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Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.
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"Sing.",
"He can't sing."
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"content": "What can't Mumble do?",
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" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate."
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Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.
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"The Amigos.",
"The Amigos."
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"content": "What is the group of Adelie penguins known as?",
"role": "user"
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[
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate."
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Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.
|
[
[
"The plastic ring from a six pack.",
"a six pack ring, which he called a talisman "
]
] |
[
{
"content": "What does Lovelace have around his neck?",
"role": "user"
}
] | 39,602
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[
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate."
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Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.
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"He will not stop dancing"
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"content": "Why is Mumbles exiled?",
"role": "user"
}
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" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate."
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Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.
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"A fishing boat.",
"A fishing boat."
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[
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"content": "What kind of boat does Mumbles find at the Forbidden shore?",
"role": "user"
}
] | 39,604
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" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate."
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Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.
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" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate."
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train
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Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.
|
[
[
"A ban on Antarctic fishing.",
"People realize they are overfishing"
]
] |
[
{
"content": "What does the research teams footage lead to?",
"role": "user"
}
] | 39,606
|
[
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate.",
" Every emperor penguin sings a unique song called a \"heartsong\" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.\nYears later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called \"the Amigos\", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.\nFor the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of \"My Way\", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to \"Boogie Wonderland\". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.\nMumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.\nAt the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of \"aliens\" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.\nThe research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
|
[
[
"A Shropshire Lad can be read as an allegory of the hero's emotional journey through life.",
"An account of the hearts journey through life"
]
] |
[
{
"content": "How can A Shropshire Lad be read?",
"role": "user"
}
] | 39,607
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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"Some of the themes in A Shropshire Lad are death, sacrifice, and unrequited love. ",
"unrequited love, a broken heart"
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"content": "Which are some of the recurring themes in A Shropshire Lad?",
"role": "user"
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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"Cricket or football.",
"Football"
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{
"content": "What sports does one of the poems suggest as helping to console a broken heart?",
"role": "user"
}
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
|
[
[
"The Britons and the Saxons.",
"Ancient Saxon and Briton"
]
] |
[
{
"content": "In poem XXVIII, which groups of ancestors are evoked?",
"role": "user"
}
] | 39,613
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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"Death is described as a journey towards the light. ",
"as a journey"
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"content": "How is death portrayed in one of the final poems?",
"role": "user"
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[
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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"content": "What is one main theme in these poems?",
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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"content": "How does Terence LXII, a Shropshire lad, die?",
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).
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" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII).",
" A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The \"I\" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the \"Shropshire Lad\" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.\nThe collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).\nThe athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).\nThe wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).\nThough he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII)."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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train
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
[
"Victor Camacho",
"Victor Comacho."
]
] |
[
{
"content": "What is the cocaine supplier's name?",
"role": "user"
}
] | 39,636
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
[
"A rival gang infilitrates the sting unexpectedly and shoots everyone.",
"a rival gang infiltrates"
]
] |
[
{
"content": "What goes wrong during the sting?",
"role": "user"
}
] | 39,637
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
[
"He watches him accidentally gun down a teenager and then plant his weapon on him.",
"shoot a teenager"
]
] |
[
{
"content": "What does Kopalas see Cragie accidentally do?",
"role": "user"
}
] | 39,638
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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train
|
October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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[
[
"Because he refuses to sign a petition to release Cragie.",
"Because he refused to sign a petition to have Detective Cragie cleared from the events of the sting."
]
] |
[
{
"content": "Why is Eddie shunned by other officers?",
"role": "user"
}
] | 39,639
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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"content": "What were the Camachos posing as when they gunned down the Lunas?",
"role": "user"
}
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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[
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"content": "Who did the Comachos take hostage?",
"role": "user"
}
] | 39,641
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
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"That he saw Cragie plant a gun on the teenager that he killed.",
"that Craige planted a gun on someone he had killed"
]
] |
[
{
"content": "What does Kopalas reveal to the squad room?",
"role": "user"
}
] | 39,643
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
] |
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
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"in a bathroom",
"In a bathroom at the Comacho hangout."
]
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[
{
"content": "Where is Diana found?",
"role": "user"
}
] | 39,644
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
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"content": "What do Cusack and Dorato use to patrol beneath the train tracks?",
"role": "user"
}
] | 39,646
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" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
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"Victor Comacho",
"Victor Comacho"
]
] |
[
{
"content": "Who is the cocaine supplier?",
"role": "user"
}
] | 39,647
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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"Disguised as a crew of painters",
"by pretending to be painters"
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] |
[
{
"content": "How does the rival gang infiltrate the sting?",
"role": "user"
}
] | 39,648
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
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"content": "Who does Luna ask to guard his daughter?",
"role": "user"
}
] | 39,650
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
[
"To request he stop the conflict",
"To request that he stop the imminent conflict between the Luna and Comacho families."
