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largely , this is a movie that also does it by the numbers .

the modern-day royals have nothing on these guys when it comes to scandals .

essentially `` fatal attraction '' remade for viewers who were in diapers when the original was released in 1987 .

it does n't really know or care about the characters , and uses them as markers for a series of preordained events .

` opening up ' the play more has partly closed it down .

even though it 's common knowledge that park and his founding partner , yong kang , lost kozmo in the end , you ca n't help but get caught up in the thrill of the company 's astonishing growth .

lots of effort and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings .

every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat .

the imax screen enhances the personal touch of manual animation .

coal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings .

as pedestrian as they come .

why , you may ask , why should you buy the movie milk when the tv cow is free ?

sunk by way too much indulgence of scene-chewing , teeth-gnashing actorliness .

that 's fun for kids of any age .

raimi and his team could n't have done any better in bringing the story of spider-man to the big screen .

a colorful , joyous celebration of life ; a tapestry woven of romance , dancing , singing , and unforgettable characters .

frank mcklusky c.i. is that movie !

a rip-roaring comedy action fest that 'll put hairs on your chest .

the premise of jason x is silly but strangely believable .

the modern-day characters are nowhere near as vivid as the 19th-century ones .

chelsea walls is a case of too many chefs fussing over too weak a recipe .

the cast ... keeps this pretty watchable , and casting mick jagger as director of the escort service was inspired .

plods along , minus the twisted humor and eye-popping visuals that have made miike ... a cult hero .

( the kid 's ) just too bratty for sympathy , and as the film grows to its finale , his little changes ring hollow .

contradicts everything we 've come to expect from movies nowadays .

there is little question that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out .

the script has less spice than a rat burger and the rock 's fighting skills are more in line with steven seagal .

the solid filmmaking and convincing characters makes this a high water mark for this genre .

the kind of movie that comes along only occasionally , one so unconventional , gutsy and perfectly executed it takes your breath away .

and a very rainy day .

with an admirably dark first script by brent hanley , paxton , making his directorial feature debut , does strong , measured work .

the film has a childlike quality about it .

a really funny fifteen-minute short stretched beyond its limits to fill an almost feature-length film .

gone are the flamboyant mannerisms that are the trademark of several of his performances .

funny , somber , absurd , and , finally , achingly sad , bartleby is a fine , understated piece of filmmaking .

every now and again , a movie comes along to remind us of how very bad a motion picture can truly be .

unfortunately , there is almost nothing in this flat effort that will amuse or entertain them , either .

schrader examines crane 's decline with unblinking candor .

count on his movie to work at the back of your neck long after you leave the theater .

that the e-graveyard holds as many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy .

you would n't want to live waydowntown , but it is a hilarious place to visit .

the bai brothers have taken an small slice of history and opened it up for all of us to understand , and they 've told a nice little story in the process .

there 's not one decent performance from the cast and not one clever line of dialogue .

translation : ` we do n't need to try very hard . '

return to never land is reliable , standard disney animated fare , with enough creative energy and wit to entertain all ages .

it sticks rigidly to the paradigm , rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations .

in many ways , reminiscent of 1992 's unforgiven which also utilized the scintillating force of its actors to draw out the menace of its sparse dialogue .

caine makes us watch as his character awakens to the notion that to be human is eventually to have to choose .

a captivating and intimate study about dying and loving ...

oversexed , at times overwrought comedy\/drama that offers little insight into the experience of being forty , female and single .

the world needs more filmmakers with passionate enthusiasms like martin scorsese .

the director seems to take an unseemly pleasure in ( the characters ' ) misery and at the same time to congratulate himself for having the guts to confront it .

the history is fascinating ; the action is dazzling .

the unexpected thing is that its dying , in this shower of black-and-white psychedelia , is quite beautiful .

i also believe that resident evil is not it .

if only there were one for this kind of movie .

offers a clear-eyed chronicle of a female friendship that is more complex and honest than anything represented in a hollywood film .

it may be about drug dealers , kidnapping , and unsavory folks , but the tone and pacing are shockingly intimate .

meeting , even exceeding expectations , it 's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth .

while general audiences might not come away with a greater knowledge of the facts of cuban music , they 'll be treated to an impressive and highly entertaining celebration of its sounds .

not only better than its predecessor , it may rate as the most magical and most fun family fare of this or any recent holiday season .

... may work as an addictive guilty pleasure but the material never overcomes its questionable satirical ambivalence .

death to smoochy tells a moldy-oldie , not-nearly - as-nasty - as-it - thinks-it-is joke .

spielberg 's picture is smarter and subtler than ( total recall and blade runner ) , although its plot may prove too convoluted for fun-seeking summer audiences .

hart 's war seems to want to be a character study , but apparently ca n't quite decide which character .

smaller numbered kidlets will enjoy .

offers no new insight on the matter , nor do its characters exactly spring to life .

i 'm convinced i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking .

the connected stories of breitbart and hanussen are actually fascinating , but the filmmaking in invincible is such that the movie does not do them justice .

the characters are more deeply thought through than in most ` right-thinking ' films .

these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field , and i 'm all for that .

with a completely predictable plot , you 'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard .

the jokes are sophomoric , stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious .

you see robin williams and psycho killer , and you think , hmmmmm .

cho 's latest comic set is n't as sharp or as fresh as i 'm the one that i want ... but it 's still damn funny stuff .

much has been written about those years when the psychedelic '60s grooved over into the gay '70s , but words do n't really do the era justice .

one of the best looking and stylish animated movies in quite a while ...

the armenian genocide deserves a more engaged and honest treatment .

light the candles , bring out the cake and do n't fret about the calories because there 's precious little substance in birthday girl -- it 's simply , and surprisingly , a nice , light treat .

it 's good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart .

sayles ... once again strands his superb performers in the same old story .

high crimes carries almost no organic intrigue as a government \/ marine\/legal mystery , and that 's because the movie serves up all of that stuff , nearly subliminally , as the old-hat province of male intrigue .

nicole kidman makes it a party worth attending .

bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy .

the gentle comic treatment of adolescent sturm und drang should please fans of chris fuhrman 's posthumously published cult novel .

shatner is probably the funniest person in the film , which gives you an idea just how bad it was .

this is a fragmented film , once a good idea that was followed by the bad idea to turn it into a movie .

there 's some outrageously creative action in the transporter ... ( b ) ut by the time frank parachutes down onto a moving truck , it 's just another cartoon with an unstoppable superman .

for those of an indulgent , slightly sunbaked and summery mind , sex and lucia may well prove diverting enough .

it might be ` easier ' to watch on video at home , but that should n't stop die-hard french film connoisseurs from going out and enjoying the big-screen experience .

new yorkers always seem to find the oddest places to dwell ...

( reno ) delivers a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion .

rich in atmosphere of the post-war art world , it manages to instruct without reeking of research library dust .

more good than great but freeman and judd make it work .

it 's nice to see piscopo again after all these years , and chaykin and headly are priceless .

never again , while nothing special , is pleasant , diverting and modest -- definitely a step in the right direction .

if the last man were the last movie left on earth , there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows .

she is a lioness , protecting her cub , and he a reluctant villain , incapable of controlling his crew .

this is an interesting movie ! ''

it 's simply stupid , irrelevant and deeply , truly , bottomlessly cynical .