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C_36962b15a1e346e8987a0067597be648_0

Greg Gutfeld

Gutfeld was born in San Mateo, California, the son of Jacqueline Bernice "Jackie" (nee Cauhape) and Alfred Jack Gutfeld. His father was of German Jewish-Catholic and Irish descent, while his mother was of Irish, French, and Mexican ancestry. He attended Junipero Serra High School and the University of California, Berkeley, graduating in 1987 with a B.A. in English.

Apology to Canadians

In a five-minute segment broadcast on Tuesday, March 17, 2009, Gutfeld and his panel discussed Canadian Lieutenant General Andrew Leslie's statement that the Canadian Armed Forces may require a one-year "synchronized break" once Canada's mission in Afghanistan ends in 2011. "Meaning, the Canadian military wants to take a breather to do some yoga, paint landscapes, run on the beach in gorgeous white Capri pants," Gutfeld said. "I didn't even know they were in the war", comedian panelist Doug Benson added, then continued, "I thought that's where you go if you don't want to fight. Go chill in Canada." Gutfeld also said: "Isn't this the perfect time to invade this ridiculous country? They have no army!" The segment drew wide attention and outrage in Canada after being posted on YouTube following the reported deaths of four Canadian soldiers in Afghanistan three days earlier. Canada, at the time, had been in command of the NATO mission in the Kandahar Province, the birthplace and former capital of the Taliban, for the preceding three years. Along with the Helmand Province, the two provinces were "home to some of the fiercest opposition to coalition forces" and reported to "have the highest casualty rates per province." Canadian Defence Minister Peter MacKay called on Fox to apologize for the satirical comments, describing the remarks as "despicable, hurtful and ignorant." Gutfeld in response maintained the show is satirical and irreverent but offered the following apology: "The March 17 episode of Red Eye included a segment discussing Canada's plan for a 'synchronized break,' which was in no way an attempt to make light of troop efforts. However, I realize that my words may have been misunderstood. It was not my intent to disrespect the brave men, women and families of the Canadian military, and for that I apologize." Q: Did he offend Canadians? A: drew wide attention and outrage in Canada after being posted on YouTube following the reported deaths of four Canadian soldiers in Afghanistan three days earlier. Q: Why were they upset by this? A: reported deaths of four Canadian soldiers in Afghanistan three days earlier. Q: How did the Canadians feel about his apology? A: unknown

C_36962b15a1e346e8987a0067597be648_0_q#3

Did he offend any other countries?

1n

2x

C_36962b15a1e346e8987a0067597be648_0

Greg Gutfeld

Gutfeld was born in San Mateo, California, the son of Jacqueline Bernice "Jackie" (nee Cauhape) and Alfred Jack Gutfeld. His father was of German Jewish-Catholic and Irish descent, while his mother was of Irish, French, and Mexican ancestry. He attended Junipero Serra High School and the University of California, Berkeley, graduating in 1987 with a B.A. in English.

Apology to Canadians

In a five-minute segment broadcast on Tuesday, March 17, 2009, Gutfeld and his panel discussed Canadian Lieutenant General Andrew Leslie's statement that the Canadian Armed Forces may require a one-year "synchronized break" once Canada's mission in Afghanistan ends in 2011. "Meaning, the Canadian military wants to take a breather to do some yoga, paint landscapes, run on the beach in gorgeous white Capri pants," Gutfeld said. "I didn't even know they were in the war", comedian panelist Doug Benson added, then continued, "I thought that's where you go if you don't want to fight. Go chill in Canada." Gutfeld also said: "Isn't this the perfect time to invade this ridiculous country? They have no army!" The segment drew wide attention and outrage in Canada after being posted on YouTube following the reported deaths of four Canadian soldiers in Afghanistan three days earlier. Canada, at the time, had been in command of the NATO mission in the Kandahar Province, the birthplace and former capital of the Taliban, for the preceding three years. Along with the Helmand Province, the two provinces were "home to some of the fiercest opposition to coalition forces" and reported to "have the highest casualty rates per province." Canadian Defence Minister Peter MacKay called on Fox to apologize for the satirical comments, describing the remarks as "despicable, hurtful and ignorant." Gutfeld in response maintained the show is satirical and irreverent but offered the following apology: "The March 17 episode of Red Eye included a segment discussing Canada's plan for a 'synchronized break,' which was in no way an attempt to make light of troop efforts. However, I realize that my words may have been misunderstood. It was not my intent to disrespect the brave men, women and families of the Canadian military, and for that I apologize." Q: Did he offend Canadians? A: drew wide attention and outrage in Canada after being posted on YouTube following the reported deaths of four Canadian soldiers in Afghanistan three days earlier. Q: Why were they upset by this? A: reported deaths of four Canadian soldiers in Afghanistan three days earlier. Q: How did the Canadians feel about his apology? A: unknown Q: Did he offend any other countries? A: unknown

C_36962b15a1e346e8987a0067597be648_0_q#4

Was there anything else important about this?

0y

0y

C_36962b15a1e346e8987a0067597be648_1

Greg Gutfeld

Gutfeld was born in San Mateo, California, the son of Jacqueline Bernice "Jackie" (nee Cauhape) and Alfred Jack Gutfeld. His father was of German Jewish-Catholic and Irish descent, while his mother was of Irish, French, and Mexican ancestry. He attended Junipero Serra High School and the University of California, Berkeley, graduating in 1987 with a B.A. in English.

Career

After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing. He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure. Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut. Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET.

C_36962b15a1e346e8987a0067597be648_1_q#0

What did Gutfeld do for a living?

0y

2x

C_36962b15a1e346e8987a0067597be648_1

Greg Gutfeld

Gutfeld was born in San Mateo, California, the son of Jacqueline Bernice "Jackie" (nee Cauhape) and Alfred Jack Gutfeld. His father was of German Jewish-Catholic and Irish descent, while his mother was of Irish, French, and Mexican ancestry. He attended Junipero Serra High School and the University of California, Berkeley, graduating in 1987 with a B.A. in English.

Career

After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing. He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure. Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut. Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET. Q: What did Gutfeld do for a living? A: In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999.

C_36962b15a1e346e8987a0067597be648_1_q#1

Did he win any awards?

2m

2x

C_36962b15a1e346e8987a0067597be648_1

Greg Gutfeld

Gutfeld was born in San Mateo, California, the son of Jacqueline Bernice "Jackie" (nee Cauhape) and Alfred Jack Gutfeld. His father was of German Jewish-Catholic and Irish descent, while his mother was of Irish, French, and Mexican ancestry. He attended Junipero Serra High School and the University of California, Berkeley, graduating in 1987 with a B.A. in English.

Career

After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing. He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure. Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut. Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET. Q: What did Gutfeld do for a living? A: In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. Q: Did he win any awards? A: unknown

C_36962b15a1e346e8987a0067597be648_1_q#2

What was he known for?

0y

2x

C_36962b15a1e346e8987a0067597be648_1

Greg Gutfeld

Gutfeld was born in San Mateo, California, the son of Jacqueline Bernice "Jackie" (nee Cauhape) and Alfred Jack Gutfeld. His father was of German Jewish-Catholic and Irish descent, while his mother was of Irish, French, and Mexican ancestry. He attended Junipero Serra High School and the University of California, Berkeley, graduating in 1987 with a B.A. in English.

Career

After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing. He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure. Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut. Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET. Q: What did Gutfeld do for a living? A: In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. Q: Did he win any awards? A: unknown Q: What was he known for? A: Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld.

C_36962b15a1e346e8987a0067597be648_1_q#3

How long did Red eye series last?

0y

2x

C_36962b15a1e346e8987a0067597be648_1

Greg Gutfeld

Gutfeld was born in San Mateo, California, the son of Jacqueline Bernice "Jackie" (nee Cauhape) and Alfred Jack Gutfeld. His father was of German Jewish-Catholic and Irish descent, while his mother was of Irish, French, and Mexican ancestry. He attended Junipero Serra High School and the University of California, Berkeley, graduating in 1987 with a B.A. in English.

Career

After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing. He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure. Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut. Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET. Q: What did Gutfeld do for a living? A: In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. Q: Did he win any awards? A: unknown Q: What was he known for? A: Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. Q: How long did Red eye series last? A: From 2007 to 2013,

C_36962b15a1e346e8987a0067597be648_1_q#4

Did he have any famous co hosts?

0y

2x

C_7516236e8ef747feb23eb459d4da9762_1

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Early career

When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged. In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club). Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members.

C_7516236e8ef747feb23eb459d4da9762_1_q#0

What was his first gig?

2m

2x

C_7516236e8ef747feb23eb459d4da9762_1

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Early career

When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged. In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club). Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members. Q: What was his first gig? A: They played at rent-house parties for income.

C_7516236e8ef747feb23eb459d4da9762_1_q#1

Where was this?

2m

2x

C_7516236e8ef747feb23eb459d4da9762_1

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Early career

When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged. In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club). Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members. Q: What was his first gig? A: They played at rent-house parties for income. Q: Where was this? A: Harlem,

C_7516236e8ef747feb23eb459d4da9762_1_q#2

How long did he play in Harlem?

2m

2x

C_7516236e8ef747feb23eb459d4da9762_1

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Early career

When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged. In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club). Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members. Q: What was his first gig? A: They played at rent-house parties for income. Q: Where was this? A: Harlem, Q: How long did he play in Harlem? A: After a few months, the young musicians returned to Washington, D.C., feeling discouraged.

C_7516236e8ef747feb23eb459d4da9762_1_q#3

What did he do in Washington D.C.?

1n

2x

C_7516236e8ef747feb23eb459d4da9762_1

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Early career

When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged. In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club). Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members. Q: What was his first gig? A: They played at rent-house parties for income. Q: Where was this? A: Harlem, Q: How long did he play in Harlem? A: After a few months, the young musicians returned to Washington, D.C., feeling discouraged. Q: What did he do in Washington D.C.? A: unknown

C_7516236e8ef747feb23eb459d4da9762_1_q#4

Was he successful?

1n

2x

C_7516236e8ef747feb23eb459d4da9762_1

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Early career

When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged. In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club). Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members. Q: What was his first gig? A: They played at rent-house parties for income. Q: Where was this? A: Harlem, Q: How long did he play in Harlem? A: After a few months, the young musicians returned to Washington, D.C., feeling discouraged. Q: What did he do in Washington D.C.? A: unknown Q: Was he successful? A: In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem.

C_7516236e8ef747feb23eb459d4da9762_1_q#5

Did he have a band?

2m

0y

C_7516236e8ef747feb23eb459d4da9762_1

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

Early career

When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged. In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club). Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members. Q: What was his first gig? A: They played at rent-house parties for income. Q: Where was this? A: Harlem, Q: How long did he play in Harlem? A: After a few months, the young musicians returned to Washington, D.C., feeling discouraged. Q: What did he do in Washington D.C.? A: unknown Q: Was he successful? A: In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. Q: Did he have a band? A: The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members,

C_7516236e8ef747feb23eb459d4da9762_1_q#6

Was that a pseudonym for Duke Ellington?

1n

2x

C_7516236e8ef747feb23eb459d4da9762_0

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

The later 1930s

From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature a specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard. In 1937, Ellington returned to the Cotton Club which had relocated to the mid-town Theater District. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, although his situation improved the following year. After leaving agent Irving Mills, he signed on with the William Morris Agency. Mills though continued to record Ellington. After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Mills placed Ellington back on Brunswick and those small group units on Vocalion through to 1940. Well known sides continued to be recorded, "Caravan" in 1937, and "I Let a Song Go Out of My Heart" the following year. Billy Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington organization. Ellington showed great fondness for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio. The 1930s ended with a very successful European tour just as World War II loomed in Europe.

C_7516236e8ef747feb23eb459d4da9762_0_q#0

What happened during the later 1930's?

0y

2x

C_7516236e8ef747feb23eb459d4da9762_0

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

The later 1930s

From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature a specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard. In 1937, Ellington returned to the Cotton Club which had relocated to the mid-town Theater District. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, although his situation improved the following year. After leaving agent Irving Mills, he signed on with the William Morris Agency. Mills though continued to record Ellington. After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Mills placed Ellington back on Brunswick and those small group units on Vocalion through to 1940. Well known sides continued to be recorded, "Caravan" in 1937, and "I Let a Song Go Out of My Heart" the following year. Billy Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington organization. Ellington showed great fondness for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio. The 1930s ended with a very successful European tour just as World War II loomed in Europe. Q: What happened during the later 1930's? A: From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets)

C_7516236e8ef747feb23eb459d4da9762_0_q#1

Are there any other interesting aspects about this article?

0y

0y

C_7516236e8ef747feb23eb459d4da9762_0

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

The later 1930s

From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature a specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard. In 1937, Ellington returned to the Cotton Club which had relocated to the mid-town Theater District. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, although his situation improved the following year. After leaving agent Irving Mills, he signed on with the William Morris Agency. Mills though continued to record Ellington. After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Mills placed Ellington back on Brunswick and those small group units on Vocalion through to 1940. Well known sides continued to be recorded, "Caravan" in 1937, and "I Let a Song Go Out of My Heart" the following year. Billy Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington organization. Ellington showed great fondness for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio. The 1930s ended with a very successful European tour just as World War II loomed in Europe. Q: What happened during the later 1930's? A: From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) Q: Are there any other interesting aspects about this article? A: After leaving agent Irving Mills, he signed on with the William Morris Agency.

C_7516236e8ef747feb23eb459d4da9762_0_q#2

Why did he leave Irving Mills?

0y

2x

C_7516236e8ef747feb23eb459d4da9762_0

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

The later 1930s

From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature a specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard. In 1937, Ellington returned to the Cotton Club which had relocated to the mid-town Theater District. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, although his situation improved the following year. After leaving agent Irving Mills, he signed on with the William Morris Agency. Mills though continued to record Ellington. After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Mills placed Ellington back on Brunswick and those small group units on Vocalion through to 1940. Well known sides continued to be recorded, "Caravan" in 1937, and "I Let a Song Go Out of My Heart" the following year. Billy Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington organization. Ellington showed great fondness for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio. The 1930s ended with a very successful European tour just as World War II loomed in Europe. Q: What happened during the later 1930's? A: From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) Q: Are there any other interesting aspects about this article? A: After leaving agent Irving Mills, he signed on with the William Morris Agency. Q: Why did he leave Irving Mills? A: In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight,

C_7516236e8ef747feb23eb459d4da9762_0_q#3

How did his father die?

1n

2x

C_7516236e8ef747feb23eb459d4da9762_0

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

The later 1930s

From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature a specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard. In 1937, Ellington returned to the Cotton Club which had relocated to the mid-town Theater District. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, although his situation improved the following year. After leaving agent Irving Mills, he signed on with the William Morris Agency. Mills though continued to record Ellington. After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Mills placed Ellington back on Brunswick and those small group units on Vocalion through to 1940. Well known sides continued to be recorded, "Caravan" in 1937, and "I Let a Song Go Out of My Heart" the following year. Billy Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington organization. Ellington showed great fondness for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio. The 1930s ended with a very successful European tour just as World War II loomed in Europe. Q: What happened during the later 1930's? A: From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) Q: Are there any other interesting aspects about this article? A: After leaving agent Irving Mills, he signed on with the William Morris Agency. Q: Why did he leave Irving Mills? A: In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, Q: How did his father die? A: unknown

C_7516236e8ef747feb23eb459d4da9762_0_q#4

Was he successful with his new agency?

0y

1n

C_7516236e8ef747feb23eb459d4da9762_0

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

The later 1930s

From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature a specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard. In 1937, Ellington returned to the Cotton Club which had relocated to the mid-town Theater District. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, although his situation improved the following year. After leaving agent Irving Mills, he signed on with the William Morris Agency. Mills though continued to record Ellington. After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Mills placed Ellington back on Brunswick and those small group units on Vocalion through to 1940. Well known sides continued to be recorded, "Caravan" in 1937, and "I Let a Song Go Out of My Heart" the following year. Billy Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington organization. Ellington showed great fondness for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio. The 1930s ended with a very successful European tour just as World War II loomed in Europe. Q: What happened during the later 1930's? A: From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) Q: Are there any other interesting aspects about this article? A: After leaving agent Irving Mills, he signed on with the William Morris Agency. Q: Why did he leave Irving Mills? A: In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, Q: How did his father die? A: unknown Q: Was he successful with his new agency? A: After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937,

C_7516236e8ef747feb23eb459d4da9762_0_q#5

How did the y1930's end for him?

