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Find the relation between <e1>Vanisher<\e1> and <e2>The History of Saints<\e2>. Olof Mörck (born 12 December 1981 in Gothenburg, Sweden) is the guitarist and one of the songwriters of the metal band Amaranthe, as well as guitarist of the power metal band Dragonland. He is well known for his platinum blonde hair. He was also a member of Nightrage between 2006 and 2011 as a guitarist. Recently, he has provided two guitar solos for the album The Isolation Game by the Italian melodic death metal band Disarmonia Mundi. In 2010, My Darling Dismay released a video of a song with the same title. The song is more of a rock style than his previous metal projects. Mörck appears on the 2010 album The History of Saints by the North Carolina band Vanisher, performing the solo for the song " Oceans. "Mörck provided a guest solo for Australian melodic death metal band Universum on the track, " Sum of the Universe, " from their 2011 release Mortuus Machina. Mörck also provides a guest solo for Australian power metal band Lord on an instrumental song from their 2009 release Set in Stone.

notable work

Find the relation between <e1>Lord<\e1> and <e2>Set in Stone<\e2>. Olof Mörck (born 12 December 1981 in Gothenburg, Sweden) is the guitarist and one of the songwriters of the metal band Amaranthe, as well as guitarist of the power metal band Dragonland. He is well known for his platinum blonde hair. He was also a member of Nightrage between 2006 and 2011 as a guitarist. Recently, he has provided two guitar solos for the album The Isolation Game by the Italian melodic death metal band Disarmonia Mundi. In 2010, My Darling Dismay released a video of a song with the same title. The song is more of a rock style than his previous metal projects. Mörck appears on the 2010 album The History of Saints by the North Carolina band Vanisher, performing the solo for the song " Oceans. "Mörck provided a guest solo for Australian melodic death metal band Universum on the track, " Sum of the Universe, " from their 2011 release Mortuus Machina. Mörck also provides a guest solo for Australian power metal band Lord on an instrumental song from their 2009 release Set in Stone.

notable work

Find the relation between <e1>Olof Mörck<\e1> and <e2>The History of Saints<\e2>. Olof Mörck (born 12 December 1981 in Gothenburg, Sweden) is the guitarist and one of the songwriters of the metal band Amaranthe, as well as guitarist of the power metal band Dragonland. He is well known for his platinum blonde hair. He was also a member of Nightrage between 2006 and 2011 as a guitarist. Recently, he has provided two guitar solos for the album The Isolation Game by the Italian melodic death metal band Disarmonia Mundi. In 2010, My Darling Dismay released a video of a song with the same title. The song is more of a rock style than his previous metal projects. Mörck appears on the 2010 album The History of Saints by the North Carolina band Vanisher, performing the solo for the song " Oceans. "Mörck provided a guest solo for Australian melodic death metal band Universum on the track, " Sum of the Universe, " from their 2011 release Mortuus Machina. Mörck also provides a guest solo for Australian power metal band Lord on an instrumental song from their 2009 release Set in Stone.

notable work

Find the relation between <e1>Vanisher<\e1> and <e2>Oceans<\e2>. Olof Mörck (born 12 December 1981 in Gothenburg, Sweden) is the guitarist and one of the songwriters of the metal band Amaranthe, as well as guitarist of the power metal band Dragonland. He is well known for his platinum blonde hair. He was also a member of Nightrage between 2006 and 2011 as a guitarist. Recently, he has provided two guitar solos for the album The Isolation Game by the Italian melodic death metal band Disarmonia Mundi. In 2010, My Darling Dismay released a video of a song with the same title. The song is more of a rock style than his previous metal projects. Mörck appears on the 2010 album The History of Saints by the North Carolina band Vanisher, performing the solo for the song " Oceans. "Mörck provided a guest solo for Australian melodic death metal band Universum on the track, " Sum of the Universe, " from their 2011 release Mortuus Machina. Mörck also provides a guest solo for Australian power metal band Lord on an instrumental song from their 2009 release Set in Stone.

