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C_be03eb28678d4cb68ec698590b9060c9_0 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "Bohemian Rhapsody" | "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song. The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful". During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions. Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history. After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US.
Q: Who wrote Bohemian Rhapsoday?
A: "Bohemian Rhapsody" was written by Mercury
Q: Was there a particular method Mercury used to write the song?
A: All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (
Q: Was the song popular when it first came out?
A: the song became immensely popular, topping charts worldwide | C_be03eb28678d4cb68ec698590b9060c9_0_q#3 | How long did it stay on the charts? | 2m
| 2x
| {
"texts": [
"it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history."
],
"answer_starts": [
1405
]
} | {
"text": "it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.",
"answer_start": 1405
} |
C_be03eb28678d4cb68ec698590b9060c9_0 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "Bohemian Rhapsody" | "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song. The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful". During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions. Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history. After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US.
Q: Who wrote Bohemian Rhapsoday?
A: "Bohemian Rhapsody" was written by Mercury
Q: Was there a particular method Mercury used to write the song?
A: All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (
Q: Was the song popular when it first came out?
A: the song became immensely popular, topping charts worldwide
Q: How long did it stay on the charts?
A: it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history. | C_be03eb28678d4cb68ec698590b9060c9_0_q#4 | What did the critics say about it? | 1n
| 0y
| {
"texts": [
"Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially,"
],
"answer_starts": [
1232
]
} | {
"text": "Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially,",
"answer_start": 1232
} |
C_be03eb28678d4cb68ec698590b9060c9_0 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "Bohemian Rhapsody" | "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song. The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful". During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions. Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history. After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US.
Q: Who wrote Bohemian Rhapsoday?
A: "Bohemian Rhapsody" was written by Mercury
Q: Was there a particular method Mercury used to write the song?
A: All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (
Q: Was the song popular when it first came out?
A: the song became immensely popular, topping charts worldwide
Q: How long did it stay on the charts?
A: it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.
Q: What did the critics say about it?
A: Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, | C_be03eb28678d4cb68ec698590b9060c9_0_q#5 | What are with all the crazy names in the song?? | 1n
| 2x
| {
"texts": [
"The interlude is full of \"obscure classical characters:"
],
"answer_starts": [
566
]
} | {
"text": "The interlude is full of \"obscure classical characters:",
"answer_start": 566
} |
C_be03eb28678d4cb68ec698590b9060c9_0 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "Bohemian Rhapsody" | "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song. The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful". During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions. Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history. After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US.
Q: Who wrote Bohemian Rhapsoday?
A: "Bohemian Rhapsody" was written by Mercury
Q: Was there a particular method Mercury used to write the song?
A: All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (
Q: Was the song popular when it first came out?
A: the song became immensely popular, topping charts worldwide
Q: How long did it stay on the charts?
A: it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.
Q: What did the critics say about it?
A: Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially,
Q: What are with all the crazy names in the song??
A: The interlude is full of "obscure classical characters: | C_be03eb28678d4cb68ec698590b9060c9_0_q#6 | Was the song ever re-released? | 2m
| 0y
| {
"texts": [
"the song was rereleased as a double A-side to \"These Are The Days Of Our Lives\" on 9 December 1991 in the UK and September 5, 1991, in US."
],
"answer_starts": [
1569
]
} | {
"text": "the song was rereleased as a double A-side to \"These Are The Days Of Our Lives\" on 9 December 1991 in the UK and September 5, 1991, in US.",
"answer_start": 1569
} |
C_be03eb28678d4cb68ec698590b9060c9_0 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "Bohemian Rhapsody" | "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song. The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful". During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions. Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history. After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US.
Q: Who wrote Bohemian Rhapsoday?
A: "Bohemian Rhapsody" was written by Mercury
Q: Was there a particular method Mercury used to write the song?
A: All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (
Q: Was the song popular when it first came out?
A: the song became immensely popular, topping charts worldwide
Q: How long did it stay on the charts?
A: it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.
Q: What did the critics say about it?
A: Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially,
Q: What are with all the crazy names in the song??
A: The interlude is full of "obscure classical characters:
Q: Was the song ever re-released?
A: the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US. | C_be03eb28678d4cb68ec698590b9060c9_0_q#7 | Why did the re-release it? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
1708
]
} | {
"text": "unknown",
"answer_start": 1708
} |
C_be03eb28678d4cb68ec698590b9060c9_1 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "'39" | "Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song. During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know". In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written. As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours. "I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording. Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end". When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury. The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar. "'39" was May's attempt to do "sci-fi skiffle". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, and the loved ones they left behind are now all dead or aged. May sings the song on the album, with backing vocals by Mercury and Taylor. During live performances, Mercury sang the lead vocal. May had asked bassist John Deacon to play double bass as a joke but a couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it. Since Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, surviving brother Groucho Marx invited Queen to visit him at his Los Angeles home in March 1977 (five months before he died). The band thanked him, and performed "'39" a cappella. George Michael performed "'39" at the Freddie Mercury Tribute Concert on 20 April 1992. Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground. Recently, Queen have included the song on the setlists of their recent tours with Adam Lambert and before Adam with Paul Rodgers; for all these tours since 2005 it is sung as it is on the album by May. | C_be03eb28678d4cb68ec698590b9060c9_1_q#0 | What is 39? | 0y
| 2x
| {
"texts": [
"\". \"'39\" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage."
],
"answer_starts": [
3511
]
} | {
"text": "\". \"'39\" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage.",
"answer_start": 3511
} |
C_be03eb28678d4cb68ec698590b9060c9_1 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "'39" | "Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song. During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know". In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written. As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours. "I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording. Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end". When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury. The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar. "'39" was May's attempt to do "sci-fi skiffle". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, and the loved ones they left behind are now all dead or aged. May sings the song on the album, with backing vocals by Mercury and Taylor. During live performances, Mercury sang the lead vocal. May had asked bassist John Deacon to play double bass as a joke but a couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it. Since Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, surviving brother Groucho Marx invited Queen to visit him at his Los Angeles home in March 1977 (five months before he died). The band thanked him, and performed "'39" a cappella. George Michael performed "'39" at the Freddie Mercury Tribute Concert on 20 April 1992. Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground. Recently, Queen have included the song on the setlists of their recent tours with Adam Lambert and before Adam with Paul Rodgers; for all these tours since 2005 it is sung as it is on the album by May.
Q: What is 39?
A: ". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. | C_be03eb28678d4cb68ec698590b9060c9_1_q#1 | Who sings the song? | 0y
| 2x
| {
"texts": [
"May sings the song on the album, with backing vocals by Mercury and Taylor."
],
"answer_starts": [
3852
]
} | {
"text": "May sings the song on the album, with backing vocals by Mercury and Taylor.",
"answer_start": 3852
} |
C_be03eb28678d4cb68ec698590b9060c9_1 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "'39" | "Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song. During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know". In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written. As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours. "I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording. Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end". When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury. The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar. "'39" was May's attempt to do "sci-fi skiffle". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, and the loved ones they left behind are now all dead or aged. May sings the song on the album, with backing vocals by Mercury and Taylor. During live performances, Mercury sang the lead vocal. May had asked bassist John Deacon to play double bass as a joke but a couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it. Since Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, surviving brother Groucho Marx invited Queen to visit him at his Los Angeles home in March 1977 (five months before he died). The band thanked him, and performed "'39" a cappella. George Michael performed "'39" at the Freddie Mercury Tribute Concert on 20 April 1992. Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground. Recently, Queen have included the song on the setlists of their recent tours with Adam Lambert and before Adam with Paul Rodgers; for all these tours since 2005 it is sung as it is on the album by May.
Q: What is 39?
A: ". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage.
Q: Who sings the song?
A: May sings the song on the album, with backing vocals by Mercury and Taylor. | C_be03eb28678d4cb68ec698590b9060c9_1_q#2 | What do the space explorers realize when they come back from their voyage? | 0y
| 2x
| {
"texts": [
"they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity,"
],
"answer_starts": [
3662
]
} | {
"text": "they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity,",
"answer_start": 3662
} |
C_be03eb28678d4cb68ec698590b9060c9_1 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "'39" | "Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song. During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know". In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written. As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours. "I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording. Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end". When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury. The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar. "'39" was May's attempt to do "sci-fi skiffle". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, and the loved ones they left behind are now all dead or aged. May sings the song on the album, with backing vocals by Mercury and Taylor. During live performances, Mercury sang the lead vocal. May had asked bassist John Deacon to play double bass as a joke but a couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it. Since Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, surviving brother Groucho Marx invited Queen to visit him at his Los Angeles home in March 1977 (five months before he died). The band thanked him, and performed "'39" a cappella. George Michael performed "'39" at the Freddie Mercury Tribute Concert on 20 April 1992. Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground. Recently, Queen have included the song on the setlists of their recent tours with Adam Lambert and before Adam with Paul Rodgers; for all these tours since 2005 it is sung as it is on the album by May.
Q: What is 39?
A: ". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage.
Q: Who sings the song?
A: May sings the song on the album, with backing vocals by Mercury and Taylor.
Q: What do the space explorers realize when they come back from their voyage?
A: they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, | C_be03eb28678d4cb68ec698590b9060c9_1_q#3 | Is there anything significant about their album names? | 2m
| 2x
| {
"texts": [
"Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films,"
],
"answer_starts": [
4171
]
} | {
"text": "Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films,",
"answer_start": 4171
} |
C_be03eb28678d4cb68ec698590b9060c9_1 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "'39" | "Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song. During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know". In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written. As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours. "I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording. Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end". When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury. The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar. "'39" was May's attempt to do "sci-fi skiffle". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, and the loved ones they left behind are now all dead or aged. May sings the song on the album, with backing vocals by Mercury and Taylor. During live performances, Mercury sang the lead vocal. May had asked bassist John Deacon to play double bass as a joke but a couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it. Since Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, surviving brother Groucho Marx invited Queen to visit him at his Los Angeles home in March 1977 (five months before he died). The band thanked him, and performed "'39" a cappella. George Michael performed "'39" at the Freddie Mercury Tribute Concert on 20 April 1992. Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground. Recently, Queen have included the song on the setlists of their recent tours with Adam Lambert and before Adam with Paul Rodgers; for all these tours since 2005 it is sung as it is on the album by May.
Q: What is 39?
A: ". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage.
Q: Who sings the song?
A: May sings the song on the album, with backing vocals by Mercury and Taylor.
Q: What do the space explorers realize when they come back from their voyage?
A: they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity,
Q: Is there anything significant about their album names?
A: Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, | C_be03eb28678d4cb68ec698590b9060c9_1_q#4 | Was "39" ever performed by anyone other than Queen? | 0y
| 0y
| {
"texts": [
"George Michael performed \"'39\" at the Freddie Mercury Tribute Concert"
],
"answer_starts": [
4477
]
} | {
"text": "George Michael performed \"'39\" at the Freddie Mercury Tribute Concert",
"answer_start": 4477
} |
C_be03eb28678d4cb68ec698590b9060c9_1 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "'39" | "Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song. During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know". In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written. As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours. "I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording. Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end". When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury. The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar. "'39" was May's attempt to do "sci-fi skiffle". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, and the loved ones they left behind are now all dead or aged. May sings the song on the album, with backing vocals by Mercury and Taylor. During live performances, Mercury sang the lead vocal. May had asked bassist John Deacon to play double bass as a joke but a couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it. Since Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, surviving brother Groucho Marx invited Queen to visit him at his Los Angeles home in March 1977 (five months before he died). The band thanked him, and performed "'39" a cappella. George Michael performed "'39" at the Freddie Mercury Tribute Concert on 20 April 1992. Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground. Recently, Queen have included the song on the setlists of their recent tours with Adam Lambert and before Adam with Paul Rodgers; for all these tours since 2005 it is sung as it is on the album by May.
Q: What is 39?
A: ". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage.
Q: Who sings the song?
A: May sings the song on the album, with backing vocals by Mercury and Taylor.
Q: What do the space explorers realize when they come back from their voyage?
A: they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity,
Q: Is there anything significant about their album names?
A: Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films,
Q: Was "39" ever performed by anyone other than Queen?
A: George Michael performed "'39" at the Freddie Mercury Tribute Concert | C_be03eb28678d4cb68ec698590b9060c9_1_q#5 | When did George Michael perform it? | 0y
| 2x
| {
"texts": [
"20 April 1992."
],
"answer_starts": [
4550
]
} | {
"text": "20 April 1992.",
"answer_start": 4550
} |
C_be03eb28678d4cb68ec698590b9060c9_1 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "'39" | "Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song. During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know". In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written. As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours. "I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording. Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end". When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury. The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar. "'39" was May's attempt to do "sci-fi skiffle". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, and the loved ones they left behind are now all dead or aged. May sings the song on the album, with backing vocals by Mercury and Taylor. During live performances, Mercury sang the lead vocal. May had asked bassist John Deacon to play double bass as a joke but a couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it. Since Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, surviving brother Groucho Marx invited Queen to visit him at his Los Angeles home in March 1977 (five months before he died). The band thanked him, and performed "'39" a cappella. George Michael performed "'39" at the Freddie Mercury Tribute Concert on 20 April 1992. Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground. Recently, Queen have included the song on the setlists of their recent tours with Adam Lambert and before Adam with Paul Rodgers; for all these tours since 2005 it is sung as it is on the album by May.
Q: What is 39?
A: ". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage.
Q: Who sings the song?
A: May sings the song on the album, with backing vocals by Mercury and Taylor.
Q: What do the space explorers realize when they come back from their voyage?
A: they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity,
Q: Is there anything significant about their album names?
A: Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films,
Q: Was "39" ever performed by anyone other than Queen?
A: George Michael performed "'39" at the Freddie Mercury Tribute Concert
Q: When did George Michael perform it?
A: 20 April 1992. | C_be03eb28678d4cb68ec698590b9060c9_1_q#6 | Why did George Michael perform it? | 1n
| 2x
| {
"texts": [
"Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground."
],
"answer_starts": [
4565
]
} | {
"text": "Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground.",
"answer_start": 4565
} |
C_be03eb28678d4cb68ec698590b9060c9_1 | A Night at the Opera (Queen album) | A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences. | "'39" | "Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song. During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know". In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written. As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours. "I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording. Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end". When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury. The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar. "'39" was May's attempt to do "sci-fi skiffle". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, and the loved ones they left behind are now all dead or aged. May sings the song on the album, with backing vocals by Mercury and Taylor. During live performances, Mercury sang the lead vocal. May had asked bassist John Deacon to play double bass as a joke but a couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it. Since Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, surviving brother Groucho Marx invited Queen to visit him at his Los Angeles home in March 1977 (five months before he died). The band thanked him, and performed "'39" a cappella. George Michael performed "'39" at the Freddie Mercury Tribute Concert on 20 April 1992. Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground. Recently, Queen have included the song on the setlists of their recent tours with Adam Lambert and before Adam with Paul Rodgers; for all these tours since 2005 it is sung as it is on the album by May.
Q: What is 39?
A: ". "'39" relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage.
Q: Who sings the song?
A: May sings the song on the album, with backing vocals by Mercury and Taylor.
Q: What do the space explorers realize when they come back from their voyage?
A: they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity,
Q: Is there anything significant about their album names?
A: Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films,
Q: Was "39" ever performed by anyone other than Queen?
A: George Michael performed "'39" at the Freddie Mercury Tribute Concert
Q: When did George Michael perform it?
A: 20 April 1992.
Q: Why did George Michael perform it?
A: Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground. | C_be03eb28678d4cb68ec698590b9060c9_1_q#7 | Is the song still part of their tour? | 0y
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C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion. | C_bc391af1eee941eb9d16e335b199f57d_0_q#0 | What kind of community work did he do? | 0y
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C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
Q: What kind of community work did he do?
A: A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. | C_bc391af1eee941eb9d16e335b199f57d_0_q#1 | Was the festival a success? | 2m
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C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
Q: What kind of community work did he do?
A: A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital.
Q: Was the festival a success?
A: The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. | C_bc391af1eee941eb9d16e335b199f57d_0_q#2 | Are there any other interesting aspects about this article? | 0y
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C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
Q: What kind of community work did he do?
A: A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital.
Q: Was the festival a success?
A: The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained.
Q: Are there any other interesting aspects about this article?
A: Boulton helped found the New Street Theatre in 1774, | C_bc391af1eee941eb9d16e335b199f57d_0_q#3 | What else can you tell me about the theater? | 2m
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C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
Q: What kind of community work did he do?
A: A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital.
Q: Was the festival a success?
A: The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained.
Q: Are there any other interesting aspects about this article?
A: Boulton helped found the New Street Theatre in 1774,
Q: What else can you tell me about the theater?
A: Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, | C_bc391af1eee941eb9d16e335b199f57d_0_q#4 | Was he able to have it recognized? | 0y
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C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
Q: What kind of community work did he do?
A: A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital.
Q: Was the festival a success?
A: The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained.
Q: Are there any other interesting aspects about this article?
A: Boulton helped found the New Street Theatre in 1774,
Q: What else can you tell me about the theater?
A: Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent,
Q: Was he able to have it recognized?
A: he failed in 1779 but succeeded in 1807. | C_bc391af1eee941eb9d16e335b199f57d_0_q#5 | What other community work did he do? | 0y
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C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
Q: What kind of community work did he do?
A: A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital.
Q: Was the festival a success?
A: The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained.
Q: Are there any other interesting aspects about this article?
A: Boulton helped found the New Street Theatre in 1774,
Q: What else can you tell me about the theater?
A: Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent,
Q: Was he able to have it recognized?
A: he failed in 1779 but succeeded in 1807.
Q: What other community work did he do?
A: He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore | C_bc391af1eee941eb9d16e335b199f57d_0_q#6 | What did he do to collaborate with Joseph Moore? | 0y
| 2x
| {
"texts": [
"to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence."
