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Dahmer

147K

715

Evan Peters [Jeffrey Dahmer] says they had one rule, from Ryan Murphy [Creator] to follow going into the series: that it would never be told from Dahmer's point of view. "As an audience, you're not really sympathizing with him. You're not really getting into his plight. You're more sort of watching it, you know, from the outside.",In many episodes there is a 3M Command(TM) strip shown in Jeffery Dahmer's apartment kitchen, this takes place in 1991 by the latest. 3M debuted its first wave of Command(TM) products in 1996.,Featured in Jeremy Vine: Episode #5.195 (2022),This is a mini series chronicling the horrible crimes of Jeffrey Dahmer. Evan Peters is very good playing the title role. No campy stuff here, just plays Dahmer completely convincingly and serious. Makes effective use of flashbacks to Dahmer's childhood and teen years to explain how he turned out the way he did. Richard Jenkins plays Dahmer's father. He's great as a man broken by years of unhappiness culminating in realization of what his son has become. Penelope Ann Miller is wonderful in her short role as Dahmer's unstable, UFO-chasing mother. Niecy Nash has a small role as Dahmer's next-door neighbor. Her scenes are some of the most terrifying and unsettling, not for what you see, but for the sounds she endured. Love her in this role. The acting is pretty good across the board. The actors playing his victims were perfect at conveying terror. Shaun J. Brown plays Tracy Edwards, a victim, in the first episode. The scene had me on the edge of my seat. Without going into detail, the scene takes place mainly in Dahmer's apartment. Everything has a very dirty look to it, low lit, hazy. You could almost imagine the "smell" of the scenes. As horrible as that sounds, it does make for effectively creepy watching. Again, the subject matter is very dark and hard to endure. The series takes viewers from Dahmer's childhood up through his trial and imprisonment. I felt like Evan Peters completely inhabited his role. Also left me low with immense sadness for the families of the real-life victims, the survivors of his crimes, and the neighbors and others whose lives are left scarred by the actions of Dahmer the Monster.,

Daimajin

1.8K

38

All three "Daimajin" movies were made at the same time but released a year apart.,Featured in WatchMojo: Top 10 Underrated Giant Monster Movies (2018),I was expecting a decent film due to the ratings on IMDb, but what I experienced, was much greater than that. This period piece forces us to be an active participant by enveloping us with its desperate atmosphere. It's melodramatic set up brings the pacing down, so don't expect monster mashing anytime soon. It's tone is fierce and foreboding throughout. The tension is wonderful, and the anticipation of a reluctant savior slow to awaken, is as brutal as the wrath it releases! DaiMajin is like a freight train, slow to get going, and hard to stop! 8/10. **By the way I always recommend the Japanese versions with their acting and English subtitles.**,

Daisies

15K

63

The film was state-approved and had limitations in its production. Many conservative supporters of the communist regime in Czechoslovakia criticized the film for its appropriation of gluttony and the alleged support it shows for the heroines. In an era of the communist regime in Czechoslovakia, Vera Chytilová was "accused of nihilism" at the time of the release of Daisies (1966). The film was condemned to be unfit for the socialist ideas of the time. Banned by Czech authorities upon its release for "depicting the wanton.",Marie II: That's what I don't understand. Why does one say, "I love you"? Do you understand? Why can't one say, for example, "Egg"? Marie i: Well, there's an idea.,THIS FILM IS DEDICATED TO THOSE WHO GET UPSET ONLY OVER A STOMPED-UPON BED OF LETTUCE,Film restoration performed in 2022.,Edited into CzechMate: In Search of Jirí Menzel (2018),Recorded Music (19 themes from Album Supraphonu 3) Performed by Filmový Symfonický Orchestr (holder of The Order for Excellence, Prague) Conducted by Frantisek Belfín Performed by Prazsky Dixieland Sung by,To take this film way out of context, I've got to believe that nine out of ten Miranda July fans would enjoy this film made in 1966 well before Little Miss Moviola was born. Indeed, I would recommend this film for anyone in the mood for a non-linear romp. The film is a cut-up, not just comical...but even as sort of visual equivalent of Brion Gysin's dreammachine. In particular there is a scene with scissors that was captivating, not in being a "cutting edge" special effect, but in embracing the hands-on art-for-art sake editing. Through out the film Colors come and go, blossoming and wilting like the "Daisies" of the title. Or perhaps "Daisies" are cited for their ability to sprout up under peculiar conditions. An antidote to the bummer that face trummerflora in the midst of any upheaval. That director Vera Chytilova was doing this under the watchful, and at best blind, eye of Comrade Censor, I think can attribute to the film's non-linear approach. Perhaps part defense-mechanism, perhaps part lyrical lysergic reaction to the disciplined times, the film surely wants to defy something, but settles for defying classification. Ironically, that might be what makes these well cut "Daisies" fresh to this day. A silent film with sound. A black and white film that bursts into colors. I went in knowing nothing about the "Czech New Wave" and in now reading around, it seems this is the wrong film from which to build a center about. I still know nothing, but I am at least intrigued. Indeed, I was certain one of the two main Marie's was the filmmaker herself. Wrong! The fact that Chytilova made this when she was 36 or so is almost as impressive as making it in the political climate of the time. The film is extremely playful, and the actresses deserve much praise that has heretofore been lacking. If you enjoyed the film, and clearly I did while others at IMDb did not, a key is that there is something about the two leads, beyond their costumes that snares our attention. Although I do think garlands and veils should find themselves into more femme's fatal fashion... Oh and since I'm older than this film, I kept seeing the two actresses as Carol Burnett and maybe Joanne Worley?!?! Any ways the two seem to be truly delighting themselves, and one wonders if some of the madness was improvised on the spot. Or were they really just puppets as the initial scene suggests?? Anyways, this film is as artful as it is ambiguous. I was enjoying my modern-day interpretation, knowing full well that it was wrong. That interpretation is that women have replaced their sex drive with a food urge, but must leverage the less evolved male's sex drive to satisfy their advanced needs. And again, I confess to crimes against the state and more importantly the film, I *know* I am wrong. Stamping my own ideas on the fragile frames of the film. Similarly, the flower-power of the 60's in the US could pollinate the film and be seen a diatribe against that which is drab. But again, that appears to be all hippy, and none too hip to the intention. The film maker, in a 1975 letter addressed to "Comrade President" (her phrase for Gustav Husak) wrote "Daisies" was a morality play showing how evil does not necessarily manifest itself in an orgy of destruction caused by the war, that its roots may lie concealed in the malicious pranks of everyday life. I chose as my heroines two young girls because it is at this age that one most wants to fulfill oneself and, if left to one's own devices, his or her need to create can easily turn into its very opposite." By the way, the full letter was on the DVD. I don't know, I still think this is a film that begs to be taken out of context...and certainly plucked off of dusty shelves and seen by many today. Show it to kids, I bet they'll laugh at this like they would at "Laurel and Hardy" or "Buster Keaton." 7/10 Thurston Hunger,

Daisy

Daisy Belle

48

1

Daisy Kenyon

2.9K

50

Joan Crawford later said about this film, "If Otto Preminger hadn't directed it, the picture would have been a mess. It came off. Sort of.",Near the end of the movie, there are snow chains already on the wheels when Daisy leaves the cottage at the cape. No one had been to the cape since it had snowed.,Mary Angelus: Want to tell me where you're going, so I'll have something to lie about?,Featured in AFI Life Achievement Award: AFI Life Achievement Award: A Tribute to Henry Fonda (1978),This one may seem quite turgid to a modern audience's sensibilities but, for its time, it was fairly strong stuff, with solid performances by its three leads, Crawford, Fonda and Andrews, under Otto Preminger's brisk direction. Dana, who never really achieved the recognition he deserved for the subtlety of his work, in an extremely difficult role, gives it all the shadings one could wish for. Nice production values and one of the talented David Raksin's best scores enhance a very watchable story with an outcome that isn't as predictable as it seems, come the final clinch.,

Daisy Winters

351

9

Film debut of Dorothy Steel, with the age of 91 years-old.,Monsters Written by Angus Powell Performed by Angus Powell,Brooke Shields is great and daughter was very good! You didn't feel sorry for Daisy as much as rooted for her wished you could be more like her. A movie that made me cry but I am glad I found it. Friendship and connections are SO important.,

Dakan

187

5

The first gay film from sub Saharan Africa.,I really enjoyed watching this movie, after a while the subtitles seem to fad away and your left with a movie that I feel really relates to everyone, not just same-gender loving men. I thought the realistic view of love used by the director was great. He showed that love, real love, can be a physically painful experience. Love hurts, but its worth it when you find the one that you are willing to defy all odds with. I fell in love with love again, just by watching this movie and understanding that with love all things are possible. It was truly a great movie watching experience. I would recommend this movie to anyone that is open minded and wants to see a well made movie featuring two beautiful people.,

Dakota Lil

192

6

Harve Logan: What's your name, and how much am I paying you?,Following the opening credits, a book opens with the start of a narration: CONFIDENTIAL FILE DH-W- 45388 UNITED STATES SECRET SERVICE FILE OPENED AUGUST 11. 1897 CONFIDENTIAL,Referenced in Skip E. Lowe Looks at Hollywood: Marie Windsor/Cesar Romero (1985),Fantasie-Impromptu, Opus 66 (uncredited) Music by Frédéric Chopin,"Dakota Lil" is a routine western with two big differences. The first is the beautiful panoramic Cine Color photography which is at times, quite breathtaking. The other is the casting against type of Rod Cameron as the sadistic villain of the piece. The story has Tom Horn (George Montgomery) going under cover for the U.S. Treasury Department in order to recover $100,000 in stolen unsigned Treasury Bills taken by the "Hole in the Wall" gang in a train hold-up. In pursuit of the gang, Horn meets up with expert forger Dakota Lil (Marie Windsor) and her companion Vincent (John Emery) and forms an alliance. Horn has learned that Harve Logan (Rod Cameron), who runs a saloon, is connected to the gang. Lil double crosses Horn and hooks up with Logan and forms a partnership with him in return for her forging expertise. Horn meanwhile, catches up with them and Lil begins to fall in love with him. Anyway, they discover that Logan is actually the leader of the gang and team up against him. Cameron is downright nasty as Logan. He plays him as a short-fused psychopath who brutally murders three people by visciously strangling them with a riding strap that he wears around his wrist. Montgomery is rather one dimensional as the hero but it must have been difficult to play against Cameron's villain. The charming and under appreciated Windsor makes an excellent good/bad lady. she even gets to sing a couple of songs while masquerading as a saloon singer. Of the supporting cast, John Emery is very good as Vincent, Windsor's tragic love sick accompanist. Wallace Ford is along as Horn's contact in Logan's organization. Jack Lambert has a nice bit as "Dummy" the sadistic gang member who uses dumb-dumb bullets. Walter Sande appears briefly as Butch Cassidy (no Sundance Kid though) and veterans Frank Lacteen and Kenneth MacDonald as other gang members. Sharp eyed western fans will also spot J. Farrell MacDonald in a small role as a Treasury expert. "Dakota Lil" though not a great western is nonetheless a feast for the eyes and a chance to see Rod Cameron on the wrong side of the law for a change.,

Dalagang Ilocana

10

Dallas Buyers Club

510K

460

The film's budget was so low that the makeup budget was only $250.00. The makeup artists were able to work with that amount, and the film still won an Oscar for Best Makeup and Hairstyling.,In Ron's motel office, he has a poster on the wall behind his chair of a Lamborghini Aventador, which was released in 2011. Roughly 25 years after the scene was supposed to have taken place.,Ron Woodroof: Let me give y'all a little news flash. There ain't nothin' out there can kill fuckin' Ron Woodroof in 30 days.,Featured in WatchMojo: Top 10 Actor Body Transformations (2013),Purple Written by Johnny Otis Performed by Shuggie Otis Published by BMG Rights Management Canada o/b/o Shuggie Music (BMI) Courtesy of Sony Music Entertainment Canada Inc.,Greetings again from the darkness. It's not unusual for an actor or actress to alter their physical appearance for a movie role. Sometimes those changes become the story: Robert DeNiro in Raging Bull and Christian Bale in The Machinist are two that come to mind. Regardless of the transformation or make-up, what really matters is the performance and the character. Just ask Eddie Murphy (Norbit) or Gwyneth Paltrow (Shallow Hal). In The Dallas Buyers Club, we actually get two incredible transformations that lead to two stunning performances. Matthew McConaughey and Jared Leto each lost approximately 40 pounds for their respective roles as Ron Woodroof, the redneck, three-way loving, alcoholic, drug-addicted electrician/rodeo cowboy; and Rayon, the sensitive, street-savvy, would-be transsexual so desperate for a kind word. Their physical appearance will startle you more than once, but is quite effective in getting across the struggles of those infected with HIV virus in the 1980's. The numbers impacted exploded and the medical profession was ill-equipped to properly treat the patients. This is based on a true story and a real life guy (Woodroof) who became a most unlikely beacon of hope for AIDS patients. Woodroof fought the medical industry, Pharmaceutical companies and the government (FDA, DEA, IRS). It's impossible to miss the message and accusations that most of these had a single goal of increasing profits, rather than curing the disease. And that's where the story lags a bit. Michael O'Neill and Dennis O'Hare are the faces of greed and bureaucracy, while Jennifer Garner, Leto, and Griffin Dunne represent the side with a heart. Woodroof seems to be a guy who just doesn't want to die, sees a business opportunity, and even learns a little bit about humanity along the way. There have been numerous other projects that deal with AIDS, including: Philadelphia with Tom Hanks and the recent documentary How to Survive a Plague. This may be the first with a protagonist who is simply unlikeable, despite his passion and strong survival instincts. McConaughey doesn't shy away from the homophobic personality and cruel manner of speech that Woodroof possesses. We never doubt his frustration at those controlling the big picture, but we never really see him connect with those his brash tactics help. McConaughey is on a dream run as an actor right now, and it certainly wouldn't be surprising to see him garner an Oscar nomination. But it would be a mistake to chalk that up to his losing so much weight - he really delivers a character that we won't soon forget. And let's not overlook Mr. Leto, who has been away from acting for 4 years touring with his band. He is a remarkable talent and a true screen presence. Compare this role to his Mark David Chapman in Chapter 27. It's not just the range of weight, but moreso the range in acting that so impresses. Also worth noting here is the outstanding cinematography of Yves Belanger. This movie is shot in a way that brings out the intimacy of the moments, while not losing the big picture. Director Jean-Marc Vallee (The Young Victoria) and co-writers Craig Borten and Melisa Wallack work together for a solid foundation, but it's McConaughey and Leto that we will most remember ... and of course, the pics of the great Marc Bolan on the wall. www.MovieReviewsFromTheDark.wordpress.com,

The Dallas Connection

1.1K

19

Lead star Bruce Penhall's wife was upset about the highly explicit sex scene he shot with playboy playmate Julie K. Smith in the film. The lengthy scene shows them naked, having sex in a jacuzzi with Penhall enthusiastically feeling up and licking Smith's dripping wet, fully nude body all over for minutes on end and repeatedly sucking her nipples. The latter shot was featured in the Playboy magazine's November 1995 issue as part of the most notable sex scenes of the year and made his wife even more upset. Executive producer , famous for including gratuitous sex and nudity in his films, commended Penhall for filming such a raunchy scene despite being married and having children. Sidaris noted that Penhall was an ex-athlete in real life and was playing a macho character, so Penhall wasn't going to hold himself back in any way, specially against a beautiful, fully nude playboy playmate. So Penhall really got into the scene and absolutely went for it. Smith on her part was as into it as Penhall if not even more so as Sidaris noted that Penhall was an equally handsome man with a great physique. Together, Penhall and Smith delivered one of the steamiest scenes in the Sidaris film series.,The black Mercedes sedan has European wheel covers and two license plates in France vs. the one license and U.S. wheels on the model used at the house and the airport hanger.,Black Widow: Boys. After you've finished with those guys, rape these bitches and kill them.,Featured in Some Nudity Required (1998),"The Dallas Connection" delivers the expected breasts, travelogue footage, explosions, and even some legitimate plot twists, but it has too many drawn-out non-action sequences, probably the result of Andy Sidaris & son Christian stretching the film to make it reach the 90-minute mark. As the female lead, Sam Phillips is a poor replacement for Suzi Simpson (not to mention Dona Speir). Suzi did a very good job in "Enemy Gold", and I wonder why Sidaris didn't cast her again. Sam is portrayed as useless in the action scenes. She is easily controlled by an unarmed man, while in "Enemy Gold" Suzi easily disarmed an armed man in about 3 seconds - see the difference? Julie K. Smith and Wendy Hamilton (a stunningly beautiful woman) do about 95% stripping and 5% action. Julie Strain is fine as long as she doesn't have to speak - when she does, the illusion is ruined. In terms of the female action quotient, this is probably Sidaris' most disappointing film since "Malibu Express". (**),