notable work

Find the relation between <e1>The History of Saints<\e1> and <e2>Oceans<\e2>. Olof Mörck (born 12 December 1981 in Gothenburg, Sweden) is the guitarist and one of the songwriters of the metal band Amaranthe, as well as guitarist of the power metal band Dragonland. He is well known for his platinum blonde hair. He was also a member of Nightrage between 2006 and 2011 as a guitarist. Recently, he has provided two guitar solos for the album The Isolation Game by the Italian melodic death metal band Disarmonia Mundi. In 2010, My Darling Dismay released a video of a song with the same title. The song is more of a rock style than his previous metal projects. Mörck appears on the 2010 album The History of Saints by the North Carolina band Vanisher, performing the solo for the song " Oceans. "Mörck provided a guest solo for Australian melodic death metal band Universum on the track, " Sum of the Universe, " from their 2011 release Mortuus Machina. Mörck also provides a guest solo for Australian power metal band Lord on an instrumental song from their 2009 release Set in Stone.

has part(s)

Find the relation between <e1>Olof Mörck<\e1> and <e2>Oceans<\e2>. Olof Mörck (born 12 December 1981 in Gothenburg, Sweden) is the guitarist and one of the songwriters of the metal band Amaranthe, as well as guitarist of the power metal band Dragonland. He is well known for his platinum blonde hair. He was also a member of Nightrage between 2006 and 2011 as a guitarist. Recently, he has provided two guitar solos for the album The Isolation Game by the Italian melodic death metal band Disarmonia Mundi. In 2010, My Darling Dismay released a video of a song with the same title. The song is more of a rock style than his previous metal projects. Mörck appears on the 2010 album The History of Saints by the North Carolina band Vanisher, performing the solo for the song " Oceans. "Mörck provided a guest solo for Australian melodic death metal band Universum on the track, " Sum of the Universe, " from their 2011 release Mortuus Machina. Mörck also provides a guest solo for Australian power metal band Lord on an instrumental song from their 2009 release Set in Stone.

notable work

Find the relation between <e1>Mortuus Machina<\e1> and <e2>Sum of the Universe<\e2>. Olof Mörck (born 12 December 1981 in Gothenburg, Sweden) is the guitarist and one of the songwriters of the metal band Amaranthe, as well as guitarist of the power metal band Dragonland. He is well known for his platinum blonde hair. He was also a member of Nightrage between 2006 and 2011 as a guitarist. Recently, he has provided two guitar solos for the album The Isolation Game by the Italian melodic death metal band Disarmonia Mundi. In 2010, My Darling Dismay released a video of a song with the same title. The song is more of a rock style than his previous metal projects. Mörck appears on the 2010 album The History of Saints by the North Carolina band Vanisher, performing the solo for the song " Oceans. "Mörck provided a guest solo for Australian melodic death metal band Universum on the track, " Sum of the Universe, " from their 2011 release Mortuus Machina. Mörck also provides a guest solo for Australian power metal band Lord on an instrumental song from their 2009 release Set in Stone.

has part(s)

Find the relation between <e1>Marco Cimatti<\e1> and <e2>Italian<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

country of citizenship

Find the relation between <e1>Marco Cimatti<\e1> and <e2>Enrico<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

child

Find the relation between <e1>Enrico<\e1> and <e2>Marco Cimatti<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

father

Find the relation between <e1>Cimatti<\e1> and <e2>Enrico<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

child

Find the relation between <e1>Sport Luxury<\e1> and <e2>Cimatti<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

manufacturer

Find the relation between <e1>Cimatti<\e1> and <e2>Cimatti<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

founded by

Find the relation between <e1>Town - Bike<\e1> and <e2>Cimatti<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

manufacturer

Find the relation between <e1>Enrico<\e1> and <e2>Cimatti<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

father

Find the relation between <e1>Kaiman Cross<\e1> and <e2>Cimatti<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

manufacturer

Find the relation between <e1>City - Bike<\e1> and <e2>Cimatti<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

manufacturer

Find the relation between <e1>Marco Cimatti<\e1> and <e2>Olympic<\e2>. Cimatti was an Italian manufacturer of bicycles, motorcycles and mopeds active between 1937 and 1984. In 1937, the Olympic cyclist Marco Cimatti founded a small company in Bologna that originally produced bicycles. In 1950, he changed to mopeds, and in the 1960s, started producing motorcycles, including the and Sport Luxury road and Kaiman Cross racing models with four - speed gearboxes. In 1972 – 77, he introduced two models, one for motocross with a five - speed gearbox and the other for road. In those years Cimatti's son Enrico expanded the business to export motorcycles to the United States, France, Norway and Tunisia. In the 1970s through early 1980s, Cimatti produced several moped lines including the City - Bike and the larger Town - Bike. Cimatti used two - stroke engines bought from both Moto Morini and Moto Minarelli. A recession in the early 1980s forced the company to close in 1984.