],
"answer_starts": [
1316
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} | {
"text": "to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence.",
"answer_start": 1316
} |
C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
Q: What kind of community work did he do?
A: A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital.
Q: Was the festival a success?
A: The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained.
Q: Are there any other interesting aspects about this article?
A: Boulton helped found the New Street Theatre in 1774,
Q: What else can you tell me about the theater?
A: Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent,
Q: Was he able to have it recognized?
A: he failed in 1779 but succeeded in 1807.
Q: What other community work did he do?
A: He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore
Q: What did he do to collaborate with Joseph Moore?
A: to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. | C_bc391af1eee941eb9d16e335b199f57d_0_q#7 | What other community work did he do? | 0y
| 2x
| {
"texts": [
"Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime."
],
"answer_starts": [
2087
]
} | {
"text": "Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime.",
"answer_start": 2087
} |
C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
Q: What kind of community work did he do?
A: A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital.
Q: Was the festival a success?
A: The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained.
Q: Are there any other interesting aspects about this article?
A: Boulton helped found the New Street Theatre in 1774,
Q: What else can you tell me about the theater?
A: Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent,
Q: Was he able to have it recognized?
A: he failed in 1779 but succeeded in 1807.
Q: What other community work did he do?
A: He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore
Q: What did he do to collaborate with Joseph Moore?
A: to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence.
Q: What other community work did he do?
A: Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. | C_bc391af1eee941eb9d16e335b199f57d_0_q#8 | Was there other significant community work? | 0y
| 2x
| {
"texts": [
"weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence."
],
"answer_starts": [
2241
]
} | {
"text": "weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence.",
"answer_start": 2241
} |
C_bc391af1eee941eb9d16e335b199f57d_0 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Community work | Boulton was widely involved in civic activities in Birmingham. His friend Dr John Ash had long sought to build a hospital in the town. A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital. The festival took place in September 1768, the first of a series stretching well into the twentieth century. The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained. A firm supporter of the Dispensary, he served as treasurer, and wrote, "If the funds of the institution are not sufficient for its support, I will make up the deficiency." The Dispensary soon outgrew its original quarters, and a new building in Temple Row was opened in 1808, shortly before Boulton's death. Boulton helped found the New Street Theatre in 1774, and later wrote that having a theatre encouraged well-to-do visitors to come to Birmingham, and to spend more money than they would have otherwise. Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent, entitled to present serious drama; he failed in 1779 but succeeded in 1807. He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence. When performances of the Messiah were organised at Westminster Abbey in 1784 in the (incorrect) belief it was the centennial of Handel's birth and the (correct) belief that it was the 25th anniversary of his death, Boulton attended and wrote, "I scarcely know which was grandest, the sounds or the scene. Both was transcendibly fine that it is not in my power of words to describe. In the grand Halleluja my soul almost ascended from my body." Concerned about the level of crime in Birmingham, Boulton complained, "The streets are infested from Noon Day to midnight with prostitutes." In an era prior to the establishment of the police, Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime. He supported the local militia, providing money for weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists, Boulton changed his view once he realised that an independent America might be a threat to British trade, and in 1775 organised a petition urging the government to take a hard line with the Americans--though when the revolution proved successful, he resumed trade with the former colonies. He was more sympathetic to the cause of the French Revolution, believing it justified, though he expressed his horror at the bloody excesses of the Revolutionary government. When war with France broke out, he paid for weapons for a company of volunteers, sworn to resist any French invasion.
Q: What kind of community work did he do?
A: A great fan of the music of Handel, Boulton conceived of the idea to hold a music festival in Birmingham to raise funds for the hospital.
Q: Was the festival a success?
A: The hospital opened in 1779. Boulton also helped build the General Dispensary, where outpatient treatment could be obtained.
Q: Are there any other interesting aspects about this article?
A: Boulton helped found the New Street Theatre in 1774,
Q: What else can you tell me about the theater?
A: Boulton attempted to have the theatre recognised as a patent theatre with a Royal Patent,
Q: Was he able to have it recognized?
A: he failed in 1779 but succeeded in 1807.
Q: What other community work did he do?
A: He also supported Birmingham's Oratorio Choral Society, and collaborated with button maker and amateur musical promoter Joseph Moore
Q: What did he do to collaborate with Joseph Moore?
A: to put on a series of private concerts in 1799. He maintained a pew at St Paul's Church, Birmingham, a centre of musical excellence.
Q: What other community work did he do?
A: Boulton served on a committee to organise volunteers to patrol the streets at night and reduce crime.
Q: Was there other significant community work?
A: weapons. In 1794 he was elected High Sheriff of Staffordshire, his county of residence. | C_bc391af1eee941eb9d16e335b199f57d_0_q#9 | What else did he do? | 0y
| 2x
| {
"texts": [
"Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists,"
],
"answer_starts": [
2330
]
} | {
"text": "Besides seeking to improve local life, Boulton took an interest in world affairs. Initially sympathetic to the cause of the rebellious American colonists,",
"answer_start": 2330
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children. | C_bc391af1eee941eb9d16e335b199f57d_1_q#0 | Where was he born? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2617
]
} | {
"text": "unknown",
"answer_start": 2617
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children.
Q: Where was he born?
A: unknown | C_bc391af1eee941eb9d16e335b199f57d_1_q#1 | Where did he grow up? | 0y
| 2x
| {
"texts": [
"the family moved to the Snow Hill area of Birmingham,"
],
"answer_starts": [
72
]
} | {
"text": "the family moved to the Snow Hill area of Birmingham,",
"answer_start": 72
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children.
Q: Where was he born?
A: unknown
Q: Where did he grow up?
A: the family moved to the Snow Hill area of Birmingham, | C_bc391af1eee941eb9d16e335b199f57d_1_q#2 | Did he have any siblings? | 0y
| 0y
| {
"texts": [
"The Boultons had three daughters in the early 1750s, but all died in infancy."
],
"answer_starts": [
1006
]
} | {
"text": "The Boultons had three daughters in the early 1750s, but all died in infancy.",
"answer_start": 1006
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children.
Q: Where was he born?
A: unknown
Q: Where did he grow up?
A: the family moved to the Snow Hill area of Birmingham,
Q: Did he have any siblings?
A: The Boultons had three daughters in the early 1750s, but all died in infancy. | C_bc391af1eee941eb9d16e335b199f57d_1_q#3 | What was his upbringing like? | 0y
| 2x
| {
"texts": [
"At the age of 15 he left school,"
],
"answer_starts": [
295
]
} | {
"text": "At the age of 15 he left school,",
"answer_start": 295
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children.
Q: Where was he born?
A: unknown
Q: Where did he grow up?
A: the family moved to the Snow Hill area of Birmingham,
Q: Did he have any siblings?
A: The Boultons had three daughters in the early 1750s, but all died in infancy.
Q: What was his upbringing like?
A: At the age of 15 he left school, | C_bc391af1eee941eb9d16e335b199f57d_1_q#4 | Why did he leave school? | 0y
| 2x
| {
"texts": [
"and by 17 he had invented a technique for inlaying enamels in buckles"
],
"answer_starts": [
328
]
} | {
"text": "and by 17 he had invented a technique for inlaying enamels in buckles",
"answer_start": 328
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children.
Q: Where was he born?
A: unknown
Q: Where did he grow up?
A: the family moved to the Snow Hill area of Birmingham,
Q: Did he have any siblings?
A: The Boultons had three daughters in the early 1750s, but all died in infancy.
Q: What was his upbringing like?
A: At the age of 15 he left school,
Q: Why did he leave school?
A: and by 17 he had invented a technique for inlaying enamels in buckles | C_bc391af1eee941eb9d16e335b199f57d_1_q#5 | Was the invention successful? | 0y
| 2x
| {
"texts": [
"that proved so popular that the buckles were exported to France,"
],
"answer_starts": [
398
]
} | {
"text": "that proved so popular that the buckles were exported to France,",
"answer_start": 398
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children.
Q: Where was he born?
A: unknown
Q: Where did he grow up?
A: the family moved to the Snow Hill area of Birmingham,
Q: Did he have any siblings?
A: The Boultons had three daughters in the early 1750s, but all died in infancy.
Q: What was his upbringing like?
A: At the age of 15 he left school,
Q: Why did he leave school?
A: and by 17 he had invented a technique for inlaying enamels in buckles
Q: Was the invention successful?
A: that proved so popular that the buckles were exported to France, | C_bc391af1eee941eb9d16e335b199f57d_1_q#6 | Can you tell me more about the success of the buckles? | 0y
| 2x
| {
"texts": [
"then reimported to Britain and billed as the latest French developments."
],
"answer_starts": [
463
]
} | {
"text": "then reimported to Britain and billed as the latest French developments.",
"answer_start": 463
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children.
Q: Where was he born?
A: unknown
Q: Where did he grow up?
A: the family moved to the Snow Hill area of Birmingham,
Q: Did he have any siblings?
A: The Boultons had three daughters in the early 1750s, but all died in infancy.
Q: What was his upbringing like?
A: At the age of 15 he left school,
Q: Why did he leave school?
A: and by 17 he had invented a technique for inlaying enamels in buckles
Q: Was the invention successful?
A: that proved so popular that the buckles were exported to France,
Q: Can you tell me more about the success of the buckles?
A: then reimported to Britain and billed as the latest French developments. | C_bc391af1eee941eb9d16e335b199f57d_1_q#7 | Did he ever start a family of his own? | 0y
| 0y
| {
"texts": [
"Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right."
],
"answer_starts": [
553
]
} | {
"text": "Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right.",
"answer_start": 553
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children.
Q: Where was he born?
A: unknown
Q: Where did he grow up?
A: the family moved to the Snow Hill area of Birmingham,
Q: Did he have any siblings?
A: The Boultons had three daughters in the early 1750s, but all died in infancy.
Q: What was his upbringing like?
A: At the age of 15 he left school,
Q: Why did he leave school?
A: and by 17 he had invented a technique for inlaying enamels in buckles
Q: Was the invention successful?
A: that proved so popular that the buckles were exported to France,
Q: Can you tell me more about the success of the buckles?
A: then reimported to Britain and billed as the latest French developments.
Q: Did he ever start a family of his own?
A: Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. | C_bc391af1eee941eb9d16e335b199f57d_1_q#8 | When did he marry her? | 0y
| 2x
| {
"texts": [
"On 3 March 1749"
],
"answer_starts": [
537
]
} | {
"text": "On 3 March 1749",
"answer_start": 537
} |
C_bc391af1eee941eb9d16e335b199f57d_1 | Matthew Boulton | Matthew Boulton (; 3 September 1728 - 17 August 1809) was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century, the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the mechanisation of factories and mills. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, and supplying the Royal Mint with up-to-date equipment. | Early and family life | The elder Boulton's business prospered after young Matthew's birth, and the family moved to the Snow Hill area of Birmingham, then a well-to-do neighbourhood of new houses. As the local grammar school was in disrepair Boulton was sent to an academy in Deritend, on the other side of Birmingham. At the age of 15 he left school, and by 17 he had invented a technique for inlaying enamels in buckles that proved so popular that the buckles were exported to France, then reimported to Britain and billed as the latest French developments. On 3 March 1749 Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right. They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21. Though the son signed business letters "from father and self", by the mid-1750s he was effectively running the business. The elder Boulton retired in 1757 and died in 1759. The Boultons had three daughters in the early 1750s, but all died in infancy. Mary Boulton's health deteriorated, and she died in August 1759. Not long after her death Boulton began to woo her sister Anne. Marriage with a deceased wife's sister was forbidden by ecclesiastical law, though permitted by common law. Nonetheless, they married on 25 June 1760 at St. Mary's Church, Rotherhithe. Eric Delieb, who wrote a book on Boulton's silver, with a biographical sketch, suggests that the marriage celebrant, Rev. James Penfold, an impoverished curate, was probably bribed. Boulton later advised another man who was seeking to wed his late wife's sister: "I advise you to say nothing of your intentions but to go quickly and snugly to Scotland or some obscure corner of London, suppose Wapping, and there take lodgings to make yourself a parishioner. When the month is expired and the Law fulfilled, live and be happy ... I recommend silence, secrecy, and Scotland." The union was opposed by Anne's brother Luke, who feared Boulton would control (and possibly dissipate) much of the Robinson family fortune. In 1764 Luke Robinson died, and his estate passed to his sister Anne and thus into Matthew Boulton's control. The Boultons had two children, Matthew Robinson Boulton and Anne Boulton. Matthew Robinson in turn had six children with two wives. His eldest son Matthew Piers Watt Boulton, broadly educated and also a man of science, gained some fame posthumously for his invention of the important aeronautical flight control, the aileron. As his father before him, he also had two wives and six children.
Q: Where was he born?
A: unknown
Q: Where did he grow up?
A: the family moved to the Snow Hill area of Birmingham,
Q: Did he have any siblings?
A: The Boultons had three daughters in the early 1750s, but all died in infancy.
Q: What was his upbringing like?
A: At the age of 15 he left school,
Q: Why did he leave school?
A: and by 17 he had invented a technique for inlaying enamels in buckles
Q: Was the invention successful?
A: that proved so popular that the buckles were exported to France,
Q: Can you tell me more about the success of the buckles?
A: then reimported to Britain and billed as the latest French developments.
Q: Did he ever start a family of his own?
A: Boulton married Mary Robinson, a distant cousin and the daughter of a successful mercer, and wealthy in her own right.
Q: When did he marry her?
A: On 3 March 1749 | C_bc391af1eee941eb9d16e335b199f57d_1_q#9 | Are there any other interesting aspects about this article? | 0y
| 2x
| {
"texts": [
"They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21."
],
"answer_starts": [
672
]
} | {
"text": "They lived briefly with the bride's mother in Lichfield, and then moved to Birmingham, where the elder Matthew Boulton made his son a partner at the age of 21.",
"answer_start": 672
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_0 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Legacy | Lapu-Lapu is regarded, retroactively, as the first Filipino hero. The government erected a statue in his honor on Mactan Island and renamed the town of Opon in Cebu to Lapu-Lapu City. A large statue of him, donated by South Korea, stands in the middle of Agrifina Circle in Rizal Park in Manila, replacing a fountain and rollerskating rink. Lapu-Lapu appears on the official seal of the Philippine National Police. His face was used as the main design on the 1-centavo coin that was circulated in the Philippines from 1967 to 1974. According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan. Fishermen in the island city would throw coins at a stone shaped like a man as a way of asking for permission to fish in the monarch's territory. Another urban legend concerns the statue of Lapu-Lapu erected at the center of the town plaza. The statue faced the old city hall, where mayors used to hold office; Lapu-Lapu was shown with a crossbow in the stance of shooting an enemy. Superstitious citizens proposed to replace this crossbow with a sword, after three consecutive mayors of the city each died of heart attack. In the United States, a street in the South of Market neighborhood of San Francisco, California is named after Lapu-Lapu. That street and others in the immediate neighborhood were renamed by the San Francisco Board of Supervisors with names derived from historical Filipino heroes on August 31, 1979. During the First Regular Season of the 14th Congress of the Philippines, Senator Richard Gordon introduced a bill proposing to declare April 27 as an official Philippine national holiday to be known as Adlaw ni Lapu-Lapu, (Cebuano, "Day of Lapu-Lapu"). On April 27, 2017, President Rodrigo Duterte declared April 27 (the date when Battle of Mactan happened) as Lapu-Lapu Day for honoring as the first hero in the country who defeated foreign rule. Duterte also signed the creation of "Order of Lapu-Lapu" earlier in April 7, to recognize the government workers and private citizens on supporting his advocacies. | C_29090bb342ea41eaa3bf8c3b7dd080db_0_q#0 | What legacy did lapu leave behind? | 0y
| 2x
| {
"texts": [
"Lapu-Lapu is regarded, retroactively, as the first Filipino hero."
],
"answer_starts": [
0
]
} | {
"text": "Lapu-Lapu is regarded, retroactively, as the first Filipino hero.",
"answer_start": 0
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_0 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Legacy | Lapu-Lapu is regarded, retroactively, as the first Filipino hero. The government erected a statue in his honor on Mactan Island and renamed the town of Opon in Cebu to Lapu-Lapu City. A large statue of him, donated by South Korea, stands in the middle of Agrifina Circle in Rizal Park in Manila, replacing a fountain and rollerskating rink. Lapu-Lapu appears on the official seal of the Philippine National Police. His face was used as the main design on the 1-centavo coin that was circulated in the Philippines from 1967 to 1974. According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan. Fishermen in the island city would throw coins at a stone shaped like a man as a way of asking for permission to fish in the monarch's territory. Another urban legend concerns the statue of Lapu-Lapu erected at the center of the town plaza. The statue faced the old city hall, where mayors used to hold office; Lapu-Lapu was shown with a crossbow in the stance of shooting an enemy. Superstitious citizens proposed to replace this crossbow with a sword, after three consecutive mayors of the city each died of heart attack. In the United States, a street in the South of Market neighborhood of San Francisco, California is named after Lapu-Lapu. That street and others in the immediate neighborhood were renamed by the San Francisco Board of Supervisors with names derived from historical Filipino heroes on August 31, 1979. During the First Regular Season of the 14th Congress of the Philippines, Senator Richard Gordon introduced a bill proposing to declare April 27 as an official Philippine national holiday to be known as Adlaw ni Lapu-Lapu, (Cebuano, "Day of Lapu-Lapu"). On April 27, 2017, President Rodrigo Duterte declared April 27 (the date when Battle of Mactan happened) as Lapu-Lapu Day for honoring as the first hero in the country who defeated foreign rule. Duterte also signed the creation of "Order of Lapu-Lapu" earlier in April 7, to recognize the government workers and private citizens on supporting his advocacies.
Q: What legacy did lapu leave behind?