Daltry Calhoun

2.4K

20

Mother and Daughter characters, May and June respectively, are named after months of the year. The fact that the month of June succeeds May is fitting, as June literally succeeds May after she dies.,At 36min 35, Daltry and June are walking and talking. Daltry pauses while talking with June, and then moves on. When he moves there is a dog behind him that starts running in the opposite direction. Neither he, nor anyone else on his property, owns a dog.,Daltry Calhoun: Get HIGH on grass! The LEGAL kind!,After the credits end Daltry, Frankie, Doyle and June are practicing golf and goof around with golf balls and golf clubs. Daltry ends the scene by throwing a golf club towards the camera.,Referenced in Jackass: Where Are They Now? (2007),Kids in America Performed by Kim Wilde Written by Ricki Wilde (as Ricky Wilde) and Marty Wilde Courtesy of EMI Records,Despite good performances and solid direction, this movie leaves you wholly unsatisfied because essentially nothing climactic or surprising happens to tie it all together in the end. The conflicts between the various characters resolve themselves all too easily, as does the problem Daltry is having with his failing empire. The ending leaves you feeling that once the script hit 100 pages, the screenwriter just decided to finish things off. Worth seeing for solid performances by Knoxville and newcomer Sophie Traub, but overall it just feels like a good idea that never develops fully.,

The Dam Busters

11K

112

There was no follow-up raid because aerial photography showed that the new anti-air raid defences on the dam installed after the attack would have made a second raid suicidal.,The system devised to get the height right was, in the film, said to have been thought of by the 617 Sqn crews following a visit to the theater. In reality it was devised by the 'boffins' at Farnborough.,Official, Ministry of Aircraft Production: You say you need a Wellington Bomber for test drops. They're worth their weight in gold. Do you really think the authorities will lend you one? What possible argument could I put forward to get you a Wellington? Doctor B. N. Wallis, C.B.E., F.R.S.: Well, if you told them I designed it, do you think that might help?,Blu-Ray edition opening screen: "While we acknowledge some of the language used in The Dam Busters reflects historical attitudes audiences may find offensive, for reasons of historical accuracy we have opted to present the film as it was originally screened." This refers to the fact that the protagonist, Wing Commander Guy Penrose Gibson's, dog is named "N-Word." In addition, the dog's name is used during the raid on the dams as code indicating the dam(s) have successfully been breached.,Prints distributed in the United States by Warner Brothers added a shot from Desperate Journey (1942) showing an early model B-17 Flying Fortress crashlanding in a forest.,Edited into Attack on the Iron Coast (1968),The Dam Busters March by Eric Coates,I personally went to school in the town where the Raids were monitored from (Grantham) by Wallis and Harris. There is hardly any memorabilia recording this local fact, and no-one would ever know. I know of RAF Scampton too, which I believe has closed down some years ago. For Lincolnshire, the Dams Raid is remembered poignantly, as the 617 Squadron, who now fly Tornados in Scotland, was formed and trained there. They practised on the Derwent Reservoir near Sheffield, and the Eyebrook Reservoir in Leicestershire. Sir Barnes Wallis thought in innovative ways, and the fact that this 'far out' idea of bouncing bombs on a lake, actually breached two dams is an engineering marvel. To do so under heavy flak is beating the odds. Wallis and 617 Squadron collaborated again with the Tallboy and Grand Slam 'earthquake' bombs, which destroyed many important railway viaducts and tunnels, as well as sinking the Tirpitz. Richard Todd, after the film, moved 3 miles from Grantham. Maybe the film was the reason for this. The film is one of few about RAF Bomber Command, and is a good portrayal of the danger involved. 41% of crew were killed (55,000). After early 1944, the loss rate rapidly decreased, as the Luftwaffe had been destroyed, so from 1940-3 I would guess 60-70% of crew were killed, for the whole campaign. It may be higher. The RAF didn't even know the Germans had excellent radar until early 1942. The film is about team work and working under stress - your immediate future depended on 6 other people. Many things could go wrong along the way. It is also about strong resilience to new ideas. i.e. The RAF could have had jet planes before 1939 if they'd have developed Whittle's ideas in the 1930s, instead of foolishly waiting 10 whole years until 1941. Whittle was then humiliated after the war by forcing him to give all his designs to the Americans, who didn't waste any time in treating the idea as their own. When I first saw the film, I thought the special effects were weak and I was astonished a bomb bounced in the first place. When older and seeing it again, you can empathise more with the RAF crews and the skill and daring they would need. It focuses on one story line, and does not have American accents mysteriously appearing from nowhere. I think at the time Guy Gibson was about 25. Imagine yourself having that responsibility at 25. Many of the 'Upkeep' mines that were bounced, completely missed the targets. Certainly for the Eder dam, there was just one mine left, and was dropped in the right place and destroyed the dam in 'one go'. The film gives the impression many were exploded to breach the dam, but actually a single one did the 'job'. The Germans are never shown, and I would love to have known what they thought seeing this strange sight of bombs skimming the water's surface. I think Spielberg would have enjoyed making this film, but half of it would have been about the Germans. If the dams had been breached six months earlier, when a water pumping system had not been installed, the Germans would have been seriously up the creek with no paddles. The Ruhr Industry would have been unable to function at all. Do not underestimate what hypothetical difference the dams breach could have made to the Germans in their biggest industrial area. Do women enjoy the film too, or is all the technical wizardry just for the male audience? Why did Pink Floyd use it in their film 'The Wall'? Carling Black Label used the lake scenes many times in notorious adverts.,

Dam Street

305

4

I saw this at the Toronto International Film Festival today and enjoyed this dramatic tale of a pregnant high-school girl who is scorned by family and society. The movie spans about 10 years and hence paints a somewhat intricate story against the changing backdrop of Chinese society and changing values. The pressure of society and family against this pregnancy, in my view, is really what this movie is about. In another time, or a more liberal era, some of the things that would happen would be non-issues. Who cares that there was a teen pregnancy. It can happen. And it might. But when pressures are too great, then back-door plans are concocted and that's what this story focuses on. It's an intimate look at some of the darker moments beyond the back door and yet hints to some better times. A strong cast and some gritty and textured locations (including a street that acts as a dam -- hence the name 'Dam Street') make for a very authentic and subtle story that allows the story to emerge on its own. Linguistic Note: This movie takes place in Sichuan -- which means a lot of the Chinese is actually of the Sichuan dialect. This may make it less accessible for Mandarin speakers unless subtitles are included.,

Damage

20K

114

According to an article published by British newspaper The Daily Telegraph on November 16, 2004, Binoche snubbed Irons after he acted a French kiss a little too realistically in one of their love scenes. When questioned about the kiss during an interview published by The Daily Express on August 10, 2011, Irons answered: "Oh, I'm sure I did", and by way of explaining Binoche's distaste for his eagerness, said she was "a bit anti-man at the time" as she had just come out of a relationship. In an interview published by The Daily Telegraph on March 6, 2015, Binoche was asked which one of her British co-stars stands out for her, and she answered: "They're all in my heart, I tell you, even Jeremy Irons," and confirmed that they had a few problems together during the shooting.,Early in the film when Stephen arrives home it is night. Yet once inside, when the maid draws the curtains, the garden outside is bathed in sunlight.,Anna Barton: Damaged people are dangerous. They know they can survive.,USA version removed 1 minute of sexually-explicit footage in order to secure a R rating. European unrated version is available on video/laserdisc in USA.,Featured in Siskel & Ebert: Forever Young/Damage/Toys/Scent of a Woman/Used People (1992),My main reason for seeing 'Damage' was for the cast. Especially love Jeremy Irons, who very seldom has done wrong (in terms of performances that is, he has been in his fair share of misfires but is a bright spot in most of them). But also love a lot of Juliette Binoche's performances ('Three Colours: Blue' being particularly notable, she is astonishing in that) and the same goes for Miranda Richardson in much of her work. That the director was Louis Malle ('Au Revoir Les Enfants') in his penultimate film, and the composer was Krzysztof Kieslowski regular Zbigniew Preisner were further attractions. The themes of lust, passion, betrayal and the consequences of damage are not unfamiliar ones in film/tevision before 'Damage' or since it, but there is nothing wrong with that and when explored well in film/television they do leave a very powerful impact. Familiarity is not a bad thing, it's over-familiarity on top of not being interesting or unintentionally funny (or all of those) when it is a problem. 'Damage' is, has been and is going to be, a beautiful and interesting film to some. To others, it is, has been and is going to be cold and dull. Count me in as somebody in the former camp, while totally seeing why it won't connect, and hasn't connected, for others and am not in any way going to hold that against them. It is not one of Malle's best films, nowhere near, and most of the actors have done better work before and since. Irons with 'Dead Ringers', sorry about going on a lot about this particular film but just love that film and his performance in it, and Binoche with 'Three Colours: Blue'. It is some of Richardson's best work though. With it not being a good or particularly fair representation of Rupert Graves in my mind. Found Graves to be wasted in an underwritten clueless dullard sort of role with nowhere near as much screen time as he should have done, his biggest scene/moment being one of the film's most memorable near the end. A shame because he has given numerous good to great performances, unforgettable for example in 'The Tenant of Wildfell Hall'. Some of the editing in the early parts of the film is on the rushed side, likewise with how the central relationship begins and unfolds so easily and quickly. Stephen's motivations could have gone into depth more. However, 'Damage' is beautifully and stylishly filmed and most of the editing is fine. The closing shot is very hard to forget. Preisner's score is hauntingly intimate, sometimes hypnotic and at other times ominous, which fits the tone more than ideally. Not some of his very best work, but Preisner even not at his very best still delivered. Malle shows no signs of fatigue in his directing despite it being his penultimate film, do prefer it when there is more of a personal touch to his direction seen in especially 'Au Revoir Les Enfants' (that film though is very personal, auto-biographical actually) but he is hardly out of his depth. Props to him to even attempt exploring a very interesting but difficult subject and do so as compellingly and bravely as he does. Morever, 'Damage' is thoughtfully and leanly scripted. The clear highlight in this regard being Richardson's big scene at the end (the one that garnered her the acclaim she got for her performance), will try not to spoil it too much but it sure does pack an emotional punch. Another highlight too, and the line to sum up the entire film, is the line from Binoche regarding the impact of damage. The story thematically is nothing new and from reading any basic plot summary sounds like familiar territory and very thin. It's the way the themes are explored that is unconventional and surprisingly insightful, lust and betrayal has seldom been portrayed in such a dark, intense and devastating way even when the film is deliberately paced. The tension does simmer and often when not a word is being said and when expressions are so subtle. Ingrid's big scene at the end is the dramatic highlight, searing in intimacy and devastating in emotional impact when seeing how much damage has been caused, got the sense that even Irons was trying to hold back emotion filming the scene. It does have to be said that 'Damage' has some of the most interesting love scenes of any film (easily), know very few films to have love scenes these gymnast-athletic and searingly intense while also being passionate and erotic enough, most of the passion coming from Irons though. Binoche apparently disliked working with Irons when his approach to the love scenes became too physical (there is that sense in the first one), but that dislike to me didn't come out on screen and liked that their chemistry wasn't overwrought. What is also interesting about 'Damage' is how it portrays the characters, particularly in Stephen and Anna being such polar opposites in type and their attitude to relationships Of the three leads, despite having the least to do Richardson is particularly great and is a fierce powerhouse at the end. That is obvious in terms of awards attention too, her performance was the most acclaimed of the three. When it comes to tortured characters, upper-class gentlemen with moral issues and understated intensity, Irons was one of the best, and he shows that here. Should be is, but he's had material well beneath him for a while now with some exceptions here and there that doesn't show those qualities anywhere near enough. Binoche is exotic and suitably despairing in one of her "sorrowful sisters" roles that she always played superbly and never in an over the top way, subtly expressive actually. Just to say that that phrase is her words and way of coining some of her roles, not mine. Leslie Caron is memorable in her small role. Altogether, not for all but to me it was very good with a few reservations. 8/10,

Damaged Goods

47

1

Damaged Lives

269

11

Although the film's credits say it was produced and released by Weldon Pictures, it was actually filmed and distributed by Columbia. Weldon Pictures was a dummy company set up by Columbia, which didn't want to be associated with the film's topic, syphilis. Producer Nat Cohn was the brother of Columbia's head, Harry Cohn.,The uncredited child actor in a scene with actresses Almeda Fowler and Marceline Day interrupts their conversation by pushing his toy grizzly bear's growl button repeatedly, obviously not in the script. Day, playing his mother, improvises: "No, no, dear. Here, Mother'll take this," and takes the toy from him to the opposite side of the set where he can't get to it. For the rest of the scene the boy stays frozen in a state of consternation.,Referenced in Big City (1937),An extramarital affair leads to a young couple contracting venereal disease. The Alpha Video presentation is very poor, with a grainy picture, frames that jump and sound that cuts out at times at at others is just not clear. If anyone deems it worthy, this film should be cleaned up. Granted, it is not particularly interesting or even salacious, but an improved picture and sound would at least make it watchable. The film is available in sets with "Reefer Madness", but do not be confused -- it is not in the same league. This one is not even unintentionally funny. It is just sad.,

Damascus Cover

3.2K

58

This was actor Sir John Hurt's final theatrical released film.,Despite taking place in 1989 there are modern cars in the backgrounds of several shots.,[First Lines] Ari Ben-Sion: [Voice over] For most of the past year I have been German businessman Hans Hoffman. My real name is Ari Ben-Sion. Lying to everyone is difficult. But my life depends on keeping the two worlds separate. If I could, I would be Hans Hoffman all the time.,Featured in Good Morning Britain: Episode dated 2 March 2018 (2018),Thistles Written and performed by James Edward Barker Published by Brighter Headache Courtesy of Brighter Headache,This is a quite mediocre spy movie. I used to like this genre a lot and would have the keenest interest to see them through, but this film, well, right after about 15 minutes, I've already got bored, lost my interest and became awfully impatient to watch along. During the fifteen minutes, I've first found out that the casting job was terrible; Jonathan Rhys Meyers, who played the main role as an Israeli spy, was a terrible cast, I couldn't stand his swaggering walking and his faulty ridiculed way of speaking, trying to be a mixture of German and Israeli person. Then again, Olivia Thirlby, who played a USA Today journalist, shooting pictures of those Israeli weirdos around the Weeping Wall without any obvious reason. Then an absolutely weak and unconvincing chaos was so conveniently created and suddenly died down to offer the opportunity for her and JRM's acquaintance. What an awkward and terrible scenario that only a lousy screenplay would have crafted. Then finding and signing up lot of Middle Eastern actors with big hooked noses and demonic vicious faces to play the Syrians simply further turned me off right away. It's such an one-dimensional and highly predictable film, extremely mediocre. The only thing that worths your time was to take a look at those exotic scenes of the Middle Eastern city and village views, which by the same token, we've already seen thousand times in other films, including those travel documentary films and magazines. I'd never recommend you to waste your precious time to watch this mediocre film.,

