushed without him.' 'He is always generous and noble,' said Mrs. Steerforth, proudly. I subscribed to this with all my heart, God knows. She knew I did; for the stateliness of her manner already abated towards me, except when she spoke in praise of him, and then her air was always lofty. 'It was not a fit school generally for my son,' said she; 'far from it; but there were particular circumstances to be considered at the time, of more importance even than that selection. My son's high spirit made it desirable that he should be placed with some man who felt its superiority, and would be content to bow himself before it; and we found such a man there.' I knew that, knowing the fellow. And yet I did not despise him the more for it, but thought it a redeeming quality in him if he could be allowed any grace for not resisting one so irresistible as Steerforth. 'My son's great capacity was tempted on, there, by a feeling of voluntary emulation and conscious pride,' the fond lady went on to say. 'He would have risen against all constraint; but he found himself the monarch of the place, and he haughtily determined to be worthy of his station. It was like himself.' I echoed, with all my heart and soul, that it was like himself. 'So my son took, of his own will, and on no compulsion, to the course in which he can always, when it is his pleasure, outstrip every competitor,' she pursued. 'My son informs me, Mr. Copperfield, that you were quite devoted to him, and that when you met yesterday you made yourself known to him with tears of joy. I should be an affected woman if I made any pretence of being surprised by my son's inspiring such emotions; but I cannot be indifferent to anyone who is so sensible of his merit, and I am very glad to see you here, and can assure you that he feels an unusual friendship for you, and that you may rely on his protection.' Miss Dartle played backgammon as eagerly as she did everything else. If I had seen her, first, at the board, I should have fancied that her figure had got thin, and her eyes had got large, over that pursuit, and no other in the world. But I am very much mistaken if she missed a word of this, or lost a look of mine as I received it with the utmost pleasure, and honoured by Mrs. Steerforth's confidence, felt older than I had done since I left Canterbury. When the evening was pretty far spent, and a tray of glasses and decanters came in, Steerforth promised, over the fire, that he would seriously think of going down into the country with me. There was no hurry, he said; a week hence would do; and his mother hospitably said the same. While we were talking, he more than once called me Daisy; which brought Miss Dartle out again. 'But really, Mr. Copperfield,' she asked, 'is it a nickname? And why does he give it you? Is it--eh?--because he thinks you young and innocent? I am so stupid in these things.' I coloured in replying that I believed it was. 'Oh!' said Miss Dartle. 'Now I am glad to know that! I ask for information, and I am glad to know it. He thinks you young and innocent; and so you are his friend. Well, that's quite delightful!' She went to bed soon after this, and Mrs. Steerforth retired too. Steerforth and I, after lingering for half-an-hour over the fire, talking about Traddles and all the rest of them at old Salem House, went upstairs together. Steerforth's room was next to mine, and I went in to look at it. It was a picture of comfort, full of easy-chairs, cushions and footstools, worked by his mother's hand, and with no sort of thing omitted that could help to render it complete. Finally, her handsome features looked down on her darling from a portrait on the wall, as if it were even something to her that her likeness should watch him while he slept. I found the fire burning clear enough in my room by this time, and the curtains drawn before the windows and round the bed, giving it a very snug appearance. I sat down in a great chair upon the hearth to meditate on my happiness; and had enjoyed the contemplation of it for some time, when I found a likeness of Miss Dartle looking eagerly at me from above the chimney-piece. It was a startling likeness, and necessarily had a startling look. The painter hadn't made the scar, but I made it; and there it was, coming and going; now confined to the upper lip as I had seen it at dinner, and now showing the whole extent of the wound inflicted by the hammer, as I had seen it when she was passionate. I wondered peevishly why they couldn't put her anywhere else instead of quartering her on me. To get rid of her, I undressed quickly, extinguished my light, and went to bed. But, as I fell asleep, I could not forget that she was still there looking, 'Is it really, though? I want to know'; and when I awoke in the night, I found that I was uneasily asking all sorts of people in my dreams whether it really was or not--without knowing what I meant.

The next morning, a chamber-maid knocks on David's door to tell him there's water for shaving outside his door. David blushes: he doesn't need to shave yet, and he's sure the chamber-maid knows it and is laughing at him. Steerforth is waiting for David in a private dining room. David feels rather shy in front of Steerforth, who is so much grander than David is. Steerforth asks David all about him. David is pleased that Steerforth is so interested. He tells Steerforth his plans to visit Yarmouth. Steerforth hears that David is not in a hurry and invites David to his mother's house in Highgate to stay for a few days. David is delighted to accept. He's so excited: he writes to his aunt to tell her of his change of plans, and then David and Steerforth see some of the sights of London. They go to a museum, and David is impressed with Steerforth's knowledge of everything. David comments that Steerforth will certainly get a graduate degree out of his higher education. Steerforth laughs yet again and says that he has no intention of pursuing further education. Steerforth wonders why he should bother with fame or acclaim when he's satisfied with what he has? David is embarrassed at his misstep and changes the subject. Finally, they travel out to Mrs. Steerforth's house, where Steerforth's mother greets them. The house is old-fashioned, quiet, and neat. There is a second lady in the dining room: she is thin and sharp looking, about 30, with a scar on her mouth that slightly changes the shape of her upper lip. This is Miss Rosa Dartle. Miss Dartle has an odd way of speaking: she never comes out and says anything straight, but she hints quite broadly. For example, she hints that Steerforth is living a wild life at college and not learning anything. This happens a second time when David mentions that he plans to visit the Peggottys, whom Steerforth has met. David explains the Mr. Peggotty has adopted Ham and little Emily, so his house is full of people who Mr. Peggotty has been kind to. Steerforth comments that they seem worth his attention. Miss Dartle chimes in to ask if they really seem worth his notice, as though they were animals or beings of another order? Steerforth clarifies that he thinks there is a difference between them and us - they may be very good people, but they can't be expected to be as sensitive or fine as people with better breeding. Miss Dartle thanks him for making her feel better: she had been worried that poor people suffer, but now she knows that they don't really feel things the way better people do. David thinks that Steerforth can't mean what he says, and that he must have made his comments about poor people to draw Miss Dartle out. Once they are alone, Steerforth asks David what he thinks of Miss Dartle. David comments that she seems very clever, and Steerforth agrees: she is so sharp that she seems all edge to Steerforth. David remarks on Miss Dartle's scar. Steerforth admits that he gave it to her: when he was a little boy, she irritated him and he threw a hammer at her. David is sorry to have brought it up, since it must be painful for Steerforth. Steerforth continues: Miss Dartle is an orphan of a cousin of Steerforth's father's who Mrs. Steerforth brought to live with her as a companion once Mr. Steerforth died. David comments that Miss Dartle must love Steerforth like a brother. Steerforth hems and haws a bit, and then changes the subject. The next day, David keeps glancing at Miss Dartle's scar. He notices that, when she gets angry, it flushes dark and stands out clearly on her face. Mrs. Steerforth shows David all of Steerforth's old letters to her, his baby pictures, and a lock of his hair. David tells Mrs. Steerforth that Steerforth practically saved his life at Mr. Creakle's school, and that he has always been generous and noble to David. Mrs. Steerforth agrees that Salem House was not good enough for her son, but Steerforth needed to go there because they had trouble finding a teacher who would "be content to bow himself" before Steerforth's superior character. Steerforth's mother adds that her son had to go to a school where he could be the acknowledged king of the place. Mrs. Steerforth is delighted that David is so devoted to her son, but she also finds it only natural that her son should inspire such feelings in his fellow men. During this conversation, Miss Dartle is busy playing backgammon with Steerforth, but David is certain that she doesn't miss a word of any of this. Later on, Steerforth calls David Daisy again, and Miss Dartle jumps on it. She asks if it means that David is young and innocent. She comments that Steerforth thinks David is innocent, and so he is willing to be friends with him. Miss Dartle goes to bed soon after, and Steerforth and David stay up late and talk about old school times. When David goes to bed, he notices that there is a portrait of Miss Dartle on his wall. He finds it disturbing, and starts having uneasy dreams filled with doubts about the people around him.

'And so it was you that was your own friend, was it?' asked Mr. Claypole, otherwise Bolter, when, by virtue of the compact entered into between them, he had removed next day to Fagin's house. ''Cod, I thought as much last night!' 'Every man's his own friend, my dear,' replied Fagin, with his most insinuating grin. 'He hasn't as good a one as himself anywhere.' 'Except sometimes,' replied Morris Bolter, assuming the air of a man of the world. 'Some people are nobody's enemies but their own, yer know.' 'Don't believe that,' said Fagin. 'When a man's his own enemy, it's only because he's too much his own friend; not because he's careful for everybody but himself. Pooh! pooh! There ain't such a thing in nature.' 'There oughn't to be, if there is,' replied Mr. Bolter. 'That stands to reason. Some conjurers say that number three is the magic number, and some say number seven. It's neither, my friend, neither. It's number one. 'Ha! ha!' cried Mr. Bolter. 'Number one for ever.' 'In a little community like ours, my dear,' said Fagin, who felt it necessary to qualify this position, 'we have a general number one, without considering me too as the same, and all the other young people.' 'Oh, the devil!' exclaimed Mr. Bolter. 'You see,' pursued Fagin, affecting to disregard this interruption, 'we are so mixed up together, and identified in our interests, that it must be so. For instance, it's your object to take care of number one--meaning yourself.' 'Certainly,' replied Mr. Bolter. 'Yer about right there.' 'Well! You can't take care of yourself, number one, without taking care of me, number one.' 'Number two, you mean,' said Mr. Bolter, who was largely endowed with the quality of selfishness. 'No, I don't!' retorted Fagin. 'I'm of the same importance to you, as you are to yourself.' 'I say,' interrupted Mr. Bolter, 'yer a very nice man, and I'm very fond of yer; but we ain't quite so thick together, as all that comes to.' 'Only think,' said Fagin, shrugging his shoulders, and stretching out his hands; 'only consider. You've done what's a very pretty thing, and what I love you for doing; but what at the same time would put the cravat round your throat, that's so very easily tied and so very difficult to unloose--in plain English, the halter!' Mr. Bolter put his hand to his neckerchief, as if he felt it inconveniently tight; and murmured an assent, qualified in tone but not in substance. 'The gallows,' continued Fagin, 'the gallows, my dear, is an ugly finger-post, which points out a very short and sharp turning that has stopped many a bold fellow's career on the broad highway. To keep in the easy road, and keep it at a distance, is object number one with you.' 'Of course it is,' replied Mr. Bolter. 'What do yer talk about such things for?' 'Only to show you my meaning clearly,' said the Jew, raising his eyebrows. 'To be able to do that, you depend upon me. To keep my little business all snug, I depend upon you. The first is your number one, the second my number one. The more you value your number one, the more careful you must be of mine; so we come at last to what I told you at first--that a regard for number one holds us all together, and must do so, unless we would all go to pieces in company.' 'That's true,' rejoined Mr. Bolter, thoughtfully. 'Oh! yer a cunning old codger!' Mr. Fagin saw, with delight, that this tribute to his powers was no mere compliment, but that he had really impressed his recruit with a sense of his wily genius, which it was most important that he should entertain in the outset of their acquaintance. To strengthen an impression so desirable and useful, he followed up the blow by acquainting him, in some detail, with the magnitude and extent of his operations; blending truth and fiction together, as best served his purpose; and bringing both to bear, with so much art, that Mr. Bolter's respect visibly increased, and became tempered, at the same time, with a degree of wholesome fear, which it was highly desirable to awaken. 'It's this mutual trust we have in each other that consoles me under heavy losses,' said Fagin. 'My best hand was taken from me, yesterday morning.' 'You don't mean to say he died?' cried Mr. Bolter. 'No, no,' replied Fagin, 'not so bad as that. Not quite so bad.' 'What, I suppose he was--' 'Wanted,' interposed Fagin. 'Yes, he was wanted.' 'Very particular?' inquired Mr. Bolter. 'No,' replied Fagin, 'not very. He was charged with attempting to pick a pocket, and they found a silver snuff-box on him,--his own, my dear, his own, for he took snuff himself, and was very fond of it. They remanded him till to-day, for they thought they knew the owner. Ah! he was worth fifty boxes, and I'd give the price of as many to have him back. You should have known the Dodger, my dear; you should have known the Dodger.' 'Well, but I shall know him, I hope; don't yer think so?' said Mr. Bolter. 'I'm doubtful about it,' replied Fagin, with a sigh. 'If they don't get any fresh evidence, it'll only be a summary conviction, and we shall have him back again after six weeks or so; but, if they do, it's a case of lagging. They know what a clever lad he is; he'll be a lifer. They'll make the Artful nothing less than a lifer.' 'What do you mean by lagging and a lifer?' demanded Mr. Bolter. 'What's the good of talking in that way to me; why don't yer speak so as I can understand yer?' Fagin was about to translate these mysterious expressions into the vulgar tongue; and, being interpreted, Mr. Bolter would have been informed that they represented that combination of words, 'transportation for life,' when the dialogue was cut short by the entry of Master Bates, with his hands in his breeches-pockets, and his face twisted into a look of semi-comical woe. 'It's all up, Fagin,' said Charley, when he and his new companion had been made known to each other. 'What do you mean?' 'They've found the gentleman as owns the box; two or three more's a coming to 'dentify him; and the Artful's booked for a passage out,' replied Master Bates. 'I must have a full suit of mourning, Fagin, and a hatband, to wisit him in, afore he sets out upon his travels. To think of Jack Dawkins--lummy Jack--the Dodger--the Artful Dodger--going abroad for a common twopenny-halfpenny sneeze-box! I never thought he'd a done it under a gold watch, chain, and seals, at the lowest. Oh, why didn't he rob some rich old gentleman of all his walables, and go out as a gentleman, and not like a common prig, without no honour nor glory!' With this expression of feeling for his unfortunate friend, Master Bates sat himself on the nearest chair with an aspect of chagrin and despondency. 'What do you talk about his having neither honour nor glory for!' exclaimed Fagin, darting an angry look at his pupil. 'Wasn't he always the top-sawyer among you all! Is there one of you that could touch him or come near him on any scent! Eh?' 'Not one,' replied Master Bates, in a voice rendered husky by regret; 'not one.' 'Then what do you talk of?' replied Fagin angrily; 'what are you blubbering for?' ''Cause it isn't on the rec-ord, is it?' said Charley, chafed into perfect defiance of his venerable friend by the current of his regrets; ''cause it can't come out in the 'dictment; 'cause nobody will never know half of what he was. How will he stand in the Newgate Calendar? P'raps not be there at all. Oh, my eye, my eye, wot a blow it is!' 'Ha! ha!' cried Fagin, extending his right hand, and turning to Mr. Bolter in a fit of chuckling which shook him as though he had the palsy; 'see what a pride they take in their profession, my dear. Ain't it beautiful?' Mr. Bolter nodded assent, and Fagin, after contemplating the grief of Charley Bates for some seconds with evident satisfaction, stepped up to that young gentleman and patted him on the shoulder. 'Never mind, Charley,' said Fagin soothingly; 'it'll come out, it'll be sure to come out. They'll all know what a clever fellow he was; he'll show it himself, and not disgrace his old pals and teachers. Think how young he is too! What a distinction, Charley, to be lagged at his time of life!' 'Well, it is a honour that is!' said Charley, a little consoled. 'He shall have all he wants,' continued the Jew. 'He shall be kept in the Stone Jug, Charley, like a gentleman. Like a gentleman! With his beer every day, and money in his pocket to pitch and toss with, if he can't spend it.' 'No, shall he though?' cried Charley Bates. 'Ay, that he shall,' replied Fagin, 'and we'll have a big-wig, Charley: one that's got the greatest gift of the gab: to carry on his defence; and he shall make a speech for himself too, if he likes; and we'll read it all in the papers--"Artful Dodger--shrieks of laughter--here the court was convulsed"--eh, Charley, eh?' 'Ha! ha!' laughed Master Bates, 'what a lark that would be, wouldn't it, Fagin? I say, how the Artful would bother 'em wouldn't he?' 'Would!' cried Fagin. 'He shall--he will!' 'Ah, to be sure, so he will,' repeated Charley, rubbing his hands. 'I think I see him now,' cried the Jew, bending his eyes upon his pupil. 'So do I,' cried Charley Bates. 'Ha! ha! ha! so do I. I see it all afore me, upon my soul I do, Fagin. What a game! What a regular game! All the big-wigs trying to look solemn, and Jack Dawkins addressing of 'em as intimate and comfortable as if he was the judge's own son making a speech arter dinner--ha! ha! ha!' In fact, Mr. Fagin had so well humoured his young friend's eccentric disposition, that Master Bates, who had at first been disposed to consider the imprisoned Dodger rather in the light of a victim, now looked upon him as the chief actor in a scene of most uncommon and exquisite humour, and felt quite impatient for the arrival of the time when his old companion should have so favourable an opportunity of displaying his abilities. 'We must know how he gets on to-day, by some handy means or other,' said Fagin. 'Let me think.' 'Shall I go?' asked Charley. 'Not for the world,' replied Fagin. 'Are you mad, my dear, stark mad, that you'd walk into the very place where--No, Charley, no. One is enough to lose at a time.' 'You don't mean to go yourself, I suppose?' said Charley with a humorous leer. 'That wouldn't quite fit,' replied Fagin shaking his head. 'Then why don't you send this new cove?' asked Master Bates, laying his hand on Noah's arm. 'Nobody knows him.' 'Why, if he didn't mind--' observed Fagin. 'Mind!' interposed Charley. 'What should he have to mind?' 'Really nothing, my dear,' said Fagin, turning to Mr. Bolter, 'really nothing.' 'Oh, I dare say about that, yer know,' observed Noah, backing towards the door, and shaking his head with a kind of sober alarm. 'No, no--none of that. It's not in my department, that ain't.' 'Wot department has he got, Fagin?' inquired Master Bates, surveying Noah's lank form with much disgust. 'The cutting away when there's anything wrong, and the eating all the wittles when there's everything right; is that his branch?' 'Never mind,' retorted Mr. Bolter; 'and don't yer take liberties with yer superiors, little boy, or yer'll find yerself in the wrong shop.' Master Bates laughed so vehemently at this magnificent threat, that it was some time before Fagin could interpose, and represent to Mr. Bolter that he incurred no possible danger in visiting the police-office; that, inasmuch as no account of the little affair in which he had engaged, nor any description of his person, had yet been forwarded to the metropolis, it was very probable that he was not even suspected of having resorted to it for shelter; and that, if he were properly disguised, it would be as safe a spot for him to visit as any in London, inasmuch as it would be, of all places, the very last, to which he could be supposed likely to resort of his own free will. Persuaded, in part, by these representations, but overborne in a much greater degree by his fear of Fagin, Mr. Bolter at length consented, with a very bad grace, to undertake the expedition. By Fagin's directions, he immediately substituted for his own attire, a waggoner's frock, velveteen breeches, and leather leggings: all of which articles the Jew had at hand. He was likewise furnished with a felt hat well garnished with turnpike tickets; and a carter's whip. Thus equipped, he was to saunter into the office, as some country fellow from Covent Garden market might be supposed to do for the gratification of his curiousity; and as he was as awkward, ungainly, and raw-boned a fellow as need be, Mr. Fagin had no fear but that he would look the part to perfection. These arrangements completed, he was informed of the necessary signs and tokens by which to recognise the Artful Dodger, and was conveyed by Master Bates through dark and winding ways to within a very short distance of Bow Street. Having described the precise situation of the office, and accompanied it with copious directions how he was to walk straight up the passage, and when he got into the side, and pull off his hat as he went into the room, Charley Bates bade him hurry on alone, and promised to bide his return on the spot of their parting. Noah Claypole, or Morris Bolter as the reader pleases, punctually followed the directions he had received, which--Master Bates being pretty well acquainted with the locality--were so exact that he was enabled to gain the magisterial presence without asking any question, or meeting with any interruption by the way. He found himself jostled among a crowd of people, chiefly women, who were huddled together in a dirty frowsy room, at the upper end of which was a raised platform railed off from the rest, with a dock for the prisoners on the left hand against the wall, a box for the witnesses in the middle, and a desk for the magistrates on the right; the awful locality last named, being screened off by a partition which concealed the bench from the common gaze, and left the vulgar to imagine (if they could) the full majesty of justice. There were only a couple of women in the dock, who were nodding to their admiring friends, while the clerk read some depositions to a couple of policemen and a man in plain clothes who leant over the table. A jailer stood reclining against the dock-rail, tapping his nose listlessly with a large key, except when he repressed an undue tendency to conversation among the idlers, by proclaiming silence; or looked sternly up to bid some woman 'Take that baby out,' when the gravity of justice was disturbed by feeble cries, half-smothered in the mother's shawl, from some meagre infant. The room smelt close and unwholesome; the walls were dirt-discoloured; and the ceiling blackened. There was an old smoky bust over the mantel-shelf, and a dusty clock above the dock--the only thing present, that seemed to go on as it ought; for depravity, or poverty, or an habitual acquaintance with both, had left a taint on all the animate matter, hardly less unpleasant than the thick greasy scum on every inanimate object that frowned upon it. Noah looked eagerly about him for the Dodger; but although there were several women who would have done very well for that distinguished character's mother or sister, and more than one man who might be supposed to bear a strong resemblance to his father, nobody at all answering the description given him of Mr. Dawkins was to be seen. He waited in a state of much suspense and uncertainty until the women, being committed for trial, went flaunting out; and then was quickly relieved by the appearance of another prisoner who he felt at once could be no other than the object of his visit. It was indeed Mr. Dawkins, who, shuffling into the office with the big coat sleeves tucked up as usual, his left hand in his pocket, and his hat in his right hand, preceded the jailer, with a rolling gait altogether indescribable, and, taking his place in the dock, requested in an audible voice to know what he was placed in that 'ere disgraceful sitivation for. 'Hold your tongue, will you?' said the jailer. 'I'm an Englishman, ain't I?' rejoined the Dodger. 'Where are my priwileges?' 'You'll get your privileges soon enough,' retorted the jailer, 'and pepper with 'em.' 'We'll see wot the Secretary of State for the Home Affairs has got to say to the beaks, if I don't,' replied Mr. Dawkins. 'Now then! Wot is this here business? I shall thank the madg'strates to dispose of this here little affair, and not to keep me while they read the paper, for I've got an appointment with a genelman in the City, and as I am a man of my word and wery punctual in business matters, he'll go away if I ain't there to my time, and then pr'aps ther won't be an action for damage against them as kep me away. Oh no, certainly not!' At this point, the Dodger, with a show of being very particular with a view to proceedings to be had thereafter, desired the jailer to communicate 'the names of them two files as was on the bench.' Which so tickled the spectators, that they laughed almost as heartily as Master Bates could have done if he had heard the request. 'Silence there!' cried the jailer. 'What is this?' inquired one of the magistrates. 'A pick-pocketing case, your worship.' 'Has the boy ever been here before?' 'He ought to have been, a many times,' replied the jailer. 'He has been pretty well everywhere else. _I_ know him well, your worship.' 'Oh! you know me, do you?' cried the Artful, making a note of the statement. 'Wery good. That's a case of deformation of character, any way.' Here there was another laugh, and another cry of silence. 'Now then, where are the witnesses?' said the clerk. 'Ah! that's right,' added the Dodger. 'Where are they? I should like to see 'em.' This wish was immediately gratified, for a policeman stepped forward who had seen the prisoner attempt the pocket of an unknown gentleman in a crowd, and indeed take a handkerchief therefrom, which, being a very old one, he deliberately put back again, after trying it on his own countenance. For this reason, he took the Dodger into custody as soon as he could get near him, and the said Dodger, being searched, had upon his person a silver snuff-box, with the owner's name engraved upon the lid. This gentleman had been discovered on reference to the Court Guide, and being then and there present, swore that the snuff-box was his, and that he had missed it on the previous day, the moment he had disengaged himself from the crowd before referred to. He had also remarked a young gentleman in the throng, particularly active in making his way about, and that young gentleman was the prisoner before him. 'Have you anything to ask this witness, boy?' said the magistrate. 'I wouldn't abase myself by descending to hold no conversation with him,' replied the Dodger. 'Have you anything to say at all?' 'Do you hear his worship ask if you've anything to say?' inquired the jailer, nudging the silent Dodger with his elbow. 'I beg your pardon,' said the Dodger, looking up with an air of abstraction. 'Did you redress yourself to me, my man?' 'I never see such an out-and-out young wagabond, your worship,' observed the officer with a grin. 'Do you mean to say anything, you young shaver?' 'No,' replied the Dodger, 'not here, for this ain't the shop for justice: besides which, my attorney is a-breakfasting this morning with the Wice President of the House of Commons; but I shall have something to say elsewhere, and so will he, and so will a wery numerous and 'spectable circle of acquaintance as'll make them beaks wish they'd never been born, or that they'd got their footmen to hang 'em up to their own hat-pegs, afore they let 'em come out this morning to try it on upon me. I'll--' 'There! He's fully committed!' interposed the clerk. 'Take him away.' 'Come on,' said the jailer. 'Oh ah! I'll come on,' replied the Dodger, brushing his hat with the palm of his hand. 'Ah! (to the Bench) it's no use your looking frightened; I won't show you no mercy, not a ha'porth of it. _You'll_ pay for this, my fine fellers. I wouldn't be you for something! I wouldn't go free, now, if you was to fall down on your knees and ask me. Here, carry me off to prison! Take me away!' With these last words, the Dodger suffered himself to be led off by the collar; threatening, till he got into the yard, to make a parliamentary business of it; and then grinning in the officer's face, with great glee and self-approval. Having seen him locked up by himself in a little cell, Noah made the best of his way back to where he had left Master Bates. After waiting here some time, he was joined by that young gentleman, who had prudently abstained from showing himself until he had looked carefully abroad from a snug retreat, and ascertained that his new friend had not been followed by any impertinent person. The two hastened back together, to bear to Mr. Fagin the animating news that the Dodger was doing full justice to his bringing-up, and establishing for himself a glorious reputation.