member of

Find the relation between <e1>Klaus Wagner<\e1> and <e2>University of Cologne<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

employer

Find the relation between <e1>Rudolf Halin<\e1> and <e2>University of Cologne<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

educated at

Find the relation between <e1>Rudolf Halin<\e1> and <e2>University of Hamburg<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

employer

Find the relation between <e1>Rudolf Halin<\e1> and <e2>Uerdingen<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

place of birth

Find the relation between <e1>Rudolf Halin<\e1> and <e2>Mölln<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

place of death

Find the relation between <e1>Halin<\e1> and <e2>German<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

country of citizenship

Find the relation between <e1>Rudolf Halin<\e1> and <e2>German<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

country of citizenship

Find the relation between <e1>Karl Dörge<\e1> and <e2>University of Cologne<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

employer

Find the relation between <e1>Halin<\e1> and <e2>Mölln<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

place of death

Find the relation between <e1>Halin<\e1> and <e2>University of Cologne<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

educated at

Find the relation between <e1>Halin<\e1> and <e2>Uerdingen<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

place of birth

Find the relation between <e1>Halin<\e1> and <e2>University of Hamburg<\e2>. Rudolf Halin (February 3, 1934, Uerdingen – November 14, 2014, Mölln) was a German graph theorist, known for defining the ends of infinite graphs, for Halin's grid theorem, for extending Menger's theorem to infinite graphs, and for his early research on treewidth and tree decomposition. He is also the namesake of Halin graphs, a class of planar graphs constructed from trees by adding a cycle through the leaves of the given tree ; earlier researchers had studied the subclass of cubic Halin graphs but Halin was the first to study this class of graphs in full generality. Halin earned his doctorate from the University of Cologne in 1962, under the supervision of Klaus Wagner and Karl Dörge, after which he joined the faculty of the University of Hamburg. In February 1994, a colloquium was held at the University of Hamburg in honor of Halin's 60th birthday.

employer

Find the relation between <e1>Antônio Francisco Lisboa<\e1> and <e2>Brazil<\e2>. The Church of Saint Francis of Assisi is a Rococo Catholic church in Ouro Preto, Brazil. Its erection began in 1766 after a design by the Brazilian architect and sculptor Antônio Francisco Lisboa, otherwise known as Aleijadinho. Lisboa designed both the structure of the church and the carved decorations on the interior, which were only finished towards the end of the 19th century. The circular bell towers and the oculus closed by a relief were original features in religious architecture of that time in Brazil. The façade has a single entrance door under a soapstone frontispiece under a relief depicting Saint Francis receiving the stigmata. The interior is richly decorated with golden woodwork, statues and paintings, and the wooden ceiling displays a painting by Manuel da Costa Ataíde. Due to its architecture and historical significance regarding eighteenth century gold mining, this church is classified on the UNESCO World Heritage List.

country of citizenship

Find the relation between <e1>The Church of Saint Francis of Assisi<\e1> and <e2>Ouro Preto<\e2>. The Church of Saint Francis of Assisi is a Rococo Catholic church in Ouro Preto, Brazil. Its erection began in 1766 after a design by the Brazilian architect and sculptor Antônio Francisco Lisboa, otherwise known as Aleijadinho. Lisboa designed both the structure of the church and the carved decorations on the interior, which were only finished towards the end of the 19th century. The circular bell towers and the oculus closed by a relief were original features in religious architecture of that time in Brazil. The façade has a single entrance door under a soapstone frontispiece under a relief depicting Saint Francis receiving the stigmata. The interior is richly decorated with golden woodwork, statues and paintings, and the wooden ceiling displays a painting by Manuel da Costa Ataíde. Due to its architecture and historical significance regarding eighteenth century gold mining, this church is classified on the UNESCO World Heritage List.

located in the administrative territorial entity

Find the relation between <e1>Antônio Francisco Lisboa<\e1> and <e2>The Church of Saint Francis of Assisi<\e2>. The Church of Saint Francis of Assisi is a Rococo Catholic church in Ouro Preto, Brazil. Its erection began in 1766 after a design by the Brazilian architect and sculptor Antônio Francisco Lisboa, otherwise known as Aleijadinho. Lisboa designed both the structure of the church and the carved decorations on the interior, which were only finished towards the end of the 19th century. The circular bell towers and the oculus closed by a relief were original features in religious architecture of that time in Brazil. The façade has a single entrance door under a soapstone frontispiece under a relief depicting Saint Francis receiving the stigmata. The interior is richly decorated with golden woodwork, statues and paintings, and the wooden ceiling displays a painting by Manuel da Costa Ataíde. Due to its architecture and historical significance regarding eighteenth century gold mining, this church is classified on the UNESCO World Heritage List.