Dames

Les Dames du Bois de Boulogne

4.7K

27

Filmed in 1944 during the German occupation of Paris, there is no mention of World War II, no sign of any German presence, not a single uniform in sight, even at the wedding, and none of the usual well-known wartime regulations and/or shortages. Jean, with apparent ample income, but no meaningful source of obtaining it, seems also to have not only escaped military service, but also drives around Paris, otherwise devoid of civilian traffic and military or police control, in a pre-war American-made 1936 Pontiac convertible that would have normally have been confiscated for wartime use decades earlier, and with an apparent ample supply of otherwise unobtainable gasoline.,In the meeting between Hélène and Jean in which they tell each other that there is no more love between the two, the clock on the mantelpiece jumps from ten to twelve to ten past twelve within seconds.,Jacques: There's no such thing as love, only proofs of love.,The German dubbed version is about two minutes shorter, due to several cuts in the final scenes. The channel Arte screened the complete movie with the missing scenes subtitled.,Edited into Histoire(s) du cinéma: La monnaie de l'absolu (1999),Till 1950,Robert Bresson used professional actors.This explains why those previous movies are much more accessible -and thus generally overlooked by the "true" RB connoisseurs ,this naive audience who is still thinking that French cinema did begin with him;this mindless belief was fueled by the director himself whose contempt for his colleagues was notorious ... And like it or not,It's one of his colleagues,Marcel Carné ,who provided Bresson with his star Maria Casarès,who was featured in the absolute chef-d'oeuvre of our French cinema "Les Enfants Du Paradis" .She played the part of Natalie and was not overshadowed by Arletty,which was quite a feat! In "les Dames...",Casares was extraordinary: in her last scenes ,when she spits her hate ,her contempt and when she savors her vengeance as she says :"You've married a hooker! I had you marry a hooker!" ,she mesmerizes her audience.After her lover had left her,she really became a spider spinning her web in which the two women and her ex would be caught up. Jean Cocteau wrote the dialog.Maria Casarès would become one of his favorite actresses:"Orphée" and "Le Testament d'Orphée".,

Damn Yankees

3.3K

66

Gwen Verdon's dance partner in "Who's Got the Pain?" is none other than Bob Fosse, who was restaging his stage choreography for the film, and took the opportunity to step into the number, which became a rare and treasured opportunity for Broadway fans to see the artist and his muse perform together. Verdon and Fosse married in 1960.,After the dance scene (The Mambo) with Bob Fosse and Gwen Verdon , as they walk offstage, Joe says "Good job, Bobby" almost inaudibly.,Smokey: Hey Linvy, what's a three letter word for "a sticky substance"? [Linville thinks for a moment and then points to a wad of gum in his mouth] Smokey: Spit? No, that's four.,Featured in Diamonds on the Silver Screen (1992),Six Months Out of Every Year Music by Richard Adler Lyrics by Jerry Ross Performed by Shannon Bolin, Robert Shafer, and chorus,Gwen Verdon was a Broadway legend with long gorgeous legs and an undeniable stage and screen charisma. Her legendary stage career earned her four Tony Awards, thanks in no small part to her long time Svengali and ex-husband Bob Fosse. Sadly, the only time Verdon was allowed to bring a role she created on Broadway to the big screen was in DAMN YANKEES, a sparkling film adaptation of the Richard Ross-Jerry Adler musical about a middle-aged baseball fan named Joe Boyd (Robert Shafer)who sells his soul to the devil for his favorite team, the Washington Senators, to win the pennant. The devil, apparently in desperate need of converts, appears in Joe's living room in the form of a Mr. Applegate (Ray Walston)and changes Joe Boyd into Joe Hardy (Tab Hunter), a young and unbeatable baseball player who helps lead the Senators to the pennant until he starts to get homesick and Applegate sends in his # 1 agent/witch named Lola (Verdon) to distract Joe. The film is well-mounted by Broadway legend George Abbott and Verdon and Ralston effectively reprise their Tony-Award winning stage roles and Fosse is even showcased, dancing in a rare duet with wife Verdon on "Who's Got the Pain?" and trust and believe, seeing Fosse and Verdon dance together is worth the price of admission alone. Other great songs in the score include "Whatever Lola Wants", "Heart","Those Were the Good Old Days", and "Shoeless Joe From Hannibal Mo". Not the greatest musical ever made, but Verdon, Ralston, and Fosse's brilliant choreography make it worth watching and re-watching.,

Damnation

8.9K

117

Was originally titled "Dark Wind," but was changed to "Damnation" to fit the show's theme and tone.,I've really enjoyed the first two episodes. The cast is attractive, can act and the script is well done. The premise of the rich vs the poor is fitting in the current time of our country. There is enough action to keep it exciting, plenty of questions that need answering and enough drama to keep you watching.,

Damnation Alley

5.7K

104

This was 20th Century-Fox's big-budget science-fiction project in 1976. Hoping it would be a success, the studio made an effort to focus all the marketing on this film. At the same time, Star Wars: Episode IV - A New Hope (1977) was a little-publicized modest film, and the studio was convinced that it would fail. Damnation Alley bombed while Star Wars became the biggest box office hit in history.,In the sequence with Tanner on the motorcycle with a female mannequin in the desert with the giant scorpions, in some shots it is a real woman instead of a mannequin on the motorcycle with Tanner.,Maj. Eugene Denton: Tanner this is Denton! This whole town is infested with killer cockroaches. I repeat: KILLER COCKROACHES!,Opening credits prologue: 123rd STRATEGIC MISSILE WING TIPTON AFB, CALIFORNIA,Edited from When Worlds Collide (1951),Will the Circle Be Unbroken Christian Hymn (1907) Lyrics by Ada R. Habershon Music by Charles H. Gabriel Performed by Jan-Michael Vincent and Paul Winfield,This notoriously hard to get (at least legitimately) movie follows the travails of five nuke apocalypse survivors in the late 1970s. Their task is to drive their armored personnel vehicle cum Winnabago from Bakersfield CA to Albany NY. On the way they stop off in Vegas, Salt Lake City and Detriot bumping into maniac mutant cockroaches and some radioactive hillbillies along the way. 99% of the time the sky is a swirling orangish red that transfers its Gatorade hues to most sequences in this movie. The locations are all dust, sand and rock... this is after all Damnation Alley and the Earth has been tilted off its axis. An absolute trash B movie that I'm sure many of those associated with would rather forget, it is nonetheless hugely compelling. After viewing you can appreciate the cult classic status of this film, yet to not be entirely sure why that is so.,

The Damned

59K

751

Aaliyah died in a plane crash shortly after principal photography was completed but had not yet actually performed any ADR redubbing for her character. Michael Rymer called in Aaliyah's brother, Rashad Haughton, to help with overdubbing her voice following her death due to their similar voices, special vocal technology was also used to make his voice sound more feminine.,(at around 16 mins) The passage that Jesse cites, which tipped her off about Lestat being a real vampire, is not actually part of the song used in the film.,Jesse: Boo. Lestat: Boo back.,DVD release includes full unedited versions of Lestat's music videos for "Redeemer," "Forsaken" and "System", and Lestat's full concert performances for "Not Meant For Me" and "Slept So Long". DVD also features deleted scenes: "Original Opening Sequence with Timelapse" - The idea of this opening scene was to show the passing of the decades to which Lestat slept. However, the production team was not pleased with the prelimenary visuals created for the scene, and ultimately, decided to skip the scene altogether.,Featured in Siskel & Ebert: We Were Soldiers/40 Days and 40 Nights/Queen of the Damned (2002),Forsaken Written and Produced by Jonathan Davis and Richard Gibbs Performed by Jonathan Davis Double Violin and Vocal Improvisation by Shenkar Jonathan Davis appears courtesy of Epic Records Shankar appears courtesy of 15 Records,The rest of the movie is great. The cast and crew did a stellar job (Aaliyah is chillingly beautiful) and the soundtrack is unparalleled, it fits the movie perfectly. Ignore the low score on IMDb. Watch and enjoy it as a stand-alone film, as it is a world away from Interview With The Vampire. At least an 7/10 if you like the genre, and it is on Netflix in most countries, so go for it,

The Damned United

45K

98

The film has been criticized by the Clough family as they state it was not a true story of events.,The tie against Leeds shows Derby being so badly fouled by the Leeds players they have to field reserves against Juventus. While Derby did suffer some injuries in the tie against Leeds that year, it actually came before their quarter-final match against Spartak Trnava, which Derby still won despite missing some key players. Moreover, the injuries were not as serious as implied in the film, and all the injured players had recovered by the time of the eventual 3-1 defeat by Juventus which was with a near full-strength Derby squad minus two players who were suspended.,Brian Clough: [to the assembled Leeds players] Well, I might as well tell you now. You lot may all be internationals and have won all the domestic honours there are to win under Don Revie. But as far as I'm concerned, the first thing you can do for me is to chuck all your medals and all your caps and all your pots and all your pans into the biggest fucking dustbin you can find, because you've never won any of them fairly. You've done it all by bloody cheating.,Featured in De wereld draait door: Episode #4.124 (2009),Leeds, Leeds, Leeds (Marching On Together) Performed by Leeds United A.F.C. (as Leeds United Team) and Supporters Written by Les Reed / Barry Mason Published by Universal Music Publishing Ltd / Dick James Music Ltd / Barry Mason Music Ltd / MCS Music Ltd Licensed from Chapter One Records Ltd,Peter Morgan (Writer of The Queen and Frost/Nixon) reunites for the third time with Michael Sheen (Leading actor of The Queen and Frost/Nixon) as the two men look to complete a hat-trick. Michael Sheen can tick off another box on his list of his portrayals of iconic Englishmen as his witty performance is a key reason for what makes The Damned United a joy to watch. The performances stand out with many well done performances by the leading cast, in particular Sheen and Spall who show a very impressive on screen relationship. The film can get confusing at times as it follows two different stories, switching frequently from Brian Clough's miraculous time at Derby County and his disappointing and shambolic time at Derby's then rivals Leeds United. The film doesn't get involved in Clough's personal life but focuses on his career with both clubs, starting off with Clough viewed firstly as a small-time 2nd Division manager to a arrogant manager on top of the Division 1, another key issue is his close friendship with his assistant Peter Taylor (Timothy Spall) and hatred of the man who preceded him as Leeds boss, Don Revie (Colm Meaney). While at Leeds the key points of focus is Clough's determination to replace Don Revie as a hero in Leeds and 'father figure' as well his poor relationship with the players and the end to his arrogance. Many people may feel that The Damned United is just for football fans, and even though it may appeal more to football fans it's an entertaining film and a joy to watch.,

A Damsel in Distress

2.3K

49

When Fred Astaire learned that Gracie Allen was nervous about dancing with him on-stage, he reportedly made a point of tripping and falling in front of her the first day on the set to put her at her ease.,This movie is based in England where vehicles drive on the left, but all the vehicles are left-hand drive, which obviously is what side they drive on in the US.,Gracie: [Gracie answers the telephone] It's a Hawaiian. George: A Hawaiian? Gracie: Well he must be. He says he's Brown from The Morning Sun.,Featured in Hollywood and the Stars: The Fabulous Musicals (1963),I Can't Be Bothered Now (1937) (uncredited) Words by Ira Gershwin Music by George Gershwin Song and dance performed by Fred Astaire,A Damsel in Distress is a delight because of the great Gershwin songs, Fred Astaire, Joan Fontaine, and a terrific supporting cast headed by Gracie Allen and George Burns. Typically silly plot for an Astaire film has him as an American dance star in England with Burns as his publicist and Allen his secretary. They concoct a story about his being a love bug with women falling victim to him left and right. He runs into Fontaine who is being held captive in her castle by a domineering aunt and docile father. Silly plot. The great songs include A Foggy Day, Things Are Looking Up, Nice Work if You Can get It, and I Can't Be Bothered Now. Fontaine does not sing, but does a brief (and decent) number with Astaire. Surprisingly good in a few dance numbers with Astaire are Burns and Allen, including an inventive and fun romp through an amusement park. Also in the cast are Reginald Gardiner, Constance Collier, Montagu Love, Harry Watson (as Albert), Ray Noble, and my favorite--Jan Duggan as the lead madrigal singer. Jan Duggan is in the middle of the swoony trio who sings Nice Work if You Can Get It. Her facial expressions are hilarious. She was also a scene stealer in the W.C. Fields comedy, The Old Fashioned Way, playing Cleopatra Pepperday. Much abuse has been heaped on this film because of the absence of Ginger Rogers, who, as noted elsewhere, would have been hideously miscast. The TCM host notes that Ruby Keeler and Jessie Matthews were considered. Yikes. Two more would-be disasters. Fontaine is fine as Alyce and the dynamic allows the musical numbers to belong to Astaire, with ample comic relief by Burns and Allen. Fun film, great songs, good cast, and Jan Duggan in a rare spotlight!,

Damsels in Distress

9.9K

70

Writer/Director Whit Stillman's first film in 13 years after The Last Days of Disco (1998).,A rainbow is seen in the sky with light falling onto the trees from the right, but when looking at a rainbow the sun is always behind you.,Violet: Do you know what's the major problem in contemporary social life? The tendency to always seek someone cooler than yourself.,The background behind the "Sony Pictures Classics" logo at the beginning is bright pink instead of its normal blue.,The BBFC in the UK originally classified the film with a 15 rating, but later classified a modified version of the film with a 12 rating, which had some of the stronger sexual references removed.,Featured in Maltin on Movies: Damsels in Distress (2012),2 Hott 4 Da Universe Written by Jon Flores, Greedbagz Deluxxx and Guy Weltchek,"Damsels in Distress" lives in a world utterly of its own making, and you're either going to accept that world or you're not. I was won over and found this film to be a charming, eccentric movie about a group of college girls, and one in particular, who hide their insecurities behind a confident desire to better their fellow students. Greta Gerwig is the leader of the pack, a somewhat annoying girl who also remains rather winning and appealing thanks to Gerwig's terrific performance. The film reminded me somewhat of another movie released this year, Wes Anderson's "Moonrise Kingdom" (though that's a far better film) in its quirky determination to stick to the rules it erects for itself, but also in its tone and its assembled cast of characters who are all basically good people trying to make sense of a frequently confusing and not always very pleasant world. "Damsels in Distress" is not going to be to everyone's taste, but, also like "Moonrise Kingdom," if it is to your taste you'll probably be delighted by it. Grade: A-,

Dan in Real Life

106K

312

Improvisation was encouraged during filming. One such case was the line: "This corn is like an angel." Allison Pill's (Jane) stoic expression turns into a failed attempt to hold back a grin. The outtakes show that the entire cast soon burst out laughing.,Dan stops for gas in New Jersey while he and the girls are driving up to the family's house. He is shown pumping gas. While it is against the law in New Jersey to pump your own gas, it is sometimes done and usually overlooked as an infraction by station staff.,Cara Burns: You don't have to worry because when it comes to sex, Marty is the one that wants to wait. Dan Burns: What part of that sentence is supposed to give me comfort?,Featured in Siskel & Ebert: American Gangster/Music Within/Before the Devil Knows You're Dead/Dan in Real Life/Control (2007),Airport Taxi Reception (2007) Written by Sondre Lerche Performed by Sondre Lerche and The Faces Down Courtesy of Astralwerks Under license from EMI Film & Television Music,Steve Carell once again stars in a light romantic movie about choices, family and pressure. By judging on the plot and cover art of the movie I was expecting a flat-out comedy, lots of laughs and unrealistic elements, but I guess I was wrong. Sure the movie had some comedy, but it felt much more of a light Drama to me and Steve Carell once again gave a great performance. The movie itself really tackles true observations and that was a strong element I found. But, the ending felt a little bit rushed and predictable. Through-out, the cinematography was great, the acting was great and the message it delivered was obvious but yet still very important. Though, it came down to old, flat and predictable ending. I'd reckon if different choices were made at the end of the movie (perhaps for the bad, even) this movie would get better publicity. Still a fun movie.,

Dance of the Dead

12K

89

Carissa Fowler came up with the line "But I don't know how to shoot a machete" during her audition for the role of Gwen.,When they discover the girls hiding in the bathroom, we see George removing his football helmet. However, in the following over-his-shoulder shot, we can clearly see he still has the helmet on.,Kyle Grubbin: [Offering a bag of chewing tobacco] You chew? Jules: Yeah, I'm Jewish... Why?,Featured in The Making of 'Dance of the Dead' (2008),Somebody's Gonna Get Their Head Kicked In Tonight Performed by We The Its Written by Jeremy Spencer (as J. Spencer) Published by Crosstown Songs America, LLC Courtesy of Joshua Chambers,Really zombie movies are such a hit and miss genre that you can't ever honestly watch one with high hopes. Which is why when one turns out to be pretty damn good you are more than pleasantly surprised. This was just a well put together movie. I thought the direction, script, and acting were all very well executed...especially for a bunch of relative unknowns. It had gore, humor, story...and what I really appreciated was they gave you just enough insight and character build up that when someone did finally kick the bucket...you know who it was and cared. The dialog was also pretty fun to listen to. I'm a fan of horribly foul language...which this movie did not have...but the dialog kept me interested enough that I didn't even notice the lack thereof. Plot summary. It's prom time in this town, and all the teens are scurrying to find their dates. All teen categories are featured here, there's the nerds (sci-fi club), the misfits, the punk rockers, and the in-crowd (tools). While this minor school drama that everyone can relate to is going on, a menace is looming. The town power plant has been leaking toxic waste into it's surrounding town causing the dead to return to life. While the prom is in full swing, the dead arise and start wreaking havoc. Naturally the first to notice are those who are without dates and it is up to them to not only protect and save themselves...but to save the obvious buffet that is the teen prom. If you like fun zombie movies, with good lines, and gore...watch it.,