]
] |
[
{
"content": "Why do the detectives visit Luna's uncle?",
"role": "user"
}
] | 39,651
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
] |
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
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"A Columbian Necktie",
"Columbian Necktie"
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] |
[
{
"content": "What has the victim in Lincoln Park been given ?",
"role": "user"
}
] | 39,652
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
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"Food vendors."
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[
{
"content": "What do the Comachos disguise themselves as as they assault the Luna Household?",
"role": "user"
}
] | 39,653
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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"content": "Who kills Luis as he is about to kill Diana?",
"role": "user"
}
] | 39,654
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
] |
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
[
"A garbage truck.",
"A garbage truck."
]
] |
[
{
"content": "What does Cusack and Durato use to patrol beneath the trains during the sting operation?",
"role": "user"
}
] | 39,655
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
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"Detective Craig.",
"Detective Cragie."
]
] |
[
{
"content": "Who is the alcoholic detective?",
"role": "user"
}
] | 39,656
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
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"Cocaine.",
"cocaine"
]
] |
[
{
"content": "What drug does Victor Comacho supply?",
"role": "user"
}
] | 39,657
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
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"Have someone guard his daughter.",
"To protect his daughter Diana"
]
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"content": "What does Tony Luna ask Lou Gamiani to do when he decides to leave town?",
"role": "user"
}
] | 39,658
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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"content": "What do the Comachos pose as to gun down the Luna family?",
"role": "user"
}
] | 39,659
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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"content": "How does Gamiani die?",
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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"content": "Who does Cusack place Diana in a safe house with?",
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" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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[
[
"That he planted the gun on the teen he killed.",
"Craige planted the gun on the teen he killed"
]
] |
[
{
"content": "What truth does does Kopalas reveal about Cragie?",
"role": "user"
}
] | 39,662
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
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"content": "Where is Tony Luna lying low?",
"role": "user"
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[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or "el")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.
The carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.
Kopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: "Find who burned the Comachos before they do."
After learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.
Apart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: "If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed."
Tailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.
Responding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a "Colombian Necktie", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.
Posing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.
Cusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a "Code of Silence" is in effect against Cusack, with his only confidant being Detective Dorato.
Pirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.
Dorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.
Other detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.
Cusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.
Backup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.
|
[
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"Prowler.",
"The Prowler robot."
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[
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"content": "What is the name of the robot that Cusack retrieves?",
"role": "user"
}
] | 39,664
|
[
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.",
" October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters."
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
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[
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"John Berthier Heatherstone",
"John Heatherstone"
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[
{
"content": "Who occupied Cloomber Hall?",
"role": "user"
}
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[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
] |
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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[
39667,
39668,
39669,
39670,
39666
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"The tolling of a bell.",
"A bell"
]
] |
[
{
"content": "What do people hear when they are around Heatherstone?",
"role": "user"
}
] | 39,666
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
] |
[
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] |
[
39667,
39668,
39669,
39670,
39665
] |
train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"October 5th",
"October 5"
]
] |
[
{
"content": "On what date does Heatherstone become the most paranoid?",
"role": "user"
}
] | 39,667
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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[
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39669,
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
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[
[
"Three Buddhist Monks",
"Buddhist priests"
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[
{
"content": "Who were the three shipwreck survivors?",
"role": "user"
}
] | 39,668
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[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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[
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39669,
39670,
39666,
39665
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train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"Order them to jump into a bottomless pit.",
"He took them to the Hole of Cree and either threw them in or ordered them to jump in"
]
] |
[
{
"content": "What did the priest do to Heatherstone and Smith?",
"role": "user"
}
] | 39,669
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
] |
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] |
[
39667,
39668,
39670,
39666,
39665
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"Deliver a parcel to West",
"give the parcel to John Fothergill West"
]
] |
[
{
"content": "Why did the general tell his son to do if her went missing?",
"role": "user"
}
] | 39,670
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
] |
[
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] |
[
39667,
39668,
39669,
39666,
39665
] |
train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"Pages from Heatherstone's diary.",
"A letter and some old papers"
]
] |
[
{
"content": "What is in the parcel?",
"role": "user"
}
] | 39,671
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[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
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"The First Afghan War"
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"content": "What war did Heatherstone participate in?",
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" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"A Buddhist Priest",
"He was the arch-adept."
]
] |
[
{
"content": "Who was the old man that Heatherstone and Smith killed?",
"role": "user"
}
] | 39,673
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"The old man was their teacher.",
"they were his students"
]
] |
[
{
"content": "How did the three monks know the old man?",
"role": "user"
}
] | 39,674
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
] |
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] |
[
39667,
39668,
39669,
39670,
39666,
39665
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
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"A general in the Indian Army.",
"He was a general in the Indian Army."