notable work

Find the relation between <e1>Antônio Francisco Lisboa<\e1> and <e2>Brazilian<\e2>. The Church of Saint Francis of Assisi is a Rococo Catholic church in Ouro Preto, Brazil. Its erection began in 1766 after a design by the Brazilian architect and sculptor Antônio Francisco Lisboa, otherwise known as Aleijadinho. Lisboa designed both the structure of the church and the carved decorations on the interior, which were only finished towards the end of the 19th century. The circular bell towers and the oculus closed by a relief were original features in religious architecture of that time in Brazil. The façade has a single entrance door under a soapstone frontispiece under a relief depicting Saint Francis receiving the stigmata. The interior is richly decorated with golden woodwork, statues and paintings, and the wooden ceiling displays a painting by Manuel da Costa Ataíde. Due to its architecture and historical significance regarding eighteenth century gold mining, this church is classified on the UNESCO World Heritage List.

country of citizenship

Find the relation between <e1>Sara Black<\e1> and <e2>Antioch College<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

employer

Find the relation between <e1>Sara Black<\e1> and <e2>University of Chicago<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

educated at

Find the relation between <e1>Sara Black<\e1> and <e2>American<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

country of citizenship

Find the relation between <e1>Sara Black<\e1> and <e2>Northwestern University<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

employer

Find the relation between <e1>School of the Art Institute of Chicago<\e1> and <e2>Chicago<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

located in the administrative territorial entity

Find the relation between <e1>University of Chicago<\e1> and <e2>Chicago<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

located in the administrative territorial entity

Find the relation between <e1>Portland State University<\e1> and <e2>Portland<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

located in the administrative territorial entity

Find the relation between <e1>Museum of Contemporary Craft<\e1> and <e2>Portland<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

located in the administrative territorial entity

Find the relation between <e1>Northwestern University<\e1> and <e2>Chicago<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

located in the administrative territorial entity

Find the relation between <e1>Sara Black<\e1> and <e2>Evergreen State College<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

educated at

Find the relation between <e1>Sara Black<\e1> and <e2>University of Wisconsin–Eau Claire<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

educated at

Find the relation between <e1>Sara Black<\e1> and <e2>School of the Art Institute of Chicago<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

employer

Find the relation between <e1>Park Avenue Armory<\e1> and <e2>New York<\e2>. Sara Black (born 1978) is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her " performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture. "She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin – Eau Claire. She was a co - founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

located in the administrative territorial entity

Find the relation between <e1>Bielany<\e1> and <e2>Warsaw<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

located in the administrative territorial entity

Find the relation between <e1>Bielany<\e1> and <e2>Warsaw Metro<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

part of

Find the relation between <e1>ZTM<\e1> and <e2>Warsaw Metro<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

part of

Find the relation between <e1>Młociny<\e1> and <e2>Warsaw<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

located in the administrative territorial entity

Find the relation between <e1>Warsaw Metro<\e1> and <e2>Warsaw<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

located in the administrative territorial entity

Find the relation between <e1>Line M1<\e1> and <e2>Warsaw<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

located in the administrative territorial entity

Find the relation between <e1>Młociny<\e1> and <e2>Warsaw Metro<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

part of

Find the relation between <e1>ArcelorMittal<\e1> and <e2>Warsaw<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

located in the administrative territorial entity

Find the relation between <e1>Młociny<\e1> and <e2>Bielany<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

located in the administrative territorial entity

Find the relation between <e1>Warsaw Metro<\e1> and <e2>Bielany<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

has part(s)

Find the relation between <e1>Warsaw Metro<\e1> and <e2>Młociny<\e2>. Młociny is a Warsaw Metro station serving as a northern terminus to Line M1. It is situated within Warsaw administrative boundaries and ZTM ticketing zone 1, in the dzielnica of Bielany, in a close proximity to Warsaw's ArcelorMittal steelworks. The station opened on 25 October 2008 and is the final northern extension of Line M1. The area beyond the station has been remodelled into a major public transportation junction after Młociny opened. It is served by trams and both urban and suburban buses. Although there are no plans to extend Line M1 further, the station is built in such way that it will be possible to do so if need be. The trains are turned back at sidings behind Młociny. Terminating trains arrive at eastern side platform, whereas southbound trains depart from western side platform.