1n

2x

C_7516236e8ef747feb23eb459d4da9762_0

Duke Ellington

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.

The later 1930s

From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature a specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard. In 1937, Ellington returned to the Cotton Club which had relocated to the mid-town Theater District. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, although his situation improved the following year. After leaving agent Irving Mills, he signed on with the William Morris Agency. Mills though continued to record Ellington. After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Mills placed Ellington back on Brunswick and those small group units on Vocalion through to 1940. Well known sides continued to be recorded, "Caravan" in 1937, and "I Let a Song Go Out of My Heart" the following year. Billy Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington organization. Ellington showed great fondness for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio. The 1930s ended with a very successful European tour just as World War II loomed in Europe. Q: What happened during the later 1930's? A: From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) Q: Are there any other interesting aspects about this article? A: After leaving agent Irving Mills, he signed on with the William Morris Agency. Q: Why did he leave Irving Mills? A: In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, Q: How did his father die? A: unknown Q: Was he successful with his new agency? A: After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Q: How did the y1930's end for him? A: The 1930s ended with a very successful European tour just as World War II loomed in Europe.

C_7516236e8ef747feb23eb459d4da9762_0_q#6

What was the most interesting thing you read in the article?

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2x

C_544929c4b6ad4be5a342f31aced398b0_1

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

Staten Island Stapletons

Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. He played for the Stapletons for four years from 1929 to 1932. While statistics are not available for the 1929 NFL season, Strong was regarded as one of the best backs in the NFL. He started all 10 games at halfback for the 1929 Stapletons. In his first NFL game, he threw a long forward pass to set up the Stapleton's first touchdown and scored all of the team's 12 points on two short touchdown runs. He also had a 70-yard run in a scoreless tie with the Orange Tornadoes on November 3, 1929. Two days later, Strong had a 50-yard touchdown run against the Providence Steam Roller. At the end of the 1929 season, Strong was selected by Collyer's Eye and the Green Bay Press-Gazette as a second-team All-Pro. In 1930, Strong appeared in all 12 games for the Stapletons and scored 53 points on two rushing touchdowns, five receiving touchdowns, one field goal, and eight extra points. His point total ranked third in the NFL in 1930, trailing only Jack McBride (56 points) and Verne Lewellen (54 points). On September 28, 1930, he caught two touchdown passes, threw a 40-yard pass that set up a third touchdown, and kicked three extra points in a 21-0 victory over the Frankford Yellow Jackets. In December 1930, he led the Stapletons to a 16-7 victory over the New York Giants for the pro football championship of New York City; Strong accounted for all 16 Stapleton points, running 98 yards for a touchdown, passing for a second touchdown, and kicking a field goal and an extra point. He was selected as a first-team player on the 1930 All-Pro Team by Collyer's Eye and the Green Bay Press-Gazette. In 1931, Strong appeared in all 11 games for the Stapletons and scored 53 points on six rushing touchdowns, one punt return for a touchdown, two field goals, and five extra points. His 53 points ranked fourth in the NFL, trailing only Johnny Blood (84 points), Ernie Nevers (66 points), and Dutch Clark (60 points). On November 22, 1931, Strong scored all 16 points in a 16-7 victory over Cleveland; he had two rushing touchdowns, including a 50-yard run and kicked a field goal and an extra point. At the end of the 1931 season, Strong was selected as an All-Pro for the second year in a row, receiving first-team honors from the United Press (UP) and Collyer's Eye. Strong's output dropped off in 1932 as he moved to the fullback position. He appeared in 11 games and ranked sixth in the NFL with 375 rushing yards, but scored only 15 points on two touchdowns and three extra points. At the end of the 1932 season, the Stapletons team folded.

C_544929c4b6ad4be5a342f31aced398b0_1_q#0

who are the staten island stapletons?

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C_544929c4b6ad4be5a342f31aced398b0_1

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

Staten Island Stapletons

Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. He played for the Stapletons for four years from 1929 to 1932. While statistics are not available for the 1929 NFL season, Strong was regarded as one of the best backs in the NFL. He started all 10 games at halfback for the 1929 Stapletons. In his first NFL game, he threw a long forward pass to set up the Stapleton's first touchdown and scored all of the team's 12 points on two short touchdown runs. He also had a 70-yard run in a scoreless tie with the Orange Tornadoes on November 3, 1929. Two days later, Strong had a 50-yard touchdown run against the Providence Steam Roller. At the end of the 1929 season, Strong was selected by Collyer's Eye and the Green Bay Press-Gazette as a second-team All-Pro. In 1930, Strong appeared in all 12 games for the Stapletons and scored 53 points on two rushing touchdowns, five receiving touchdowns, one field goal, and eight extra points. His point total ranked third in the NFL in 1930, trailing only Jack McBride (56 points) and Verne Lewellen (54 points). On September 28, 1930, he caught two touchdown passes, threw a 40-yard pass that set up a third touchdown, and kicked three extra points in a 21-0 victory over the Frankford Yellow Jackets. In December 1930, he led the Stapletons to a 16-7 victory over the New York Giants for the pro football championship of New York City; Strong accounted for all 16 Stapleton points, running 98 yards for a touchdown, passing for a second touchdown, and kicking a field goal and an extra point. He was selected as a first-team player on the 1930 All-Pro Team by Collyer's Eye and the Green Bay Press-Gazette. In 1931, Strong appeared in all 11 games for the Stapletons and scored 53 points on six rushing touchdowns, one punt return for a touchdown, two field goals, and five extra points. His 53 points ranked fourth in the NFL, trailing only Johnny Blood (84 points), Ernie Nevers (66 points), and Dutch Clark (60 points). On November 22, 1931, Strong scored all 16 points in a 16-7 victory over Cleveland; he had two rushing touchdowns, including a 50-yard run and kicked a field goal and an extra point. At the end of the 1931 season, Strong was selected as an All-Pro for the second year in a row, receiving first-team honors from the United Press (UP) and Collyer's Eye. Strong's output dropped off in 1932 as he moved to the fullback position. He appeared in 11 games and ranked sixth in the NFL with 375 rushing yards, but scored only 15 points on two touchdowns and three extra points. At the end of the 1932 season, the Stapletons team folded. Q: who are the staten island stapletons? A: Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons.

C_544929c4b6ad4be5a342f31aced398b0_1_q#1

when did he sign with them?

0y

2x

C_544929c4b6ad4be5a342f31aced398b0_1

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

Staten Island Stapletons

Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. He played for the Stapletons for four years from 1929 to 1932. While statistics are not available for the 1929 NFL season, Strong was regarded as one of the best backs in the NFL. He started all 10 games at halfback for the 1929 Stapletons. In his first NFL game, he threw a long forward pass to set up the Stapleton's first touchdown and scored all of the team's 12 points on two short touchdown runs. He also had a 70-yard run in a scoreless tie with the Orange Tornadoes on November 3, 1929. Two days later, Strong had a 50-yard touchdown run against the Providence Steam Roller. At the end of the 1929 season, Strong was selected by Collyer's Eye and the Green Bay Press-Gazette as a second-team All-Pro. In 1930, Strong appeared in all 12 games for the Stapletons and scored 53 points on two rushing touchdowns, five receiving touchdowns, one field goal, and eight extra points. His point total ranked third in the NFL in 1930, trailing only Jack McBride (56 points) and Verne Lewellen (54 points). On September 28, 1930, he caught two touchdown passes, threw a 40-yard pass that set up a third touchdown, and kicked three extra points in a 21-0 victory over the Frankford Yellow Jackets. In December 1930, he led the Stapletons to a 16-7 victory over the New York Giants for the pro football championship of New York City; Strong accounted for all 16 Stapleton points, running 98 yards for a touchdown, passing for a second touchdown, and kicking a field goal and an extra point. He was selected as a first-team player on the 1930 All-Pro Team by Collyer's Eye and the Green Bay Press-Gazette. In 1931, Strong appeared in all 11 games for the Stapletons and scored 53 points on six rushing touchdowns, one punt return for a touchdown, two field goals, and five extra points. His 53 points ranked fourth in the NFL, trailing only Johnny Blood (84 points), Ernie Nevers (66 points), and Dutch Clark (60 points). On November 22, 1931, Strong scored all 16 points in a 16-7 victory over Cleveland; he had two rushing touchdowns, including a 50-yard run and kicked a field goal and an extra point. At the end of the 1931 season, Strong was selected as an All-Pro for the second year in a row, receiving first-team honors from the United Press (UP) and Collyer's Eye. Strong's output dropped off in 1932 as he moved to the fullback position. He appeared in 11 games and ranked sixth in the NFL with 375 rushing yards, but scored only 15 points on two touchdowns and three extra points. At the end of the 1932 season, the Stapletons team folded. Q: who are the staten island stapletons? A: Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. Q: when did he sign with them? A: He played for the Stapletons for four years from 1929 to 1932.

C_544929c4b6ad4be5a342f31aced398b0_1_q#2

what position did he play?

1n

2x

C_544929c4b6ad4be5a342f31aced398b0_1

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

Staten Island Stapletons

Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. He played for the Stapletons for four years from 1929 to 1932. While statistics are not available for the 1929 NFL season, Strong was regarded as one of the best backs in the NFL. He started all 10 games at halfback for the 1929 Stapletons. In his first NFL game, he threw a long forward pass to set up the Stapleton's first touchdown and scored all of the team's 12 points on two short touchdown runs. He also had a 70-yard run in a scoreless tie with the Orange Tornadoes on November 3, 1929. Two days later, Strong had a 50-yard touchdown run against the Providence Steam Roller. At the end of the 1929 season, Strong was selected by Collyer's Eye and the Green Bay Press-Gazette as a second-team All-Pro. In 1930, Strong appeared in all 12 games for the Stapletons and scored 53 points on two rushing touchdowns, five receiving touchdowns, one field goal, and eight extra points. His point total ranked third in the NFL in 1930, trailing only Jack McBride (56 points) and Verne Lewellen (54 points). On September 28, 1930, he caught two touchdown passes, threw a 40-yard pass that set up a third touchdown, and kicked three extra points in a 21-0 victory over the Frankford Yellow Jackets. In December 1930, he led the Stapletons to a 16-7 victory over the New York Giants for the pro football championship of New York City; Strong accounted for all 16 Stapleton points, running 98 yards for a touchdown, passing for a second touchdown, and kicking a field goal and an extra point. He was selected as a first-team player on the 1930 All-Pro Team by Collyer's Eye and the Green Bay Press-Gazette. In 1931, Strong appeared in all 11 games for the Stapletons and scored 53 points on six rushing touchdowns, one punt return for a touchdown, two field goals, and five extra points. His 53 points ranked fourth in the NFL, trailing only Johnny Blood (84 points), Ernie Nevers (66 points), and Dutch Clark (60 points). On November 22, 1931, Strong scored all 16 points in a 16-7 victory over Cleveland; he had two rushing touchdowns, including a 50-yard run and kicked a field goal and an extra point. At the end of the 1931 season, Strong was selected as an All-Pro for the second year in a row, receiving first-team honors from the United Press (UP) and Collyer's Eye. Strong's output dropped off in 1932 as he moved to the fullback position. He appeared in 11 games and ranked sixth in the NFL with 375 rushing yards, but scored only 15 points on two touchdowns and three extra points. At the end of the 1932 season, the Stapletons team folded. Q: who are the staten island stapletons? A: Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. Q: when did he sign with them? A: He played for the Stapletons for four years from 1929 to 1932. Q: what position did he play? A: unknown

C_544929c4b6ad4be5a342f31aced398b0_1_q#3

did he set any records?

1n

2x

C_544929c4b6ad4be5a342f31aced398b0_1

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

Staten Island Stapletons

Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. He played for the Stapletons for four years from 1929 to 1932. While statistics are not available for the 1929 NFL season, Strong was regarded as one of the best backs in the NFL. He started all 10 games at halfback for the 1929 Stapletons. In his first NFL game, he threw a long forward pass to set up the Stapleton's first touchdown and scored all of the team's 12 points on two short touchdown runs. He also had a 70-yard run in a scoreless tie with the Orange Tornadoes on November 3, 1929. Two days later, Strong had a 50-yard touchdown run against the Providence Steam Roller. At the end of the 1929 season, Strong was selected by Collyer's Eye and the Green Bay Press-Gazette as a second-team All-Pro. In 1930, Strong appeared in all 12 games for the Stapletons and scored 53 points on two rushing touchdowns, five receiving touchdowns, one field goal, and eight extra points. His point total ranked third in the NFL in 1930, trailing only Jack McBride (56 points) and Verne Lewellen (54 points). On September 28, 1930, he caught two touchdown passes, threw a 40-yard pass that set up a third touchdown, and kicked three extra points in a 21-0 victory over the Frankford Yellow Jackets. In December 1930, he led the Stapletons to a 16-7 victory over the New York Giants for the pro football championship of New York City; Strong accounted for all 16 Stapleton points, running 98 yards for a touchdown, passing for a second touchdown, and kicking a field goal and an extra point. He was selected as a first-team player on the 1930 All-Pro Team by Collyer's Eye and the Green Bay Press-Gazette. In 1931, Strong appeared in all 11 games for the Stapletons and scored 53 points on six rushing touchdowns, one punt return for a touchdown, two field goals, and five extra points. His 53 points ranked fourth in the NFL, trailing only Johnny Blood (84 points), Ernie Nevers (66 points), and Dutch Clark (60 points). On November 22, 1931, Strong scored all 16 points in a 16-7 victory over Cleveland; he had two rushing touchdowns, including a 50-yard run and kicked a field goal and an extra point. At the end of the 1931 season, Strong was selected as an All-Pro for the second year in a row, receiving first-team honors from the United Press (UP) and Collyer's Eye. Strong's output dropped off in 1932 as he moved to the fullback position. He appeared in 11 games and ranked sixth in the NFL with 375 rushing yards, but scored only 15 points on two touchdowns and three extra points. At the end of the 1932 season, the Stapletons team folded. Q: who are the staten island stapletons? A: Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. Q: when did he sign with them? A: He played for the Stapletons for four years from 1929 to 1932. Q: what position did he play? A: unknown Q: did he set any records? A: unknown

C_544929c4b6ad4be5a342f31aced398b0_1_q#4

Are there any other interesting aspects about this article?

0y

2x

C_544929c4b6ad4be5a342f31aced398b0_1

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

Staten Island Stapletons

Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. He played for the Stapletons for four years from 1929 to 1932. While statistics are not available for the 1929 NFL season, Strong was regarded as one of the best backs in the NFL. He started all 10 games at halfback for the 1929 Stapletons. In his first NFL game, he threw a long forward pass to set up the Stapleton's first touchdown and scored all of the team's 12 points on two short touchdown runs. He also had a 70-yard run in a scoreless tie with the Orange Tornadoes on November 3, 1929. Two days later, Strong had a 50-yard touchdown run against the Providence Steam Roller. At the end of the 1929 season, Strong was selected by Collyer's Eye and the Green Bay Press-Gazette as a second-team All-Pro. In 1930, Strong appeared in all 12 games for the Stapletons and scored 53 points on two rushing touchdowns, five receiving touchdowns, one field goal, and eight extra points. His point total ranked third in the NFL in 1930, trailing only Jack McBride (56 points) and Verne Lewellen (54 points). On September 28, 1930, he caught two touchdown passes, threw a 40-yard pass that set up a third touchdown, and kicked three extra points in a 21-0 victory over the Frankford Yellow Jackets. In December 1930, he led the Stapletons to a 16-7 victory over the New York Giants for the pro football championship of New York City; Strong accounted for all 16 Stapleton points, running 98 yards for a touchdown, passing for a second touchdown, and kicking a field goal and an extra point. He was selected as a first-team player on the 1930 All-Pro Team by Collyer's Eye and the Green Bay Press-Gazette. In 1931, Strong appeared in all 11 games for the Stapletons and scored 53 points on six rushing touchdowns, one punt return for a touchdown, two field goals, and five extra points. His 53 points ranked fourth in the NFL, trailing only Johnny Blood (84 points), Ernie Nevers (66 points), and Dutch Clark (60 points). On November 22, 1931, Strong scored all 16 points in a 16-7 victory over Cleveland; he had two rushing touchdowns, including a 50-yard run and kicked a field goal and an extra point. At the end of the 1931 season, Strong was selected as an All-Pro for the second year in a row, receiving first-team honors from the United Press (UP) and Collyer's Eye. Strong's output dropped off in 1932 as he moved to the fullback position. He appeared in 11 games and ranked sixth in the NFL with 375 rushing yards, but scored only 15 points on two touchdowns and three extra points. At the end of the 1932 season, the Stapletons team folded. Q: who are the staten island stapletons? A: Unable to reach terms with the New York Giants, Strong signed instead with the Staten Island Stapletons. Q: when did he sign with them? A: He played for the Stapletons for four years from 1929 to 1932. Q: what position did he play? A: unknown Q: did he set any records? A: unknown Q: Are there any other interesting aspects about this article? A: In his first NFL game, he threw a long forward pass to set up the Stapleton's first touchdown and scored all of the team's 12 points on two short touchdown

C_544929c4b6ad4be5a342f31aced398b0_1_q#5

was he honored for anything?