Noah meets Fagin at his home. The Artful Dodger has been arrested for attempting to pick a pocket. Noah's first job is to go to the police station to watch the Dodger's trial. The Dodger, joking all the while, is convicted and sentenced to transportation. Noah hurries back to tell Fagin

SCENE IV. _Another part of the forest._ _Enter VALENTINE._ _Val._ How use doth breed a habit in a man! This shadowy desert, unfrequented woods, I better brook than flourishing peopled towns: Here can I sit alone, unseen of any, And to the nightingale's complaining notes 5 Tune my distresses and record my woes. O thou that dost inhabit in my breast, Leave not the mansion so long tenantless, Lest, growing ruinous, the building fall, And leave no memory of what it was! 10 Repair me with thy presence, Silvia; Thou gentle nymph, cherish thy forlorn swain! What halloing and what stir is this to-day? These are my mates, that make their wills their law, Have some unhappy passenger in chase. 15 They love me well; yet I have much to do To keep them from uncivil outrages. Withdraw thee, Valentine: who's this comes here? _Enter PROTEUS, SILVIA, and JULIA._ _Pro._ Madam, this service I have done for you, Though you respect not aught your servant doth, 20 To hazard life, and rescue you from him That would have forced your honour and your love; Vouchsafe me, for my meed, but one fair look; A smaller boon than this I cannot beg, And less than this, I am sure, you cannot give. 25 _Val._ [_Aside_] How like a dream is this I see and hear! Love, lend me patience to forbear awhile. _Sil._ O miserable, unhappy that I am! _Pro._ Unhappy were you, madam, ere I came; But by my coming I have made you happy. 30 _Sil._ By thy approach thou makest me most unhappy. _Jul._ [_Aside_] And me, when he approacheth to your presence. _Sil._ Had I been seized by a hungry lion, I would have been a breakfast to the beast, Rather than have false Proteus rescue me. 35 O, Heaven be judge how I love Valentine, Whose life's as tender to me as my soul! And full as much, for more there cannot be, I do detest false perjured Proteus. Therefore be gone; solicit me no more. 40 _Pro._ What dangerous action, stood it next to death, Would I not undergo for one calm look! O, 'tis the curse in love, and still approved, When women cannot love where they're beloved! _Sil._ When Proteus cannot love where he's beloved. 45 Read over Julia's heart, thy first, best love, For whose dear sake thou didst then rend thy faith Into a thousand oaths; and all those oaths Descended into perjury, to love me. Thou hast no faith left now, unless thou'dst two, 50 And that's far worse than none; better have none Than plural faith which is too much by one: Thou counterfeit to thy true friend! _Pro._ In love Who respects friend? _Sil._ All men but Proteus. _Pro._ Nay, if the gentle spirit of moving words 55 Can no way change you to a milder form, I'll woo you like a soldier, at arms' end, And love you 'gainst the nature of love,--force ye. _Sil._ O heaven! _Pro._ I'll force thee yield to my desire. _Val._ Ruffian, let go that rude uncivil touch, 60 Thou friend of an ill fashion! _Pro._ Valentine! _Val._ Thou common friend, that's without faith or love, For such is a friend now; treacherous man! Thou hast beguiled my hopes; nought but mine eye Could have persuaded me: now I dare not say 65 I have one friend alive; thou wouldst disprove me. Who should be trusted now, when one's right hand Is perjured to the bosom? Proteus, I am sorry I must never trust thee more, But count the world a stranger for thy sake. 70 The private wound is deepest: O time most accurst, 'Mongst all foes that a friend should be the worst! _Pro._ My shame and guilt confounds me. Forgive me, Valentine: if hearty sorrow Be a sufficient ransom for offence, 75 I tender 't here; I do as truly suffer As e'er I did commit. _Val._ Then I am paid; And once again I do receive thee honest. Who by repentance is not satisfied Is nor of heaven nor earth, for these are pleased. 80 By penitence the Eternal's wrath's appeased: And, that my love may appear plain and free, All that was mine in Silvia I give thee. _Jul._ O me unhappy! [_Swoons._ _Pro._ Look to the boy. 85 _Val._ Why, boy! why, wag! how now! what's the matter? Look up; speak. _Jul._ O good sir, my master charged me to deliver a ring to Madam Silvia, which, out of my neglect, was never done. 90 _Pro._ Where is that ring, boy? _Jul._ Here 'tis; this is it. _Pro._ How! let me see: Why, this is the ring I gave to Julia. _Jul._ O, cry you mercy, sir, I have mistook: This is the ring you sent to Silvia. 95 _Pro._ But how camest thou by this ring? At my depart I gave this unto Julia. _Jul._ And Julia herself did give it me; And Julia herself hath brought it hither. _Pro._ How! Julia! 100 _Jul._ Behold her that gave aim to all thy oaths, And entertain'd 'em deeply in her heart. How oft hast thou with perjury cleft the root! O Proteus, let this habit make thee blush! Be thou ashamed that I have took upon me 105 Such an immodest raiment, if shame live In a disguise of love: It is the lesser blot, modesty finds, Women to change their shapes than men their minds. _Pro._ Than men their minds! 'tis true. O heaven, were man 110 But constant, he were perfect! That one error Fills him with faults; makes him run through all the sins: Inconstancy falls off ere it begins. What is in Silvia's face, but I may spy More fresh in Julia's with a constant eye? 115 _Val._ Come, come, a hand from either: Let me be blest to make this happy close; 'Twere pity two such friends should be long foes. _Pro._ Bear witness, Heaven, I have my wish for ever. _Jul._ And I mine. 120 _Enter _Outlaws_, with DUKE and THURIO._ _Outlaws._ A prize, a prize, a prize! _Val._ Forbear, forbear, I say! it is my lord the duke. Your Grace is welcome to a man disgraced, Banished Valentine. _Duke._ Sir Valentine! _Thu._ Yonder is Silvia; and Silvia's mine. 125 _Val._ Thurio, give back, or else embrace thy death; Come not within the measure of my wrath; Do not name Silvia thine; if once again, Verona shall not hold thee. Here she stands: Take but possession of her with a touch: 130 I dare thee but to breathe upon my love. _Thu._ Sir Valentine, I care not for her, I: I hold him but a fool that will endanger His body for a girl that loves him not: I claim her not, and therefore she is thine. 135 _Duke._ The more degenerate and base art thou, To make such means for her as thou hast done, And leave her on such slight conditions. Now, by the honour of my ancestry, I do applaud thy spirit, Valentine, 140 And think thee worthy of an empress' love: Know, then, I here forget all former griefs, Cancel all grudge, repeal thee home again, Plead a new state in thy unrival'd merit, To which I thus subscribe: Sir Valentine, 145 Thou art a gentleman, and well derived; Take thou thy Silvia, for thou hast deserved her. _Val._ I thank your grace; the gift hath made me happy. I now beseech you, for your daughter's sake, To grant one boon that I shall ask of you. 150 _Duke._ I grant it, for thine own, whate'er it be. _Val._ These banish'd men that I have kept withal Are men endued with worthy qualities: Forgive them what they have committed here, And let them be recall'd from their exile: 155 They are reformed, civil, full of good, And fit for great employment, worthy lord. _Duke._ Thou hast prevail'd; I pardon them and thee: Dispose of them as thou know'st their deserts. Come, let us go: we will include all jars 160 With triumphs, mirth, and rare solemnity. _Val._ And, as we walk along, I dare be bold With our discourse to make your Grace to smile. What think you of this page, my lord? _Duke._ I think the boy hath grace in him; he blushes. 165 _Val._ I warrant you, my lord, more grace than boy. _Duke._ What mean you by that saying? _Val._ Please you, I'll tell you as we pass along, That you will wonder what hath fortuned. Come, Proteus; 'tis your penance but to hear 170 The story of your loves discovered: That done, our day of marriage shall be yours; One feast, one house, one mutual happiness. [_Exeunt._ Notes: V, 4. SCENE IV. Another ... forest.] Capell. The outlaw's cave in the forest. Theobald. 2: _This shadowy desert,_] _These shadowy, desert,_ Collier MS. 8: _so_] _too_ Collier MS. 14: _are my_] _my rude_ Collier MS. 18: [Steps aside. Johnson. 19: _I have_] F1 F2 F3. _have I_ F4. _having_ Collier MS. 25: _I am_] _I'm_ Pope. 26, 32: [Aside] Theobald. 26: _is this I see and hear!_] Theobald. _is this? I see and hear:_ Ff. 43: _and still approved_] _for ever prov'd_ Pope. 49: _to love me_] F1. _to deceive me_ F2 F3 F4. 57: _woo_] _wooe_ F1. _move_ F2 F3 F4. 58: _ye_] Ff. _you_ Warburton. 63: _treacherous man_] F1. _Thou treacherous man_ F2. _Though treacherous man_ F3. _Tho treacherous man_ F4. 65: _now_] om. Pope. 67: _trusted now, when one's_] F2 F3 F4. _trusted, when one's_ F1. _trusted, when one's own_ Johnson. _trusted now, when the_ Pope. 69: _I am_] _I'm_ Pope. 71: _O time most accurst_] _O time accurst_ Hanmer. _O time most curst_ Johnson. _O spite accurst_ S. Verges conj. 72: _all foes that a friend_] _all my foes a friend_ Collier MS. 73: _confounds_] _confound_ Rowe. _My ... confounds me_] _My shame and desperate guilt at once confound me_ Collier MS. 82, 83: Blackstone proposes to transfer these lines to the end of Thurio's speech, line 135. 84: [Swoons.] Pope. 86-90: Printed by Capell as four verses ending _matter ... me ... Silvia ... done._ 86: _what's_] _what is_ Capell. 88: _to deliver_] _Deliver_ Steevens conj. 92: _see_] _see it_ Steevens conj. suggesting that lines 92-97 should end at _ring ... sir ... sent ... this?_ (om. _ring_) _... Julia._ 93: _Why, this is_] _This is_ Pope. _Why, 'tis_ S. Verges conj. 96: _But_] om. Pope. 102: _'em_] _them_ Capell. 103: _root_] _root on't_ Hanmer. 112: _all the sins_] _all th' sins_ Ff. _all sins_ Pope. 118: _be long_] _long be_ Pope. 120: _And I mine_] _And I have mine_ Steevens (Ritson conj.). [embracing. Capell. 121: SCENE V. Pope. 122: _Forbear, forbear, I say!_] _Forbear, I say!_ Capell. _Forbear, forbear!_ Pope. 124: _Banished_] _The banish'd_ Pope. 129: _Verona shall not hold_] _Milan shall not behold_ Theobald. _And Milan shall not hold_ Hanmer. _Milano shall not hold_ Collier MS. See note (VII). 143: _again,_] _again._ Steevens (Tyrwhitt conj.). 144: _unrival'd_] F1. _arrival'd_ F2 F3 F4. 160: _include_] _conclude_ Hanmer. 161: _rare_] F1. _all_ F2 F3 F4. 164: _page_] _stripling page_ Collier MS. 167: _saying?_] _saying, Valentine?_ Collier MS. 171: _loves discovered_] _love discovered_ Pope. _love's discoverer_ Collier MS. 172: _That done, our ... yours_] _Our day of marriage shall be yours no less_ Collier MS.

A solitary Valentine muses on his present condition: Here can I sit alone, unseen of any, And to the nightingale's complaining notes Tune my distresses and record my woes. Abruptly interrupted by the spectacle of his friend Proteus in hot pursuit of Silvia, Valentine doubts his very senses: "How like a dream is this I see and hear!" Valentine remains mute until the moment when Proteus threatens violence. Proteus: In love, Who respects friend? Silvia: All men but Proteus. Proteus: Nay, if the gentle spirit of moving words Can no way change you to a milder form, I'll woo you like a soldier, at arms' end, And love you 'gainst the nature of love, -- force ye. Silvia: O heaven! Proteus: I'll force thee yield to my desire. Valentine: Ruffian, let go that rude uncivil touch, Thou friend of an ill fashion! Confronted by his friend, Proteus apologizes and is forgiven at once by Valentine. Silvia remains silent. When Julia faints, trying to cover up her emotional turmoil by telling Proteus that she was upset at not delivering the ring to Silvia as promised, it is discovered that she is indeed Proteus's former lover. She hands him the wrong ring, the one he had given her as a keepsake. The two reconcile. When Thurio is confronted by an angry Valentine, he gives up claim to Silvia, causing the Duke to change heart: I do applaud thy spirit, Valentine, And think thee worthy of an empress' love. Valentine accepts and asks the Duke to "grant one boon," a general amnesty for the band of gentlemen-thieves he has been leading these past months, That done, all retire to soothe the bad feelings "with triumphs, mirth, and rare solemnity."

It will be generally admitted that Beethoven's Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. All sorts and conditions are satisfied by it. Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come--of course, not so as to disturb the others--or like Helen, who can see heroes and shipwrecks in the music's flood; or like Margaret, who can only see the music; or like Tibby, who is profoundly versed in counterpoint, and holds the full score open on his knee; or like their cousin, Fraulein Mosebach, who remembers all the time that Beethoven is echt Deutsch; or like Fraulein Mosebach's young man, who can remember nothing but Fraulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen's Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows. "You girls are so wonderful in always having--Oh dear! one mustn't talk." For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen's mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen's Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight struck. "How awful to marry a man like those Cupids!" thought Helen. Here Beethoven started decorating his tune, so she heard him through once more, and then she smiled at her Cousin Frieda. But Frieda, listening to Classical Music, could not respond. Herr Liesecke, too, looked as if wild horses could not make him inattentive; there were lines across his forehead, his lips were parted, his pince-nez at right angles to his nose, and he had laid a thick, white hand on either knee. And next to her was Aunt Juley, so British, and wanting to tap. How interesting that row of people was! What diverse influences had gone to the making! Here Beethoven, after humming and hawing with great sweetness, said "Heigho," and the Andante came to an end. Applause, and a round of "wunderschoning" and pracht volleying from the German contingent. Margaret started talking to her new young man; Helen said to her aunt: "Now comes the wonderful movement: first of all the goblins, and then a trio of elephants dancing"; and Tibby implored the company generally to look out for the transitional passage on the drum. "On the what, dear?" "On the drum, Aunt Juley." "No; look out for the part where you think you have done with the goblins and they come back," breathed Helen, as the music started with a goblin walking quietly over the universe, from end to end. Others followed him. They were not aggressive creatures; it was that that made them so terrible to Helen. They merely observed in passing that there was no such thing as splendour or heroism in the world. After the interlude of elephants dancing, they returned and made the observation for the second time. Helen could not contradict them, for, once at all events, she had felt the same, and had seen the reliable walls of youth collapse. Panic and emptiness! Panic and emptiness! The goblins were right. Her brother raised his finger; it was the transitional passage on the drum. For, as if things were going too far, Beethoven took hold of the goblins and made them do what he wanted. He appeared in person. He gave them a little push, and they began to walk in a major key instead of in a minor, and then--he blew with his mouth and they were scattered! Gusts of splendour, gods and demigods contending with vast swords, colour and fragrance broadcast on the field of battle, magnificent victory, magnificent death! Oh, it all burst before the girl, and she even stretched out her gloved hands as if it was tangible. Any fate was titanic; any contest desirable; conqueror and conquered would alike be applauded by the angels of the utmost stars. And the goblins--they had not really been there at all? They were only the phantoms of cowardice and unbelief? One healthy human impulse would dispel them? Men like the Wilcoxes, or ex-President Roosevelt, would say yes. Beethoven knew better. The goblins really had been there. They might return--and they did. It was as if the splendour of life might boil over and waste to steam and froth. In its dissolution one heard the terrible, ominous note, and a goblin, with increased malignity, walked quietly over the universe from end to end. Panic and emptiness! Panic and emptiness! Even the flaming ramparts of the world might fall. Beethoven chose to make all right in the end. He built the ramparts up. He blew with his mouth for the second time, and again the goblins were scattered. He brought back the gusts of splendour, the heroism, the youth, the magnificence of life and of death, and, amid vast roarings of a superhuman joy, he led his Fifth Symphony to its conclusion. But the goblins were there. They could return. He had said so bravely, and that is why one can trust Beethoven when he says other things. Helen pushed her way out during the applause. She desired to be alone. The music had summed up to her all that had happened or could happen in her career. She read it as a tangible statement, which could never be superseded. The notes meant this and that to her, and they could have no other meaning, and life could have no other meaning. She pushed right out of the building and walked slowly down the outside staircase, breathing the autumnal air, and then she strolled home. "Margaret," called Mrs. Munt, "is Helen all right?" "Oh yes." "She is always going away in the middle of a programme," said Tibby. "The music has evidently moved her deeply," said Fraulein Mosebach. "Excuse me," said Margaret's young man, who had for some time been preparing a sentence, "but that lady has, quite inadvertently, taken my umbrella." "Oh, good gracious me!--I am so sorry. Tibby, run after Helen." "I shall miss the Four Serious Songs if I do." "Tibby, love, you must go." "It isn't of any consequence," said the young man, in truth a little uneasy about his umbrella. "But of course it is. Tibby! Tibby!" Tibby rose to his feet, and wilfully caught his person on the backs of the chairs. By the time he had tipped up the seat and had found his hat, and had deposited his full score in safety, it was "too late" to go after Helen. The Four Serious Songs had begun, and one could not move during their performance. "My sister is so careless," whispered Margaret. "Not at all," replied the young man; but his voice was dead and cold. "If you would give me your address--" "Oh, not at all, not at all;" and he wrapped his greatcoat over his knees. Then the Four Serious Songs rang shallow in Margaret's ears. Brahms, for all his grumbling and grizzling, had never guessed what it felt like to be suspected of stealing an umbrella. For this fool of a young man thought that she and Helen and Tibby had been playing the confidence trick on him, and that if he gave his address they would break into his rooms some midnight or other and steal his walking-stick too. Most ladies would have laughed, but Margaret really minded, for it gave her a glimpse into squalor. To trust people is a luxury in which only the wealthy can indulge; the poor cannot afford it. As soon as Brahms had grunted himself out, she gave him her card and said, "That is where we live; if you preferred, you could call for the umbrella after the concert, but I didn't like to trouble you when it has all been our fault." His face brightened a little when he saw that Wickham Place was W. It was sad to see him corroded with suspicion, and yet not daring to be impolite, in case these well-dressed people were honest after all. She took it as a good sign that he said to her, "It's a fine programme this afternoon, is it not?" for this was the remark with which he had originally opened, before the umbrella intervened. "The Beethoven's fine," said Margaret, who was not a female of the encouraging type. "I don't like the Brahms, though, nor the Mendelssohn that came first and ugh! I don't like this Elgar that's coming." "What, what?" called Herr Liesecke, overhearing. "The 'Pomp and Circumstance' will not be fine?" "Oh, Margaret, you tiresome girl!" cried her aunt. "Here have I been persuading Herr Liesecke to stop for 'Pomp and Circumstance,' and you are undoing all my work. I am so anxious for him to hear what WE are doing in music. Oh,--you musn't run down our English composers, Margaret." "For my part, I have heard the composition at Stettin," said Fraulein Mosebach, "on two occasions. It is dramatic, a little." "Frieda, you despise English music. You know you do. And English art. And English literature, except Shakespeare, and he's a German. Very well, Frieda, you may go." The lovers laughed and glanced at each other. Moved by a common impulse, they rose to their feet and fled from "Pomp and Circumstance." "We have this call to pay in Finsbury Circus, it is true," said Herr Liesecke, as he edged past her and reached the gangway just as the music started. "Margaret--" loudly whispered by Aunt Juley. "Margaret, Margaret! Fraulein Mosebach has left her beautiful little bag behind her on the seat." Sure enough, there was Frieda's reticule, containing her address book, her pocket dictionary, her map of London, and her money. "Oh, what a bother--what a family we are! Fr--frieda!" "Hush!" said all those who thought the music fine. "But it's the number they want in Finsbury Circus." "Might I--couldn't I--" said the suspicious young man, and got very red. "Oh, I would be so grateful." He took the bag--money clinking inside it--and slipped up the gangway with it. He was just in time to catch them at the swing-door, and he received a pretty smile from the German girl and a fine bow from her cavalier. He returned to his seat upsides with the world. The trust that they had reposed in him was trivial, but he felt that it cancelled his mistrust for them, and that probably he would not be "had" over his umbrella. This young man had been "had" in the past badly, perhaps overwhelmingly--and now most of his energies went in defending himself against the unknown. But this afternoon--perhaps on account of music--he perceived that one must slack off occasionally or what is the good of being alive? Wickham Place, W., though a risk, was as safe as most things, and he would risk it. So when the concert was over and Margaret said, "We live quite near; I am going there now. Could you walk round with me, and we'll find your umbrella?" he said, "Thank you," peaceably, and followed her out of the Queen's Hall. She wished that he was not so anxious to hand a lady downstairs, or to carry a lady's programme for her--his class was near enough her own for its manners to vex her. But she found him interesting on the whole--every one interested the Schlegels on the whole at that time--and while her lips talked culture, her heart was planning to invite him to tea. "How tired one gets after music!" she began. "Do you find the atmosphere of Queen's Hall oppressive?" "Yes, horribly." "But surely the atmosphere of Covent Garden is even more oppressive." "Do you go there much?" "When my work permits, I attend the gallery for the Royal Opera." Helen would have exclaimed, "So do I. I love the gallery," and thus have endeared herself to the young man. Helen could do these things. But Margaret had an almost morbid horror of "drawing people out," of "making things go." She had been to the gallery at Covent Garden, but she did not "attend" it, preferring the more expensive seats; still less did she love it. So she made no reply. "This year I have been three times--to 'Faust,' 'Tosca,' and--" Was it "Tannhouser" or "Tannhoyser"? Better not risk the word. Margaret disliked "Tosca" and "Faust." And so, for one reason and another, they walked on in silence, chaperoned by the voice of Mrs. Munt, who was getting into difficulties with her nephew. "I do in a WAY remember the passage, Tibby, but when every instrument is so beautiful, it is difficult to pick out one thing rather than another. I am sure that you and Helen take me to the very nicest concerts. Not a dull note from beginning to end. I only wish that our German friends had stayed till it finished." "But surely you haven't forgotten the drum steadily beating on the low C, Aunt Juley?" came Tibby's voice. "No one could. It's unmistakable." "A specially loud part?" hazarded Mrs. Munt. "Of course I do not go in for being musical," she added, the shot failing. "I only care for music--a very different thing. But still I will say this for myself--I do know when I like a thing and when I don't. Some people are the same about pictures. They can go into a picture gallery--Miss Conder can--and say straight off what they feel, all round the wall. I never could do that. But music is so different from pictures, to my mind. When it comes to music I am as safe as houses, and I assure you, Tibby, I am by no means pleased by everything. There was a thing--something about a faun in French--which Helen went into ecstasies over, but I thought it most tinkling and superficial, and said so, and I held to my opinion too." "Do you agree?" asked Margaret. "Do you think music is so different from pictures?" "I--I should have thought so, kind of," he said. "So should I. Now, my sister declares they're just the same. We have great arguments over it. She says I'm dense; I say she's sloppy." Getting under way, she cried: "Now, doesn't it seem absurd to you? What is the good of the Arts if they 're interchangeable? What is the good of the ear if it tells you the same as the eye? Helen's one aim is to translate tunes into the language of painting, and pictures into the language of music. It's very ingenious, and she says several pretty things in the process, but what's gained, I'd like to know? Oh, it's all rubbish, radically false. If Monet's really Debussy, and Debussy's really Monet, neither gentleman is worth his salt--that's my opinion." Evidently these sisters quarrelled. "Now, this very symphony that we've just been having--she won't let it alone. She labels it with meanings from start to finish; turns it into literature. I wonder if the day will ever return when music will be treated as music. Yet I don't know. There's my brother--behind us. He treats music as music, and oh, my goodness! He makes me angrier than any one, simply furious. With him I daren't even argue." An unhappy family, if talented. "But, of course, the real villain is Wagner. He has done more than any man in the nineteenth century towards the muddling of the arts. I do feel that music is in a very serious state just now, though extraordinarily interesting. Every now and then in history there do come these terrible geniuses, like Wagner, who stir up all the wells of thought at once. For a moment it's splendid. Such a splash as never was. But afterwards--such a lot of mud; and the wells--as it were, they communicate with each other too easily now, and not one of them will run quite clear. That's what Wagner's done." Her speeches fluttered away from the young man like birds. If only he could talk like this, he would have caught the world. Oh, to acquire culture! Oh, to pronounce foreign names correctly! Oh, to be well informed, discoursing at ease on every subject that a lady started! But it would take one years. With an hour at lunch and a few shattered hours in the evening, how was it possible to catch up with leisured women, who had been reading steadily from childhood? His brain might be full of names, he might have even heard of Monet and Debussy; the trouble was that he could not string them together into a sentence, he could not make them "tell," he could not quite forget about his stolen umbrella. Yes, the umbrella was the real trouble. Behind Monet and Debussy the umbrella persisted, with the steady beat of a drum. "I suppose my umbrella will be all right," he was thinking. "I don't really mind about it. I will think about music instead. I suppose my umbrella will be all right." Earlier in the afternoon he had worried about seats. Ought he to have paid as much as two shillings? Earlier still he had wondered, "Shall I try to do without a programme?" There had always been something to worry him ever since he could remember, always something that distracted him in the pursuit of beauty. For he did pursue beauty, and, therefore, Margaret's speeches did flutter away from him like birds. Margaret talked ahead, occasionally saying, "Don't you think so? don't you feel the same?" And once she stopped, and said, "Oh, do interrupt me!" which terrified him. She did not attract him, though she filled him with awe. Her figure was meagre, her face seemed all teeth and eyes, her references to her sister and her brother were uncharitable. For all her cleverness and culture, she was probably one of those soulless, atheistical women who have been so shown up by Miss Corelli. It was surprising (and alarming) that she should suddenly say, "I do hope that you'll come in and have some tea. We should be so glad. I have dragged you so far out of your way." They had arrived at Wickham Place. The sun had set, and the backwater, in deep shadow, was filling with a gentle haze. To the right the fantastic sky-line of the flats towered black against the hues of evening; to the left the older houses raised a square-cut, irregular parapet against the grey. Margaret fumbled for her latch-key. Of course she had forgotten it. So, grasping her umbrella by its ferrule, she leant over the area and tapped at the dining-room window. "Helen! Let us in!" "All right," said a voice. "You've been taking this gentleman's umbrella." "Taken a what?" said Helen, opening the door. "Oh, what's that? Do come in! How do you do?" "Helen, you must not be so ramshackly. You took this gentleman's umbrella away from Queen's Hall, and he has had the trouble of coming round for it." "Oh, I am so sorry!" cried Helen, all her hair flying. She had pulled off her hat as soon as she returned, and had flung herself into the big dining-room chair. "I do nothing but steal umbrellas. I am so very sorry! Do come in and choose one. Is yours a hooky or a nobbly? Mine's a nobbly--at least, I THINK it is." The light was turned on, and they began to search the hall, Helen, who had abruptly parted with the Fifth Symphony, commenting with shrill little cries. "Don't you talk, Meg! You stole an old gentleman's silk top-hat. Yes, she did, Aunt Juley. It is a positive fact. She thought it was a muff. Oh, heavens! I've knocked the In-and-Out card down. Where's Frieda? Tibby, why don't you ever--No, I can't remember what I was going to say. That wasn't it, but do tell the maids to hurry tea up. What about this umbrella?" She opened it. "No, it's all gone along the seams. It's an appalling umbrella. It must be mine." But it was not. He took it from her, murmured a few words of thanks, and then fled, with the lilting step of the clerk. "But if you will stop--" cried Margaret. "Now, Helen, how stupid you've been!" "Whatever have I done?" "Don't you see that you've frightened him away? I meant him to stop to tea. You oughtn't to talk about stealing or holes in an umbrella. I saw his nice eyes getting so miserable. No, it's not a bit of good now." For Helen had darted out into the street, shouting, "Oh, do stop!" "I dare say it is all for the best," opined Mrs. Munt. "We know nothing about the young man, Margaret, and your drawing-room is full of very tempting little things." But Helen cried: "Aunt Juley, how can you! You make me more and more ashamed. I'd rather he had been a thief and taken all the apostle spoons than that I--Well, I must shut the front-door, I suppose. One more failure for Helen." "Yes, I think the apostle spoons could have gone as rent," said Margaret. Seeing that her aunt did not understand, she added: "You remember 'rent'? It was one of father's words--Rent to the ideal, to his own faith in human nature. You remember how he would trust strangers, and if they fooled him he would say, 'It's better to be fooled than to be suspicious'--that the confidence trick is the work of man, but the want-of-confidence trick is the work of the devil." "I remember something of the sort now," said Mrs. Munt, rather tartly, for she longed to add, "It was lucky that your father married a wife with money." But this was unkind, and she contented herself with, "Why, he might have stolen the little Ricketts picture as well." "Better that he had," said Helen stoutly. "No, I agree with Aunt Juley," said Margaret. "I'd rather mistrust people than lose my little Ricketts. There are limits." Their brother, finding the incident commonplace, had stolen upstairs to see whether there were scones for tea. He warmed the teapot--almost too deftly--rejected the orange pekoe that the parlour-maid had provided, poured in five spoonfuls of a superior blend, filled up with really boiling water, and now called to the ladies to be quick or they would lose the aroma. "All right, Auntie Tibby," called Heien, while Margaret, thoughtful again, said: "In a way, I wish we had a real boy in the house--the kind of boy who cares for men. It would make entertaining so much easier." "So do I," said her sister. "Tibby only cares for cultured females singing Brahms." And when they joined him she said rather sharply: "Why didn't you make that young man welcome, Tibby? You must do the host a little, you know. You ought to have taken his hat and coaxed him into stopping, instead of letting him be swamped by screaming women." Tibby sighed, and drew a long strand of hair over his forehead. "Oh, it's no good looking superior. I mean what I say." "Leave Tibby alone!" said Margaret, who could not bear her brother to be scolded. "Here's the house a regular hen-coop!" grumbled Helen. "Oh, my dear!" protested Mrs. Munt. "How can you say such dreadful things! The number of men you get here has always astonished me. If there is any danger it's the other way round." "Yes, but it's the wrong sort of men, Helen means." "No, I don't," corrected Helen. "We get the right sort of man, but the wrong side of him, and I say that's Tibby's fault. There ought to be a something about the house--an--I don't know what." "A touch of the W's, perhaps?" Helen put out her tongue. "Who are the W's?" asked Tibby. "The W's are things I and Meg and Aunt Juley know about and you don't, so there!" "I suppose that ours is a female house," said Margaret, "and one must just accept it. No, Aunt Juley, I don't mean that this house is full of women. I am trying to say something much more clever. I mean that it was irrevocably feminine, even in father's time. Now I'm sure you understand! Well, I'll give you another example. It'll shock you, but I don't care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with out house--it must be feminine, and all we can do is to see that it isn't effeminate. Just as another house that I can mention, but won't, sounded irrevocably masculine, and all its inmates can do is to see that it isn't brutal." "That house being the W's house, I presume," said Tibby. "You're not going to be told about the W's, my child," Helen cried, "so don't you think it. And on the other hand, I don't the least mind if you find out, so don't you think you've done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria's dinner-party--if something had been just a little Different--perhaps if she'd worn a clinging Liberty tea-gown instead of a magenta satin." "With an India shawl over her shoulders--" "Fastened at the bosom with a Cairngorm-pin." Bursts of disloyal laughter--you must remember that they are half German--greeted these suggestions, and Margaret said pensively, "How inconceivable it would be if the Royal Family cared about Art." And the conversation drifted away and away, and Helen's cigarette turned to a spot in the darkness, and the great flats opposite were sown with lighted windows which vanished and were refit again, and vanished incessantly. Beyond them the thoroughfare roared gently--a tide that could never be quiet, while in the east, invisible behind the smokes of Wapping, the moon was rising. "That reminds me, Margaret. We might have taken that young man into the dining-room, at all events. Only the majolica plate--and that is so firmly set in the wall. I am really distressed that he had no tea." For that little incident had impressed the three women more than might be supposed. It remained as a goblin footfall, as a hint that all is not for the best in the best of all possible worlds, and that beneath these superstructures of wealth and art there wanders an ill-fed boy, who has recovered his umbrella indeed, but who has left no address behind him, and no name.

The chapter opens on the scene of the extended Schlegel family attentively listening to a performance of Beethoven's Fifth Symphony, each in their own way. Helen romantically infuses the music with her own imagination, and sees a whole fantastical string of images that accompany it. Margaret hears only the music. Tibby, always academic, knowledgeably ponders the musical score as he listens. They are accompanied by their cousin Frieda Mosebach, her "young man," Herr Liesecke, and Aunt Juley. In between movements, Aunt Juley notices Margaret talking to an unknown young man, about whom she asks Helen. They're interrupted by the start of the second movement, the Andante. We are treated to the narrator's observations of these various listeners, all of whom have different ways of responding to the music. To whimsical Helen, the movement speaks of pessimistic goblins walking around the world, only to be blown away by Beethoven's ending . Helen is overcome by the music, and she escapes during the applause to go home alone. The young man Margaret's speaking to pipes up, noticing that Helen has stolen his umbrella in her quick escape. Margaret tries to make Tibby run after Helen to fetch it, but he refuses. The next piece, the Four Serious Songs by Brahms, prevents anyone from going anywhere. When the Brahms ends, Margaret gives her calling card to the young man, in case he'd like to come by and pick up his umbrella after the concert. The two of them make small talk, and Margaret comments that she doesn't like the next piece in the concert program, Elgar's Pomp and Circumstance. At this, Frieda and Herr Liesecke dash away to go meet up with some friends, to Aunt Juley's dismay. Frieda leaves her bag behind, and the young man dashes out to give it to her. He feels good about the fact that Margaret trusted him with Frieda's purse, and decides to go with the Schlegels to pick up his umbrella from their house after the concert. Margaret finds the young man quite intriguing, despite the fact that his over-eager manners make her feel their class difference , and she wants to invite him to tea. As they walk, they further discuss music, and Tibby and Aunt Juley steal the show, arguing about the music they've just heard. The discussion spreads to Margaret, who asks whether or not music and other art forms are the same or different. Helen, apparently, believes them to be the same, while Margaret maintains that there's a difference. The young man is intrigued by these odd siblings in turn. Margaret goes on, trash talking German composer Richard Wagner for blending all of the arts together. The young man, meanwhile, is overwhelmed by this high-flown discussion. He can't imagine what it must be like to be as cultured and knowledgeable as Margaret. He then begins to worry about his umbrella - apparently, he's quite a worrier. The party arrives at Wickham Place, and Margaret asks the young man to come in and have some tea. He's distraught by this crazy family. Helen flies downstairs to let them into the house, and apologizes for taking the man's umbrella. Apparently, the inadvertent theft of other people's hats and umbrellas is pretty commonplace for Margaret and Helen. She finds a particularly ratty umbrella in their collection, and, though she says it must be hers, it's actually the young man's. He takes it and dashes off. Margaret blames Helen for scaring the stranger off, and she runs out to try and stop him, but it's no use. Aunt Juley thinks it's a good thing he left - after all, she reasons, he might have stolen some of the valuable knickknacks lying about the house, including a precious picture by the painter Charles Ricketts. Tibby is bored by this and goes upstairs to tend to the tea and scones. He's obviously an expert at this duty. On their way upstairs to join their brother, Helen remarks that she wishes they had a "real" boy in the house, not just the opera-loving Tibby. When they get to him, Margaret accuses Tibby of not making their visitor feel at home enough; the house, in her opinion, is too full of "screaming women." Tibby has no defense. They argue over what kind of man they should have around the house - Margaret teases Helen that they might be better off with some men like the "W."s . Margaret comes to the conclusion that their home is irrevocably feminine, but they should try and keep it from being effeminate, a fine distinction. The sisters laugh about the idea of stuffy Queen Victoria hosting a dinner party full of Pre-Raphaelite artists, and the conversation is derailed. Though they move onto other subjects, it's clear that the young man of the stolen umbrella left quite an impression.