A: Lapu-Lapu is regarded, retroactively, as the first Filipino hero. | C_29090bb342ea41eaa3bf8c3b7dd080db_0_q#1 | Why was he regarded as this? | 0y
| 2x
| {
"texts": [
"According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan."
],
"answer_starts": [
533
]
} | {
"text": "According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan.",
"answer_start": 533
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_0 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Legacy | Lapu-Lapu is regarded, retroactively, as the first Filipino hero. The government erected a statue in his honor on Mactan Island and renamed the town of Opon in Cebu to Lapu-Lapu City. A large statue of him, donated by South Korea, stands in the middle of Agrifina Circle in Rizal Park in Manila, replacing a fountain and rollerskating rink. Lapu-Lapu appears on the official seal of the Philippine National Police. His face was used as the main design on the 1-centavo coin that was circulated in the Philippines from 1967 to 1974. According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan. Fishermen in the island city would throw coins at a stone shaped like a man as a way of asking for permission to fish in the monarch's territory. Another urban legend concerns the statue of Lapu-Lapu erected at the center of the town plaza. The statue faced the old city hall, where mayors used to hold office; Lapu-Lapu was shown with a crossbow in the stance of shooting an enemy. Superstitious citizens proposed to replace this crossbow with a sword, after three consecutive mayors of the city each died of heart attack. In the United States, a street in the South of Market neighborhood of San Francisco, California is named after Lapu-Lapu. That street and others in the immediate neighborhood were renamed by the San Francisco Board of Supervisors with names derived from historical Filipino heroes on August 31, 1979. During the First Regular Season of the 14th Congress of the Philippines, Senator Richard Gordon introduced a bill proposing to declare April 27 as an official Philippine national holiday to be known as Adlaw ni Lapu-Lapu, (Cebuano, "Day of Lapu-Lapu"). On April 27, 2017, President Rodrigo Duterte declared April 27 (the date when Battle of Mactan happened) as Lapu-Lapu Day for honoring as the first hero in the country who defeated foreign rule. Duterte also signed the creation of "Order of Lapu-Lapu" earlier in April 7, to recognize the government workers and private citizens on supporting his advocacies.
Q: What legacy did lapu leave behind?
A: Lapu-Lapu is regarded, retroactively, as the first Filipino hero.
Q: Why was he regarded as this?
A: According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan. | C_29090bb342ea41eaa3bf8c3b7dd080db_0_q#2 | How did this legend begin? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2101
]
} | {
"text": "unknown",
"answer_start": 2101
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_0 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Legacy | Lapu-Lapu is regarded, retroactively, as the first Filipino hero. The government erected a statue in his honor on Mactan Island and renamed the town of Opon in Cebu to Lapu-Lapu City. A large statue of him, donated by South Korea, stands in the middle of Agrifina Circle in Rizal Park in Manila, replacing a fountain and rollerskating rink. Lapu-Lapu appears on the official seal of the Philippine National Police. His face was used as the main design on the 1-centavo coin that was circulated in the Philippines from 1967 to 1974. According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan. Fishermen in the island city would throw coins at a stone shaped like a man as a way of asking for permission to fish in the monarch's territory. Another urban legend concerns the statue of Lapu-Lapu erected at the center of the town plaza. The statue faced the old city hall, where mayors used to hold office; Lapu-Lapu was shown with a crossbow in the stance of shooting an enemy. Superstitious citizens proposed to replace this crossbow with a sword, after three consecutive mayors of the city each died of heart attack. In the United States, a street in the South of Market neighborhood of San Francisco, California is named after Lapu-Lapu. That street and others in the immediate neighborhood were renamed by the San Francisco Board of Supervisors with names derived from historical Filipino heroes on August 31, 1979. During the First Regular Season of the 14th Congress of the Philippines, Senator Richard Gordon introduced a bill proposing to declare April 27 as an official Philippine national holiday to be known as Adlaw ni Lapu-Lapu, (Cebuano, "Day of Lapu-Lapu"). On April 27, 2017, President Rodrigo Duterte declared April 27 (the date when Battle of Mactan happened) as Lapu-Lapu Day for honoring as the first hero in the country who defeated foreign rule. Duterte also signed the creation of "Order of Lapu-Lapu" earlier in April 7, to recognize the government workers and private citizens on supporting his advocacies.
Q: What legacy did lapu leave behind?
A: Lapu-Lapu is regarded, retroactively, as the first Filipino hero.
Q: Why was he regarded as this?
A: According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan.
Q: How did this legend begin?
A: unknown | C_29090bb342ea41eaa3bf8c3b7dd080db_0_q#3 | What other legends were told about him? | 0y
| 2x
| {
"texts": [
"Another urban legend concerns the statue of Lapu-Lapu erected at the center of the town plaza. The statue faced the old city hall, where mayors used to hold office;"
],
"answer_starts": [
807
]
} | {
"text": "Another urban legend concerns the statue of Lapu-Lapu erected at the center of the town plaza. The statue faced the old city hall, where mayors used to hold office;",
"answer_start": 807
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_0 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Legacy | Lapu-Lapu is regarded, retroactively, as the first Filipino hero. The government erected a statue in his honor on Mactan Island and renamed the town of Opon in Cebu to Lapu-Lapu City. A large statue of him, donated by South Korea, stands in the middle of Agrifina Circle in Rizal Park in Manila, replacing a fountain and rollerskating rink. Lapu-Lapu appears on the official seal of the Philippine National Police. His face was used as the main design on the 1-centavo coin that was circulated in the Philippines from 1967 to 1974. According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan. Fishermen in the island city would throw coins at a stone shaped like a man as a way of asking for permission to fish in the monarch's territory. Another urban legend concerns the statue of Lapu-Lapu erected at the center of the town plaza. The statue faced the old city hall, where mayors used to hold office; Lapu-Lapu was shown with a crossbow in the stance of shooting an enemy. Superstitious citizens proposed to replace this crossbow with a sword, after three consecutive mayors of the city each died of heart attack. In the United States, a street in the South of Market neighborhood of San Francisco, California is named after Lapu-Lapu. That street and others in the immediate neighborhood were renamed by the San Francisco Board of Supervisors with names derived from historical Filipino heroes on August 31, 1979. During the First Regular Season of the 14th Congress of the Philippines, Senator Richard Gordon introduced a bill proposing to declare April 27 as an official Philippine national holiday to be known as Adlaw ni Lapu-Lapu, (Cebuano, "Day of Lapu-Lapu"). On April 27, 2017, President Rodrigo Duterte declared April 27 (the date when Battle of Mactan happened) as Lapu-Lapu Day for honoring as the first hero in the country who defeated foreign rule. Duterte also signed the creation of "Order of Lapu-Lapu" earlier in April 7, to recognize the government workers and private citizens on supporting his advocacies.
Q: What legacy did lapu leave behind?
A: Lapu-Lapu is regarded, retroactively, as the first Filipino hero.
Q: Why was he regarded as this?
A: According to local legend, Lapu-Lapu never died but was turned into stone, and has since then been guarding the seas of Mactan.
Q: How did this legend begin?
A: unknown
Q: What other legends were told about him?
A: Another urban legend concerns the statue of Lapu-Lapu erected at the center of the town plaza. The statue faced the old city hall, where mayors used to hold office; | C_29090bb342ea41eaa3bf8c3b7dd080db_0_q#4 | When was the statue built? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2101
]
} | {
"text": "unknown",
"answer_start": 2101
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_1 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Name | There had been many folk accounts surrounding Lapu-Lapu's origin. One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu. Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid, Bayok sa Atong Tawarik ("Glide on, Odes to Our History") in 1952 by Jovito Abellana. The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty of Sumatra. His sons, Sri Alho and Sri Ukob, ruled the neighboring communities of Sialo and Nahalin, respectively. The islands they were in were collectively known as Pulua Kang Dayang or Kangdaya (literally "[the islands] of the lady"). Sri Lumay was noted for his strict policies in defending against Moro raiders and slavers from Mindanao. His use of scorched earth tactics to repel invaders gave rise to the name Kang Sri Lumayng Sugbo (literally "that of Sri Lumay's great fire") to the town, which was later shortened to Sugbo ("conflagration"). Upon his death in a battle against the raiders, Sri Lumay was succeeded by his youngest son, Sri Bantug, who ruled from the region of Singhapala (literally "lion city"), now Mabolo in modern Cebu City. Sri Bantug died of a disease during an epidemic and was succeeded by his son Rajah Humabon (also known as Sri Humabon or Rajah Humabara). During Humabon's reign, the region had become an important trading center. The harbors of Sugbo became known colloquially as sinibuayng hingpit ("the place for trading"), shortened to sibu or sibo ("to trade"), from which the modern name "Cebu" originates. According to the epic Aginid, this was the period in which Lapu-Lapu (as Lapulapu Dimantag) was first recorded as arriving from Borneo. He asked Humabon for a place to settle, and the king offered him the region of Mandawili (now Mandaue), including the island known as Opong (or Opon), hoping that Lapu-Lapu's people would cultivate the land. They were successful in this, and the influx of farm produce from Mandawili enriched the trade port of Sugbo further. The relationship between Lapu-Lapu and Humabon later deteriorated when Lapu-Lapu turned to piracy. He began raiding merchant ships passing the island of Opong, affecting trade in Sugbo. The island thus earned the name Mangatang ("those who lie in wait"), later evolving to "Mactan". | C_29090bb342ea41eaa3bf8c3b7dd080db_1_q#0 | How did he get his name? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2504
]
} | {
"text": "unknown",
"answer_start": 2504
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_1 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Name | There had been many folk accounts surrounding Lapu-Lapu's origin. One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu. Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid, Bayok sa Atong Tawarik ("Glide on, Odes to Our History") in 1952 by Jovito Abellana. The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty of Sumatra. His sons, Sri Alho and Sri Ukob, ruled the neighboring communities of Sialo and Nahalin, respectively. The islands they were in were collectively known as Pulua Kang Dayang or Kangdaya (literally "[the islands] of the lady"). Sri Lumay was noted for his strict policies in defending against Moro raiders and slavers from Mindanao. His use of scorched earth tactics to repel invaders gave rise to the name Kang Sri Lumayng Sugbo (literally "that of Sri Lumay's great fire") to the town, which was later shortened to Sugbo ("conflagration"). Upon his death in a battle against the raiders, Sri Lumay was succeeded by his youngest son, Sri Bantug, who ruled from the region of Singhapala (literally "lion city"), now Mabolo in modern Cebu City. Sri Bantug died of a disease during an epidemic and was succeeded by his son Rajah Humabon (also known as Sri Humabon or Rajah Humabara). During Humabon's reign, the region had become an important trading center. The harbors of Sugbo became known colloquially as sinibuayng hingpit ("the place for trading"), shortened to sibu or sibo ("to trade"), from which the modern name "Cebu" originates. According to the epic Aginid, this was the period in which Lapu-Lapu (as Lapulapu Dimantag) was first recorded as arriving from Borneo. He asked Humabon for a place to settle, and the king offered him the region of Mandawili (now Mandaue), including the island known as Opong (or Opon), hoping that Lapu-Lapu's people would cultivate the land. They were successful in this, and the influx of farm produce from Mandawili enriched the trade port of Sugbo further. The relationship between Lapu-Lapu and Humabon later deteriorated when Lapu-Lapu turned to piracy. He began raiding merchant ships passing the island of Opong, affecting trade in Sugbo. The island thus earned the name Mangatang ("those who lie in wait"), later evolving to "Mactan".
Q: How did he get his name?
A: unknown | C_29090bb342ea41eaa3bf8c3b7dd080db_1_q#1 | What was his real name? | 0y
| 2x
| {
"texts": [
"One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu."
],
"answer_starts": [
66
]
} | {
"text": "One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu.",
"answer_start": 66
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_1 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Name | There had been many folk accounts surrounding Lapu-Lapu's origin. One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu. Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid, Bayok sa Atong Tawarik ("Glide on, Odes to Our History") in 1952 by Jovito Abellana. The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty of Sumatra. His sons, Sri Alho and Sri Ukob, ruled the neighboring communities of Sialo and Nahalin, respectively. The islands they were in were collectively known as Pulua Kang Dayang or Kangdaya (literally "[the islands] of the lady"). Sri Lumay was noted for his strict policies in defending against Moro raiders and slavers from Mindanao. His use of scorched earth tactics to repel invaders gave rise to the name Kang Sri Lumayng Sugbo (literally "that of Sri Lumay's great fire") to the town, which was later shortened to Sugbo ("conflagration"). Upon his death in a battle against the raiders, Sri Lumay was succeeded by his youngest son, Sri Bantug, who ruled from the region of Singhapala (literally "lion city"), now Mabolo in modern Cebu City. Sri Bantug died of a disease during an epidemic and was succeeded by his son Rajah Humabon (also known as Sri Humabon or Rajah Humabara). During Humabon's reign, the region had become an important trading center. The harbors of Sugbo became known colloquially as sinibuayng hingpit ("the place for trading"), shortened to sibu or sibo ("to trade"), from which the modern name "Cebu" originates. According to the epic Aginid, this was the period in which Lapu-Lapu (as Lapulapu Dimantag) was first recorded as arriving from Borneo. He asked Humabon for a place to settle, and the king offered him the region of Mandawili (now Mandaue), including the island known as Opong (or Opon), hoping that Lapu-Lapu's people would cultivate the land. They were successful in this, and the influx of farm produce from Mandawili enriched the trade port of Sugbo further. The relationship between Lapu-Lapu and Humabon later deteriorated when Lapu-Lapu turned to piracy. He began raiding merchant ships passing the island of Opong, affecting trade in Sugbo. The island thus earned the name Mangatang ("those who lie in wait"), later evolving to "Mactan".
Q: How did he get his name?
A: unknown
Q: What was his real name?
A: One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu. | C_29090bb342ea41eaa3bf8c3b7dd080db_1_q#2 | What else do we know about him? | 0y
| 2x
| {
"texts": [
"Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid,"
],
"answer_starts": [
201
]
} | {
"text": "Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid,",
"answer_start": 201
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_1 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Name | There had been many folk accounts surrounding Lapu-Lapu's origin. One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu. Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid, Bayok sa Atong Tawarik ("Glide on, Odes to Our History") in 1952 by Jovito Abellana. The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty of Sumatra. His sons, Sri Alho and Sri Ukob, ruled the neighboring communities of Sialo and Nahalin, respectively. The islands they were in were collectively known as Pulua Kang Dayang or Kangdaya (literally "[the islands] of the lady"). Sri Lumay was noted for his strict policies in defending against Moro raiders and slavers from Mindanao. His use of scorched earth tactics to repel invaders gave rise to the name Kang Sri Lumayng Sugbo (literally "that of Sri Lumay's great fire") to the town, which was later shortened to Sugbo ("conflagration"). Upon his death in a battle against the raiders, Sri Lumay was succeeded by his youngest son, Sri Bantug, who ruled from the region of Singhapala (literally "lion city"), now Mabolo in modern Cebu City. Sri Bantug died of a disease during an epidemic and was succeeded by his son Rajah Humabon (also known as Sri Humabon or Rajah Humabara). During Humabon's reign, the region had become an important trading center. The harbors of Sugbo became known colloquially as sinibuayng hingpit ("the place for trading"), shortened to sibu or sibo ("to trade"), from which the modern name "Cebu" originates. According to the epic Aginid, this was the period in which Lapu-Lapu (as Lapulapu Dimantag) was first recorded as arriving from Borneo. He asked Humabon for a place to settle, and the king offered him the region of Mandawili (now Mandaue), including the island known as Opong (or Opon), hoping that Lapu-Lapu's people would cultivate the land. They were successful in this, and the influx of farm produce from Mandawili enriched the trade port of Sugbo further. The relationship between Lapu-Lapu and Humabon later deteriorated when Lapu-Lapu turned to piracy. He began raiding merchant ships passing the island of Opong, affecting trade in Sugbo. The island thus earned the name Mangatang ("those who lie in wait"), later evolving to "Mactan".
Q: How did he get his name?
A: unknown
Q: What was his real name?
A: One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu.
Q: What else do we know about him?
A: Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid, | C_29090bb342ea41eaa3bf8c3b7dd080db_1_q#3 | What did the chronicles say about him | 0y
| 2x
| {
"texts": [
"The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty"
],
"answer_starts": [
444
]
} | {
"text": "The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty",
"answer_start": 444
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_1 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Name | There had been many folk accounts surrounding Lapu-Lapu's origin. One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu. Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid, Bayok sa Atong Tawarik ("Glide on, Odes to Our History") in 1952 by Jovito Abellana. The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty of Sumatra. His sons, Sri Alho and Sri Ukob, ruled the neighboring communities of Sialo and Nahalin, respectively. The islands they were in were collectively known as Pulua Kang Dayang or Kangdaya (literally "[the islands] of the lady"). Sri Lumay was noted for his strict policies in defending against Moro raiders and slavers from Mindanao. His use of scorched earth tactics to repel invaders gave rise to the name Kang Sri Lumayng Sugbo (literally "that of Sri Lumay's great fire") to the town, which was later shortened to Sugbo ("conflagration"). Upon his death in a battle against the raiders, Sri Lumay was succeeded by his youngest son, Sri Bantug, who ruled from the region of Singhapala (literally "lion city"), now Mabolo in modern Cebu City. Sri Bantug died of a disease during an epidemic and was succeeded by his son Rajah Humabon (also known as Sri Humabon or Rajah Humabara). During Humabon's reign, the region had become an important trading center. The harbors of Sugbo became known colloquially as sinibuayng hingpit ("the place for trading"), shortened to sibu or sibo ("to trade"), from which the modern name "Cebu" originates. According to the epic Aginid, this was the period in which Lapu-Lapu (as Lapulapu Dimantag) was first recorded as arriving from Borneo. He asked Humabon for a place to settle, and the king offered him the region of Mandawili (now Mandaue), including the island known as Opong (or Opon), hoping that Lapu-Lapu's people would cultivate the land. They were successful in this, and the influx of farm produce from Mandawili enriched the trade port of Sugbo further. The relationship between Lapu-Lapu and Humabon later deteriorated when Lapu-Lapu turned to piracy. He began raiding merchant ships passing the island of Opong, affecting trade in Sugbo. The island thus earned the name Mangatang ("those who lie in wait"), later evolving to "Mactan".