0y

2x

C_544929c4b6ad4be5a342f31aced398b0_0

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

New York Giants

In 1933, Strong signed with the New York Giants. The 1932 Giants had compiled a 4-6-2 record, but the 1933 Giants, with Strong at fullback and Harry Newman at quarterback, improved to 11-3 and advanced to the 1933 NFL Championship Game. Strong led the NFL with 64 points in 1933; his points were scored on three rushing touchdowns, two receiving touchdowns, a touchdown on an interception return, five field goals, and 13 extra points. On November 26, 1933, he became the first known player in NFL history to score on a fair catch kick. The 30-yard kick was made at the Polo Grounds in a win against the Green Bay Packers. After the 1933 season, Strong received first-team All-Pro honors from the United Press, Collyer's Eye, and the Green Bay Press-Gazette. In 1934, Strong again played in every game for the Giants as a fullback. He rushed for 431 yards and scored 56 points (six rushing touchdowns, four field goals, and eight extra points) in the regular season. His greatest fame derives from his role in the Giants' comeback victory over the Chicago Bears in the 1934 NFL Championship Game; Strong scored 17 points for the Giants on a 38-yard field goal, two fourth-quarter touchdowns on runs of 42 and 8 yards, and two extra points. Strong received first-team All-Pro honors in 1934 from the NFL and others. In 1935, Strong helped lead the Giants to their third consecutive NFL Championship Game. In a 10-7 victory over the Brooklyn Dodgers, he was only able to play a few minutes due to injury, but he still managed to score all of the Giants' points on a 24-yard touchdown run and a 24-yard field goal. Slowed by injury in 1935, he was described as "a celebrated invalid" who "hobbled" from the bench to kick a field goal for the Giants in a 3-0 victory over the Bears on November 17. In the 1935 NFL Championship Game, a 26-7 loss to the Detroit Lions, Strong scored all of the Giants' points on a long touchdown catch and run and the extra point.

C_544929c4b6ad4be5a342f31aced398b0_0_q#0

When did Ken join the new york Giants?

0y

2x

C_544929c4b6ad4be5a342f31aced398b0_0

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

New York Giants

In 1933, Strong signed with the New York Giants. The 1932 Giants had compiled a 4-6-2 record, but the 1933 Giants, with Strong at fullback and Harry Newman at quarterback, improved to 11-3 and advanced to the 1933 NFL Championship Game. Strong led the NFL with 64 points in 1933; his points were scored on three rushing touchdowns, two receiving touchdowns, a touchdown on an interception return, five field goals, and 13 extra points. On November 26, 1933, he became the first known player in NFL history to score on a fair catch kick. The 30-yard kick was made at the Polo Grounds in a win against the Green Bay Packers. After the 1933 season, Strong received first-team All-Pro honors from the United Press, Collyer's Eye, and the Green Bay Press-Gazette. In 1934, Strong again played in every game for the Giants as a fullback. He rushed for 431 yards and scored 56 points (six rushing touchdowns, four field goals, and eight extra points) in the regular season. His greatest fame derives from his role in the Giants' comeback victory over the Chicago Bears in the 1934 NFL Championship Game; Strong scored 17 points for the Giants on a 38-yard field goal, two fourth-quarter touchdowns on runs of 42 and 8 yards, and two extra points. Strong received first-team All-Pro honors in 1934 from the NFL and others. In 1935, Strong helped lead the Giants to their third consecutive NFL Championship Game. In a 10-7 victory over the Brooklyn Dodgers, he was only able to play a few minutes due to injury, but he still managed to score all of the Giants' points on a 24-yard touchdown run and a 24-yard field goal. Slowed by injury in 1935, he was described as "a celebrated invalid" who "hobbled" from the bench to kick a field goal for the Giants in a 3-0 victory over the Bears on November 17. In the 1935 NFL Championship Game, a 26-7 loss to the Detroit Lions, Strong scored all of the Giants' points on a long touchdown catch and run and the extra point. Q: When did Ken join the new york Giants? A: In 1933, Strong signed with the New York Giants.

C_544929c4b6ad4be5a342f31aced398b0_0_q#1

How long did he play for the New york giants?

1n

2x

C_544929c4b6ad4be5a342f31aced398b0_0

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

New York Giants

In 1933, Strong signed with the New York Giants. The 1932 Giants had compiled a 4-6-2 record, but the 1933 Giants, with Strong at fullback and Harry Newman at quarterback, improved to 11-3 and advanced to the 1933 NFL Championship Game. Strong led the NFL with 64 points in 1933; his points were scored on three rushing touchdowns, two receiving touchdowns, a touchdown on an interception return, five field goals, and 13 extra points. On November 26, 1933, he became the first known player in NFL history to score on a fair catch kick. The 30-yard kick was made at the Polo Grounds in a win against the Green Bay Packers. After the 1933 season, Strong received first-team All-Pro honors from the United Press, Collyer's Eye, and the Green Bay Press-Gazette. In 1934, Strong again played in every game for the Giants as a fullback. He rushed for 431 yards and scored 56 points (six rushing touchdowns, four field goals, and eight extra points) in the regular season. His greatest fame derives from his role in the Giants' comeback victory over the Chicago Bears in the 1934 NFL Championship Game; Strong scored 17 points for the Giants on a 38-yard field goal, two fourth-quarter touchdowns on runs of 42 and 8 yards, and two extra points. Strong received first-team All-Pro honors in 1934 from the NFL and others. In 1935, Strong helped lead the Giants to their third consecutive NFL Championship Game. In a 10-7 victory over the Brooklyn Dodgers, he was only able to play a few minutes due to injury, but he still managed to score all of the Giants' points on a 24-yard touchdown run and a 24-yard field goal. Slowed by injury in 1935, he was described as "a celebrated invalid" who "hobbled" from the bench to kick a field goal for the Giants in a 3-0 victory over the Bears on November 17. In the 1935 NFL Championship Game, a 26-7 loss to the Detroit Lions, Strong scored all of the Giants' points on a long touchdown catch and run and the extra point. Q: When did Ken join the new york Giants? A: In 1933, Strong signed with the New York Giants. Q: How long did he play for the New york giants? A: unknown

C_544929c4b6ad4be5a342f31aced398b0_0_q#2

What position did he play?

0y

2x

C_544929c4b6ad4be5a342f31aced398b0_0

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

New York Giants

In 1933, Strong signed with the New York Giants. The 1932 Giants had compiled a 4-6-2 record, but the 1933 Giants, with Strong at fullback and Harry Newman at quarterback, improved to 11-3 and advanced to the 1933 NFL Championship Game. Strong led the NFL with 64 points in 1933; his points were scored on three rushing touchdowns, two receiving touchdowns, a touchdown on an interception return, five field goals, and 13 extra points. On November 26, 1933, he became the first known player in NFL history to score on a fair catch kick. The 30-yard kick was made at the Polo Grounds in a win against the Green Bay Packers. After the 1933 season, Strong received first-team All-Pro honors from the United Press, Collyer's Eye, and the Green Bay Press-Gazette. In 1934, Strong again played in every game for the Giants as a fullback. He rushed for 431 yards and scored 56 points (six rushing touchdowns, four field goals, and eight extra points) in the regular season. His greatest fame derives from his role in the Giants' comeback victory over the Chicago Bears in the 1934 NFL Championship Game; Strong scored 17 points for the Giants on a 38-yard field goal, two fourth-quarter touchdowns on runs of 42 and 8 yards, and two extra points. Strong received first-team All-Pro honors in 1934 from the NFL and others. In 1935, Strong helped lead the Giants to their third consecutive NFL Championship Game. In a 10-7 victory over the Brooklyn Dodgers, he was only able to play a few minutes due to injury, but he still managed to score all of the Giants' points on a 24-yard touchdown run and a 24-yard field goal. Slowed by injury in 1935, he was described as "a celebrated invalid" who "hobbled" from the bench to kick a field goal for the Giants in a 3-0 victory over the Bears on November 17. In the 1935 NFL Championship Game, a 26-7 loss to the Detroit Lions, Strong scored all of the Giants' points on a long touchdown catch and run and the extra point. Q: When did Ken join the new york Giants? A: In 1933, Strong signed with the New York Giants. Q: How long did he play for the New york giants? A: unknown Q: What position did he play? A: with Strong at fullback

C_544929c4b6ad4be5a342f31aced398b0_0_q#3

Did he play well?

0y

0y

C_544929c4b6ad4be5a342f31aced398b0_0

Ken Strong

Elmer Kenneth Strong (April 21, 1906 - October 5, 1979) was an American football halfback and fullback who also played minor league baseball. Considered one of the greatest all-around players in the early decades of the game, he was inducted into the College Football Hall of Fame in 1957 and the Pro Football Hall of Fame in 1967 and was named to the NFL 1930s All-Decade Team. A native of West Haven, Connecticut, Strong played college baseball and football for the NYU Violets. In football, he led the country in scoring with 162 points in 1928, gained over 3,000 yards from scrimmage, and was a consensus first-team selection on the 1928 College Football All-America Team.

New York Giants

In 1933, Strong signed with the New York Giants. The 1932 Giants had compiled a 4-6-2 record, but the 1933 Giants, with Strong at fullback and Harry Newman at quarterback, improved to 11-3 and advanced to the 1933 NFL Championship Game. Strong led the NFL with 64 points in 1933; his points were scored on three rushing touchdowns, two receiving touchdowns, a touchdown on an interception return, five field goals, and 13 extra points. On November 26, 1933, he became the first known player in NFL history to score on a fair catch kick. The 30-yard kick was made at the Polo Grounds in a win against the Green Bay Packers. After the 1933 season, Strong received first-team All-Pro honors from the United Press, Collyer's Eye, and the Green Bay Press-Gazette. In 1934, Strong again played in every game for the Giants as a fullback. He rushed for 431 yards and scored 56 points (six rushing touchdowns, four field goals, and eight extra points) in the regular season. His greatest fame derives from his role in the Giants' comeback victory over the Chicago Bears in the 1934 NFL Championship Game; Strong scored 17 points for the Giants on a 38-yard field goal, two fourth-quarter touchdowns on runs of 42 and 8 yards, and two extra points. Strong received first-team All-Pro honors in 1934 from the NFL and others. In 1935, Strong helped lead the Giants to their third consecutive NFL Championship Game. In a 10-7 victory over the Brooklyn Dodgers, he was only able to play a few minutes due to injury, but he still managed to score all of the Giants' points on a 24-yard touchdown run and a 24-yard field goal. Slowed by injury in 1935, he was described as "a celebrated invalid" who "hobbled" from the bench to kick a field goal for the Giants in a 3-0 victory over the Bears on November 17. In the 1935 NFL Championship Game, a 26-7 loss to the Detroit Lions, Strong scored all of the Giants' points on a long touchdown catch and run and the extra point. Q: When did Ken join the new york Giants? A: In 1933, Strong signed with the New York Giants. Q: How long did he play for the New york giants? A: unknown Q: What position did he play? A: with Strong at fullback Q: Did he play well? A: Strong led the NFL with 64 points in 1933; his points were scored on three rushing touchdowns, two receiving touchdowns, a touchdown on an interception return,

C_544929c4b6ad4be5a342f31aced398b0_0_q#4

What were some of his other accomplishments?

0y

2x

C_075b215006214a08b93e6b105b222a75_1

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

2016-present: Children's books, Meaning of Life and The Voice

In February 2016, it was announced that Clarkson had signed a book deal with HarperCollins. Her first children's book, titled River Rose and the Magical Lullaby was released on October 4, 2016. The book features an original lullaby written and performed by Clarkson. On the possibility of writing anymore books in the future Clarkson told Publishers Weekly, "I've got a few ideas - there could be a lullaby for each book. We've got a plethora of stories, and I've already written seven songs, full out, so we'll just have to see which ones might pan out to be a book. But yes, there will definitely be more." The second book featuring the character of River Rose titled River Rose and the Magical Christmas was released on October 24, 2017, and included a new original song written and sung by Clarkson, titled "Christmas Eve". On March 15, 2016, First Lady Michelle Obama released "This Is for My Girls", a collaborative track featuring vocals from Clarkson, Janelle Monae, Kelly Rowland, Lea Michele, Zendaya and Missy Elliott to coincide with Barack Obama's SXSW speech and to promote the First Lady's third-world educational initiative "Let Girls Learn". Clarkson recorded a solo version of "It's Quiet Uptown" for The Hamilton Mixtape. Her version was released on November 3, 2016, as a promotional single for the album. She also recorded a duet called "Love Goes On" with Aloe Blacc for the original soundtrack of The Shack which was released in the United States on March 3, 2017. On May 11, 2017, it was announced that Clarkson would join The Voice as a coach for the series' fourteenth season. On June 24, 2016, Clarkson announced she had signed a long-term worldwide deal with Atlantic Records, with the intentions of releasing a soul-influenced eighth studio album in 2017. In November 2016, Clarkson announced her intentions of releasing a new single in April 2017, with the album to follow in June. On September 4, 2017, Clarkson announced her new lead single "Love So Soft", which was released on September 7, 2017, along with the song "Move You" as well. On September 6, 2017, Clarkson announced that her album, Meaning of Life, would be released on October 27, 2017. Clarkson opened the 45th American Music Awards with P!nk; together they performed R.E.M.'s "Everybody Hurts" to honor first responders. Later in the show she performed "Miss Independent" and "Love So Soft". "Love So Soft" was nominated for Best Pop Solo Performance at the 60th Annual Grammy Awards. She now holds the record for the most nominations in that category with four. Clarkson lent her voice in the computer-animated film, The Star alongside Oprah Winfrey, Steven Yeun, Tyler Perry and others, which is based on the Nativity of Jesus. Developed by Sony Pictures Animation, the film was released on November 17, 2017. This was the first film in which Clarkson performed a voice role. Clarkson also had a guest voice role in the Netflix animated series Home: Adventures with Tip & Oh, portraying herself in the series' 2017 animated Christmas special, Home for the Holidays, alongside Ben Schwartz. In March 2018, Clarkson released "I've Loved You Since Forever", a ballad version of the children's book by Hoda Kotb.

C_075b215006214a08b93e6b105b222a75_1_q#0

Did Kelly write a Children's Book?

0y

0y

C_075b215006214a08b93e6b105b222a75_1

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

2016-present: Children's books, Meaning of Life and The Voice

In February 2016, it was announced that Clarkson had signed a book deal with HarperCollins. Her first children's book, titled River Rose and the Magical Lullaby was released on October 4, 2016. The book features an original lullaby written and performed by Clarkson. On the possibility of writing anymore books in the future Clarkson told Publishers Weekly, "I've got a few ideas - there could be a lullaby for each book. We've got a plethora of stories, and I've already written seven songs, full out, so we'll just have to see which ones might pan out to be a book. But yes, there will definitely be more." The second book featuring the character of River Rose titled River Rose and the Magical Christmas was released on October 24, 2017, and included a new original song written and sung by Clarkson, titled "Christmas Eve". On March 15, 2016, First Lady Michelle Obama released "This Is for My Girls", a collaborative track featuring vocals from Clarkson, Janelle Monae, Kelly Rowland, Lea Michele, Zendaya and Missy Elliott to coincide with Barack Obama's SXSW speech and to promote the First Lady's third-world educational initiative "Let Girls Learn". Clarkson recorded a solo version of "It's Quiet Uptown" for The Hamilton Mixtape. Her version was released on November 3, 2016, as a promotional single for the album. She also recorded a duet called "Love Goes On" with Aloe Blacc for the original soundtrack of The Shack which was released in the United States on March 3, 2017. On May 11, 2017, it was announced that Clarkson would join The Voice as a coach for the series' fourteenth season. On June 24, 2016, Clarkson announced she had signed a long-term worldwide deal with Atlantic Records, with the intentions of releasing a soul-influenced eighth studio album in 2017. In November 2016, Clarkson announced her intentions of releasing a new single in April 2017, with the album to follow in June. On September 4, 2017, Clarkson announced her new lead single "Love So Soft", which was released on September 7, 2017, along with the song "Move You" as well. On September 6, 2017, Clarkson announced that her album, Meaning of Life, would be released on October 27, 2017. Clarkson opened the 45th American Music Awards with P!nk; together they performed R.E.M.'s "Everybody Hurts" to honor first responders. Later in the show she performed "Miss Independent" and "Love So Soft". "Love So Soft" was nominated for Best Pop Solo Performance at the 60th Annual Grammy Awards. She now holds the record for the most nominations in that category with four. Clarkson lent her voice in the computer-animated film, The Star alongside Oprah Winfrey, Steven Yeun, Tyler Perry and others, which is based on the Nativity of Jesus. Developed by Sony Pictures Animation, the film was released on November 17, 2017. This was the first film in which Clarkson performed a voice role. Clarkson also had a guest voice role in the Netflix animated series Home: Adventures with Tip & Oh, portraying herself in the series' 2017 animated Christmas special, Home for the Holidays, alongside Ben Schwartz. In March 2018, Clarkson released "I've Loved You Since Forever", a ballad version of the children's book by Hoda Kotb. Q: Did Kelly write a Children's Book? A: River Rose and the Magical Lullaby was released on October 4, 2016.