has part(s)

Find the relation between <e1>La prima notte di quiete<\e1> and <e2>Valerio Zurlini<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

director

Find the relation between <e1>Indian Summer<\e1> and <e2>Valerio Zurlini<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

director

Find the relation between <e1>Le Professeur<\e1> and <e2>Valerio Zurlini<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

director

Find the relation between <e1>Le Professeur<\e1> and <e2>France<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

country of origin

Find the relation between <e1>La prima notte di quiete<\e1> and <e2>Alain Delon<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

producer

Find the relation between <e1>La prima notte di quiete<\e1> and <e2>France<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

country of origin

Find the relation between <e1>Indian Summer<\e1> and <e2>France<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

country of origin

Find the relation between <e1>Le Professeur<\e1> and <e2>Alain Delon<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

producer

Find the relation between <e1>Oktober in Rimini<\e1> and <e2>Valerio Zurlini<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

director

Find the relation between <e1>La prima notte di quiete<\e1> and <e2>Italian<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

country of origin

Find the relation between <e1>Valerio Zurlini<\e1> and <e2>La prima notte di quiete<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

notable work

Find the relation between <e1>Valerio Zurlini<\e1> and <e2>Indian Summer<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

notable work

Find the relation between <e1>Valerio Zurlini<\e1> and <e2>Le Professeur<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

notable work

Find the relation between <e1>Alain Delon<\e1> and <e2>La prima notte di quiete<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

notable work

Find the relation between <e1>Alain Delon<\e1> and <e2>Le Professeur<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

notable work

Find the relation between <e1>Valerio Zurlini<\e1> and <e2>Oktober in Rimini<\e2>. La prima notte di quiete, released in USA as Indian Summer (from the phrase Der Nachsommer, an insignia of Goethe) is a 1972 Italian and French drama film directed by Valerio Zurlini. It is starred and produced by Alain Delon. In France and Germany it runs less than the Italian cut. It is known and available on DVD in France as Le Professeur (The Professor) and in Germany as Oktober in Rimini (October in Rimini). It tells the story of a gifted but restless young man who can not live up to the high traditions of his family and survives in obscurity, taking casual teaching jobs and living in a loveless partnership with a depressed woman. His aimless existence reaches a crisis point when he falls for one of his pupils, a beautiful but badly damaged girl.

notable work

Find the relation between <e1>Tó Cruz<\e1> and <e2>Eurovision Song Contest 1995<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant of

Find the relation between <e1>Eurovision Song Contest 1995<\e1> and <e2>Tó Cruz<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant

Find the relation between <e1>Eurovision Song Contest 1995<\e1> and <e2>Alexandros Panayi<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant

Find the relation between <e1>Eurovision Song Contest 1995<\e1> and <e2>Love City Groove<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant

Find the relation between <e1>Alexandros Panayi<\e1> and <e2>Eurovision Song Contest 1995<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant of

Find the relation between <e1>Alexandros Panayi<\e1> and <e2>Cyprus<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

country of citizenship

Find the relation between <e1>Love City Groove<\e1> and <e2>Eurovision Song Contest 1995<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant of

Find the relation between <e1>Lúcia Moniz<\e1> and <e2>Portugal<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

country of citizenship

Find the relation between <e1>Eurovision Song Contest 1995<\e1> and <e2>Sti Fotia<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant

Find the relation between <e1>Vanilla and chocolate<\e1> and <e2>Tó Cruz<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

performer

Find the relation between <e1>Sti Fotia<\e1> and <e2>Alexandros Panayi<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

performer

Find the relation between <e1>Eurovision Song Contest 1995<\e1> and <e2>the United Kingdom<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant

Find the relation between <e1>Tó Cruz<\e1> and <e2>Portugal<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

country of citizenship

Find the relation between <e1>O meu coração não tem cor<\e1> and <e2>Lúcia Moniz<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

performer

Find the relation between <e1>Tó Cruz<\e1> and <e2>Portuguese<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

languages spoken, written or signed

Find the relation between <e1>Sti Fotia<\e1> and <e2>Eurovision Song Contest 1995<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant of