Q: How did he get his name?
A: unknown
Q: What was his real name?
A: One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu.
Q: What else do we know about him?
A: Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid,
Q: What did the chronicles say about him
A: The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty | C_29090bb342ea41eaa3bf8c3b7dd080db_1_q#4 | How was he involved with the founding | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2504
]
} | {
"text": "unknown",
"answer_start": 2504
} |
C_29090bb342ea41eaa3bf8c3b7dd080db_1 | Lapu-Lapu | Lapu-Lapu (Baybayin: [?][?][?][?] | Name | There had been many folk accounts surrounding Lapu-Lapu's origin. One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu. Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid, Bayok sa Atong Tawarik ("Glide on, Odes to Our History") in 1952 by Jovito Abellana. The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty of Sumatra. His sons, Sri Alho and Sri Ukob, ruled the neighboring communities of Sialo and Nahalin, respectively. The islands they were in were collectively known as Pulua Kang Dayang or Kangdaya (literally "[the islands] of the lady"). Sri Lumay was noted for his strict policies in defending against Moro raiders and slavers from Mindanao. His use of scorched earth tactics to repel invaders gave rise to the name Kang Sri Lumayng Sugbo (literally "that of Sri Lumay's great fire") to the town, which was later shortened to Sugbo ("conflagration"). Upon his death in a battle against the raiders, Sri Lumay was succeeded by his youngest son, Sri Bantug, who ruled from the region of Singhapala (literally "lion city"), now Mabolo in modern Cebu City. Sri Bantug died of a disease during an epidemic and was succeeded by his son Rajah Humabon (also known as Sri Humabon or Rajah Humabara). During Humabon's reign, the region had become an important trading center. The harbors of Sugbo became known colloquially as sinibuayng hingpit ("the place for trading"), shortened to sibu or sibo ("to trade"), from which the modern name "Cebu" originates. According to the epic Aginid, this was the period in which Lapu-Lapu (as Lapulapu Dimantag) was first recorded as arriving from Borneo. He asked Humabon for a place to settle, and the king offered him the region of Mandawili (now Mandaue), including the island known as Opong (or Opon), hoping that Lapu-Lapu's people would cultivate the land. They were successful in this, and the influx of farm produce from Mandawili enriched the trade port of Sugbo further. The relationship between Lapu-Lapu and Humabon later deteriorated when Lapu-Lapu turned to piracy. He began raiding merchant ships passing the island of Opong, affecting trade in Sugbo. The island thus earned the name Mangatang ("those who lie in wait"), later evolving to "Mactan".
Q: How did he get his name?
A: unknown
Q: What was his real name?
A: One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu.
Q: What else do we know about him?
A: Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid,
Q: What did the chronicles say about him
A: The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty
Q: How was he involved with the founding
A: unknown | C_29090bb342ea41eaa3bf8c3b7dd080db_1_q#5 | What time period was he in? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2504
]
} | {
"text": "unknown",
"answer_start": 2504
} |
C_5dd3f358eb7744f4ac27ad5eb75dd091_0 | Dan Quayle | Quayle was born in Indianapolis, Indiana, to Martha Corinne (nee Pulliam) and James Cline Quayle. He has sometimes been incorrectly referred to as James Danforth Quayle III. In his memoirs, he points out that his birth name was simply James Danforth Quayle. The name Quayle originates from the Isle of Man, where his great-grandfather was born. | Personal life | Quayle lives with his wife, Marilyn Quayle in Paradise Valley, Arizona. Quayle authored a 1994 memoir, Standing Firm, which became a bestseller. His second book, The American Family: Discovering the Values that Make Us Strong, was published in 1996 and a third book, Worth Fighting For, in 1999. Quayle writes a nationally syndicated newspaper column, serves on a number of corporate boards, chairs several business ventures, and was chairman of Campaign America, a national political action committee. In 1999, Dan Quayle joined Cerberus Capital Management, a multibillion-dollar private-equity firm, where he serves as chairman of the company's Global Investments division. As chairman of the international advisory board of Cerberus Capital Management, he recruited former Canadian prime minister Brian Mulroney, who would have been installed as chairman if Cerberus had successfully acquired Air Canada. In early 2014 he traveled to Belfast, Northern Ireland, in an attempt to speed approval for a deal where Cerberus acquired nearly PS1.3 billion in Northern Ireland loans from the Republic of Ireland's National Asset Management Agency. That deal is being investigated by the Irish government, and Quayle's involvement is being investigated by the US Securities and Exchange Commission, the Federal Bureau of Investigation, and the United States Attorney for the Southern District of New York as potentially a "very serious" misuse of the vice president's office. Quayle is an Honorary Trustee Emeritus of the Hudson Institute and is president of Quayle and Associates. He has also been a member of the Board of Directors of Heckmann Corporation, a water-sector company, since the company's inception and serves as Chairman of the company's Compensation and Nominating & Governance Committees. Quayle is a director of Aozora Bank, Tokyo, Japan. He has also been on the board of directors of other companies, including K2 Sports, Amtran Inc., Central Newspapers Inc., BTC Inc. and Carvana Co. His son Ben Quayle was elected to the United States House of Representatives in 2010, but failed to win re-election in 2012. | C_5dd3f358eb7744f4ac27ad5eb75dd091_0_q#0 | what is known about Don's personal life? | 2m
| 2x
| {
"texts": [
"Quayle lives with his wife, Marilyn Quayle in Paradise Valley, Arizona."
],
"answer_starts": [
0
]
} | {
"text": "Quayle lives with his wife, Marilyn Quayle in Paradise Valley, Arizona.",
"answer_start": 0
} |
C_5dd3f358eb7744f4ac27ad5eb75dd091_0 | Dan Quayle | Quayle was born in Indianapolis, Indiana, to Martha Corinne (nee Pulliam) and James Cline Quayle. He has sometimes been incorrectly referred to as James Danforth Quayle III. In his memoirs, he points out that his birth name was simply James Danforth Quayle. The name Quayle originates from the Isle of Man, where his great-grandfather was born. | Personal life | Quayle lives with his wife, Marilyn Quayle in Paradise Valley, Arizona. Quayle authored a 1994 memoir, Standing Firm, which became a bestseller. His second book, The American Family: Discovering the Values that Make Us Strong, was published in 1996 and a third book, Worth Fighting For, in 1999. Quayle writes a nationally syndicated newspaper column, serves on a number of corporate boards, chairs several business ventures, and was chairman of Campaign America, a national political action committee. In 1999, Dan Quayle joined Cerberus Capital Management, a multibillion-dollar private-equity firm, where he serves as chairman of the company's Global Investments division. As chairman of the international advisory board of Cerberus Capital Management, he recruited former Canadian prime minister Brian Mulroney, who would have been installed as chairman if Cerberus had successfully acquired Air Canada. In early 2014 he traveled to Belfast, Northern Ireland, in an attempt to speed approval for a deal where Cerberus acquired nearly PS1.3 billion in Northern Ireland loans from the Republic of Ireland's National Asset Management Agency. That deal is being investigated by the Irish government, and Quayle's involvement is being investigated by the US Securities and Exchange Commission, the Federal Bureau of Investigation, and the United States Attorney for the Southern District of New York as potentially a "very serious" misuse of the vice president's office. Quayle is an Honorary Trustee Emeritus of the Hudson Institute and is president of Quayle and Associates. He has also been a member of the Board of Directors of Heckmann Corporation, a water-sector company, since the company's inception and serves as Chairman of the company's Compensation and Nominating & Governance Committees. Quayle is a director of Aozora Bank, Tokyo, Japan. He has also been on the board of directors of other companies, including K2 Sports, Amtran Inc., Central Newspapers Inc., BTC Inc. and Carvana Co. His son Ben Quayle was elected to the United States House of Representatives in 2010, but failed to win re-election in 2012.
Q: what is known about Don's personal life?
A: Quayle lives with his wife, Marilyn Quayle in Paradise Valley, Arizona. | C_5dd3f358eb7744f4ac27ad5eb75dd091_0_q#1 | did he have any children? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2126
]
} | {
"text": "unknown",
"answer_start": 2126
} |
C_5dd3f358eb7744f4ac27ad5eb75dd091_0 | Dan Quayle | Quayle was born in Indianapolis, Indiana, to Martha Corinne (nee Pulliam) and James Cline Quayle. He has sometimes been incorrectly referred to as James Danforth Quayle III. In his memoirs, he points out that his birth name was simply James Danforth Quayle. The name Quayle originates from the Isle of Man, where his great-grandfather was born. | Personal life | Quayle lives with his wife, Marilyn Quayle in Paradise Valley, Arizona. Quayle authored a 1994 memoir, Standing Firm, which became a bestseller. His second book, The American Family: Discovering the Values that Make Us Strong, was published in 1996 and a third book, Worth Fighting For, in 1999. Quayle writes a nationally syndicated newspaper column, serves on a number of corporate boards, chairs several business ventures, and was chairman of Campaign America, a national political action committee. In 1999, Dan Quayle joined Cerberus Capital Management, a multibillion-dollar private-equity firm, where he serves as chairman of the company's Global Investments division. As chairman of the international advisory board of Cerberus Capital Management, he recruited former Canadian prime minister Brian Mulroney, who would have been installed as chairman if Cerberus had successfully acquired Air Canada. In early 2014 he traveled to Belfast, Northern Ireland, in an attempt to speed approval for a deal where Cerberus acquired nearly PS1.3 billion in Northern Ireland loans from the Republic of Ireland's National Asset Management Agency. That deal is being investigated by the Irish government, and Quayle's involvement is being investigated by the US Securities and Exchange Commission, the Federal Bureau of Investigation, and the United States Attorney for the Southern District of New York as potentially a "very serious" misuse of the vice president's office. Quayle is an Honorary Trustee Emeritus of the Hudson Institute and is president of Quayle and Associates. He has also been a member of the Board of Directors of Heckmann Corporation, a water-sector company, since the company's inception and serves as Chairman of the company's Compensation and Nominating & Governance Committees. Quayle is a director of Aozora Bank, Tokyo, Japan. He has also been on the board of directors of other companies, including K2 Sports, Amtran Inc., Central Newspapers Inc., BTC Inc. and Carvana Co. His son Ben Quayle was elected to the United States House of Representatives in 2010, but failed to win re-election in 2012.
Q: what is known about Don's personal life?
A: Quayle lives with his wife, Marilyn Quayle in Paradise Valley, Arizona.
Q: did he have any children?
A: unknown | C_5dd3f358eb7744f4ac27ad5eb75dd091_0_q#2 | what else is known about his personal life in this section? | 2m
| 2x
| {
"texts": [
"Quayle authored a 1994 memoir, Standing Firm, which became a bestseller."
],
"answer_starts": [
73
]
} | {
"text": "Quayle authored a 1994 memoir, Standing Firm, which became a bestseller.",
"answer_start": 73
} |
C_5dd3f358eb7744f4ac27ad5eb75dd091_0 | Dan Quayle | Quayle was born in Indianapolis, Indiana, to Martha Corinne (nee Pulliam) and James Cline Quayle. He has sometimes been incorrectly referred to as James Danforth Quayle III. In his memoirs, he points out that his birth name was simply James Danforth Quayle. The name Quayle originates from the Isle of Man, where his great-grandfather was born. | Personal life | Quayle lives with his wife, Marilyn Quayle in Paradise Valley, Arizona. Quayle authored a 1994 memoir, Standing Firm, which became a bestseller. His second book, The American Family: Discovering the Values that Make Us Strong, was published in 1996 and a third book, Worth Fighting For, in 1999. Quayle writes a nationally syndicated newspaper column, serves on a number of corporate boards, chairs several business ventures, and was chairman of Campaign America, a national political action committee. In 1999, Dan Quayle joined Cerberus Capital Management, a multibillion-dollar private-equity firm, where he serves as chairman of the company's Global Investments division. As chairman of the international advisory board of Cerberus Capital Management, he recruited former Canadian prime minister Brian Mulroney, who would have been installed as chairman if Cerberus had successfully acquired Air Canada. In early 2014 he traveled to Belfast, Northern Ireland, in an attempt to speed approval for a deal where Cerberus acquired nearly PS1.3 billion in Northern Ireland loans from the Republic of Ireland's National Asset Management Agency. That deal is being investigated by the Irish government, and Quayle's involvement is being investigated by the US Securities and Exchange Commission, the Federal Bureau of Investigation, and the United States Attorney for the Southern District of New York as potentially a "very serious" misuse of the vice president's office. Quayle is an Honorary Trustee Emeritus of the Hudson Institute and is president of Quayle and Associates. He has also been a member of the Board of Directors of Heckmann Corporation, a water-sector company, since the company's inception and serves as Chairman of the company's Compensation and Nominating & Governance Committees. Quayle is a director of Aozora Bank, Tokyo, Japan. He has also been on the board of directors of other companies, including K2 Sports, Amtran Inc., Central Newspapers Inc., BTC Inc. and Carvana Co. His son Ben Quayle was elected to the United States House of Representatives in 2010, but failed to win re-election in 2012.
Q: what is known about Don's personal life?
A: Quayle lives with his wife, Marilyn Quayle in Paradise Valley, Arizona.
Q: did he have any children?
A: unknown
Q: what else is known about his personal life in this section?
A: Quayle authored a 1994 memoir, Standing Firm, which became a bestseller. | C_5dd3f358eb7744f4ac27ad5eb75dd091_0_q#3 | did he win any awards ? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2126
]
} | {
"text": "unknown",
"answer_start": 2126
} |
C_07b7f8c7aeee43e7bc1b4b3ef1fdb120_0 | Ai Weiwei | Ai Weiwei (Chinese: Ai Wei Wei ; pinyin: Ai Weiwei, English pronunciation ; born 28 August 1957 in Beijing) is a Chinese contemporary artist and activist. His father's (Ai Qing) original surname was written Jiang (Jiang ). Ai collaborated with Swiss architects Herzog & de Meuron as the artistic consultant on the Beijing National Stadium for the 2008 Olympics. | Tax case | In June 2011, the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd. in unpaid taxes and fines, and accorded three days to appeal the demand in writing. According to Ai's wife, Beijing Fa Ke Cultural Development Ltd. has hired two Beijing lawyers as defense attorneys. Ai's family state that Ai is "neither the chief executive nor the legal representative of the design company, which is registered in his wife's name." Offers of donations poured in from Ai's fans across the world when the fine was announced. Eventually an online loan campaign was initiated on 4 November 2011, and close to 9 million RMB was collected within ten days, from 30,000 contributions. Notes were folded into paper planes and thrown over the studio walls, and donations were made in symbolic amounts such as 8964 (4 June 1989, Tiananmen Massacre) or 512 (12 May 2008, Sichuan earthquake). To thank creditors and acknowledge the contributions as loans, Ai designed and issued loan receipts to all who participated in the campaign. Funds raised from the campaign were used as collateral, required by law for an appeal on the tax case. Lawyers acting for Ai submitted an appeal against the fine in January 2012; the Chinese government subsequently agreed to conduct a review. In June 2012, the court heard the tax appeal case. Ai's wife, Lu Qing, the legal representative of the design company, attended the hearing. Lu was accompanied by several lawyers and an accountant, but the witnesses they had requested to testify, including Ai, were prevented from attending a court hearing. Ai asserts that the entire matter - including the 81 days he spent in jail in 2011 - is intended to suppress his provocations. Ai said he had no illusions as to how the case would turn out, as he believes the court will protect the government's own interests. On 20 June, hundreds of Ai's supporters gathered outside the Chaoyang District Court in Beijing despite a small army of police officers, some of whom videotaped the crowd and led several people away. On 20 July, Ai's tax appeal was rejected in court. The same day Ai's studio released "The Fake Case" which tracks the status and history of this case including a timeline and the release of official documents. On 27 September, the court upheld the 2.4 million tax evasion fine. Ai had previously deposited 1.33 million in a government-controlled account in order to appeal. Ai said he will not pay the remainder because he does not recognize the charge. In October 2012, authorities revoked the license of Beijing Fa Ke Cultural Development Ltd. for failing to re-register, an annual requirement by the administration. The company was not able to complete this procedure as its materials and stamps were confiscated by the government. | C_07b7f8c7aeee43e7bc1b4b3ef1fdb120_0_q#0 | What was the tax case? | 0y
| 1n
| {
"texts": [
"the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd."