C_075b215006214a08b93e6b105b222a75_1_q#1

What inspired Kelly to write a book?

2m

2x

C_075b215006214a08b93e6b105b222a75_1

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

2016-present: Children's books, Meaning of Life and The Voice

In February 2016, it was announced that Clarkson had signed a book deal with HarperCollins. Her first children's book, titled River Rose and the Magical Lullaby was released on October 4, 2016. The book features an original lullaby written and performed by Clarkson. On the possibility of writing anymore books in the future Clarkson told Publishers Weekly, "I've got a few ideas - there could be a lullaby for each book. We've got a plethora of stories, and I've already written seven songs, full out, so we'll just have to see which ones might pan out to be a book. But yes, there will definitely be more." The second book featuring the character of River Rose titled River Rose and the Magical Christmas was released on October 24, 2017, and included a new original song written and sung by Clarkson, titled "Christmas Eve". On March 15, 2016, First Lady Michelle Obama released "This Is for My Girls", a collaborative track featuring vocals from Clarkson, Janelle Monae, Kelly Rowland, Lea Michele, Zendaya and Missy Elliott to coincide with Barack Obama's SXSW speech and to promote the First Lady's third-world educational initiative "Let Girls Learn". Clarkson recorded a solo version of "It's Quiet Uptown" for The Hamilton Mixtape. Her version was released on November 3, 2016, as a promotional single for the album. She also recorded a duet called "Love Goes On" with Aloe Blacc for the original soundtrack of The Shack which was released in the United States on March 3, 2017. On May 11, 2017, it was announced that Clarkson would join The Voice as a coach for the series' fourteenth season. On June 24, 2016, Clarkson announced she had signed a long-term worldwide deal with Atlantic Records, with the intentions of releasing a soul-influenced eighth studio album in 2017. In November 2016, Clarkson announced her intentions of releasing a new single in April 2017, with the album to follow in June. On September 4, 2017, Clarkson announced her new lead single "Love So Soft", which was released on September 7, 2017, along with the song "Move You" as well. On September 6, 2017, Clarkson announced that her album, Meaning of Life, would be released on October 27, 2017. Clarkson opened the 45th American Music Awards with P!nk; together they performed R.E.M.'s "Everybody Hurts" to honor first responders. Later in the show she performed "Miss Independent" and "Love So Soft". "Love So Soft" was nominated for Best Pop Solo Performance at the 60th Annual Grammy Awards. She now holds the record for the most nominations in that category with four. Clarkson lent her voice in the computer-animated film, The Star alongside Oprah Winfrey, Steven Yeun, Tyler Perry and others, which is based on the Nativity of Jesus. Developed by Sony Pictures Animation, the film was released on November 17, 2017. This was the first film in which Clarkson performed a voice role. Clarkson also had a guest voice role in the Netflix animated series Home: Adventures with Tip & Oh, portraying herself in the series' 2017 animated Christmas special, Home for the Holidays, alongside Ben Schwartz. In March 2018, Clarkson released "I've Loved You Since Forever", a ballad version of the children's book by Hoda Kotb. Q: Did Kelly write a Children's Book? A: River Rose and the Magical Lullaby was released on October 4, 2016. Q: What inspired Kelly to write a book? A: The book features an original lullaby written and performed by Clarkson.

C_075b215006214a08b93e6b105b222a75_1_q#2

What is the Meaning of Life?

2m

2x

C_075b215006214a08b93e6b105b222a75_1

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

2016-present: Children's books, Meaning of Life and The Voice

In February 2016, it was announced that Clarkson had signed a book deal with HarperCollins. Her first children's book, titled River Rose and the Magical Lullaby was released on October 4, 2016. The book features an original lullaby written and performed by Clarkson. On the possibility of writing anymore books in the future Clarkson told Publishers Weekly, "I've got a few ideas - there could be a lullaby for each book. We've got a plethora of stories, and I've already written seven songs, full out, so we'll just have to see which ones might pan out to be a book. But yes, there will definitely be more." The second book featuring the character of River Rose titled River Rose and the Magical Christmas was released on October 24, 2017, and included a new original song written and sung by Clarkson, titled "Christmas Eve". On March 15, 2016, First Lady Michelle Obama released "This Is for My Girls", a collaborative track featuring vocals from Clarkson, Janelle Monae, Kelly Rowland, Lea Michele, Zendaya and Missy Elliott to coincide with Barack Obama's SXSW speech and to promote the First Lady's third-world educational initiative "Let Girls Learn". Clarkson recorded a solo version of "It's Quiet Uptown" for The Hamilton Mixtape. Her version was released on November 3, 2016, as a promotional single for the album. She also recorded a duet called "Love Goes On" with Aloe Blacc for the original soundtrack of The Shack which was released in the United States on March 3, 2017. On May 11, 2017, it was announced that Clarkson would join The Voice as a coach for the series' fourteenth season. On June 24, 2016, Clarkson announced she had signed a long-term worldwide deal with Atlantic Records, with the intentions of releasing a soul-influenced eighth studio album in 2017. In November 2016, Clarkson announced her intentions of releasing a new single in April 2017, with the album to follow in June. On September 4, 2017, Clarkson announced her new lead single "Love So Soft", which was released on September 7, 2017, along with the song "Move You" as well. On September 6, 2017, Clarkson announced that her album, Meaning of Life, would be released on October 27, 2017. Clarkson opened the 45th American Music Awards with P!nk; together they performed R.E.M.'s "Everybody Hurts" to honor first responders. Later in the show she performed "Miss Independent" and "Love So Soft". "Love So Soft" was nominated for Best Pop Solo Performance at the 60th Annual Grammy Awards. She now holds the record for the most nominations in that category with four. Clarkson lent her voice in the computer-animated film, The Star alongside Oprah Winfrey, Steven Yeun, Tyler Perry and others, which is based on the Nativity of Jesus. Developed by Sony Pictures Animation, the film was released on November 17, 2017. This was the first film in which Clarkson performed a voice role. Clarkson also had a guest voice role in the Netflix animated series Home: Adventures with Tip & Oh, portraying herself in the series' 2017 animated Christmas special, Home for the Holidays, alongside Ben Schwartz. In March 2018, Clarkson released "I've Loved You Since Forever", a ballad version of the children's book by Hoda Kotb. Q: Did Kelly write a Children's Book? A: River Rose and the Magical Lullaby was released on October 4, 2016. Q: What inspired Kelly to write a book? A: The book features an original lullaby written and performed by Clarkson. Q: What is the Meaning of Life? A: Clarkson announced that her album, Meaning of Life, would be released on October 27, 2017.

C_075b215006214a08b93e6b105b222a75_1_q#3

What did Kelly Clarckson do on The Voice?

1n

2x

C_075b215006214a08b93e6b105b222a75_1

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

2016-present: Children's books, Meaning of Life and The Voice

In February 2016, it was announced that Clarkson had signed a book deal with HarperCollins. Her first children's book, titled River Rose and the Magical Lullaby was released on October 4, 2016. The book features an original lullaby written and performed by Clarkson. On the possibility of writing anymore books in the future Clarkson told Publishers Weekly, "I've got a few ideas - there could be a lullaby for each book. We've got a plethora of stories, and I've already written seven songs, full out, so we'll just have to see which ones might pan out to be a book. But yes, there will definitely be more." The second book featuring the character of River Rose titled River Rose and the Magical Christmas was released on October 24, 2017, and included a new original song written and sung by Clarkson, titled "Christmas Eve". On March 15, 2016, First Lady Michelle Obama released "This Is for My Girls", a collaborative track featuring vocals from Clarkson, Janelle Monae, Kelly Rowland, Lea Michele, Zendaya and Missy Elliott to coincide with Barack Obama's SXSW speech and to promote the First Lady's third-world educational initiative "Let Girls Learn". Clarkson recorded a solo version of "It's Quiet Uptown" for The Hamilton Mixtape. Her version was released on November 3, 2016, as a promotional single for the album. She also recorded a duet called "Love Goes On" with Aloe Blacc for the original soundtrack of The Shack which was released in the United States on March 3, 2017. On May 11, 2017, it was announced that Clarkson would join The Voice as a coach for the series' fourteenth season. On June 24, 2016, Clarkson announced she had signed a long-term worldwide deal with Atlantic Records, with the intentions of releasing a soul-influenced eighth studio album in 2017. In November 2016, Clarkson announced her intentions of releasing a new single in April 2017, with the album to follow in June. On September 4, 2017, Clarkson announced her new lead single "Love So Soft", which was released on September 7, 2017, along with the song "Move You" as well. On September 6, 2017, Clarkson announced that her album, Meaning of Life, would be released on October 27, 2017. Clarkson opened the 45th American Music Awards with P!nk; together they performed R.E.M.'s "Everybody Hurts" to honor first responders. Later in the show she performed "Miss Independent" and "Love So Soft". "Love So Soft" was nominated for Best Pop Solo Performance at the 60th Annual Grammy Awards. She now holds the record for the most nominations in that category with four. Clarkson lent her voice in the computer-animated film, The Star alongside Oprah Winfrey, Steven Yeun, Tyler Perry and others, which is based on the Nativity of Jesus. Developed by Sony Pictures Animation, the film was released on November 17, 2017. This was the first film in which Clarkson performed a voice role. Clarkson also had a guest voice role in the Netflix animated series Home: Adventures with Tip & Oh, portraying herself in the series' 2017 animated Christmas special, Home for the Holidays, alongside Ben Schwartz. In March 2018, Clarkson released "I've Loved You Since Forever", a ballad version of the children's book by Hoda Kotb. Q: Did Kelly write a Children's Book? A: River Rose and the Magical Lullaby was released on October 4, 2016. Q: What inspired Kelly to write a book? A: The book features an original lullaby written and performed by Clarkson. Q: What is the Meaning of Life? A: Clarkson announced that her album, Meaning of Life, would be released on October 27, 2017. Q: What did Kelly Clarckson do on The Voice? A: On May 11, 2017, it was announced that Clarkson would join The Voice as a coach for the series' fourteenth season.

C_075b215006214a08b93e6b105b222a75_1_q#4

Is there anything else significant about this time period.

0y

0y

C_075b215006214a08b93e6b105b222a75_1

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

2016-present: Children's books, Meaning of Life and The Voice

In February 2016, it was announced that Clarkson had signed a book deal with HarperCollins. Her first children's book, titled River Rose and the Magical Lullaby was released on October 4, 2016. The book features an original lullaby written and performed by Clarkson. On the possibility of writing anymore books in the future Clarkson told Publishers Weekly, "I've got a few ideas - there could be a lullaby for each book. We've got a plethora of stories, and I've already written seven songs, full out, so we'll just have to see which ones might pan out to be a book. But yes, there will definitely be more." The second book featuring the character of River Rose titled River Rose and the Magical Christmas was released on October 24, 2017, and included a new original song written and sung by Clarkson, titled "Christmas Eve". On March 15, 2016, First Lady Michelle Obama released "This Is for My Girls", a collaborative track featuring vocals from Clarkson, Janelle Monae, Kelly Rowland, Lea Michele, Zendaya and Missy Elliott to coincide with Barack Obama's SXSW speech and to promote the First Lady's third-world educational initiative "Let Girls Learn". Clarkson recorded a solo version of "It's Quiet Uptown" for The Hamilton Mixtape. Her version was released on November 3, 2016, as a promotional single for the album. She also recorded a duet called "Love Goes On" with Aloe Blacc for the original soundtrack of The Shack which was released in the United States on March 3, 2017. On May 11, 2017, it was announced that Clarkson would join The Voice as a coach for the series' fourteenth season. On June 24, 2016, Clarkson announced she had signed a long-term worldwide deal with Atlantic Records, with the intentions of releasing a soul-influenced eighth studio album in 2017. In November 2016, Clarkson announced her intentions of releasing a new single in April 2017, with the album to follow in June. On September 4, 2017, Clarkson announced her new lead single "Love So Soft", which was released on September 7, 2017, along with the song "Move You" as well. On September 6, 2017, Clarkson announced that her album, Meaning of Life, would be released on October 27, 2017. Clarkson opened the 45th American Music Awards with P!nk; together they performed R.E.M.'s "Everybody Hurts" to honor first responders. Later in the show she performed "Miss Independent" and "Love So Soft". "Love So Soft" was nominated for Best Pop Solo Performance at the 60th Annual Grammy Awards. She now holds the record for the most nominations in that category with four. Clarkson lent her voice in the computer-animated film, The Star alongside Oprah Winfrey, Steven Yeun, Tyler Perry and others, which is based on the Nativity of Jesus. Developed by Sony Pictures Animation, the film was released on November 17, 2017. This was the first film in which Clarkson performed a voice role. Clarkson also had a guest voice role in the Netflix animated series Home: Adventures with Tip & Oh, portraying herself in the series' 2017 animated Christmas special, Home for the Holidays, alongside Ben Schwartz. In March 2018, Clarkson released "I've Loved You Since Forever", a ballad version of the children's book by Hoda Kotb. Q: Did Kelly write a Children's Book? A: River Rose and the Magical Lullaby was released on October 4, 2016. Q: What inspired Kelly to write a book? A: The book features an original lullaby written and performed by Clarkson. Q: What is the Meaning of Life? A: Clarkson announced that her album, Meaning of Life, would be released on October 27, 2017. Q: What did Kelly Clarckson do on The Voice? A: On May 11, 2017, it was announced that Clarkson would join The Voice as a coach for the series' fourteenth season. Q: Is there anything else significant about this time period. A: Clarkson lent her voice in the computer-animated film, The Star

C_075b215006214a08b93e6b105b222a75_1_q#5

Did Clarkson do anything other than writing Children's books or appear on the Voice?

0y

0y

C_075b215006214a08b93e6b105b222a75_0

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

Impact

Clarkson has scored 100 number ones on the Billboard charts and sold over 25 million albums and 45 million singles worldwide, including 14 million albums and 35 million digital singles in the United States alone. She became the first artist to top each of Billboard's pop, adult contemporary, adult pop, country and dance charts. She was ranked nineteenth on VH1's list of 100 Greatest Women in Music. Television channel Fuse included Clarkson among "30 Greatest Musicians to Come From Singing Competitions" list. Music executive Simon Cowell believed that "What [Clarkson] sold in the UK, Europe, Asia had nothing to do with American Idol. It had everything to do with the fact that she made a great record and she's got an incredible voice. She's not a girl who got lucky in a talent competition; we got lucky to find her." According to The Hollywood Reporter, Clarkson is "the embodiment of the perfect pop star. Her unmistakable pipes are a powerful presence in top 40 and country, with forays into anthemic rock and dance." Nolan Feeney from Time magazine asserted that Clarkson "has had more of a lasting impact on the pop music landscape than casual listeners might realize." According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. The Washington Post wrote that "Clarkson's powerhouse voice and dynamic presence signaled that the music industry should take these reality show contestants seriously: Her first two albums, Thankful and Breakway, sold about 10 million copies combined, and her pop tunes became empowerment anthems across the globe." Glenn Gamboa of Newsday believed that Clarkson "has set the standard for all singing competition contestants with her savvy mix of pop, rock and country." Fox Broadcasting Company claimed that Clarkson gave "lasting credibility" to American Idol and "in so many ways she cleared a road" for all of the next contestants." George Varga from The San Diego Union-Tribune underlined the difference of Clarkson from most of other talent show contestants is that she "writes or co-writes a fair number of [her] own songs. She is also the only one whose quest to follow her artistic instincts--the better to rock out and break free from the Idol cookie-cutter pop mold--prompted her to fire her management team and engage in a prolonged public battle with her record company, RCA." Jon Lisi from PopMatters cited Clarkson as one of the forces of female domination in pop music of the 2000s. He explained that "Clarkson's anti-sexual image appealed to those who were uncomfortable with Britney Spears' overt exhibitionism. When Clarkson performed "Since U Been Gone" at the 2005 MTV Video Music Awards, for instance, she only showed her midriff, and it was clear that she was marketing herself to an alternative group of young females that liked pop music's conventional sound but didn't want to be confronted with sexual imagery." Singer Demi Lovato, who cited Clarkson as her musical inspiration, said that "[Clarkson] stays out of the tabloids. You hear about her through how talented her music is, not what's going on in her personal life." Country music singer Kelsea Ballerini cites Clarkson as her inspiration and her most favorite female artist of all time, calling her "the best vocalist in the whole world."