Dance of Death

117

7

Featured in Top Fighter 2 (1996),This is a movie for Angela Mao fans. Most others will be disappointed, but for the Mao fan it is unmissable. Angela plays a (male) beggar who's involved with a kung fu school. When her school is attacked by an evil rival school, she is chased into the countryside where she immediately discovers two elderly kung fu masters (the landscape must be crawling with them). These two are fighting each other for fun, trying to find out who's best. For the last 20 years, they have been meeting every five years to test their skills against each other, but it's always a draw. Angela suggests that they teach their styles to her, and then she can use it on some bad guys, and whoever's styles are most effective, will be triumphant. The old guys cannot resist this, and start teaching her. As a result, the movie is totally full of both training and fighting against enemies. Enemies are everywhere, it seems, and revenge is mentioned often; it is apparently just about the only thing kung fu is used for. I think this is another part of the movie's intentional genre satire. Dance of Death is primarily a comedy; all elements of the story and acting are devoted to comedy. Most of the comedy is so silly as to be awful, but little bits of it are all right, largely thanks to Angela Mao's charisma and cheerful acting. She hams it up as a man, effectively exaggerating everything for comedic value. I don't think she's supposed to be a woman dressed as a man; I think she's actually *playing* a man, with her obvious female wiles (and the dancing bit) simply being part of the movie's intentional comedy. The movie, although it has its funny points, would be something of a loss if it wasn't for Angela Mao herself. She is many classes above the rest, and a joy to behold. She has marvelously beautiful moves, and is herself marvelously beautiful - at the top of her career here, I would say. Because the movie and much of the fighting is comical, there is indeed a certain intensity lacking. A previous reviewer mentioned how the fights often look like "carefully planned, elaborate stage performance", as they often do in the not-quite-first-rate kung fu movies, and this is true. It tends to get rather dull to see a lot of formal acrobatics where the combatants rarely if ever touch each other, and the whole sequence often feels highly artificial. However, I will say that Angela Mao makes the fights in this movie look better than that. Her every move is obviously expert and admirably graceful, and for a kung fu fan it is absolutely delicious eye-candy. Much of the movie commands your very close attention because you don't want to miss any of the cool fighting. That's a good thing for a martial arts movie to do. The main bad guy of the movie, that Angela and others labor to beat, practices something called "upside-down horse boxing", which is simultaneously immensely cool and immensely silly; in short, pretty outrageous. And speaking of silly, the movie parodies strange kung fu styles by inventing a "dancing girl" or "concubine" style, after which the movie is named, but which in fact only plays a minor role in the story. It is an intensely comical element, and of course Angela Mao makes it look very cute. My Rarescope DVD was cheap and well worth the price. Still, despite being a recent release, the poor-looking (and poor-reading!) subtitles are hard-coded from some old cinema reel, which is a disappointment. The DVD also has an English dubbing track, with dialog that is different from the still present hard-coded subtitles. I often despair at why the heck we never (never!) get proper, professional subs for movies like these. Without knowing what they're *really* saying, we're never really given a full and whole version of the movie. :-( Jackie Chan's name is on the DVD cover, which is something of a misnomer. He was "stunt coordinator" on the movie, but whether that also means action choreographer, I don't know - I doubt it. It's true that some of Angela's acting and fighting style look very Chan-ish, but I don't think Jackie's influence was all that pervasive here. Without Angela Mao, the movie would not be worthwhile, rating at most a 3 or 4 or so. But with her, it is very worthwhile for fans of her, and receives from me a 6 out of 10 rating. It's even possible I may later emend the rating to a 7.,

Dance Flick

13K

62

Damon Wayans Jr. ad-libbed the "black girls!" line, in the scene where he and Shoshana Bush almost kiss for the first time but are interrupted as the black girls walk by.,Charity's baby is played by at least 4 different babies.,A-Con: All we need is D to do his signature move. Thomas: He can't. It's too dangerous. A-Con: Yo I don't care about that man D's gonna do it. Thomas: But he can break his neck and be crippled forever. A-Con: D don't care about that man, alright he's gonna take one for the team! Thomas: Well, like a hundred million Americans, D doesn't have insurance!,Featured in Nostalgia Critic: Is Parody Dead? (2013),Drop Written by Melvin Barcliff, Timbaland (as Timothy Mosley) and Fatman Scoop (as Isaac Freeman) Performed by Timbaland (as Timbaland) & Magoo featuring Fatman Scoop Courtesy of Blackground Records / Universal Records Under license from Universal Music Enterprises,This is one of the worst movies I have ever seen thankfully I saw it online.If I had paid for this I definitely would have demanded a refund.I only laughed about 2 or 3 times thats it throughout the whole film thats bad for a spoof. Shoot I even liked Disaster Movie and Meet the Spartans even own them now on DVD.But this movie was just plain awful making fun of Ray Charles(low-class).Making light of the incident where Brandy accidentally wound up costing an innocent person their life(despicable). This movie seemed to drag on and on and on it literally bored me to death and the ending wth?!That has got to be the worst ending of any movie I've ever seen period .It made no sense to the rest of the movie and the movie it was spoofing.Plus the acting in this film:BAD flat out terrible.The jokes were forced repetitive stale and boring just seemed more like torture after a while. The youngest Wayans debut in this movie was not a good one he needs to take some definite acting lessons he sounded like he was reading off the script while he was talking .Shoshanna Bushs character seemed lost confused and made certain facial expressions other than that her acting was also terrible she couldn't even fake crying now THAT is really bad for any actor or actress.Wayans I am begging you stop the nightmare on spoof street while you still can please.I give this a 0 out of 10 complete waste of time thank god I didn't spend money on this tripe.Oh and that part about invading space was wrong that was like promoting abuse towards women subliminally in that one scene.,

Dance with Me

6.8K

71

All of the featured dancers in the Las Vegas, Nevada competition were former world champions as of the time of release, including Vanessa Williams' dance partner - Rick Valenzuela.,After Rafael and Ruby come home from dancing and the sprinklers come on the first steps that Rafael take, puddles of water are already visible under his feet.,John Burnett: There you are. Lovejoy: Thanks, I was wondering where I was.,Ending credits show scenes from the movie,Featured in Late Night with Conan O'Brien: Vanessa Williams/Al Franken/David Feldman (1998),Arrolla cubano Written by Ignacio Piñeiro Performed by Septeto Nacional,The young leads are marvelously talented dancers who need more screen time showing their stuff. But what dancing there is, is exciting - makes you want to dance along with them. A fun film in spite of a drab storyline. It's hard to get too much of Vanessa Williams.,

Dance Party USA

56

7

The Dance of Reality

9.4K

23

This was Alejandro Jorodowsky's first movie in 23 years.,Alejandro as a child: The darkness is swallowing everything. It's going to devour us. Sara: Alejandrito, do I love you? Alejandro as a child: Yes, Mama. Sara: How much? Alejandro as a child: From the sky to the earth.,Edited into Endless Poetry (2016),Sing Sing Sing Written by Louis Prima Performed by Benny Goodman and His Orchestra,I could pretty much say that for every other film from Alejandro Jodorowsky. Lucky enough I was able to familiarize myself with his previous films; 'El Topo' and 'The Holy Mountain' a month ago, before hearing his latest 'The Dance of Reality' will play at the Melbourne Internation Film Festival; direct from its Cannes premiere. I can't really recommend this to you if you aren't very familiar with Jodorowsky's other films. He always if not Often plays on Allegories; El Topo appears as an allegorical Western playing on a very mystic and strange backdrop full of religious ideals and encounters, while also exploring how much of this comes from human deeds on a spiritual journey to enlightenment. I'd gladly revisit that film again and consider it his "Masterpiece". 'The Holy Mountain' on the other hand has just as much of a cult following as 'El Topo' does, Instead That film focuses on spiritual conflict and pilgrimage to attain a spiritual level greater than man above the solar system's landscape. Both films have even been noted to be part of the ever wondrous hippie generation. Jodorowsky truly is an icon for what he achieved expressing within his films; very Avent-Garde spiritual understanding within our mind's visions giving greater tones to such surrealist imagery of psychedelia. Sure enough his films aren't for everyone and must be approached with a curious and Adult mind to fully understand. 'The Dance of Reality' marks Jodorowsky's first film in almost 23 years. Its an autobiographical film based upon the Jodorowsky's memoir of he name. The Film focuses on his upbringing in Chile, Young Alejandro (Jeremías Herskovits) is a curious boy trying to understand the values of life and childhood. His Father Jaime (Brontis Jodorowsky) is very strict, arrogant and abusive due to his obsession with communism and Stalin, he teaches the young Alejandro the meaning of manhood growing up and the lessons in life. His Mother; Sara (Pamela Flores, all her dialogue is sung) is more gracious and loving towards both Alejandro and Jaime. The plot seems to focus on both father and son character development. Alajandro is growing up to becoming a fine young lad with good moral values taught by both his parents. Jaime on the Other hand thinks he can do anything within his power and might but eventually ends losing is all not learning his lesson from such reckless deeds, eventually trying get out the hard way. The 84 year old 'Jodorowsky' himself, serves as the film's narrator or spiritual guidance to his younger self. In some way 'Dance of Reality' explores Jodorowsky's allegory of life and childhood as well as his old man's mistakes. You could say most of these themes have already been explored when looking back at 'El Topo', Although that film was more a metaphor for Jodorowsky's upbringing. 'Dance of Reality' directly takes Jodorowsky's native Chile setting and brings it up close examining his childhood and early spiritual understanding as well as what type of person his father was. This film mainly has many of the similar motifs and symbolism found within Jodorowsky's other films (e.g. limbless or missing limbed humans and visible genitalia, Why? Cause he can!). Psychedelia and surreal imagery play a significant parts within the films substance. The narrative is easy to understand from a direct perspective rather than an exercise on the weird and wonderful. The film for one is fascinating, very engaging and self centered. The character development of Alajandro and Jaime is so drawn in; its hard to distinguish the line of fantasy and reality. Supporting and minor characters also play memorable roles in this film. I guess it was worth the wait for Jodorowsky's first release in years. I can see this film being praised and divided by critics and audiences alike. Jodorowsky shows things within his films that even the most repentant or squeamish mind may find uncomfortable to watch. If given the right audience were to view this film they won't be disappointed. This film is Unlike anything I've ever seen; it has left me Awe Struck, amazed disturbed at the same time. One Thing for certain is Alejandro Jodorowsky is like no other film maker thats ever lived,

Dance with a Stranger

2.9K

36

The title theme song "Would You Dance With a Stranger" performed by Mari Wilson was a U.K. pop chart-topper when it was released.,Ruth switches on a radio which begins to play immediately. In those times, vacuum-tube radios had to warm up for about 20 seconds.,David Blakeley: I want you to marry me. Ruth Ellis: Why? Are you pregnant?,Featured in Siskel & Ebert: Buried Treasures - 1987 Edition (1987),Would You Dance With a Stranger? (Sotto un cielo di stelle) Written by Giovanni D'Anzi and Alfredo Bracchi English Lyrics by Ray Miller Performed by Mari Wilson,When I saw this film nearly 15 years ago, I immediately became a fan of Miranda Richardson. Her unforgettable performance reminded me of a young Bette Davis in 'Of Human Bondage' (another story of a tragic, doomed woman). Few actresses could have matched the intensity of her Ruth.,

Dance with the Wind

The Dancer

115K

761

It took Lars von Trier a whole year to convince Björk to play the lead role.,Selma's son's surname should be Jezek, not Jezková.,Lines on screen: They say it's the last song. They don't know us, you see. It's only the last song if we let it be.,The film originally contained a song entitled "141 Steps"; however, after the Cannes premiere, director Lars von Trier decided to shorten it, and the song was subsequently reworked and retitled "107 Steps.",Featured in Siskel & Ebert: Mission: Impossible II/Running Free/Passion of Mind/Big Momma's House (2000),Overture Written by Björk Arranged, Orchestrated & Conducted by Vincent Mendoza Produced by Björk Mixed by Mark Stent (as Mark "Spike" Stent) Published by Universal Music,This felt so real. When I watch films these days, I am always watching them with a critical eye for technicality or acting. This film brought me into it's world, the magical world of bjork. Even the musical parts drew me in, because they were so oddly out of place. I've seen people complaining about Bjork's acting... I honestly haven't felt this emotional over an actors performance in years. And I've seen hundreds of movies this year alone. She made me fall in love, She was innocent, destroyed by the greed of human nature. Honestly, All technical problems aside. I mean the grain was awful, It looks like it was shot with a mini dv camera, and Von trier probably should have hired a camera operator. This was easily one of my top 10 films I've seen this year.,

Dancer in the Dark

115K

761

It took Lars von Trier a whole year to convince Björk to play the lead role.,Selma's son's surname should be Jezek, not Jezková.,Lines on screen: They say it's the last song. They don't know us, you see. It's only the last song if we let it be.,The film originally contained a song entitled "141 Steps"; however, after the Cannes premiere, director Lars von Trier decided to shorten it, and the song was subsequently reworked and retitled "107 Steps.",Featured in Siskel & Ebert: Mission: Impossible II/Running Free/Passion of Mind/Big Momma's House (2000),Overture Written by Björk Arranged, Orchestrated & Conducted by Vincent Mendoza Produced by Björk Mixed by Mark Stent (as Mark "Spike" Stent) Published by Universal Music,This felt so real. When I watch films these days, I am always watching them with a critical eye for technicality or acting. This film brought me into it's world, the magical world of bjork. Even the musical parts drew me in, because they were so oddly out of place. I've seen people complaining about Bjork's acting... I honestly haven't felt this emotional over an actors performance in years. And I've seen hundreds of movies this year alone. She made me fall in love, She was innocent, destroyed by the greed of human nature. Honestly, All technical problems aside. I mean the grain was awful, It looks like it was shot with a mini dv camera, and Von trier probably should have hired a camera operator. This was easily one of my top 10 films I've seen this year.,

The Dancer Upstairs

6.8K

77

The story is inspired by the Maoist insurgency in Peru known as the Shining Path. Its leader Abimael Guzmán, who was known by the nom de guerre President Gonzalo, was captured in an apartment above a ballet studio in the capital city of Lima in 1992. The ballet teacher Yolanda was based on Maritza Garrido Lecca, the woman in whose apartment Guzmán was found. Bardem's character was inspired by Benedicto Jimenez and Gen. Antonio Ketin Vidal, the leading figures responsible for Guzmán's capture.,When Sucre & Llosa arrest the young woman in orange, she has been handcuffed to the ceiling of the car. But then en route, soldiers simply drag her out of the backseat. No handcuff keys. No bolt cutters.,Agustín Rejas: I'd like to have a list of staff with access to the President's chambers. Calderón: Luckily there are only two of them. The first is named 'Fuck', the second is named 'Off'.,The producers would like to thank ... the residents of Narcisos Street ...,Featured in Revealing 'the Dancer Upstairs' (2003),Viagens Interditas (1995) Written by Pedro Malgheas (as Pedro Ayres) and Rodrigo Leão Performed by Madredeus Licensed by Dpte. de Productos Especiales de (p) EMI Odean, S.A., Madrid, Spain, 2001 exclusive rights holder,I would expect a movie directed by John Malkovich to be intense and specific. The Dancer Upstairs is that. It is a political movie that while popular in Europe, does not tend to draw well in the United States. Too bad. The story tells the tale of a lawyer who has left the law looking for a better system. I don't know that becoming a police detective is that much better, but it serves the story. The story is set in a nameless Latin American country -- which also suits the story line. Detective Lt. Agustín Rejas (Javier Bardem) has left a law firm where he was a junior partner, to join law enforcement -- with a conscious. He can give a break to a traveler whose papers are not quite right and he can be relentless in his pursuit of a terrorist. Rejas has been victimized by the politics of his country. His father lost his coffee farm to the soldiers. His view of the judicial system has seen a rapist become president of the country. But still, Rejas finds joy in his beautiful dancer daughter and his wife -- who has a political mission of her own. Then he meets the free spirited dance instructor for his daughter. Rejas works in a corrupt society where the fiscal corruption goes hand in hand with the moral and political corruption. The central government is all too ready to suspend civil rights and to put military law into effect. The military killing innocent people is fine as long as it suits the party. Rejas attempts to live the just life and must deal with the corruption the best he can. This conflict is the heart of the movie. As he says, he has feelings about his father losing his farm and he is the Gary Cooper type. Javier Bardem is excellent in the pivotal role. Juan Diego Botto does a very credible job as Detective Sgt. Sucre. Laura Morante is intoxicating as dance instructor focal point of the story. I give this move a 9 for great story and suspense, excellent direction and fine acting. There is no sex and very brief nudity. The violence does tend to be horrific and there are depictions of cruelty to animals -- both central to the plot. This is far less than the typical Jason or Chainsaw movies gore. I consider this an excellent direction debut for John Malkovich and look forward to his next feature film effort. It feels like Malkovich will fill a role similar to Robert Redford in films he has directed.,