Find the relation between <e1>Tó Cruz<\e1> and <e2>Vanilla and chocolate<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

notable work

Find the relation between <e1>Alexandros Panayi<\e1> and <e2>Sti Fotia<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

notable work

Find the relation between <e1>the United Kingdom<\e1> and <e2>Eurovision Song Contest 1995<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

participant of

Find the relation between <e1>Lúcia Moniz<\e1> and <e2>O meu coração não tem cor<\e2>. " Baunilha e chocolate " (" Vanilla and chocolate ") was the Portuguese entry in the Eurovision Song Contest 1995, performed in Portuguese by Tó Cruz. The song is inspired by urban music and features Cruz singing to his " sweetheart with white skin " while musing on their interracial relationship (Cruz is black). He suggests that this could only have been made possible via the intrepid maritime history of their country, and sings about the spices and cultural knowledge that were brought back to Portugal as a result of this history. The song was performed sixteenth on the night, following the United Kingdom's Love City Groove with " Love City Groove " and preceding Cyprus' Alexandros Panayi with " Sti Fotia ". At the close of voting, it had received 5 points, placing 21st in a field of 23. It was succeeded as Portuguese representative at the 1996 contest by Lúcia Moniz with " O meu coração não tem cor ".

notable work

Find the relation between <e1>Inari<\e1> and <e2>Lapland<\e2>. The Vätsäri Wilderness Area (,) is located along the northeastern shore of Lake Inari in Inari, northern Finland, stretching all the way to the Finland – Norway border. The landscape is dominated by taiga forests of Scots pine, bog and bodies of water. The northeastern part rises as a treeless fell ridge. Vätsäri is one of twelve wilderness areas in Lapland and covers an area of. The wilderness has one marked trail and a few cabins. The reserve is under the management of Metsähallitus (Administration of Forests) and was established with the other wilderness reserves in 1991. It is part of Pasvik – Inari Trilateral Park along with Øvre Pasvik National Park and Øvre Pasvik Landscape Protection Area in Norway, and the joint Norwegian – Russian Pasvik Nature Reserve. The area has a short growing season, cold winters, little precipitation and poor soil quality created by the gneiss bedrock. Lake Inari has been affected by acid rain and loss of fish from the Paatsjoki River Hydroelectric Plants. The reserve is an important habitat of the brown bear and also has a large moose population ; reindeer husbandry is practiced by the Samis. Whitefish and vendace are the most common species of fish, the latter being an introduced species.

located in the administrative territorial entity

Find the relation between <e1>Vätsäri Wilderness Area<\e1> and <e2>Lapland<\e2>. The Vätsäri Wilderness Area (,) is located along the northeastern shore of Lake Inari in Inari, northern Finland, stretching all the way to the Finland – Norway border. The landscape is dominated by taiga forests of Scots pine, bog and bodies of water. The northeastern part rises as a treeless fell ridge. Vätsäri is one of twelve wilderness areas in Lapland and covers an area of. The wilderness has one marked trail and a few cabins. The reserve is under the management of Metsähallitus (Administration of Forests) and was established with the other wilderness reserves in 1991. It is part of Pasvik – Inari Trilateral Park along with Øvre Pasvik National Park and Øvre Pasvik Landscape Protection Area in Norway, and the joint Norwegian – Russian Pasvik Nature Reserve. The area has a short growing season, cold winters, little precipitation and poor soil quality created by the gneiss bedrock. Lake Inari has been affected by acid rain and loss of fish from the Paatsjoki River Hydroelectric Plants. The reserve is an important habitat of the brown bear and also has a large moose population ; reindeer husbandry is practiced by the Samis. Whitefish and vendace are the most common species of fish, the latter being an introduced species.