ACT THE FOURTH. SCENE 1. _A Room in_ OLIVIA'S _House_. _Enter_ OLIVIA _and_ MARIA. _Oli._ I have sent after him:--He says, he'll come. How shall I feast him? what bestow on him? I speak too loud.---- Where is Malvolio? _Mar._ He's coming, madam; But in strange manner. He is sure possessed. _Oli._ Why, what's the matter? does he rave? _Mar._ No, madam, He does nothing but smile: your ladyship Were best have guard about you, if he come; For, sure, the man is tainted in his wits. _Oli._ Go call him hither. [_Exit_ MARIA. I'm as mad as he, If sad and merry madness equal be.-- _Enter_ MALVOLIO, _in yellow Stockings, cross-garter'd, and_ MARIA. How now, Malvolio? _Mal._ Sweet lady, ho, ho. [_Smiles fantastically._ _Oli._ Smilest thou? I sent for thee upon a sad occasion. _Mal._ Sad, lady? I could be sad: This does make some obstruction in the blood, this cross-gartering: But what of that? if it please the eye of one, it is with me as the very true sonnet is: _Please one, and please all_. _Oli._ Why, how dost thou, man? What is the matter with thee? _Mal._ Not black in my mind, though yellow in my legs.--It did come to his hands, and commands shall be executed. I think, we do know the sweet Roman hand. _Oli._ Wilt thou go to bed, Malvolio? _Mal._ To bed!--Ay, sweet-heart; and I'll come to thee. _Oli._ Heaven comfort thee! Why dost thou smile so, and kiss thy hand so oft? _Mar._ How do you, Malvolio? _Mal._ At your request? Yes; Nightingales answer daws. _Mar._ Why appear you with this ridiculous boldness before my lady? _Mal._ _Be not afraid of greatness_:--'Twas well writ. _Oli._ What mean'st thou by that, Malvolio? _Mal._ _Some are born great_,-- _Oli._ Ha? _Mal._ _Some achieve greatness_,-- _Oli._ What say'st thou? _Mal._ _ And some have greatness thrust upon them._ _Oli._ Heaven restore thee! _Mal._ _Remember who commended thy yellow stockings_;-- _Oli._ Thy yellow stockings? _Mal_ _And wished to see thee cross-garter'd._ _Oli._ Cross-garter'd? _Mal._ _Go to: thou art made, if thou desirest to be so_;-- _Oli._ Am I made? _Mal._ _If not, let me see thee a servant still._ _Oli._ Why, this is very Midsummer madness. _Enter_ FABIAN. _Fab._ Madam, the young gentleman of the Duke Orsino's is returned; I could hardly entreat him back: he attends your ladyship's pleasure. _Oli._ I'll come to him. Good Maria, let this fellow be look'd to.--Call my uncle Toby. [_Exit_ FABIAN. Let some of my people have a special care of him; I would not have him miscarry for the half of my dowry. [_Exeunt_ OLIVIA _and_ MARIA. _Mal._ Oh, ho! do you come near me now? No worse man than Sir Toby to look to me? She sends him on purpose, that I may appear stubborn to him; for she incites me to that in the letter. I have limed her.--And, when she went away now, _Let this fellow be looked to_:--Fellow! not Malvolio, nor after my degree, but fellow. Why, every thing adheres together.--Well, Jove, not I, is the doer of this, and he is to be thanked. _Sir To._ [_Without_] Which way is he, in the name of sanctity? If all the devils in hell be drawn in little, and Legion himself possessed him, yet I'll speak to him. _Enter_ FABIAN, SIR TOBY, _and_ MARIA. _Fab._ Here he is, here he is:--How is't with you, sir? how is't with you, man? _Mal._ Go off, I discard you; let me enjoy my private; go off. _Mar._ Lo, how hollow the fiend speaks within him! did not I tell you?--Sir Toby, my lady prays you to have a care of him. _Mal._ Ah, ha! does she so? _Sir To._ Go to, go to; we must deal gently with him. How do you, Malvolio? how is't with you? What, man! defy the devil: consider, he's an enemy to mankind. _Mal._ Do you know what you say? _Mar._ La you, an you speak ill of the devil, how he takes it at heart! Pray, heaven, he be not bewitch'd. _Fab._ Carry his water to the wise woman. _Sir To._ Pr'ythee, hold thy peace; do you not see, you move him? let me alone with him. _Fab._ No way but gentleness; gently, gently: the fiend is rough, and will not be roughly used. _Sir To._ Why, how now, my bawcock? how dost thou, chuck? _Mal._ Sir? _Sir To._ Ay, Biddy, come with me.--What, man! 'tis not for gravity to play at cherry-pit with Satan: Hang him, foul collier! _Mar._ Get him to say his prayers, Sir Toby. _Mal._ My prayers, minx? _Mar._ No, I warrant you, he'll not hear of godliness. _Mal._ Go, hang yourselves all! you are idle shallow things: I am not of your element; you shall know more hereafter. Begone. Ha! ha! ha! [_Exit_ MALVOLIO. _Omnes._ Ha! ha! ha! _Sir To._ Is't possible? _Fab._ If this were played upon a stage now, I could condemn it as an improbable fiction. _Sir To._ His very genius hath taken the infection of the device, man. _Mar._ Nay, pursue him now; lest the device take air, and taint. _Fab._ Why, we shall make him mad, indeed. _Mar._ The house will be the quieter. _Sir To._ Come, we'll have him in a dark room, and bound.--Follow him, and let him not from thy sight. [_Exit_ MARIA. But see, but see. _Fab._ More matter for a May morning. _Enter_ SIR ANDREW, _with a Letter_. _Sir And._ Here's the challenge, read it; I warrant, there's vinegar and pepper in't. _Fab._ Is't so saucy? _Sir And._ Ay, is it, I warrant him: do but read. _Sir To._ Give me.--[_Reads._] _Youth, whatsoever thou art, thou art but a scurvy fellow._ _Fab._ Good and valiant. _Sir To._ _Wonder not, nor admire not in thy mind, why I do call thee so, for I will show thee no reason for't._ _Fab._ A good note; that keeps you from the blow of the law. _Sir To._ _Thou comest to the Lady Olivia, and in my sight she uses thee kindly: but thou liest in thy throat, that is not the matter I challenge thee for._ _Fab._ Very brief, and exceeding good sense-less. _Sir To._ _I will way-lay thee going home; where if it be thy chance to kill me_,-- _Fab._ Good. _Sir To._ _Thou killest me like a rogue and a villain._ _Fab._ Still you keep o' the windy side of the law: Good. _Sir To._ _Fare thee well; and heaven have mercy upon one of our souls! He may have mercy upon mine; but my hope is better, and so look to thyself. Thy friend, as thou usest him, and thy sworn enemy_, ANDREW AGUECHEEK.--If this letter move him not, his legs cannot: I'll give't him. _Fab._ You may have very fit occasion for't; he is now in some commerce with my lady, and will by and by depart. _Sir To._ Go, Sir Andrew; scout me for him at the corner of the garden, like a bum-bailiff; so soon as ever thou seest him, draw; and, as thou draw'st, swear horrible; for it comes to pass oft, that a terrible oath, with a swaggering accent sharply twang'd off, gives manhood more approbation than ever proof itself would have earned him. Away. _Sir And._ Nay, let me alone for swearing. [_Exit_ SIR ANDREW. _Sir To._ Now will not I deliver his letter: for the behaviour of the young gentleman gives him out to be of good capacity and breeding; therefore this letter, being so excellently ignorant, will breed no terror in the youth, he will find it comes from a clodpole. But, sir, I will deliver his challenge by word of mouth; set upon Ague-cheek a notable report of valour; and drive the gentleman, (as, I know, his youth will aptly receive it,) into a most hideous opinion of his rage, skill, fury, and impetuosity. This will so fright them both, that they will kill one another by the look, like cockatrices. _Fab._ Here he comes with your niece: give them way, till he take leave, and presently after him. _Sir To._ I will meditate the while upon some horrid message for a challenge. [_Exeunt_ SIR TOBY _and_ FABIAN. _Enter_ VIOLA _and_ OLIVIA. _Oli._ I have said too much unto a heart of stone, And laid mine honour too unchary out: There's something in me, that reproves my fault; But such a headstrong potent fault it is, That it but mocks reproof. _Vio._ With the same 'haviour that your passion bears, Go on my master's griefs. _Oli._ Here, wear this jewel for me, 'tis my picture; Refuse it not, it hath no tongue to vex you: And, I beseech you, come again to-morrow. What shall you ask of me, that I'll deny; That honour, saved, may upon asking give? _Vio._ Nothing but this, your true love for my master. _Oli._ How with mine honour may I give him that Which I have given to you? _Vio._ I will acquit you. _Oli._ Well, come again to-morrow: Fare thee well! [_Exit_ OLIVIA. _Enter_ SIR TOBY _and_ FABIAN. _Sir To._ Gentleman, heaven save thee. _Vio._ And you, sir. _Sir To._ That defence thou hast, betake thee to't: of what nature the wrongs are thou hast done him, I know not; but thy intercepter, full of despight, bloody as the hunter, attends thee: dismount thy tuck, be yare in thy preparation, for thy assailant is quick, skilful, and deadly. _Vio._ You mistake, sir; I am sure, no man hath any quarrel to me; my remembrance is very free and clear from any image of offence done to any man. _Sir To._ You'll find it otherwise, I assure you: therefore, if you hold your life at any price, betake you to your guard; for your opposite hath in him what youth, strength, skill, and wrath, can furnish man withal. _Vio._ I pray you, sir, what is he? _Sir To._ He is knight, dubb'd with unhack'd rapier, and on carpet consideration: but he is a devil in private brawl: souls and bodies hath he divorced three; and his incensement at this moment is so implacable, that satisfaction can be none but by pangs of death and sepulchre: hob, nob, is his word; give 't or take 't. _Vio._ I will return, and desire some conduct of the lady. I am no fighter. _Sir To._ Back you shall not, unless you undertake that with me, which with as much safety you might answer him: therefore, on; or strip your sword stark naked, (for meddle you must, that's certain,) or forswear to wear iron about you. _Vio._ This is as uncivil, as strange. I beseech you, do me this courteous office, as to know of the knight what my offence to him is; it is something of my negligence, nothing of my purpose. _Sir To._ I will do so. Signior Fabian, stay you by this gentleman till my return. [_Exit_ SIR TOBY. _Vio._ 'Pray you, sir, do you know of this matter? _Fab._ I know, the knight is incensed against you, even to a mortal arbitrement; but nothing of the circumstance more. _Vio._ I beseech you, what manner of man is he? _Fab._ Nothing of that wonderful promise, to read him by his form, as you are like to find him in the proof of his valour. He is, indeed, sir, the most skilful, bloody, and fatal opposite that you could possibly have found in any part of Illyria: Will you walk towards him? I will make your peace with him, if I can. _Vio._ I shall be much bound to you for't: I am one, that would rather go with sir priest, than sir knight: I care not who knows so much of my mettle. [_Exeunt._ SCENE II. OLIVIA'S _Garden_. _Enter_ SIR TOBY, _with_ SIR ANDREW, _in a great fright_. _Sir To._ Why, man, he's a very devil;-- _Sir And._ Oh! _Sir To._ I have not seen such a virago. I had a pass with him,--rapier, scabbard, and all,--and he gives me the stuck-in,---- _Sir And._ Oh! _Sir To._ With such a mortal motion, that it is inevitable: they say, he has been fencer to the Sophy. _Sir And._ Plague on't, I'll not meddle with him. _Sir To._ Ay, but he will not now be pacified: Fabian can scarce hold him yonder. _Sir And._ Plague on't; an I thought he had been valiant, and so cunning in fence, I'd have seen him damn'd ere I had challenged him. Let him let the matter slip, and I'll give him my horse, grey Capilet. _Sir To._ I'll make the motion: Stand here, make a good show on't.--[_Aside._] Marry, I'll ride your horse as well as I ride you. _Enter_ FABIAN _and_ VIOLA. I have his horse [_To_ FABIAN.] to take up the quarrel; I have persuaded him, the youth's a devil. _Fab._ [_To_ SIR TOBY.] He is as horribly conceited of him; and pants, as if a bear were at his heels. _Sir To._ [_To_ VIOLA.] There's no remedy, sir; he will fight with you for his oath sake: marry, he hath better bethought him of his quarrel, and he finds that now scarce to be worth talking of: therefore draw, for the supportance of his vow; he protests, he will not hurt you. _Vio._ [_Draws her Sword._] Pray heaven defend me!--[_Aside._] A little thing would make me tell them how much I lack of a man. _Fab._ [_To_ VIOLA.] Give ground, if you see him furious. _Sir To._ Come, Sir Andrew, there's no remedy; the gentleman will, for his honour's sake, have one bout with you: he cannot by the duello avoid it: but he has promised me, as he is a gentleman and a soldier, he will not hurt you. Come on; to 't. _Sir And._ [_Draws._] Pray heaven, he keep his oath! _Vio._ I do assure you, 'tis against my will. [_They fight._--SIR TOBY _and_ FABIAN _urge on_ SIR ANDREW _and_ VIOLA. _Enter_ ANTONIO, _who runs between_ SIR ANDREW _and_ VIOLA. _Ant._ Put up your sword;--If this young gentleman Have done offence, I take the fault on me; If you offend him, I for him defy you. _Sir To._ You, sir? Why, what are you? _Ant._ [_Draws._] One, sir, that for his love dares yet do more Than you have heard him brag to you he will. _Sir To._ [_Draws._] Nay, if you be an undertaker, I am for you. [SIR TOBY _and_ ANTONIO _fight_.] [SIR ANDREW _hides himself behind the Trees_.--VIOLA _retires a little_.] _Fab._ [_Parts them._] O good Sir Toby, hold; here come the officers. _Sir To._ [_To_ ANTONIO.] I'll be with you anon. [ANTONIO _shows great alarm_--SIR TOBY _sheathes his sword_.]--Sir knight,--Sir Andrew,-- _Sir And._ Here I am. _Sir To._ What, man!--Come on. [_Brings_ SIR ANDREW _forward_.] _Vio._ [_Advances._] 'Pray, sir, [_To_ SIR ANDREW.] put up your sword, if you please. _Sir And._ Marry, will I, sir;--and, for that I promised you, I'll be as good as my word: He will bear you easily, and reins well. _Enter two Officers of Justice._ _1 Off._ This is the man; do thy office. _2 Off._ Antonio, I arrest thee at the suit Of Duke Orsino. _Ant._ You do mistake me, sir. _1 Off._ No, sir, no jot; I know your favour well.-- Take him away; he knows, I know him well. _Ant._ I must obey.--This comes with seeking you; But there's no remedy. Now my necessity Makes me to ask you for my purse: It grieves me Much more, for what I cannot do for you, Than what befalls myself. You stand amazed; But be of comfort. _1 Off._ Come, sir, away. _Ant._ I must entreat of you some of that money. _Vio._ What money, sir? For the fair kindness you have showed me here, And, part, being prompted by your present trouble, Out of my lean and low ability I'll lend you something: my having is not much; I'll make division of my present with you; Hold, there is half my coffer. _Ant._ Will you deny me now? Is't possible, that my deserts to you Can lack persuasion? Do not tempt my misery; Lest that it make me so unsound a man, As to upbraid you with those kindnesses That I have done for you. _Vio._ I know of none; Nor know I you by voice, or any feature. _Ant._ O heavens themselves! _1 Off._ Come, sir, I pray you, go. _Ant._ Let me speak a little. This youth that you see here, I snatch'd one half out of the jaws of death; And to his image, which, methought, did promise Most venerable worth, did I devotion. But, O, how vile an idol proves this god!-- Thou hast, Sebastian, done good feature shame.-- In nature there's no blemish, but the mind; None can be call'd deform'd, but the unkind: Virtue is beauty; but the beauteous-evil Are empty trunks, o'erflourish'd by the devil. [_Exeunt_ ANTONIO _and Officers_. _Sir To._ Come hither, knight; come hither, Fabian. [_They retire together._ _Vio._ He named Sebastian; I my brother know Yet living in my glass; even such, and so, In favour was my brother; and he went Still in this fashion, colour, ornament; For him I imitate: O, if it prove, Tempests are kind, and salt waves fresh in love! [_Exit_ VIOLA. [_They advance._] _Sir To._ A very dishonest paltry boy, and more a coward than a hare; his dishonesty appears, in leaving his friend here in necessity, and denying him; and for his cowardship, ask Fabian. _Fab._ A coward, a most devout coward, religious in it. _Sir And._ 'Slid, I'll after him again, and beat him. _Sir To._ Do, cuff him soundly;--but never draw thy sword. _Sir And._ An I do not!-- [_Exeunt._ SCENE III. _The Street before_ OLIVIA'S _House_. _Enter_ SEBASTIAN _and_ CLOWN. _Clo._ Will you make me believe, that I am not sent for you? _Seb._ Go to, go to, thou art a foolish fellow; Let me be clear of thee. _Clo._ Well held out, i' faith! No, I do not know you; nor I am not sent to you by my lady, to bid you come speak with her; nor your name is not Cesario; nor this is not my nose neither:--Nothing, that is so, is so. _Seb._ I pr'ythee, vent thy folly somewhere else;--Thou know'st not me. _Clo._ Vent my folly! He has heard that word of some great man, and now applies it to a fool.--I pr'ythee, tell me what I shall vent to my lady; Shall I vent to her, that thou art coming? _Seb._ I pr'ythee, foolish Greek, depart from me; There's money for thee; if you tarry longer, I shall give worse payment. _Clo._ By my troth, thou hast an open hand:--These wise men, that give fools money, get themselves a good report after fourteen years' purchase. _Enter_ SIR ANDREW. _Sir And._ Now, sir, have I met you again? There's for you. [_Striking_ SEBASTIAN. _Seb._ [_Draws his sword._] Why, there's for thee, and there, and there:--Are all the people mad? [_Beating_ SIR ANDREW. _Enter_ SIR TOBY _and_ FABIAN. _Sir To._ Hold, sir, or I'll throw your dagger o'er the house. _Clo._ This will I tell my lady straight--I would not be in some of your coats for two-pence. [_Exit_ CLOWN. _Sir To._ Come on, sir; hold. [_Holding_ SEBASTIAN. _Sir And._ Nay, let him alone. I'll go another way to work with him; I'll have an action of battery against him, if there be any law in Illyria: though I struck him first, yet it's no matter for that. _Seb._ Let go thy hand. _Sir To._ Come, sir, I will not let you go. Come, my young soldier, put up your iron: you are well flesh'd; come on. _Seb._ [_Disengages himself._] I will be free from thee. --What would'st thou now? If thou darest tempt me further, draw thy sword. _Sir To._ What, what?--[_Draws._]--Nay, then I must have an ounce or two of this malapert blood from you. [_They fight._ _Enter_ OLIVIA, _and two Servants_. _Fab._ Hold, good Sir Toby, hold:--my lady here! [_Exit_ FABIAN. _Oli._ Hold, Toby; on thy life, I charge thee, hold. _Sir To._ Madam? _Oli._ Will it be ever thus? Ungracious wretch, Fit for the mountains, and the barbarous caves, Where manners ne'er were preach'd! out of my sight! Be not offended, dear Cesario:---- Rudesby, be gone!-- _Sir To._ Come along, knight. [_Exit_ SIR TOBY. _Oli._ And you, sir, follow him. _Sir And._ Oh, oh!--Sir Toby,-- [_Exit_ SIR ANDREW. _Oli._ I pr'ythee, gentle friend, Let thy fair wisdom, not thy passion, sway In this uncivil and unjust extent Against thy peace. Go with me to my house; And hear thou there how many fruitless pranks This ruffian hath botch'd up, that thou thereby May'st smile at this: thou shalt not choose but go; Do not deny. _Seb._ What relish is in this? how runs the stream? Or I am mad, or else this is a dream:-- Let fancy still my sense in Lethe steep; If it be thus to dream, still let me sleep! _Oli._ Nay, come, I pr'ythee: 'Would thou'dst be ruled by me! _Seb._ Madam, I will. _Oli._ O, say so, and so be! [_Exeunt._ SCENE IV. _A Gallery in_ OLIVIA'S _House_. _Enter_ MARIA, _with a black Gown and Hood, and_ CLOWN. _Mar._ Nay, I pr'ythee, put on this gown and hood; make him believe, thou art Sir Topas the curate; do it quickly: I'll call Sir Toby the whilst. [_Exit_ MARIA. _Clo._ Well, I'll put it on, and I will dissemble myself in't; and I would I were the first that ever dissembled in such a gown. _Enter_ SIR TOBY _and_ MARIA. _Sir To._ Jove bless thee, master parson. _Clo._ _Bonos dies_, Sir Toby: for as the old hermit of Prague, that never saw pen and ink, very wittily said to a niece of King Gorboduc, _That, that is, is_; so I, being master parson, am master parson: For what is that, but that? and is, but is? _Sir To._ To him, Sir Topas. _Clo._ [_Opens the door of an inner Room_] What, hoa, I say,--Peace in this prison! _Sir To._ The knave counterfeits well; a good knave. _Mal._ [_In the inner Room._] Who calls there? _Clo._ Sir Topas, the curate, who comes to visit Malvolio the lunatic. _Mal._ Sir Topas, Sir Topas, good Sir Topas, go to my lady. _Clo._ Out, hyperbolical fiend! how vexest thou this man? talkest thou nothing but of ladies? _Sir To._ Well said, master parson. _Mal._ Sir Topas, never was man thus wrong'd; good Sir Topas, do not think I am mad; they have bound me, hand and foot, and laid me here in hideous darkness. _Clo._ Say'st thou, that house is dark? _Mal._ As hell, Sir Topas. _Clo._ Madman, thou errest: I say, there is no darkness, but ignorance; in which thou art more puzzled, than the Egyptians in their fog. _Mal._ I say this house is as dark as ignorance, though ignorance were as dark as hell; and I say, there was never man thus abused: I am no more mad than you are; make the trial of it in any constant question. _Clo._ What is the opinion of Pythagoras concerning wild-fowl? _Mal._ That the soul of our grandam might haply inhabit a bird. _Clo._ What thinkest thou of his opinion? _Mal._ I think nobly of the soul, and no way approve his opinion. _Clo._ Fare thee well: Remain thou still in darkness: thou shalt hold the opinion of Pythagoras, ere I will allow of thy wits; and fear to kill a woodcock, lest thou dispossess the soul of thy grandam. Fare thee well. _Mal._ Sir Topas, Sir Topas,-- _Sir To._ My most exquisite Sir Topas,-- _Clo._ Nay, I am for all waters. [_Takes off the gown and hood, and gives them to_ MARIA.] _Mar._ Thou might'st have done this without thy hood and gown; he sees thee not. _Sir To._ To him in thine own voice, and bring us word how thou find'st him: Come by and by to my chamber. [_Exeunt_ SIR TOBY _and_ MARIA. _Clo._ [_Sings._] _Hey Robin, jolly Robin, Tell me how thy lady does._ _Mal._ Fool,--fool,--good fool,-- _Clo._ Who calls, ha? _Mal._ As ever thou wilt deserve well at my hand, help me to a candle, and pen, ink, and paper; as I am a gentleman, I will live to be thankful to thee for't. _Clo._ Master Malvolio! _Mal_. Ay, good fool. _Clo._ Alas, sir, how fell you besides your five wits? _Mal._ Fool, there was never man so notoriously abused: I am as well in my wits, fool, as thou art. _Clo._ But as well! then you are mad, indeed, if you be no better in your wits than a fool. _Mal._ Good fool, some ink, paper, and light, and convey what I will set down to my lady; it shall advantage thee more than ever the bearing of letter did. _Clo._ I will help you to't. But tell me true, are you not mad, indeed? or do you but counterfeit? _Mal._ Believe me, I am not: I tell thee true. _Clo._ Nay, I'll ne'er believe a madman, till I see his brains. I will fetch you light, and paper, and ink. _Mal._ Fool, I'll requite it in the highest degree. I pr'ythee, be gone. _Clo._ [_Shuts the door of the inner Room, and sings._] _I am gone, sir, And anon, sir, I'll be with you again, &c._ [_Exit._ SCENE V. OLIVIA'S _Garden_. _Enter_ SEBASTIAN. _Seb._ This is the air; that is the glorious sun; This pearl she gave me, I do feel't, and see't: And though 'tis wonder that enwraps me thus, Yet 'tis not madness. Where's Antonio then? I could not find him at the Elephant; His counsel now might do me golden service: For though my soul disputes well with my sense, That this may be some error, but no madness, Yet doth this accident and flood of fortune So far exceed all instance, all discourse, That I am ready to distrust mine eyes, And wrangle with my reason, that persuades me To any other trust, but that I am mad, Or else the lady's mad.--But here she comes. _Enter_ OLIVIA, _and a_ FRIAR. _Oli._ Blame not this haste of mine:--If you mean well, Now go with me, and with this holy man, Into the chantry by: there, before him, And underneath that consecrated roof, Plight me the full assurance of your faith; That my most jealous and too doubtful soul May live at peace: He shall conceal it, Whiles you are willing it shall come to note; What time we will our celebration keep According to my birth.--What do you say? _Seb._ I'll follow this good man, and go with you; And, having sworn truth, ever will be true. _Oli._ Then lead the way, good father: [_Exit_ FRIAR. And heavens so shine, That they may fairly note this act of mine! [_Exeunt._

Feste approaches Sebastian, thinking that Sebastian is 'Cesario'; when Sebastian tells Feste that he does not know him, nor Olivia, whom Feste tells him to meet, Feste becomes rather upset, and accuses Sebastian of "strangeness". Then Sir Andrew comes, and strikes Sebastian out of anger, as if he were Cesario; Sir Toby and Sebastian come close to getting in a duel of their own, when Olivia finds them, and charges them to stop. Olivia dismisses Sir Toby, and asks Sebastian "would thou'dst be ruled by me," thinking that he is Cesario, due to his great resemblance to his sister. Sebastian decides to go along with it, struck by Olivia's beauty, thinking it all a pleasant dream from which he hopes he will not awaken. Scene 2: Maria and Feste conspire to present Feste as Sir Topaz, the curate, to Malvolio, who is hidden from view. Feste tries to convince that Malvolio that he is crazy, and Malvolio continues to insist that he is not, that he has been wrongly incarcerated. Feste then confronts Malvolio as himself, and torments him some more; he fakes a conversation with himself as Feste and Sir Topaz, and Malvolio begs for paper and ink so that he can send a message to Olivia. Feste promises to fetch these things, and exits with a song. Scene 3: Sebastian debates with himself whether he is mad, or whether it is the Lady Olivia; but, he recognizes that is cannot be her, since she is able to command a large household, and therefore would have to be sane and coherent. Olivia asks him to come with her to the parson and be married to her; Sebastian, though he does not know her and cannot figure out exactly what is going on, says he will marry her, and leaves with her.

ACT II SCENE I ARICIA, ISMENE ARICIA Hippolytus request to see me here! Hippolytus desire to bid farewell! Is't true, Ismene? Are you not deceived? ISMENE This is the first result of Theseus' death. Prepare yourself to see from every side. Hearts turn towards you that were kept away By Theseus. Mistress of her lot at last, Aricia soon shall find all Greece fall low, To do her homage. ARICIA 'Tis not then, Ismene, An idle tale? Am I no more a slave? Have I no enemies? ISMENE The gods oppose Your peace no longer, and the soul of Theseus Is with your brothers. ARICIA Does the voice of fame Tell how he died? ISMENE Rumours incredible Are spread. Some say that, seizing a new bride, The faithless husband by the waves was swallow'd. Others affirm, and this report prevails, That with Pirithous to the world below He went, and saw the shores of dark Cocytus, Showing himself alive to the pale ghosts; But that he could not leave those gloomy realms, Which whoso enters there abides for ever. ARICIA Shall I believe that ere his destined hour A mortal may descend into the gulf Of Hades? What attraction could o'ercome Its terrors? ISMENE He is dead, and you alone Doubt it. The men of Athens mourn his loss. Troezen already hails Hippolytus As King. And Phaedra, fearing for her son, Asks counsel of the friends who share her trouble, Here in this palace. ARICIA Will Hippolytus, Think you, prove kinder than his sire, make light My chains, and pity my misfortunes? ISMENE Yes, I think so, Madam. ARICIA Ah, you know him not Or you would never deem so hard a heart Can pity feel, or me alone except From the contempt in which he holds our sex. Has he not long avoided every spot Where we resort? ISMENE I know what tales are told Of proud Hippolytus, but I have seen Him near you, and have watch'd with curious eye How one esteem'd so cold would bear himself. Little did his behavior correspond With what I look'd for; in his face confusion Appear'd at your first glance, he could not turn His languid eyes away, but gazed on you. Love is a word that may offend his pride, But what the tongue disowns, looks can betray. ARICIA How eagerly my heart hears what you say, Tho' it may be delusion, dear Ismene! Did it seem possible to you, who know me, That I, sad sport of a relentless Fate, Fed upon bitter tears by night and day, Could ever taste the maddening draught of love? The last frail offspring of a royal race, Children of Earth, I only have survived War's fury. Cut off in the flow'r of youth, Mown by the sword, six brothers have I lost, The hope of an illustrious house, whose blood Earth drank with sorrow, near akin to his Whom she herself produced. Since then, you know How thro' all Greece no heart has been allow'd To sigh for me, lest by a sister's flame The brothers' ashes be perchance rekindled. You know, besides, with what disdain I view'd My conqueror's suspicions and precautions, And how, oppos'd as I have ever been To love, I often thank'd the King's injustice Which happily confirm'd my inclination. But then I never had beheld his son. Not that, attracted merely by the eye, I love him for his beauty and his grace, Endowments which he owes to Nature's bounty, Charms which he seems to know not or to scorn. I love and prize in him riches more rare, The virtues of his sire, without his faults. I love, as I must own, that generous pride Which ne'er has stoop'd beneath the amorous yoke. Phaedra reaps little glory from a lover So lavish of his sighs; I am too proud To share devotion with a thousand others, Or enter where the door is always open. But to make one who ne'er has stoop'd before Bend his proud neck, to pierce a heart of stone, To bind a captive whom his chains astonish, Who vainly 'gainst a pleasing yoke rebels,-- That piques my ardour, and I long for that. 'Twas easier to disarm the god of strength Than this Hippolytus, for Hercules Yielded so often to the eyes of beauty, As to make triumph cheap. But, dear Ismene, I take too little heed of opposition Beyond my pow'r to quell, and you may hear me, Humbled by sore defeat, upbraid the pride I now admire. What! Can he love? and I Have had the happiness to bend-- ISMENE He comes Yourself shall hear him.