],
"answer_starts": [
14
]
} | {
"text": "the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd.",
"answer_start": 14
} |
C_07b7f8c7aeee43e7bc1b4b3ef1fdb120_0 | Ai Weiwei | Ai Weiwei (Chinese: Ai Wei Wei ; pinyin: Ai Weiwei, English pronunciation ; born 28 August 1957 in Beijing) is a Chinese contemporary artist and activist. His father's (Ai Qing) original surname was written Jiang (Jiang ). Ai collaborated with Swiss architects Herzog & de Meuron as the artistic consultant on the Beijing National Stadium for the 2008 Olympics. | Tax case | In June 2011, the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd. in unpaid taxes and fines, and accorded three days to appeal the demand in writing. According to Ai's wife, Beijing Fa Ke Cultural Development Ltd. has hired two Beijing lawyers as defense attorneys. Ai's family state that Ai is "neither the chief executive nor the legal representative of the design company, which is registered in his wife's name." Offers of donations poured in from Ai's fans across the world when the fine was announced. Eventually an online loan campaign was initiated on 4 November 2011, and close to 9 million RMB was collected within ten days, from 30,000 contributions. Notes were folded into paper planes and thrown over the studio walls, and donations were made in symbolic amounts such as 8964 (4 June 1989, Tiananmen Massacre) or 512 (12 May 2008, Sichuan earthquake). To thank creditors and acknowledge the contributions as loans, Ai designed and issued loan receipts to all who participated in the campaign. Funds raised from the campaign were used as collateral, required by law for an appeal on the tax case. Lawyers acting for Ai submitted an appeal against the fine in January 2012; the Chinese government subsequently agreed to conduct a review. In June 2012, the court heard the tax appeal case. Ai's wife, Lu Qing, the legal representative of the design company, attended the hearing. Lu was accompanied by several lawyers and an accountant, but the witnesses they had requested to testify, including Ai, were prevented from attending a court hearing. Ai asserts that the entire matter - including the 81 days he spent in jail in 2011 - is intended to suppress his provocations. Ai said he had no illusions as to how the case would turn out, as he believes the court will protect the government's own interests. On 20 June, hundreds of Ai's supporters gathered outside the Chaoyang District Court in Beijing despite a small army of police officers, some of whom videotaped the crowd and led several people away. On 20 July, Ai's tax appeal was rejected in court. The same day Ai's studio released "The Fake Case" which tracks the status and history of this case including a timeline and the release of official documents. On 27 September, the court upheld the 2.4 million tax evasion fine. Ai had previously deposited 1.33 million in a government-controlled account in order to appeal. Ai said he will not pay the remainder because he does not recognize the charge. In October 2012, authorities revoked the license of Beijing Fa Ke Cultural Development Ltd. for failing to re-register, an annual requirement by the administration. The company was not able to complete this procedure as its materials and stamps were confiscated by the government.
Q: What was the tax case?
A: the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd. | C_07b7f8c7aeee43e7bc1b4b3ef1fdb120_0_q#1 | When did this happen? | 0y
| 1n
| {
"texts": [
"In June 2011,"
],
"answer_starts": [
0
]
} | {
"text": "In June 2011,",
"answer_start": 0
} |
C_07b7f8c7aeee43e7bc1b4b3ef1fdb120_0 | Ai Weiwei | Ai Weiwei (Chinese: Ai Wei Wei ; pinyin: Ai Weiwei, English pronunciation ; born 28 August 1957 in Beijing) is a Chinese contemporary artist and activist. His father's (Ai Qing) original surname was written Jiang (Jiang ). Ai collaborated with Swiss architects Herzog & de Meuron as the artistic consultant on the Beijing National Stadium for the 2008 Olympics. | Tax case | In June 2011, the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd. in unpaid taxes and fines, and accorded three days to appeal the demand in writing. According to Ai's wife, Beijing Fa Ke Cultural Development Ltd. has hired two Beijing lawyers as defense attorneys. Ai's family state that Ai is "neither the chief executive nor the legal representative of the design company, which is registered in his wife's name." Offers of donations poured in from Ai's fans across the world when the fine was announced. Eventually an online loan campaign was initiated on 4 November 2011, and close to 9 million RMB was collected within ten days, from 30,000 contributions. Notes were folded into paper planes and thrown over the studio walls, and donations were made in symbolic amounts such as 8964 (4 June 1989, Tiananmen Massacre) or 512 (12 May 2008, Sichuan earthquake). To thank creditors and acknowledge the contributions as loans, Ai designed and issued loan receipts to all who participated in the campaign. Funds raised from the campaign were used as collateral, required by law for an appeal on the tax case. Lawyers acting for Ai submitted an appeal against the fine in January 2012; the Chinese government subsequently agreed to conduct a review. In June 2012, the court heard the tax appeal case. Ai's wife, Lu Qing, the legal representative of the design company, attended the hearing. Lu was accompanied by several lawyers and an accountant, but the witnesses they had requested to testify, including Ai, were prevented from attending a court hearing. Ai asserts that the entire matter - including the 81 days he spent in jail in 2011 - is intended to suppress his provocations. Ai said he had no illusions as to how the case would turn out, as he believes the court will protect the government's own interests. On 20 June, hundreds of Ai's supporters gathered outside the Chaoyang District Court in Beijing despite a small army of police officers, some of whom videotaped the crowd and led several people away. On 20 July, Ai's tax appeal was rejected in court. The same day Ai's studio released "The Fake Case" which tracks the status and history of this case including a timeline and the release of official documents. On 27 September, the court upheld the 2.4 million tax evasion fine. Ai had previously deposited 1.33 million in a government-controlled account in order to appeal. Ai said he will not pay the remainder because he does not recognize the charge. In October 2012, authorities revoked the license of Beijing Fa Ke Cultural Development Ltd. for failing to re-register, an annual requirement by the administration. The company was not able to complete this procedure as its materials and stamps were confiscated by the government.
Q: What was the tax case?
A: the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd.
Q: When did this happen?
A: In June 2011, | C_07b7f8c7aeee43e7bc1b4b3ef1fdb120_0_q#2 | What happened in the tax case? | 0y
| 1n
| {
"texts": [
"the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd."
],
"answer_starts": [
14
]
} | {
"text": "the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd.",
"answer_start": 14
} |
C_07b7f8c7aeee43e7bc1b4b3ef1fdb120_0 | Ai Weiwei | Ai Weiwei (Chinese: Ai Wei Wei ; pinyin: Ai Weiwei, English pronunciation ; born 28 August 1957 in Beijing) is a Chinese contemporary artist and activist. His father's (Ai Qing) original surname was written Jiang (Jiang ). Ai collaborated with Swiss architects Herzog & de Meuron as the artistic consultant on the Beijing National Stadium for the 2008 Olympics. | Tax case | In June 2011, the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd. in unpaid taxes and fines, and accorded three days to appeal the demand in writing. According to Ai's wife, Beijing Fa Ke Cultural Development Ltd. has hired two Beijing lawyers as defense attorneys. Ai's family state that Ai is "neither the chief executive nor the legal representative of the design company, which is registered in his wife's name." Offers of donations poured in from Ai's fans across the world when the fine was announced. Eventually an online loan campaign was initiated on 4 November 2011, and close to 9 million RMB was collected within ten days, from 30,000 contributions. Notes were folded into paper planes and thrown over the studio walls, and donations were made in symbolic amounts such as 8964 (4 June 1989, Tiananmen Massacre) or 512 (12 May 2008, Sichuan earthquake). To thank creditors and acknowledge the contributions as loans, Ai designed and issued loan receipts to all who participated in the campaign. Funds raised from the campaign were used as collateral, required by law for an appeal on the tax case. Lawyers acting for Ai submitted an appeal against the fine in January 2012; the Chinese government subsequently agreed to conduct a review. In June 2012, the court heard the tax appeal case. Ai's wife, Lu Qing, the legal representative of the design company, attended the hearing. Lu was accompanied by several lawyers and an accountant, but the witnesses they had requested to testify, including Ai, were prevented from attending a court hearing. Ai asserts that the entire matter - including the 81 days he spent in jail in 2011 - is intended to suppress his provocations. Ai said he had no illusions as to how the case would turn out, as he believes the court will protect the government's own interests. On 20 June, hundreds of Ai's supporters gathered outside the Chaoyang District Court in Beijing despite a small army of police officers, some of whom videotaped the crowd and led several people away. On 20 July, Ai's tax appeal was rejected in court. The same day Ai's studio released "The Fake Case" which tracks the status and history of this case including a timeline and the release of official documents. On 27 September, the court upheld the 2.4 million tax evasion fine. Ai had previously deposited 1.33 million in a government-controlled account in order to appeal. Ai said he will not pay the remainder because he does not recognize the charge. In October 2012, authorities revoked the license of Beijing Fa Ke Cultural Development Ltd. for failing to re-register, an annual requirement by the administration. The company was not able to complete this procedure as its materials and stamps were confiscated by the government.
Q: What was the tax case?
A: the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd.
Q: When did this happen?
A: In June 2011,
Q: What happened in the tax case?
A: the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd. | C_07b7f8c7aeee43e7bc1b4b3ef1fdb120_0_q#3 | Did Weiwei pay the penalty for the tax? | 0y
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2841
]
} | {
"text": "unknown",
"answer_start": 2841
} |
C_c1f5802ee0c6469f8ce371c39ac805b0_0 | Bob Cousy | Robert Joseph Cousy (born August 9, 1928) is an American retired professional basketball player. Cousy played point guard with the Boston Celtics from 1950 to 1963 and briefly with the Cincinnati Royals in the 1969-70 season. Making his high school varsity squad as a junior, he went on to earn a scholarship to the College of the Holy Cross, where he led the Crusaders to berths in the 1948 NCAA Tournament and 1950 NCAA Tournament and was named an NCAA All-American for 3 seasons. Cousy was initially drafted by the Tri-Cities Blackhawks as the third overall pick in the first round of the 1950 NBA draft, but after he refused to report, he was picked up by Boston. | Post-playing careerEdit | After retiring as a player, Cousy published his autobiography Basketball Is My Life in 1963, and in the same year became coach at Boston College. In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, when the Friars were led by Tourney MVP and All-American Jimmy Walker. Providence was coached by Joe Mullaney, who was Cousy's teammate at Holy Cross when the two men were players there in 1947. In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. Cousy led the Eagles to three NIT appearances, including a berth in the 1969 NIT Championship and two National Collegiate Athletic Association tournaments, including the 1967 Eastern Regional Finals. Cousy grew bored with college basketball and returned to the NBA as coach of the Cincinnati Royals, team of fellow Hall-of-Fame point guard Oscar Robertson. He later said about this engagement, "I did it for the money. I was made an offer I couldn't refuse." In 1970, the 41-year-old Cousy even made a late-season comeback as a player to boost ticket sales. Despite his meager output of 5 points in 34 minutes of playing time in seven games, ticket sales jumped by 77 percent. He continued as coach of the team after it moved from Cincinnati to Kansas City/Omaha, but stepped down as the Kings' coach early in the 1973-74 NBA season with a 141-209 record. In later life, Cousy was Commissioner of the American Soccer League from 1974 to 1979. He has been a color analyst on Celtics telecasts since the 1980s." In addition, Cousy had a role in the basketball film Blue Chips in 1993, in which he played a college athletic director. Today he is a marketing consultant for the Celtics, and occasionally makes broadcast appearances with Mike Gorman and ex-Celtic teammate Tom Heinsohn. | C_c1f5802ee0c6469f8ce371c39ac805b0_0_q#0 | What was bob's post playing career? | 0y
| 2x
| {
"texts": [
"Cousy published his autobiography Basketball Is My Life in 1963,"
],
"answer_starts": [
28
]
} | {
"text": "Cousy published his autobiography Basketball Is My Life in 1963,",
"answer_start": 28
} |
C_c1f5802ee0c6469f8ce371c39ac805b0_0 | Bob Cousy | Robert Joseph Cousy (born August 9, 1928) is an American retired professional basketball player. Cousy played point guard with the Boston Celtics from 1950 to 1963 and briefly with the Cincinnati Royals in the 1969-70 season. Making his high school varsity squad as a junior, he went on to earn a scholarship to the College of the Holy Cross, where he led the Crusaders to berths in the 1948 NCAA Tournament and 1950 NCAA Tournament and was named an NCAA All-American for 3 seasons. Cousy was initially drafted by the Tri-Cities Blackhawks as the third overall pick in the first round of the 1950 NBA draft, but after he refused to report, he was picked up by Boston. | Post-playing careerEdit | After retiring as a player, Cousy published his autobiography Basketball Is My Life in 1963, and in the same year became coach at Boston College. In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, when the Friars were led by Tourney MVP and All-American Jimmy Walker. Providence was coached by Joe Mullaney, who was Cousy's teammate at Holy Cross when the two men were players there in 1947. In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. Cousy led the Eagles to three NIT appearances, including a berth in the 1969 NIT Championship and two National Collegiate Athletic Association tournaments, including the 1967 Eastern Regional Finals. Cousy grew bored with college basketball and returned to the NBA as coach of the Cincinnati Royals, team of fellow Hall-of-Fame point guard Oscar Robertson. He later said about this engagement, "I did it for the money. I was made an offer I couldn't refuse." In 1970, the 41-year-old Cousy even made a late-season comeback as a player to boost ticket sales. Despite his meager output of 5 points in 34 minutes of playing time in seven games, ticket sales jumped by 77 percent. He continued as coach of the team after it moved from Cincinnati to Kansas City/Omaha, but stepped down as the Kings' coach early in the 1973-74 NBA season with a 141-209 record. In later life, Cousy was Commissioner of the American Soccer League from 1974 to 1979. He has been a color analyst on Celtics telecasts since the 1980s." In addition, Cousy had a role in the basketball film Blue Chips in 1993, in which he played a college athletic director. Today he is a marketing consultant for the Celtics, and occasionally makes broadcast appearances with Mike Gorman and ex-Celtic teammate Tom Heinsohn.
Q: What was bob's post playing career?
A: Cousy published his autobiography Basketball Is My Life in 1963, | C_c1f5802ee0c6469f8ce371c39ac805b0_0_q#1 | was the autobiography a success? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
1887
]
} | {
"text": "unknown",
"answer_start": 1887
} |
C_c1f5802ee0c6469f8ce371c39ac805b0_0 | Bob Cousy | Robert Joseph Cousy (born August 9, 1928) is an American retired professional basketball player. Cousy played point guard with the Boston Celtics from 1950 to 1963 and briefly with the Cincinnati Royals in the 1969-70 season. Making his high school varsity squad as a junior, he went on to earn a scholarship to the College of the Holy Cross, where he led the Crusaders to berths in the 1948 NCAA Tournament and 1950 NCAA Tournament and was named an NCAA All-American for 3 seasons. Cousy was initially drafted by the Tri-Cities Blackhawks as the third overall pick in the first round of the 1950 NBA draft, but after he refused to report, he was picked up by Boston. | Post-playing careerEdit | After retiring as a player, Cousy published his autobiography Basketball Is My Life in 1963, and in the same year became coach at Boston College. In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, when the Friars were led by Tourney MVP and All-American Jimmy Walker. Providence was coached by Joe Mullaney, who was Cousy's teammate at Holy Cross when the two men were players there in 1947. In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. Cousy led the Eagles to three NIT appearances, including a berth in the 1969 NIT Championship and two National Collegiate Athletic Association tournaments, including the 1967 Eastern Regional Finals. Cousy grew bored with college basketball and returned to the NBA as coach of the Cincinnati Royals, team of fellow Hall-of-Fame point guard Oscar Robertson. He later said about this engagement, "I did it for the money. I was made an offer I couldn't refuse." In 1970, the 41-year-old Cousy even made a late-season comeback as a player to boost ticket sales. Despite his meager output of 5 points in 34 minutes of playing time in seven games, ticket sales jumped by 77 percent. He continued as coach of the team after it moved from Cincinnati to Kansas City/Omaha, but stepped down as the Kings' coach early in the 1973-74 NBA season with a 141-209 record. In later life, Cousy was Commissioner of the American Soccer League from 1974 to 1979. He has been a color analyst on Celtics telecasts since the 1980s." In addition, Cousy had a role in the basketball film Blue Chips in 1993, in which he played a college athletic director. Today he is a marketing consultant for the Celtics, and occasionally makes broadcast appearances with Mike Gorman and ex-Celtic teammate Tom Heinsohn.
Q: What was bob's post playing career?
A: Cousy published his autobiography Basketball Is My Life in 1963,
Q: was the autobiography a success?
A: unknown | C_c1f5802ee0c6469f8ce371c39ac805b0_0_q#2 | Are there any other interesting aspects about this article? | 0y
| 0y
| {
"texts": [
"in the same year became coach at Boston College."
],
"answer_starts": [
97
]
} | {
"text": "in the same year became coach at Boston College.",
"answer_start": 97
} |
C_c1f5802ee0c6469f8ce371c39ac805b0_0 | Bob Cousy | Robert Joseph Cousy (born August 9, 1928) is an American retired professional basketball player. Cousy played point guard with the Boston Celtics from 1950 to 1963 and briefly with the Cincinnati Royals in the 1969-70 season. Making his high school varsity squad as a junior, he went on to earn a scholarship to the College of the Holy Cross, where he led the Crusaders to berths in the 1948 NCAA Tournament and 1950 NCAA Tournament and was named an NCAA All-American for 3 seasons. Cousy was initially drafted by the Tri-Cities Blackhawks as the third overall pick in the first round of the 1950 NBA draft, but after he refused to report, he was picked up by Boston. | Post-playing careerEdit | After retiring as a player, Cousy published his autobiography Basketball Is My Life in 1963, and in the same year became coach at Boston College. In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, when the Friars were led by Tourney MVP and All-American Jimmy Walker. Providence was coached by Joe Mullaney, who was Cousy's teammate at Holy Cross when the two men were players there in 1947. In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. Cousy led the Eagles to three NIT appearances, including a berth in the 1969 NIT Championship and two National Collegiate Athletic Association tournaments, including the 1967 Eastern Regional Finals. Cousy grew bored with college basketball and returned to the NBA as coach of the Cincinnati Royals, team of fellow Hall-of-Fame point guard Oscar Robertson. He later said about this engagement, "I did it for the money. I was made an offer I couldn't refuse." In 1970, the 41-year-old Cousy even made a late-season comeback as a player to boost ticket sales. Despite his meager output of 5 points in 34 minutes of playing time in seven games, ticket sales jumped by 77 percent. He continued as coach of the team after it moved from Cincinnati to Kansas City/Omaha, but stepped down as the Kings' coach early in the 1973-74 NBA season with a 141-209 record. In later life, Cousy was Commissioner of the American Soccer League from 1974 to 1979. He has been a color analyst on Celtics telecasts since the 1980s." In addition, Cousy had a role in the basketball film Blue Chips in 1993, in which he played a college athletic director. Today he is a marketing consultant for the Celtics, and occasionally makes broadcast appearances with Mike Gorman and ex-Celtic teammate Tom Heinsohn.