Dances with Wolves

283K

627

Because of the film's enormous success and sympathetic treatment of the Native Americans, the Lakota Nation adopted Kevin Costner as an honorary member.,Electric power lines are visible during the buffalo hunt.,Wind In His Hair: [in Lakota; subtitled] Dances with Wolves! I am Wind In His Hair. Do you see that I am your friend? Can you see that you will always be my friend?,The 236-minute "extended version" or "Director's Cut" has been released on home video, altering the movie as such: 38 x new scene 15 x extended scene 12 x alternative footage 5 x alternative text There is also a 233-minute version which cuts out the 3 minute Intermission at around 133 min featuring John Barry music.,Featured in Siskel & Ebert: Jacob's Ladder/Waiting for the Light/Tune in Tomorrow.../Vincent & Theo (1990),Fire Dance By Peter Buffett,Dances With Wolves Is directed by Kevin Costner who also stars. It's adapted by Michael Blake from his own novel of the same name. Starring along side Costner are Graham Greene, Mary McDonnell & Rodney A. Grant. Dean Semler provides the cinematography & John Barry the musical score. Set during the American Civil War, the story tells how Lieutenant John Dunbar (Costner) goes to a military outpost on the American frontier, where confronted with alienation he befriends nature, the Lakota Indians and finds himself in the process. "I had never known a people so eager to laugh, so devoted to family, so dedicated to each other. And the only word that came to mind was harmony" The critics were rubbing their hands with glee, getting ready to tear Costner apart for what undoubtedly would be a failure. An epic Western movie made in 1990, had he not learnt from Heaven's Gate? It was long in production, and with only a $15/$22 million budget afforded it, word came that Costner had to put in $3 million of his own cash to aid production. It was beset with production delays as the problems mounted up with the weather, animal training and with action scenes taking up to three weeks to shoot, all contributing to the belief that it was doomed to failure. "Kevin's Gate" they cried, what's that? It's partially sub-titled too? Never work. Dances With Wolves went on to make $424 million in Worldwide theatre tickets alone. Heaven knows what the total would be if we added the VHS & DVD returns as well! Come Academy Award time the film won 7 Oscars, including Best Picture (making it the first Western to win the prestigious award since Cimarron in 1931) & Best Director. It was also nominated in five other categories with Costner up for Best Actor, Graham Greene for Best Supporting Actor & Mary McDonnell for Best Supporting Actress. It was, all told, a personal, artistic and commercial triumph for Costner. One can see him post Oscar night sitting there on his porch sipping sour mash and flipping the finger at all those critics who willed him to fail. Costner's movie is a simple tale, of that there is no arguing. But Dances With Wolves (the name given to Dunbar by the Sioux) is magnificently told, as enchanting a Western that has ever been made. It boasts everything needed to make a first class Oater. The story may be simple but it's rich on detail, the characters have real depth and it never sags, not even in its magnificent elongated directors cut that runs 236 minutes. The credit has to go to Costner, who in his debut as director lest we forget, has managed to blend everything together in the style of one of the old masters from the classic Western period. Every tonal avenue ventured down pays off handsome rewards, it all goes somewhere, awash with wistfulness, romanticism and elegiac poetry. The action sequences are expertly crafted, with a buffalo hunt particularly breath taking; no CGI here, the odd animatronic for a close encounter, but mainly the real deal, as are the wolves and the Lakota Sioux, too, who are played by Native Americans. Its humorous too, with its fun being intentional and aiding the flow of the friendships forming. As most Western fans will tell you, a lyrical horse opera needs great location work and a score to match. Thankfully Dances With Wolves has both, as both Semler & Barry produce work that picked up the Golden Baldy on Oscar night. Lensed predominantly in South Dakota around the Black Hills & Badlands regions, Semler infuses the film with natural landscapes that send the frontier bursting thru the screen, his framing explains things better than words can in this environment. While Barry's score, lifting nicely from A View To A Kill at times, is suitably grand, deft in touch for the main theme and blood pumping for the buffalo hunt and the Pawnee attacks. Acting wise the award nominations received for Costner, Greene & McDonnell were richly deserved. The boys are quiet and undemonstrative, at one with the essence of the story and infusing it with a sincerity so lacking in many epics. Playing Stands With A Fist, a white woman raised by the Sioux after her family were slaughtered when she was a child, McDonnell has to reach different character levels as the story unfolds, and she delivers emotional depth on every level. No nomination for Grant, but his work is top dollar also, his latter scenes with Costner really nail the shift in tone. There's some historical missteps that will no doubt annoy the purists, like I don't believe the Pawnee were the aggressors they are painted as here. While the central romance between Costner & McDonnell is delicate but not fully formed; tho it does improve in the directors cut. But it's hard to criticise little itches when such vision and ambition comes together as well as it does here. Structured with precision and showing respect for tradition, this is a movie about loving people for people lovers. And one can quite easily believe that some genre legends up in the sky were looking down and nodding approvingly. 10/10,

Dancing at the Blue Iguana

4.1K

64

Despite only appearing in two scenes, Kristin Bauer made her own outfit for her strip routine and visited porn stars who gig at strip clubs. She even had training on how to use a whip.,Jessie uses her real name as her stage name at the Blue Iguana, something which is discouraged by the managers for safety reasons. This is made clear halfway through the film when Stormy is told off by Dave for having mail sent to her real name Marie Hughes.,Jo: You think you'r the only person with reproductive organs. I'm gonna have this fucking baby. I'm gonna have this baby and my baby is gonna sell drugs to your baby on the playground. Do you know that. You fucking bitch.,On the DVD commentary Michael Radford says there are enough deleted scenes to make 10 entire different versions of the whole movie. Each scene was re-filmed over 12 times as Dancing at the Blue Iguana was improvised and Michael got the actors to try each scene with alternate dialogue several times until the actors had no ideas left. However, only a select few deleted scenes/alternate takes are included on the DVD.,Featured in Strip Notes (2002),Amazing Grace Performed by Charlotte Ayanna,I'm going to be brief and succinct. (I have been advised that brevity is not permitted, I have had to pad my comments to satisfy the website rules) I loved this film and all the actress' performances. They made the risky choice of portraying the sleezy world of strippers & stripping. My sister was a stripper and on many occasions I had to contact her at some of the clubs she worked. These places made my skin crawl, the smells were overpowering. (I will avoid description.) All were located in Southern California near the airport. Everything in the film was accurate and well represented. However, the corruption was a bit glossed over. I strongly recommend that everyone who has had a daughter, sister, mother or friend involved in this creepy business, to rent the film and watch it. Many times in the past, I had tried to discourage her from continuing in this field but her response to me each time was, "Can you make over $1,000 a week at what you do?" Fortunately, after three breast implants (bigger and better for more tips), and ultimate body breakdown, she has since retired 2 yrs. ago at the age of 52. She still looks good but she has NO Social Security to rely upon. However due to class action suits against the breast implant people she has managed to run a business on the big island in Hawaii.,

Dancing with Crime

445

20

Sir Richard Attenborough (Ted Peters) and Sheila Sim (Joy Goodall) were married in real-life.,In the ballroom scene at the start of the film the shadow of the camera is clearly visible on the clothing of the dancers as it pans past them.,Inspector Carter: Peters, did you turn in your revolver when you were demobbed? Ted Peters: Yes sir. Inspector Carter: Good. It's a pity all the boys didn't do that - it would've saved them a lot of trouble. And us.,Bow Bells are London Bells Lyric of the Song by Harold Purcell Music by Benjamin Frankel (as Ben Bernard) (uncredited),This film sounded interesting from the subject matter, especially the dance-hall setting: and there is some good acting from the 'heavies', Barry K. Barnes as Paul Baker, the suave, good-looking and dangerous master of ceremonies, and Barry Jones as 'Mr Gregory', the mind behind the scenes. Unfortunately I didn't find the young hero and heroine particularly involving -- they are basically blank spots in the script marked "Generic Virtuous Character" -- and as the plot begins to be twisted in their favour with more and more incredulity-straining coincidences I found my tolerance decreasing. Diana Dors catches the eye in an unbilled (and for all that surprisingly prominent) part as one of the 'professional partners' at the dance hall, and various character actors do their reliable stuff. There are moments of genuine tension: but, alas, for me at least they always involved conflict between the villains rather than the endangerment of Our Heroes which was supposed to provide excitement. I'm afraid I got much more worried by Toni Masters' possible fate at the hands of a psychotic lorry-driver -- since she is a Bad Girl and therefore has some actual character conflict -- than by a punch-up involving Ted Peters, who is bound to win by some total fluke anyhow. The film looked promising at the start, but I failed to get involved and ended up feeling manipulated instead.,

Dancing Lady

2.6K

58

Joan Crawford was Fred Astaire's first on-screen dance partner. Interestingly, Crawford would pass away on Astaire's 78th birthday.,Ted Healy's The Three Stooges have small parts in the movie as stagehands. (at around 28 mins) Larry asks Moe, "How are you in the country?" Moe slaps Larry, at which time a large bridge or other dental appliance shoots out of Larry's mouth, bounces off of Curly, and falls to the floor. None of the other cast members seem to notice, and Larry stays in character and continues to deliver his lines.,Patch Gallagher: Yes, yes, yes, the top spot. Where if you drop, you've got twice as far to fall. Maybe I'm a sap for trying. And maybe I can make something out of you if you can stand up when I get through with you. Janie 'Duchess' Barlow: I've got good legs, Mr. Gallagher. Patch Gallagher: Yes, so I've noticed, but don't let them run away with you.,Edited into The Big Idea (1934),Hold Your Man (1933) (uncredited) Music by Nacio Herb Brown Lyrics by Arthur Freed Sung and Danced by Winnie Lightner and chorus,Perhaps the most eclectic cast in movie history. Here we have Clark Gable and Joan Crawford, Franchot Tone in his man-about-town mode, Fred Astaire playing himself in his movie debut, Nelson Eddy in his second film, Robert Benchley contrasting with Ted Healy and the Three Stooges, (in by far their most prominent role before the TV era) and even a young Eve Arden. Gable spends the film snarling at everybody and demanding that they produce a "modern, up-to-date musical" that's about what's happening now. Somehow this morphs into a finale in which Astaire and Crawford are prancing about in liederhosen, (which has a relevance to 1933 they perhaps didn't anticipate). What it all proves it that MGM, while it had the know-how to make the greatest musicals of all-time in the 1940's and 1950's, just didn't quite "get it" yet in 1933. RKO and Warners were still miles ahead of them.,

Dancing at Lughnasa

4K

53

Original choices to star were Frances McDormand and Kate Winslet.,The radio is one of the first ever made, so it's a tube radio, which would not be able to come on instantly like the later transistor radios; it would have needed a while to warm up before there would be any sound from it.,Kate 'Kit' Mundy: I am a righteous bitch, amn't I?,During the opening credits, stills of African tribal dances and of Jack as priest in Africa are shown.,Featured in Siskel & Ebert: The Siege/Elizabeth/Gods and Monsters/The Waterboy/The Wizard of Oz (1998),Will You Come to Abyssinia Words by Brian Friel Sung a cappella by Sophie Thompson (uncredited),I wasn't really sure what to expect from this movie, since I had no idea what the play was about or anything. The only actor in the movie I had heard of was Meryl Streep, but that didn't matter because she was the reason I went to see the movie. As always, her accent was pitch perfect, right down to the Donegal vowels. Her performance was also incredible, which deserves some recognition but probably won't get any. The rest of the cast was also wonderful, particularly Sophie Thompson as Rose. If anyone else should get recognition, it should be her because her performance was heart-wrenching and bittersweet. So GO AND SEE IT!!! NOW!!,

The Dancing Masters

1.1K

20

A young Robert Mitchum has an uncredited bit part as a fraudulent insurance salesman.,When the bricks begin to rhythmically hit Hardy on the head, the sound effect can be heard prior to the bricks making contact.,Trudy Harlan: You boys believe that Grant has a great future as an inventor, don't you? Oliver Hardy: Well, I believe that Grant'll be an inventor of the first rank. Stan Laurel: What's rank? Oliver Hardy: You are! SHUT UP!,Featured in Living Famously: Laurel & Hardy (2003),Loin de bal (Echoes of the Ball) (1888) (uncredited) Written by Ernest Gillet Played at the dancing school,I just can't see for the life of me why these enjoyable latter Fox movies have gotten such a bad rap all these years, as they actually hold up well now and I think they've suddenly become appreciated in a new light with the advent of new superior-looking DVD releases. THE DANCING MASTERS has a bunch of things going on all over the place and the plot is not very focused. Laurel and Hardy are only dance instructors for the first 5 minutes, and then that's that as they get involved with a young man, his girl, and an invisible ray invention. Meandering plot lines don't matter in the least because we're here to laugh at Stan and Ollie, and everything they do in this one is pretty funny. They're on screen a lot and this is a joy. Look out for a young Robert Mitchum (who's uncredited early on in a scene). *** out of ****,

Dancing Pirate

371

27

While this was the third feature film released in 3-strip Technicolor, it was, for a long time, thought to no longer exist in that form. Only incomplete 35mm negatives were known to survive, plus 16mm prints struck in the two-color Cinecolor process. However, in 2015, a complete 35mm nitrate Technicolor print was discovered, leading to a 2022 home video release on DVD and Blu-ray.,Some prints of this film are not even in color, but in black-and-white, although the credits still say "Technicolor".,When You're Dancing the Waltz Music by Richard Rodgers Lyrics by Lorenz Hart Performed by Charles Collins (uncredited), Steffi Duna (uncredited) and chorus,The Dancing Pirate which was released by RKO in 1936 was one of the last films done with an original score by Rodgers&Hart. They would be moving back to Broadway and had a string of hit musicals only interrupted by Larry Hart's death in 1943. As this was an RKO film watching it now it was fairly obvious that this film was created with Fred Astaire in mind for the lead. Had Astaire done it The Dancing Pirate might be better remembered. Certainly the two songs done by Dick and Larry aren't among the most memorable. In fact the best number in the film is a dance by lead Charles Collins to Yankee Doodle Dandy that had Astaire written all over it. In fact the main weakness of the film is Collins. A good dancer, Collins had a screen presence that was colorless, odorless, and tasteless. He plays a Boston dancing teacher who gets shanghaied by pirates and escapes the first chance he can when they put in to California for provisions. Still ruled by Spain, the local Alcalde is Frank Morgan at his decisiveless best. Morgan on loan from MGM is the best thing about The Dancing Pirate. Collins is sad to say guilty by association and the men want to hang him, but the women want to learn to dance so he's in legal limbo of sorts. He also has competition for the hand of Morgan's daughter Steffi Duna in the person of Captain Victor Varconi from Monterey at the head of a platoon of dragoons ostensibly there to protect the village from pirates. But Varconi has his own plans, Snidely Whiplash type plans. The Dancing Pirate won an Oscar nomination for the now defunct category of dance direction. I long for the day when musicals of all kinds were being churned out and a category like dance direction was warranted. Speaking of dancing Rita Hayworth is in this film as part of her family troupe of Spanish dancers, The Dancing Cansinos. The Dancing Pirate is an amusing enough film, but it really needed Fred Astaire to put it over.,