Aricia has just been told by her companion, Ismene, that Hippolytus wishes to see her, that Theseus is dead, and that she is no longer a prisoner. Aricia finds it hard to credit so much good news at once. She is disinclined to believe the story of Theseus' death -- that he descended alive into hell and was unable to return -- and she does not see why Theseus' son should be kinder to her than his father. Ismene, however, does. Curious about Hippolytus and his renowned chastity, she has studied him closely and believes he is in love with Aricia. For Aricia, this is the best of all possible news. Her life has not been a happy one. When her six brothers were killed fighting Theseus, she was left alone in the world surrounded by political enemies, forbidden even to marry and make herself a home. This last prohibition, however, troubled her little; She had no interest in love -- until she met Hippolytus. She admired him not only for his grace and beauty, but for his qualities of character: To her, he was Theseus without Theseus' flaws. More important still, perhaps, she was piqued and challenged by his lack of interest in love. But perhaps Ismene is mistaken about his feelings for her, and she is rejoicing too soon.

"It is with considerable difficulty that I remember the original aera of my being: all the events of that period appear confused and indistinct. A strange multiplicity of sensations seized me, and I saw, felt, heard, and smelt, at the same time; and it was, indeed, a long time before I learned to distinguish between the operations of my various senses. By degrees, I remember, a stronger light pressed upon my nerves, so that I was obliged to shut my eyes. Darkness then came over me, and troubled me; but hardly had I felt this, when, by opening my eyes, as I now suppose, the light poured in upon me again. I walked, and, I believe, descended; but I presently found a great alteration in my sensations. Before, dark and opaque bodies had surrounded me, impervious to my touch or sight; but I now found that I could wander on at liberty, with no obstacles which I could not either surmount or avoid. The light became more and more oppressive to me; and, the heat wearying me as I walked, I sought a place where I could receive shade. This was the forest near Ingolstadt; and here I lay by the side of a brook resting from my fatigue, until I felt tormented by hunger and thirst. This roused me from my nearly dormant state, and I ate some berries which I found hanging on the trees, or lying on the ground. I slaked my thirst at the brook; and then lying down, was overcome by sleep. "It was dark when I awoke; I felt cold also, and half-frightened as it were instinctively, finding myself so desolate. Before I had quitted your apartment, on a sensation of cold, I had covered myself with some clothes; but these were insufficient to secure me from the dews of night. I was a poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but, feeling pain invade me on all sides, I sat down and wept. "Soon a gentle light stole over the heavens, and gave me a sensation of pleasure. I started up, and beheld a radiant form rise from among the trees. I gazed with a kind of wonder. It moved slowly, but it enlightened my path; and I again went out in search of berries. I was still cold, when under one of the trees I found a huge cloak, with which I covered myself, and sat down upon the ground. No distinct ideas occupied my mind; all was confused. I felt light, and hunger, and thirst, and darkness; innumerable sounds rung in my ears, and on all sides various scents saluted me: the only object that I could distinguish was the bright moon, and I fixed my eyes on that with pleasure. "Several changes of day and night passed, and the orb of night had greatly lessened when I began to distinguish my sensations from each other. I gradually saw plainly the clear stream that supplied me with drink, and the trees that shaded me with their foliage. I was delighted when I first discovered that a pleasant sound, which often saluted my ears, proceeded from the throats of the little winged animals who had often intercepted the light from my eyes. I began also to observe, with greater accuracy, the forms that surrounded me, and to perceive the boundaries of the radiant roof of light which canopied me. Sometimes I tried to imitate the pleasant songs of the birds, but was unable. Sometimes I wished to express my sensations in my own mode, but the uncouth and inarticulate sounds which broke from me frightened me into silence again. "The moon had disappeared from the night, and again, with a lessened form, shewed itself, while I still remained in the forest. My sensations had, by this time, become distinct, and my mind received every day additional ideas. My eyes became accustomed to the light, and to perceive objects in their right forms; I distinguished the insect from the herb, and, by degrees, one herb from another. I found that the sparrow uttered none but harsh notes, whilst those of the blackbird and thrush were sweet and enticing. "One day, when I was oppressed by cold, I found a fire which had been left by some wandering beggars, and was overcome with delight at the warmth I experienced from it. In my joy I thrust my hand into the live embers, but quickly drew it out again with a cry of pain. How strange, I thought, that the same cause should produce such opposite effects! I examined the materials of the fire, and to my joy found it to be composed of wood. I quickly collected some branches; but they were wet, and would not burn. I was pained at this, and sat still watching the operation of the fire. The wet wood which I had placed near the heat dried, and itself became inflamed. I reflected on this; and, by touching the various branches, I discovered the cause, and busied myself in collecting a great quantity of wood, that I might dry it, and have a plentiful supply of fire. When night came on, and brought sleep with it, I was in the greatest fear lest my fire should be extinguished. I covered it carefully with dry wood and leaves, and placed wet branches upon it; and then, spreading my cloak, I lay on the ground, and sunk into sleep. "It was morning when I awoke, and my first care was to visit the fire. I uncovered it, and a gentle breeze quickly fanned it into a flame. I observed this also, and contrived a fan of branches, which roused the embers when they were nearly extinguished. When night came again, I found, with pleasure, that the fire gave light as well as heat; and that the discovery of this element was useful to me in my food; for I found some of the offals that the travellers had left had been roasted, and tasted much more savoury than the berries I gathered from the trees. I tried, therefore, to dress my food in the same manner, placing it on the live embers. I found that the berries were spoiled by this operation, and the nuts and roots much improved. "Food, however, became scarce; and I often spent the whole day searching in vain for a few acorns to assuage the pangs of hunger. When I found this, I resolved to quit the place that I had hitherto inhabited, to seek for one where the few wants I experienced would be more easily satisfied. In this emigration, I exceedingly lamented the loss of the fire which I had obtained through accident, and knew not how to re-produce it. I gave several hours to the serious consideration of this difficulty; but I was obliged to relinquish all attempt to supply it; and, wrapping myself up in my cloak, I struck across the wood towards the setting sun. I passed three days in these rambles, and at length discovered the open country. A great fall of snow had taken place the night before, and the fields were of one uniform white; the appearance was disconsolate, and I found my feet chilled by the cold damp substance that covered the ground. "It was about seven in the morning, and I longed to obtain food and shelter; at length I perceived a small hut, on a rising ground, which had doubtless been built for the convenience of some shepherd. This was a new sight to me; and I examined the structure with great curiosity. Finding the door open, I entered. An old man sat in it, near a fire, over which he was preparing his breakfast. He turned on hearing a noise; and, perceiving me, shrieked loudly, and, quitting the hut, ran across the fields with a speed of which his debilitated form hardly appeared capable. His appearance, different from any I had ever before seen, and his flight, somewhat surprised me. But I was enchanted by the appearance of the hut: here the snow and rain could not penetrate; the ground was dry; and it presented to me then as exquisite and divine a retreat as Pandaemonium appeared to the daemons of hell after their sufferings in the lake of fire. I greedily devoured the remnants of the shepherd's breakfast, which consisted of bread, cheese, milk, and wine; the latter, however, I did not like. Then overcome by fatigue, I lay down among some straw, and fell asleep. "It was noon when I awoke; and, allured by the warmth of the sun, which shone brightly on the white ground, I determined to recommence my travels; and, depositing the remains of the peasant's breakfast in a wallet I found, I proceeded across the fields for several hours, until at sunset I arrived at a village. How miraculous did this appear! the huts, the neater cottages, and stately houses, engaged my admiration by turns. The vegetables in the gardens, the milk and cheese that I saw placed at the windows of some of the cottages, allured my appetite. One of the best of these I entered; but I had hardly placed my foot within the door, before the children shrieked, and one of the women fainted. The whole village was roused; some fled, some attacked me, until, grievously bruised by stones and many other kinds of missile weapons, I escaped to the open country, and fearfully took refuge in a low hovel, quite bare, and making a wretched appearance after the palaces I had beheld in the village. This hovel, however, joined a cottage of a neat and pleasant appearance; but, after my late dearly-bought experience, I dared not enter it. My place of refuge was constructed of wood, but so low, that I could with difficulty sit upright in it. No wood, however, was placed on the earth, which formed the floor, but it was dry; and although the wind entered it by innumerable chinks, I found it an agreeable asylum from the snow and rain. "Here then I retreated, and lay down, happy to have found a shelter, however miserable, from the inclemency of the season, and still more from the barbarity of man. "As soon as morning dawned, I crept from my kennel, that I might view the adjacent cottage, and discover if I could remain in the habitation I had found. It was situated against, the back of the cottage, and surrounded on the sides which were exposed by a pig-stye and a clear pool of water. One part was open, and by that I had crept in; but now I covered every crevice by which I might be perceived with stones and wood, yet in such a manner that I might move them on occasion to pass out: all the light I enjoyed came through the stye, and that was sufficient for me. "Having thus arranged my dwelling, and carpeted it with clean straw, I retired; for I saw the figure of a man at a distance, and I remembered too well my treatment the night before, to trust myself in his power. I had first, however, provided for my sustenance for that day, by a loaf of coarse bread, which I purloined, and a cup with which I could drink, more conveniently than from my hand, of the pure water which flowed by my retreat. The floor was a little raised, so that it was kept perfectly dry, and by its vicinity to the chimney of the cottage it was tolerably warm. "Being thus provided, I resolved to reside in this hovel, until something should occur which might alter my determination. It was indeed a paradise, compared to the bleak forest, my former residence, the rain-dropping branches, and dank earth. I ate my breakfast with pleasure, and was about to remove a plank to procure myself a little water, when I heard a step, and, looking through a small chink, I beheld a young creature, with a pail on her head, passing before my hovel. The girl was young and of gentle demeanour, unlike what I have since found cottagers and farm-house servants to be. Yet she was meanly dressed, a coarse blue petticoat and a linen jacket being her only garb; her fair hair was plaited, but not adorned; she looked patient, yet sad. I lost sight of her; and in about a quarter of an hour she returned, bearing the pail, which was now partly filled with milk. As she walked along, seemingly incommoded by the burden, a young man met her, whose countenance expressed a deeper despondence. Uttering a few sounds with an air of melancholy, he took the pail from her head, and bore it to the cottage himself. She followed, and they disappeared. Presently I saw the young man again, with some tools in his hand, cross the field behind the cottage; and the girl was also busied, sometimes in the house, and sometimes in the yard. "On examining my dwelling, I found that one of the windows of the cottage had formerly occupied a part of it, but the panes had been filled up with wood. In one of these was a small and almost imperceptible chink, through which the eye could just penetrate. Through this crevice, a small room was visible, white-washed and clean, but very bare of furniture. In one corner, near a small fire, sat an old man, leaning his head on his hands in a disconsolate attitude. The young girl was occupied in arranging the cottage; but presently she took something out of a drawer, which employed her hands, and she sat down beside the old man, who, taking up an instrument, began to play, and to produce sounds, sweeter than the voice of the thrush or the nightingale. It was a lovely sight, even to me, poor wretch! who had never beheld aught beautiful before. The silver hair and benevolent countenance of the aged cottager, won my reverence; while the gentle manners of the girl enticed my love. He played a sweet mournful air, which I perceived drew tears from the eyes of his amiable companion, of which the old man took no notice, until she sobbed audibly; he then pronounced a few sounds, and the fair creature, leaving her work, knelt at his feet. He raised her, and smiled with such kindness and affection, that I felt sensations of a peculiar and over-powering nature: they were a mixture of pain and pleasure, such as I had never before experienced, either from hunger or cold, warmth or food; and I withdrew from the window, unable to bear these emotions. "Soon after this the young man returned, bearing on his shoulders a load of wood. The girl met him at the door, helped to relieve him of his burden, and, taking some of the fuel into the cottage, placed it on the fire; then she and the youth went apart into a nook of the cottage, and he shewed her a large loaf and a piece of cheese. She seemed pleased; and went into the garden for some roots and plants, which she placed in water, and then upon the fire. She afterwards continued her work, whilst the young man went into the garden, and appeared busily employed in digging and pulling up roots. After he had been employed thus about an hour, the young woman joined him, and they entered the cottage together. "The old man had, in the mean time, been pensive; but, on the appearance of his companions, he assumed a more cheerful air, and they sat down to eat. The meal was quickly dispatched. The young woman was again occupied in arranging the cottage; the old man walked before the cottage in the sun for a few minutes, leaning on the arm of the youth. Nothing could exceed in beauty the contrast between these two excellent creatures. One was old, with silver hairs and a countenance beaming with benevolence and love: the younger was slight and graceful in his figure, and his features were moulded with the finest symmetry; yet his eyes and attitude expressed the utmost sadness and despondency. The old man returned to the cottage; and the youth, with tools different from those he had used in the morning, directed his steps across the fields. "Night quickly shut in; but, to my extreme wonder, I found that the cottagers had a means of prolonging light, by the use of tapers, and was delighted to find, that the setting of the sun did not put an end to the pleasure I experienced in watching my human neighbours. In the evening, the young girl and her companion were employed in various occupations which I did not understand; and the old man again took up the instrument, which produced the divine sounds that had enchanted me in the morning. So soon as he had finished, the youth began, not to play, but to utter sounds that were monotonous, and neither resembling the harmony of the old man's instrument or the songs of the birds; I since found that he read aloud, but at that time I knew nothing of the science of words or letters. "The family, after having been thus occupied for a short time, extinguished their lights, and retired, as I conjectured, to rest." "I lay on my straw, but I could not sleep. I thought of the occurrences of the day. What chiefly struck me was the gentle manners of these people; and I longed to join them, but dared not. I remembered too well the treatment I had suffered the night before from the barbarous villagers, and resolved, whatever course of conduct I might hereafter think it right to pursue, that for the present I would remain quietly in my hovel, watching, and endeavouring to discover the motives which influenced their actions. "The cottagers arose the next morning before the sun. The young woman arranged the cottage, and prepared the food; and the youth departed after the first meal. "This day was passed in the same routine as that which preceded it. The young man was constantly employed out of doors, and the girl in various laborious occupations within. The old man, whom I soon perceived to be blind, employed his leisure hours on his instrument, or in contemplation. Nothing could exceed the love and respect which the younger cottagers exhibited towards their venerable companion. They performed towards him every little office of affection and duty with gentleness; and he rewarded them by his benevolent smiles. "They were not entirely happy. The young man and his companion often went apart, and appeared to weep. I saw no cause for their unhappiness; but I was deeply affected by it. If such lovely creatures were miserable, it was less strange that I, an imperfect and solitary being, should be wretched. Yet why were these gentle beings unhappy? They possessed a delightful house (for such it was in my eyes), and every luxury; they had a fire to warm them when chill, and delicious viands when hungry; they were dressed in excellent clothes; and, still more, they enjoyed one another's company and speech, interchanging each day looks of affection and kindness. What did their tears imply? Did they really express pain? I was at first unable to solve these questions; but perpetual attention, and time, explained to me many appearances which were at first enigmatic. "A considerable period elapsed before I discovered one of the causes of the uneasiness of this amiable family; it was poverty: and they suffered that evil in a very distressing degree. Their nourishment consisted entirely of the vegetables of their garden, and the milk of one cow, who gave very little during the winter, when its masters could scarcely procure food to support it. They often, I believe, suffered the pangs of hunger very poignantly, especially the two younger cottagers; for several times they placed food before the old man, when they reserved none for themselves. "This trait of kindness moved me sensibly. I had been accustomed, during the night, to steal a part of their store for my own consumption; but when I found that in doing this I inflicted pain on the cottagers, I abstained, and satisfied myself with berries, nuts, and roots, which I gathered from a neighbouring wood. "I discovered also another means through which I was enabled to assist their labours. I found that the youth spent a great part of each day in collecting wood for the family fire; and, during the night, I often took his tools, the use of which I quickly discovered, and brought home firing sufficient for the consumption of several days. "I remember, the first time that I did this, the young woman, when she opened the door in the morning, appeared greatly astonished on seeing a great pile of wood on the outside. She uttered some words in a loud voice, and the youth joined her, who also expressed surprise. I observed, with pleasure, that he did not go to the forest that day, but spent it in repairing the cottage, and cultivating the garden. "By degrees I made a discovery of still greater moment. I found that these people possessed a method of communicating their experience and feelings to one another by articulate sounds. I perceived that the words they spoke sometimes produced pleasure or pain, smiles or sadness, in the minds and countenances of the hearers. This was indeed a godlike science, and I ardently desired to become acquainted with it. But I was baffled in every attempt I made for this purpose. Their pronunciation was quick; and the words they uttered, not having any apparent connexion with visible objects, I was unable to discover any clue by which I could unravel the mystery of their reference. By great application, however, and after having remained during the space of several revolutions of the moon in my hovel, I discovered the names that were given to some of the most familiar objects of discourse: I learned and applied the words _fire_, _milk_, _bread_, and _wood_. I learned also the names of the cottagers themselves. The youth and his companion had each of them several names, but the old man had only one, which was _father_. The girl was called _sister_, or _Agatha_; and the youth _Felix_, _brother_, or _son_. I cannot describe the delight I felt when I learned the ideas appropriated to each of these sounds, and was able to pronounce them. I distinguished several other words, without being able as yet to understand or apply them; such as _good_, _dearest_, _unhappy_. "I spent the winter in this manner. The gentle manners and beauty of the cottagers greatly endeared them to me: when they were unhappy, I felt depressed; when they rejoiced, I sympathized in their joys. I saw few human beings beside them; and if any other happened to enter the cottage, their harsh manners and rude gait only enhanced to me the superior accomplishments of my friends. The old man, I could perceive, often endeavoured to encourage his children, as sometimes I found that he called them, to cast off their melancholy. He would talk in a cheerful accent, with an expression of goodness that bestowed pleasure even upon me. Agatha listened with respect, her eyes sometimes filled with tears, which she endeavoured to wipe away unperceived; but I generally found that her countenance and tone were more cheerful after having listened to the exhortations of her father. It was not thus with Felix. He was always the saddest of the groupe; and, even to my unpractised senses, he appeared to have suffered more deeply than his friends. But if his countenance was more sorrowful, his voice was more cheerful than that of his sister, especially when he addressed the old man. "I could mention innumerable instances, which, although slight, marked the dispositions of these amiable cottagers. In the midst of poverty and want, Felix carried with pleasure to his sister the first little white flower that peeped out from beneath the snowy ground. Early in the morning before she had risen, he cleared away the snow that obstructed her path to the milk-house, drew water from the well, and brought the wood from the out-house, where, to his perpetual astonishment, he found his store always replenished by an invisible hand. In the day, I believe, he worked sometimes for a neighbouring farmer, because he often went forth, and did not return until dinner, yet brought no wood with him. At other times he worked in the garden; but, as there was little to do in the frosty season, he read to the old man and Agatha. "This reading had puzzled me extremely at first; but, by degrees, I discovered that he uttered many of the same sounds when he read as when he talked. I conjectured, therefore, that he found on the paper signs for speech which he understood, and I ardently longed to comprehend these also; but how was that possible, when I did not even understand the sounds for which they stood as signs? I improved, however, sensibly in this science, but not sufficiently to follow up any kind of conversation, although I applied my whole mind to the endeavour: for I easily perceived that, although I eagerly longed to discover myself to the cottagers, I ought not to make the attempt until I had first become master of their language; which knowledge might enable me to make them overlook the deformity of my figure; for with this also the contrast perpetually presented to my eyes had made me acquainted. "I had admired the perfect forms of my cottagers--their grace, beauty, and delicate complexions: but how was I terrified, when I viewed myself in a transparent pool! At first I started back, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully convinced that I was in reality the monster that I am, I was filled with the bitterest sensations of despondence and mortification. Alas! I did not yet entirely know the fatal effects of this miserable deformity. "As the sun became warmer, and the light of day longer, the snow vanished, and I beheld the bare trees and the black earth. From this time Felix was more employed; and the heart-moving indications of impending famine disappeared. Their food, as I afterwards found, was coarse, but it was wholesome; and they procured a sufficiency of it. Several new kinds of plants sprung up in the garden, which they dressed; and these signs of comfort increased daily as the season advanced. "The old man, leaning on his son, walked each day at noon, when it did not rain, as I found it was called when the heavens poured forth its waters. This frequently took place; but a high wind quickly dried the earth, and the season became far more pleasant than it had been. "My mode of life in my hovel was uniform. During the morning I attended the motions of the cottagers; and when they were dispersed in various occupations, I slept: the remainder of the day was spent in observing my friends. When they had retired to rest, if there was any moon, or the night was star-light, I went into the woods, and collected my own food and fuel for the cottage. When I returned, as often as it was necessary, I cleared their path from the snow, and performed those offices that I had seen done by Felix. I afterwards found that these labours, performed by an invisible hand, greatly astonished them; and once or twice I heard them, on these occasions, utter the words _good spirit_, _wonderful_; but I did not then understand the signification of these terms. "My thoughts now became more active, and I longed to discover the motives and feelings of these lovely creatures; I was inquisitive to know why Felix appeared so miserable, and Agatha so sad. I thought (foolish wretch!) that it might be in my power to restore happiness to these deserving people. When I slept, or was absent, the forms of the venerable blind father, the gentle Agatha, and the excellent Felix, flitted before me. I looked upon them as superior beings, who would be the arbiters of my future destiny. I formed in my imagination a thousand pictures of presenting myself to them, and their reception of me. I imagined that they would be disgusted, until, by my gentle demeanour and conciliating words, I should first win their favour, and afterwards their love. "These thoughts exhilarated me, and led me to apply with fresh ardour to the acquiring the art of language. My organs were indeed harsh, but supple; and although my voice was very unlike the soft music of their tones, yet I pronounced such words as I understood with tolerable ease. It was as the ass and the lap-dog; yet surely the gentle ass, whose intentions were affectionate, although his manners were rude, deserved better treatment than blows and execration. "The pleasant showers and genial warmth of spring greatly altered the aspect of the earth. Men, who before this change seemed to have been hid in caves, dispersed themselves, and were employed in various arts of cultivation. The birds sang in more cheerful notes, and the leaves began to bud forth on the trees. Happy, happy earth! fit habitation for gods, which, so short a time before, was bleak, damp, and unwholesome. My spirits were elevated by the enchanting appearance of nature; the past was blotted from my memory, the present was tranquil, and the future gilded by bright rays of hope, and anticipations of joy." "I now hasten to the more moving part of my story. I shall relate events that impressed me with feelings which, from what I was, have made me what I am. "Spring advanced rapidly; the weather became fine, and the skies cloudless. It surprised me, that what before was desert and gloomy should now bloom with the most beautiful flowers and verdure. My senses were gratified and refreshed by a thousand scents of delight, and a thousand sights of beauty. "It was on one of these days, when my cottagers periodically rested from labour--the old man played on his guitar, and the children listened to him--I observed that the countenance of Felix was melancholy beyond expression: he sighed frequently; and once his father paused in his music, and I conjectured by his manner that he inquired the cause of his son's sorrow. Felix replied in a cheerful accent, and the old man was recommencing his music, when some one tapped at the door. "It was a lady on horseback, accompanied by a countryman as a guide. The lady was dressed in a dark suit, and covered with a thick black veil. Agatha asked a question; to which the stranger only replied by pronouncing, in a sweet accent, the name of Felix. Her voice was musical, but unlike that of either of my friends. On hearing this word, Felix came up hastily to the lady; who, when she saw him, threw up her veil, and I beheld a countenance of angelic beauty and expression. Her hair of a shining raven black, and curiously braided; her eyes were dark, but gentle, although animated; her features of a regular proportion, and her complexion wondrously fair, each cheek tinged with a lovely pink. "Felix seemed ravished with delight when he saw her, every trait of sorrow vanished from his face, and it instantly expressed a degree of ecstatic joy, of which I could hardly have believed it capable; his eyes sparkled, as his cheek flushed with pleasure; and at that moment I thought him as beautiful as the stranger. She appeared affected by different feelings; wiping a few tears from her lovely eyes, she held out her hand to Felix, who kissed it rapturously, and called her, as well as I could distinguish, his sweet Arabian. She did not appear to understand him, but smiled. He assisted her to dismount, and, dismissing her guide, conducted her into the cottage. Some conversation took place between him and his father; and the young stranger knelt at the old man's feet, and would have kissed his hand, but he raised her, and embraced her affectionately. "I soon perceived, that although the stranger uttered articulate sounds, and appeared to have a language of her own, she was neither understood by, or herself understood, the cottagers. They made many signs which I did not comprehend; but I saw that her presence diffused gladness through the cottage, dispelling their sorrow as the sun dissipates the morning mists. Felix seemed peculiarly happy, and with smiles of delight welcomed his Arabian. Agatha, the ever-gentle Agatha, kissed the hands of the lovely stranger; and, pointing to her brother, made signs which appeared to me to mean that he had been sorrowful until she came. Some hours passed thus, while they, by their countenances, expressed joy, the cause of which I did not comprehend. Presently I found, by the frequent recurrence of one sound which the stranger repeated after them, that she was endeavouring to learn their language; and the idea instantly occurred to me, that I should make use of the same instructions to the same end. The stranger learned about twenty words at the first lesson, most of them indeed were those which I had before understood, but I profited by the others. "As night came on, Agatha and the Arabian retired early. When they separated, Felix kissed the hand of the stranger, and said, 'Good night, sweet Safie.' He sat up much longer, conversing with his father; and, by the frequent repetition of her name, I conjectured that their lovely guest was the subject of their conversation. I ardently desired to understand them, and bent every faculty towards that purpose, but found it utterly impossible. "The next morning Felix went out to his work; and, after the usual occupations of Agatha were finished, the Arabian sat at the feet of the old man, and, taking his guitar, played some airs so entrancingly beautiful, that they at once drew tears of sorrow and delight from my eyes. She sang, and her voice flowed in a rich cadence, swelling or dying away, like a nightingale of the woods. "When she had finished, she gave the guitar to Agatha, who at first declined it. She played a simple air, and her voice accompanied it in sweet accents, but unlike the wondrous strain of the stranger. The old man appeared enraptured, and said some words, which Agatha endeavoured to explain to Safie, and by which he appeared to wish to express that she bestowed on him the greatest delight by her music. "The days now passed as peaceably as before, with the sole alteration, that joy had taken place of sadness in the countenances of my friends. Safie was always gay and happy; she and I improved rapidly in the knowledge of language, so that in two months I began to comprehend most of the words uttered by my protectors. "In the meanwhile also the black ground was covered with herbage, and the green banks interspersed with innumerable flowers, sweet to the scent and the eyes, stars of pale radiance among the moonlight woods; the sun became warmer, the nights clear and balmy; and my nocturnal rambles were an extreme pleasure to me, although they were considerably shortened by the late setting and early rising of the sun; for I never ventured abroad during daylight, fearful of meeting with the same treatment as I had formerly endured in the first village which I entered. "My days were spent in close attention, that I might more speedily master the language; and I may boast that I improved more rapidly than the Arabian, who understood very little, and conversed in broken accents, whilst I comprehended and could imitate almost every word that was spoken. "While I improved in speech, I also learned the science of letters, as it was taught to the stranger; and this opened before me a wide field for wonder and delight. "The book from which Felix instructed Safie was Volney's _Ruins of Empires_. I should not have understood the purport of this book, had not Felix, in reading it, given very minute explanations. He had chosen this work, he said, because the declamatory style was framed in imitation of the eastern authors. Through this work I obtained a cursory knowledge of history, and a view of the several empires at present existing in the world; it gave me an insight into the manners, governments, and religions of the different nations of the earth. I heard of the slothful Asiatics; of the stupendous genius and mental activity of the Grecians; of the wars and wonderful virtue of the early Romans--of their subsequent degeneration--of the decline of that mighty empire; of chivalry, Christianity, and kings. I heard of the discovery of the American hemisphere, and wept with Safie over the hapless fate of its original inhabitants. "These wonderful narrations inspired me with strange feelings. Was man, indeed, at once so powerful, so virtuous, and magnificent, yet so vicious and base? He appeared at one time a mere scion of the evil principle, and at another as all that can be conceived of noble and godlike. To be a great and virtuous man appeared the highest honour that can befall a sensitive being; to be base and vicious, as many on record have been, appeared the lowest degradation, a condition more abject than that of the blind mole or harmless worm. For a long time I could not conceive how one man could go forth to murder his fellow, or even why there were laws and governments; but when I heard details of vice and bloodshed, my wonder ceased, and I turned away with disgust and loathing. "Every conversation of the cottagers now opened new wonders to me. While I listened to the instructions which Felix bestowed upon the Arabian, the strange system of human society was explained to me. I heard of the division of property, of immense wealth and squalid poverty; of rank, descent, and noble blood. "The words induced me to turn towards myself. I learned that the possessions most esteemed by your fellow-creatures were, high and unsullied descent united with riches. A man might be respected with only one of these acquisitions; but without either he was considered, except in very rare instances, as a vagabond and a slave, doomed to waste his powers for the profit of the chosen few. And what was I? Of my creation and creator I was absolutely ignorant; but I knew that I possessed no money, no friends, no kind of property. I was, besides, endowed with a figure hideously deformed and loathsome; I was not even of the same nature as man. I was more agile than they, and could subsist upon coarser diet; I bore the extremes of heat and cold with less injury to my frame; my stature far exceeded their's. When I looked around, I saw and heard of none like me. Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned? "I cannot describe to you the agony that these reflections inflicted upon me; I tried to dispel them, but sorrow only increased with knowledge. Oh, that I had for ever remained in my native wood, nor known or felt beyond the sensations of hunger, thirst, and heat! "Of what a strange nature is knowledge! It clings to the mind, when it has once seized on it, like a lichen on the rock. I wished sometimes to shake off all thought and feeling; but I learned that there was but one means to overcome the sensation of pain, and that was death--a state which I feared yet did not understand. I admired virtue and good feelings, and loved the gentle manners and amiable qualities of my cottagers; but I was shut out from intercourse with them, except through means which I obtained by stealth, when I was unseen and unknown, and which rather increased than satisfied the desire I had of becoming one among my fellows. The gentle words of Agatha, and the animated smiles of the charming Arabian, were not for me. The mild exhortations of the old man, and the lively conversation of the loved Felix, were not for me. Miserable, unhappy wretch! "Other lessons were impressed upon me even more deeply. I heard of the difference of sexes; of the birth and growth of children; how the father doated on the smiles of the infant, and the lively sallies of the older child; how all the life and cares of the mother were wrapt up in the precious charge; how the mind of youth expanded and gained knowledge; of brother, sister, and all the various relationships which bind one human being to another in mutual bonds. "But where were my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses; or if they had, all my past life was now a blot, a blind vacancy in which I distinguished nothing. From my earliest remembrance I had been as I then was in height and proportion. I had never yet seen a being resembling me, or who claimed any intercourse with me. What was I? The question again recurred, to be answered only with groans. "I will soon explain to what these feelings tended; but allow me now to return to the cottagers, whose story excited in me such various feelings of indignation, delight, and wonder, but which all terminated in additional love and reverence for my protectors (for so I loved, in an innocent, half painful self-deceit, to call them)."