Q: What was bob's post playing career?
A: Cousy published his autobiography Basketball Is My Life in 1963,
Q: was the autobiography a success?
A: unknown
Q: Are there any other interesting aspects about this article?
A: in the same year became coach at Boston College. | C_c1f5802ee0c6469f8ce371c39ac805b0_0_q#3 | in what year? | 0y
| 2x
| {
"texts": [
"1963,"
],
"answer_starts": [
87
]
} | {
"text": "1963,",
"answer_start": 87
} |
C_c1f5802ee0c6469f8ce371c39ac805b0_0 | Bob Cousy | Robert Joseph Cousy (born August 9, 1928) is an American retired professional basketball player. Cousy played point guard with the Boston Celtics from 1950 to 1963 and briefly with the Cincinnati Royals in the 1969-70 season. Making his high school varsity squad as a junior, he went on to earn a scholarship to the College of the Holy Cross, where he led the Crusaders to berths in the 1948 NCAA Tournament and 1950 NCAA Tournament and was named an NCAA All-American for 3 seasons. Cousy was initially drafted by the Tri-Cities Blackhawks as the third overall pick in the first round of the 1950 NBA draft, but after he refused to report, he was picked up by Boston. | Post-playing careerEdit | After retiring as a player, Cousy published his autobiography Basketball Is My Life in 1963, and in the same year became coach at Boston College. In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, when the Friars were led by Tourney MVP and All-American Jimmy Walker. Providence was coached by Joe Mullaney, who was Cousy's teammate at Holy Cross when the two men were players there in 1947. In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. Cousy led the Eagles to three NIT appearances, including a berth in the 1969 NIT Championship and two National Collegiate Athletic Association tournaments, including the 1967 Eastern Regional Finals. Cousy grew bored with college basketball and returned to the NBA as coach of the Cincinnati Royals, team of fellow Hall-of-Fame point guard Oscar Robertson. He later said about this engagement, "I did it for the money. I was made an offer I couldn't refuse." In 1970, the 41-year-old Cousy even made a late-season comeback as a player to boost ticket sales. Despite his meager output of 5 points in 34 minutes of playing time in seven games, ticket sales jumped by 77 percent. He continued as coach of the team after it moved from Cincinnati to Kansas City/Omaha, but stepped down as the Kings' coach early in the 1973-74 NBA season with a 141-209 record. In later life, Cousy was Commissioner of the American Soccer League from 1974 to 1979. He has been a color analyst on Celtics telecasts since the 1980s." In addition, Cousy had a role in the basketball film Blue Chips in 1993, in which he played a college athletic director. Today he is a marketing consultant for the Celtics, and occasionally makes broadcast appearances with Mike Gorman and ex-Celtic teammate Tom Heinsohn.
Q: What was bob's post playing career?
A: Cousy published his autobiography Basketball Is My Life in 1963,
Q: was the autobiography a success?
A: unknown
Q: Are there any other interesting aspects about this article?
A: in the same year became coach at Boston College.
Q: in what year?
A: 1963, | C_c1f5802ee0c6469f8ce371c39ac805b0_0_q#4 | what else happened in this year? | 0y
| 2x
| {
"texts": [
"In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game,"
],
"answer_starts": [
146
]
} | {
"text": "In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game,",
"answer_start": 146
} |
C_c1f5802ee0c6469f8ce371c39ac805b0_0 | Bob Cousy | Robert Joseph Cousy (born August 9, 1928) is an American retired professional basketball player. Cousy played point guard with the Boston Celtics from 1950 to 1963 and briefly with the Cincinnati Royals in the 1969-70 season. Making his high school varsity squad as a junior, he went on to earn a scholarship to the College of the Holy Cross, where he led the Crusaders to berths in the 1948 NCAA Tournament and 1950 NCAA Tournament and was named an NCAA All-American for 3 seasons. Cousy was initially drafted by the Tri-Cities Blackhawks as the third overall pick in the first round of the 1950 NBA draft, but after he refused to report, he was picked up by Boston. | Post-playing careerEdit | After retiring as a player, Cousy published his autobiography Basketball Is My Life in 1963, and in the same year became coach at Boston College. In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, when the Friars were led by Tourney MVP and All-American Jimmy Walker. Providence was coached by Joe Mullaney, who was Cousy's teammate at Holy Cross when the two men were players there in 1947. In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. Cousy led the Eagles to three NIT appearances, including a berth in the 1969 NIT Championship and two National Collegiate Athletic Association tournaments, including the 1967 Eastern Regional Finals. Cousy grew bored with college basketball and returned to the NBA as coach of the Cincinnati Royals, team of fellow Hall-of-Fame point guard Oscar Robertson. He later said about this engagement, "I did it for the money. I was made an offer I couldn't refuse." In 1970, the 41-year-old Cousy even made a late-season comeback as a player to boost ticket sales. Despite his meager output of 5 points in 34 minutes of playing time in seven games, ticket sales jumped by 77 percent. He continued as coach of the team after it moved from Cincinnati to Kansas City/Omaha, but stepped down as the Kings' coach early in the 1973-74 NBA season with a 141-209 record. In later life, Cousy was Commissioner of the American Soccer League from 1974 to 1979. He has been a color analyst on Celtics telecasts since the 1980s." In addition, Cousy had a role in the basketball film Blue Chips in 1993, in which he played a college athletic director. Today he is a marketing consultant for the Celtics, and occasionally makes broadcast appearances with Mike Gorman and ex-Celtic teammate Tom Heinsohn.
Q: What was bob's post playing career?
A: Cousy published his autobiography Basketball Is My Life in 1963,
Q: was the autobiography a success?
A: unknown
Q: Are there any other interesting aspects about this article?
A: in the same year became coach at Boston College.
Q: in what year?
A: 1963,
Q: what else happened in this year?
A: In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, | C_c1f5802ee0c6469f8ce371c39ac805b0_0_q#5 | was this their best game, or did they win others? | 0y
| 0y
| {
"texts": [
"In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969."
],
"answer_starts": [
472
]
} | {
"text": "In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969.",
"answer_start": 472
} |
C_c1f5802ee0c6469f8ce371c39ac805b0_0 | Bob Cousy | Robert Joseph Cousy (born August 9, 1928) is an American retired professional basketball player. Cousy played point guard with the Boston Celtics from 1950 to 1963 and briefly with the Cincinnati Royals in the 1969-70 season. Making his high school varsity squad as a junior, he went on to earn a scholarship to the College of the Holy Cross, where he led the Crusaders to berths in the 1948 NCAA Tournament and 1950 NCAA Tournament and was named an NCAA All-American for 3 seasons. Cousy was initially drafted by the Tri-Cities Blackhawks as the third overall pick in the first round of the 1950 NBA draft, but after he refused to report, he was picked up by Boston. | Post-playing careerEdit | After retiring as a player, Cousy published his autobiography Basketball Is My Life in 1963, and in the same year became coach at Boston College. In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, when the Friars were led by Tourney MVP and All-American Jimmy Walker. Providence was coached by Joe Mullaney, who was Cousy's teammate at Holy Cross when the two men were players there in 1947. In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. Cousy led the Eagles to three NIT appearances, including a berth in the 1969 NIT Championship and two National Collegiate Athletic Association tournaments, including the 1967 Eastern Regional Finals. Cousy grew bored with college basketball and returned to the NBA as coach of the Cincinnati Royals, team of fellow Hall-of-Fame point guard Oscar Robertson. He later said about this engagement, "I did it for the money. I was made an offer I couldn't refuse." In 1970, the 41-year-old Cousy even made a late-season comeback as a player to boost ticket sales. Despite his meager output of 5 points in 34 minutes of playing time in seven games, ticket sales jumped by 77 percent. He continued as coach of the team after it moved from Cincinnati to Kansas City/Omaha, but stepped down as the Kings' coach early in the 1973-74 NBA season with a 141-209 record. In later life, Cousy was Commissioner of the American Soccer League from 1974 to 1979. He has been a color analyst on Celtics telecasts since the 1980s." In addition, Cousy had a role in the basketball film Blue Chips in 1993, in which he played a college athletic director. Today he is a marketing consultant for the Celtics, and occasionally makes broadcast appearances with Mike Gorman and ex-Celtic teammate Tom Heinsohn.
Q: What was bob's post playing career?
A: Cousy published his autobiography Basketball Is My Life in 1963,
Q: was the autobiography a success?
A: unknown
Q: Are there any other interesting aspects about this article?
A: in the same year became coach at Boston College.
Q: in what year?
A: 1963,
Q: what else happened in this year?
A: In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game,
Q: was this their best game, or did they win others?
A: In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. | C_c1f5802ee0c6469f8ce371c39ac805b0_0_q#6 | six seasons where? | 0y
| 2x
| {
"texts": [
"at Boston College."
],
"answer_starts": [
127
]
} | {
"text": "at Boston College.",
"answer_start": 127
} |
C_c1f5802ee0c6469f8ce371c39ac805b0_0 | Bob Cousy | Robert Joseph Cousy (born August 9, 1928) is an American retired professional basketball player. Cousy played point guard with the Boston Celtics from 1950 to 1963 and briefly with the Cincinnati Royals in the 1969-70 season. Making his high school varsity squad as a junior, he went on to earn a scholarship to the College of the Holy Cross, where he led the Crusaders to berths in the 1948 NCAA Tournament and 1950 NCAA Tournament and was named an NCAA All-American for 3 seasons. Cousy was initially drafted by the Tri-Cities Blackhawks as the third overall pick in the first round of the 1950 NBA draft, but after he refused to report, he was picked up by Boston. | Post-playing careerEdit | After retiring as a player, Cousy published his autobiography Basketball Is My Life in 1963, and in the same year became coach at Boston College. In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, when the Friars were led by Tourney MVP and All-American Jimmy Walker. Providence was coached by Joe Mullaney, who was Cousy's teammate at Holy Cross when the two men were players there in 1947. In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. Cousy led the Eagles to three NIT appearances, including a berth in the 1969 NIT Championship and two National Collegiate Athletic Association tournaments, including the 1967 Eastern Regional Finals. Cousy grew bored with college basketball and returned to the NBA as coach of the Cincinnati Royals, team of fellow Hall-of-Fame point guard Oscar Robertson. He later said about this engagement, "I did it for the money. I was made an offer I couldn't refuse." In 1970, the 41-year-old Cousy even made a late-season comeback as a player to boost ticket sales. Despite his meager output of 5 points in 34 minutes of playing time in seven games, ticket sales jumped by 77 percent. He continued as coach of the team after it moved from Cincinnati to Kansas City/Omaha, but stepped down as the Kings' coach early in the 1973-74 NBA season with a 141-209 record. In later life, Cousy was Commissioner of the American Soccer League from 1974 to 1979. He has been a color analyst on Celtics telecasts since the 1980s." In addition, Cousy had a role in the basketball film Blue Chips in 1993, in which he played a college athletic director. Today he is a marketing consultant for the Celtics, and occasionally makes broadcast appearances with Mike Gorman and ex-Celtic teammate Tom Heinsohn.
Q: What was bob's post playing career?
A: Cousy published his autobiography Basketball Is My Life in 1963,
Q: was the autobiography a success?
A: unknown
Q: Are there any other interesting aspects about this article?
A: in the same year became coach at Boston College.
Q: in what year?
A: 1963,
Q: what else happened in this year?
A: In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game,
Q: was this their best game, or did they win others?
A: In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969.
Q: six seasons where?
A: at Boston College. | C_c1f5802ee0c6469f8ce371c39ac805b0_0_q#7 | did he win any awards? | 0y
| 2x
| {
"texts": [
"New England Coach of the Year"
],
"answer_starts": [
554
]
} | {
"text": "New England Coach of the Year",
"answer_start": 554
} |
C_d5166c81a2c242d78ff32569729fb04d_1 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Professional career | In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow. | C_d5166c81a2c242d78ff32569729fb04d_1_q#0 | What profession does he have? | 2m
| 2x
| {
"texts": [
"sang"
],
"answer_starts": [
1949
]
} | {
"text": "sang",
"answer_start": 1949
} |
C_d5166c81a2c242d78ff32569729fb04d_1 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Professional career | In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.
Q: What profession does he have?
A: sang | C_d5166c81a2c242d78ff32569729fb04d_1_q#1 | When did he start singing? | 2m
| 2x
| {
"texts": [
"1929,"
],
"answer_starts": [
3
]
} | {
"text": "1929,",
"answer_start": 3
} |
C_d5166c81a2c242d78ff32569729fb04d_1 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Professional career | In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.
Q: What profession does he have?
A: sang
Q: When did he start singing?
A: 1929, | C_d5166c81a2c242d78ff32569729fb04d_1_q#2 | Where did he first perform? | 0y
| 2x
| {
"texts": [
"local dances and house parties."
],
"answer_starts": [
244
]
} | {
"text": "local dances and house parties.",
"answer_start": 244
} |
C_d5166c81a2c242d78ff32569729fb04d_1 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Professional career | In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.
Q: What profession does he have?
A: sang
Q: When did he start singing?
A: 1929,
Q: Where did he first perform?
A: local dances and house parties. | C_d5166c81a2c242d78ff32569729fb04d_1_q#3 | How did he progress from there? | 2m
| 0y
| {
"texts": [
"Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations"
],
"answer_starts": [
331
]
} | {
"text": "Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations",
"answer_start": 331
} |
C_d5166c81a2c242d78ff32569729fb04d_1 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Professional career | In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.
Q: What profession does he have?
A: sang
Q: When did he start singing?
A: 1929,
Q: Where did he first perform?
A: local dances and house parties.
Q: How did he progress from there?
A: Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations | C_d5166c81a2c242d78ff32569729fb04d_1_q#4 | When did he eventually get signed? | 2m
| 0y
| {
"texts": [
"Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936."
],
"answer_starts": [
539
]
} | {
"text": "Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936.",
"answer_start": 539
} |
C_d5166c81a2c242d78ff32569729fb04d_1 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Professional career | In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.
Q: What profession does he have?
A: sang
Q: When did he start singing?
A: 1929,
Q: Where did he first perform?
A: local dances and house parties.
Q: How did he progress from there?
A: Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations
Q: When did he eventually get signed?
A: Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. | C_d5166c81a2c242d78ff32569729fb04d_1_q#5 | When was his first album poduced? | 2m
| 2x
| {
"texts": [
"60 tracks for Victor's Bluebird label between 1936 and 1938."
],
"answer_starts": [
787
]
} | {
"text": "60 tracks for Victor's Bluebird label between 1936 and 1938.",
"answer_start": 787
} |
C_d5166c81a2c242d78ff32569729fb04d_1 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Professional career | In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.
Q: What profession does he have?
A: sang
Q: When did he start singing?
A: 1929,
Q: Where did he first perform?
A: local dances and house parties.
Q: How did he progress from there?
A: Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations
Q: When did he eventually get signed?
A: Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936.
Q: When was his first album poduced?
A: 60 tracks for Victor's Bluebird label between 1936 and 1938. | C_d5166c81a2c242d78ff32569729fb04d_1_q#6 | Is he still performing? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
2533
]
} | {
"text": "unknown",
"answer_start": 2533
} |
C_d5166c81a2c242d78ff32569729fb04d_0 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Folk revival | Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California. | C_d5166c81a2c242d78ff32569729fb04d_0_q#0 | What happened during the folk revival? | 0y
| 2x
| {
"texts": [
"Monroe's fortunes began to improve during the \"folk revival\""
],
"answer_starts": [
0
]
} | {
"text": "Monroe's fortunes began to improve during the \"folk revival\"",
"answer_start": 0
} |
C_d5166c81a2c242d78ff32569729fb04d_0 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Folk revival | Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.
Q: What happened during the folk revival?
A: Monroe's fortunes began to improve during the "folk revival" | C_d5166c81a2c242d78ff32569729fb04d_0_q#1 | What was folk revival? | 0y
| 2x
| {
"texts": [
"The word \"bluegrass\" first appeared around this time to describe the sound of Monroe and similar artists"
],
"answer_starts": [
303
]
} | {
"text": "The word \"bluegrass\" first appeared around this time to describe the sound of Monroe and similar artists",
"answer_start": 303
} |
C_d5166c81a2c242d78ff32569729fb04d_0 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Folk revival | Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.
Q: What happened during the folk revival?
A: Monroe's fortunes began to improve during the "folk revival"
Q: What was folk revival?
A: The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists | C_d5166c81a2c242d78ff32569729fb04d_0_q#2 | Did they gain a bigger fanbase ? | 0y
| 2x
| {
"texts": [
"Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit."
],
"answer_starts": [
814
]
} | {
"text": "Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit.",
"answer_start": 814
} |
C_d5166c81a2c242d78ff32569729fb04d_0 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Folk revival | Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.
Q: What happened during the folk revival?
A: Monroe's fortunes began to improve during the "folk revival"
Q: What was folk revival?
A: The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists
Q: Did they gain a bigger fanbase ?
A: Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. | C_d5166c81a2c242d78ff32569729fb04d_0_q#3 | Did he receive any awards? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
1747
]
} | {
"text": "unknown",
"answer_start": 1747
} |
C_d5166c81a2c242d78ff32569729fb04d_0 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Folk revival | Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.
Q: What happened during the folk revival?
A: Monroe's fortunes began to improve during the "folk revival"
Q: What was folk revival?
A: The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists
Q: Did they gain a bigger fanbase ?
A: Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit.
Q: Did he receive any awards?
A: unknown | C_d5166c81a2c242d78ff32569729fb04d_0_q#4 | How long did folk revival last? | 1n
| 2x
| {
"texts": [
"the early 1960s."
],
"answer_starts": [
64
]
} | {
"text": "the early 1960s.",
"answer_start": 64
} |
C_d5166c81a2c242d78ff32569729fb04d_0 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Folk revival | Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.