Dancing Queens

2.1K

25

In this film there are many famous Swedish actors. Dylan is played by a great Molly Nutley who is the daughter of the director Helena Bergström and the producer Colin Nutley. The man who sings opera in the Italian restaurant is in real life an opera singer. Robert Fux who comes as a guest to the drag show is one of the best drag artists in Sweden.,Ok, so, it's got every cliche in the book, but this is a movie made with a terrific cast and with so much heart. I was thoroughly entertained and moved especially by the very unaffected performance of Molly Nutley and. That heartbreaking scene when she pours her heart out to her landlady and her tears come so easily and convincingly. The rating so far really deserves much better and I'm sure as it gets more widely seen it will rise.,

Dandelion

A Dandy in Aspic

1.2K

24

Producer and Director Anthony Mann died during production and was replaced by Laurence Harvey.,When Gatiss comes to fetch Eberlin away from Caroline to go after the man in the photograph, a moving shadow of the boom microphone is visible on the wall above Eberlin and Caroline as he is putting on his suit coat.,Gatiss: [to Caroline about Eberlin] I do believe you two would have gone on well together. You haven't got a past, and he hasn't got a future. None at all.,Opening credits are shown over a scene of someone moving a marionette by pulling on the various strings.,Featured in Berlin - The Swinging City (1968),If You Want Love Written by Ernie Sheldon & Quincy Jones Sung by Shirley Horn,It is an amazing spy thriller film from the sixties, an era, a period where such topics were galore, besides the James Bond like features, more eccentric one than the other, and from all countries; not only American but also British, German, Italian.... The short series starring Michael Caine in Harry Palmer's role is among the best, or those inspired by John Le Carré. This Anthony Mann's film is absolutely complex, as many other movies of this kind, but riveting, tense, gloomy, and a Lawrence Harvey at his peak; he who finished the film after Anthony Mann's death. What a film, and so different from other Mann's masterpieces: westerns - among the best of Hollywood, besides John Ford's and Delmer Daves' ones - as well as his peplums made just before EL CID, FALL OF THE ROMAN EMPIRE, awesome films too. DANDY IN ASPIC is one of the best spy films of the decade, far from 007 also exciting stories.,

Dandy Dick

130

5

Laurel and Hardy favourite James Finlayson originally appeared as Tom Tiddler, but his scenes were cut prior to release.,Will Hay wears a dog collar, but he's sadly not masquerading as a clergyman in this early film of his before he hit his stride with Gainsborough. Despite a few exteriors (notably a couple of scenes involving a plane piloted by a dashing young Edmond Knight) it remains a garrulous piece of canned theatre in which the characters just stand around talking; with Hay playing an amiable ditherer rather than the seedy authority figure he later became. There are hints at what delights lay in store in one of the council members being called 'Harbottle'. The real Harbottle, Moore Marriott, is actually in it, albeit briefly; the eponymous Dandy Dick being a racehorse upon whom the plot turns but who appears even more briefly than Marriott had.,

Danger Lights

623

32

Features rare footage of a tug of war between two steam locomotives, actual documentary footage of the activities in the Miles City yard, and what is believed to be the only motion picture footage of a dynamometer car from the steam railroad era.,The locomotive that arrives in Chicago is not the same one that started the journey. When Larry adds oil to the smoking "hotbox" en route, for example, the wheel has an outside journal box that he puts the oil into from a can. The locomotive that arrives in Chicago has an inside journal on this wheel (under the cab), a different type from the one it had earlier.,Hobo: Boy, it's lookin' at labor like that - that made a Hobo outta me.,My DreamMemory (uncredited) Music by Oscar Levant Lyrics by Sidney Clare,I was lucky enough to tape a copy of this once when the local public television station ran it (no commercials!) cause it sure is hard to find. Its not the kind of movie you watch for the story (though it has one) or for it's great acting (its about as bad as "Plan 9 from Outer Space") but if you enjoy trains and a look back at all the work that went on behind the scenes to keep them running, this is the movie for you. One of only a few movies shot in "Natural Vision." I would love to see this projected in a theater where the large vistas would rally come alive.,

Danger One

5.1K

44

To prepare for his role, James Jurdi took ride-alongs with real-life paramedics on 911 calls.,Dean: Now you can ride in the ambulance!,This is a solid action packed thriller style comedy with many twists. It's silly at times but it works! Has that 90's vibe/feel to it. A must watch,

Danger on Wheels

72

5

Danger Within

734

15

Amongst the names called out in the 'roll call' scene when Captain Long returns from Benucci's office is 'Verity'. Yorkshire and England cricketer Hedley Verity, who served as a captain in the Green Howards, was captured in Italy and died there while he was a PoW. It's a sufficiently unusual surname to be more than coincidence.,In the final scene, when Capitano Benucci realized an escape is happening, he is seen running around the camp with his pistol in his hand. The pistol is an automatic, but when he shoots the "traitor" hidden behind the blanket, the closeup shows a revolver.,Lt. Col. Huxley: [the prisoners are discussing the corpse of a man discovered in an escape tunnel] Obviously we must report this to the Italians at once. Lt. Col. David Baird, M.C.: Report it, aye, but do you have to tell them where you found him? Lt. Col. Huxley: Yes, of course we do. Their doctors will prove he died under a fall of sand. That means only one thing - a tunnel.,Opening credits prologue: North Italy Summer 1943,Referenced in Two Way Stretch (1960),Ne Partez pas déjà Music by Henry Himmel,This is one of my favourite POW films. But in fact 'Danger Within' is not just a POW film as such, it also falls into the Britfilm murder mystery genre. The source for the story is a Michael Gilbert mystery 'Death in Captivity'published in the mid 1950's. It,s a cracking read and compliments the film as some narrative elements had to be changed for filmed purposes. The play within the story is different, and motivation of hero and villain is slightly more efficiently. It also gives you a glimpse into what happened after the mass escape. For the Buff, spot Michael Caines first screen appearance, note the film's technical relationship to 'The League of Gentlemen', made in 1960 and watch the two on the same bill for a rewarding afternoon viewing. To my mind this film also lifted Terrance Alexander from the rather predicable comedy character roles he was playing to top notch light drama actor. And Bernard Lee once again proved how dependable and useful he was in films filled with better known faces.,

Dangerous

8.2K

135

The Yamashita gold is a real story, also referred to as the Yamashita treasure. It is the name given to the alleged war loot stolen in Southeast Asia by Imperial Japanese forces during World War II and supposedly hidden in caves, tunnels, or underground complexes in different cities.,When D walks thru the secret doorway in the basement he has nothing on his head, but when he goes down the ladder he has a watch cap on his head.,Sheriff McCoy: So who did you kill? Dylan 'D' Forrester: Oh, you have to be a little more specific,Dangerous Written by Douglas Falconer, Johnny Reid, Thomas Salter (as Thomas "Tawgs" Salter) Performed by Johnny Reid Courtesy of Halo Publishing, Falconer Music, Sony Music Publishing,Scott Eastwood stars as a guy who has been incarcerated under psychiatric care for many years due to a violent nature that's been given plenty of exercise throughout his life. He learns of his brother's untimely death and rushes to the remote island off the Washington coastline that was his final home and project. The former WW II defense facility features a large, rambling house he was restoring as a resort hotel. Upon arrival, he's greeted with venomous hostility from his mother (Brenda Bazinet), who mourns the loss of her "good son", and has hated Eastwood for all the troubles and embarrassments suffered on account of his years of misconduct. He's taking meds and receiving on-demand counseling from a shrink (Mel Gibson) who urges Eastwood to control his urges, even beyond the point of reality. The rehab plan is sorely tested just after he gets there when a gang of thugs takes control, searching for something that none of the few captive residents know about. The rest of the film involves gradually learning more about Eastwood, his brother and their histories with this vicious group - especially their smugly sadistic leader (superbly played by Kevin Durand) in a cat- and-mouse exercise in survival. Oh. I forgot that dashing off to the island violated his parole, adding pursuit by an angry FBI agent (Famke Janssen) to Eastwood's burdens. What's relatively unique to this spin on a common setup is Eastwood's sincerely clueless struggle to overcome the sociopathic side of his nature. That's enhanced with a darkly comical series of phone calls to his shrink, seeking help coping with the increasingly dangerous conditions and choices facing him. He really doesn't want to undo his progress from years of therapy by killing any more people, even when circumstances are screaming for him to reactivate his ... shall we say... particular set of skills. That element of grim character humor and the smarmy psychopathy of Durand's character elevate this somewhat above B-movie norms. Eastwood's internal struggles come across believably enough to arouse our empathy, thereby supporting engagement in the suspense of learning what the bad guys expect to find that's worth this much trouble, and who will survive the ordeal. Credit also goes to the location scouts and set designers who provided such a wonderfully complex and ominous locale for events to unfold. This is no dramatic masterpiece; nor was one intended. But if you're in the mood for grimly violent crime fare, you could do a heck of a lot worse. I know that because I've done so on many, many occasions.,

The Dangerous Affair

194

8

The character Pierce Dalton has the names of two former James Bond actors, Pierce after Pierce Brosnan and Dalton after Timothy Dalton.,Enough to keep you to the end and then you hate yourself for it. Love scenes with horrible music that can't end soon enough. Too many times you just say to yourself "now why would you do that?". Acting not bad but the script is very corny and not plausible.,

Dangerous Beauty

19K

137

The Veronica Franco depicted in the film was a real person. She was born in 1546 and died in 1591, at the age of forty-five. She was the most famous courtesan in Italy, but she was also famous for her satire and for her poetry.,The books shown in the movie are printed on paper that is too thin and too white for 16th century. Also, the typeface is too small. Until 1843 paper was made exclusively from rags and this resulted in paper having large fibers and rough surface. Printing ink smeared on the fibers and so printers had to use large typefaces (equivalent to modern 16-18 points at least). White color of paper required and still requires copious use of sulfuric acid that was not available before industrial revolution too. It was not until late 19th century then modern quality paper, such as the one shown in the movie, was developed.,Veronica Franco: I confess that as a young girl I loved a man who would not marry me for want of a dowry. I confess I had a mother who taught me a different way of life, one I resisted at first but learned to embrace. I confess I became a courtesan, traded yearning for power, welcomed many rather than be owned by one... I confess I embraced a whore's freedom over a wife's obedience... I confess I find more ecstacy in passion than in prayer. Such passion is prayer. I confess - I confess I pray still to feel the touch of my lover's lips, his hands upon me, his arms enfolding me... . Such surrender has been mine. I confess I hunger still to be filled and enflamed. To melt into the dream of us, beyond this troubled place, to where we are not even ourselves. To know that always, always, this is mine... If this had not been mine - if I had lived any other way - a child to her husband's whim, my soul hardened from lack of touch and lack of love. I confess such endless days and nights would be a punishment far greater than you could ever mete out... You, all of you, you who hunger so for what I give but cannot bear to see that kind of power in a woman. You call God's greatest gift: our selves, our yearning, our need to love - you call it filth and sin and heresy... I repent there was no other way open to me. I do not repent my life.,Featured in Siskel & Ebert: Palmetto/Senseless/Dangerous Beauty/Mrs. Dalloway/Nil by Mouth/Live Flesh (1998),Ungaresca e saltarello in "Artificio Scientia La Selena" Composed by Giorgio Mainiero Per S. Naria Della Pace,"Dangerous Beauty" is a Biography - Romance movie in which we watch a young woman becoming a courtesan without having other choice in 1583, Venice. From the start she has to fight for everything and later on she is being accused of witchcraft by the church and she has to fight for truth too. I have to say that I did not know what to expect from this movie but it amazed me. The plot of the movie was very interesting with many good scenes and also the way that the society and also the political scenery were presented made it even more interesting. Regarding the interpretations of the cast, I believe that Catherine McCormack who played as Veronica Franco made one of her best performances if not the best, Jacqueline Bisset who played as Paola Franco was also very good and Rufus Sewell who played as Marco Venier was equally good. Lastly, I have to say that "Dangerous Beauty" is a very good movie and I strongly recommend everyone to watch it because it presents very well many truths of that time.,

Dangerous Curves

534

3

The cars are a Porsche 928 S4 and Ferrari Mondial.,You Can't Sit Down Performed by Lil' Elmo and The Cosmos Produced by Michael Lloyd for Mike Curb Productions, in association with Richard Monda (as Dick Monda) Arranged by Lil' Elmo and the Cosmos, Richard Monda (as Dick Monda) and Michael Lloyd,My review was written in December 1988 after watching the film on Vestron video cassette. "Dangerous Curves" is a squeaky-clean youth comedy about two guys, a Porsche and a beauty contest. Vestron wisely is sending this out direct-to-video. Tate Donovan and Grant Heslov are the pleasant enough nerds headed for a weekend adventure driving a new red Porsche, a birthday gift from industrialist Robert Stack to his daughter in Lake Tahoe. The car is stolen and they're diverted to San Diego and a beauty pageant where the hot vehicle is being offered as main prize. Predictable hijinks benefit from the two leads' personable thesping, with a bevy of pretty girls on display (but tastefully covered for that PG rating). Guest star "Airplane" alumni Robert Stack and Leslie Nielsen aren't funny here, nor is Rober Klein as an aging surfer.,

Dangerous Game

1.5K

30

The actors who portray the characters "Alec" and "Joy" were both in Grey's Anatomy. Will Sasso (Alec) was the engineer whose legs got stuck in the elevator during the storm, and Skyler Shaye (Joy) was Katie Bryce.,Towards the end of the movie a few seconds of a full moon is shown. Camera switches to characters and it is pouring rain.,Horror movie of 2022. It is about the eldest of the family inviting all his family members to a mansion on an island on his birthday, where serial murders are committed with a game. I think the movie should be even higher than the current score average. There are some quotes from the movie "the saw" and "House on Haunted Hill". Although similar topics have been covered many times, they still arouse curiosity and are watched with interest. The reactions of the characters are somewhat artificial in the face of the events. They can return to normal immediately after losses. There is no sex or nudity in the movie.,

The Dangerous Game

1.5K

30

The actors who portray the characters "Alec" and "Joy" were both in Grey's Anatomy. Will Sasso (Alec) was the engineer whose legs got stuck in the elevator during the storm, and Skyler Shaye (Joy) was Katie Bryce.,Towards the end of the movie a few seconds of a full moon is shown. Camera switches to characters and it is pouring rain.,Horror movie of 2022. It is about the eldest of the family inviting all his family members to a mansion on an island on his birthday, where serial murders are committed with a game. I think the movie should be even higher than the current score average. There are some quotes from the movie "the saw" and "House on Haunted Hill". Although similar topics have been covered many times, they still arouse curiosity and are watched with interest. The reactions of the characters are somewhat artificial in the face of the events. They can return to normal immediately after losses. There is no sex or nudity in the movie.,

Dangerous Games

128K

460

Before the filming of an outdoor scene by the river, a gaffer was fixing the lights and noticed something floating by in the river. It was a dead body. The police were called and when they arrived, they anchored it to the dock, out of sight of the camera. They removed it after the scene was shot.,Sam writes the words "Sex Crimes" on the chalkboard, but the next shot has it written in smaller letters. The number of underlines also changes. Actually there are four different layouts of this text between cuts.,Detective Ray Duquette: People aren't always what they appear to be. Don't forget that.,Interspersed with the credits are additional scenes that explain some of the plot twists.,The Indian theatrical version was cut by the CBFC to achieve an 'A' (restricted to adults) rating in Mumbai. They made cuts to the visual of bare breasts during a love making scene, the visuals of Lombardo touching the girls' breast kneeling before her and lifting her skirt, removing her panting, sucking her breast, pouting her panties, her breasts, the love making of the three persons in bed, and the visuals of Kelly getting out of the swimming pool with the camera focusing on her body. Cuts were made to some lines in dialogues. "Fucking me in the ass", "motherfucker", "nail his balls", "fucking little ass", "stupid c*nt" and "cocksucker". The uncut version of the film was later re-classified 'U/A' (parental guidance) by the CBFC in Bangalore in 2013.,Edited into Wild Things: Scenes from the Cutting Room Floor (1998),Salsa Caliente Written by Tito Puente Performed by Tito Puente Courtesy of Concord Records,Yes, it's lurid. Yes, it's trashy. Yes, it doesn't stand up to close scrutiny. And yes, if you're the sort of person who specialises in spotting plot twists, then you're probably going to do well here. But if you haven't seen this film before, and you're prepared for something a bit on the lurid and trashy side, and you can manage to steer clear of the many spoilers among the reviews here, then you just might find that Wild Things is a fun ride. Because there are, it's true, a number of twists and turns, and not everyone sees them coming. And if you aren't a twist-spotter, but you enjoy movies with twists, then you are going to enjoy this one. I thought it was great fun. And, let's be fair, who's watching Denise Richards' acting?,