located in the administrative territorial entity

Find the relation between <e1>Lake Inari<\e1> and <e2>Inari<\e2>. The Vätsäri Wilderness Area (,) is located along the northeastern shore of Lake Inari in Inari, northern Finland, stretching all the way to the Finland – Norway border. The landscape is dominated by taiga forests of Scots pine, bog and bodies of water. The northeastern part rises as a treeless fell ridge. Vätsäri is one of twelve wilderness areas in Lapland and covers an area of. The wilderness has one marked trail and a few cabins. The reserve is under the management of Metsähallitus (Administration of Forests) and was established with the other wilderness reserves in 1991. It is part of Pasvik – Inari Trilateral Park along with Øvre Pasvik National Park and Øvre Pasvik Landscape Protection Area in Norway, and the joint Norwegian – Russian Pasvik Nature Reserve. The area has a short growing season, cold winters, little precipitation and poor soil quality created by the gneiss bedrock. Lake Inari has been affected by acid rain and loss of fish from the Paatsjoki River Hydroelectric Plants. The reserve is an important habitat of the brown bear and also has a large moose population ; reindeer husbandry is practiced by the Samis. Whitefish and vendace are the most common species of fish, the latter being an introduced species.

located in the administrative territorial entity

Find the relation between <e1>Vätsäri Wilderness Area<\e1> and <e2>Inari<\e2>. The Vätsäri Wilderness Area (,) is located along the northeastern shore of Lake Inari in Inari, northern Finland, stretching all the way to the Finland – Norway border. The landscape is dominated by taiga forests of Scots pine, bog and bodies of water. The northeastern part rises as a treeless fell ridge. Vätsäri is one of twelve wilderness areas in Lapland and covers an area of. The wilderness has one marked trail and a few cabins. The reserve is under the management of Metsähallitus (Administration of Forests) and was established with the other wilderness reserves in 1991. It is part of Pasvik – Inari Trilateral Park along with Øvre Pasvik National Park and Øvre Pasvik Landscape Protection Area in Norway, and the joint Norwegian – Russian Pasvik Nature Reserve. The area has a short growing season, cold winters, little precipitation and poor soil quality created by the gneiss bedrock. Lake Inari has been affected by acid rain and loss of fish from the Paatsjoki River Hydroelectric Plants. The reserve is an important habitat of the brown bear and also has a large moose population ; reindeer husbandry is practiced by the Samis. Whitefish and vendace are the most common species of fish, the latter being an introduced species.

located in the administrative territorial entity

Find the relation between <e1>Lake Inari<\e1> and <e2>Lapland<\e2>. The Vätsäri Wilderness Area (,) is located along the northeastern shore of Lake Inari in Inari, northern Finland, stretching all the way to the Finland – Norway border. The landscape is dominated by taiga forests of Scots pine, bog and bodies of water. The northeastern part rises as a treeless fell ridge. Vätsäri is one of twelve wilderness areas in Lapland and covers an area of. The wilderness has one marked trail and a few cabins. The reserve is under the management of Metsähallitus (Administration of Forests) and was established with the other wilderness reserves in 1991. It is part of Pasvik – Inari Trilateral Park along with Øvre Pasvik National Park and Øvre Pasvik Landscape Protection Area in Norway, and the joint Norwegian – Russian Pasvik Nature Reserve. The area has a short growing season, cold winters, little precipitation and poor soil quality created by the gneiss bedrock. Lake Inari has been affected by acid rain and loss of fish from the Paatsjoki River Hydroelectric Plants. The reserve is an important habitat of the brown bear and also has a large moose population ; reindeer husbandry is practiced by the Samis. Whitefish and vendace are the most common species of fish, the latter being an introduced species.

located in the administrative territorial entity

Find the relation between <e1>Pasvik – Inari Trilateral Park<\e1> and <e2>Lapland<\e2>. The Vätsäri Wilderness Area (,) is located along the northeastern shore of Lake Inari in Inari, northern Finland, stretching all the way to the Finland – Norway border. The landscape is dominated by taiga forests of Scots pine, bog and bodies of water. The northeastern part rises as a treeless fell ridge. Vätsäri is one of twelve wilderness areas in Lapland and covers an area of. The wilderness has one marked trail and a few cabins. The reserve is under the management of Metsähallitus (Administration of Forests) and was established with the other wilderness reserves in 1991. It is part of Pasvik – Inari Trilateral Park along with Øvre Pasvik National Park and Øvre Pasvik Landscape Protection Area in Norway, and the joint Norwegian – Russian Pasvik Nature Reserve. The area has a short growing season, cold winters, little precipitation and poor soil quality created by the gneiss bedrock. Lake Inari has been affected by acid rain and loss of fish from the Paatsjoki River Hydroelectric Plants. The reserve is an important habitat of the brown bear and also has a large moose population ; reindeer husbandry is practiced by the Samis. Whitefish and vendace are the most common species of fish, the latter being an introduced species.

located in the administrative territorial entity