]
] |
[
{
"content": "What was Heatherstone's former job?",
"role": "user"
}
] | 39,675
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[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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[
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39668,
39669,
39670,
39666,
39665
] |
train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"Some people in India whom he has offended.",
"The fears are connected to some people in India that Heatherstone offended"
]
] |
[
{
"content": "What are Heatherstone's fears connected to?",
"role": "user"
}
] | 39,676
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
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"Heatherstone's paranoia peaks",
"he became very fearful"
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[
{
"content": "What happens on the fifth of October every year?",
"role": "user"
}
] | 39,677
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[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"Three Buddhist priests.",
"three Buddhist priests"
]
] |
[
{
"content": "Who are the survivors of the shipwreck at the bay?",
"role": "user"
}
] | 39,678
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"General Heatherstone and Colonel Rufus Smith",
"General Heatherstone and Coolnel Rufus Smith"
]
] |
[
{
"content": "Which two people do the Buddhist priests summon out of Cloomber Hall?",
"role": "user"
}
] | 39,679
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
] |
[
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] |
[
39667,
39668,
39669,
39670,
39666,
39665
] |
train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"Hole of Cree",
"Hole of Cree"
]
] |
[
{
"content": "Where do the priests take the two men?",
"role": "user"
}
] | 39,680
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
] |
[
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] |
[
39667,
39668,
39669,
39670,
39666,
39665
] |
train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"They order them to jump in or else be thrown in.",
"jump in"
]
] |
[
{
"content": "What do the priests order the men to do when they reach their destination?",
"role": "user"
}
] | 39,681
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
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"content": "Who does the General leave a parcel for?",
"role": "user"
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[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"A letter and some old papers.",
"a letter and some old papers"
]
] |
[
{
"content": "What is in the parcel left for West?",
"role": "user"
}
] | 39,683
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"To prolong his misery.",
"to extend his misery"
]
] |
[
{
"content": "Why did the chelas allow the General to live for 40 years?",
"role": "user"
}
] | 39,684
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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[
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39666,
39665
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
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"The chelas want the General to suffer in misery for forty years to avenge the death of the old man.",
"To prolong his misery"
]
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[
{
"content": "Why was General Heatherstone allowed to live by the old man's students?",
"role": "user"
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" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"The residence settled into by General Heatherstone.",
"A home that was empty for years"
]
] |
[
{
"content": "What is Cloomber Hall?",
"role": "user"
}
] | 39,686
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
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"The fiance of General Heatherstone's daughter Gabriel.",
"the general's daughter's finace"
]
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[
{
"content": "Who is John Fothergill West?",
"role": "user"
}
] | 39,687
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[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"The psychic powers of Buddhist priests.",
"Pyschic powers from the Buddist monks."
]
] |
[
{
"content": "What controls General Heatherstone and Colonel Smith when they are summoned from Cloomer Hall?",
"role": "user"
}
] | 39,688
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"He fears retribution from his past actions while in the army during the First Afghan War.",
"His guilt for killing."
]
] |
[
{
"content": "What is the source of General Heatherstone's dismay?",
"role": "user"
}
] | 39,689
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
] |
[
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] |
[
39667,
39668,
39669,
39670,
39666,
39665
] |
train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"Journal pages that detail the atrocities committed against the Afridis by the General and Colonel Smith.",
"General Heatherstone's diary."
]
] |
[
{
"content": "What was to be given to West in the event of the General's death?",
"role": "user"
}
] | 39,690
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
] |
[
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] |
[
39667,
39668,
39669,
39670,
39666,
39665
] |
train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"To keep the general in a constant state of fear about the chelas' intention to always avenge the old man's death.",
"To remind the General that he can never escape the chelas' wrath"
]
] |
[
{
"content": "What was the purpose of the bells sounding above the General's head?",
"role": "user"
}
] | 39,691
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"The old man tried to thwart the General's attempt to kill the fleeing Afridis.",
"He want to kill what remaing of his enemies."
]
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[
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"content": "Why did General Heatherstone kill the old man during the war?",
"role": "user"
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" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"He had reached the highest level of the Buddhist priesthood.",
"said to have Psychic powers"
]
] |
[
{
"content": "Why was the old man revered?",
"role": "user"
}
] | 39,693
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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train
|
Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.
|
[
[
"They were passengers on a ship that wrecked in the bay.",
"by boat"
]
] |
[
{
"content": "How did the Buddhist priests travel to Branksome?",
"role": "user"
}
] | 39,694
|
[
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath.",
" Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.\nWhen John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.\nAfter defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath."
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Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.
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"She does not want to be married to the old king, Conchubor.",
"She doesn't want to marry an old man."
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"content": "Why does Deirdre want to stay in the countryside?",
"role": "user"
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" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing."
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Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.
|
[
[
"She marrys Naoise, son of Usna.",
"Naoise"
]
] |
[
{
"content": "Who does Deirdre marry?",
"role": "user"
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[
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing."
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Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.
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"7 years"
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" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing."
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Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.
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"The spy Owen tells her that death awaits him there.",
"There's a prophecy that she will his doom."
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"content": "Why does Deirdre fear for Naoise's life if they return to Ulster?",
"role": "user"
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" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing."
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Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.
|
[
[
"It fortells that Deirdre is their doom.",
"Doom."
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[
{
"content": "What does the prophesy fortell for the sons of Usna?",
"role": "user"
}
] | 39,699
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[
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.",
" Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.\nAct II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.\nAct III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing."
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