Q: What happened during the folk revival?
A: Monroe's fortunes began to improve during the "folk revival"
Q: What was folk revival?
A: The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists
Q: Did they gain a bigger fanbase ?
A: Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit.
Q: Did he receive any awards?
A: unknown
Q: How long did folk revival last?
A: the early 1960s. | C_d5166c81a2c242d78ff32569729fb04d_0_q#5 | Anything else you found interesting? | 2m
| 2x
| {
"texts": [
"referred to Monroe as the \"father\" of bluegrass."
],
"answer_starts": [
1051
]
} | {
"text": "referred to Monroe as the \"father\" of bluegrass.",
"answer_start": 1051
} |
C_d5166c81a2c242d78ff32569729fb04d_0 | Bill Monroe | Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. | Folk revival | Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.
Q: What happened during the folk revival?
A: Monroe's fortunes began to improve during the "folk revival"
Q: What was folk revival?
A: The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists
Q: Did they gain a bigger fanbase ?
A: Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit.
Q: Did he receive any awards?
A: unknown
Q: How long did folk revival last?
A: the early 1960s.
Q: Anything else you found interesting?
A: referred to Monroe as the "father" of bluegrass. | C_d5166c81a2c242d78ff32569729fb04d_0_q#6 | Why was he called that? | 2m
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C_ae6cfb2024ee40ff84b837292d11f5ac_0 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | Business ventures | West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. John Legend, Common, and West were the label's inaugural artists. The label houses artists including West, Big Sean, Pusha T, Teyana Taylor, Yasiin Bey / Mos Def, D'banj and John Legend, and producers including Hudson Mohawke, Q-Tip, Travis Scott, No I.D., Jeff Bhasker, and S1. GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (RIAA). In November 2015, West appointed Pusha T the new president of GOOD Music. In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago. Ultimately, in 2009, only two locations actually opened. In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered. On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. In his announcement, West proclaimed that the company would "pick up where Steve Jobs left off"; DONDA would operate as "a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" with the "goal to make products and experiences that people want and can afford." West is notoriously secretive about the company's operations, maintaining neither an official website nor a social media presence. In stating DONDA's creative philosophy, West articulated the need to "put creatives in a room together with like minds" in order to "simplify and aesthetically improve everything we see, taste, touch, and feel.". Contemporary critics have noted the consistent minimalistic aesthetic exhibited throughout DONDA creative projects. On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay-Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyonce and Jay-Z, sixteen artist stakeholders (such as Rihanna, Beyonce, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal. On June 6, 2016, West announced the Yeezy Season 2 Zine and the Adidas Yeezy Boost 750 will be released to retailers on June 11. They are high-top shoes with a glow in the dark sole. In an interview with Vogue, he stated that there will be Yeezy stores with the first located in California. | C_ae6cfb2024ee40ff84b837292d11f5ac_0_q#0 | What was a business venture West started? | 0y
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C_ae6cfb2024ee40ff84b837292d11f5ac_0 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | Business ventures | West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. John Legend, Common, and West were the label's inaugural artists. The label houses artists including West, Big Sean, Pusha T, Teyana Taylor, Yasiin Bey / Mos Def, D'banj and John Legend, and producers including Hudson Mohawke, Q-Tip, Travis Scott, No I.D., Jeff Bhasker, and S1. GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (RIAA). In November 2015, West appointed Pusha T the new president of GOOD Music. In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago. Ultimately, in 2009, only two locations actually opened. In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered. On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. In his announcement, West proclaimed that the company would "pick up where Steve Jobs left off"; DONDA would operate as "a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" with the "goal to make products and experiences that people want and can afford." West is notoriously secretive about the company's operations, maintaining neither an official website nor a social media presence. In stating DONDA's creative philosophy, West articulated the need to "put creatives in a room together with like minds" in order to "simplify and aesthetically improve everything we see, taste, touch, and feel.". Contemporary critics have noted the consistent minimalistic aesthetic exhibited throughout DONDA creative projects. On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay-Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyonce and Jay-Z, sixteen artist stakeholders (such as Rihanna, Beyonce, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal. On June 6, 2016, West announced the Yeezy Season 2 Zine and the Adidas Yeezy Boost 750 will be released to retailers on June 11. They are high-top shoes with a glow in the dark sole. In an interview with Vogue, he stated that there will be Yeezy stores with the first located in California.
Q: What was a business venture West started?
A: West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. | C_ae6cfb2024ee40ff84b837292d11f5ac_0_q#1 | Was this record label successful? | 1n
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C_ae6cfb2024ee40ff84b837292d11f5ac_0 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | Business ventures | West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. John Legend, Common, and West were the label's inaugural artists. The label houses artists including West, Big Sean, Pusha T, Teyana Taylor, Yasiin Bey / Mos Def, D'banj and John Legend, and producers including Hudson Mohawke, Q-Tip, Travis Scott, No I.D., Jeff Bhasker, and S1. GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (RIAA). In November 2015, West appointed Pusha T the new president of GOOD Music. In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago. Ultimately, in 2009, only two locations actually opened. In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered. On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. In his announcement, West proclaimed that the company would "pick up where Steve Jobs left off"; DONDA would operate as "a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" with the "goal to make products and experiences that people want and can afford." West is notoriously secretive about the company's operations, maintaining neither an official website nor a social media presence. In stating DONDA's creative philosophy, West articulated the need to "put creatives in a room together with like minds" in order to "simplify and aesthetically improve everything we see, taste, touch, and feel.". Contemporary critics have noted the consistent minimalistic aesthetic exhibited throughout DONDA creative projects. On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay-Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyonce and Jay-Z, sixteen artist stakeholders (such as Rihanna, Beyonce, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal. On June 6, 2016, West announced the Yeezy Season 2 Zine and the Adidas Yeezy Boost 750 will be released to retailers on June 11. They are high-top shoes with a glow in the dark sole. In an interview with Vogue, he stated that there will be Yeezy stores with the first located in California.
Q: What was a business venture West started?
A: West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout.
Q: Was this record label successful?
A: GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America ( | C_ae6cfb2024ee40ff84b837292d11f5ac_0_q#2 | What was another business venture he started? | 0y
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C_ae6cfb2024ee40ff84b837292d11f5ac_0 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | Business ventures | West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. John Legend, Common, and West were the label's inaugural artists. The label houses artists including West, Big Sean, Pusha T, Teyana Taylor, Yasiin Bey / Mos Def, D'banj and John Legend, and producers including Hudson Mohawke, Q-Tip, Travis Scott, No I.D., Jeff Bhasker, and S1. GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (RIAA). In November 2015, West appointed Pusha T the new president of GOOD Music. In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago. Ultimately, in 2009, only two locations actually opened. In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered. On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. In his announcement, West proclaimed that the company would "pick up where Steve Jobs left off"; DONDA would operate as "a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" with the "goal to make products and experiences that people want and can afford." West is notoriously secretive about the company's operations, maintaining neither an official website nor a social media presence. In stating DONDA's creative philosophy, West articulated the need to "put creatives in a room together with like minds" in order to "simplify and aesthetically improve everything we see, taste, touch, and feel.". Contemporary critics have noted the consistent minimalistic aesthetic exhibited throughout DONDA creative projects. On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay-Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyonce and Jay-Z, sixteen artist stakeholders (such as Rihanna, Beyonce, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal. On June 6, 2016, West announced the Yeezy Season 2 Zine and the Adidas Yeezy Boost 750 will be released to retailers on June 11. They are high-top shoes with a glow in the dark sole. In an interview with Vogue, he stated that there will be Yeezy stores with the first located in California.
Q: What was a business venture West started?
A: West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout.
Q: Was this record label successful?
A: GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (
Q: What was another business venture he started?
A: In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; | C_ae6cfb2024ee40ff84b837292d11f5ac_0_q#3 | Were these restaurants successful? | 1n
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C_ae6cfb2024ee40ff84b837292d11f5ac_0 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | Business ventures | West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. John Legend, Common, and West were the label's inaugural artists. The label houses artists including West, Big Sean, Pusha T, Teyana Taylor, Yasiin Bey / Mos Def, D'banj and John Legend, and producers including Hudson Mohawke, Q-Tip, Travis Scott, No I.D., Jeff Bhasker, and S1. GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (RIAA). In November 2015, West appointed Pusha T the new president of GOOD Music. In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago. Ultimately, in 2009, only two locations actually opened. In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered. On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. In his announcement, West proclaimed that the company would "pick up where Steve Jobs left off"; DONDA would operate as "a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" with the "goal to make products and experiences that people want and can afford." West is notoriously secretive about the company's operations, maintaining neither an official website nor a social media presence. In stating DONDA's creative philosophy, West articulated the need to "put creatives in a room together with like minds" in order to "simplify and aesthetically improve everything we see, taste, touch, and feel.". Contemporary critics have noted the consistent minimalistic aesthetic exhibited throughout DONDA creative projects. On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay-Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyonce and Jay-Z, sixteen artist stakeholders (such as Rihanna, Beyonce, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal. On June 6, 2016, West announced the Yeezy Season 2 Zine and the Adidas Yeezy Boost 750 will be released to retailers on June 11. They are high-top shoes with a glow in the dark sole. In an interview with Vogue, he stated that there will be Yeezy stores with the first located in California.
Q: What was a business venture West started?
A: West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout.
Q: Was this record label successful?
A: GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (
Q: What was another business venture he started?
A: In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area;
Q: Were these restaurants successful?
A: In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered. | C_ae6cfb2024ee40ff84b837292d11f5ac_0_q#4 | What was his next business venture? | 0y
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C_ae6cfb2024ee40ff84b837292d11f5ac_0 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | Business ventures | West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. John Legend, Common, and West were the label's inaugural artists. The label houses artists including West, Big Sean, Pusha T, Teyana Taylor, Yasiin Bey / Mos Def, D'banj and John Legend, and producers including Hudson Mohawke, Q-Tip, Travis Scott, No I.D., Jeff Bhasker, and S1. GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (RIAA). In November 2015, West appointed Pusha T the new president of GOOD Music. In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago. Ultimately, in 2009, only two locations actually opened. In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered. On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. In his announcement, West proclaimed that the company would "pick up where Steve Jobs left off"; DONDA would operate as "a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" with the "goal to make products and experiences that people want and can afford." West is notoriously secretive about the company's operations, maintaining neither an official website nor a social media presence. In stating DONDA's creative philosophy, West articulated the need to "put creatives in a room together with like minds" in order to "simplify and aesthetically improve everything we see, taste, touch, and feel.". Contemporary critics have noted the consistent minimalistic aesthetic exhibited throughout DONDA creative projects. On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay-Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyonce and Jay-Z, sixteen artist stakeholders (such as Rihanna, Beyonce, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal. On June 6, 2016, West announced the Yeezy Season 2 Zine and the Adidas Yeezy Boost 750 will be released to retailers on June 11. They are high-top shoes with a glow in the dark sole. In an interview with Vogue, he stated that there will be Yeezy stores with the first located in California.
Q: What was a business venture West started?
A: West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout.
Q: Was this record label successful?
A: GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (
Q: What was another business venture he started?
A: In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area;
Q: Were these restaurants successful?
A: In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered.
Q: What was his next business venture?
A: On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. | C_ae6cfb2024ee40ff84b837292d11f5ac_0_q#5 | What content did DONDA create? | 2m
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C_ae6cfb2024ee40ff84b837292d11f5ac_0 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | Business ventures | West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. John Legend, Common, and West were the label's inaugural artists. The label houses artists including West, Big Sean, Pusha T, Teyana Taylor, Yasiin Bey / Mos Def, D'banj and John Legend, and producers including Hudson Mohawke, Q-Tip, Travis Scott, No I.D., Jeff Bhasker, and S1. GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (RIAA). In November 2015, West appointed Pusha T the new president of GOOD Music. In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago. Ultimately, in 2009, only two locations actually opened. In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered. On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. In his announcement, West proclaimed that the company would "pick up where Steve Jobs left off"; DONDA would operate as "a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" with the "goal to make products and experiences that people want and can afford." West is notoriously secretive about the company's operations, maintaining neither an official website nor a social media presence. In stating DONDA's creative philosophy, West articulated the need to "put creatives in a room together with like minds" in order to "simplify and aesthetically improve everything we see, taste, touch, and feel.". Contemporary critics have noted the consistent minimalistic aesthetic exhibited throughout DONDA creative projects. On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay-Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyonce and Jay-Z, sixteen artist stakeholders (such as Rihanna, Beyonce, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal. On June 6, 2016, West announced the Yeezy Season 2 Zine and the Adidas Yeezy Boost 750 will be released to retailers on June 11. They are high-top shoes with a glow in the dark sole. In an interview with Vogue, he stated that there will be Yeezy stores with the first located in California.
Q: What was a business venture West started?
A: West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout.
Q: Was this record label successful?
A: GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (
Q: What was another business venture he started?
A: In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area;
Q: Were these restaurants successful?
A: In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered.
Q: What was his next business venture?
A: On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West.
Q: What content did DONDA create?
A: a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" | C_ae6cfb2024ee40ff84b837292d11f5ac_0_q#6 | Did he have any other business ventures? | 0y
| 0y
| {
"texts": [
"On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal."
],
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2082
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"text": "On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal.",
"answer_start": 2082
} |
C_ae6cfb2024ee40ff84b837292d11f5ac_0 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | Business ventures | West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. John Legend, Common, and West were the label's inaugural artists. The label houses artists including West, Big Sean, Pusha T, Teyana Taylor, Yasiin Bey / Mos Def, D'banj and John Legend, and producers including Hudson Mohawke, Q-Tip, Travis Scott, No I.D., Jeff Bhasker, and S1. GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (RIAA). In November 2015, West appointed Pusha T the new president of GOOD Music. In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago. Ultimately, in 2009, only two locations actually opened. In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered. On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. In his announcement, West proclaimed that the company would "pick up where Steve Jobs left off"; DONDA would operate as "a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" with the "goal to make products and experiences that people want and can afford." West is notoriously secretive about the company's operations, maintaining neither an official website nor a social media presence. In stating DONDA's creative philosophy, West articulated the need to "put creatives in a room together with like minds" in order to "simplify and aesthetically improve everything we see, taste, touch, and feel.". Contemporary critics have noted the consistent minimalistic aesthetic exhibited throughout DONDA creative projects. On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay-Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyonce and Jay-Z, sixteen artist stakeholders (such as Rihanna, Beyonce, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal. On June 6, 2016, West announced the Yeezy Season 2 Zine and the Adidas Yeezy Boost 750 will be released to retailers on June 11. They are high-top shoes with a glow in the dark sole. In an interview with Vogue, he stated that there will be Yeezy stores with the first located in California.
Q: What was a business venture West started?
A: West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout.
Q: Was this record label successful?
A: GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (
Q: What was another business venture he started?
A: In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area;
Q: Were these restaurants successful?
A: In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered.
Q: What was his next business venture?
A: On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West.
Q: What content did DONDA create?
A: a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas"
Q: Did he have any other business ventures?
A: On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. | C_ae6cfb2024ee40ff84b837292d11f5ac_0_q#7 | Is Tidal successful? | 1n
| 2x
| {
"texts": [
"unknown"
],
"answer_starts": [
3259
]
} | {
"text": "unknown",
"answer_start": 3259
} |
C_ae6cfb2024ee40ff84b837292d11f5ac_1 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | 2010-12: My Beautiful Dark Twisted Fantasy and collaborations | Following the highly publicized incident, West took a brief break from music and threw himself into fashion, only to hole up in Hawaii for the next few months writing and recording his next album. Importing his favorite producers and artists to work on and inspire his recording, West kept engineers behind the boards 24 hours a day and slept only in increments. Noah Callahan-Bever, a writer for Complex, was present during the sessions and described the "communal" atmosphere as thus: "With the right songs and the right album, he can overcome any and all controversy, and we are here to contribute, challenge, and inspire." A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, as well as off-the-wall collaborations, such as with Justin Vernon of Bon Iver. My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", the latter of which accompanied a 35-minute film of the same name directed by and starring West. During this time, West initiated the free music program GOOD Fridays through his website, offering a free download of previously unreleased songs each Friday, a portion of which were included on the album. This promotion ran from August 20 - December 17, 2010. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets. 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy performing and headlining numerous festivals including; SWU Music & Arts, Austin City Limits, Oya Festival, Flow Festival, Live Music Festival, The Big Chill, Essence Music Festival, Lollapalooza and Coachella which was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time", West released the collaborative album Watch the Throne with Jay-Z in August 2011. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. "Niggas in Paris" became the record's highest charting single, peaking at number five on the Billboard Hot 100. The co-headlining Watch the Throne Tour kicked off in October 2011 and concluded in June 2012. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: "Mercy" and "Clique". West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens. | C_ae6cfb2024ee40ff84b837292d11f5ac_1_q#0 | What is My beautiful Dark Twisted Fantasy? | 0y
| 2x
| {
"texts": [
"West's fifth studio album,"
],
"answer_starts": [
845
]
} | {
"text": "West's fifth studio album,",
"answer_start": 845
} |
C_ae6cfb2024ee40ff84b837292d11f5ac_1 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | 2010-12: My Beautiful Dark Twisted Fantasy and collaborations | Following the highly publicized incident, West took a brief break from music and threw himself into fashion, only to hole up in Hawaii for the next few months writing and recording his next album. Importing his favorite producers and artists to work on and inspire his recording, West kept engineers behind the boards 24 hours a day and slept only in increments. Noah Callahan-Bever, a writer for Complex, was present during the sessions and described the "communal" atmosphere as thus: "With the right songs and the right album, he can overcome any and all controversy, and we are here to contribute, challenge, and inspire." A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, as well as off-the-wall collaborations, such as with Justin Vernon of Bon Iver. My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", the latter of which accompanied a 35-minute film of the same name directed by and starring West. During this time, West initiated the free music program GOOD Fridays through his website, offering a free download of previously unreleased songs each Friday, a portion of which were included on the album. This promotion ran from August 20 - December 17, 2010. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets. 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy performing and headlining numerous festivals including; SWU Music & Arts, Austin City Limits, Oya Festival, Flow Festival, Live Music Festival, The Big Chill, Essence Music Festival, Lollapalooza and Coachella which was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time", West released the collaborative album Watch the Throne with Jay-Z in August 2011. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. "Niggas in Paris" became the record's highest charting single, peaking at number five on the Billboard Hot 100. The co-headlining Watch the Throne Tour kicked off in October 2011 and concluded in June 2012. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: "Mercy" and "Clique". West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens.