Dangerous to Know

197

8

The original play On the Spot premiered on Broadway at the Forrest Theatre on October 29, 1930, and ran for 167 performances. Anna May Wong starred (she reprises her role in the film), and the cast included Glenda Farrell, Arthur Vinton and Crane Wilbur.,Stephen Recka comes out of his home office late in the film, meeting Kusnoff in the front hall. Recka lets the door slam shut behind him, and the wall to the left wobbles visibly, revealing that it's just a piece of set.,Madame Lan Ying: I possess everything within my reach, so I've stopped wanting.,Featured in Anna May Wong: In Her Own Words (2013),Thanks for the Memory Music by Ralph Rainger Lyrics by Leo Robin Sung by Shirley Ross,I don't know if this title refers to the Tamiroff character or to Anna May Wong. My vote would be for Wong, for we do not know what she will do after being dumped by Tamiroff. Tamiroff is surprising good in his role, and Wong is very good as well. Director Florey knows what he is doing in every scene, and gets the most out of his actors. The cinematography is atmospheric, and captures the feeling of the time period. A good film to catch late at night.,

Dangerous Liaisons

74K

177

Michelle Pfeiffer was offered the role of the Marquise de Merteuil in Valmont (1989), but she chose to play Mme. de Tourvel in this film instead.,When Madame de Tourvel is about to surrender to Valmont, a tear comes out of her right eye; in the next shot, her eye is still dry.,Marquise de Merteuil: When I came out into society, I was fifteen. I already knew that the role I was condemned to, namely to keep quiet and do what I was told, gave me the perfect opportunity to listen and observe. Not to what people told me, which naturally was of no interest, but to whatever it was they were trying to hide. I practiced detachment. I learned how to look cheerful while, under the table, I stuck a fork into the back of my hand. I became a virtuoso of deceit. It wasn't pleasure I was after, it was knowledge. I consulted the strictest moralists to learn how to appear, philosophers to find out what to think, and novelists to see what I could get away with. And in the end, I distilled everything to one wonderfully simple principle: win or die.,Featured in Siskel & Ebert: Beaches/We Think the World of You/Dangerous Liaisons/The January Man/36 Fillette (1989),La Cetra Op. 9, Concerto No. 9 Composed by Antonio Vivaldi,The Marquise Isabelle de Merteuil is a harsh and cold woman who views other women as her rivals as clearly as she holds them publicly close as friends. Victomte Sebastien de Valmont is equally out for the destruction of women but does so by seducing and destroying them. Merteuil turns to Valmont to seduce the chaste Cecile de Volanges, thus destroying her marriage but Valmont cannot help and feel that it is all too easy and instead wagers sex with Merteuil against him being able to seduce the notoriously moral Marie de Tourvel. While children flock to the infinitely inferior Cruel Intentions, the viewer of more discerning taste will always stick with this classy, rich and enjoyable version of Dangerous Liaisons. The plot can be summarised simply but has several strong threads running together to create an involving game of seduction and cruelty. The say the film is nasty and cruel is to perhaps not stress highly enough how enjoyable it is for being so; it is done with such a taste for it that it makes it engaging while also being repulsive in the depths the games go to. It develops very satisfyingly and I easily found myself drawn into it. It is to the credit of Hampton's script that I found the characters both horrible but yet also engaging – unlike Cruel Intentions where I just hated their vacuous selfishness and couldn't barely bring myself to care about them enough to even dislike them. No, with DL the characters are much stronger and much more appealing while simultaneously managing to be cruel and repulsive. The cast rise to the material and I'm hard pressed to think of a similarly starry cast where all involved turn in such rich performances. Close is maybe not the most obvious of roles but she is all the better for it, turning in one of the most deliciously scheming and cruel characters I can recall seeing. With the excesses it is to her credit that she is so subtle and restrained for the majority. Malkovich has more fun with a showier character and makes it look easy where really it is challenging to play such an anti-hero and keep the audience onside while also pushing them away. Although these two make up the majority of the film, the smaller roles are also very well filled. Pfeiffer is brilliant; Thurman gets the mix of innocence and sexuality just right and Reeves is, well, not rubbish. I refrain from giving any credit to Kurtz simply because I think she lost whatever she was due by appearing in the same role in the MTV remake. Frears' direction is great and he makes good use of close-ups and other reoccurring techniques; he is well supported by his costume and set designers who combine to produce a tangible sense of time and place that is befitting the lavish feel of the whole film. Overall this is a fine film that is driven by so many factors that it is hard to pin down just one. The script is well written and produces an engaging and tasty plot for adults to get into. The characters are both engaging and repulsive and are well delivered by a cast that give roundly strong performances. All this comes together to produce a fantastically cruel film that just shows how poor Cruel Intentions was and what an insult to the intelligence it is.,

Dangerous Lies

18K

291

While Adam and Katie are at the funeral home, Julia enters and, by way of introducing herself, quotes scripture. She is reciting the first few lines of psalm chapter one.,When Adam was in the bedroom and Kate's boss was sneaking up the stairs the firearm Adam was holding , the slide was open ,,Referenced in Flix Forum: Dangerous Lies (2023),Shape of My Mind Written by Corey Lerue, Frank Kadillac, Nathan Ferraro and Nathaniel Motte Performed by Neon Dreams Courtesy of Hyvetown Music, Heart and Art Music, EMI Blackwood Music,One of the better Netflix efforts I've seen in awhile,You probably won't remember it in two weeks but it will pass 90 minutes,

The Dangerous Lives of Altar Boys

14K

122

Chris Fuhrman died of cancer before completing the final draft of the book. The movie is dedicated to him at the beginning of the final credits.,A G.I. Joe comic book is seen in Sister Assumpta's drawer of confiscated items, but G.I. Joe comic books did not appear until 1983 (after the film was set).,Sister Assumpta: But make no mistake, the culprits will be fingered. I will finger the culprits.,The DVD deleted scenes include the following: An extended scene of Sister Assumpta and Father Casey erasing things from the school's books while the boys dangle the statue outside. The scene where the newsie gives Francis and Tim the angel dust is longer. The original scene ends with the newsie smoking the pot and saying "Tastes like one, too." The new addition to the scene shows Francis and Tim actually taking the drug and we see the newsie's wife come out and try some too. The aftermath of their drug use is slightly longer (the spinning trees).,Featured in Siskel & Ebert: The Bourne Identity/Windtalkers/The Dangerous Lives of Altar Boys/Scooby-Doo/Minority Report (2002),Atomic Trinity Performed by Josh Homme (as Josh Homme),THE DANGEROUS LIVES OF ALTAR BOYS (2002) *** Kieran Culkin, Emile Hirsch, Jena Malone, Jodie Foster, Vincent D'Onofrio, Jake Richards, Tyler Long. Funny and poignant coming of age story centering on two Catholic school adolescents (Culkin and Hirsch both superb) whose penchant for juvenile acts of defiance is only underscored by their innate desire to fit in and be loved while pitted against their arch nemesis, their teacher Sister Assumpta (a dourly cheeky Foster, who also produced the project), a one-legged harridan from Hell. Based on the novel by Chris Fuhrman and written by Jeff Stockwell and Michael Petroni, the film's strengths in storytelling are in its dynamic duo of troublemaking loners and are punched up with a wise peppering of Todd McFarlane's vivid animation depicting the boys' creative flairs as a Greek chorus to the plotline at hand. (Dir: Peter Care),

Dangerous Men

675

17

In one scene, a car rolls down a cliff and then bursts into flames. The car, a 1979 Datsun B210, belonged to film's director Jahangir Salehi's daughter Samira. She had paid for the car herself, but after she dated a man whom Jahangir forbade her to see, he took away the car and told her she'd never see it again. After seeing the completed film at a screening in 2005, Samira finally learned the fate of her car.,[last lines] Old Police Officer: Hands on top of your head. You have the right to remain silent. Everything you say will be used against you.,Jahangir Salehi/John Rad is the only person credited in the opening credits.,Featured in That's So John Rad (2016),I've had the pleasure of seeing this opening night, and again a couple weeks later. I can truly see this as the next cult classic. it had me laughing from start to finish. Everything was perfect. Some parts drag a bit, but it is truly an experience. The plot is mind bending, there's really no use of trying to follow it. Throughout the movie you question yourself whether this John Rad guy is for real, or its just a joke. The soundtrack, composed by John Rad himself on an 80s Casio keyboard, is astoundingly genius. I couldn't help but snap my fingers to the rhythm. If you are light-hearted and can easily accept the film for what it is, then you will enjoy watching Dangerous Men.,

A Dangerous Method

107K

225

The age difference between Viggo Mortensen and Michael Fassbender is 19 years, just as it was between Sigmund Freud and Carl Jung.,Sabina Spielrein's closing history is incorrect. Her death, along with her 2 daughters, actually occurred in August 1942, not 1941. Their deaths were only 3 among 27,000 in the massacre that occurred in Zmievskaya Balka, Rostov-on-Don, Russia by German forces.,Carl Jung: [to Sabina] My love for you was the most important thing in my life. For better or worse, it made me understand who I am.,This film is based on true events, but certain scenes, especially those in the private sphere, are of a speculative nature.,Edited into 365 Days, also Known as a Year (2019),Excerpts from Siegfried by Richard Wagner, original publication by Schott Music GmbH & Co KG, Mainz, Germany, 1876. Adapted by Howard Shore, published by South Fifth Avenue Publishing, 2010.,I've only read very few of Jung's and Freud's abstracts of work but i've always been interested in knowing a bit more. A Dangerous Method cleared some of my questions and was pleasant for me to watch and learn a thing or two about their contributions and contradictions in psycho-analysis. What is emphasized in this film is their well known "disagreement" on sexual activity (libido) and apparently religion. Something that's been brought here by a female patient of Jung, Sabina Spielrein -played by Keira Knightley, who's been diagnosed with hysteria and was admitted to Burghölzli Clinic in Zürich in 1906. Michael Fassbender (Jung) and Viggo Mortensen (Freud) both performed seriously and insightful and Knightley captured pretty well the behavior of a hysteric person and then, her transition through therapy. The German locations where the filming took place were picturesque and the atmosphere was warm, theatrical, peaceful enough but rather slow at some points. The intense relationship between the Austrian neurologist and the Swiss psychiatrist was very interesting to watch nevertheless. The reason i enjoyed this film is simple: It was exactly what i was expecting it to be. Educational. And the fact that a talented cast did their best to bring out on the screen such facts, has left me a satisfied watcher full of interest and food for thoughts.,

Dangerous Minds

56K

114

Michelle Pfeiffer was pregnant during production. Although shot out of sequence like most films, it becomes apparent when methods are used to hide the actress' stomach. Methods such as long skirts and bulky sweaters along with scenes where Pfeiffer is shown carrying large objects were used.,When Raul gets dragged away by the police from his fight with Emilio you can see that his ponytail is ruined, but in the next shot when they got out of the school his ponytail was back.,Hal Griffith: How'd they get you to stay? Louanne: They gave me candy and called me their light. Hal Griffith: That'll do it.,Featured in Coolio feat. L.V.: Gangsta's Paradise (1995),Mr. Tambourine Man Written and Performed by Bob Dylan Courtesy of Columbia Records By Arrangement with Sony Music Licensing,This movie gives us a little hope that there are people in the world prepared to go to extreme lengths for the good of others. This is a heart warming story, and although at times it's quite tragic, it shows a growing bond between a group of socially discarded students and a very special teacher. Michelle Pfeiffer's performance is simply wonderful, she captures the passion and warmth of her character perfectly. The rest of the cast are a little mixed, but there is plenty of strength in their performances to cover any cracks. Overall this is a highly emotional and educational journey, that is enjoyable to watch. 8/10 If you enjoyed this watch 187, its even better.,

Dangerous Moves

1.4K

10

In the final game, Pavius and Akiva play the French Defence / Paulsen Attack. The moves are as follows: 1. e4 e6 2. d4 d5 3. e5 c5 4. c3 Nc6 5. Nf3 Qb6 6. Be2 cxd4 7. cxd4 Nh6 8. Nc3 Nf5 9. Na4 Bb4+ 10. Bd2 Qa5 11. Bc3 b5 12. a3 Bxc3+ 13. Nxc3 b4 14. axb4 Qxb4 The film ends here; at this point, it is much too early in the game to determine who will win.,Early in the film, Liebskind describes a move as "Rook to G-10". There is no G-10 on the chessboard; the numbers only go to 8. This error is in the subtitles only and was a mistranslation; the actual line ends with "huit", French for eight.,Akiva Liebskind: Put it out that cigarette, Gennadi Ivanovitch. Stepan Ivanovitch Kerossian - l'équipe de Liebskind: But I'm not even smoking it, Akiva Israelovitch. Akiva Liebskind: It's a threat to me, I suppose. In chess, the threat is stronger than the execution. Stepan Ivanovitch Kerossian - l'équipe de Liebskind: [after a long pause while both are playing chess] Still enjoy winning from me?,Featured in The 79th Annual Academy Awards (2007),Geneva welcomes the 23rd world chess championship, which sees the confrontation of the Soviet citizen Michel Piccoli, unconquered for 12 years, with his young fellow countryman, now a refugee in the West, Alexandre Arbatt, winner (conqueror) of the " tournament of the candidates "... The chess is only an excuse for a political tussle, the real game taking place gently in the wings in an East-West confrontation. The whole thing is perhaps a little dated.,

Dangerous Parking

691

10

Noah Arkwright: Truth: best drug on the market.,Featured in The Making of 'Dangerous Parking' (2008),In some ways Peter Howitt's work of (undiluted) genius is a counterpart to Truffaut's "La Nuit Américaine", although it's kind of an updated version. Following the other reviewer's suggestion I would say it's the "Trainspotting" version of it. If there ever was a portrait of a filmmaker on film, this is it. This film should be required watching for everybody who loves films and who wants to know how it is to make one. And yet it's so much more. It's a huge portion of life squeezed into 110 minutes of yours. It's amazing, it's f.....g brilliant (as a German I'm hesitant to use swearwords, but hey) it's a ride-of-a-lifetime it's so much more than in my humble words I would ever be able to describe. I watched it in Tokyo on the film festival and one hour after I left the screening I started to cry, in the middle of a crowded street. Or no, I laughed and cried at the same time. Actually I thought they might arrest me, but nothing happened. Maybe they felt pity for me, or thought people do that in Europe - but what they didn't notice was, it was a GLORIOUS crying, because I realized, in an instant, how wonderful it is to be alive. What a film.,