The monster now begins to narrate his tale. In the beginning he tries to familiarize himself with his surroundings. He begins to understand his senses and gets used to the idea of being a human. At first he only wanders around looking for shelter. He is surrounded by nature. He enjoys the sights and sounds and tries to imitate the latter, but the sound of his own voice discourages him. He comes across fire and uses it to roast nuts and roots. He starts to wander again, and early one morning, he finds a small hut "meant for a shepherd. " As he enters it, the old man who occupies the hut runs out, terrified. The monster has some food and falls asleep. The next morning he sets out again and arrives at a village at sunset. The children shriek and the women faint on seeing him. The villagers begin to attack him until he is forced to leave, all bruised and battered. He seeks refuge in a low hovel, which is close to a cottage. The next day he creeps out and sees a man outside but decides to stay there. He then sees a young girl with a pail on her head and a young man who takes the pail from her and carries it to the cottage. The monster finds a place in the cottage and remains there, unseen by any of the inhabitants. He observes them: there is an old blind man who plays the guitar excellently, a young girl who is busy cleaning the cottage and a young man who does the outdoor tasks. Later he reads aloud to the old man. But the monster cannot understand, as he is not yet familiar with language. The next day the monster finds them at their daily chores. But he sees they are unhappy and later attributes it to their poverty. The monster steals some of their food, but he stops himself when he sees that they are hungry. Moreover, the monster also chops wood and, unseen, performs other tasks for them. He learns a few words, like "bread," "fire," "milk" and "wood," as well as the names of the boy and the girl: Felix and Agatha. He spends the winter and the beginning of spring there. Chapter 13 marks the arrival of Safie, a friend of the family's. She is apparently a foreigner, an Arabian, who does not speak their language. So Felix's attempts to teach her their language prove to be useful to the monster, too. As the nights grow shorter, the monster cannot ramble about much in the dark. He is still afraid of meeting humans. The monster gains knowledge in the meanwhile from Volney's Ruins of Empires, from which Felix reads to Safie. He learns a great deal about being a human.

Barton Park was about half a mile from the cottage. The ladies had passed near it in their way along the valley, but it was screened from their view at home by the projection of a hill. The house was large and handsome; and the Middletons lived in a style of equal hospitality and elegance. The former was for Sir John's gratification, the latter for that of his lady. They were scarcely ever without some friends staying with them in the house, and they kept more company of every kind than any other family in the neighbourhood. It was necessary to the happiness of both; for however dissimilar in temper and outward behaviour, they strongly resembled each other in that total want of talent and taste which confined their employments, unconnected with such as society produced, within a very narrow compass. Sir John was a sportsman, Lady Middleton a mother. He hunted and shot, and she humoured her children; and these were their only resources. Lady Middleton had the advantage of being able to spoil her children all the year round, while Sir John's independent employments were in existence only half the time. Continual engagements at home and abroad, however, supplied all the deficiencies of nature and education; supported the good spirits of Sir John, and gave exercise to the good breeding of his wife. Lady Middleton piqued herself upon the elegance of her table, and of all her domestic arrangements; and from this kind of vanity was her greatest enjoyment in any of their parties. But Sir John's satisfaction in society was much more real; he delighted in collecting about him more young people than his house would hold, and the noisier they were the better was he pleased. He was a blessing to all the juvenile part of the neighbourhood, for in summer he was for ever forming parties to eat cold ham and chicken out of doors, and in winter his private balls were numerous enough for any young lady who was not suffering under the unsatiable appetite of fifteen. The arrival of a new family in the country was always a matter of joy to him, and in every point of view he was charmed with the inhabitants he had now procured for his cottage at Barton. The Miss Dashwoods were young, pretty, and unaffected. It was enough to secure his good opinion; for to be unaffected was all that a pretty girl could want to make her mind as captivating as her person. The friendliness of his disposition made him happy in accommodating those, whose situation might be considered, in comparison with the past, as unfortunate. In showing kindness to his cousins therefore he had the real satisfaction of a good heart; and in settling a family of females only in his cottage, he had all the satisfaction of a sportsman; for a sportsman, though he esteems only those of his sex who are sportsmen likewise, is not often desirous of encouraging their taste by admitting them to a residence within his own manor. Mrs. Dashwood and her daughters were met at the door of the house by Sir John, who welcomed them to Barton Park with unaffected sincerity; and as he attended them to the drawing room repeated to the young ladies the concern which the same subject had drawn from him the day before, at being unable to get any smart young men to meet them. They would see, he said, only one gentleman there besides himself; a particular friend who was staying at the park, but who was neither very young nor very gay. He hoped they would all excuse the smallness of the party, and could assure them it should never happen so again. He had been to several families that morning in hopes of procuring some addition to their number, but it was moonlight and every body was full of engagements. Luckily Lady Middleton's mother had arrived at Barton within the last hour, and as she was a very cheerful agreeable woman, he hoped the young ladies would not find it so very dull as they might imagine. The young ladies, as well as their mother, were perfectly satisfied with having two entire strangers of the party, and wished for no more. Mrs. Jennings, Lady Middleton's mother, was a good-humoured, merry, fat, elderly woman, who talked a great deal, seemed very happy, and rather vulgar. She was full of jokes and laughter, and before dinner was over had said many witty things on the subject of lovers and husbands; hoped they had not left their hearts behind them in Sussex, and pretended to see them blush whether they did or not. Marianne was vexed at it for her sister's sake, and turned her eyes towards Elinor to see how she bore these attacks, with an earnestness which gave Elinor far more pain than could arise from such common-place raillery as Mrs. Jennings's. Colonel Brandon, the friend of Sir John, seemed no more adapted by resemblance of manner to be his friend, than Lady Middleton was to be his wife, or Mrs. Jennings to be Lady Middleton's mother. He was silent and grave. His appearance however was not unpleasing, in spite of his being in the opinion of Marianne and Margaret an absolute old bachelor, for he was on the wrong side of five and thirty; but though his face was not handsome, his countenance was sensible, and his address was particularly gentlemanlike. There was nothing in any of the party which could recommend them as companions to the Dashwoods; but the cold insipidity of Lady Middleton was so particularly repulsive, that in comparison of it the gravity of Colonel Brandon, and even the boisterous mirth of Sir John and his mother-in-law was interesting. Lady Middleton seemed to be roused to enjoyment only by the entrance of her four noisy children after dinner, who pulled her about, tore her clothes, and put an end to every kind of discourse except what related to themselves. In the evening, as Marianne was discovered to be musical, she was invited to play. The instrument was unlocked, every body prepared to be charmed, and Marianne, who sang very well, at their request went through the chief of the songs which Lady Middleton had brought into the family on her marriage, and which perhaps had lain ever since in the same position on the pianoforte, for her ladyship had celebrated that event by giving up music, although by her mother's account, she had played extremely well, and by her own was very fond of it. Marianne's performance was highly applauded. Sir John was loud in his admiration at the end of every song, and as loud in his conversation with the others while every song lasted. Lady Middleton frequently called him to order, wondered how any one's attention could be diverted from music for a moment, and asked Marianne to sing a particular song which Marianne had just finished. Colonel Brandon alone, of all the party, heard her without being in raptures. He paid her only the compliment of attention; and she felt a respect for him on the occasion, which the others had reasonably forfeited by their shameless want of taste. His pleasure in music, though it amounted not to that ecstatic delight which alone could sympathize with her own, was estimable when contrasted against the horrible insensibility of the others; and she was reasonable enough to allow that a man of five and thirty might well have outlived all acuteness of feeling and every exquisite power of enjoyment. She was perfectly disposed to make every allowance for the colonel's advanced state of life which humanity required.

The following day, at Sir John's invitation, the Dashwood women go to dinner at Barton Park. The sociable Sir John is delighted with his new tenants. He is pleased that they are an all-female family, as a man might hunt the birds and animals on his estate, and he wants to keep all the hunting for himself. Also present are Mrs. Jennings, who is Lady Middleton's mother, and Colonel Brandon, who is a friend of Sir John. Marianne is invited to play the piano. Colonel Brandon is the only person who does not go into raptures about her performance, only listening with quiet attention. Marianne excuses him his lack of ecstasy on the grounds of his advanced age

Mrs. John Dashwood now installed herself mistress of Norland; and her mother and sisters-in-law were degraded to the condition of visitors. As such, however, they were treated by her with quiet civility; and by her husband with as much kindness as he could feel towards anybody beyond himself, his wife, and their child. He really pressed them, with some earnestness, to consider Norland as their home; and, as no plan appeared so eligible to Mrs. Dashwood as remaining there till she could accommodate herself with a house in the neighbourhood, his invitation was accepted. A continuance in a place where everything reminded her of former delight, was exactly what suited her mind. In seasons of cheerfulness, no temper could be more cheerful than hers, or possess, in a greater degree, that sanguine expectation of happiness which is happiness itself. But in sorrow she must be equally carried away by her fancy, and as far beyond consolation as in pleasure she was beyond alloy. Mrs. John Dashwood did not at all approve of what her husband intended to do for his sisters. To take three thousand pounds from the fortune of their dear little boy would be impoverishing him to the most dreadful degree. She begged him to think again on the subject. How could he answer it to himself to rob his child, and his only child too, of so large a sum? And what possible claim could the Miss Dashwoods, who were related to him only by half blood, which she considered as no relationship at all, have on his generosity to so large an amount. It was very well known that no affection was ever supposed to exist between the children of any man by different marriages; and why was he to ruin himself, and their poor little Harry, by giving away all his money to his half sisters? "It was my father's last request to me," replied her husband, "that I should assist his widow and daughters." "He did not know what he was talking of, I dare say; ten to one but he was light-headed at the time. Had he been in his right senses, he could not have thought of such a thing as begging you to give away half your fortune from your own child." "He did not stipulate for any particular sum, my dear Fanny; he only requested me, in general terms, to assist them, and make their situation more comfortable than it was in his power to do. Perhaps it would have been as well if he had left it wholly to myself. He could hardly suppose I should neglect them. But as he required the promise, I could not do less than give it; at least I thought so at the time. The promise, therefore, was given, and must be performed. Something must be done for them whenever they leave Norland and settle in a new home." "Well, then, LET something be done for them; but THAT something need not be three thousand pounds. Consider," she added, "that when the money is once parted with, it never can return. Your sisters will marry, and it will be gone for ever. If, indeed, it could be restored to our poor little boy--" "Why, to be sure," said her husband, very gravely, "that would make great difference. The time may come when Harry will regret that so large a sum was parted with. If he should have a numerous family, for instance, it would be a very convenient addition." "To be sure it would." "Perhaps, then, it would be better for all parties, if the sum were diminished one half.--Five hundred pounds would be a prodigious increase to their fortunes!" "Oh! beyond anything great! What brother on earth would do half so much for his sisters, even if REALLY his sisters! And as it is--only half blood!--But you have such a generous spirit!" "I would not wish to do any thing mean," he replied. "One had rather, on such occasions, do too much than too little. No one, at least, can think I have not done enough for them: even themselves, they can hardly expect more." "There is no knowing what THEY may expect," said the lady, "but we are not to think of their expectations: the question is, what you can afford to do." "Certainly--and I think I may afford to give them five hundred pounds a-piece. As it is, without any addition of mine, they will each have about three thousand pounds on their mother's death--a very comfortable fortune for any young woman." "To be sure it is; and, indeed, it strikes me that they can want no addition at all. They will have ten thousand pounds divided amongst them. If they marry, they will be sure of doing well, and if they do not, they may all live very comfortably together on the interest of ten thousand pounds." "That is very true, and, therefore, I do not know whether, upon the whole, it would not be more advisable to do something for their mother while she lives, rather than for them--something of the annuity kind I mean.--My sisters would feel the good effects of it as well as herself. A hundred a year would make them all perfectly comfortable." His wife hesitated a little, however, in giving her consent to this plan. "To be sure," said she, "it is better than parting with fifteen hundred pounds at once. But, then, if Mrs. Dashwood should live fifteen years we shall be completely taken in." "Fifteen years! my dear Fanny; her life cannot be worth half that purchase." "Certainly not; but if you observe, people always live for ever when there is an annuity to be paid them; and she is very stout and healthy, and hardly forty. An annuity is a very serious business; it comes over and over every year, and there is no getting rid of it. You are not aware of what you are doing. I have known a great deal of the trouble of annuities; for my mother was clogged with the payment of three to old superannuated servants by my father's will, and it is amazing how disagreeable she found it. Twice every year these annuities were to be paid; and then there was the trouble of getting it to them; and then one of them was said to have died, and afterwards it turned out to be no such thing. My mother was quite sick of it. Her income was not her own, she said, with such perpetual claims on it; and it was the more unkind in my father, because, otherwise, the money would have been entirely at my mother's disposal, without any restriction whatever. It has given me such an abhorrence of annuities, that I am sure I would not pin myself down to the payment of one for all the world." "It is certainly an unpleasant thing," replied Mr. Dashwood, "to have those kind of yearly drains on one's income. One's fortune, as your mother justly says, is NOT one's own. To be tied down to the regular payment of such a sum, on every rent day, is by no means desirable: it takes away one's independence." "Undoubtedly; and after all you have no thanks for it. They think themselves secure, you do no more than what is expected, and it raises no gratitude at all. If I were you, whatever I did should be done at my own discretion entirely. I would not bind myself to allow them any thing yearly. It may be very inconvenient some years to spare a hundred, or even fifty pounds from our own expenses." "I believe you are right, my love; it will be better that there should be no annuity in the case; whatever I may give them occasionally will be of far greater assistance than a yearly allowance, because they would only enlarge their style of living if they felt sure of a larger income, and would not be sixpence the richer for it at the end of the year. It will certainly be much the best way. A present of fifty pounds, now and then, will prevent their ever being distressed for money, and will, I think, be amply discharging my promise to my father." "To be sure it will. Indeed, to say the truth, I am convinced within myself that your father had no idea of your giving them any money at all. The assistance he thought of, I dare say, was only such as might be reasonably expected of you; for instance, such as looking out for a comfortable small house for them, helping them to move their things, and sending them presents of fish and game, and so forth, whenever they are in season. I'll lay my life that he meant nothing farther; indeed, it would be very strange and unreasonable if he did. Do but consider, my dear Mr. Dashwood, how excessively comfortable your mother-in-law and her daughters may live on the interest of seven thousand pounds, besides the thousand pounds belonging to each of the girls, which brings them in fifty pounds a year a-piece, and, of course, they will pay their mother for their board out of it. Altogether, they will have five hundred a-year amongst them, and what on earth can four women want for more than that?--They will live so cheap! Their housekeeping will be nothing at all. They will have no carriage, no horses, and hardly any servants; they will keep no company, and can have no expenses of any kind! Only conceive how comfortable they will be! Five hundred a year! I am sure I cannot imagine how they will spend half of it; and as to your giving them more, it is quite absurd to think of it. They will be much more able to give YOU something." "Upon my word," said Mr. Dashwood, "I believe you are perfectly right. My father certainly could mean nothing more by his request to me than what you say. I clearly understand it now, and I will strictly fulfil my engagement by such acts of assistance and kindness to them as you have described. When my mother removes into another house my services shall be readily given to accommodate her as far as I can. Some little present of furniture too may be acceptable then." "Certainly," returned Mrs. John Dashwood. "But, however, ONE thing must be considered. When your father and mother moved to Norland, though the furniture of Stanhill was sold, all the china, plate, and linen was saved, and is now left to your mother. Her house will therefore be almost completely fitted up as soon as she takes it." "That is a material consideration undoubtedly. A valuable legacy indeed! And yet some of the plate would have been a very pleasant addition to our own stock here." "Yes; and the set of breakfast china is twice as handsome as what belongs to this house. A great deal too handsome, in my opinion, for any place THEY can ever afford to live in. But, however, so it is. Your father thought only of THEM. And I must say this: that you owe no particular gratitude to him, nor attention to his wishes; for we very well know that if he could, he would have left almost everything in the world to THEM." This argument was irresistible. It gave to his intentions whatever of decision was wanting before; and he finally resolved, that it would be absolutely unnecessary, if not highly indecorous, to do more for the widow and children of his father, than such kind of neighbourly acts as his own wife pointed out.

Installed in Norland Park, Mrs. John Dashwood treated her mother-in-law and sisters-in-law with "quiet civility" while determined to defeat any attempt to provide for them financially. John Dashwood, still moved by the memory of his father's death, begged them to consider Norland Park their home until they could find a suitable house. Aghast at his proposal to give his half-sisters a thousand pounds apiece, Fanny began to offer her husband persuasive arguments to make him pare the sum down -- first to five hundred pounds and finally to nothing. She first made him think of their poor son, of whom they would be depriving the money. Then, after he had divided the sum in half, she appealed to the fact that the girls really didn't need so much money -- as their social life would be limited, their expenses would be negligible. When John decided on giving them only some furniture, Fanny returned with the argument that the linen and china left them by their father should amply furnish their new quarters. She finally got him to believe that he owed no gratitude to his father at all: "Your father thought only of them. . . . e very well know that if he could, he would have left almost everything in the world to them." This rationale made John's ultimate decision an easy one. He decided that he need do no more for his stepmother and half-sisters than send them occasional gifts of fish and game, a very generous thought, he believed, all considered.

XLII. ALL ALONE. It was easy to promise self-abnegation when self was wrapped up in another, and heart and soul were purified by a sweet example; but when the helpful voice was silent, the daily lesson over, the beloved presence gone, and nothing remained but loneliness and grief, then Jo found her promise very hard to keep. How could she "comfort father and mother," when her own heart ached with a ceaseless longing for her sister; how could she "make the house cheerful," when all its light and warmth and beauty seemed to have deserted it when Beth left the old home for the new; and where in all the world could she "find some useful, happy work to do," that would take the place of the loving service which had been its own reward? She tried in a blind, hopeless way to do her duty, secretly rebelling against it all the while, for it seemed unjust that her few joys should be lessened, her burdens made heavier, and life get harder and harder as she toiled along. Some people seemed to get all sunshine, and some all shadow; it was not fair, for she tried more than Amy to be good, but never got any reward, only disappointment, trouble, and hard work. Poor Jo, these were dark days to her, for something like despair came over her when she thought of spending all her life in that quiet house, devoted to humdrum cares, a few small pleasures, and the duty that never seemed to grow any easier. "I can't do it. I wasn't meant for a life like this, and I know I shall break away and do something desperate if somebody don't come and help me," she said to herself, when her first efforts failed, and she fell into the moody, miserable state of mind which often comes when strong wills have to yield to the inevitable. But some one did come and help her, though Jo did not recognize her good angels at once, because they wore familiar shapes, and used the simple spells best fitted to poor humanity. Often she started up at night, thinking Beth called her; and when the sight of the little empty bed made her cry with the bitter cry of an unsubmissive sorrow, "O Beth, come back! come back!" she did not stretch out her yearning arms in vain; for, as quick to hear her sobbing as she had been to hear her sister's faintest whisper, her mother came to comfort her, not with words only, but the patient tenderness that soothes by a touch, tears that were mute reminders of a greater grief than Jo's, and broken whispers, more eloquent than prayers, because hopeful resignation went hand-in-hand with natural sorrow. Sacred moments, when heart talked to heart in the silence of the night, turning affliction to a blessing, which chastened grief and strengthened love. Feeling this, Jo's burden seemed easier to bear, duty grew sweeter, and life looked more endurable, seen from the safe shelter of her mother's arms. When aching heart was a little comforted, troubled mind likewise found help; for one day she went to the study, and, leaning over the good gray head lifted to welcome her with a tranquil smile, she said, very humbly,-- "Father, talk to me as you did to Beth. I need it more than she did, for I'm all wrong." "My dear, nothing can comfort me like this," he answered, with a falter in his voice, and both arms round her, as if he, too, needed help, and did not fear to ask it. [Illustration: Jo and her father] Then, sitting in Beth's little chair close beside him, Jo told her troubles,--the resentful sorrow for her loss, the fruitless efforts that discouraged her, the want of faith that made life look so dark, and all the sad bewilderment which we call despair. She gave him entire confidence, he gave her the help she needed, and both found consolation in the act; for the time had come when they could talk together not only as father and daughter, but as man and woman, able and glad to serve each other with mutual sympathy as well as mutual love. Happy, thoughtful times there in the old study which Jo called "the church of one member," and from which she came with fresh courage, recovered cheerfulness, and a more submissive spirit; for the parents who had taught one child to meet death without fear, were trying now to teach another to accept life without despondency or distrust, and to use its beautiful opportunities with gratitude and power. Other helps had Jo,--humble, wholesome duties and delights that would not be denied their part in serving her, and which she slowly learned to see and value. Brooms and dishcloths never could be as distasteful as they once had been, for Beth had presided over both; and something of her housewifely spirit seemed to linger round the little mop and the old brush, that was never thrown away. As she used them, Jo found herself humming the songs Beth used to hum, imitating Beth's orderly ways, and giving the little touches here and there that kept everything fresh and cosey, which was the first step toward making home happy, though she didn't know it, till Hannah said with an approving squeeze of the hand,-- "You thoughtful creter, you're determined we sha'n't miss that dear lamb ef you can help it. We don't say much, but we see it, and the Lord will bless you for't, see ef He don't." As they sat sewing together, Jo discovered how much improved her sister Meg was; how well she could talk, how much she knew about good, womanly impulses, thoughts, and feelings, how happy she was in husband and children, and how much they were all doing for each other. "Marriage is an excellent thing, after all. I wonder if I should blossom out half as well as you have, if I tried it?" said Jo, as she constructed a kite for Demi, in the topsy-turvy nursery. "It's just what you need to bring out the tender, womanly half of your nature, Jo. You are like a chestnut-burr, prickly outside, but silky-soft within, and a sweet kernel, if one can only get at it. Love will make you show your heart some day, and then the rough burr will fall off." "Frost opens chestnut-burrs, ma'am, and it takes a good shake to bring them down. Boys go nutting, and I don't care to be bagged by them," returned Jo, pasting away at the kite which no wind that blows would ever carry up, for Daisy had tied herself on as a bob. Meg laughed, for she was glad to see a glimmer of Jo's old spirit, but she felt it her duty to enforce her opinion by every argument in her power; and the sisterly chats were not wasted, especially as two of Meg's most effective arguments were the babies, whom Jo loved tenderly. Grief is the best opener for some hearts, and Jo's was nearly ready for the bag: a little more sunshine to ripen the nut, then, not a boy's impatient shake, but a man's hand reached up to pick it gently from the burr, and find the kernel sound and sweet. If she had suspected this, she would have shut up tight, and been more prickly than ever; fortunately she wasn't thinking about herself, so, when the time came, down she dropped. Now, if she had been the heroine of a moral story-book, she ought at this period of her life to have become quite saintly, renounced the world, and gone about doing good in a mortified bonnet, with tracts in her pocket. But, you see, Jo wasn't a heroine; she was only a struggling human girl, like hundreds of others, and she just acted out her nature, being sad, cross, listless, or energetic, as the mood suggested. It's highly virtuous to say we'll be good, but we can't do it all at once, and it takes a long pull, a strong pull, and a pull all together, before some of us even get our feet set in the right way. Jo had got so far, she was learning to do her duty, and to feel unhappy if she did not; but to do it cheerfully--ah, that was another thing! She had often said she wanted to do something splendid, no matter how hard; and now she had her wish, for what could be more beautiful than to devote her life to father and mother, trying to make home as happy to them as they had to her? And, if difficulties were necessary to increase the splendor of the effort, what could be harder for a restless, ambitious girl than to give up her own hopes, plans, and desires, and cheerfully live for others? Providence had taken her at her word; here was the task, not what she had expected, but better, because self had no part in it: now, could she do it? She decided that she would try; and, in her first attempt, she found the helps I have suggested. Still another was given her, and she took it, not as a reward, but as a comfort, as Christian took the refreshment afforded by the little arbor where he rested, as he climbed the hill called Difficulty. "Why don't you write? That always used to make you happy," said her mother, once, when the desponding fit overshadowed Jo. "I've no heart to write, and if I had, nobody cares for my things." "We do; write something for us, and never mind the rest of the world. Try it, dear; I'm sure it would do you good, and please us very much." "Don't believe I can;" but Jo got out her desk, and began to overhaul her half-finished manuscripts. An hour afterward her mother peeped in, and there she was, scratching away, with her black pinafore on, and an absorbed expression, which caused Mrs. March to smile, and slip away, well pleased with the success of her suggestion. Jo never knew how it happened, but something got into that story that went straight to the hearts of those who read it; for, when her family had laughed and cried over it, her father sent it, much against her will, to one of the popular magazines, and, to her utter surprise, it was not only paid for, but others requested. Letters from several persons, whose praise was honor, followed the appearance of the little story, newspapers copied it, and strangers as well as friends admired it. For a small thing it was a great success; and Jo was more astonished than when her novel was commended and condemned all at once. "I don't understand it. What _can_ there be in a simple little story like that, to make people praise it so?" she said, quite bewildered. "There is truth in it, Jo, that's the secret; humor and pathos make it alive, and you have found your style at last. You wrote with no thought of fame or money, and put your heart into it, my daughter; you have had the bitter, now comes the sweet. Do your best, and grow as happy as we are in your success." "If there _is_ anything good or true in what I write, it isn't mine; I owe it all to you and mother and to Beth," said Jo, more touched by her father's words than by any amount of praise from the world. So, taught by love and sorrow, Jo wrote her little stories, and sent them away to make friends for themselves and her, finding it a very charitable world to such humble wanderers; for they were kindly welcomed, and sent home comfortable tokens to their mother, like dutiful children whom good fortune overtakes. When Amy and Laurie wrote of their engagement, Mrs. March feared that Jo would find it difficult to rejoice over it, but her fears were soon set at rest; for, though Jo looked grave at first, she took it very quietly, and was full of hopes and plans for "the children" before she read the letter twice. It was a sort of written duet, wherein each glorified the other in lover-like fashion, very pleasant to read and satisfactory to think of, for no one had any objection to make. "You like it, mother?" said Jo, as they laid down the closely written sheets, and looked at one another. "Yes, I hoped it would be so, ever since Amy wrote that she had refused Fred. I felt sure then that something better than what you call the 'mercenary spirit' had come over her, and a hint here and there in her letters made me suspect that love and Laurie would win the day." "How sharp you are, Marmee, and how silent! You never said a word to me." "Mothers have need of sharp eyes and discreet tongues when they have girls to manage. I was half afraid to put the idea into your head, lest you should write and congratulate them before the thing was settled." "I'm not the scatter-brain I was; you may trust me, I'm sober and sensible enough for any one's _confidante_ now." "So you are, dear, and I should have made you mine, only I fancied it might pain you to learn that your Teddy loved any one else." "Now, mother, did you really think I could be so silly and selfish, after I'd refused his love, when it was freshest, if not best?" "I knew you were sincere then, Jo, but lately I have thought that if he came back, and asked again, you might, perhaps, feel like giving another answer. Forgive me, dear, I can't help seeing that you are very lonely, and sometimes there is a hungry look in your eyes that goes to my heart; so I fancied that your boy might fill the empty place if he tried now." "No, mother, it is better as it is, and I'm glad Amy has learned to love him. But you are right in one thing: I _am_ lonely, and perhaps if Teddy had tried again, I might have said 'Yes,' not because I love him any more, but because I care more to be loved than when he went away." "I'm glad of that, Jo, for it shows that you are getting on. There are plenty to love you, so try to be satisfied with father and mother, sisters and brothers, friends and babies, till the best lover of all comes to give you your reward." "Mothers are the _best_ lovers in the world; but I don't mind whispering to Marmee that I'd like to try all kinds. It's very curious, but the more I try to satisfy myself with all sorts of natural affections, the more I seem to want. I'd no idea hearts could take in so many; mine is so elastic, it never seems full now, and I used to be quite contented with my family. I don't understand it." "I do;" and Mrs. March smiled her wise smile, as Jo turned back the leaves to read what Amy said of Laurie. "It is so beautiful to be loved as Laurie loves me; he isn't sentimental, doesn't say much about it, but I see and feel it in all he says and does, and it makes me so happy and so humble that I don't seem to be the same girl I was. I never knew how good and generous and tender he was till now, for he lets me read his heart, and I find it full of noble impulses and hopes and purposes, and am so proud to know it's mine. He says he feels as if he 'could make a prosperous voyage now with me aboard as mate, and lots of love for ballast.' I pray he may, and try to be all he believes me, for I love my gallant captain with all my heart and soul and might, and never will desert him, while God lets us be together. O mother, I never knew how much like heaven this world could be, when two people love and live for one another!" "And that's our cool, reserved, and worldly Amy! Truly, love does work miracles. How very, very happy they must be!" And Jo laid the rustling sheets together with a careful hand, as one might shut the covers of a lovely romance, which holds the reader fast till the end comes, and he finds himself alone in the work-a-day world again. By and by Jo roamed away upstairs, for it was rainy, and she could not walk. A restless spirit possessed her, and the old feeling came again, not bitter as it once was, but a sorrowfully patient wonder why one sister should have all she asked, the other nothing. It was not true; she knew that, and tried to put it away, but the natural craving for affection was strong, and Amy's happiness woke the hungry longing for some one to "love with heart and soul, and cling to while God let them be together." Up in the garret, where Jo's unquiet wanderings ended, stood four little wooden chests in a row, each marked with its owner's name, and each filled with relics of the childhood and girlhood ended now for all. Jo glanced into them, and when she came to her own, leaned her chin on the edge, and stared absently at the chaotic collection, till a bundle of old exercise-books caught her eye. She drew them out, turned them over, and re-lived that pleasant winter at kind Mrs. Kirke's. She had smiled at first, then she looked thoughtful, next sad, and when she came to a little message written in the Professor's hand, her lips began to tremble, the books slid out of her lap, and she sat looking at the friendly words, as if they took a new meaning, and touched a tender spot in her heart. "Wait for me, my friend. I may be a little late, but I shall surely come." "Oh, if he only would! So kind, so good, so patient with me always; my dear old Fritz, I didn't value him half enough when I had him, but now how I should love to see him, for every one seems going away from me, and I'm all alone." And holding the little paper fast, as if it were a promise yet to be fulfilled, Jo laid her head down on a comfortable rag-bag, and cried, as if in opposition to the rain pattering on the roof. [Illustration: Jo laid her head on a comfortable rag-bag and cried] Was it all self-pity, loneliness, or low spirits? or was it the waking up of a sentiment which had bided its time as patiently as its inspirer? Who shall say? [Illustration: A substantial lifelike ghost leaning over her]