C_075b215006214a08b93e6b105b222a75_0_q#0

What sort of impact dd Kelly Clarkson have?

0y

2x

C_075b215006214a08b93e6b105b222a75_0

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

Impact

Clarkson has scored 100 number ones on the Billboard charts and sold over 25 million albums and 45 million singles worldwide, including 14 million albums and 35 million digital singles in the United States alone. She became the first artist to top each of Billboard's pop, adult contemporary, adult pop, country and dance charts. She was ranked nineteenth on VH1's list of 100 Greatest Women in Music. Television channel Fuse included Clarkson among "30 Greatest Musicians to Come From Singing Competitions" list. Music executive Simon Cowell believed that "What [Clarkson] sold in the UK, Europe, Asia had nothing to do with American Idol. It had everything to do with the fact that she made a great record and she's got an incredible voice. She's not a girl who got lucky in a talent competition; we got lucky to find her." According to The Hollywood Reporter, Clarkson is "the embodiment of the perfect pop star. Her unmistakable pipes are a powerful presence in top 40 and country, with forays into anthemic rock and dance." Nolan Feeney from Time magazine asserted that Clarkson "has had more of a lasting impact on the pop music landscape than casual listeners might realize." According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. The Washington Post wrote that "Clarkson's powerhouse voice and dynamic presence signaled that the music industry should take these reality show contestants seriously: Her first two albums, Thankful and Breakway, sold about 10 million copies combined, and her pop tunes became empowerment anthems across the globe." Glenn Gamboa of Newsday believed that Clarkson "has set the standard for all singing competition contestants with her savvy mix of pop, rock and country." Fox Broadcasting Company claimed that Clarkson gave "lasting credibility" to American Idol and "in so many ways she cleared a road" for all of the next contestants." George Varga from The San Diego Union-Tribune underlined the difference of Clarkson from most of other talent show contestants is that she "writes or co-writes a fair number of [her] own songs. She is also the only one whose quest to follow her artistic instincts--the better to rock out and break free from the Idol cookie-cutter pop mold--prompted her to fire her management team and engage in a prolonged public battle with her record company, RCA." Jon Lisi from PopMatters cited Clarkson as one of the forces of female domination in pop music of the 2000s. He explained that "Clarkson's anti-sexual image appealed to those who were uncomfortable with Britney Spears' overt exhibitionism. When Clarkson performed "Since U Been Gone" at the 2005 MTV Video Music Awards, for instance, she only showed her midriff, and it was clear that she was marketing herself to an alternative group of young females that liked pop music's conventional sound but didn't want to be confronted with sexual imagery." Singer Demi Lovato, who cited Clarkson as her musical inspiration, said that "[Clarkson] stays out of the tabloids. You hear about her through how talented her music is, not what's going on in her personal life." Country music singer Kelsea Ballerini cites Clarkson as her inspiration and her most favorite female artist of all time, calling her "the best vocalist in the whole world." Q: What sort of impact dd Kelly Clarkson have? A: According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows.

C_075b215006214a08b93e6b105b222a75_0_q#1

how did she rank on the billboards?

0y

2x

C_075b215006214a08b93e6b105b222a75_0

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

Impact

Clarkson has scored 100 number ones on the Billboard charts and sold over 25 million albums and 45 million singles worldwide, including 14 million albums and 35 million digital singles in the United States alone. She became the first artist to top each of Billboard's pop, adult contemporary, adult pop, country and dance charts. She was ranked nineteenth on VH1's list of 100 Greatest Women in Music. Television channel Fuse included Clarkson among "30 Greatest Musicians to Come From Singing Competitions" list. Music executive Simon Cowell believed that "What [Clarkson] sold in the UK, Europe, Asia had nothing to do with American Idol. It had everything to do with the fact that she made a great record and she's got an incredible voice. She's not a girl who got lucky in a talent competition; we got lucky to find her." According to The Hollywood Reporter, Clarkson is "the embodiment of the perfect pop star. Her unmistakable pipes are a powerful presence in top 40 and country, with forays into anthemic rock and dance." Nolan Feeney from Time magazine asserted that Clarkson "has had more of a lasting impact on the pop music landscape than casual listeners might realize." According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. The Washington Post wrote that "Clarkson's powerhouse voice and dynamic presence signaled that the music industry should take these reality show contestants seriously: Her first two albums, Thankful and Breakway, sold about 10 million copies combined, and her pop tunes became empowerment anthems across the globe." Glenn Gamboa of Newsday believed that Clarkson "has set the standard for all singing competition contestants with her savvy mix of pop, rock and country." Fox Broadcasting Company claimed that Clarkson gave "lasting credibility" to American Idol and "in so many ways she cleared a road" for all of the next contestants." George Varga from The San Diego Union-Tribune underlined the difference of Clarkson from most of other talent show contestants is that she "writes or co-writes a fair number of [her] own songs. She is also the only one whose quest to follow her artistic instincts--the better to rock out and break free from the Idol cookie-cutter pop mold--prompted her to fire her management team and engage in a prolonged public battle with her record company, RCA." Jon Lisi from PopMatters cited Clarkson as one of the forces of female domination in pop music of the 2000s. He explained that "Clarkson's anti-sexual image appealed to those who were uncomfortable with Britney Spears' overt exhibitionism. When Clarkson performed "Since U Been Gone" at the 2005 MTV Video Music Awards, for instance, she only showed her midriff, and it was clear that she was marketing herself to an alternative group of young females that liked pop music's conventional sound but didn't want to be confronted with sexual imagery." Singer Demi Lovato, who cited Clarkson as her musical inspiration, said that "[Clarkson] stays out of the tabloids. You hear about her through how talented her music is, not what's going on in her personal life." Country music singer Kelsea Ballerini cites Clarkson as her inspiration and her most favorite female artist of all time, calling her "the best vocalist in the whole world." Q: What sort of impact dd Kelly Clarkson have? A: According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. Q: how did she rank on the billboards? A: Clarkson has scored 100 number ones on the Billboard charts

C_075b215006214a08b93e6b105b222a75_0_q#2

What was her number 1 hit?

1n

2x

C_075b215006214a08b93e6b105b222a75_0

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

Impact

Clarkson has scored 100 number ones on the Billboard charts and sold over 25 million albums and 45 million singles worldwide, including 14 million albums and 35 million digital singles in the United States alone. She became the first artist to top each of Billboard's pop, adult contemporary, adult pop, country and dance charts. She was ranked nineteenth on VH1's list of 100 Greatest Women in Music. Television channel Fuse included Clarkson among "30 Greatest Musicians to Come From Singing Competitions" list. Music executive Simon Cowell believed that "What [Clarkson] sold in the UK, Europe, Asia had nothing to do with American Idol. It had everything to do with the fact that she made a great record and she's got an incredible voice. She's not a girl who got lucky in a talent competition; we got lucky to find her." According to The Hollywood Reporter, Clarkson is "the embodiment of the perfect pop star. Her unmistakable pipes are a powerful presence in top 40 and country, with forays into anthemic rock and dance." Nolan Feeney from Time magazine asserted that Clarkson "has had more of a lasting impact on the pop music landscape than casual listeners might realize." According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. The Washington Post wrote that "Clarkson's powerhouse voice and dynamic presence signaled that the music industry should take these reality show contestants seriously: Her first two albums, Thankful and Breakway, sold about 10 million copies combined, and her pop tunes became empowerment anthems across the globe." Glenn Gamboa of Newsday believed that Clarkson "has set the standard for all singing competition contestants with her savvy mix of pop, rock and country." Fox Broadcasting Company claimed that Clarkson gave "lasting credibility" to American Idol and "in so many ways she cleared a road" for all of the next contestants." George Varga from The San Diego Union-Tribune underlined the difference of Clarkson from most of other talent show contestants is that she "writes or co-writes a fair number of [her] own songs. She is also the only one whose quest to follow her artistic instincts--the better to rock out and break free from the Idol cookie-cutter pop mold--prompted her to fire her management team and engage in a prolonged public battle with her record company, RCA." Jon Lisi from PopMatters cited Clarkson as one of the forces of female domination in pop music of the 2000s. He explained that "Clarkson's anti-sexual image appealed to those who were uncomfortable with Britney Spears' overt exhibitionism. When Clarkson performed "Since U Been Gone" at the 2005 MTV Video Music Awards, for instance, she only showed her midriff, and it was clear that she was marketing herself to an alternative group of young females that liked pop music's conventional sound but didn't want to be confronted with sexual imagery." Singer Demi Lovato, who cited Clarkson as her musical inspiration, said that "[Clarkson] stays out of the tabloids. You hear about her through how talented her music is, not what's going on in her personal life." Country music singer Kelsea Ballerini cites Clarkson as her inspiration and her most favorite female artist of all time, calling her "the best vocalist in the whole world." Q: What sort of impact dd Kelly Clarkson have? A: According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. Q: how did she rank on the billboards? A: Clarkson has scored 100 number ones on the Billboard charts Q: What was her number 1 hit? A: unknown

C_075b215006214a08b93e6b105b222a75_0_q#3

is there any other interesting aspects to this article?

0y

2x

C_075b215006214a08b93e6b105b222a75_0

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

Impact

Clarkson has scored 100 number ones on the Billboard charts and sold over 25 million albums and 45 million singles worldwide, including 14 million albums and 35 million digital singles in the United States alone. She became the first artist to top each of Billboard's pop, adult contemporary, adult pop, country and dance charts. She was ranked nineteenth on VH1's list of 100 Greatest Women in Music. Television channel Fuse included Clarkson among "30 Greatest Musicians to Come From Singing Competitions" list. Music executive Simon Cowell believed that "What [Clarkson] sold in the UK, Europe, Asia had nothing to do with American Idol. It had everything to do with the fact that she made a great record and she's got an incredible voice. She's not a girl who got lucky in a talent competition; we got lucky to find her." According to The Hollywood Reporter, Clarkson is "the embodiment of the perfect pop star. Her unmistakable pipes are a powerful presence in top 40 and country, with forays into anthemic rock and dance." Nolan Feeney from Time magazine asserted that Clarkson "has had more of a lasting impact on the pop music landscape than casual listeners might realize." According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. The Washington Post wrote that "Clarkson's powerhouse voice and dynamic presence signaled that the music industry should take these reality show contestants seriously: Her first two albums, Thankful and Breakway, sold about 10 million copies combined, and her pop tunes became empowerment anthems across the globe." Glenn Gamboa of Newsday believed that Clarkson "has set the standard for all singing competition contestants with her savvy mix of pop, rock and country." Fox Broadcasting Company claimed that Clarkson gave "lasting credibility" to American Idol and "in so many ways she cleared a road" for all of the next contestants." George Varga from The San Diego Union-Tribune underlined the difference of Clarkson from most of other talent show contestants is that she "writes or co-writes a fair number of [her] own songs. She is also the only one whose quest to follow her artistic instincts--the better to rock out and break free from the Idol cookie-cutter pop mold--prompted her to fire her management team and engage in a prolonged public battle with her record company, RCA." Jon Lisi from PopMatters cited Clarkson as one of the forces of female domination in pop music of the 2000s. He explained that "Clarkson's anti-sexual image appealed to those who were uncomfortable with Britney Spears' overt exhibitionism. When Clarkson performed "Since U Been Gone" at the 2005 MTV Video Music Awards, for instance, she only showed her midriff, and it was clear that she was marketing herself to an alternative group of young females that liked pop music's conventional sound but didn't want to be confronted with sexual imagery." Singer Demi Lovato, who cited Clarkson as her musical inspiration, said that "[Clarkson] stays out of the tabloids. You hear about her through how talented her music is, not what's going on in her personal life." Country music singer Kelsea Ballerini cites Clarkson as her inspiration and her most favorite female artist of all time, calling her "the best vocalist in the whole world." Q: What sort of impact dd Kelly Clarkson have? A: According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. Q: how did she rank on the billboards? A: Clarkson has scored 100 number ones on the Billboard charts Q: What was her number 1 hit? A: unknown Q: is there any other interesting aspects to this article? A: Music executive Simon Cowell believed that "What [Clarkson] sold in the UK, Europe, Asia had nothing to do with American Idol.

C_075b215006214a08b93e6b105b222a75_0_q#4

What other interactions did Clarkson have with Simon Cowell?

1n

2x

C_075b215006214a08b93e6b105b222a75_0

Kelly Clarkson

Kelly Brianne Clarkson (born April 24, 1982) is an American singer and songwriter. She rose to fame in 2002 after winning the inaugural season of the television series American Idol, which earned her a record deal with RCA Records. Clarkson's debut single, "A Moment Like This", topped the Billboard Hot 100 chart and became the best-selling single of 2002 in the US. It was followed by the release of her debut studio album, Thankful (2003), which debuted at number one on the Billboard 200.

Impact

Clarkson has scored 100 number ones on the Billboard charts and sold over 25 million albums and 45 million singles worldwide, including 14 million albums and 35 million digital singles in the United States alone. She became the first artist to top each of Billboard's pop, adult contemporary, adult pop, country and dance charts. She was ranked nineteenth on VH1's list of 100 Greatest Women in Music. Television channel Fuse included Clarkson among "30 Greatest Musicians to Come From Singing Competitions" list. Music executive Simon Cowell believed that "What [Clarkson] sold in the UK, Europe, Asia had nothing to do with American Idol. It had everything to do with the fact that she made a great record and she's got an incredible voice. She's not a girl who got lucky in a talent competition; we got lucky to find her." According to The Hollywood Reporter, Clarkson is "the embodiment of the perfect pop star. Her unmistakable pipes are a powerful presence in top 40 and country, with forays into anthemic rock and dance." Nolan Feeney from Time magazine asserted that Clarkson "has had more of a lasting impact on the pop music landscape than casual listeners might realize." According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. The Washington Post wrote that "Clarkson's powerhouse voice and dynamic presence signaled that the music industry should take these reality show contestants seriously: Her first two albums, Thankful and Breakway, sold about 10 million copies combined, and her pop tunes became empowerment anthems across the globe." Glenn Gamboa of Newsday believed that Clarkson "has set the standard for all singing competition contestants with her savvy mix of pop, rock and country." Fox Broadcasting Company claimed that Clarkson gave "lasting credibility" to American Idol and "in so many ways she cleared a road" for all of the next contestants." George Varga from The San Diego Union-Tribune underlined the difference of Clarkson from most of other talent show contestants is that she "writes or co-writes a fair number of [her] own songs. She is also the only one whose quest to follow her artistic instincts--the better to rock out and break free from the Idol cookie-cutter pop mold--prompted her to fire her management team and engage in a prolonged public battle with her record company, RCA." Jon Lisi from PopMatters cited Clarkson as one of the forces of female domination in pop music of the 2000s. He explained that "Clarkson's anti-sexual image appealed to those who were uncomfortable with Britney Spears' overt exhibitionism. When Clarkson performed "Since U Been Gone" at the 2005 MTV Video Music Awards, for instance, she only showed her midriff, and it was clear that she was marketing herself to an alternative group of young females that liked pop music's conventional sound but didn't want to be confronted with sexual imagery." Singer Demi Lovato, who cited Clarkson as her musical inspiration, said that "[Clarkson] stays out of the tabloids. You hear about her through how talented her music is, not what's going on in her personal life." Country music singer Kelsea Ballerini cites Clarkson as her inspiration and her most favorite female artist of all time, calling her "the best vocalist in the whole world." Q: What sort of impact dd Kelly Clarkson have? A: According to Billboard, Clarkson was a "phenomenon" who "helped legitimize" the impact of talent shows. Q: how did she rank on the billboards? A: Clarkson has scored 100 number ones on the Billboard charts Q: What was her number 1 hit? A: unknown Q: is there any other interesting aspects to this article? A: Music executive Simon Cowell believed that "What [Clarkson] sold in the UK, Europe, Asia had nothing to do with American Idol. Q: What other interactions did Clarkson have with Simon Cowell? A: unknown

C_075b215006214a08b93e6b105b222a75_0_q#5

Did clarkson sell well in the UK?

