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a TOK 'k' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'l' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'm' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'n' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'o' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'p' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'q' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'r' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 's' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 't' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'u' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'v' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'w' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'x' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'y' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'z' lowercase in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK '.' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK ',' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK ';' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK ':' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK '#' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK ''' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK '"' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK '!' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK '/' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK '(' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK ')' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK '?' punctuation in the style of Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.

a TOK 'A' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'B' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'C' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'D' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'E' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'F' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'G' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'H' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'I' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'J' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'K' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'L' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'M' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'N' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'O' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'P' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'Q' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'R' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'S' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'T' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'U' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'V' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'W' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'X' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'Y' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'Z' uppercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'a' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'b' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'c' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'd' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'e' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'f' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'g' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'h' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'i' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'j' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'k' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'l' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'm' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'n' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'o' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'p' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'q' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'r' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 's' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 't' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'u' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'v' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'w' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'x' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'y' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'z' lowercase in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK '.' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK ',' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK ';' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK ':' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK '#' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK ''' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK '"' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK '!' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK '/' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK '(' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK ')' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK '?' punctuation in the style of Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.

a TOK 'A' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'B' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'C' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'D' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'E' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'F' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'G' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'H' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.