Q: What is My beautiful Dark Twisted Fantasy?
A: West's fifth studio album, | C_ae6cfb2024ee40ff84b837292d11f5ac_1_q#1 | What year did it come out? | 0y
| 2x
| {
"texts": [
"November 2010"
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"answer_starts": [
888
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} | {
"text": "November 2010",
"answer_start": 888
} |
C_ae6cfb2024ee40ff84b837292d11f5ac_1 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | 2010-12: My Beautiful Dark Twisted Fantasy and collaborations | Following the highly publicized incident, West took a brief break from music and threw himself into fashion, only to hole up in Hawaii for the next few months writing and recording his next album. Importing his favorite producers and artists to work on and inspire his recording, West kept engineers behind the boards 24 hours a day and slept only in increments. Noah Callahan-Bever, a writer for Complex, was present during the sessions and described the "communal" atmosphere as thus: "With the right songs and the right album, he can overcome any and all controversy, and we are here to contribute, challenge, and inspire." A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, as well as off-the-wall collaborations, such as with Justin Vernon of Bon Iver. My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", the latter of which accompanied a 35-minute film of the same name directed by and starring West. During this time, West initiated the free music program GOOD Fridays through his website, offering a free download of previously unreleased songs each Friday, a portion of which were included on the album. This promotion ran from August 20 - December 17, 2010. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets. 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy performing and headlining numerous festivals including; SWU Music & Arts, Austin City Limits, Oya Festival, Flow Festival, Live Music Festival, The Big Chill, Essence Music Festival, Lollapalooza and Coachella which was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time", West released the collaborative album Watch the Throne with Jay-Z in August 2011. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. "Niggas in Paris" became the record's highest charting single, peaking at number five on the Billboard Hot 100. The co-headlining Watch the Throne Tour kicked off in October 2011 and concluded in June 2012. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: "Mercy" and "Clique". West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens.
Q: What is My beautiful Dark Twisted Fantasy?
A: West's fifth studio album,
Q: What year did it come out?
A: November 2010 | C_ae6cfb2024ee40ff84b837292d11f5ac_1_q#2 | what did the critics say regarding the album? | 0y
| 2x
| {
"texts": [
"widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback."
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905
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"text": "widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback.",
"answer_start": 905
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C_ae6cfb2024ee40ff84b837292d11f5ac_1 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | 2010-12: My Beautiful Dark Twisted Fantasy and collaborations | Following the highly publicized incident, West took a brief break from music and threw himself into fashion, only to hole up in Hawaii for the next few months writing and recording his next album. Importing his favorite producers and artists to work on and inspire his recording, West kept engineers behind the boards 24 hours a day and slept only in increments. Noah Callahan-Bever, a writer for Complex, was present during the sessions and described the "communal" atmosphere as thus: "With the right songs and the right album, he can overcome any and all controversy, and we are here to contribute, challenge, and inspire." A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, as well as off-the-wall collaborations, such as with Justin Vernon of Bon Iver. My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", the latter of which accompanied a 35-minute film of the same name directed by and starring West. During this time, West initiated the free music program GOOD Fridays through his website, offering a free download of previously unreleased songs each Friday, a portion of which were included on the album. This promotion ran from August 20 - December 17, 2010. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets. 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy performing and headlining numerous festivals including; SWU Music & Arts, Austin City Limits, Oya Festival, Flow Festival, Live Music Festival, The Big Chill, Essence Music Festival, Lollapalooza and Coachella which was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time", West released the collaborative album Watch the Throne with Jay-Z in August 2011. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. "Niggas in Paris" became the record's highest charting single, peaking at number five on the Billboard Hot 100. The co-headlining Watch the Throne Tour kicked off in October 2011 and concluded in June 2012. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: "Mercy" and "Clique". West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens.
Q: What is My beautiful Dark Twisted Fantasy?
A: West's fifth studio album,
Q: What year did it come out?
A: November 2010
Q: what did the critics say regarding the album?
A: widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback. | C_ae6cfb2024ee40ff84b837292d11f5ac_1_q#3 | Any notable songs? | 0y
| 2x
| {
"texts": [
"The record included the international hit \"All of the Lights\", and Billboard hits \"Power\", \"Monster\", and \"Runaway\","
],
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1184
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} | {
"text": "The record included the international hit \"All of the Lights\", and Billboard hits \"Power\", \"Monster\", and \"Runaway\",",
"answer_start": 1184
} |
C_ae6cfb2024ee40ff84b837292d11f5ac_1 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | 2010-12: My Beautiful Dark Twisted Fantasy and collaborations | Following the highly publicized incident, West took a brief break from music and threw himself into fashion, only to hole up in Hawaii for the next few months writing and recording his next album. Importing his favorite producers and artists to work on and inspire his recording, West kept engineers behind the boards 24 hours a day and slept only in increments. Noah Callahan-Bever, a writer for Complex, was present during the sessions and described the "communal" atmosphere as thus: "With the right songs and the right album, he can overcome any and all controversy, and we are here to contribute, challenge, and inspire." A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, as well as off-the-wall collaborations, such as with Justin Vernon of Bon Iver. My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", the latter of which accompanied a 35-minute film of the same name directed by and starring West. During this time, West initiated the free music program GOOD Fridays through his website, offering a free download of previously unreleased songs each Friday, a portion of which were included on the album. This promotion ran from August 20 - December 17, 2010. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets. 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy performing and headlining numerous festivals including; SWU Music & Arts, Austin City Limits, Oya Festival, Flow Festival, Live Music Festival, The Big Chill, Essence Music Festival, Lollapalooza and Coachella which was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time", West released the collaborative album Watch the Throne with Jay-Z in August 2011. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. "Niggas in Paris" became the record's highest charting single, peaking at number five on the Billboard Hot 100. The co-headlining Watch the Throne Tour kicked off in October 2011 and concluded in June 2012. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: "Mercy" and "Clique". West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens.
Q: What is My beautiful Dark Twisted Fantasy?
A: West's fifth studio album,
Q: What year did it come out?
A: November 2010
Q: what did the critics say regarding the album?
A: widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback.
Q: Any notable songs?
A: The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", | C_ae6cfb2024ee40ff84b837292d11f5ac_1_q#4 | Did he tour to promote the album? | 0y
| 0y
| {
"texts": [
"2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy"
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1847
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"text": "2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy",
"answer_start": 1847
} |
C_ae6cfb2024ee40ff84b837292d11f5ac_1 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | 2010-12: My Beautiful Dark Twisted Fantasy and collaborations | Following the highly publicized incident, West took a brief break from music and threw himself into fashion, only to hole up in Hawaii for the next few months writing and recording his next album. Importing his favorite producers and artists to work on and inspire his recording, West kept engineers behind the boards 24 hours a day and slept only in increments. Noah Callahan-Bever, a writer for Complex, was present during the sessions and described the "communal" atmosphere as thus: "With the right songs and the right album, he can overcome any and all controversy, and we are here to contribute, challenge, and inspire." A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, as well as off-the-wall collaborations, such as with Justin Vernon of Bon Iver. My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", the latter of which accompanied a 35-minute film of the same name directed by and starring West. During this time, West initiated the free music program GOOD Fridays through his website, offering a free download of previously unreleased songs each Friday, a portion of which were included on the album. This promotion ran from August 20 - December 17, 2010. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets. 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy performing and headlining numerous festivals including; SWU Music & Arts, Austin City Limits, Oya Festival, Flow Festival, Live Music Festival, The Big Chill, Essence Music Festival, Lollapalooza and Coachella which was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time", West released the collaborative album Watch the Throne with Jay-Z in August 2011. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. "Niggas in Paris" became the record's highest charting single, peaking at number five on the Billboard Hot 100. The co-headlining Watch the Throne Tour kicked off in October 2011 and concluded in June 2012. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: "Mercy" and "Clique". West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens.
Q: What is My beautiful Dark Twisted Fantasy?
A: West's fifth studio album,
Q: What year did it come out?
A: November 2010
Q: what did the critics say regarding the album?
A: widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback.
Q: Any notable songs?
A: The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway",
Q: Did he tour to promote the album?
A: 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy | C_ae6cfb2024ee40ff84b837292d11f5ac_1_q#5 | Did anyone collaborate with him on the album? | 1n
| 2x
| {
"texts": [
"A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T,"
],
"answer_starts": [
627
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"text": "A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T,",
"answer_start": 627
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C_ae6cfb2024ee40ff84b837292d11f5ac_1 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | 2010-12: My Beautiful Dark Twisted Fantasy and collaborations | Following the highly publicized incident, West took a brief break from music and threw himself into fashion, only to hole up in Hawaii for the next few months writing and recording his next album. Importing his favorite producers and artists to work on and inspire his recording, West kept engineers behind the boards 24 hours a day and slept only in increments. Noah Callahan-Bever, a writer for Complex, was present during the sessions and described the "communal" atmosphere as thus: "With the right songs and the right album, he can overcome any and all controversy, and we are here to contribute, challenge, and inspire." A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, as well as off-the-wall collaborations, such as with Justin Vernon of Bon Iver. My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", the latter of which accompanied a 35-minute film of the same name directed by and starring West. During this time, West initiated the free music program GOOD Fridays through his website, offering a free download of previously unreleased songs each Friday, a portion of which were included on the album. This promotion ran from August 20 - December 17, 2010. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets. 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy performing and headlining numerous festivals including; SWU Music & Arts, Austin City Limits, Oya Festival, Flow Festival, Live Music Festival, The Big Chill, Essence Music Festival, Lollapalooza and Coachella which was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time", West released the collaborative album Watch the Throne with Jay-Z in August 2011. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. "Niggas in Paris" became the record's highest charting single, peaking at number five on the Billboard Hot 100. The co-headlining Watch the Throne Tour kicked off in October 2011 and concluded in June 2012. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: "Mercy" and "Clique". West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens.
Q: What is My beautiful Dark Twisted Fantasy?
A: West's fifth studio album,
Q: What year did it come out?
A: November 2010
Q: what did the critics say regarding the album?
A: widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback.
Q: Any notable songs?
A: The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway",
Q: Did he tour to promote the album?
A: 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy
Q: Did anyone collaborate with him on the album?
A: A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, | C_ae6cfb2024ee40ff84b837292d11f5ac_1_q#6 | Did the album receive any awards? | 2m
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C_ae6cfb2024ee40ff84b837292d11f5ac_1 | Kanye West | West was born on June 8, 1977, in Atlanta, Georgia. His parents divorced when he was three years old. After the divorce, he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. | 2010-12: My Beautiful Dark Twisted Fantasy and collaborations | Following the highly publicized incident, West took a brief break from music and threw himself into fashion, only to hole up in Hawaii for the next few months writing and recording his next album. Importing his favorite producers and artists to work on and inspire his recording, West kept engineers behind the boards 24 hours a day and slept only in increments. Noah Callahan-Bever, a writer for Complex, was present during the sessions and described the "communal" atmosphere as thus: "With the right songs and the right album, he can overcome any and all controversy, and we are here to contribute, challenge, and inspire." A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, as well as off-the-wall collaborations, such as with Justin Vernon of Bon Iver. My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", the latter of which accompanied a 35-minute film of the same name directed by and starring West. During this time, West initiated the free music program GOOD Fridays through his website, offering a free download of previously unreleased songs each Friday, a portion of which were included on the album. This promotion ran from August 20 - December 17, 2010. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets. 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy performing and headlining numerous festivals including; SWU Music & Arts, Austin City Limits, Oya Festival, Flow Festival, Live Music Festival, The Big Chill, Essence Music Festival, Lollapalooza and Coachella which was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time", West released the collaborative album Watch the Throne with Jay-Z in August 2011. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. "Niggas in Paris" became the record's highest charting single, peaking at number five on the Billboard Hot 100. The co-headlining Watch the Throne Tour kicked off in October 2011 and concluded in June 2012. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: "Mercy" and "Clique". West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens.
Q: What is My beautiful Dark Twisted Fantasy?
A: West's fifth studio album,
Q: What year did it come out?
A: November 2010
Q: what did the critics say regarding the album?
A: widespread acclaim from critics, many of whom considered it his best work and said it solidified his comeback.
Q: Any notable songs?
A: The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway",
Q: Did he tour to promote the album?
A: 2011 saw West embark on a festival tour to commemorate the release of My Beautiful Dark Twisted Fantasy
Q: Did anyone collaborate with him on the album?
A: A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T,
Q: Did the album receive any awards?
A: Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards | C_ae6cfb2024ee40ff84b837292d11f5ac_1_q#7 | What came after the release of the album? | 0y
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C_b315806c59da410c906ac324c184dc36_0 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Return to quartet | In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way. | C_b315806c59da410c906ac324c184dc36_0_q#0 | How did the Return to quartet go? | 0y
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C_b315806c59da410c906ac324c184dc36_0 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Return to quartet | In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the Return to quartet go?
A: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would | C_b315806c59da410c906ac324c184dc36_0_q#1 | Was this venture successful? | 2m
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C_b315806c59da410c906ac324c184dc36_0 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Return to quartet | In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the Return to quartet go?
A: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would
Q: Was this venture successful?
A: unknown | C_b315806c59da410c906ac324c184dc36_0_q#2 | Are there any other interesting aspects about this article? | 0y
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C_b315806c59da410c906ac324c184dc36_0 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Return to quartet | In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the Return to quartet go?
A: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would
Q: Was this venture successful?
A: unknown
Q: Are there any other interesting aspects about this article?
A: In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, | C_b315806c59da410c906ac324c184dc36_0_q#3 | Did the band go on any tours? | 0y
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C_b315806c59da410c906ac324c184dc36_0 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Return to quartet | In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the Return to quartet go?
A: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would
Q: Was this venture successful?
A: unknown
Q: Are there any other interesting aspects about this article?
A: In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land,
Q: Did the band go on any tours?
A: After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way. | C_b315806c59da410c906ac324c184dc36_0_q#4 | How did the public perceived this album, did they like it? | 2m
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C_b315806c59da410c906ac324c184dc36_0 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Return to quartet | In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the Return to quartet go?
A: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would
Q: Was this venture successful?
A: unknown
Q: Are there any other interesting aspects about this article?
A: In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land,
Q: Did the band go on any tours?
A: After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the public perceived this album, did they like it?
A: unknown | C_b315806c59da410c906ac324c184dc36_0_q#5 | Did the quartet remain together? | 2m
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C_b315806c59da410c906ac324c184dc36_0 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Return to quartet | In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the Return to quartet go?
A: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would
Q: Was this venture successful?
A: unknown
Q: Are there any other interesting aspects about this article?
A: In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land,
Q: Did the band go on any tours?
A: After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the public perceived this album, did they like it?
A: unknown
Q: Did the quartet remain together?
A: After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way. | C_b315806c59da410c906ac324c184dc36_0_q#6 | What other accomplishments did the quarted achieve together? | 0y
| 2x
| {
"texts": [
"In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they"
],
"answer_starts": [
2055
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} | {
"text": "In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they",
"answer_start": 2055
} |
C_b315806c59da410c906ac324c184dc36_0 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Return to quartet | In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the Return to quartet go?
A: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would
Q: Was this venture successful?
A: unknown
Q: Are there any other interesting aspects about this article?
A: In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land,
Q: Did the band go on any tours?
A: After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the public perceived this album, did they like it?
A: unknown
Q: Did the quartet remain together?
A: After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: What other accomplishments did the quarted achieve together?
A: In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they | C_b315806c59da410c906ac324c184dc36_0_q#7 | What was particular of this album as well as past albums? | 0y
| 2x
| {
"texts": [
"For The Hidden Land, the Flecktones didn't want any guest musicians. \"'The truth is, the last few records are not what we are,' Fleck said."
],
"answer_starts": [
2217
]
} | {
"text": "For The Hidden Land, the Flecktones didn't want any guest musicians. \"'The truth is, the last few records are not what we are,' Fleck said.",
"answer_start": 2217
} |
C_b315806c59da410c906ac324c184dc36_0 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Return to quartet | In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the Return to quartet go?
A: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would
Q: Was this venture successful?
A: unknown
Q: Are there any other interesting aspects about this article?
A: In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land,
Q: Did the band go on any tours?
A: After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: How did the public perceived this album, did they like it?
A: unknown
Q: Did the quartet remain together?
A: After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Q: What other accomplishments did the quarted achieve together?
A: In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they
Q: What was particular of this album as well as past albums?
A: For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. | C_b315806c59da410c906ac324c184dc36_0_q#8 | Did they ever record an album with guest musicians? | 0y
| 2x
| {
"texts": [
"' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'\""
],
"answer_starts": [
2343
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} | {
"text": "' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'\"",
"answer_start": 2343
} |
C_b315806c59da410c906ac324c184dc36_1 | Béla Fleck and the Flecktones | Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards. | Recording | Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt. UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children. The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year. In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister". | C_b315806c59da410c906ac324c184dc36_1_q#0 | what was their first recording ? | 0y
| 2x
| {
"texts": [
"Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989),"
],
"answer_starts": [
0
]
} | {
"text": "Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989),",
"answer_start": 0
} |