1n

2x

C_684cefc6b9f7453ea706836155fb83f5_1

Bonnie Raitt

Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.

1970-1976

In the fall of 1970, She played with her brother David on stand up Bass with Mississippi Fred McDowell at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek, who began to spread the word about her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer from Warner Bros., who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, with many writers praising her skills as an interpreter and as a bottleneck guitarist; at the time, few women in popular music had strong reputations as guitarists. While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal "acclaim"; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales. Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate. In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks.

C_684cefc6b9f7453ea706836155fb83f5_1_q#0

Did Bonnie Raitt release any albums in that period ?

0y

0y

C_684cefc6b9f7453ea706836155fb83f5_1

Bonnie Raitt

Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.

1970-1976

In the fall of 1970, She played with her brother David on stand up Bass with Mississippi Fred McDowell at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek, who began to spread the word about her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer from Warner Bros., who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, with many writers praising her skills as an interpreter and as a bottleneck guitarist; at the time, few women in popular music had strong reputations as guitarists. While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal "acclaim"; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales. Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate. In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks. Q: Did Bonnie Raitt release any albums in that period ? A: released her debut album, Bonnie Raitt, in 1971.

C_684cefc6b9f7453ea706836155fb83f5_1_q#1

How was the album received by the critics ?

2m

2x

C_684cefc6b9f7453ea706836155fb83f5_1

Bonnie Raitt

Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.

1970-1976

In the fall of 1970, She played with her brother David on stand up Bass with Mississippi Fred McDowell at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek, who began to spread the word about her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer from Warner Bros., who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, with many writers praising her skills as an interpreter and as a bottleneck guitarist; at the time, few women in popular music had strong reputations as guitarists. While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal "acclaim"; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales. Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate. In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks. Q: Did Bonnie Raitt release any albums in that period ? A: released her debut album, Bonnie Raitt, in 1971. Q: How was the album received by the critics ? A: The album was warmly received by the music press,

C_684cefc6b9f7453ea706836155fb83f5_1_q#2

Which record label released the album ?

1n

2x

C_684cefc6b9f7453ea706836155fb83f5_1

Bonnie Raitt

Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.

1970-1976

In the fall of 1970, She played with her brother David on stand up Bass with Mississippi Fred McDowell at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek, who began to spread the word about her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer from Warner Bros., who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, with many writers praising her skills as an interpreter and as a bottleneck guitarist; at the time, few women in popular music had strong reputations as guitarists. While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal "acclaim"; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales. Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate. In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks. Q: Did Bonnie Raitt release any albums in that period ? A: released her debut album, Bonnie Raitt, in 1971. Q: How was the album received by the critics ? A: The album was warmly received by the music press, Q: Which record label released the album ? A: Warner Bros., who soon released her debut album,

C_684cefc6b9f7453ea706836155fb83f5_1_q#3

Who did she play with at that time ?

1n

2x

C_684cefc6b9f7453ea706836155fb83f5_1

Bonnie Raitt

Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.

1970-1976

In the fall of 1970, She played with her brother David on stand up Bass with Mississippi Fred McDowell at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek, who began to spread the word about her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer from Warner Bros., who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, with many writers praising her skills as an interpreter and as a bottleneck guitarist; at the time, few women in popular music had strong reputations as guitarists. While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal "acclaim"; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales. Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate. In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks. Q: Did Bonnie Raitt release any albums in that period ? A: released her debut album, Bonnie Raitt, in 1971. Q: How was the album received by the critics ? A: The album was warmly received by the music press, Q: Which record label released the album ? A: Warner Bros., who soon released her debut album, Q: Who did she play with at that time ? A: She played with her brother David on stand up Bass with Mississippi Fred McDowell

C_684cefc6b9f7453ea706836155fb83f5_1_q#4

Where did they play together ?

0y

2x

C_684cefc6b9f7453ea706836155fb83f5_1

Bonnie Raitt

Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.

1970-1976

In the fall of 1970, She played with her brother David on stand up Bass with Mississippi Fred McDowell at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek, who began to spread the word about her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer from Warner Bros., who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, with many writers praising her skills as an interpreter and as a bottleneck guitarist; at the time, few women in popular music had strong reputations as guitarists. While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal "acclaim"; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales. Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate. In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks. Q: Did Bonnie Raitt release any albums in that period ? A: released her debut album, Bonnie Raitt, in 1971. Q: How was the album received by the critics ? A: The album was warmly received by the music press, Q: Which record label released the album ? A: Warner Bros., who soon released her debut album, Q: Who did she play with at that time ? A: She played with her brother David on stand up Bass with Mississippi Fred McDowell Q: Where did they play together ? A: at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York,

C_684cefc6b9f7453ea706836155fb83f5_1_q#5

What else is interesting about the article ?

0y

2x

C_684cefc6b9f7453ea706836155fb83f5_1

Bonnie Raitt

Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.

1970-1976

In the fall of 1970, She played with her brother David on stand up Bass with Mississippi Fred McDowell at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek, who began to spread the word about her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer from Warner Bros., who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, with many writers praising her skills as an interpreter and as a bottleneck guitarist; at the time, few women in popular music had strong reputations as guitarists. While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal "acclaim"; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales. Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate. In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks. Q: Did Bonnie Raitt release any albums in that period ? A: released her debut album, Bonnie Raitt, in 1971. Q: How was the album received by the critics ? A: The album was warmly received by the music press, Q: Which record label released the album ? A: Warner Bros., who soon released her debut album, Q: Who did she play with at that time ? A: She played with her brother David on stand up Bass with Mississippi Fred McDowell Q: Where did they play together ? A: at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, Q: What else is interesting about the article ? A: While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work.

C_684cefc6b9f7453ea706836155fb83f5_1_q#6

Did she get critical acclaim from the press ?

0y

0y

C_74762abb5bd541cf83f6abf32904e2a9_0

Laura Schlessinger

Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

Use of racial epithet

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website.

C_74762abb5bd541cf83f6abf32904e2a9_0_q#0

What epithet did Laura use?

0y

0y

C_74762abb5bd541cf83f6abf32904e2a9_0

Laura Schlessinger

Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

Use of racial epithet

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website. Q: What epithet did Laura use? A: In doing so, she uttered "nigger" eleven times,

C_74762abb5bd541cf83f6abf32904e2a9_0_q#1

Who was she talking to?

0y

2x

C_74762abb5bd541cf83f6abf32904e2a9_0

Laura Schlessinger

Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

Use of racial epithet

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website. Q: What epithet did Laura use? A: In doing so, she uttered "nigger" eleven times, Q: Who was she talking to? A: the caller

C_74762abb5bd541cf83f6abf32904e2a9_0_q#2

What was the caller's name?

1n

2x

C_74762abb5bd541cf83f6abf32904e2a9_0

Laura Schlessinger

Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

Use of racial epithet

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website. Q: What epithet did Laura use? A: In doing so, she uttered "nigger" eleven times, Q: Who was she talking to? A: the caller Q: What was the caller's name? A: unknown

C_74762abb5bd541cf83f6abf32904e2a9_0_q#3

Were there any consequences for her saying it?

0y

1n

C_74762abb5bd541cf83f6abf32904e2a9_0

Laura Schlessinger

Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

Use of racial epithet

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website. Q: What epithet did Laura use? A: In doing so, she uttered "nigger" eleven times, Q: Who was she talking to? A: the caller Q: What was the caller's name? A: unknown Q: Were there any consequences for her saying it? A: Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett.

C_74762abb5bd541cf83f6abf32904e2a9_0_q#4

Did she apologize on air?

0y

0y

C_74762abb5bd541cf83f6abf32904e2a9_0

Laura Schlessinger

Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

Use of racial epithet

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website. Q: What epithet did Laura use? A: In doing so, she uttered "nigger" eleven times, Q: Who was she talking to? A: the caller Q: What was the caller's name? A: unknown Q: Were there any consequences for her saying it? A: Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. Q: Did she apologize on air? A: A day later, as soon as she was back on the air, Schlessinger apologized.

C_74762abb5bd541cf83f6abf32904e2a9_0_q#5

When did this take place?

0y

2x

C_74762abb5bd541cf83f6abf32904e2a9_0

Laura Schlessinger

Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

Use of racial epithet

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website. Q: What epithet did Laura use? A: In doing so, she uttered "nigger" eleven times, Q: Who was she talking to? A: the caller Q: What was the caller's name? A: unknown Q: Were there any consequences for her saying it? A: Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. Q: Did she apologize on air? A: A day later, as soon as she was back on the air, Schlessinger apologized. Q: When did this take place? A: On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show

C_74762abb5bd541cf83f6abf32904e2a9_0_q#6

Did Laura continue to host her show after this?

0y

1n

C_74762abb5bd541cf83f6abf32904e2a9_0

Laura Schlessinger

Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

Use of racial epithet

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website. Q: What epithet did Laura use? A: In doing so, she uttered "nigger" eleven times, Q: Who was she talking to? A: the caller Q: What was the caller's name? A: unknown Q: Were there any consequences for her saying it? A: Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. Q: Did she apologize on air? A: A day later, as soon as she was back on the air, Schlessinger apologized. Q: When did this take place? A: On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show Q: Did Laura continue to host her show after this? A: Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010:

C_74762abb5bd541cf83f6abf32904e2a9_0_q#7

What did Schlessinger do afterwards?

1n

2x

C_89848877c8464b03ace0952055df3337_1

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Gavin's departure, tour and 30th birthday

On February 12, 2010, Titas announced in their official website that drummer Charles Gavin would leave the band for personal reasons. Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. The quartet continued their performances of the Sacos Plasticos tour with drummer Mario Fabre, who is still with the band as of 2018, though not as an official member. Fabre was suggested by Gavin himself. When asked about the status of Fabre in the band, Bellotto explained that "he is the official drummer! He's the drummer of Titas! But he isn't one of Titas, because our history began long ago, at Greek mythology... " During an interview, keyboardist Sergio Britto said the band was planning to start recording a new album in 2011. Nothing else was said since then, until March 2013, when they revealed they were starting to work on a new album, to be released in the second half of 2013. The album would be self-produced, and, according to Britto, it would be "a mixture between Cabeca Dinossauro and O Blesq Blom. In January 2012, the band announced a live performance in company of ex-members Arnaldo Antunes, Nando Reis and Charles Gavin. The show would celebrate the 30-year career of the band, and would include guest performances of other friends of the band, and there were plans for a DVD release. According to Miklos: The reunion took place on October 6, 2012, in Sao Paulo. For the first time since 1997's Acustico MTV, the seven original members of the band reunited for a one-night performance. According to Bellotto: The band gathered in Reis' house to discuss the reunion - it was the first time since Fromer's death that all seven members met.

C_89848877c8464b03ace0952055df3337_1_q#0

Why did Gavin leave the band?

0y

2x

C_89848877c8464b03ace0952055df3337_1

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Gavin's departure, tour and 30th birthday

On February 12, 2010, Titas announced in their official website that drummer Charles Gavin would leave the band for personal reasons. Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. The quartet continued their performances of the Sacos Plasticos tour with drummer Mario Fabre, who is still with the band as of 2018, though not as an official member. Fabre was suggested by Gavin himself. When asked about the status of Fabre in the band, Bellotto explained that "he is the official drummer! He's the drummer of Titas! But he isn't one of Titas, because our history began long ago, at Greek mythology... " During an interview, keyboardist Sergio Britto said the band was planning to start recording a new album in 2011. Nothing else was said since then, until March 2013, when they revealed they were starting to work on a new album, to be released in the second half of 2013. The album would be self-produced, and, according to Britto, it would be "a mixture between Cabeca Dinossauro and O Blesq Blom. In January 2012, the band announced a live performance in company of ex-members Arnaldo Antunes, Nando Reis and Charles Gavin. The show would celebrate the 30-year career of the band, and would include guest performances of other friends of the band, and there were plans for a DVD release. According to Miklos: The reunion took place on October 6, 2012, in Sao Paulo. For the first time since 1997's Acustico MTV, the seven original members of the band reunited for a one-night performance. According to Bellotto: The band gathered in Reis' house to discuss the reunion - it was the first time since Fromer's death that all seven members met. Q: Why did Gavin leave the band? A: Gavin later stated that he was physically and mentally exhausted because of the tours and album releases.

C_89848877c8464b03ace0952055df3337_1_q#1

Did they replace him with anyone?

0y

0y

C_89848877c8464b03ace0952055df3337_1

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Gavin's departure, tour and 30th birthday

On February 12, 2010, Titas announced in their official website that drummer Charles Gavin would leave the band for personal reasons. Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. The quartet continued their performances of the Sacos Plasticos tour with drummer Mario Fabre, who is still with the band as of 2018, though not as an official member. Fabre was suggested by Gavin himself. When asked about the status of Fabre in the band, Bellotto explained that "he is the official drummer! He's the drummer of Titas! But he isn't one of Titas, because our history began long ago, at Greek mythology... " During an interview, keyboardist Sergio Britto said the band was planning to start recording a new album in 2011. Nothing else was said since then, until March 2013, when they revealed they were starting to work on a new album, to be released in the second half of 2013. The album would be self-produced, and, according to Britto, it would be "a mixture between Cabeca Dinossauro and O Blesq Blom. In January 2012, the band announced a live performance in company of ex-members Arnaldo Antunes, Nando Reis and Charles Gavin. The show would celebrate the 30-year career of the band, and would include guest performances of other friends of the band, and there were plans for a DVD release. According to Miklos: The reunion took place on October 6, 2012, in Sao Paulo. For the first time since 1997's Acustico MTV, the seven original members of the band reunited for a one-night performance. According to Bellotto: The band gathered in Reis' house to discuss the reunion - it was the first time since Fromer's death that all seven members met. Q: Why did Gavin leave the band? A: Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. Q: Did they replace him with anyone? A: Mario Fabre, who is still with the band as of 2018, though not as an official member.

C_89848877c8464b03ace0952055df3337_1_q#2

What tour did he go on with Titas?

0y

2x

C_89848877c8464b03ace0952055df3337_1

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Gavin's departure, tour and 30th birthday

On February 12, 2010, Titas announced in their official website that drummer Charles Gavin would leave the band for personal reasons. Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. The quartet continued their performances of the Sacos Plasticos tour with drummer Mario Fabre, who is still with the band as of 2018, though not as an official member. Fabre was suggested by Gavin himself. When asked about the status of Fabre in the band, Bellotto explained that "he is the official drummer! He's the drummer of Titas! But he isn't one of Titas, because our history began long ago, at Greek mythology... " During an interview, keyboardist Sergio Britto said the band was planning to start recording a new album in 2011. Nothing else was said since then, until March 2013, when they revealed they were starting to work on a new album, to be released in the second half of 2013. The album would be self-produced, and, according to Britto, it would be "a mixture between Cabeca Dinossauro and O Blesq Blom. In January 2012, the band announced a live performance in company of ex-members Arnaldo Antunes, Nando Reis and Charles Gavin. The show would celebrate the 30-year career of the band, and would include guest performances of other friends of the band, and there were plans for a DVD release. According to Miklos: The reunion took place on October 6, 2012, in Sao Paulo. For the first time since 1997's Acustico MTV, the seven original members of the band reunited for a one-night performance. According to Bellotto: The band gathered in Reis' house to discuss the reunion - it was the first time since Fromer's death that all seven members met. Q: Why did Gavin leave the band? A: Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. Q: Did they replace him with anyone? A: Mario Fabre, who is still with the band as of 2018, though not as an official member. Q: What tour did he go on with Titas? A: the Sacos Plasticos tour

C_89848877c8464b03ace0952055df3337_1_q#3

Anything notable happen during the tour?