In the wake of Beth's death, Jo finds it difficult to keep her promise to comfort her parents and take her sister's place in the home. Jo often wakes up in the night and cries, grieving for Beth. Her mother hears her and comes to comfort her each time. During the day, Jo has long conversations with her father. She tells him how difficult it is for her to cope with losing her sister and with resigning herself to her domestic tasks. He consoles and counsels her. They're finally able to talk about things as equal adults, as well as father and daughter. Jo is also comforted by doing simple domestic chores and thinking of the way that Beth did them. Hannah thanks Jo for taking Beth's place as a housekeeper. One day, Jo and Meg are sitting together and sewing. Jo realizes how much Meg has grown as a person after her marriage. Another day, Jo is helping Meg in the nursery, making kite for Demi. She asks Meg if marriage would suit her, too. Meg thinks that marriage would be great for Jo and that it would help bring out her softer, more feminine side. She thinks Jo is like a chestnut burr - prickly on the outside, but soft on the inside. Jo and Meg continue to have lots of sisterly chats about marriage and children. As Jo watches Meg's domestic life, she starts to wish that she were also married and that she could have kids of her own. The narrator notes that, if Jo was a heroine in a moral story, then at this point she'd do everything perfectly and be happy and content. But she's not a heroine - she's a regular person, and so things are more difficult for her. Marmee suggests that Jo take up writing again, because it always made her happy in the past. Jo agrees to try writing, although she intends to write something personal this time, not for a wider audience. The story that Jo writes is published in a magazine and receives rave reviews. She doesn't understand why, and her father says it's because the story is so true to life. Jo thinks that her life experiences - her love for Beth, her grief at Beth's death, and her closer connection to her parents - have made her a better writer. She keeps writing stories and they continue to be received well. Amy and Laurie write to the Marches to announce that they are engaged. Marmee worries that Jo will be upset by this, but she's pleasantly surprised to discover that Jo is happy for them. Jo says that she can be happy with the kinds of love in her life - love from her parents, friends, and family - but that she wouldn't mind a romance, too. Jo and Marmee read Amy's description of the selfless love that she and Laurie feel for one another. They feel very happy for the young couple, and Jo hopes to experience that kind of love herself one day. Jo feels restless and goes up into the attic. She rummages through her possessions and comes across some notebooks from the winter she spent in New York. In one of the notebooks, she finds a message from Mr. Bhaer, saying that he is going to be late but will eventually come. Originally, it was just a note to let her know he'd be late for something in New York, but now it seems like foreshadowing! Jo, full of complicated feelings, begins to cry.

The China, in leaving, seemed to have carried off Phileas Fogg's last hope. None of the other steamers were able to serve his projects. The Pereire, of the French Transatlantic Company, whose admirable steamers are equal to any in speed and comfort, did not leave until the 14th; the Hamburg boats did not go directly to Liverpool or London, but to Havre; and the additional trip from Havre to Southampton would render Phileas Fogg's last efforts of no avail. The Inman steamer did not depart till the next day, and could not cross the Atlantic in time to save the wager. Mr. Fogg learned all this in consulting his Bradshaw, which gave him the daily movements of the trans-Atlantic steamers. Passepartout was crushed; it overwhelmed him to lose the boat by three-quarters of an hour. It was his fault, for, instead of helping his master, he had not ceased putting obstacles in his path! And when he recalled all the incidents of the tour, when he counted up the sums expended in pure loss and on his own account, when he thought that the immense stake, added to the heavy charges of this useless journey, would completely ruin Mr. Fogg, he overwhelmed himself with bitter self-accusations. Mr. Fogg, however, did not reproach him; and, on leaving the Cunard pier, only said: "We will consult about what is best to-morrow. Come." The party crossed the Hudson in the Jersey City ferryboat, and drove in a carriage to the St. Nicholas Hotel, on Broadway. Rooms were engaged, and the night passed, briefly to Phileas Fogg, who slept profoundly, but very long to Aouda and the others, whose agitation did not permit them to rest. The next day was the 12th of December. From seven in the morning of the 12th to a quarter before nine in the evening of the 21st there were nine days, thirteen hours, and forty-five minutes. If Phileas Fogg had left in the China, one of the fastest steamers on the Atlantic, he would have reached Liverpool, and then London, within the period agreed upon. Mr. Fogg left the hotel alone, after giving Passepartout instructions to await his return, and inform Aouda to be ready at an instant's notice. He proceeded to the banks of the Hudson, and looked about among the vessels moored or anchored in the river, for any that were about to depart. Several had departure signals, and were preparing to put to sea at morning tide; for in this immense and admirable port there is not one day in a hundred that vessels do not set out for every quarter of the globe. But they were mostly sailing vessels, of which, of course, Phileas Fogg could make no use. He seemed about to give up all hope, when he espied, anchored at the Battery, a cable's length off at most, a trading vessel, with a screw, well-shaped, whose funnel, puffing a cloud of smoke, indicated that she was getting ready for departure. Phileas Fogg hailed a boat, got into it, and soon found himself on board the Henrietta, iron-hulled, wood-built above. He ascended to the deck, and asked for the captain, who forthwith presented himself. He was a man of fifty, a sort of sea-wolf, with big eyes, a complexion of oxidised copper, red hair and thick neck, and a growling voice. "The captain?" asked Mr. Fogg. "I am the captain." "I am Phileas Fogg, of London." "And I am Andrew Speedy, of Cardiff." "You are going to put to sea?" "In an hour." "You are bound for--" "Bordeaux." "And your cargo?" "No freight. Going in ballast." "Have you any passengers?" "No passengers. Never have passengers. Too much in the way." "Is your vessel a swift one?" "Between eleven and twelve knots. The Henrietta, well known." "Will you carry me and three other persons to Liverpool?" "To Liverpool? Why not to China?" "I said Liverpool." "No!" "No?" "No. I am setting out for Bordeaux, and shall go to Bordeaux." "Money is no object?" "None." The captain spoke in a tone which did not admit of a reply. "But the owners of the Henrietta--" resumed Phileas Fogg. "The owners are myself," replied the captain. "The vessel belongs to me." "I will freight it for you." "No." "I will buy it of you." "No." Phileas Fogg did not betray the least disappointment; but the situation was a grave one. It was not at New York as at Hong Kong, nor with the captain of the Henrietta as with the captain of the Tankadere. Up to this time money had smoothed away every obstacle. Now money failed. Still, some means must be found to cross the Atlantic on a boat, unless by balloon--which would have been venturesome, besides not being capable of being put in practice. It seemed that Phileas Fogg had an idea, for he said to the captain, "Well, will you carry me to Bordeaux?" "No, not if you paid me two hundred dollars." "I offer you two thousand." "Apiece?" "Apiece." "And there are four of you?" "Four." Captain Speedy began to scratch his head. There were eight thousand dollars to gain, without changing his route; for which it was well worth conquering the repugnance he had for all kinds of passengers. Besides, passengers at two thousand dollars are no longer passengers, but valuable merchandise. "I start at nine o'clock," said Captain Speedy, simply. "Are you and your party ready?" "We will be on board at nine o'clock," replied, no less simply, Mr. Fogg. It was half-past eight. To disembark from the Henrietta, jump into a hack, hurry to the St. Nicholas, and return with Aouda, Passepartout, and even the inseparable Fix was the work of a brief time, and was performed by Mr. Fogg with the coolness which never abandoned him. They were on board when the Henrietta made ready to weigh anchor. When Passepartout heard what this last voyage was going to cost, he uttered a prolonged "Oh!" which extended throughout his vocal gamut. As for Fix, he said to himself that the Bank of England would certainly not come out of this affair well indemnified. When they reached England, even if Mr. Fogg did not throw some handfuls of bank-bills into the sea, more than seven thousand pounds would have been spent!

Foggs last hope seemed to have gone with the China, the boat that leaves for Liverpool from New York. Passepartout is crushed by the fact that the boat has been missed because of him. Fogg merely says that they will decide the next day, on what needs to be done. They stay the night at a Hotel and the next day, Fogg leaves the hotel alone, in order to look for a ship. He sees a trading vessel of fine lines-the Henrietta and goes to meet the Captain. Fogg wants to know, whether the Captain-Andrew Speedy-will take passengers to Liverpool. The latter refuses but Fogg manages to strike a deal, for a journey to Bordeaux. He offers two thousand dollars for each person and there are four. Thus, the foursome-Fogg, Aouda, Passepartout and Fix board the ship-Henrietta-for Bordeaux.

60 IN FRANCE The first fear of the King of England, Charles I, on learning of the death of the duke, was that such terrible news might discourage the Rochellais; he tried, says Richelieu in his Memoirs, to conceal it from them as long as possible, closing all the ports of his kingdom, and carefully keeping watch that no vessel should sail until the army which Buckingham was getting together had gone, taking upon himself, in default of Buckingham, to superintend the departure. He carried the strictness of this order so far as to detain in England the ambassadors of Denmark, who had taken their leave, and the regular ambassador of Holland, who was to take back to the port of Flushing the Indian merchantmen of which Charles I had made restitution to the United Provinces. But as he did not think of giving this order till five hours after the event--that is to say, till two o'clock in the afternoon--two vessels had already left the port, the one bearing, as we know, Milady, who, already anticipating the event, was further confirmed in that belief by seeing the black flag flying at the masthead of the admiral's ship. As to the second vessel, we will tell hereafter whom it carried, and how it set sail. During this time nothing new occurred in the camp at La Rochelle; only the king, who was bored, as always, but perhaps a little more so in camp than elsewhere, resolved to go incognito and spend the festival of St. Louis at St. Germain, and asked the cardinal to order him an escort of only twenty Musketeers. The cardinal, who sometimes became weary of the king, granted this leave of absence with great pleasure to his royal lieutenant, who promised to return about the fifteenth of September. M de Treville, being informed of this by his Eminence, packed his portmanteau; and as without knowing the cause he knew the great desire and even imperative need which his friends had of returning to Paris, it goes without saying that he fixed upon them to form part of the escort. The four young men heard the news a quarter of an hour after M. de Treville, for they were the first to whom he communicated it. It was then that d'Artagnan appreciated the favor the cardinal had conferred upon him in making him at last enter the Musketeers--for without that circumstance he would have been forced to remain in the camp while his companions left it. It goes without saying that this impatience to return toward Paris had for a cause the danger which Mme. Bonacieux would run of meeting at the convent of Bethune with Milady, her mortal enemy. Aramis therefore had written immediately to Marie Michon, the seamstress at Tours who had such fine acquaintances, to obtain from the queen authority for Mme. Bonacieux to leave the convent, and to retire either into Lorraine or Belgium. They had not long to wait for an answer. Eight or ten days afterward Aramis received the following letter: "My Dear Cousin, "Here is the authorization from my sister to withdraw our little servant from the convent of Bethune, the air of which you think is bad for her. My sister sends you this authorization with great pleasure, for she is very partial to the little girl, to whom she intends to be more serviceable hereafter. "I salute you, "MARIE MICHON" To this letter was added an order, conceived in these terms: "At the Louvre, August 10, 1628 "The superior of the convent of Bethune will place in the hands of the person who shall present this note to her the novice who entered the convent upon my recommendation and under my patronage. "ANNE" It may be easily imagined how the relationship between Aramis and a seamstress who called the queen her sister amused the young men; but Aramis, after having blushed two or three times up to the whites of his eyes at the gross pleasantry of Porthos, begged his friends not to revert to the subject again, declaring that if a single word more was said to him about it, he would never again implore his cousins to interfere in such affairs. There was no further question, therefore, about Marie Michon among the four Musketeers, who besides had what they wanted: that was, the order to withdraw Mme. Bonacieux from the convent of the Carmelites of Bethune. It was true that this order would not be of great use to them while they were in camp at La Rochelle; that is to say, at the other end of France. Therefore d'Artagnan was going to ask leave of absence of M. de Treville, confiding to him candidly the importance of his departure, when the news was transmitted to him as well as to his three friends that the king was about to set out for Paris with an escort of twenty Musketeers, and that they formed part of the escort. Their joy was great. The lackeys were sent on before with the baggage, and they set out on the morning of the sixteenth. The cardinal accompanied his Majesty from Surgeres to Mauzes; and there the king and his minister took leave of each other with great demonstrations of friendship. The king, however, who sought distraction, while traveling as fast as possible--for he was anxious to be in Paris by the twenty-third--stopped from time to time to fly the magpie, a pastime for which the taste had been formerly inspired in him by de Luynes, and for which he had always preserved a great predilection. Out of the twenty Musketeers sixteen, when this took place, rejoiced greatly at this relaxation; but the other four cursed it heartily. D'Artagnan, in particular, had a perpetual buzzing in his ears, which Porthos explained thus: "A very great lady has told me that this means that somebody is talking of you somewhere." At length the escort passed through Paris on the twenty-third, in the night. The king thanked M. de Treville, and permitted him to distribute furloughs for four days, on condition that the favored parties should not appear in any public place, under penalty of the Bastille. The first four furloughs granted, as may be imagined, were to our four friends. Still further, Athos obtained of M. de Treville six days instead of four, and introduced into these six days two more nights--for they set out on the twenty-fourth at five o'clock in the evening, and as a further kindness M. de Treville post-dated the leave to the morning of the twenty-fifth. "Good Lord!" said d'Artagnan, who, as we have often said, never stumbled at anything. "It appears to me that we are making a great trouble of a very simple thing. In two days, and by using up two or three horses (that's nothing; I have plenty of money), I am at Bethune. I present my letter from the queen to the superior, and I bring back the dear treasure I go to seek--not into Lorraine, not into Belgium, but to Paris, where she will be much better concealed, particularly while the cardinal is at La Rochelle. Well, once returned from the country, half by the protection of her cousin, half through what we have personally done for her, we shall obtain from the queen what we desire. Remain, then, where you are, and do not exhaust yourselves with useless fatigue. Myself and Planchet are all that such a simple expedition requires." To this Athos replied quietly: "We also have money left--for I have not yet drunk all my share of the diamond, and Porthos and Aramis have not eaten all theirs. We can therefore use up four horses as well as one. But consider, d'Artagnan," added he, in a tone so solemn that it made the young man shudder, "consider that Bethune is a city where the cardinal has given rendezvous to a woman who, wherever she goes, brings misery with her. If you had only to deal with four men, d'Artagnan, I would allow you to go alone. You have to do with that woman! We four will go; and I hope to God that with our four lackeys we may be in sufficient number." "You terrify me, Athos!" cried d'Artagnan. "My God! what do you fear?" "Everything!" replied Athos. D'Artagnan examined the countenances of his companions, which, like that of Athos, wore an impression of deep anxiety; and they continued their route as fast as their horses could carry them, but without adding another word. On the evening of the twenty-fifth, as they were entering Arras, and as d'Artagnan was dismounting at the inn of the Golden Harrow to drink a glass of wine, a horseman came out of the post yard, where he had just had a relay, started off at a gallop, and with a fresh horse took the road to Paris. At the moment he passed through the gateway into the street, the wind blew open the cloak in which he was wrapped, although it was in the month of August, and lifted his hat, which the traveler seized with his hand the moment it had left his head, pulling it eagerly over his eyes. D'Artagnan, who had his eyes fixed upon this man, became very pale, and let his glass fall. "What is the matter, monsieur?" said Planchet. "Oh, come, gentlemen, my master is ill!" The three friends hastened toward d'Artagnan, who, instead of being ill, ran toward his horse. They stopped him at the door. "Well, where the devil are you going now?" cried Athos. "It is he!" cried d'Artagnan, pale with anger, and with the sweat on his brow, "it is he! let me overtake him!" "He? What he?" asked Athos. "He, that man!" "What man?" "That cursed man, my evil genius, whom I have always met with when threatened by some misfortune, he who accompanied that horrible woman when I met her for the first time, he whom I was seeking when I offended our Athos, he whom I saw on the very morning Madame Bonacieux was abducted. I have seen him; that is he! I recognized him when the wind blew upon his cloak." "The devil!" said Athos, musingly. "To saddle, gentlemen! to saddle! Let us pursue him, and we shall overtake him!" "My dear friend," said Aramis, "remember that he goes in an opposite direction from that in which we are going, that he has a fresh horse, and ours are fatigued, so that we shall disable our own horses without even a chance of overtaking him. Let the man go, d'Artagnan; let us save the woman." "Monsieur, monsieur!" cried a hostler, running out and looking after the stranger, "monsieur, here is a paper which dropped out of your hat! Eh, monsieur, eh!" "Friend," said d'Artagnan, "a half-pistole for that paper!" "My faith, monsieur, with great pleasure! Here it is!" The hostler, enchanted with the good day's work he had done, returned to the yard. D'Artagnan unfolded the paper. "Well?" eagerly demanded all his three friends. "Nothing but one word!" said d'Artagnan. "Yes," said Aramis, "but that one word is the name of some town or village." "Armentieres," read Porthos; "Armentieres? I don't know such a place." "And that name of a town or village is written in her hand!" cried Athos. "Come on, come on!" said d'Artagnan; "let us keep that paper carefully, perhaps I have not thrown away my half-pistole. To horse, my friends, to horse!" And the four friends flew at a gallop along the road to Bethune.

King Charles I of England tries to conceal the death of the Duke of Buckingham from the Rochellais for as long as possible. He orders the ports closed as soon as the death was announced, but two ships manages to leave before then--the first, bearing Milady's flag. Meanwhile, at camp in La Rochelle, King Louis XIII of France is getting bored of the siege and wants to go back to Paris. He takes twenty Musketeers with him; among them are Porthos, Aramis, Athos, and D'Artagnan. Aramis receives a letter from his seamstress friend that contains an authorization from the Queen for the bearer to remove Constance Bonacieux from the convent. The men are overjoyed that they can finally rescue Constance! Upon reaching Paris, the King thanks Treville and gives permission to grant leaves of absences. The first of these goes to our young heroes, who promptly take off for Bethune. Just as the men are dismounting to stop at an inn, a horseman rides past whom D'Artagnan recognizes as the man from Meung! The Musketeer wants to chase after his mystery man, but is held back by his friends. Athos also points out that the man is traveling in the opposite direction. Suddenly, a servant comes running out of the inn after the man from Meung, calling that he had dropped a slip of paper. D'Artagnan pays the servant for the note, which has the word, "Armentieres" written on it in Milady's handwriting. The four friends fly off to Bethune.