Daniel

The Danish Girl

196K

339

Lili consulted two physicians, both of whom diagnosed her as homosexual, a third physician diagnosed her as intersexed and claimed she had rudimentary female sex organs. In fact, when the sex reassignment surgery commenced, the surgeons found shrunken female ovaries. Hormonal assays taken just before her first surgery indicated more female than male hormones present. It is likely that she had XXY sex chromosome karyotype (Klinefelter's Syndrome) a condition not medically recognized until 1942. The fact that Lili was Intersex is not mentioned in the film.,During the last scene, when Gerda and Hans are standing by Vejle Fjord, mountains are in the background. Denmark has no mountains. That scene was filmed at the Mount Mannen in Norway.,Hans Axgil: [to Lili] I've only liked a handful of people in my life, and you've been two of them.,Eddie Redmayne as credited as Lili in final credits, probably respecting the trans identity. He actually plays 2 characters Einar Wegener and Lili Elbe.,Featured in The Tonight Show Starring Jimmy Fallon: Will Ferrell/Alicia Vikander/Twenty One Pilots (2015),Roses of Picardy by Frederick Edward Weatherly (as Frederick E. Weatherly) and Haydn Wood (as Haynd Wood) Performed by Marie-Christine Desplat, Sylvette Claudet, Shona Taylor, Nathalie Renault, and Claude Jeantet Arranged by Marie-Christine Desplat Courtesy of Certains L'Aiment Chaud,"He's comfortable in his own skin," is usually seen as a compliment. It means that the person in question knows who he (or she) is and is content with that sense of identity. I dare speculate that it's a condition to which we all aspire. Unfortunately, many people around the world lack that inner peace because of a question of gender identity. Regardless of what others think about such an existential situation, people who feel uncomfortable with the biology with which they were born often suffer greatly over this conflict within their hearts and minds. They cannot be comfortable in their own skin, because they don't feel that their skin is really theirs. Before the somewhat more enlightened times of the 21st century, people who identified with a gender other than that to which biology assigned them suffered even more than some do today. In ages past, those people had little opportunity to make changes that would make themselves look on the outside as they felt on the inside. "The Danish Girl" (R, 2:00) is one such story. Inspired by the true story of early 20th century married Danish painters Einar and Gerda Wegener, like David Ebershoff's 2000 book on which it's based, "The Danish Girl" is a fictionalized account of Einar's physical transition to Lili Elbe. Neither the book nor Lucinda Coxon's screenplay makes any claim to absolute historical accuracy. This story changes many of the facts for dramatic purposes. The real-life situation of Lili and Gerda's life was much more complicated than we see on screen. The result is a film that tells a simple story in a way that elicits empathy for the protagonists and enlightens the audience. Oscar winner Eddie Redmayne plays Einar/Lili, and Alicia Vikander, his wife, Gerda. The couple lives in a large apartment in Copenhagen, Denmark, where they both make a living painting. At first, Einar's landscapes are more in demand and more respected than Gerda's portraits. One day when Gerda was in a hurry to finish a portrait of their mutual friend and ballerina, Oola (Amber Heard), Gerda asks Einar to stand in as a model by putting on Oola's stockings and heels and holding up Oola's dress in front of him. Although the scene is played with a combination of humor and awkwardness, it's obvious that Einar likes the clothes. He starts trying on his wife's clothes which gives birth to an idea. Gerda is a bit conflicted, but being the open-minded person she is, she suggests that her husband dress up as a woman to attend an art world function that he had been trying to avoid. And just like that, Lili is born. The thing is that Einar had always felt like a female and being Lili was the first opportunity that he had really had to express what he felt was his true gender. Einar wears women's clothes and make-up more and more often, both at home and out in public. Lili even begins secretly seeing a local man named Henrik (Ben Whishaw). Gerda is understandably upset by all this, but she never criticizes her husband's inner turmoil or its outward manifestations. She wants to understand, and the more she does, the more she mourns her marriage, which she sees as slipping away. However, as all this is happening, her art career begins to take off. She paints Lili more and more, in fashionable clothes and in little or no clothes. As Gerda's style develops, increasing demand for her paintings soon leads the couple to move to Paris. In Paris, Lili blossoms as a person, even as she seeks a more permanent solution to her feeling that her biology doesn't match her identity. She sees doctors whose diagnoses are wide-ranging, but are mainly focused on Einar/Lili having some sort of mental deficiency. Hans Axgil (Matthias Schoenarts), a childhood friend of Einar, tries to help, but he can do little more than offer moral support to the couple. Finally, Lili and Gerda find a possible solution in the person of German doctor Kurt Warnekros (Sebastian Koch). Dr. Warnekros offers to perform practically unprecedented sex reassignment surgery on Lili. "The Danish Girl" is a very sensitive portrayal of a very tumultuous experience in the lives of two real people. Whether you sympathize with the situation of the two main characters or not, you're likely to empathize with them as people. While presenting a story about the controversial topic of gender identity, Oscar-winning director Tom Hooper also tells a very human story within the framework of the movie's plot. At its core, this is a tale of love and loss, of tolerance and devotion, of… feeling comfortable in one's own skin. Although some Movie Fans may find some of the situations, images and the brief but graphic nudity (both female and male) to be disturbing, and the plot does drag at times, one of the main reasons to see this movie is for the award-worthy performances by the two leads. With impressive emotional range and depth, both Redmayne and Vikander make this story surprisingly rich and relatable. Hooper draws even more focus (literally) to the characters' feelings by choosing especially significant moments to bring his camera in very close for a tight focus on the characters' faces, while allowing everything beyond their necks to go out of focus. "The Danish Girl" deserves credit for its honesty, its emotional power and its succinct presentation of a very complicated story. However, some of the changes in the story seem designed to increase the impact of the story, a move I would call emotionally manipulative. For that and other reasons, I just wish that this otherwise excellent film had been more historically accurate. "B",

Danny Deckchair

5.2K

65

Inspired by the antics of "Lawnchair" Larry Walters who flew over San Pedro, California in a lawn chair rigged with 42 weather balloons on July 2, 1982.,When Glenda puts on her helmet to get on the motorcycle she doesn't properly thread the strap, yet at the next stop her helmet is properly adjusted.,Trudy Dunphy: What happened to you out there? Danny Morgan: Everything.,Special thanks to Carol, Zach, Jess, Hamish and Josh,Referenced in Hollywood on Set: The Manchurian Candidate/Danny Deckchair/Alien VS Predator (2005),Screems from Da Old Plantation Written by King Kapisi (as B. Urale) and Kas Futialo (as K. Futialo) Performed by King Kapisi Licensed courtesy of Festival Mushroom Records,I just finished watching Danny Deckchair....so everything is fresh. Of course its not something you spend three years dissecting, arguing, and comparing. Its a light, full-hearted film meant to make you feel good about life and love and all that stuff. What I loved about it was that it was all that stuff and not such a big production! The initial premise was so outrageous that it was unbelievable but the rest, well it could be measured with a yard stick.....maybe a yard pole. If you didn't enjoy it......well maybe your cynicism has become more than a hobby.,

Danton

7.5K

45

Robespierre and all the characters in his faction are played by Polish actors speaking in Polish, dubbed into French for the French release, while Danton and all the characters in his faction are played by French actors speaking in French.,Robespierre tells Jacques Louis David to remove Fabre d'Englantine from the painting of the Tennis Court Oath. David objects, saying, "But he was there," but removes d'Englantine. In truth, d'Englantine did not take part in the Tennis Court Oath, since in 1789 he was not a deputy to the Estates General. Thus, the film falsifies history.,Robespierre: For the country's good we must be ruthless. We can't afford to be just. We'd have to rule by terror. You know what that is? Terror is nothing but despair.,Anne Alvaro gets an "and introducing" credit ("et pour la première fois à l'écran").,The dialogue in the dubbed version with American voice actors sometimes differs sharply from the original: for example, Robespierre's last words to Saint-Just are not the dismissive "Don't wake me when you leave" ("Ne me réveillez pas quand tu sortiras") but the prophetic "Whatever happens will happen soon" (so that, like Danton, he apparently realises he will shortly meet Danton's fate).,Featured in At the Movies: Nate and Hayes/A Night in Heaven/The Big Score/Terms of Endearment/Danton (1983),a parable. about dictatorship and its colors. about people as crumbs of a lunch. a manifesto for freedom from a Polish director for who a play is perfect instrument to discover a regime behind its masks. Danton is a beautiful movie but in great measure it is a profound analysis. French Revolution is not an excuse for present realities from Jaruzelski regime but way to remember the root of all Communism sins. Danton may be Trotski, prey of spider web who he build it. Robespierre - just piece of a huge machine. the fake image is only protection. the lies about people needs - only form to survive. so, the film is, in great measure, collection of symbols. the revolution - picture of a demon out of any measure. and, in this case, purpose is not to create an impressive work but to give the dimension of truth. history is only vehicle for ideas. because this revolution, ambiguous, cruel, chaotic, cynical, criminal is more than chapter of Modern time. it is shadow of each regime for who people are pieces on the chessboard. and subjects for experiments.,

Dara of Jasenovac

82K

851

Official submission of Serbia for the 'Best International Feature Film' category of the 93rd Academy Awards in 2021, but it was not nominated.,While the film has excellent shots, with the lighting and camera working to achieve full immersion, the spectacle tends to drown the story in gory details. For a domestic audience, this is a common theme and it can be considered passe, but it is a historic drama and should be viewed as such, especially as it shows the parts of the Holocaust that are not as familiar to foreign viewers. Overall, this is definitely a movie that lovers of historic pieces shouldn't miss, as it tells a story that should be told. One might dismiss the story for the corniness and often misguided focus, but the events are based on facts and the general impact is quite emotional.,

Daraar

594

7

Daraar is the the first film of Arbaaz Khan, he was introduced in this film.,Raj asks Ghanshyam in English if it's Hill View Estate Agent and the latter responds in Hindi. The next question was also asked in English but then the latter responds he can't speak English.,Featured in Dilwale (2015),Director duo Abbas-Mustan who gave us decent thrillers like Khiladi and Baazigar failed to deliver this time They tried to make a trashy remake of the Hollywood thriller 'Sleeping with the Enemy'. After all, this movie was already remade two times in Bollywood as 'Agnisakshi' and 'Yaraana' which flopped badly. Juhi Chawla was the only star who shined throughout the movie. Rishi Kapoor should STOP acting like a romantic nut and that is. Arbaaz Khan is totally unconvincing as the abusive husband. His dialogue delivery is horrible and he must do something about his menacing voice. Johnny Lever, again, is a total bore. His comedy routine doesn't go well with the plot which is otherwise serious. Music is average. Editing is okay. Cinematography could've been better. At the box-office, a total no-go.,

Daredevil

464K

1.2K

Charlie Cox wanted to be involved with the series after reading the first two scripts for the series, telling his agent "These are two of the best television scripts I've read".,In season 2, Matt Murdock claims he has never been north of 116th street. Columbia Law School, which he attended, is north of 116th street.,Frank Castle: You know you're one bad day away from being me.,The opening credits is a montage of silhouettes emerging from a red background, in the manner of blood dripping over everything and revealing hidden objects.,Featured in Late Night with Seth Meyers: Chris 'Ludacris' Bridges/Charlie Cox/Dead Sara (2015),Main Title (uncredited) Composed by Braden Kimball and John Paesano,This is not your average super hero show. I love the dark tone of the show. It has great story, great acting, and great action. Go ahead and watch this show.,

A Daring Daylight Burglary

441

6

The cast was made up of members of the Sheffield Fire Brigade.,Featured in Cinema Europe: The Other Hollywood (1995),This is an interesting early crime/chase drama, and it seems to have been quite carefully made for its time. You can see why the story of the "Daring Daylight Burglary" was one of the better-known pictures of its era. The settings are realistic, and there is a lot of action, with quite a few developments taking place in just a short time. Apparently, it originally had a narration designed to accompany it and explain the action - since the use of title cards was not yet the norm - but even without the narration, it is usually clear enough what is happening, since most of the scenes are pretty well-conceived. The occasional small gaps seem to be physical defects in the film due to its age, rather than flaws in the original. It's a pretty efficient feature, with good story-telling for its era.,

The Darjeeling Limited

The Dark

Dark August

Dark Blood

Dark Blue

Dark Blue World

6K

90

The film's closing epilogue states: "By the year 1951 all the Czechoslovak RAF airmen were released from the labor camps. But they remained outcasts for most of their lives. It was only in 1991 that the survivors were rehabilitated and recognized for their wartime service.",During training on the "bicycle Spitfires" and later during actual missions, the pilots fly in the "finger four" formation. This wasn't officially used until at least two years after the depicted events. Experienced pilots had been experimenting with it, but it would not have been used by trainees.,Susan: Are you hungry? Karel Vojtí?ek: Not really... Yes. Susan: Not really - yes? Karel Vojtí?ek: I mean yes. Sorry... My English isn't very well. I mean good.,Edited from The Battle of Britain (1969),Svítá by Voskovec, Werich and Jezek Performed by Orchestr Osvobozeného divadla,This is a gem - a charming step back in time and a testament to marrying the image to the period. You know you have been touched by a film when it resonates long after leaving your seat. A movie will be gone from your thoughts if it has no layers to its storytelling and this film still lingers in the mind and begs to be revisited. A fundamental error made by film-makers is not allowing the audience to participate in the film by insulting their ability to work things out for themselves. Dark Blue World is poetic, exciting and ultimately a most rewarding cinema experience. If only Pearl Harbor and its ilk could learn something of this art for their particular brand. I cannot wait for the follow-up to this special team. 8/10.,

Dark City

Dark Command

The Dark Corner

5K

110

In later years, Lucille Ball was vocal about hating the experience of shooting "The Dark Corner". The lion's share of her resentment was pointed at director Henry Hathaway, whose bullying reduced Ball to stuttering on set, at which point Hathaway accused her of being inebriated.,When private investigator Bradford Galt strong-arms Fred Foss to reveal his home phone number, Foss replies, "CHelsea 4-43510." In the Manhattan phone book for 1946, they only had the CHelsea 2 and CHelsea 3 exchanges. This may be an early version of the 555 prefix which is the convention for fictional phone numbers.,Kathleen: You should have William Powell for a secretary. Bradford Galt: William Powell... who's he? Kathleen: Don't ya ever go to the movies? He's a detective, in "The Thin Man.",Referenced in Cry of the City (1948),Give Me the Simple Life (uncredited) Music by Rube Bloom Played when Brad and Kathleen are looking at the nickelodeons,"The Dark Corner" turned up the other night on cable. This is a film that should be seen more often. For one, we get great views of the New York of 40s. Most of the action was photographed, brilliantly, one must add, by Joe MacDonald with the old 3rd. Avenue El as a background. Henry Hathaway's direction was inspired. Brad Galt, the gumshoe at the center of the story, has come to New York to get away from an unsavory past in San Francisco. He was on the right track in establishing the detective agency he runs, helped by his attractive gal Friday, Kathleen. Trouble seems to find Brad, no matter where he goes. When the apish Fred Foss appears, dressed in a white suit, we know we're in for a rough ride. Brad is being framed, but he has no clue, except to think, Jardine, the suave lawyer, is responsible for it. Little does he know there are higher ups that want to pin a murder on Galt. With the help of his kind secretary, Kathleen, this pair embark in a voyage of discovery where a few surprises await them. "The Dark Corner" is a fine example of a film noir, enhanced by the background shots of Manhattan. Mark Stevens, as Brad, makes a good attempt to portray Brad Galt, the man who wants to play it straight after his run in with the law. The biggest surprise of the film was the wonderful Lucille Ball playing the secretary. Ms. Ball was an accomplished actress who was basically seen in comedy, but as this film shows, she could play anything. Clifton Webb turns up as Cathcart, the art gallery owner. There is a great scene at the vault where some art pieces are kept, after taking a few clients to see the new Raffael (that looks it could have been painted on velvet), Cathcart sees the shadows of his wife, and his partner in crime, Jardine, in a passionate embrace as both kiss. The other great moment in the film also involves the art gallery. When Brad, who has finally arrived at the gallery late, asks the assistant how much would the Donatello statue would cost, and she answers "Forty Thousand". After that, he asks her how much would the pedestal would cost! Obviously, he couldn't afford either the work of art, or where it rested! In minor roles, William Bendix makes an impression in playing the evil Fred Foss. Kurt Kreuger is seen as Jardine and Cathy Downs plays the deceiving wife, Mari. "The Dark Corner" is a film that will not disappoint the viewer, thanks to Henry Hathaway's direction and the work of this cast, but especially watch out for Ms. Ball, she does amazing work!,

The Dark Crystal

Dark Days

14K

94

Lillith bathing in blood is a clear reference to Elizabeth Bathory, a 16th and 17th century countess who supposedly killed numerous young women and bathed in their blood, in an attempt to retain her youth. She and Vlad III the Impaler are the most common historical figures to be re-imagined as vampires in popular culture.,After Paul shoots a ton of bullets into the head of the vampire pinned by the motel door, when the vampire is released and falls down revealing the wall behind his head, there are no signs of bullet holes or damage to the wall, just smeared blood. There would certainly be at least a few bullets lodged in the wall.,Edited from 30 Days of Night (2007),Fire Or Knife Written by Joel Birch Performed by The Amity Affliction Courtesy of Boomtown Records,The original "30 Days of Night" was an original movie with an excellent cast, director, script, and special effects. It wasn't "Jaws," but it was very well done. All in all, a really good horror/vampire movie. Then the powers that be in Hollywood decided to make a sequel. There are the few obvious exceptions, but sequels generally are terrible. This movie is no different. The characters are cardboard cutouts of "Generic Horror Movie Characer 1," 2, 3, etc. The monsters are equally generic and uninteresting. Everybody lives in "stupid world" and would have a hard time crossing the street in real life. There was not even a surprising or twist ending. I have seen better drama, acting and terror in a high school play. The only reason I did not give this one star, is that I have seen the truly great bad movies. If you are looking for something "so bad it's good," you will still be sadly disappointed. It is not even funny to mock. If you want to see a good vampire flick, catch the original or "Near Dark" or "Blood and Donuts." Heck, watch anything which shows either talent or enthusiasm, but do not watch this. It is just sad.,

The Dark Divide