1n

2x

C_89848877c8464b03ace0952055df3337_1

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Gavin's departure, tour and 30th birthday

On February 12, 2010, Titas announced in their official website that drummer Charles Gavin would leave the band for personal reasons. Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. The quartet continued their performances of the Sacos Plasticos tour with drummer Mario Fabre, who is still with the band as of 2018, though not as an official member. Fabre was suggested by Gavin himself. When asked about the status of Fabre in the band, Bellotto explained that "he is the official drummer! He's the drummer of Titas! But he isn't one of Titas, because our history began long ago, at Greek mythology... " During an interview, keyboardist Sergio Britto said the band was planning to start recording a new album in 2011. Nothing else was said since then, until March 2013, when they revealed they were starting to work on a new album, to be released in the second half of 2013. The album would be self-produced, and, according to Britto, it would be "a mixture between Cabeca Dinossauro and O Blesq Blom. In January 2012, the band announced a live performance in company of ex-members Arnaldo Antunes, Nando Reis and Charles Gavin. The show would celebrate the 30-year career of the band, and would include guest performances of other friends of the band, and there were plans for a DVD release. According to Miklos: The reunion took place on October 6, 2012, in Sao Paulo. For the first time since 1997's Acustico MTV, the seven original members of the band reunited for a one-night performance. According to Bellotto: The band gathered in Reis' house to discuss the reunion - it was the first time since Fromer's death that all seven members met. Q: Why did Gavin leave the band? A: Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. Q: Did they replace him with anyone? A: Mario Fabre, who is still with the band as of 2018, though not as an official member. Q: What tour did he go on with Titas? A: the Sacos Plasticos tour Q: Anything notable happen during the tour? A: unknown

C_89848877c8464b03ace0952055df3337_1_q#4

What happened for the 30th birthday?

0y

2x

C_89848877c8464b03ace0952055df3337_1

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Gavin's departure, tour and 30th birthday

On February 12, 2010, Titas announced in their official website that drummer Charles Gavin would leave the band for personal reasons. Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. The quartet continued their performances of the Sacos Plasticos tour with drummer Mario Fabre, who is still with the band as of 2018, though not as an official member. Fabre was suggested by Gavin himself. When asked about the status of Fabre in the band, Bellotto explained that "he is the official drummer! He's the drummer of Titas! But he isn't one of Titas, because our history began long ago, at Greek mythology... " During an interview, keyboardist Sergio Britto said the band was planning to start recording a new album in 2011. Nothing else was said since then, until March 2013, when they revealed they were starting to work on a new album, to be released in the second half of 2013. The album would be self-produced, and, according to Britto, it would be "a mixture between Cabeca Dinossauro and O Blesq Blom. In January 2012, the band announced a live performance in company of ex-members Arnaldo Antunes, Nando Reis and Charles Gavin. The show would celebrate the 30-year career of the band, and would include guest performances of other friends of the band, and there were plans for a DVD release. According to Miklos: The reunion took place on October 6, 2012, in Sao Paulo. For the first time since 1997's Acustico MTV, the seven original members of the band reunited for a one-night performance. According to Bellotto: The band gathered in Reis' house to discuss the reunion - it was the first time since Fromer's death that all seven members met. Q: Why did Gavin leave the band? A: Gavin later stated that he was physically and mentally exhausted because of the tours and album releases. Q: Did they replace him with anyone? A: Mario Fabre, who is still with the band as of 2018, though not as an official member. Q: What tour did he go on with Titas? A: the Sacos Plasticos tour Q: Anything notable happen during the tour? A: unknown Q: What happened for the 30th birthday? A: the band announced a live performance in company of ex-members Arnaldo Antunes, Nando Reis and Charles Gavin.

C_89848877c8464b03ace0952055df3337_1_q#5

When did this take place?

1n

2x

C_89848877c8464b03ace0952055df3337_0

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Miklos departure and rock opera

On July 11, 2016, vocalist, guitarist and founding member Paulo Miklos announced he would leave the band to focus on his personal projects. He was then replaced by session member Beto Lee, son of Brazilian notorious rock singer Rita Lee. His first recording with the band is a version of "Pro Dia Nascer Feliz", originally by Barao Vermelho, for the soundtrack of the 24th season of Malhacao, a Rede Globo series. With Lee's inclusion, the band recovered some old songs for its live setlists, including Titanomaquia's "Sera Que E Disso Que Eu Necessito?" and " Nem Sempre se Pode Ser Deus". They also started to have Bellotto sing in some songs. Also in 2016, the band announced a new album for a possible 2017 release. According to Bellotto, it will be a rock opera, and the band intended to enter the studio until mid-2017 so the album could be released in the year's second half. Drawing inspiration from albums such as The Who's Quadrophenia and Green Day's American Idiot, the over 30-track rock opera will have its story written by Hugo Possolo and Marcelo Rubens Paiva. By April 2017, Mello said a handful of tracks were ready. Also in April, the band started a tour called "Uma Noite no Teatro" (A Night at the Theater) with a show that was also the inaugurating event of Shopping Villa-Lobos' theater Opus. The tour included three new songs: "Me Estuprem" (Rape Me), about sexual harassment and rape; "12 Flores Amarelas" (12 Yellow Flowers); and "A Festa" (The Party). By that time, none of them were expected to be featured in the band's next album. On 23 September, however, the band performed them again during their show at the Rock in Rio 7, and this time they were announced as part of the new project. On December 2017, they announced that they had already started recording the album and that it would be released via Universal Music. In January 31, they announced that the opera rock would be released in early 2018 and that its title would be 12 Flores Amarelas.

C_89848877c8464b03ace0952055df3337_0_q#0

When did Mikols leave the band ?

0y

2x

C_89848877c8464b03ace0952055df3337_0

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Miklos departure and rock opera

On July 11, 2016, vocalist, guitarist and founding member Paulo Miklos announced he would leave the band to focus on his personal projects. He was then replaced by session member Beto Lee, son of Brazilian notorious rock singer Rita Lee. His first recording with the band is a version of "Pro Dia Nascer Feliz", originally by Barao Vermelho, for the soundtrack of the 24th season of Malhacao, a Rede Globo series. With Lee's inclusion, the band recovered some old songs for its live setlists, including Titanomaquia's "Sera Que E Disso Que Eu Necessito?" and " Nem Sempre se Pode Ser Deus". They also started to have Bellotto sing in some songs. Also in 2016, the band announced a new album for a possible 2017 release. According to Bellotto, it will be a rock opera, and the band intended to enter the studio until mid-2017 so the album could be released in the year's second half. Drawing inspiration from albums such as The Who's Quadrophenia and Green Day's American Idiot, the over 30-track rock opera will have its story written by Hugo Possolo and Marcelo Rubens Paiva. By April 2017, Mello said a handful of tracks were ready. Also in April, the band started a tour called "Uma Noite no Teatro" (A Night at the Theater) with a show that was also the inaugurating event of Shopping Villa-Lobos' theater Opus. The tour included three new songs: "Me Estuprem" (Rape Me), about sexual harassment and rape; "12 Flores Amarelas" (12 Yellow Flowers); and "A Festa" (The Party). By that time, none of them were expected to be featured in the band's next album. On 23 September, however, the band performed them again during their show at the Rock in Rio 7, and this time they were announced as part of the new project. On December 2017, they announced that they had already started recording the album and that it would be released via Universal Music. In January 31, they announced that the opera rock would be released in early 2018 and that its title would be 12 Flores Amarelas. Q: When did Mikols leave the band ? A: to focus on his personal projects.

C_89848877c8464b03ace0952055df3337_0_q#1

WHEN did Mikols leave the band ?

0y

2x

C_89848877c8464b03ace0952055df3337_0

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Miklos departure and rock opera

On July 11, 2016, vocalist, guitarist and founding member Paulo Miklos announced he would leave the band to focus on his personal projects. He was then replaced by session member Beto Lee, son of Brazilian notorious rock singer Rita Lee. His first recording with the band is a version of "Pro Dia Nascer Feliz", originally by Barao Vermelho, for the soundtrack of the 24th season of Malhacao, a Rede Globo series. With Lee's inclusion, the band recovered some old songs for its live setlists, including Titanomaquia's "Sera Que E Disso Que Eu Necessito?" and " Nem Sempre se Pode Ser Deus". They also started to have Bellotto sing in some songs. Also in 2016, the band announced a new album for a possible 2017 release. According to Bellotto, it will be a rock opera, and the band intended to enter the studio until mid-2017 so the album could be released in the year's second half. Drawing inspiration from albums such as The Who's Quadrophenia and Green Day's American Idiot, the over 30-track rock opera will have its story written by Hugo Possolo and Marcelo Rubens Paiva. By April 2017, Mello said a handful of tracks were ready. Also in April, the band started a tour called "Uma Noite no Teatro" (A Night at the Theater) with a show that was also the inaugurating event of Shopping Villa-Lobos' theater Opus. The tour included three new songs: "Me Estuprem" (Rape Me), about sexual harassment and rape; "12 Flores Amarelas" (12 Yellow Flowers); and "A Festa" (The Party). By that time, none of them were expected to be featured in the band's next album. On 23 September, however, the band performed them again during their show at the Rock in Rio 7, and this time they were announced as part of the new project. On December 2017, they announced that they had already started recording the album and that it would be released via Universal Music. In January 31, they announced that the opera rock would be released in early 2018 and that its title would be 12 Flores Amarelas. Q: When did Mikols leave the band ? A: to focus on his personal projects. Q: WHEN did Mikols leave the band ? A: On July 11, 2016,

C_89848877c8464b03ace0952055df3337_0_q#2

Was he replaced by anyone ?

0y

0y

C_89848877c8464b03ace0952055df3337_0

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Miklos departure and rock opera

On July 11, 2016, vocalist, guitarist and founding member Paulo Miklos announced he would leave the band to focus on his personal projects. He was then replaced by session member Beto Lee, son of Brazilian notorious rock singer Rita Lee. His first recording with the band is a version of "Pro Dia Nascer Feliz", originally by Barao Vermelho, for the soundtrack of the 24th season of Malhacao, a Rede Globo series. With Lee's inclusion, the band recovered some old songs for its live setlists, including Titanomaquia's "Sera Que E Disso Que Eu Necessito?" and " Nem Sempre se Pode Ser Deus". They also started to have Bellotto sing in some songs. Also in 2016, the band announced a new album for a possible 2017 release. According to Bellotto, it will be a rock opera, and the band intended to enter the studio until mid-2017 so the album could be released in the year's second half. Drawing inspiration from albums such as The Who's Quadrophenia and Green Day's American Idiot, the over 30-track rock opera will have its story written by Hugo Possolo and Marcelo Rubens Paiva. By April 2017, Mello said a handful of tracks were ready. Also in April, the band started a tour called "Uma Noite no Teatro" (A Night at the Theater) with a show that was also the inaugurating event of Shopping Villa-Lobos' theater Opus. The tour included three new songs: "Me Estuprem" (Rape Me), about sexual harassment and rape; "12 Flores Amarelas" (12 Yellow Flowers); and "A Festa" (The Party). By that time, none of them were expected to be featured in the band's next album. On 23 September, however, the band performed them again during their show at the Rock in Rio 7, and this time they were announced as part of the new project. On December 2017, they announced that they had already started recording the album and that it would be released via Universal Music. In January 31, they announced that the opera rock would be released in early 2018 and that its title would be 12 Flores Amarelas. Q: When did Mikols leave the band ? A: to focus on his personal projects. Q: WHEN did Mikols leave the band ? A: On July 11, 2016, Q: Was he replaced by anyone ? A: He was then replaced by session member Beto Lee,

C_89848877c8464b03ace0952055df3337_0_q#3

What new songs did Beto Lee sing ?

0y

2x

C_89848877c8464b03ace0952055df3337_0

Titãs

Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

Miklos departure and rock opera

On July 11, 2016, vocalist, guitarist and founding member Paulo Miklos announced he would leave the band to focus on his personal projects. He was then replaced by session member Beto Lee, son of Brazilian notorious rock singer Rita Lee. His first recording with the band is a version of "Pro Dia Nascer Feliz", originally by Barao Vermelho, for the soundtrack of the 24th season of Malhacao, a Rede Globo series. With Lee's inclusion, the band recovered some old songs for its live setlists, including Titanomaquia's "Sera Que E Disso Que Eu Necessito?" and " Nem Sempre se Pode Ser Deus". They also started to have Bellotto sing in some songs. Also in 2016, the band announced a new album for a possible 2017 release. According to Bellotto, it will be a rock opera, and the band intended to enter the studio until mid-2017 so the album could be released in the year's second half. Drawing inspiration from albums such as The Who's Quadrophenia and Green Day's American Idiot, the over 30-track rock opera will have its story written by Hugo Possolo and Marcelo Rubens Paiva. By April 2017, Mello said a handful of tracks were ready. Also in April, the band started a tour called "Uma Noite no Teatro" (A Night at the Theater) with a show that was also the inaugurating event of Shopping Villa-Lobos' theater Opus. The tour included three new songs: "Me Estuprem" (Rape Me), about sexual harassment and rape; "12 Flores Amarelas" (12 Yellow Flowers); and "A Festa" (The Party). By that time, none of them were expected to be featured in the band's next album. On 23 September, however, the band performed them again during their show at the Rock in Rio 7, and this time they were announced as part of the new project. On December 2017, they announced that they had already started recording the album and that it would be released via Universal Music. In January 31, they announced that the opera rock would be released in early 2018 and that its title would be 12 Flores Amarelas. Q: When did Mikols leave the band ? A: to focus on his personal projects. Q: WHEN did Mikols leave the band ? A: On July 11, 2016, Q: Was he replaced by anyone ? A: He was then replaced by session member Beto Lee, Q: What new songs did Beto Lee sing ? A: His first recording with the band is a version of "Pro Dia Nascer Feliz",

C_89848877c8464b03ace0952055df3337_0_q#4

On which Album was Pro Dia Nascer Feliz featured ?

1n

2x

C_d856b918388f4eb88e509caa87bf4dd3_0

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

High Noon (1952)

Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening. According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".) The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story. According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960). Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition.

C_d856b918388f4eb88e509caa87bf4dd3_0_q#0

What happened in n1952?

0y

2x

C_d856b918388f4eb88e509caa87bf4dd3_0

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

High Noon (1952)

Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening. According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".) The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story. According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960). Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition. Q: What happened in n1952? A: ), Tiomkin composed the score for the same director's High Noon (1952).

C_d856b918388f4eb88e509caa87bf4dd3_0_q#1

what director was this?

0y

2x

C_d856b918388f4eb88e509caa87bf4dd3_0

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

High Noon (1952)

Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening. According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".) The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story. According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960). Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition. Q: What happened in n1952? A: ), Tiomkin composed the score for the same director's High Noon (1952). Q: what director was this? A: his work for Fred Zinnemann

C_d856b918388f4eb88e509caa87bf4dd3_0_q#2

what was special about high noon?

0y

2x

C_d856b918388f4eb88e509caa87bf4dd3_0

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

High Noon (1952)

Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening. According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".) The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story. According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960). Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition. Q: What happened in n1952? A: ), Tiomkin composed the score for the same director's High Noon (1952). Q: what director was this? A: his work for Fred Zinnemann Q: what was special about high noon? A: "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture.

C_d856b918388f4eb88e509caa87bf4dd3_0_q#3

was it successful?

0y

2x

C_d856b918388f4eb88e509caa87bf4dd3_0

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

High Noon (1952)

Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening. According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".) The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story. According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960). Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition. Q: What happened in n1952? A: ), Tiomkin composed the score for the same director's High Noon (1952). Q: what director was this? A: his work for Fred Zinnemann Q: what was special about high noon? A: "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture. Q: was it successful? A: The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with

C_d856b918388f4eb88e509caa87bf4dd3_0_q#4

what was the song?

0y

2x

C_d856b918388f4eb88e509caa87bf4dd3_0

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

High Noon (1952)

Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening. According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".) The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story. According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960). Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition. Q: What happened in n1952? A: ), Tiomkin composed the score for the same director's High Noon (1952). Q: what director was this? A: his work for Fred Zinnemann Q: what was special about high noon? A: "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture. Q: was it successful? A: The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with Q: what was the song? A: Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon").

C_d856b918388f4eb88e509caa87bf4dd3_0_q#5

who sang that?

0y

2x

C_d856b918388f4eb88e509caa87bf4dd3_0

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

High Noon (1952)

Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening. According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".) The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story. According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960). Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition. Q: What happened in n1952? A: ), Tiomkin composed the score for the same director's High Noon (1952). Q: what director was this? A: his work for Fred Zinnemann Q: what was special about high noon? A: "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture. Q: was it successful? A: The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with Q: what was the song? A: Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). Q: who sang that? A: with singer Frankie Laine.