_Same day, 11 o'clock p. m._--Oh, but I am tired! If it were not that I had made my diary a duty I should not open it to-night. We had a lovely walk. Lucy, after a while, was in gay spirits, owing, I think, to some dear cows who came nosing towards us in a field close to the lighthouse, and frightened the wits out of us. I believe we forgot everything except, of course, personal fear, and it seemed to wipe the slate clean and give us a fresh start. We had a capital "severe tea" at Robin Hood's Bay in a sweet little old-fashioned inn, with a bow-window right over the seaweed-covered rocks of the strand. I believe we should have shocked the "New Woman" with our appetites. Men are more tolerant, bless them! Then we walked home with some, or rather many, stoppages to rest, and with our hearts full of a constant dread of wild bulls. Lucy was really tired, and we intended to creep off to bed as soon as we could. The young curate came in, however, and Mrs. Westenra asked him to stay for supper. Lucy and I had both a fight for it with the dusty miller; I know it was a hard fight on my part, and I am quite heroic. I think that some day the bishops must get together and see about breeding up a new class of curates, who don't take supper, no matter how they may be pressed to, and who will know when girls are tired. Lucy is asleep and breathing softly. She has more colour in her cheeks than usual, and looks, oh, so sweet. If Mr. Holmwood fell in love with her seeing her only in the drawing-room, I wonder what he would say if he saw her now. Some of the "New Women" writers will some day start an idea that men and women should be allowed to see each other asleep before proposing or accepting. But I suppose the New Woman won't condescend in future to accept; she will do the proposing herself. And a nice job she will make of it, too! There's some consolation in that. I am so happy to-night, because dear Lucy seems better. I really believe she has turned the corner, and that we are over her troubles with dreaming. I should be quite happy if I only knew if Jonathan.... God bless and keep him. _11 August, 3 a. m._--Diary again. No sleep now, so I may as well write. I am too agitated to sleep. We have had such an adventure, such an agonising experience. I fell asleep as soon as I had closed my diary.... Suddenly I became broad awake, and sat up, with a horrible sense of fear upon me, and of some feeling of emptiness around me. The room was dark, so I could not see Lucy's bed; I stole across and felt for her. The bed was empty. I lit a match and found that she was not in the room. The door was shut, but not locked, as I had left it. I feared to wake her mother, who has been more than usually ill lately, so threw on some clothes and got ready to look for her. As I was leaving the room it struck me that the clothes she wore might give me some clue to her dreaming intention. Dressing-gown would mean house; dress, outside. Dressing-gown and dress were both in their places. "Thank God," I said to myself, "she cannot be far, as she is only in her nightdress." I ran downstairs and looked in the sitting-room. Not there! Then I looked in all the other open rooms of the house, with an ever-growing fear chilling my heart. Finally I came to the hall door and found it open. It was not wide open, but the catch of the lock had not caught. The people of the house are careful to lock the door every night, so I feared that Lucy must have gone out as she was. There was no time to think of what might happen; a vague, overmastering fear obscured all details. I took a big, heavy shawl and ran out. The clock was striking one as I was in the Crescent, and there was not a soul in sight. I ran along the North Terrace, but could see no sign of the white figure which I expected. At the edge of the West Cliff above the pier I looked across the harbour to the East Cliff, in the hope or fear--I don't know which--of seeing Lucy in our favourite seat. There was a bright full moon, with heavy black, driving clouds, which threw the whole scene into a fleeting diorama of light and shade as they sailed across. For a moment or two I could see nothing, as the shadow of a cloud obscured St. Mary's Church and all around it. Then as the cloud passed I could see the ruins of the abbey coming into view; and as the edge of a narrow band of light as sharp as a sword-cut moved along, the church and the churchyard became gradually visible. Whatever my expectation was, it was not disappointed, for there, on our favourite seat, the silver light of the moon struck a half-reclining figure, snowy white. The coming of the cloud was too quick for me to see much, for shadow shut down on light almost immediately; but it seemed to me as though something dark stood behind the seat where the white figure shone, and bent over it. What it was, whether man or beast, I could not tell; I did not wait to catch another glance, but flew down the steep steps to the pier and along by the fish-market to the bridge, which was the only way to reach the East Cliff. The town seemed as dead, for not a soul did I see; I rejoiced that it was so, for I wanted no witness of poor Lucy's condition. The time and distance seemed endless, and my knees trembled and my breath came laboured as I toiled up the endless steps to the abbey. I must have gone fast, and yet it seemed to me as if my feet were weighted with lead, and as though every joint in my body were rusty. When I got almost to the top I could see the seat and the white figure, for I was now close enough to distinguish it even through the spells of shadow. There was undoubtedly something, long and black, bending over the half-reclining white figure. I called in fright, "Lucy! Lucy!" and something raised a head, and from where I was I could see a white face and red, gleaming eyes. Lucy did not answer, and I ran on to the entrance of the churchyard. As I entered, the church was between me and the seat, and for a minute or so I lost sight of her. When I came in view again the cloud had passed, and the moonlight struck so brilliantly that I could see Lucy half reclining with her head lying over the back of the seat. She was quite alone, and there was not a sign of any living thing about. When I bent over her I could see that she was still asleep. Her lips were parted, and she was breathing--not softly as usual with her, but in long, heavy gasps, as though striving to get her lungs full at every breath. As I came close, she put up her hand in her sleep and pulled the collar of her nightdress close around her throat. Whilst she did so there came a little shudder through her, as though she felt the cold. I flung the warm shawl over her, and drew the edges tight round her neck, for I dreaded lest she should get some deadly chill from the night air, unclad as she was. I feared to wake her all at once, so, in order to have my hands free that I might help her, I fastened the shawl at her throat with a big safety-pin; but I must have been clumsy in my anxiety and pinched or pricked her with it, for by-and-by, when her breathing became quieter, she put her hand to her throat again and moaned. When I had her carefully wrapped up I put my shoes on her feet and then began very gently to wake her. At first she did not respond; but gradually she became more and more uneasy in her sleep, moaning and sighing occasionally. At last, as time was passing fast, and, for many other reasons, I wished to get her home at once, I shook her more forcibly, till finally she opened her eyes and awoke. She did not seem surprised to see me, as, of course, she did not realise all at once where she was. Lucy always wakes prettily, and even at such a time, when her body must have been chilled with cold, and her mind somewhat appalled at waking unclad in a churchyard at night, she did not lose her grace. She trembled a little, and clung to me; when I told her to come at once with me home she rose without a word, with the obedience of a child. As we passed along, the gravel hurt my feet, and Lucy noticed me wince. She stopped and wanted to insist upon my taking my shoes; but I would not. However, when we got to the pathway outside the churchyard, where there was a puddle of water, remaining from the storm, I daubed my feet with mud, using each foot in turn on the other, so that as we went home, no one, in case we should meet any one, should notice my bare feet. Fortune favoured us, and we got home without meeting a soul. Once we saw a man, who seemed not quite sober, passing along a street in front of us; but we hid in a door till he had disappeared up an opening such as there are here, steep little closes, or "wynds," as they call them in Scotland. My heart beat so loud all the time that sometimes I thought I should faint. I was filled with anxiety about Lucy, not only for her health, lest she should suffer from the exposure, but for her reputation in case the story should get wind. When we got in, and had washed our feet, and had said a prayer of thankfulness together, I tucked her into bed. Before falling asleep she asked--even implored--me not to say a word to any one, even her mother, about her sleep-walking adventure. I hesitated at first to promise; but on thinking of the state of her mother's health, and how the knowledge of such a thing would fret her, and thinking, too, of how such a story might become distorted--nay, infallibly would--in case it should leak out, I thought it wiser to do so. I hope I did right. I have locked the door, and the key is tied to my wrist, so perhaps I shall not be again disturbed. Lucy is sleeping soundly; the reflex of the dawn is high and far over the sea.... * * * * * _Same day, noon._--All goes well. Lucy slept till I woke her and seemed not to have even changed her side. The adventure of the night does not seem to have harmed her; on the contrary, it has benefited her, for she looks better this morning than she has done for weeks. I was sorry to notice that my clumsiness with the safety-pin hurt her. Indeed, it might have been serious, for the skin of her throat was pierced. I must have pinched up a piece of loose skin and have transfixed it, for there are two little red points like pin-pricks, and on the band of her nightdress was a drop of blood. When I apologised and was concerned about it, she laughed and petted me, and said she did not even feel it. Fortunately it cannot leave a scar, as it is so tiny. * * * * * _Same day, night._--We passed a happy day. The air was clear, and the sun bright, and there was a cool breeze. We took our lunch to Mulgrave Woods, Mrs. Westenra driving by the road and Lucy and I walking by the cliff-path and joining her at the gate. I felt a little sad myself, for I could not but feel how _absolutely_ happy it would have been had Jonathan been with me. But there! I must only be patient. In the evening we strolled in the Casino Terrace, and heard some good music by Spohr and Mackenzie, and went to bed early. Lucy seems more restful than she has been for some time, and fell asleep at once. I shall lock the door and secure the key the same as before, though I do not expect any trouble to-night. * * * * * _12 August._--My expectations were wrong, for twice during the night I was wakened by Lucy trying to get out. She seemed, even in her sleep, to be a little impatient at finding the door shut, and went back to bed under a sort of protest. I woke with the dawn, and heard the birds chirping outside of the window. Lucy woke, too, and, I was glad to see, was even better than on the previous morning. All her old gaiety of manner seemed to have come back, and she came and snuggled in beside me and told me all about Arthur. I told her how anxious I was about Jonathan, and then she tried to comfort me. Well, she succeeded somewhat, for, though sympathy can't alter facts, it can help to make them more bearable. * * * * * _13 August._--Another quiet day, and to bed with the key on my wrist as before. Again I awoke in the night, and found Lucy sitting up in bed, still asleep, pointing to the window. I got up quietly, and pulling aside the blind, looked out. It was brilliant moonlight, and the soft effect of the light over the sea and sky--merged together in one great, silent mystery--was beautiful beyond words. Between me and the moonlight flitted a great bat, coming and going in great whirling circles. Once or twice it came quite close, but was, I suppose, frightened at seeing me, and flitted away across the harbour towards the abbey. When I came back from the window Lucy had lain down again, and was sleeping peacefully. She did not stir again all night. * * * * * _14 August._--On the East Cliff, reading and writing all day. Lucy seems to have become as much in love with the spot as I am, and it is hard to get her away from it when it is time to come home for lunch or tea or dinner. This afternoon she made a funny remark. We were coming home for dinner, and had come to the top of the steps up from the West Pier and stopped to look at the view, as we generally do. The setting sun, low down in the sky, was just dropping behind Kettleness; the red light was thrown over on the East Cliff and the old abbey, and seemed to bathe everything in a beautiful rosy glow. We were silent for a while, and suddenly Lucy murmured as if to herself:-- "His red eyes again! They are just the same." It was such an odd expression, coming _apropos_ of nothing, that it quite startled me. I slewed round a little, so as to see Lucy well without seeming to stare at her, and saw that she was in a half-dreamy state, with an odd look on her face that I could not quite make out; so I said nothing, but followed her eyes. She appeared to be looking over at our own seat, whereon was a dark figure seated alone. I was a little startled myself, for it seemed for an instant as if the stranger had great eyes like burning flames; but a second look dispelled the illusion. The red sunlight was shining on the windows of St. Mary's Church behind our seat, and as the sun dipped there was just sufficient change in the refraction and reflection to make it appear as if the light moved. I called Lucy's attention to the peculiar effect, and she became herself with a start, but she looked sad all the same; it may have been that she was thinking of that terrible night up there. We never refer to it; so I said nothing, and we went home to dinner. Lucy had a headache and went early to bed. I saw her asleep, and went out for a little stroll myself; I walked along the cliffs to the westward, and was full of sweet sadness, for I was thinking of Jonathan. When coming home--it was then bright moonlight, so bright that, though the front of our part of the Crescent was in shadow, everything could be well seen--I threw a glance up at our window, and saw Lucy's head leaning out. I thought that perhaps she was looking out for me, so I opened my handkerchief and waved it. She did not notice or make any movement whatever. Just then, the moonlight crept round an angle of the building, and the light fell on the window. There distinctly was Lucy with her head lying up against the side of the window-sill and her eyes shut. She was fast asleep, and by her, seated on the window-sill, was something that looked like a good-sized bird. I was afraid she might get a chill, so I ran upstairs, but as I came into the room she was moving back to her bed, fast asleep, and breathing heavily; she was holding her hand to her throat, as though to protect it from cold. I did not wake her, but tucked her up warmly; I have taken care that the door is locked and the window securely fastened. She looks so sweet as she sleeps; but she is paler than is her wont, and there is a drawn, haggard look under her eyes which I do not like. I fear she is fretting about something. I wish I could find out what it is. * * * * * _15 August._--Rose later than usual. Lucy was languid and tired, and slept on after we had been called. We had a happy surprise at breakfast. Arthur's father is better, and wants the marriage to come off soon. Lucy is full of quiet joy, and her mother is glad and sorry at once. Later on in the day she told me the cause. She is grieved to lose Lucy as her very own, but she is rejoiced that she is soon to have some one to protect her. Poor dear, sweet lady! She confided to me that she has got her death-warrant. She has not told Lucy, and made me promise secrecy; her doctor told her that within a few months, at most, she must die, for her heart is weakening. At any time, even now, a sudden shock would be almost sure to kill her. Ah, we were wise to keep from her the affair of the dreadful night of Lucy's sleep-walking. * * * * * _17 August._--No diary for two whole days. I have not had the heart to write. Some sort of shadowy pall seems to be coming over our happiness. No news from Jonathan, and Lucy seems to be growing weaker, whilst her mother's hours are numbering to a close. I do not understand Lucy's fading away as she is doing. She eats well and sleeps well, and enjoys the fresh air; but all the time the roses in her cheeks are fading, and she gets weaker and more languid day by day; at night I hear her gasping as if for air. I keep the key of our door always fastened to my wrist at night, but she gets up and walks about the room, and sits at the open window. Last night I found her leaning out when I woke up, and when I tried to wake her I could not; she was in a faint. When I managed to restore her she was as weak as water, and cried silently between long, painful struggles for breath. When I asked her how she came to be at the window she shook her head and turned away. I trust her feeling ill may not be from that unlucky prick of the safety-pin. I looked at her throat just now as she lay asleep, and the tiny wounds seem not to have healed. They are still open, and, if anything, larger than before, and the edges of them are faintly white. They are like little white dots with red centres. Unless they heal within a day or two, I shall insist on the doctor seeing about them. _Letter, Samuel F. Billington & Son, Solicitors, Whitby, to Messrs. Carter, Paterson & Co., London._ "_17 August._ "Dear Sirs,-- "Herewith please receive invoice of goods sent by Great Northern Railway. Same are to be delivered at Carfax, near Purfleet, immediately on receipt at goods station King's Cross. The house is at present empty, but enclosed please find keys, all of which are labelled. "You will please deposit the boxes, fifty in number, which form the consignment, in the partially ruined building forming part of the house and marked 'A' on rough diagram enclosed. Your agent will easily recognise the locality, as it is the ancient chapel of the mansion. The goods leave by the train at 9:30 to-night, and will be due at King's Cross at 4:30 to-morrow afternoon. As our client wishes the delivery made as soon as possible, we shall be obliged by your having teams ready at King's Cross at the time named and forthwith conveying the goods to destination. In order to obviate any delays possible through any routine requirements as to payment in your departments, we enclose cheque herewith for ten pounds (L10), receipt of which please acknowledge. Should the charge be less than this amount, you can return balance; if greater, we shall at once send cheque for difference on hearing from you. You are to leave the keys on coming away in the main hall of the house, where the proprietor may get them on his entering the house by means of his duplicate key. "Pray do not take us as exceeding the bounds of business courtesy in pressing you in all ways to use the utmost expedition. _"We are, dear Sirs, "Faithfully yours, "SAMUEL F. BILLINGTON & SON."_ _Letter, Messrs. Carter, Paterson & Co., London, to Messrs. Billington & Son, Whitby._ "_21 August._ "Dear Sirs,-- "We beg to acknowledge L10 received and to return cheque L1 17s. 9d, amount of overplus, as shown in receipted account herewith. Goods are delivered in exact accordance with instructions, and keys left in parcel in main hall, as directed. "We are, dear Sirs, "Yours respectfully. "_Pro_ CARTER, PATERSON & CO." _Mina Murray's Journal._ _18 August._--I am happy to-day, and write sitting on the seat in the churchyard. Lucy is ever so much better. Last night she slept well all night, and did not disturb me once. The roses seem coming back already to her cheeks, though she is still sadly pale and wan-looking. If she were in any way anaemic I could understand it, but she is not. She is in gay spirits and full of life and cheerfulness. All the morbid reticence seems to have passed from her, and she has just reminded me, as if I needed any reminding, of _that_ night, and that it was here, on this very seat, I found her asleep. As she told me she tapped playfully with the heel of her boot on the stone slab and said:-- "My poor little feet didn't make much noise then! I daresay poor old Mr. Swales would have told me that it was because I didn't want to wake up Geordie." As she was in such a communicative humour, I asked her if she had dreamed at all that night. Before she answered, that sweet, puckered look came into her forehead, which Arthur--I call him Arthur from her habit--says he loves; and, indeed, I don't wonder that he does. Then she went on in a half-dreaming kind of way, as if trying to recall it to herself:-- "I didn't quite dream; but it all seemed to be real. I only wanted to be here in this spot--I don't know why, for I was afraid of something--I don't know what. I remember, though I suppose I was asleep, passing through the streets and over the bridge. A fish leaped as I went by, and I leaned over to look at it, and I heard a lot of dogs howling--the whole town seemed as if it must be full of dogs all howling at once--as I went up the steps. Then I had a vague memory of something long and dark with red eyes, just as we saw in the sunset, and something very sweet and very bitter all around me at once; and then I seemed sinking into deep green water, and there was a singing in my ears, as I have heard there is to drowning men; and then everything seemed passing away from me; my soul seemed to go out from my body and float about the air. I seem to remember that once the West Lighthouse was right under me, and then there was a sort of agonising feeling, as if I were in an earthquake, and I came back and found you shaking my body. I saw you do it before I felt you." Then she began to laugh. It seemed a little uncanny to me, and I listened to her breathlessly. I did not quite like it, and thought it better not to keep her mind on the subject, so we drifted on to other subjects, and Lucy was like her old self again. When we got home the fresh breeze had braced her up, and her pale cheeks were really more rosy. Her mother rejoiced when she saw her, and we all spent a very happy evening together. * * * * * _19 August._--Joy, joy, joy! although not all joy. At last, news of Jonathan. The dear fellow has been ill; that is why he did not write. I am not afraid to think it or say it, now that I know. Mr. Hawkins sent me on the letter, and wrote himself, oh, so kindly. I am to leave in the morning and go over to Jonathan, and to help to nurse him if necessary, and to bring him home. Mr. Hawkins says it would not be a bad thing if we were to be married out there. I have cried over the good Sister's letter till I can feel it wet against my bosom, where it lies. It is of Jonathan, and must be next my heart, for he is _in_ my heart. My journey is all mapped out, and my luggage ready. I am only taking one change of dress; Lucy will bring my trunk to London and keep it till I send for it, for it may be that ... I must write no more; I must keep it to say to Jonathan, my husband. The letter that he has seen and touched must comfort me till we meet. _Letter, Sister Agatha, Hospital of St. Joseph and Ste. Mary, Buda-Pesth, to Miss Wilhelmina Murray._ "_12 August._ "Dear Madam,-- "I write by desire of Mr. Jonathan Harker, who is himself not strong enough to write, though progressing well, thanks to God and St. Joseph and Ste. Mary. He has been under our care for nearly six weeks, suffering from a violent brain fever. He wishes me to convey his love, and to say that by this post I write for him to Mr. Peter Hawkins, Exeter, to say, with his dutiful respects, that he is sorry for his delay, and that all of his work is completed. He will require some few weeks' rest in our sanatorium in the hills, but will then return. He wishes me to say that he has not sufficient money with him, and that he would like to pay for his staying here, so that others who need shall not be wanting for help. "Believe me, "Yours, with sympathy and all blessings, "SISTER AGATHA. "P. S.--My patient being asleep, I open this to let you know something more. He has told me all about you, and that you are shortly to be his wife. All blessings to you both! He has had some fearful shock--so says our doctor--and in his delirium his ravings have been dreadful; of wolves and poison and blood; of ghosts and demons; and I fear to say of what. Be careful with him always that there may be nothing to excite him of this kind for a long time to come; the traces of such an illness as his do not lightly die away. We should have written long ago, but we knew nothing of his friends, and there was on him nothing that any one could understand. He came in the train from Klausenburg, and the guard was told by the station-master there that he rushed into the station shouting for a ticket for home. Seeing from his violent demeanour that he was English, they gave him a ticket for the furthest station on the way thither that the train reached. "Be assured that he is well cared for. He has won all hearts by his sweetness and gentleness. He is truly getting on well, and I have no doubt will in a few weeks be all himself. But be careful of him for safety's sake. There are, I pray God and St. Joseph and Ste. Mary, many, many, happy years for you both." _Dr. Seward's Diary._ _19 August._--Strange and sudden change in Renfield last night. About eight o'clock he began to get excited and sniff about as a dog does when setting. The attendant was struck by his manner, and knowing my interest in him, encouraged him to talk. He is usually respectful to the attendant and at times servile; but to-night, the man tells me, he was quite haughty. Would not condescend to talk with him at all. All he would say was:-- "I don't want to talk to you: you don't count now; the Master is at hand." The attendant thinks it is some sudden form of religious mania which has seized him. If so, we must look out for squalls, for a strong man with homicidal and religious mania at once might be dangerous. The combination is a dreadful one. At nine o'clock I visited him myself. His attitude to me was the same as that to the attendant; in his sublime self-feeling the difference between myself and attendant seemed to him as nothing. It looks like religious mania, and he will soon think that he himself is God. These infinitesimal distinctions between man and man are too paltry for an Omnipotent Being. How these madmen give themselves away! The real God taketh heed lest a sparrow fall; but the God created from human vanity sees no difference between an eagle and a sparrow. Oh, if men only knew! For half an hour or more Renfield kept getting excited in greater and greater degree. I did not pretend to be watching him, but I kept strict observation all the same. All at once that shifty look came into his eyes which we always see when a madman has seized an idea, and with it the shifty movement of the head and back which asylum attendants come to know so well. He became quite quiet, and went and sat on the edge of his bed resignedly, and looked into space with lack-lustre eyes. I thought I would find out if his apathy were real or only assumed, and tried to lead him to talk of his pets, a theme which had never failed to excite his attention. At first he made no reply, but at length said testily:-- "Bother them all! I don't care a pin about them." "What?" I said. "You don't mean to tell me you don't care about spiders?" (Spiders at present are his hobby and the note-book is filling up with columns of small figures.) To this he answered enigmatically:-- "The bride-maidens rejoice the eyes that wait the coming of the bride; but when the bride draweth nigh, then the maidens shine not to the eyes that are filled." He would not explain himself, but remained obstinately seated on his bed all the time I remained with him. I am weary to-night and low in spirits. I cannot but think of Lucy, and how different things might have been. If I don't sleep at once, chloral, the modern Morpheus--C_{2}HCl_{3}O. H_{2}O! I must be careful not to let it grow into a habit. No, I shall take none to-night! I have thought of Lucy, and I shall not dishonour her by mixing the two. If need be, to-night shall be sleepless.... * * * * * _Later._--Glad I made the resolution; gladder that I kept to it. I had lain tossing about, and had heard the clock strike only twice, when the night-watchman came to me, sent up from the ward, to say that Renfield had escaped. I threw on my clothes and ran down at once; my patient is too dangerous a person to be roaming about. Those ideas of his might work out dangerously with strangers. The attendant was waiting for me. He said he had seen him not ten minutes before, seemingly asleep in his bed, when he had looked through the observation-trap in the door. His attention was called by the sound of the window being wrenched out. He ran back and saw his feet disappear through the window, and had at once sent up for me. He was only in his night-gear, and cannot be far off. The attendant thought it would be more useful to watch where he should go than to follow him, as he might lose sight of him whilst getting out of the building by the door. He is a bulky man, and couldn't get through the window. I am thin, so, with his aid, I got out, but feet foremost, and, as we were only a few feet above ground, landed unhurt. The attendant told me the patient had gone to the left, and had taken a straight line, so I ran as quickly as I could. As I got through the belt of trees I saw a white figure scale the high wall which separates our grounds from those of the deserted house. I ran back at once, told the watchman to get three or four men immediately and follow me into the grounds of Carfax, in case our friend might be dangerous. I got a ladder myself, and crossing the wall, dropped down on the other side. I could see Renfield's figure just disappearing behind the angle of the house, so I ran after him. On the far side of the house I found him pressed close against the old ironbound oak door of the chapel. He was talking, apparently to some one, but I was afraid to go near enough to hear what he was saying, lest I might frighten him, and he should run off. Chasing an errant swarm of bees is nothing to following a naked lunatic, when the fit of escaping is upon him! After a few minutes, however, I could see that he did not take note of anything around him, and so ventured to draw nearer to him--the more so as my men had now crossed the wall and were closing him in. I heard him say:-- "I am here to do Your bidding, Master. I am Your slave, and You will reward me, for I shall be faithful. I have worshipped You long and afar off. Now that You are near, I await Your commands, and You will not pass me by, will You, dear Master, in Your distribution of good things?" He _is_ a selfish old beggar anyhow. He thinks of the loaves and fishes even when he believes he is in a Real Presence. His manias make a startling combination. When we closed in on him he fought like a tiger. He is immensely strong, for he was more like a wild beast than a man. I never saw a lunatic in such a paroxysm of rage before; and I hope I shall not again. It is a mercy that we have found out his strength and his danger in good time. With strength and determination like his, he might have done wild work before he was caged. He is safe now at any rate. Jack Sheppard himself couldn't get free from the strait-waistcoat that keeps him restrained, and he's chained to the wall in the padded room. His cries are at times awful, but the silences that follow are more deadly still, for he means murder in every turn and movement. Just now he spoke coherent words for the first time:-- "I shall be patient, Master. It is coming--coming--coming!" So I took the hint, and came too. I was too excited to sleep, but this diary has quieted me, and I feel I shall get some sleep to-night.

Taken from the August 8th, August 11th, August 12th, August 13th, August 14th, August 15th, and August 17th entries of Mina Murray's journal. Also includes correspondence between Samuel F. Billington and Son, Whitby solicitors, and Messrs. Carter, Patterson, and Company, of London, in business letters dated August 17th and August 21st. Taken again from the August 18th and August 19th entries of Mina Murray's journal. Also contains the letter from Sister Agatha to Mina Murray, dated August 12th. Closes with the August 19th entry of Dr. Seward's diary. In the middle of the night, Mina wakes up with a sense of dread and finds Lucy's bed empty. Frantically Mina searches for him, first through the house and then outside. She goes to the Church, thinking that Lucy might be at their favorite seat in the graveyard. From a distance, Mina sees her there: Lucy is half-reclining, while a shadowy figure with red eyes bends over her. When Mina reaches her, Lucy is alone, asleep, and breathing with difficulty. Later, Mina discovers puncture wounds on Lucy's throat, but she believes the wounds were caused by her own clumsiness while fastening Lucy's shawl. The next few nights, Mina locks their door so that the sleepwalking Lucy cannot get out. One day, while the two women are out on a walk, Lucy murmurs, "His red eyes again. They are just the same. Looking out at the graveyard spot where Mina found Lucy, Mina thinks she sees a shadow with red glowing eyes, but after a moment it seems to be a trick of the light. That night, Mina comes home and from outside sees Lucy asleep at their window, sitting on the sill with the window wide open and something like a large bird sitting next to her. By the time Mina gets upstairs to their room, Lucy is sleepwalking back to bed, clutching at her own throat. Mina continues to worry: as the days pass, Lucy grows paler and weaker. Mina also learns that Lucy's mother is dyingMrs. Westenra reveals to Mina that her heart is weakening, but asks that Lucy not be told. Mina continues to find Lucy sitting on the sill at night, and the puncture wounds on Lucy's throat grow larger. Letters between solicitors in London and Whitby reveal that the fifty boxes of earth are to be delivered to Carfax. They are to be placed in the old ruined chapel of the mansion. In Mina's journal, she reports that Lucy grows more haggard, although her spirits are high. Lucy even speaks of the night that Mina found her in the graveyard, telling Mina that she had an out-of-body experience and a strange, blissful feeling. And finally, Mina hears news of Jonathan. Sister Agatha of the Hospital of St. Joseph and St. Mary in Budapest sends a letter to Mina, reporting that Jonathan has been found and has been terribly sick with brain fever. He made it to Budapest by train, but has been ill and has ranted constantly of demons and wolves. Mina goes to join Jonathan and to help him return to England. Dr. Seward reports that Renfield's behavior has been even more bizarre. He speaks constantly of a coming "Master," in cryptic phrases that parallel many of the statements about Christ made in the New Testament. On a night when Dr. Seward, still depressed by Lucy's rejection of him, is contemplating taking chloral hydrate to help him sleep, Renfield escapes. He is found at nearby Carfax, pressed against the door of the ruined chapel, pledging allegiance to his Master. They return him to his cell after a vicious fight. Amazed by Renfield's ferocity and strength, Dr. Seward orders that he be chained and put in a straitjacket.

Alexandria. Another Room in CLEOPATRA'S palace. [Enter CHARMIAN, IRAS, ALEXAS, and a Soothsayer.] CHARMIAN. Lord Alexas, sweet Alexas, most anything Alexas, almost most absolute Alexas, where's the soothsayer that you praised so to the queen? O that I knew this husband, which you say must charge his horns with garlands! ALEXAS. Soothsayer,-- SOOTHSAYER. Your will? CHARMIAN. Is this the man?--Is't you, sir, that know things? SOOTHSAYER. In nature's infinite book of secrecy A little I can read. ALEXAS. Show him your hand. [Enter ENOBARBUS.] ENOBARBUS. Bring in the banquet quickly; wine enough Cleopatra's health to drink. CHARMIAN. Good, sir, give me good fortune. SOOTHSAYER. I make not, but foresee. CHARMIAN. Pray, then, foresee me one. SOOTHSAYER. You shall be yet far fairer than you are. CHARMIAN. He means in flesh. IRAS. No, you shall paint when you are old. CHARMIAN. Wrinkles forbid! ALEXAS. Vex not his prescience; be attentive. CHARMIAN. Hush! SOOTHSAYER. You shall be more beloving than beloved. CHARMIAN. I had rather heat my liver with drinking. ALEXAS. Nay, hear him. CHARMIAN. Good now, some excellent fortune! Let me be married to three kings in a forenoon, and widow them all: let me have a child at fifty, to whom Herod of Jewry may do homage: find me to marry me with Octavius Caesar, and companion me with my mistress. SOOTHSAYER. You shall outlive the lady whom you serve. CHARMIAN. O, excellent! I love long life better than figs. SOOTHSAYER. You have seen and prov'd a fairer former fortune Than that which is to approach. CHARMIAN. Then belike my children shall have no names:--pr'ythee, how many boys and wenches must I have? SOOTHSAYER. If every of your wishes had a womb, And fertile every wish, a million. CHARMIAN. Out, fool! I forgive thee for a witch. ALEXAS. You think none but your sheets are privy to your wishes. CHARMIAN. Nay, come, tell Iras hers. ALEXAS. We'll know all our fortunes. ENOBARBUS. Mine, and most of our fortunes, to-night, shall be-- drunk to bed. IRAS. There's a palm presages chastity, if nothing else. CHARMIAN. E'en as the o'erflowing Nilus presageth famine. IRAS. Go, you wild bedfellow, you cannot soothsay. CHARMIAN. Nay, if an oily palm be not a fruitful prognostication, I cannot scratch mine ear.--Pr'ythee, tell her but worky-day fortune. SOOTHSAYER. Your fortunes are alike. IRAS. But how, but how? give me particulars. SOOTHSAYER. I have said. IRAS. Am I not an inch of fortune better than she? CHARMIAN. Well, if you were but an inch of fortune better than I, where would you choose it? IRAS. Not in my husband's nose. CHARMIAN. Our worser thoughts heavens mend!--Alexas,--come, his fortune! his fortune!--O, let him marry a woman that cannot go, sweet Isis, I beseech thee! And let her die too, and give him a worse! and let worse follow worse, till the worst of all follow him laughing to his grave, fiftyfold a cuckold! Good Isis, hear me this prayer, though thou deny me a matter of more weight; good Isis, I beseech thee! IRAS. Amen. Dear goddess, hear that prayer of the people! for, as it is a heartbreaking to see a handsome man loose-wived, so it is a deadly sorrow to behold a foul knave uncuckolded: therefore, dear Isis, keep decorum, and fortune him accordingly! CHARMIAN. Amen. ALEXAS. Lo now, if it lay in their hands to make me a cuckold, they would make themselves whores but they'd do't! ENOBARBUS. Hush! Here comes Antony. CHARMIAN. Not he; the queen. [Enter CLEOPATRA.] CLEOPATRA. Saw you my lord? ENOBARBUS. No, lady. CLEOPATRA. Was he not here? CHARMIAN. No, madam. CLEOPATRA. He was dispos'd to mirth; but on the sudden A Roman thought hath struck him.--Enobarbus,-- ENOBARBUS. Madam? CLEOPATRA. Seek him, and bring him hither.--Where's Alexas? ALEXAS. Here, at your service.--My lord approaches. CLEOPATRA. We will not look upon him: go with us. [Exeunt CLEOPATRA, ENOBARBUS, CHAR., IRAS, ALEX., and Soothsayer.] [Enter ANTONY, with a MESSENGER and Attendants.] MESSENGER. Fulvia thy wife first came into the field. ANTONY. Against my brother Lucius. MESSENGER. Ay: But soon that war had end, and the time's state Made friends of them, jointing their force 'gainst Caesar; Whose better issue in the war, from Italy Upon the first encounter, drave them. ANTONY. Well, what worst? MESSENGER. The nature of bad news infects the teller. ANTONY. When it concerns the fool or coward.--On:-- Things that are past are done with me.--'Tis thus; Who tells me true, though in his tale lie death, I hear him as he flatter'd. MESSENGER. Labienus,-- This is stiff news,--hath, with his Parthian force, Extended Asia from Euphrates; His conquering banner shook from Syria To Lydia and to Ionia; Whilst,-- ANTONY. Antony, thou wouldst say,-- MESSENGER. O, my lord! ANTONY. Speak to me home, mince not the general tongue: Name Cleopatra as she is call'd in Rome; Rail thou in Fulvia's phrase; and taunt my faults With such full licence as both truth and malice Have power to utter. O, then we bring forth weeds When our quick minds lie still; and our ills told us Is as our earing. Fare thee well awhile. MESSENGER. At your noble pleasure. [Exit.] ANTONY. From Sicyon, ho, the news! Speak there! FIRST ATTENDANT. The man from Sicyon--is there such an one? SECOND ATTENDANT. He stays upon your will. ANTONY. Let him appear.-- These strong Egyptian fetters I must break, Or lose myself in dotage.-- [Enter another MESSENGER.] What are you? SECOND MESSENGER. Fulvia thy wife is dead. ANTONY. Where died she? SECOND MESSENGER. In Sicyon: Her length of sickness, with what else more serious Importeth thee to know, this bears. [Gives a letter.] ANTONY. Forbear me. [Exit MESSENGER.] There's a great spirit gone! Thus did I desire it: What our contempts doth often hurl from us, We wish it ours again; the present pleasure, By revolution lowering, does become The opposite of itself: she's good, being gone; The hand could pluck her back that shov'd her on. I must from this enchanting queen break off: Ten thousand harms, more than the ills I know, My idleness doth hatch--ho, Enobarbus! [Re-enter ENOBARBUS.] ENOBARBUS. What's your pleasure, sir? ANTONY. I must with haste from hence. ENOBARBUS. Why, then we kill all our women: we see how mortal an unkindness is to them; if they suffer our departure, death's the word. ANTONY. I must be gone. ENOBARBUS. Under a compelling occasion, let women die: it were pity to cast them away for nothing; though, between them and a great cause they should be esteemed nothing. Cleopatra, catching but the least noise of this, dies instantly; I have seen her die twenty times upon far poorer moment: I do think there is mettle in death, which commits some loving act upon her, she hath such a celerity in dying. ANTONY. She is cunning past man's thought. ENOBARBUS. Alack, sir, no: her passions are made of nothing but the finest part of pure love: we cannot call her winds and waters, sighs and tears; they are greater storms and tempests than almanacs can report: this cannot be cunning in her; if it be, she makes a shower of rain as well as Jove. ANTONY. Would I had never seen her! ENOBARBUS. O sir, you had then left unseen a wonderful piece of work; which not to have been blest withal would have discredited your travel. ANTONY. Fulvia is dead. ENOBARBUS. Sir? ANTONY. Fulvia is dead. ENOBARBUS. Fulvia? ANTONY. Dead. ENOBARBUS. Why, sir, give the gods a thankful sacrifice. When it pleaseth their deities to take the wife of a man from him, it shows to man the tailors of the earth; comforting therein that when old robes are worn out there are members to make new. If there were no more women but Fulvia, then had you indeed a cut, and the case to be lamented: this grief is crown'd with consolation; your old smock brings forth a new petticoat:--and, indeed, the tears live in an onion that should water this sorrow. ANTONY. The business she hath broached in the state Cannot endure my absence. ENOBARBUS. And the business you have broached here cannot be without you; especially that of Cleopatra's, which wholly depends on your abode. ANTONY. No more light answers. Let our officers Have notice what we purpose. I shall break The cause of our expedience to the queen, And get her leave to part. For not alone The death of Fulvia, with more urgent touches, Do strongly speak to us; but the letters too Of many our contriving friends in Rome Petition us at home: Sextus Pompeius Hath given the dare to Caesar, and commands The empire of the sea; our slippery people,-- Whose love is never link'd to the deserver Till his deserts are past,--begin to throw Pompey the Great, and all his dignities, Upon his son; who, high in name and power, Higher than both in blood and life, stands up For the main soldier: whose quality, going on, The sides o' the world may danger: much is breeding Which, like the courser's hair, hath yet but life And not a serpent's poison. Say, our pleasure To such whose place is under us, requires Our quick remove from hence. ENOBARBUS. I shall do't. [Exeunt.]

Cleopatra's attendants ask a soothsayer, or fortune-teller, to reveal their futures. The Soothsayer tells Charmian and Iras, the queen's maids, that their fortunes are the same: their pasts will prove better than their futures, and they shall outlive the queen whom they serve. Cleopatra joins them, complaining that Antony has suddenly turned his mind toward Rome again. She sends Antony's follower Enobarbus to fetch his master, but changes her mind, and as Antony approaches, she leaves to avoid seeing him. A messenger reports to Antony that Fulvia and Lucius, Antony's brother, have mounted an army against Caesar but have lost their battle. When the messenger hesitantly suggests that this event would not have happened had Antony been in Rome, Antony invites the man to speak openly, to "taunt faults / With such full licence as both truth and malice / Have power to utter". Another messenger arrives to report that Fulvia is dead. Antony comments that he long desired his wife's death but now wishes her alive again. Enobarbus arrives and tries to comfort Antony with the thought that Fulvia's death was an event that should be welcomed rather than mourned. Worried that his idleness and devotion to Cleopatra are responsible for these events, as well as a battle being waged by Sextus Pompeius, who is currently attempting to take control of the seas from the triumvirs, Antony decides to break away from Cleopatra and return to Rome

The night was bitter cold. The snow lay on the ground, frozen into a hard thick crust, so that only the heaps that had drifted into byways and corners were affected by the sharp wind that howled abroad: which, as if expending increased fury on such prey as it found, caught it savagely up in clouds, and, whirling it into a thousand misty eddies, scattered it in air. Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire and thank God they were at home; and for the homeless, starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets, at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world. Such was the aspect of out-of-doors affairs, when Mrs. Corney, the matron of the workhouse to which our readers have been already introduced as the birthplace of Oliver Twist, sat herself down before a cheerful fire in her own little room, and glanced, with no small degree of complacency, at a small round table: on which stood a tray of corresponding size, furnished with all necessary materials for the most grateful meal that matrons enjoy. In fact, Mrs. Corney was about to solace herself with a cup of tea. As she glanced from the table to the fireplace, where the smallest of all possible kettles was singing a small song in a small voice, her inward satisfaction evidently increased,--so much so, indeed, that Mrs. Corney smiled. 'Well!' said the matron, leaning her elbow on the table, and looking reflectively at the fire; 'I'm sure we have all on us a great deal to be grateful for! A great deal, if we did but know it. Ah!' Mrs. Corney shook her head mournfully, as if deploring the mental blindness of those paupers who did not know it; and thrusting a silver spoon (private property) into the inmost recesses of a two-ounce tin tea-caddy, proceeded to make the tea. How slight a thing will disturb the equanimity of our frail minds! The black teapot, being very small and easily filled, ran over while Mrs. Corney was moralising; and the water slightly scalded Mrs. Corney's hand. 'Drat the pot!' said the worthy matron, setting it down very hastily on the hob; 'a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except,' said Mrs. Corney, pausing, 'except to a poor desolate creature like me. Oh dear!' With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. 'I shall never get another!' said Mrs. Corney, pettishly; 'I shall never get another--like him.' Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. 'Oh, come in with you!' said Mrs. Corney, sharply. 'Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?' 'Nothing, ma'am, nothing,' replied a man's voice. 'Dear me!' exclaimed the matron, in a much sweeter tone, 'is that Mr. Bumble?' 'At your service, ma'am,' said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. 'Shall I shut the door, ma'am?' The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it without permission. 'Hard weather, Mr. Bumble,' said the matron. 'Hard, indeed, ma'am,' replied the beadle. 'Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented.' 'Of course not. When would they be, Mr. Bumble?' said the matron, sipping her tea. 'When, indeed, ma'am!' rejoined Mr. Bumble. 'Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he grateful, ma'am? Is he grateful? Not a copper farthing's worth of it! What does he do, ma'am, but ask for a few coals; if it's only a pocket handkerchief full, he says! Coals! What would he do with coals? Toast his cheese with 'em and then come back for more. That's the way with these people, ma'am; give 'em a apron full of coals to-day, and they'll come back for another, the day after to-morrow, as brazen as alabaster.' The matron expressed her entire concurrence in this intelligible simile; and the beadle went on. 'I never,' said Mr. Bumble, 'see anything like the pitch it's got to. The day afore yesterday, a man--you have been a married woman, ma'am, and I may mention it to you--a man, with hardly a rag upon his back (here Mrs. Corney looked at the floor), goes to our overseer's door when he has got company coming to dinner; and says, he must be relieved, Mrs. Corney. As he wouldn't go away, and shocked the company very much, our overseer sent him out a pound of potatoes and half a pint of oatmeal. "My heart!" says the ungrateful villain, "what's the use of _this_ to me? You might as well give me a pair of iron spectacles!" "Very good," says our overseer, taking 'em away again, "you won't get anything else here." "Then I'll die in the streets!" says the vagrant. "Oh no, you won't," says our overseer.' 'Ha! ha! That was very good! So like Mr. Grannett, wasn't it?' interposed the matron. 'Well, Mr. Bumble?' 'Well, ma'am,' rejoined the beadle, 'he went away; and he _did_ die in the streets. There's a obstinate pauper for you!' 'It beats anything I could have believed,' observed the matron emphatically. 'But don't you think out-of-door relief a very bad thing, any way, Mr. Bumble? You're a gentleman of experience, and ought to know. Come.' 'Mrs. Corney,' said the beadle, smiling as men smile who are conscious of superior information, 'out-of-door relief, properly managed: properly managed, ma'am: is the porochial safeguard. The great principle of out-of-door relief is, to give the paupers exactly what they don't want; and then they get tired of coming.' 'Dear me!' exclaimed Mrs. Corney. 'Well, that is a good one, too!' 'Yes. Betwixt you and me, ma'am,' returned Mr. Bumble, 'that's the great principle; and that's the reason why, if you look at any cases that get into them owdacious newspapers, you'll always observe that sick families have been relieved with slices of cheese. That's the rule now, Mrs. Corney, all over the country. But, however,' said the beadle, stopping to unpack his bundle, 'these are official secrets, ma'am; not to be spoken of; except, as I may say, among the porochial officers, such as ourselves. This is the port wine, ma'am, that the board ordered for the infirmary; real, fresh, genuine port wine; only out of the cask this forenoon; clear as a bell, and no sediment!' Having held the first bottle up to the light, and shaken it well to test its excellence, Mr. Bumble placed them both on top of a chest of drawers; folded the handkerchief in which they had been wrapped; put it carefully in his pocket; and took up his hat, as if to go. 'You'll have a very cold walk, Mr. Bumble,' said the matron. 'It blows, ma'am,' replied Mr. Bumble, turning up his coat-collar, 'enough to cut one's ears off.' The matron looked, from the little kettle, to the beadle, who was moving towards the door; and as the beadle coughed, preparatory to bidding her good-night, bashfully inquired whether--whether he wouldn't take a cup of tea? Mr. Bumble instantaneously turned back his collar again; laid his hat and stick upon a chair; and drew another chair up to the table. As he slowly seated himself, he looked at the lady. She fixed her eyes upon the little teapot. Mr. Bumble coughed again, and slightly smiled. Mrs. Corney rose to get another cup and saucer from the closet. As she sat down, her eyes once again encountered those of the gallant beadle; she coloured, and applied herself to the task of making his tea. Again Mr. Bumble coughed--louder this time than he had coughed yet. 'Sweet? Mr. Bumble?' inquired the matron, taking up the sugar-basin. 'Very sweet, indeed, ma'am,' replied Mr. Bumble. He fixed his eyes on Mrs. Corney as he said this; and if ever a beadle looked tender, Mr. Bumble was that beadle at that moment. The tea was made, and handed in silence. Mr. Bumble, having spread a handkerchief over his knees to prevent the crumbs from sullying the splendour of his shorts, began to eat and drink; varying these amusements, occasionally, by fetching a deep sigh; which, however, had no injurious effect upon his appetite, but, on the contrary, rather seemed to facilitate his operations in the tea and toast department. 'You have a cat, ma'am, I see,' said Mr. Bumble, glancing at one who, in the centre of her family, was basking before the fire; 'and kittens too, I declare!' 'I am so fond of them, Mr. Bumble, you can't think,' replied the matron. 'They're _so_ happy, _so_ frolicsome, and _so_ cheerful, that they are quite companions for me.' 'Very nice animals, ma'am,' replied Mr. Bumble, approvingly; 'so very domestic.' 'Oh, yes!' rejoined the matron with enthusiasm; 'so fond of their home too, that it's quite a pleasure, I'm sure.' 'Mrs. Corney, ma'am,' said Mr. Bumble, slowly, and marking the time with his teaspoon, 'I mean to say this, ma'am; that any cat, or kitten, that could live with you, ma'am, and _not_ be fond of its home, must be a ass, ma'am.' 'Oh, Mr. Bumble!' remonstrated Mrs. Corney. 'It's of no use disguising facts, ma'am,' said Mr. Bumble, slowly flourishing the teaspoon with a kind of amorous dignity which made him doubly impressive; 'I would drown it myself, with pleasure.' 'Then you're a cruel man,' said the matron vivaciously, as she held out her hand for the beadle's cup; 'and a very hard-hearted man besides.' 'Hard-hearted, ma'am?' said Mr. Bumble. 'Hard?' Mr. Bumble resigned his cup without another word; squeezed Mrs. Corney's little finger as she took it; and inflicting two open-handed slaps upon his laced waistcoat, gave a mighty sigh, and hitched his chair a very little morsel farther from the fire. It was a round table; and as Mrs. Corney and Mr. Bumble had been sitting opposite each other, with no great space between them, and fronting the fire, it will be seen that Mr. Bumble, in receding from the fire, and still keeping at the table, increased the distance between himself and Mrs. Corney; which proceeding, some prudent readers will doubtless be disposed to admire, and to consider an act of great heroism on Mr. Bumble's part: he being in some sort tempted by time, place, and opportunity, to give utterance to certain soft nothings, which however well they may become the lips of the light and thoughtless, do seem immeasurably beneath the dignity of judges of the land, members of parliament, ministers of state, lord mayors, and other great public functionaries, but more particularly beneath the stateliness and gravity of a beadle: who (as is well known) should be the sternest and most inflexible among them all. Whatever were Mr. Bumble's intentions, however (and no doubt they were of the best): it unfortunately happened, as has been twice before remarked, that the table was a round one; consequently Mr. Bumble, moving his chair by little and little, soon began to diminish the distance between himself and the matron; and, continuing to travel round the outer edge of the circle, brought his chair, in time, close to that in which the matron was seated. Indeed, the two chairs touched; and when they did so, Mr. Bumble stopped. Now, if the matron had moved her chair to the right, she would have been scorched by the fire; and if to the left, she must have fallen into Mr. Bumble's arms; so (being a discreet matron, and no doubt foreseeing these consequences at a glance) she remained where she was, and handed Mr. Bumble another cup of tea. 'Hard-hearted, Mrs. Corney?' said Mr. Bumble, stirring his tea, and looking up into the matron's face; 'are _you_ hard-hearted, Mrs. Corney?' 'Dear me!' exclaimed the matron, 'what a very curious question from a single man. What can you want to know for, Mr. Bumble?' The beadle drank his tea to the last drop; finished a piece of toast; whisked the crumbs off his knees; wiped his lips; and deliberately kissed the matron. 'Mr. Bumble!' cried that discreet lady in a whisper; for the fright was so great, that she had quite lost her voice, 'Mr. Bumble, I shall scream!' Mr. Bumble made no reply; but in a slow and dignified manner, put his arm round the matron's waist. As the lady had stated her intention of screaming, of course she would have screamed at this additional boldness, but that the exertion was rendered unnecessary by a hasty knocking at the door: which was no sooner heard, than Mr. Bumble darted, with much agility, to the wine bottles, and began dusting them with great violence: while the matron sharply demanded who was there. It is worthy of remark, as a curious physical instance of the efficacy of a sudden surprise in counteracting the effects of extreme fear, that her voice had quite recovered all its official asperity. 'If you please, mistress,' said a withered old female pauper, hideously ugly: putting her head in at the door, 'Old Sally is a-going fast.' 'Well, what's that to me?' angrily demanded the matron. 'I can't keep her alive, can I?' 'No, no, mistress,' replied the old woman, 'nobody can; she's far beyond the reach of help. I've seen a many people die; little babes and great strong men; and I know when death's a-coming, well enough. But she's troubled in her mind: and when the fits are not on her,--and that's not often, for she is dying very hard,--she says she has got something to tell, which you must hear. She'll never die quiet till you come, mistress.' At this intelligence, the worthy Mrs. Corney muttered a variety of invectives against old women who couldn't even die without purposely annoying their betters; and, muffling herself in a thick shawl which she hastily caught up, briefly requested Mr. Bumble to stay till she came back, lest anything particular should occur. Bidding the messenger walk fast, and not be all night hobbling up the stairs, she followed her from the room with a very ill grace, scolding all the way. Mr. Bumble's conduct on being left to himself, was rather inexplicable. He opened the closet, counted the teaspoons, weighed the sugar-tongs, closely inspected a silver milk-pot to ascertain that it was of the genuine metal, and, having satisfied his curiosity on these points, put on his cocked hat corner-wise, and danced with much gravity four distinct times round the table. Having gone through this very extraordinary performance, he took off the cocked hat again, and, spreading himself before the fire with his back towards it, seemed to be mentally engaged in taking an exact inventory of the furniture.

Mr. Bumble visits Mrs. Corney, the widowed matron of the workhouse, to deliver some wine. Mrs. Corney offers him tea. Mr. Bumble slowly moves his chair closer to Mrs. Corney's and kisses her on the lips. An old pauper woman interrupts them to report that Old Sally, a woman under Mrs. Corney's care, is close to death and wishes to tell Mrs. Corney something. Irritated, Mrs. Corney leaves. Alone in Mrs. Corney's room, Mr. Bumble takes "an exact inventory of the furniture

It was a chill, damp, windy night, when the Jew: buttoning his great-coat tight round his shrivelled body, and pulling the collar up over his ears so as completely to obscure the lower part of his face: emerged from his den. He paused on the step as the door was locked and chained behind him; and having listened while the boys made all secure, and until their retreating footsteps were no longer audible, slunk down the street as quickly as he could. The house to which Oliver had been conveyed, was in the neighborhood of Whitechapel. The Jew stopped for an instant at the corner of the street; and, glancing suspiciously round, crossed the road, and struck off in the direction of the Spitalfields. The mud lay thick upon the stones, and a black mist hung over the streets; the rain fell sluggishly down, and everything felt cold and clammy to the touch. It seemed just the night when it befitted such a being as the Jew to be abroad. As he glided stealthily along, creeping beneath the shelter of the walls and doorways, the hideous old man seemed like some loathsome reptile, engendered in the slime and darkness through which he moved: crawling forth, by night, in search of some rich offal for a meal. He kept on his course, through many winding and narrow ways, until he reached Bethnal Green; then, turning suddenly off to the left, he soon became involved in a maze of the mean and dirty streets which abound in that close and densely-populated quarter. The Jew was evidently too familiar with the ground he traversed to be at all bewildered, either by the darkness of the night, or the intricacies of the way. He hurried through several alleys and streets, and at length turned into one, lighted only by a single lamp at the farther end. At the door of a house in this street, he knocked; having exchanged a few muttered words with the person who opened it, he walked upstairs. A dog growled as he touched the handle of a room-door; and a man's voice demanded who was there. 'Only me, Bill; only me, my dear,' said the Jew looking in. 'Bring in your body then,' said Sikes. 'Lie down, you stupid brute! Don't you know the devil when he's got a great-coat on?' Apparently, the dog had been somewhat deceived by Mr. Fagin's outer garment; for as the Jew unbuttoned it, and threw it over the back of a chair, he retired to the corner from which he had risen: wagging his tail as he went, to show that he was as well satisfied as it was in his nature to be. 'Well!' said Sikes. 'Well, my dear,' replied the Jew.--'Ah! Nancy.' The latter recognition was uttered with just enough of embarrassment to imply a doubt of its reception; for Mr. Fagin and his young friend had not met, since she had interfered in behalf of Oliver. All doubts upon the subject, if he had any, were speedily removed by the young lady's behaviour. She took her feet off the fender, pushed back her chair, and bade Fagin draw up his, without saying more about it: for it was a cold night, and no mistake. 'It is cold, Nancy dear,' said the Jew, as he warmed his skinny hands over the fire. 'It seems to go right through one,' added the old man, touching his side. 'It must be a piercer, if it finds its way through your heart,' said Mr. Sikes. 'Give him something to drink, Nancy. Burn my body, make haste! It's enough to turn a man ill, to see his lean old carcase shivering in that way, like a ugly ghost just rose from the grave.' Nancy quickly brought a bottle from a cupboard, in which there were many: which, to judge from the diversity of their appearance, were filled with several kinds of liquids. Sikes pouring out a glass of brandy, bade the Jew drink it off. 'Quite enough, quite, thankye, Bill,' replied the Jew, putting down the glass after just setting his lips to it. 'What! You're afraid of our getting the better of you, are you?' inquired Sikes, fixing his eyes on the Jew. 'Ugh!' With a hoarse grunt of contempt, Mr. Sikes seized the glass, and threw the remainder of its contents into the ashes: as a preparatory ceremony to filling it again for himself: which he did at once. The Jew glanced round the room, as his companion tossed down the second glassful; not in curiousity, for he had seen it often before; but in a restless and suspicious manner habitual to him. It was a meanly furnished apartment, with nothing but the contents of the closet to induce the belief that its occupier was anything but a working man; and with no more suspicious articles displayed to view than two or three heavy bludgeons which stood in a corner, and a 'life-preserver' that hung over the chimney-piece. 'There,' said Sikes, smacking his lips. 'Now I'm ready.' 'For business?' inquired the Jew. 'For business,' replied Sikes; 'so say what you've got to say.' 'About the crib at Chertsey, Bill?' said the Jew, drawing his chair forward, and speaking in a very low voice. 'Yes. Wot about it?' inquired Sikes. 'Ah! you know what I mean, my dear,' said the Jew. 'He knows what I mean, Nancy; don't he?' 'No, he don't,' sneered Mr. Sikes. 'Or he won't, and that's the same thing. Speak out, and call things by their right names; don't sit there, winking and blinking, and talking to me in hints, as if you warn't the very first that thought about the robbery. Wot d'ye mean?' 'Hush, Bill, hush!' said the Jew, who had in vain attempted to stop this burst of indignation; 'somebody will hear us, my dear. Somebody will hear us.' 'Let 'em hear!' said Sikes; 'I don't care.' But as Mr. Sikes DID care, on reflection, he dropped his voice as he said the words, and grew calmer. 'There, there,' said the Jew, coaxingly. 'It was only my caution, nothing more. Now, my dear, about that crib at Chertsey; when is it to be done, Bill, eh? When is it to be done? Such plate, my dear, such plate!' said the Jew: rubbing his hands, and elevating his eyebrows in a rapture of anticipation. 'Not at all,' replied Sikes coldly. 'Not to be done at all!' echoed the Jew, leaning back in his chair. 'No, not at all,' rejoined Sikes. 'At least it can't be a put-up job, as we expected.' 'Then it hasn't been properly gone about,' said the Jew, turning pale with anger. 'Don't tell me!' 'But I will tell you,' retorted Sikes. 'Who are you that's not to be told? I tell you that Toby Crackit has been hanging about the place for a fortnight, and he can't get one of the servants in line.' 'Do you mean to tell me, Bill,' said the Jew: softening as the other grew heated: 'that neither of the two men in the house can be got over?' 'Yes, I do mean to tell you so,' replied Sikes. 'The old lady has had 'em these twenty years; and if you were to give 'em five hundred pound, they wouldn't be in it.' 'But do you mean to say, my dear,' remonstrated the Jew, 'that the women can't be got over?' 'Not a bit of it,' replied Sikes. 'Not by flash Toby Crackit?' said the Jew incredulously. 'Think what women are, Bill,' 'No; not even by flash Toby Crackit,' replied Sikes. 'He says he's worn sham whiskers, and a canary waistcoat, the whole blessed time he's been loitering down there, and it's all of no use.' 'He should have tried mustachios and a pair of military trousers, my dear,' said the Jew. 'So he did,' rejoined Sikes, 'and they warn't of no more use than the other plant.' The Jew looked blank at this information. After ruminating for some minutes with his chin sunk on his breast, he raised his head and said, with a deep sigh, that if flash Toby Crackit reported aright, he feared the game was up. 'And yet,' said the old man, dropping his hands on his knees, 'it's a sad thing, my dear, to lose so much when we had set our hearts upon it.' 'So it is,' said Mr. Sikes. 'Worse luck!' A long silence ensued; during which the Jew was plunged in deep thought, with his face wrinkled into an expression of villainy perfectly demoniacal. Sikes eyed him furtively from time to time. Nancy, apparently fearful of irritating the housebreaker, sat with her eyes fixed upon the fire, as if she had been deaf to all that passed. 'Fagin,' said Sikes, abruptly breaking the stillness that prevailed; 'is it worth fifty shiners extra, if it's safely done from the outside?' 'Yes,' said the Jew, as suddenly rousing himself. 'Is it a bargain?' inquired Sikes. 'Yes, my dear, yes,' rejoined the Jew; his eyes glistening, and every muscle in his face working, with the excitement that the inquiry had awakened. 'Then,' said Sikes, thrusting aside the Jew's hand, with some disdain, 'let it come off as soon as you like. Toby and me were over the garden-wall the night afore last, sounding the panels of the door and shutters. The crib's barred up at night like a jail; but there's one part we can crack, safe and softly.' 'Which is that, Bill?' asked the Jew eagerly. 'Why,' whispered Sikes, 'as you cross the lawn--' 'Yes?' said the Jew, bending his head forward, with his eyes almost starting out of it. 'Umph!' cried Sikes, stopping short, as the girl, scarcely moving her head, looked suddenly round, and pointed for an instant to the Jew's face. 'Never mind which part it is. You can't do it without me, I know; but it's best to be on the safe side when one deals with you.' 'As you like, my dear, as you like' replied the Jew. 'Is there no help wanted, but yours and Toby's?' 'None,' said Sikes. 'Cept a centre-bit and a boy. The first we've both got; the second you must find us.' 'A boy!' exclaimed the Jew. 'Oh! then it's a panel, eh?' 'Never mind wot it is!' replied Sikes. 'I want a boy, and he musn't be a big 'un. Lord!' said Mr. Sikes, reflectively, 'if I'd only got that young boy of Ned, the chimbley-sweeper's! He kept him small on purpose, and let him out by the job. But the father gets lagged; and then the Juvenile Delinquent Society comes, and takes the boy away from a trade where he was earning money, teaches him to read and write, and in time makes a 'prentice of him. And so they go on,' said Mr. Sikes, his wrath rising with the recollection of his wrongs, 'so they go on; and, if they'd got money enough (which it's a Providence they haven't,) we shouldn't have half a dozen boys left in the whole trade, in a year or two.' 'No more we should,' acquiesced the Jew, who had been considering during this speech, and had only caught the last sentence. 'Bill!' 'What now?' inquired Sikes. The Jew nodded his head towards Nancy, who was still gazing at the fire; and intimated, by a sign, that he would have her told to leave the room. Sikes shrugged his shoulders impatiently, as if he thought the precaution unnecessary; but complied, nevertheless, by requesting Miss Nancy to fetch him a jug of beer. 'You don't want any beer,' said Nancy, folding her arms, and retaining her seat very composedly. 'I tell you I do!' replied Sikes. 'Nonsense,' rejoined the girl coolly, 'Go on, Fagin. I know what he's going to say, Bill; he needn't mind me.' The Jew still hesitated. Sikes looked from one to the other in some surprise. 'Why, you don't mind the old girl, do you, Fagin?' he asked at length. 'You've known her long enough to trust her, or the Devil's in it. She ain't one to blab. Are you Nancy?' '_I_ should think not!' replied the young lady: drawing her chair up to the table, and putting her elbows upon it. 'No, no, my dear, I know you're not,' said the Jew; 'but--' and again the old man paused. 'But wot?' inquired Sikes. 'I didn't know whether she mightn't p'r'aps be out of sorts, you know, my dear, as she was the other night,' replied the Jew. At this confession, Miss Nancy burst into a loud laugh; and, swallowing a glass of brandy, shook her head with an air of defiance, and burst into sundry exclamations of 'Keep the game a-going!' 'Never say die!' and the like. These seemed to have the effect of re-assuring both gentlemen; for the Jew nodded his head with a satisfied air, and resumed his seat: as did Mr. Sikes likewise. 'Now, Fagin,' said Nancy with a laugh. 'Tell Bill at once, about Oliver!' 'Ha! you're a clever one, my dear: the sharpest girl I ever saw!' said the Jew, patting her on the neck. 'It WAS about Oliver I was going to speak, sure enough. Ha! ha! ha!' 'What about him?' demanded Sikes. 'He's the boy for you, my dear,' replied the Jew in a hoarse whisper; laying his finger on the side of his nose, and grinning frightfully. 'He!' exclaimed Sikes. 'Have him, Bill!' said Nancy. 'I would, if I was in your place. He mayn't be so much up, as any of the others; but that's not what you want, if he's only to open a door for you. Depend upon it he's a safe one, Bill.' 'I know he is,' rejoined Fagin. 'He's been in good training these last few weeks, and it's time he began to work for his bread. Besides, the others are all too big.' 'Well, he is just the size I want,' said Mr. Sikes, ruminating. 'And will do everything you want, Bill, my dear,' interposed the Jew; 'he can't help himself. That is, if you frighten him enough.' 'Frighten him!' echoed Sikes. 'It'll be no sham frightening, mind you. If there's anything queer about him when we once get into the work; in for a penny, in for a pound. You won't see him alive again, Fagin. Think of that, before you send him. Mark my words!' said the robber, poising a crowbar, which he had drawn from under the bedstead. 'I've thought of it all,' said the Jew with energy. 'I've--I've had my eye upon him, my dears, close--close. Once let him feel that he is one of us; once fill his mind with the idea that he has been a thief; and he's ours! Ours for his life. Oho! It couldn't have come about better! The old man crossed his arms upon his breast; and, drawing his head and shoulders into a heap, literally hugged himself for joy. 'Ours!' said Sikes. 'Yours, you mean.' 'Perhaps I do, my dear,' said the Jew, with a shrill chuckle. 'Mine, if you like, Bill.' 'And wot,' said Sikes, scowling fiercely on his agreeable friend, 'wot makes you take so much pains about one chalk-faced kid, when you know there are fifty boys snoozing about Common Garden every night, as you might pick and choose from?' 'Because they're of no use to me, my dear,' replied the Jew, with some confusion, 'not worth the taking. Their looks convict 'em when they get into trouble, and I lose 'em all. With this boy, properly managed, my dears, I could do what I couldn't with twenty of them. Besides,' said the Jew, recovering his self-possession, 'he has us now if he could only give us leg-bail again; and he must be in the same boat with us. Never mind how he came there; it's quite enough for my power over him that he was in a robbery; that's all I want. Now, how much better this is, than being obliged to put the poor leetle boy out of the way--which would be dangerous, and we should lose by it besides.' 'When is it to be done?' asked Nancy, stopping some turbulent exclamation on the part of Mr. Sikes, expressive of the disgust with which he received Fagin's affectation of humanity. 'Ah, to be sure,' said the Jew; 'when is it to be done, Bill?' 'I planned with Toby, the night arter to-morrow,' rejoined Sikes in a surly voice, 'if he heerd nothing from me to the contrairy.' 'Good,' said the Jew; 'there's no moon.' 'No,' rejoined Sikes. 'It's all arranged about bringing off the swag, is it?' asked the Jew. Sikes nodded. 'And about--' 'Oh, ah, it's all planned,' rejoined Sikes, interrupting him. 'Never mind particulars. You'd better bring the boy here to-morrow night. I shall get off the stone an hour arter daybreak. Then you hold your tongue, and keep the melting-pot ready, and that's all you'll have to do.' After some discussion, in which all three took an active part, it was decided that Nancy should repair to the Jew's next evening when the night had set in, and bring Oliver away with her; Fagin craftily observing, that, if he evinced any disinclination to the task, he would be more willing to accompany the girl who had so recently interfered in his behalf, than anybody else. It was also solemnly arranged that poor Oliver should, for the purposes of the contemplated expedition, be unreservedly consigned to the care and custody of Mr. William Sikes; and further, that the said Sikes should deal with him as he thought fit; and should not be held responsible by the Jew for any mischance or evil that might be necessary to visit him: it being understood that, to render the compact in this respect binding, any representations made by Mr. Sikes on his return should be required to be confirmed and corroborated, in all important particulars, by the testimony of flash Toby Crackit. These preliminaries adjusted, Mr. Sikes proceeded to drink brandy at a furious rate, and to flourish the crowbar in an alarming manner; yelling forth, at the same time, most unmusical snatches of song, mingled with wild execrations. At length, in a fit of professional enthusiasm, he insisted upon producing his box of housebreaking tools: which he had no sooner stumbled in with, and opened for the purpose of explaining the nature and properties of the various implements it contained, and the peculiar beauties of their construction, than he fell over the box upon the floor, and went to sleep where he fell. 'Good-night, Nancy,' said the Jew, muffling himself up as before. 'Good-night.' Their eyes met, and the Jew scrutinised her, narrowly. There was no flinching about the girl. She was as true and earnest in the matter as Toby Crackit himself could be. The Jew again bade her good-night, and, bestowing a sly kick upon the prostrate form of Mr. Sikes while her back was turned, groped downstairs. 'Always the way!' muttered the Jew to himself as he turned homeward. 'The worst of these women is, that a very little thing serves to call up some long-forgotten feeling; and, the best of them is, that it never lasts. Ha! ha! The man against the child, for a bag of gold!' Beguiling the time with these pleasant reflections, Mr. Fagin wended his way, through mud and mire, to his gloomy abode: where the Dodger was sitting up, impatiently awaiting his return. 'Is Oliver a-bed? I want to speak to him,' was his first remark as they descended the stairs. 'Hours ago,' replied the Dodger, throwing open a door. 'Here he is!' The boy was lying, fast asleep, on a rude bed upon the floor; so pale with anxiety, and sadness, and the closeness of his prison, that he looked like death; not death as it shows in shroud and coffin, but in the guise it wears when life has just departed; when a young and gentle spirit has, but an instant, fled to Heaven, and the gross air of the world has not had time to breathe upon the changing dust it hallowed. 'Not now,' said the Jew, turning softly away. 'To-morrow. To-morrow.'

Fagin left the house where the boys slept and went to visit Mr. Sikes. Upon arrival, he found Nancy along with the other thief. He was not happy she was there just because he was afraid she would go nuts on him again. Sikes and he discussed a job they had been planning, and Sikes said it was doomed to fail because their "flash" man, Toby Crackit, could get no one to open the door for them. They then decided that they would use a small boy to enter the house and open the door for them. Nancy guesses that Fagin means to use Oliver for the job. Fagin tells her she's correct, and says Oliver will eventually make them a fortune because of his innocent looking face. They decide to do the job the night after the next day, and Fagin agrees that Oliver will be ready to deliver. The Jew returns home to prepare Oliver for the task, but instead of waking him, he lets him sleep