C_d856b918388f4eb88e509caa87bf4dd3_0_q#6

Are there any other interesting aspects about this article?

2m

2x

C_d856b918388f4eb88e509caa87bf4dd3_0

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

High Noon (1952)

Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening. According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".) The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story. According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960). Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition. Q: What happened in n1952? A: ), Tiomkin composed the score for the same director's High Noon (1952). Q: what director was this? A: his work for Fred Zinnemann Q: what was special about high noon? A: "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture. Q: was it successful? A: The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with Q: what was the song? A: Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). Q: who sang that? A: with singer Frankie Laine. Q: Are there any other interesting aspects about this article? A: Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A.

C_d856b918388f4eb88e509caa87bf4dd3_0_q#7

did he win any other awrads?

1n

2x

C_d856b918388f4eb88e509caa87bf4dd3_1

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Working for Frank Capra (1937-1946)

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story.

C_d856b918388f4eb88e509caa87bf4dd3_1_q#0

Did Dimitri make his first film for Capra?

0y

0y

C_d856b918388f4eb88e509caa87bf4dd3_1

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Working for Frank Capra (1937-1946)

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story. Q: Did Dimitri make his first film for Capra? A: Tiomkin received his first break from Columbia director Frank Capra,

C_d856b918388f4eb88e509caa87bf4dd3_1_q#1

What was the name of his first film?

0y

2x

C_d856b918388f4eb88e509caa87bf4dd3_1

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Working for Frank Capra (1937-1946)

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story. Q: Did Dimitri make his first film for Capra? A: Tiomkin received his first break from Columbia director Frank Capra, Q: What was the name of his first film? A: picked him to write and perform the score for Lost Horizon (1937).

C_d856b918388f4eb88e509caa87bf4dd3_1_q#2

Did he do any other films during 1937 to 1946?

0y

2x

C_d856b918388f4eb88e509caa87bf4dd3_1

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Working for Frank Capra (1937-1946)

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story. Q: Did Dimitri make his first film for Capra? A: Tiomkin received his first break from Columbia director Frank Capra, Q: What was the name of his first film? A: picked him to write and perform the score for Lost Horizon (1937). Q: Did he do any other films during 1937 to 1946? A: his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style:

C_d856b918388f4eb88e509caa87bf4dd3_1_q#3

where there any other films he did?

0y

2x

C_d856b918388f4eb88e509caa87bf4dd3_1

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Working for Frank Capra (1937-1946)

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story. Q: Did Dimitri make his first film for Capra? A: Tiomkin received his first break from Columbia director Frank Capra, Q: What was the name of his first film? A: picked him to write and perform the score for Lost Horizon (1937). Q: Did he do any other films during 1937 to 1946? A: his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: Q: where there any other films he did? A: He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938),

C_d856b918388f4eb88e509caa87bf4dd3_1_q#4

When did he quit working for Capra?

1n

2x

C_d856b918388f4eb88e509caa87bf4dd3_1

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Working for Frank Capra (1937-1946)

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story. Q: Did Dimitri make his first film for Capra? A: Tiomkin received his first break from Columbia director Frank Capra, Q: What was the name of his first film? A: picked him to write and perform the score for Lost Horizon (1937). Q: Did he do any other films during 1937 to 1946? A: his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: Q: where there any other films he did? A: He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Q: When did he quit working for Capra? A: unknown

C_d856b918388f4eb88e509caa87bf4dd3_1_q#5

Do you know how many films he did for this Capra?

0y

0y

C_d856b918388f4eb88e509caa87bf4dd3_1

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Working for Frank Capra (1937-1946)

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story. Q: Did Dimitri make his first film for Capra? A: Tiomkin received his first break from Columbia director Frank Capra, Q: What was the name of his first film? A: picked him to write and perform the score for Lost Horizon (1937). Q: Did he do any other films during 1937 to 1946? A: his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: Q: where there any other films he did? A: He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Q: When did he quit working for Capra? A: unknown Q: Do you know how many films he did for this Capra? A: Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946).

C_d856b918388f4eb88e509caa87bf4dd3_1_q#6

Where these all fllms that were released or was any a failure?

1n

2x

C_d856b918388f4eb88e509caa87bf4dd3_1

Dimitri Tiomkin

Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Working for Frank Capra (1937-1946)

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story. Q: Did Dimitri make his first film for Capra? A: Tiomkin received his first break from Columbia director Frank Capra, Q: What was the name of his first film? A: picked him to write and perform the score for Lost Horizon (1937). Q: Did he do any other films during 1937 to 1946? A: his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: Q: where there any other films he did? A: He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Q: When did he quit working for Capra? A: unknown Q: Do you know how many films he did for this Capra? A: Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). Q: Where these all fllms that were released or was any a failure? A: unknown

C_d856b918388f4eb88e509caa87bf4dd3_1_q#7

Are there any other interesting aspects about this article?

0y

0y

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set.

C_589bea3cde9542219f9f0cf1711c8314_1_q#0

Are there any other interesting aspects about this article?

0y

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open,

C_589bea3cde9542219f9f0cf1711c8314_1_q#1

How did he do?

0y

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open, Q: How did he do? A: Cilic made it to the fourth round of the 2008 Australian Open,

C_589bea3cde9542219f9f0cf1711c8314_1_q#2

Did he win?

0y

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open, Q: How did he do? A: Cilic made it to the fourth round of the 2008 Australian Open, Q: Did he win? A: beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu.

C_589bea3cde9542219f9f0cf1711c8314_1_q#3

When did he win the singles title?

0y

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open, Q: How did he do? A: Cilic made it to the fourth round of the 2008 Australian Open, Q: Did he win? A: beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. Q: When did he win the singles title? A: At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco

C_589bea3cde9542219f9f0cf1711c8314_1_q#4

Was this the only Olympics he took part in?

1n

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open, Q: How did he do? A: Cilic made it to the fourth round of the 2008 Australian Open, Q: Did he win? A: beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. Q: When did he win the singles title? A: At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco Q: Was this the only Olympics he took part in? A: unknown

C_589bea3cde9542219f9f0cf1711c8314_1_q#5

Who did he compete against in the Olympics other than Juan?

0y

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open, Q: How did he do? A: Cilic made it to the fourth round of the 2008 Australian Open, Q: Did he win? A: beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. Q: When did he win the singles title? A: At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco Q: Was this the only Olympics he took part in? A: unknown Q: Who did he compete against in the Olympics other than Juan? A: before losing to Fernando Gonzalez.

C_589bea3cde9542219f9f0cf1711c8314_1_q#6

What did he place?

1n

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open, Q: How did he do? A: Cilic made it to the fourth round of the 2008 Australian Open, Q: Did he win? A: beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. Q: When did he win the singles title? A: At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco Q: Was this the only Olympics he took part in? A: unknown Q: Who did he compete against in the Olympics other than Juan? A: before losing to Fernando Gonzalez. Q: What did he place? A: He lost in straight sets to Arnaud Clement.

C_589bea3cde9542219f9f0cf1711c8314_1_q#7

Did he win any medals or titles?

1n

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open, Q: How did he do? A: Cilic made it to the fourth round of the 2008 Australian Open, Q: Did he win? A: beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. Q: When did he win the singles title? A: At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco Q: Was this the only Olympics he took part in? A: unknown Q: Who did he compete against in the Olympics other than Juan? A: before losing to Fernando Gonzalez. Q: What did he place? A: He lost in straight sets to Arnaud Clement. Q: Did he win any medals or titles? A: unknown

C_589bea3cde9542219f9f0cf1711c8314_1_q#8

Is there anything else of note in the article?

0y

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open, Q: How did he do? A: Cilic made it to the fourth round of the 2008 Australian Open, Q: Did he win? A: beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. Q: When did he win the singles title? A: At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco Q: Was this the only Olympics he took part in? A: unknown Q: Who did he compete against in the Olympics other than Juan? A: before losing to Fernando Gonzalez. Q: What did he place? A: He lost in straight sets to Arnaud Clement. Q: Did he win any medals or titles? A: unknown Q: Is there anything else of note in the article? A: Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title.

C_589bea3cde9542219f9f0cf1711c8314_1_q#9

Who did he compete against?

0y

2x

C_589bea3cde9542219f9f0cf1711c8314_1

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2008: First ATP singles title

In 2008, Cilic reached the semifinals at the Chennai Open, in both singles and doubles. In the singles, he was defeated by Mikhail Youzhny, who went on to win the tournament. Cilic made it to the fourth round of the 2008 Australian Open, taking out two seeds on his way, including 2007 Australian Open finalist Fernando Gonzalez. James Blake beat him in the fourth round. He had achieved his goal for the year of reaching the top 40. His fourth-round result at the Australian Open put him at no. 39 in the ATP rankings. Cilic also made it to the fourth round of Wimbledon, beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco before losing to Fernando Gonzalez. He lost in straight sets to Arnaud Clement. At the Canada Masters, he defeated Andy Roddick in reaching the quarterfinal stage, giving his best performance in a Masters Series tournament to date. He lost in three sets to Gilles Simon in the quarterfinals. Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev in early rounds, then 2007 finalist Mardy Fish in the final. Cilic, seeded for the first time at a Grand Slam, reached the third round of the US Open, but lost to Novak Djokovic in a match that lasted almost four hours. Cilic came back from a break down in each of the second, third, and fourth sets. In the first round, he had defeated Julien Benneteau in five sets in a match that lasted more than four hours, winning the deciding set. Q: Are there any other interesting aspects about this article? A: In 2008, Cilic reached the semifinals at the Chennai Open, Q: How did he do? A: Cilic made it to the fourth round of the 2008 Australian Open, Q: Did he win? A: beating Jarkko Nieminen in five sets in the second round and knocking-out fourteenth seed Paul-Henri Mathieu. Q: When did he win the singles title? A: At the 2008 Olympics, he reached the second round of the men's singles, beating Juan Monaco Q: Was this the only Olympics he took part in? A: unknown Q: Who did he compete against in the Olympics other than Juan? A: before losing to Fernando Gonzalez. Q: What did he place? A: He lost in straight sets to Arnaud Clement. Q: Did he win any medals or titles? A: unknown Q: Is there anything else of note in the article? A: Cilic played the Pilot Pen Tennis tournament in New Haven, Connecticut, where he won his first ATP title. Q: Who did he compete against? A: He defeated Viktor Troicki, Jurgen Melzer, and Igor Andreev

C_589bea3cde9542219f9f0cf1711c8314_1_q#10

Was there any controversy during this time?

1n

2x

C_589bea3cde9542219f9f0cf1711c8314_0

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2010: First major semifinal and top 10 ranking

Cilic won the 2010 Chennai Open final, beating Stanislas Wawrinka of Switzerland in straight sets. Seeded 14th at the 2010 Australian Open, he defeated Fabrice Santoro, Bernard Tomic, and Stanislas Wawrinka in the first three rounds. In the fourth round, he faced fourth seed and reigning US Open champion Juan Martin del Potro; it was their third meeting in the past five Grand Slams. In a match that lasted more than four and a half hours, Cilic defeated Del Potro to reach his second quarterfinal appearance at a Grand Slam. In the quarterfinals, he defeated seventh seed Andy Roddick in another five-set victory. In doing so, he became the first Croatian to reach the semifinals at the Australian Open. However, Cilic eventually lost in four sets to Andy Murray, despite winning the first set. Cilic followed up his Australian campaign by defending his title in Zagreb, defeating Michael Berrer in the final. Cilic achieved a new career-high ranking of no. 9 as a result. Cilic was selected to play singles and doubles partnering with Karlovic for the Croatia Davis Cup Team against Ecuador in March 2010. Cilic, seeded eighth, lost in the second round to Guillermo Garcia-Lopez at the 2010 BNP Paribas Open. At the French Open, Cilic lost to Robin Soderling in the fourth round. Cilic was defeated in the first round of Wimbledon by Florian Mayer. He reached the semifinals of the Legg Mason Tennis Classic in Washington, D.C., ending Mardy Fish's 11-match winning-streak in the third round. Cilic was defeated by eventual champion David Nalbandian. At the US Open, Cilic lost to Kei Nishikori in the second round.

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How did Cilic do in the semifinal?

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Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2010: First major semifinal and top 10 ranking

Cilic won the 2010 Chennai Open final, beating Stanislas Wawrinka of Switzerland in straight sets. Seeded 14th at the 2010 Australian Open, he defeated Fabrice Santoro, Bernard Tomic, and Stanislas Wawrinka in the first three rounds. In the fourth round, he faced fourth seed and reigning US Open champion Juan Martin del Potro; it was their third meeting in the past five Grand Slams. In a match that lasted more than four and a half hours, Cilic defeated Del Potro to reach his second quarterfinal appearance at a Grand Slam. In the quarterfinals, he defeated seventh seed Andy Roddick in another five-set victory. In doing so, he became the first Croatian to reach the semifinals at the Australian Open. However, Cilic eventually lost in four sets to Andy Murray, despite winning the first set. Cilic followed up his Australian campaign by defending his title in Zagreb, defeating Michael Berrer in the final. Cilic achieved a new career-high ranking of no. 9 as a result. Cilic was selected to play singles and doubles partnering with Karlovic for the Croatia Davis Cup Team against Ecuador in March 2010. Cilic, seeded eighth, lost in the second round to Guillermo Garcia-Lopez at the 2010 BNP Paribas Open. At the French Open, Cilic lost to Robin Soderling in the fourth round. Cilic was defeated in the first round of Wimbledon by Florian Mayer. He reached the semifinals of the Legg Mason Tennis Classic in Washington, D.C., ending Mardy Fish's 11-match winning-streak in the third round. Cilic was defeated by eventual champion David Nalbandian. At the US Open, Cilic lost to Kei Nishikori in the second round. Q: How did Cilic do in the semifinal? A: Cilic won the 2010 Chennai Open final, beating Stanislas Wawrinka of Switzerland in straight sets.

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What did he do after this competition?

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C_589bea3cde9542219f9f0cf1711c8314_0

Marin Čilić

Marin Cilic (Croatian pronunciation: [mari:n tSi:litc]; born 28 September 1988) is a Croatian professional tennis player. Over the course of his career, Cilic has won 17 ATP singles titles, including the 2014 US Open. His career-high singles ranking is world No. 3, achieved on 28 January 2018. Cilic first came to international prominence by defeating then-World No. 2 Andy Murray in the fourth round of the 2009 US Open, and then reaching the semi-finals at the Australian Open a few months later.

2010: First major semifinal and top 10 ranking

Cilic won the 2010 Chennai Open final, beating Stanislas Wawrinka of Switzerland in straight sets. Seeded 14th at the 2010 Australian Open, he defeated Fabrice Santoro, Bernard Tomic, and Stanislas Wawrinka in the first three rounds. In the fourth round, he faced fourth seed and reigning US Open champion Juan Martin del Potro; it was their third meeting in the past five Grand Slams. In a match that lasted more than four and a half hours, Cilic defeated Del Potro to reach his second quarterfinal appearance at a Grand Slam. In the quarterfinals, he defeated seventh seed Andy Roddick in another five-set victory. In doing so, he became the first Croatian to reach the semifinals at the Australian Open. However, Cilic eventually lost in four sets to Andy Murray, despite winning the first set. Cilic followed up his Australian campaign by defending his title in Zagreb, defeating Michael Berrer in the final. Cilic achieved a new career-high ranking of no. 9 as a result. Cilic was selected to play singles and doubles partnering with Karlovic for the Croatia Davis Cup Team against Ecuador in March 2010. Cilic, seeded eighth, lost in the second round to Guillermo Garcia-Lopez at the 2010 BNP Paribas Open. At the French Open, Cilic lost to Robin Soderling in the fourth round. Cilic was defeated in the first round of Wimbledon by Florian Mayer. He reached the semifinals of the Legg Mason Tennis Classic in Washington, D.C., ending Mardy Fish's 11-match winning-streak in the third round. Cilic was defeated by eventual champion David Nalbandian. At the US Open, Cilic lost to Kei Nishikori in the second round. Q: How did Cilic do in the semifinal? A: Cilic won the 2010 Chennai Open final, beating Stanislas Wawrinka of Switzerland in straight sets. Q: What did he do after this competition? A: Cilic followed up his Australian campaign by defending his title in Zagreb, defeating Michael Berrer in the final.

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Did he win any other matches?

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